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  • Bas relief feeze above the door of the Baptistry of Pisa Duomo, Italy
  • Medieval Sculptures of the Door of the Bapistry of Pisa, Italy
  • Medieval Sculptures of the Door of the Bapistry of Pisa, Italy
  • Medieval Sculptures of the Door of the Bapistry of Pisa, Italy
  • Medieval Sculptures of the Door of the Bapistry of Pisa, Italy
  • Medieval Sculptures of the Door of the Bapistry of Pisa, Italy
  • Medieval Sculptures of the Door of the Bapistry of Pisa, Italy
  • Medieval Sculptures of the Door of the Bapistry of Pisa, Italy
  • Medieval Sculptures of the Door of the Bapistry of Pisa, Italy
  • Medieval Sculptures of the Door of the Bapistry of Pisa, Italy
  • Medieval Sculptures of the Door of the Bapistry of Pisa, Italy
  • Medieval Sculptures of the Door of the Bapistry of Pisa, Italy
  • Medieval Sculptures of the Door of the Bapistry of Pisa, Italy
  • Medieval Sculptures of the Door of the Bapistry of Pisa, Italy
  • Medieval Sculptures of the Door of the Bapistry of Pisa, Italy
  • Medieval Sculptures of the Door of the Bapistry of Pisa, Italy
  • Medieval Sculptures on the The Leaning Tower Of Pisa, Italy
  • Medieval relief sculpturs on the pulpit in the interior of the Duomo, Pisa, Italy
  • Early Anglo Saxon sulptures of the Apostles now part of the south porch of Malmesbury Abbey, Wiltshire, England. The apostles, apart from Peter who holds a crude key, have no distinguishing feature to allow identification. Some are holding books, none have halos and some hold their heads at awkward angles. These three styles are typical of Anglo Saxon art. The two panels are 10 ft long and 4ft 6" high are date from the original Ango Saxon church of 705. They were probablbly built into the proch during the Norman rebuilding. The style of these sculptures is of the Roman Byzantine style and were probably sculpted by masions from Gaul. Malmesbury Abbey, Wiltshire, England
  • Early Anglo Saxon sulptures of the Apostles now part of the south porch of Malmesbury Abbey, Wiltshire, England. The apostles, apart from Peter who holds a crude key, have no distinguishing feature to allow identification. Some are holding books, none have halos and some hold their heads at awkward angles. These three styles are typical of Anglo Saxon art. The two panels are 10 ft long and 4ft 6" high are date from the original Ango Saxon church of 705. They were probablbly built into the proch during the Norman rebuilding. The style of these sculptures is of the Roman Byzantine style and were probably sculpted by masions from Gaul. Malmesbury Abbey, Wiltshire, England
  • Early Anglo Saxon sulptures of the Apostles now part of the south porch of Malmesbury Abbey, Wiltshire, England. The apostles, apart from Peter who holds a crude key, have no distinguishing feature to allow identification. Some are holding books, none have halos and some hold their heads at awkward angles. These three styles are typical of Anglo Saxon art. The two panels are 10 ft long and 4ft 6" high are date from the original Ango Saxon church of 705. They were probablbly built into the proch during the Norman rebuilding. The style of these sculptures is of the Roman Byzantine style and were probably sculpted by masions from Gaul. Malmesbury Abbey, Wiltshire, England
  • Early Anglo Saxon sulptures of an Apostle holding a book now part of the south porch of Malmesbury Abbey, Wiltshire, England. The apostles, apart from Peter who holds a crude key, have no distinguishing feature to allow identification. Some are holding books, none have halos and some hold their heads at awkward angles. These three styles are typical of Anglo Saxon art. The two panels are 10 ft long and 4ft 6" high are date from the original Ango Saxon church of 705. They were probablbly built into the proch during the Norman rebuilding. The style of these sculptures is of the Roman Byzantine style and were probably sculpted by masions from Gaul. Malmesbury Abbey, Wiltshire, England
  • Early Anglo Saxon sulptures of an Apostle holding a book now part of the south porch of Malmesbury Abbey, Wiltshire, England. The apostles, apart from Peter who holds a crude key, have no distinguishing feature to allow identification. Some are holding books, none have halos and some hold their heads at awkward angles. These three styles are typical of Anglo Saxon art. The two panels are 10 ft long and 4ft 6" high are date from the original Ango Saxon church of 705. They were probablbly built into the proch during the Norman rebuilding. The style of these sculptures is of the Roman Byzantine style and were probably sculpted by masions from Gaul. Malmesbury Abbey, Wiltshire, England
  • Early Anglo Saxon sulptures of an Apostle holding a book now part of the south porch of Malmesbury Abbey, Wiltshire, England. The apostles, apart from Peter who holds a crude key, have no distinguishing feature to allow identification. Some are holding books, none have halos and some hold their heads at awkward angles. These three styles are typical of Anglo Saxon art. The two panels are 10 ft long and 4ft 6" high are date from the original Ango Saxon church of 705. They were probablbly built into the proch during the Norman rebuilding. The style of these sculptures is of the Roman Byzantine style and were probably sculpted by masions from Gaul. Malmesbury Abbey, Wiltshire, England
  • Early Anglo Saxon sulptures of Christ and the Apostles now part of the south porch of Malmesbury Abbey, Wiltshire, England. The apostles, apart from Peter who holds a crude key, have no distinguishing feature to allow identification. Some are holding books, none have halos and some hold their heads at awkward angles. These three styles are typical of Anglo Saxon art. The two panels are 10 ft long and 4ft 6" high are date from the original Ango Saxon church of 705. They were probablbly built into the proch during the Norman rebuilding. The style of these sculptures is of the Roman Byzantine style and were probably sculpted by masions from Gaul. Malmesbury Abbey, Wiltshire, England
  • Early Anglo Saxon sulptures of Christ and the Apostles now part of the south porch of Malmesbury Abbey, Wiltshire, England. The apostles, apart from Peter who holds a crude key, have no distinguishing feature to allow identification. Some are holding books, none have halos and some hold their heads at awkward angles. These three styles are typical of Anglo Saxon art. The two panels are 10 ft long and 4ft 6" high are date from the original Ango Saxon church of 705. They were probablbly built into the proch during the Norman rebuilding. The style of these sculptures is of the Roman Byzantine style and were probably sculpted by masions from Gaul. Malmesbury Abbey, Wiltshire, England
  • Early Anglo Saxon sulptures of the Apostles now part of the south porch of Malmesbury Abbey, Wiltshire, England. The apostles, apart from Peter who holds a crude key, have no distinguishing feature to allow identification. Some are holding books, none have halos and some hold their heads at awkward angles. These three styles are typical of Anglo Saxon art. The two panels are 10 ft long and 4ft 6" high are date from the original Ango Saxon church of 705. They were probablbly built into the proch during the Norman rebuilding. The style of these sculptures is of the Roman Byzantine style and were probably sculpted by masions from Gaul. Malmesbury Abbey, Wiltshire, England
  • Early Anglo Saxon sulptures of the Apostles now part of the south porch of Malmesbury Abbey, Wiltshire, England. The apostles, apart from Peter who holds a crude key, have no distinguishing feature to allow identification. Some are holding books, none have halos and some hold their heads at awkward angles. These three styles are typical of Anglo Saxon art. The two panels are 10 ft long and 4ft 6" high are date from the original Ango Saxon church of 705. They were probablbly built into the proch during the Norman rebuilding. The style of these sculptures is of the Roman Byzantine style and were probably sculpted by masions from Gaul. Malmesbury Abbey, Wiltshire, England
  • Early Anglo Saxon sulpture of the an Apostle now part of the south porch of Malmesbury Abbey, Wiltshire, England. The apostles, apart from Peter who holds a crude key, have no distinguishing feature to allow identification. Some are holding books, none have halos and some hold their heads at awkward angles. These three styles are typical of Anglo Saxon art. The two panels are 10 ft long and 4ft 6" high are date from the original Ango Saxon church of 705. They were probablbly built into the proch during the Norman rebuilding. The style of these sculptures is of the Roman Byzantine style and were probably sculpted by masions from Gaul. Malmesbury Abbey, Wiltshire, England
  • Early Anglo Saxon sulptures of Christ and the Apostles now part of the south porch of Malmesbury Abbey, Wiltshire, England. The apostles, apart from Peter who holds a crude key, have no distinguishing feature to allow identification. Some are holding books, none have halos and some hold their heads at awkward angles. These three styles are typical of Anglo Saxon art. The two panels are 10 ft long and 4ft 6" high are date from the original Ango Saxon church of 705. They were probablbly built into the proch during the Norman rebuilding. The style of these sculptures is of the Roman Byzantine style and were probably sculpted by masions from Gaul. Malmesbury Abbey, Wiltshire, England
  • Medieval sculptures of the south porch of the 12the century early transitional Norman architecture of the parish church of St Peter & St Paul part of Malmesbury Abbey, Wiltshire, England
  • Early Anglo Saxon sulptures of Christ and the Apostles now part of the south porch of Malmesbury Abbey, Wiltshire, England. The apostles, apart from Peter who holds a crude key, have no distinguishing feature to allow identification. Some are holding books, none have halos and some hold their heads at awkward angles. These three styles are typical of Anglo Saxon art. The two panels are 10 ft long and 4ft 6" high are date from the original Ango Saxon church of 705. They were probablbly built into the proch during the Norman rebuilding. The style of these sculptures is of the Roman Byzantine style and were probably sculpted by masions from Gaul. Malmesbury Abbey, Wiltshire, England
  • Early Anglo Saxon sulptures of the Apostles holding books now part of the south porch of Malmesbury Abbey, Wiltshire, England. The apostles, apart from Peter who holds a crude key, have no distinguishing feature to allow identification. Some are holding books, none have halos and some hold their heads at awkward angles. These three styles are typical of Anglo Saxon art. The two panels are 10 ft long and 4ft 6" high are date from the original Ango Saxon church of 705. They were probablbly built into the proch during the Norman rebuilding. The style of these sculptures is of the Roman Byzantine style and were probably sculpted by masions from Gaul. Malmesbury Abbey, Wiltshire, England
  • Medieval sculptures of the south porch of the 12the century early transitional Norman architecture of the parish church of St Peter & St Paul part of Malmesbury Abbey, Wiltshire, England
  • Early Anglo Saxon sulpture of the an Apostle holding a manuscripot now part of the south porch of Malmesbury Abbey, Wiltshire, England. The apostles, apart from Peter who holds a crude key, have no distinguishing feature to allow identification. Some are holding books, none have halos and some hold their heads at awkward angles. These three styles are typical of Anglo Saxon art. The two panels are 10 ft long and 4ft 6" high are date from the original Ango Saxon church of 705. They were probablbly built into the proch during the Norman rebuilding. The style of these sculptures is of the Roman Byzantine style and were probably sculpted by masions from Gaul. Malmesbury Abbey, Wiltshire, England
  • Early Anglo Saxon sulpture of the an Apostle now part of the south porch of Malmesbury Abbey, Wiltshire, England. The apostles, apart from Peter who holds a crude key, have no distinguishing feature to allow identification. Some are holding books, none have halos and some hold their heads at awkward angles. These three styles are typical of Anglo Saxon art. The two panels are 10 ft long and 4ft 6" high are date from the original Ango Saxon church of 705. They were probablbly built into the proch during the Norman rebuilding. The style of these sculptures is of the Roman Byzantine style and were probably sculpted by masions from Gaul. Malmesbury Abbey, Wiltshire, England
  • Early Anglo Saxon sulpture of the an Apostle now part of the south porch of Malmesbury Abbey, Wiltshire, England. The apostles, apart from Peter who holds a crude key, have no distinguishing feature to allow identification. Some are holding books, none have halos and some hold their heads at awkward angles. These three styles are typical of Anglo Saxon art. The two panels are 10 ft long and 4ft 6" high are date from the original Ango Saxon church of 705. They were probablbly built into the proch during the Norman rebuilding. The style of these sculptures is of the Roman Byzantine style and were probably sculpted by masions from Gaul. Malmesbury Abbey, Wiltshire, England
  • Early Anglo Saxon sulptures of the Apostles now part of the south porch of Malmesbury Abbey, Wiltshire, England. The apostles, apart from Peter who holds a crude key, have no distinguishing feature to allow identification. Some are holding books, none have halos and some hold their heads at awkward angles. These three styles are typical of Anglo Saxon art. The two panels are 10 ft long and 4ft 6" high are date from the original Ango Saxon church of 705. They were probablbly built into the proch during the Norman rebuilding. The style of these sculptures is of the Roman Byzantine style and were probably sculpted by masions from Gaul. Malmesbury Abbey, Wiltshire, England
  • Early Anglo Saxon sulpture of the St Peter now part of the south porch of Malmesbury Abbey, Wiltshire, England. The apostles, apart from Peter who holds a crude key, have no distinguishing feature to allow identification. Some are holding books, none have halos and some hold their heads at awkward angles and the statue of Peter has no beard. These styles are typical of Anglo Saxon art. The two panels are 10 ft long and 4ft 6" high are date from the original Ango Saxon church of 705. They were probablbly built into the proch during the Norman rebuilding. The style of these sculptures is of the Roman Byzantine style and were probably sculpted by masions from Gaul. Malmesbury Abbey, Wiltshire, England
  • Early Anglo Saxon sulpture of the Christ now part of the south porch of Malmesbury Abbey, Wiltshire, England. The apostles, apart from Peter who holds a crude key, have no distinguishing feature to allow identification. Some are holding books, none have halos and some hold their heads at awkward angles. These three styles are typical of Anglo Saxon art. The two panels are 10 ft long and 4ft 6" high are date from the original Ango Saxon church of 705. They were probablbly built into the proch during the Norman rebuilding. The style of these sculptures is of the Roman Byzantine style and were probably sculpted by masions from Gaul. Malmesbury Abbey, Wiltshire, England
  • Medieval sculptures of the south porch of the 12the century early transitional Norman architecture of the parish church of St Peter & St Paul part of Malmesbury Abbey, Wiltshire, England
  • Medieval sculptures of the south porch of the 12the century early transitional Norman architecture of the parish church of St Peter & St Paul part of Malmesbury Abbey, Wiltshire, England
  • Medieval sculptures of the south porch of the 12the century early transitional Norman architecture of the parish church of St Peter & St Paul part of Malmesbury Abbey, Wiltshire, England
  • Medieval sculptures of the south porch of the 12the century early transitional Norman architecture of the parish church of St Peter & St Paul part of Malmesbury Abbey, Wiltshire, England
  • Medieval sculptures of the south porch of the 12the century early transitional Norman architecture of the parish church of St Peter & St Paul part of Malmesbury Abbey, Wiltshire, England
  • The Aisle of the 12the century early transitional Norman architecture of the parish church of St Peter & St Paul part of Malmesbury Abbey, Wiltshire, England
  • The Aisle of the 12the century early transitional Norman architecture of the parish church of St Peter & St Paul part of Malmesbury Abbey, Wiltshire, England
  • Medieval sculptures of the south porch of the 12the century early transitional Norman architecture of the parish church of St Peter & St Paul part of Malmesbury Abbey, Wiltshire, England
  • Sculpted Christian fish symbols in the columns of the cloisters of Monreale Cathedral - Palermo - Sicily Pictures, photos, images & fotos photography
  • Sculpted Christian fish symbols in the columns of the cloisters of Monreale Cathedral - Palermo - Sicily Pictures, photos, images & fotos photography
  • Sculpted columns of the cloisters of Monreale Cathedral - Palermo - Sicily Pictures, photos, images & fotos photography
  • Sculpted columns of the cloisters of Monreale Cathedral - Palermo - Sicily Pictures, photos, images & fotos photography
  • Adam and Eve sculpted in the columns of the cloisters of Monreale Cathedral - Palermo - Sicily Pictures, photos, images & fotos photography
  • Sculpted columns of the cloisters of Monreale Cathedral - Palermo - Sicily Pictures, photos, images & fotos photography
  • Decorated columns with zig zag mosaic patterns of the cloisters of Monreale Cathedral - Palermo - Sicily Pictures, photos, images & fotos photography
  • Adam and Eve sculpted in the columns of the cloisters of Monreale Cathedral - Palermo - Sicily Pictures, photos, images & fotos photography
  • Lunette of the main portal with Romanesque sculptures of the Modona and child, centre, Abraham about to sleigh Isaac, left, and The lamb of God, right , Basilica Church of Santa Maria Maggiore, Tuscania
  • Lunette of the main portal with Romanesque sculptures of the Modona and child , Basilica Church of Santa Maria Maggiore, Tuscania
  • Lunette of the main portal with Romanesque sculptures of the Modona and child, centre, Abraham about to sleigh Isaac, left, and The lamb of God, right , Basilica Church of Santa Maria Maggiore, Tuscania
  • Sculpture on the main portal of St Paul, Basilica Church of Santa Maria Maggiore, Tuscania
  • Sculpture on the main portal of St Peter, Basilica Church of Santa Maria Maggiore, Tuscania
  • Sculpture on the main portal of St Peter, Basilica Church of Santa Maria Maggiore, Tuscania
  • Lunette of the main portal with Romanesque sculptures of the Modona and child , Basilica Church of Santa Maria Maggiore, Tuscania
  • Sculpture on the main portal of St Paul, Basilica Church of Santa Maria Maggiore, Tuscania
  • Sculpture on the main portal of St Paul, Basilica Church of Santa Maria Maggiore, Tuscania
  • 12th century medieval relief sculptures on the doors of the Basilica Church of Santa Maria Maggiore, Tuscania
  • 12th century medieval relief sculptures on the doors of the Basilica Church of Santa Maria Maggiore, Tuscania
  • 12th century medieval relief sculptures on the doors of the Basilica Church of Santa Maria Maggiore, Tuscania
  • 12th century medieval relief sculptures on the doors of the Basilica Church of Santa Maria Maggiore, Tuscania
  • 12th century medieval relief sculptures on the doors of the Basilica Church of Santa Maria Maggiore, Tuscania
  • 12th century medieval relief sculptures on the doors of the Basilica Church of Santa Maria Maggiore, Tuscania
  • Lunette of the main portal with Romanesque sculptures of Abraham about to sleigh Isaac , Basilica Church of Santa Maria Maggiore, Tuscania
  • Detail of the archivolts of the side portal of the Basilica Church of Santa Maria Maggiore, Tuscania
  • Lunette of the main portal with Romanesque sculptures of the Modona and child, centre, Abraham about to sleigh Isaac, left, and The lamb of God, right , Basilica Church of Santa Maria Maggiore, Tuscania
  • Lunette of the main portal with Romanesque sculptures of the Modona and child, centre, Abraham about to sleigh Isaac, left, and The lamb of God, right , Basilica Church of Santa Maria Maggiore, Tuscania
  • Griffin holding a decaptiated mans head on the faceade of the Basilica Church of Santa Maria Maggiore, Tuscania
  • Griffin holding a decaptiated mans head on the faceade of the Basilica Church of Santa Maria Maggiore, Tuscania
  • Romanesque Lion sculpture supporting columns of the Cremona Duomo Baptistry, begun 1107, Cremona, Lombardy, northern Italy
  • Romanesque Lion sculpture supporting columns of the Cremona Duomo Baptistry, begun 1107, Cremona, Lombardy, northern Italy
  • Romanesque Lion sculpture supporting columns of the Cremona Duomo Baptistry, begun 1107, Cremona, Lombardy, northern Italy
  • Late Gothic sculptures and architectural additions to the facade of the 12th century Romanesque Ferrara Duomo, Italy
  • Late Gothic sculptures and architectural additions to the facade of the 12th century Romanesque Ferrara Duomo, Italy
  • Late Gothic sculptures and architectural additions to the facade of the 12th century Romanesque Ferrara Duomo, Italy
  • Main portal lunette sculpture of St George, patron Saint of Farrara, killing the Dragon, the work of the sculptor Nicholaus, the 12th century Romanesque Ferrara Duomo, Italy
  • Scenes from the life of Christ, the work of the sculptor Nicholaus, on the main portal of the 12th century Romanesque Ferrara Duomo, Italy
  • Scenes from the life of Christ, the work of the sculptor Nicholaus, on the main portal of the 12th century Romanesque Ferrara Duomo, Italy
  • Scenes from the life of Christ - The Nativity - the work of the sculptor Nicholaus, on the main portal of the 12th century Romanesque Ferrara Duomo, Italy
  • Scenes from the life of Christ, the work of the sculptor Nicholaus, on the main portal of the 12th century Romanesque Ferrara Duomo, Italy
  • Scenes from the life of Christ - The Coming of the Three Kings - the work of the sculptor Nicholaus, on the main portal of the 12th century Romanesque Ferrara Duomo, Italy
  • Scenes from the life of Christ, the work of the sculptor Nicholaus, on the main portal of the 12th century Romanesque Ferrara Duomo, Italy
  • Scenes from the life of Christ - From Left, The Nativity, The shepherds, The coming of the Kings, - the work of the sculptor Nicholaus, on the main portal of the 12th century Romanesque Ferrara Duomo, Italy
  • Scenes from the life of Christ, the work of the sculptor Nicholaus, on the main portal of the 12th century Romanesque Ferrara Duomo, Italy
  • Sculptures of one of the prophets who fortold the coming of Christ and pillars of the archivolts on the main portal of the of the 12th century Romanesque Ferrara Duomo, Italy
  • Scenes from the life of Christ - The Flight to Egypt - the work of the sculptor Nicholaus, on the main portal of the 12th century Romanesque Ferrara Duomo, Italy
  • Sculptures and pillars of the archivolts on the main portal of the of the 12th century Romanesque Ferrara Duomo, Italy
  • Scenes from the life of Christ - The Flight to Egypt - the work of the sculptor Nicholaus, on the main portal of the 12th century Romanesque Ferrara Duomo, Italy
  • Lions with Atlas on their back holdingup a column that supports the canopy above the main portal of the 12th century Romanesque Ferrara Duomo, Italy
  • Sculptures of one of the prophets who fortold the coming of Christ and pillars of the archivolts on the main portal of the of the 12th century Romanesque Ferrara Duomo, Italy
  • Mythical creature statue from the destoyed south door of the 12th century Romanesque Ferrara Duom, Italy
  • Lion statue from the destoyed south door of the 12th century Romanesque Ferrara Duom, Italy
  • Atlas holding up a column that supports the canopy above the main portal of the 12th century Romanesque Ferrara Duomo, Italy
  • Griffin statue from the destoyed south door of the 12th century Romanesque Ferrara Duom, Italy
  • Atlas holding up a column that supports the canopy above the main portal of the 12th century Romanesque Ferrara Duomo, Italy
  • Lions with Atlas on their back holding up a column that supports the canopy above the main portal of the 12th century Romanesque Ferrara Duomo, Italy
  • Mythical animal sculpture on the door jams on the main portal of the of the 12th century Romanesque Ferrara Duomo, Italy
  • Sculpture from The Last Judgement of sinners being boiled in a cauldren or fed to a monster in hell on the facade of the 12th century Romanesque Ferrara Duomo, Italy
  • Lions with Atlas on their back holding up a column that supports the canopy above the main portal of the 12th century Romanesque Ferrara Duomo, Italy
  • Lions with Atlas on their back holding up a column that supports the canopy above the main portal of the 12th century Romanesque Ferrara Duomo, Italy
  • Sculpture from The Last Judgement of sinners being boiled in a cauldren or fed to a monster in hell on the facade of the 12th century Romanesque Ferrara Duomo, Italy
  • Norman Romanesque exterior corbel no 47 - sculpture of a a bald dancing female dressed in a tight filling tunic. The image is probably a warning against the sexual senses that can be aroused by dancing. The figure has her legs crossed and appears to be recoiling from an impending violation. The Norman Romanesque Church of St Mary and St David, Kilpeck Herefordshire, England. Built around 1140
  • Norman Romanesque exterior corbel no 49 - sculpture of an alien like chinless bald headed figure. Its perfectly round mouth is filled with a ball like object and may be a moral warning about talking too much. The Norman Romanesque Church of St Mary and St David, Kilpeck Herefordshire, England. Built around 1140
  • Norman Romanesque exterior corbel no 45 - sculpture of what is probably a morality tale. A man and women are grasping each other. The women seems to be clutching the mans buttocks and he has clasped her hand as if resisting. He also seems to be resisting an embrace. The Norman Romanesque Church of St Mary and St David, Kilpeck Herefordshire, England. Built around 1140
  • Norman Romanesque exterior corbel no 35 - sculpture of.a curious scene. A beaked headed creature holds down a man below its body and is pushing its beak into the mans mouth, The beaked creature seems to be holding something in its right hand which it is eating The Norman Romanesque Church of St Mary and St David, Kilpeck Herefordshire, England. Built around 1140
  • Norman Romanesque exterior corbel no 50 - sculpture of.a curious scene. A beaked headed creature holds down a man below its body and is pushing its beak into the mans mouth, The beaked creature seems to be holding something in its right hand which it is eating The Norman Romanesque Church of St Mary and St David, Kilpeck Herefordshire, England. Built around 1140
  • Norman Romanesque exterior corbel no 35 - sculpture of.a curious scene. A beaked headed creature holds down a man below its body and is pushing its beak into the mans mouth, The beaked creature seems to be holding something in its right hand which it is eating The Norman Romanesque Church of St Mary and St David, Kilpeck Herefordshire, England. Built around 1140
  • Norman Romanesque exterior corbel no 33 - sculpture of.very modern cartoon like hound and a hare. In the Bestiary dogs are like preachers who put men back on the right course of righteousness and the hare represents men who fear God and put their trust in the creator . The Norman Romanesque Church of St Mary and St David, Kilpeck Herefordshire, England. Built around 1140
  • Norman Romanesque exterior corbel no 29 - sculpture of.a creature with a rounded head, pointed ears and a beaked nose. In its huge mouth it is biting on a rod . The Norman Romanesque Church of St Mary and St David, Kilpeck Herefordshire, England. Built around 1140
  • Norman Romanesque exterior corbel no 39 - sculpture of.an Angus Dei, the symbol of Jesus Christ as the Lamb of God. Strangely the creature holding the cross is a horse not a sheep. The sculpture is place in the centre of the Eastern Apse, symbolically the most important part of the church. The Norman Romanesque Church of St Mary and St David, Kilpeck Herefordshire, England. Built around 1140
  • Norman Romanesque exterior corbel no 48 - sculpture of.a grotesque creature with a long snout and fierce teeth. The Norman Romanesque Church of St Mary and St David, Kilpeck Herefordshire, England. Built around 1140
  • Norman Romanesque exterior corbel no 62 - sculpture of a large bird of prey. The Norman Romanesque Church of St Mary and St David, Kilpeck Herefordshire, England. Built around 1140
  • Norman Romanesque exterior corbel no 56 - sculpture of a stylised head of a human. The Norman Romanesque Church of St Mary and St David, Kilpeck Herefordshire, England. Built around 1140
  • Norman Romanesque exterior corbel no 56 - sculpture of a stylised head of a human. The Norman Romanesque Church of St Mary and St David, Kilpeck Herefordshire, England. Built around 1140
  • Norman Romanesque exterior corbel no 36 - sculpture of two fledgling birds both biting a serpent. Possibly an allegory of the original sin man is born with due to Adam taking the apple from a serpent in the garden of Eden. The Norman Romanesque Church of St Mary and St David, Kilpeck Herefordshire, England. Built around 1140
  • Norman Romanesque exterior corbel no 30 - sculpture of of a muzzled bears head with two humans in its mouth, their heads poking out either side of its head. The Norman Romanesque Church of St Mary and St David, Kilpeck Herefordshire, England. Built around 1140
  • Norman Romanesque exterior corbel no 41 - sculpture of a grotesque stylised creatures head with bulging eyes. The Norman Romanesque Church of St Mary and St David, Kilpeck Herefordshire, England. Built around 1140
  • Norman Romanesque relief sculptures of dragons and mythical creatures depicting the struggle between good and evil, from the South doorway of Church of St Mary and St David, Kilpeck Herifordshire, England. Built around 1140
  • Norman Romanesque relief sculptures of dragons and mythical creatures depicting the struggle between good and evil, from the South doorway of Church of St Mary and St David, Kilpeck Herifordshire, England. Built around 1140
  • Norman Romanesque relief sculptures of dragons and mythical creatures depicting the struggle between good and evil, from the South doorway of Church of St Mary and St David, Kilpeck Herifordshire, England. Built around 1140
  • Norman Romanesque exterior corbel no 50 - sculpture of.a curious scene. A beaked headed creature holds down a man below its body and is pushing its beak into the mans mouth, The beaked creature seems to be holding something in its right hand which it is eating The Norman Romanesque Church of St Mary and St David, Kilpeck Herefordshire, England. Built around 1140
  • Norman Romanesque relief sculptures of dragons and mythical creatures from the South doorway of Church of St Mary and St David, Kilpeck Herifordshire, England. Built around 1140
  • Norman Romanesque exterior corbel no 28 (similar style to No 44) - sculpture of a female exhibitionist known as a Sheela-na-gig. The sculpture shows a female with a huge round head and puny body with her hand holding open a grossly enlarged vulva. It seems unlikely that this image is of a pornographic nature because it is on a church, and is more likely a warning against the temptations of women. The Norman Romanesque Church of St Mary and St David, Kilpeck Herefordshire, England. Built around 1140
  • Norman Romanesque relief sculptures of dragons and mythical creatures depicting the struggle between good and evil, from the South doorway of Church of St Mary and St David, Kilpeck Herifordshire, England. Built around 1140
  • Norman Romanesque relief sculptures of dragons and mythical creatures depicting the struggle between good and evil, from the South doorway of Church of St Mary and St David, Kilpeck Herifordshire, England. Built around 1140
  • Norman Romanesque relief sculptures of dragons and mythical creatures depicting the struggle between good and evil, from the South doorway of Church of St Mary and St David, Kilpeck Herifordshire, England. Built around 1140
  • Norman Romanesque relief sculptures of mythical dragon from the south doorway of the Church of St Mary and St David, Kilpeck Herifordshire, England. Built around 1140
  • Norman Romanesque relief sculptures of fish the South doorway of Church of St Mary and St David, Kilpeck Herifordshire, England. Built around 1140
  • Norman Romanesque relief sculptures of dragons and mythical creatures from the South doorway of Church of St Mary and St David, Kilpeck Herifordshire, England. Built around 1140
  • Norman Romanesque relief sculptures of dragons and mythical creatures depicting the struggle between good and evil, from the South doorway of Church of St Mary and St David, Kilpeck Herifordshire, England. Built around 1140
  • Norman Romanesque relief sculptures of dragons and mythical creatures depicting the struggle between good and evil, from the South doorway of Church of St Mary and St David, Kilpeck Herifordshire, England. Built around 1140
  • Norman Romanesque relief sculptures of mythical dragon from the south doorway of the Church of St Mary and St David, Kilpeck Herifordshire, England. Built around 1140
  • Norman Romanesque relief sculptures of dragons and mythical creatures from the South doorway of Church of St Mary and St David, Kilpeck Herifordshire, England. Built around 1140
  • Norman Romanesque exterior corbel no 47 - sculpture of a a bald dancing female dressed in a tight filling tunic. The image is probably a warning against the sexual senses that can be aroused by dancing. The figure has her legs crossed and appears to be recoiling from an impending violation. The Norman Romanesque Church of St Mary and St David, Kilpeck Herefordshire, England. Built around 1140
  • Norman Romanesque exterior corbel no 49 - sculpture of an alien like chinless bald headed figure. Its perfectly round mouth is filled with a ball like object and may be a moral warning about talking too much. The Norman Romanesque Church of St Mary and St David, Kilpeck Herefordshire, England. Built around 1140
  • Norman Romanesque exterior corbel no 28 (similar style to No 44) - sculpture of a female exhibitionist known as a Sheela-na-gig. The sculpture shows a female with a huge round head and puny body with her hand holding open a grossly enlarged vulva. It seems unlikely that this image is of a pornographic nature because it is on a church, and is more likely a warning against the temptations of women. The Norman Romanesque Church of St Mary and St David, Kilpeck Herefordshire, England. Built around 1140
  • Norman Romanesque exterior corbel no 35 - sculpture of.a curious scene. A beaked headed creature holds down a man below its body and is pushing its beak into the mans mouth, The beaked creature seems to be holding something in its right hand which it is eating The Norman Romanesque Church of St Mary and St David, Kilpeck Herefordshire, England. Built around 1140
  • Norman Romanesque exterior corbel no 33 - sculpture of.very modern cartoon like hound and a hare. In the Bestiary dogs are like preachers who put men back on the right course of righteousness and the hare represents men who fear God and put their trust in the creator . The Norman Romanesque Church of St Mary and St David, Kilpeck Herefordshire, England. Built around 1140
  • Norman Romanesque exterior corbel no 1 - sculpture of a quail that it has just killed its young. This is based on a bestiary story that tells of a Pelican that kills its young. It then pecks its breast to draw blood and sits on its dead offspring and the blood brings the young bird back to life. This is an allegory of Christ giving his blood on the cross for mankind. The Norman Romanesque Church of St Mary and St David, Kilpeck Herefordshire, England. Built around 1140
  • Norman Romanesque exterior corbel no 47 - sculpture of a a bald dancing female dressed in a tight filling tunic. The image is probably a warning against the sexual senses that can be aroused by dancing. The figure has her legs crossed and appears to be recoiling from an impending violation. The Norman Romanesque Church of St Mary and St David, Kilpeck Herefordshire, England. Built around 1140
  • Norman Romanesque exterior corbel no 45 - sculpture of what is probably a morality tale. A man and women are grasping each other. The women seems to be clutching the mans buttocks and he has clasped her hand as if resisting. He also seems to be resisting an embrace. The Norman Romanesque Church of St Mary and St David, Kilpeck Herefordshire, England. Built around 1140
  • Norman Romanesque exterior corbel no 49 - sculpture of an alien like chinless bald headed figure. Its perfectly round mouth is filled with a ball like object and may be a moral warning about talking too much. The Norman Romanesque Church of St Mary and St David, Kilpeck Herefordshire, England. Built around 1140
  • Norman Romanesque exterior corbel no 45 - sculpture of what is probably a morality tale. A man and women are grasping each other. The women seems to be clutching the mans buttocks and he has clasped her hand as if resisting. He also seems to be resisting an embrace. The Norman Romanesque Church of St Mary and St David, Kilpeck Herefordshire, England. Built around 1140
  • Norman Romanesque exterior corbel no 35 - sculpture of.a curious scene. A beaked headed creature holds down a man below its body and is pushing its beak into the mans mouth, The beaked creature seems to be holding something in its right hand which it is eating The Norman Romanesque Church of St Mary and St David, Kilpeck Herefordshire, England. Built around 1140
  • Norman Romanesque exterior corbel no 50 - sculpture of.a curious scene. A beaked headed creature holds down a man below its body and is pushing its beak into the mans mouth, The beaked creature seems to be holding something in its right hand which it is eating The Norman Romanesque Church of St Mary and St David, Kilpeck Herefordshire, England. Built around 1140
  • Norman Romanesque exterior corbel no 29 - sculpture of.a creature with a rounded head, pointed ears and a beaked nose. In its huge mouth it is biting on a rod . The Norman Romanesque Church of St Mary and St David, Kilpeck Herefordshire, England. Built around 1140
  • Norman Romanesque exterior corbel no 33 - sculpture of.very modern cartoon like hound and a hare. In the Bestiary dogs are like preachers who put men back on the right course of righteousness and the hare represents men who fear God and put their trust in the creator . The Norman Romanesque Church of St Mary and St David, Kilpeck Herefordshire, England. Built around 1140
  • Norman Romanesque exterior corbel no 48 - sculpture of.a grotesque creature with a long snout and fierce teeth. The Norman Romanesque Church of St Mary and St David, Kilpeck Herefordshire, England. Built around 1140
  • Norman Romanesque exterior corbel no 29 - sculpture of.a creature with a rounded head, pointed ears and a beaked nose. In its huge mouth it is biting on a rod . The Norman Romanesque Church of St Mary and St David, Kilpeck Herefordshire, England. Built around 1140
  • Norman Romanesque exterior corbel no 39 - sculpture of.an Angus Dei, the symbol of Jesus Christ as the Lamb of God. Strangely the creature holding the cross is a horse not a sheep. The sculpture is place in the centre of the Eastern Apse, symbolically the most important part of the church. The Norman Romanesque Church of St Mary and St David, Kilpeck Herefordshire, England. Built around 1140
  • Norman Romanesque exterior corbel no 48 - sculpture of.a grotesque creature with a long snout and fierce teeth. The Norman Romanesque Church of St Mary and St David, Kilpeck Herefordshire, England. Built around 1140
  • Norman Romanesque exterior corbel no 8 - sculpture of.an Angus Dei directly above the south door, the symbol of Jesus Christ as the Lamb of God. Strangely the creature holding the cross is a horse not a sheep. The sculpture is placed at the entrance of the church showing the importance of its iconography. The Norman Romanesque Church of St Mary and St David, Kilpeck Herefordshire, England. Built around 1140
  • Norman Romanesque exterior corbel no 39 - sculpture of.an Angus Dei, the symbol of Jesus Christ as the Lamb of God. Strangely the creature holding the cross is a horse not a sheep. The sculpture is place in the centre of the Eastern Apse, symbolically the most important part of the church. The Norman Romanesque Church of St Mary and St David, Kilpeck Herefordshire, England. Built around 1140
  • Norman Romanesque exterior corbel no 62 - sculpture of a large bird of prey. The Norman Romanesque Church of St Mary and St David, Kilpeck Herefordshire, England. Built around 1140
  • Norman Romanesque exterior corbel no 62 - sculpture of a large bird of prey. The Norman Romanesque Church of St Mary and St David, Kilpeck Herefordshire, England. Built around 1140
  • Norman Romanesque exterior corbel no 58 - sculpture of a stylised head of a human. The Norman Romanesque Church of St Mary and St David, Kilpeck Herefordshire, England. Built around 1140
  • Norman Romanesque exterior corbel no 56 - sculpture of a stylised head of a human. The Norman Romanesque Church of St Mary and St David, Kilpeck Herefordshire, England. Built around 1140
  • Norman Romanesque exterior corbel no 56 - sculpture of a stylised head of a human. The Norman Romanesque Church of St Mary and St David, Kilpeck Herefordshire, England. Built around 1140
  • Norman Romanesque exterior corbel no 32 - sculpture of an inverted head of a creature that is a cross between the ibex with a pigs snout. In the bestiary the strength of the Ibex horns will save it if it falls from a mountain and lands on them. This is an allegory of learned men who understand the harmony of the New and Old Testaments which are the two horns that give them strength if they fall. The Norman Romanesque Church of St Mary and St David, Kilpeck Herefordshire, England. Built around 1140
  • Norman Romanesque exterior corbel no 36 - sculpture of two fledgling birds both biting a serpent. Possibly an allegory of the original sin man is born with due to Adam taking the apple from a serpent in the garden of Eden. The Norman Romanesque Church of St Mary and St David, Kilpeck Herefordshire, England. Built around 1140
  • Norman Romanesque exterior corbel no 36 - sculpture of two fledgling birds both biting a serpent. Possibly an allegory of the original sin man is born with due to Adam taking the apple from a serpent in the garden of Eden. The Norman Romanesque Church of St Mary and St David, Kilpeck Herefordshire, England. Built around 1140
  • Norman Romanesque exterior corbel no 30 - sculpture of of a muzzled bears head with two humans in its mouth, their heads poking out either side of its head. The Norman Romanesque Church of St Mary and St David, Kilpeck Herefordshire, England. Built around 1140
  • Norman Romanesque exterior corbel no 41 - sculpture of a grotesque stylised creatures head with bulging eyes. The Norman Romanesque Church of St Mary and St David, Kilpeck Herefordshire, England. Built around 1140
  • Norman Romanesque exterior corbel no 30 - sculpture of of a muzzled bears head with two humans in its mouth, their heads poking out either side of its head. The Norman Romanesque Church of St Mary and St David, Kilpeck Herefordshire, England. Built around 1140
  • Norman Romanesque exterior corbel no 16 - sculpture of a rams head that symbolise the Apostles of the church. Apostles are like rams because they have strong foreheads which toss = evil out of the way. . The Norman Romanesque Church of St Mary and St David, Kilpeck Herefordshire, England. Built around 1140
  • Norman Romanesque exterior corbel no 16 - sculpture of a rams head that symbolise the Apostles of the church. Apostles are like rams because they have strong foreheads which toss = evil out of the way. . The Norman Romanesque Church of St Mary and St David, Kilpeck Herefordshire, England. Built around 1140
  • Norman Romanesque exterior corbel no 40 - sculpture of a mans head. The Norman Romanesque Church of St Mary and St David, Kilpeck Herefordshire, England. Built around 1140
  • Norman Romanesque exterior corbel no 41 - sculpture of a grotesque stylised creatures head with bulging eyes. The Norman Romanesque Church of St Mary and St David, Kilpeck Herefordshire, England. Built around 1140
  • Norman Romanesque exterior corbel no 4 - sculpture of four intertwined serpents forming a geometric panel. The Norman Romanesque Church of St Mary and St David, Kilpeck Herefordshire, England. Built around 1140
  • Norman Romanesque exterior corbel no 38 - sculpture of a head, half man half lion with a mouth like a theatrical mask. The Norman Romanesque Church of St Mary and St David, Kilpeck Herefordshire, England. Built around 1140
  • Norman Romanesque exterior corbel no 31 - sculpture of a man with a goatee beard. The Norman Romanesque Church of St Mary and St David, Kilpeck Herefordshire, England. Built around 1140
  • Norman Romanesque exterior corbel no 70 - sculpture of two fish swimming upwards. A fish was used by early Christians to symbolise Jesus Christ . The Norman Romanesque Church of St Mary and St David, Kilpeck Herefordshire, England. Built around 1140
  • Norman Romanesque exterior corbel no 17 - sculpture of the head of an animal with a lions mane and beak shaped wide mouth. The Norman Romanesque Church of St Mary and St David, Kilpeck Herefordshire, England. Built around 1140
  • Norman Romanesque exterior corbel no 40 - sculpture of a mans head. The Norman Romanesque Church of St Mary and St David, Kilpeck Herefordshire, England. Built around 1140
  • Norman Romanesque exterior corbel no 31 - sculpture of a man with a goatee beard. The Norman Romanesque Church of St Mary and St David, Kilpeck Herefordshire, England. Built around 1140
  • Norman Romanesque exterior corbel no 89 - sculpture of a male with curly hair and theatrical style mouth. The Norman Romanesque Church of St Mary and St David, Kilpeck Herefordshire, England. Built around 1140
  • Norman Romanesque exterior corbel no 3 - sculpture of a head, half man half lion. The wide mouth is the same style as theatrical masks. The Norman Romanesque Church of St Mary and St David, Kilpeck Herefordshire, England. Built around 1140
  • Norman Romanesque exterior corbel no 82 - sculpture of mans head with a moustache and beard similar to no 79. The Norman Romanesque Church of St Mary and St David, Kilpeck Herefordshire, England. Built around 1140
  • Norman Romanesque exterior corbel no 27 - sculpture of a pigs head. Pigs signify sinners, the unclean and heretics as well as carnal feelings, it is therefore a morality figure. The Norman Romanesque Church of St Mary and St David, Kilpeck Herefordshire, England. Built around 1140
  • Norman Romanesque exterior corbel no 23 - sculpture of a grotesque head with either a huge swollen tongue of something in its mouth. The Norman Romanesque Church of St Mary and St David, Kilpeck Herefordshire, England. Built around 1140
  • Norman Romanesque exterior corbel no 78 - sculpture of mans head with elongated face from the outside of the west knave. The Norman Romanesque Church of St Mary and St David, Kilpeck Herefordshire, England. Built around 1140
  • Norman Romanesque exterior corbel sculpture from the Norman Romanesque Church of St Mary and St David, Kilpeck Herefordshire, England. Built around 1140
  • Norman Romanesque exterior corbel no 14 - sculpture of head, half man half lion. The Norman Romanesque Church of St Mary and St David, Kilpeck Herefordshire, England. Built around 1140
  • Norman Romanesque exterior corbel no 30 - sculpture of of a muzzled bears head with two humans in its mouth, their heads poking out either side of its head. The Norman Romanesque Church of St Mary and St David, Kilpeck Herefordshire, England. Built around 1140
  • Norman Romanesque exterior corbel no 37 - sculpture of a grotesque head with interlocking teeth. The Norman Romanesque Church of St Mary and St David, Kilpeck Herefordshire, England. Built around 1140
  • Norman Romanesque exterior corbel no 61 - sculpture of a human head with curly hair and beard. The Norman Romanesque Church of St Mary and St David, Kilpeck Herefordshire, England. Built around 1140
  • Norman Romanesque exterior corbel no 52 - sculpture of a featureless human. The Norman Romanesque Church of St Mary and St David, Kilpeck Herefordshire, England. Built around 1140
  • Norman Romanesque exterior corbel no 21 - sculpture of an animal with a long snout and pointed ears. The Norman Romanesque Church of St Mary and St David, Kilpeck Herefordshire, England. Built around 1140
  • Norman Romanesque exterior corbel no 88 - sculpture of a male with curly hair and theatrical style mouth. The Norman Romanesque Church of St Mary and St David, Kilpeck Herefordshire, England. Built around 1140
  • Norman Romanesque exterior corbel no 43 - sculpture of an animal head, maybe a cat. The Norman Romanesque Church of St Mary and St David, Kilpeck Herefordshire, England. Built around 1140
  • Norman Romanesque exterior corbel no 38 - sculpture of a head, half man half lion with a mouth like a theatrical mask. The Norman Romanesque Church of St Mary and St David, Kilpeck Herefordshire, England. Built around 1140
  • Norman Romanesque exterior corbel no 27 - sculpture of a pigs head. Pigs signify sinners, the unclean and heretics as well as carnal feelings, it is therefore a morality figure. The Norman Romanesque Church of St Mary and St David, Kilpeck Herefordshire, England. Built around 1140
  • Norman Romanesque exterior corbel no 54 - sculpture of a male stylised simple round head. The Norman Romanesque Church of St Mary and St David, Kilpeck Herefordshire, England. Built around 1140
  • Norman Romanesque exterior corbel no 64 - sculpture of an animal with a cat like head biting the underside of a bowl. The Norman Romanesque Church of St Mary and St David, Kilpeck Herefordshire, England. Built around 1140
  • Norman Romanesque exterior corbel sculpture from the Norman Romanesque Church of St Mary and St David, Kilpeck Herefordshire, England. Built around 1140
  • Norman Romanesque exterior corbel no 23 - sculpture of a grotesque head with either a huge swollen tongue of something in its mouth. The Norman Romanesque Church of St Mary and St David, Kilpeck Herefordshire, England. Built around 1140
  • Norman Romanesque exterior corbel no 21 - sculpture of an animal with a long snout and pointed ears. The Norman Romanesque Church of St Mary and St David, Kilpeck Herefordshire, England. Built around 1140
  • Norman Romanesque exterior corbel no 14 - sculpture of a head, half man half lion. The Norman Romanesque Church of St Mary and St David, Kilpeck Herefordshire, England. Built around 1140
  • Norman Romanesque exterior corbel sculpture from the Norman Romanesque Church of St Mary and St David, Kilpeck Herefordshire, England. Built around 1140
  • Norman Romanesque exterior corbel sculpture from the Norman Romanesque Church of St Mary and St David, Kilpeck Herefordshire, England. Built around 1140
  • Norman Romanesque exterior corbel no 46 - sculpture of head, half man half pig. The Norman Romanesque Church of St Mary and St David, Kilpeck Herefordshire, England. Built around 1140
  • Norman Romanesque exterior corbel no 61 - sculpture of a human head with curly hair and beard. The Norman Romanesque Church of St Mary and St David, Kilpeck Herefordshire, England. Built around 1140
  • Norman Romanesque exterior corbel no 12 - sculpture of the head of an animal with a lions mane and big fanged teeth. The Norman Romanesque Church of St Mary and St David, Kilpeck Herefordshire, England. Built around 1140
  • Norman Romanesque relief sculptures of dragons and mythical creatures depicting the struggle between good and evil, from the South doorway of Church of St Mary and St David, Kilpeck Herifordshire, England. Built around 1140
  • Norman Romanesque relief sculptures of mythical dragon from the south doorway of the Church of St Mary and St David, Kilpeck Herifordshire, England. Built around 1140
  • Norman Romanesque relief sculptures of dragons and mythical creatures from the South doorway of Church of St Mary and St David, Kilpeck Herifordshire, England. Built around 1140
  • Roanesque relief sculpture details on the 11th centruy portico of the Church of Santa Maria, Benedictine Abbey of Pomposa, Emilia-Romagna, Italy.
  • Roanesque relief sculpture details on the 11th centruy portico of the Church of Santa Maria, Benedictine Abbey of Pomposa, Emilia-Romagna, Italy.
  • Roanesque relief sculpture details on the 11th centruy portico of the Church of Santa Maria, Benedictine Abbey of Pomposa, Emilia-Romagna, Italy.
  • Roanesque relief sculpture details on the 11th centruy portico of the Church of Santa Maria, Benedictine Abbey of Pomposa, Emilia-Romagna, Italy.
  • Roanesque relief sculpture details on the 11th centruy portico of the Church of Santa Maria, Benedictine Abbey of Pomposa, Emilia-Romagna, Italy.
  • Roanesque relief sculpture details on the 11th centruy portico of the Church of Santa Maria, Benedictine Abbey of Pomposa, Emilia-Romagna, Italy.
  • Medieval carving of the Cathedral museum chapel, Amalfi, Italy
  • Close up of a13th century Romaesque sculpture of a Lion of the Cattedrale di San Martino, Duomo of Lucca, Tunscany, Italy,
  • Close up of the statue of St Michele of the 13th century Romanesque facade of the San Michele in Foro, a Roman Catholic basilica church in Lucca, Tunscany, Italy
  • Close up of the Arcades columns & statues of St Michele of the 13th century Romanesque facade of the San Michele in Foro, a Roman Catholic basilica church in Lucca, Tunscany, Italy
  • Detail of the Romanesque sculptures of the main entrance of San Michele in Foro is a Roman Catholic basilica church in Lucca, Tunscany, Italy
  • Late medieval relief sculptures around the main door depicting the life of St Martin and the seasonal labours of the year on the Facade of the Cattedrale di San Martino, Duomo of Lucca, Tunscany, Italy,
  • Late medieval relief sculptures of the typanuim of the main door depicting the Christ Pantocrator above the Apostles , the Cattedrale di San Martino, Duomo of Lucca, Tunscany, Italy,
  • Late medieval relief sculpture depicting the labours for March and April and astrological signs on the Facade of the Cattedrale di San Martino, Duomo of Lucca, Tunscany, Italy,
  • Late medieval relief sculptures of the typanuim of the main door depicting the Christ Pantocrator above the Apostles , the Cattedrale di San Martino, Duomo of Lucca, Tunscany, Italy,
  • Late medieval relief sculptures of the typanuim of the main door depicting St Mary and the Apostles , the Cattedrale di San Martino, Duomo of Lucca, Tunscany, Italy,
  • Late medieval relief sculpture depicting the labours for January and Feburary and astrological signs on the Facade of the Cattedrale di San Martino, Duomo of Lucca, Tunscany, Italy,
  • Late medieval relief sculptures of a Lombard style column, the Cattedrale di San Martino, Duomo of Lucca, Tunscany, Italy,
  • Late medieval relief sculpture depicting the labours for June and May and astrological signs on the Facade of the Cattedrale di San Martino, Duomo of Lucca, Tunscany, Italy,
  • Late medieval relief sculpture depicting the labours for December and November and astrological signs on the Facade of the Cattedrale di San Martino, Duomo of Lucca, Tunscany, Italy,
  • Late medieval relief sculpture depicting St Martin giving his sacred literny on the Facade of the Cattedrale di San Martino, Duomo of Lucca, Tunscany, Italy,
  • Late medieval relief sculpture of St Martin becoming a monk on the Facade of the Cattedrale di San Martino, Duomo of Lucca, Tunscany, Italy,
  • 13th century Romaesque arcade pillars, sculptures and inlaid depictions of animals of the Cattedrale di San Martino, Duomo of Lucca, Tunscany, Italy,

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