• The medieval octagonal castle Castel Del Monte, built by Emperor Frederick II in the 1240's near Andria in the Apulia southern Italy
  • The medieval octagonal castle Castel Del Monte, built by Emperor Frederick II in the 1240's near Andria in the Apulia southern Italy
  • The medieval octagonal castle Castel Del Monte, built by Emperor Frederick II in the 1240's near Andria in the Apulia southern Italy
  • The medieval octagonal castle Castel Del Monte, built by Emperor Frederick II in the 1240's near Andria in the Apulia southern Italy
  • The medieval octagonal castle Castel Del Monte, built by Emperor Frederick II in the 1240's near Andria in the Apulia southern Italy
  • The medieval octagonal castle Castel Del Monte, built by Emperor Frederick II in the 1240's near Andria in the Apulia southern Italy
  • The medieval octagonal castle Castel Del Monte, built by Emperor Frederick II in the 1240's near Andria in the Apulia southern Italy
  • The medieval octagonal castle Castel Del Monte, built by Emperor Frederick II in the 1240's near Andria in the Apulia southern Italy
  • The medieval octagonal castle Castel Del Monte, built by Emperor Frederick II in the 1240's near Andria in the Apulia southern Italy
  • The medieval octagonal castle Castel Del Monte, built by Emperor Frederick II in the 1240's near Andria in the Apulia southern Italy
  • The medieval octagonal castle Castel Del Monte, built by Emperor Frederick II in the 1240's near Andria in the Apulia southern Italy
  • The medieval octagonal castle Castel Del Monte, built by Emperor Frederick II in the 1240's near Andria in the Apulia southern Italy
  • The medieval octagonal castle Castel Del Monte, built by Emperor Frederick II in the 1240's near Andria in the Apulia southern Italy
  • The medieval octagonal castle Castel Del Monte, built by Emperor Frederick II in the 1240's near Andria in the Apulia southern Italy
  • The medieval octagonal castle Castel Del Monte, built by Emperor Frederick II in the 1240's near Andria in the Apulia southern Italy
  • The medieval octagonal castle Castel Del Monte, built by Emperor Frederick II in the 1240's near Andria in the Apulia southern Italy
  • The medieval octagonal castle Castel Del Monte, built by Emperor Frederick II in the 1240's near Andria in the Apulia southern Italy
  • The medieval octagonal castle Castel Del Monte, built by Emperor Frederick II in the 1240's near Andria in the Apulia southern Italy
  • The medieval octagonal castle Castel Del Monte, built by Emperor Frederick II in the 1240's near Andria in the Apulia southern Italy
  • The medieval octagonal castle Castel Del Monte, built by Emperor Frederick II in the 1240's near Andria in the Apulia southern Italy
  • The medieval octagonal castle Castel Del Monte, built by Emperor Frederick II in the 1240's near Andria in the Apulia southern Italy
  • The medieval octagonal castle Castel Del Monte, built by Emperor Frederick II in the 1240's near Andria in the Apulia southern Italy
  • The medieval octagonal castle Castel Del Monte, built by Emperor Frederick II in the 1240's near Andria in the Apulia southern Italy
  • The medieval octagonal castle Castel Del Monte, built by Emperor Frederick II in the 1240's near Andria in the Apulia southern Italy
  • The medieval octagonal castle Castel Del Monte, built by Emperor Frederick II in the 1240's near Andria in the Apulia southern Italy
  • The medieval octagonal castle Castel Del Monte, built by Emperor Frederick II in the 1240's near Andria in the Apulia southern Italy
  • The medieval octagonal castle Castel Del Monte, built by Emperor Frederick II in the 1240's near Andria in the Apulia southern Italy
  • 13th century wood statue of Saint  Elias - Amalfi Cathedral museum, Italy
  • 4 tetrachs on the facade of Saint Marks Basilica Venice - sith century afro - egyptian art
  • Detail of sixth Century Pillars From Acre - St Marks - Venice - Italy
  • Detail of sixth Century Pillars From Acre - St Marks - Venice - Italy
  • Translation Of The Body Of St Mark Mosaic - Basilica - Venice
  • Mosaic on Saint Marks Basilica -Ascension of Christ -  Venice - Italy
  • Mosaic on Saint Marks Basilica -Taking Saint Marks Body From Alexandria -  Venice - Italy
  • Translation Of The Body Of St Mark Mosaic - Basilica - Venice
  • Front of Saint Marks Basilica - Venice - Italy
  • Front of Saint Marks Basilica - Venice - Italy
  • Front of Saint Marks Basilica - Venice - Italy
  • Translation Of The Body Of St Mark Mosaic into Saint Marks  Basilica - Venice
  • Translation Of The Body Of St Mark Mosaic - Basilica - Venice
  • Venician flag flying over Saint Marks Basilica - Venice
  • Detailed carving and marble column on the facade of Saint Marks Basilica Venice
  • Detailed carving and marble column on the facade of Saint Marks Basilica Venice
  • Detailed carvings on the facade of Saint Marks Basilica Venice
  • Detailed carvings on the facade of Saint Marks Basilica Venice
  • Detailed carvings on the facade of Saint Marks Basilica Venice
  • Front of Saint Marks Basilica - Venice - Italy
  • Front of Saint Marks Basilica - Venice - Italy
  • Mosaic on Saint Marks Basilica - Venerating St Marks's Body - Venice - Italy
  • Front of Saint Marks Basilica Resurection of Christ Mosaic-  - Venice - Italy
  • Rievaulx Abbey. North Yorkshire, England
  • Rievaulx Abbey main aisle arches and windows. North Yorkshire, England
  • Rievaulx Abbey main aisle arches and windows. North Yorkshire, England
  • Rievaulx Abbey main aisle arches and windows. North Yorkshire, England
  • Rievaulx Abbey main aisle arches and windows. North Yorkshire, England
  • Rievaulx Abbey main aisle arches and windows. North Yorkshire, England
  • Rievaulx Abbey main aisle arches and windows. North Yorkshire, England
  • Rievaulx Abbey main aisle arches and windows. North Yorkshire, England
  • Rievaulx Abbey main aisle arches and windows. North Yorkshire, England
  • Rievaulx Abbey main aisle arches and windows. North Yorkshire, England
  • Rievaulx Abbey main aisle arches and windows. North Yorkshire, England
  • Rievaulx Abbey main aisle arches and windows. North Yorkshire, England
  • Rievaulx Abbey main aisle arches and windows. North Yorkshire, England
  • Rievaulx Abbey main aisle arches and windows. North Yorkshire, England
  • Rievaulx Abbey main aisle arches and windows. North Yorkshire, England
  • Rievaulx Abbey main aisle arches and windows. North Yorkshire, England
  • Rievaulx Abbey main aisle arches and windows. North Yorkshire, England
  • Rievaulx Abbey main aisle arches and windows. North Yorkshire, England
  • Rievaulx Abbey main aisle arches and windows. North Yorkshire, England
  • Rievaulx Abbey main aisle arches and windows. North Yorkshire, England
  • Rievaulx Abbey looking through a doorway from the church. North Yorkshire, England
  • Rievaulx Abbey main aisle arches and windows. North Yorkshire, England
  • Rievaulx Abbey main aisle arches and windows. North Yorkshire, England
  • Rievaulx Abbey main aisle arches and windows. North Yorkshire, England
  • Rievaulx Abbey main aisle arches and windows. North Yorkshire, England
  • Rievaulx Abbey main aisle arches and windows. North Yorkshire, England
  • Rievaulx Abbey main aisle arches and windows. North Yorkshire, England
  • Rievaulx Abbey main aisle arches, side view. North Yorkshire, England
  • Rievaulx Abbey main aisle arches, side view. North Yorkshire, England
  • Rievaulx Abbey main church, side view. North Yorkshire, England
  • Mosaic on Saint Marks Basilica -Ascension of Christ -  Venice - Italy
  • Translation Of The Body Of St Mark Mosaic - Basilica - Venice
  • Sculpture of a Doge and the Lion of Venice above a door of Doges Palace - Venice Italy
  • Front of Saint Marks Basilica - Venice - Italy
  • Front of Saint Marks Basilica - Venice - Italy
  • Resurection of Christ Mosaic- St Marks Basilica - Venice - Italy
  • Translation Of The Body Of St Mark Mosaic - Basilica - Venice
  • St Marks Basilica - Mosaic of Christ - Venice - Italy
  • Translation Of The Body Of St Mark Mosaic - Basilica - Venice
  • Mosaic on Saint Marks Basilica -Ascension of Christ -  Venice - Italy
  • Mosaic on Saint Marks Basilica -Ascension of Christ -  Venice - Italy
  • Venician flag flying over Saint Marks Basilica - Venice
  • Detailed mosaic Saint Marks Basilica Venice
  • Detailed carvings on the facade of Saint Marks Basilica Venice
  • Detailed carvings on the facade of Saint Marks Basilica Venice
  • Detailed carving and marble column on the facade of Saint Marks Basilica Venice
  • Detailed carvings of Saint George on the facade of Saint Marks Basilica Venice
  • Detailed carving and marble column on the facade of Saint Marks Basilica Venice
  • Detailed carving and marble column on the facade of Saint Marks Basilica Venice
  • Detailed carvings on the facade of Saint Marks Basilica Venice
  • Detailed carvings on the facade of Saint Marks Basilica Venice
  • Detailed carving and marble column on the facade of Saint Marks Basilica Venice
  • Detailed carving of 2 peacocks on the facade of Saint Marks Basilica Venice
  • Sculpture of a Doge and the Lion of Venice above a door of Doges Palace - Venice Italy
  • Front of Saint Marks Basilica - Venice - Italy
  • Front of Saint Marks Basilica - Venice - Italy
  • Front of Saint Marks Basilica - Venice - Italy
  • Front of Saint Marks Basilica - Venice - Italy
  • Front of Saint Marks Basilica - Venice - Italy
  • Mosaic on Saint Marks Basilica -Ascension of Christ -  Venice - Italy
  • Translation Of The Body Of St Mark Mosaic into Saint Marks  Basilica - Venice
  • Front of Saint Marks Basilica -Ascension  of Christ Mosaic- Venice - Italy
  • Resurection of Christ Mosaic- St Marks Basilica - Venice - Italy
  • Christ Being Removed From Cross  Mosaic - St Marks Basilica - Venice
  • Translation Of The Body Of St Mark Mosaic - Basilica - Venice
  • Rievaulx Abbey cloister pillars & arches. North Yorkshire, England
  • Rievaulx Abbey. North Yorkshire, England
  • Rievaulx Abbey. North Yorkshire, England
  • Rievaulx Abbey. North Yorkshire, England
  • Rievaulx Abbey main aisle arches and windows. North Yorkshire, England
  • Rievaulx Abbey main aisle arches and windows. North Yorkshire, England
  • Rievaulx Abbey main aisle arches and windows. North Yorkshire, England
  • Rievaulx Abbey main aisle arches and windows. North Yorkshire, England
  • Rievaulx Abbey main aisle arches and windows. North Yorkshire, England
  • Rievaulx Abbey main aisle arches and windows. North Yorkshire, England
  • Rievaulx Abbey main aisle arches and windows. North Yorkshire, England
  • Rievaulx Abbey main aisle arches and windows. North Yorkshire, England
  • Rievaulx Abbey main aisle arches and windows. North Yorkshire, England
  • Rievaulx Abbey main aisle arches and windows. North Yorkshire, England
  • Rievaulx Abbey main aisle arches and windows. North Yorkshire, England
  • Rievaulx Abbey main aisle arches and windows. North Yorkshire, England
  • Rievaulx Abbey main aisle arches and windows. North Yorkshire, England
  • Rievaulx Abbey main aisle arches and windows. North Yorkshire, England
  • Rievaulx Abbey main aisle arches and windows. North Yorkshire, England
  • Rievaulx Abbey main aisle arches and windows. North Yorkshire, England
  • Rievaulx Abbey main aisle arches and windows. North Yorkshire, England
  • Rievaulx Abbey main aisle arches and windows. North Yorkshire, England
  • Rievaulx Abbey main aisle arches and windows. North Yorkshire, England
  • Rievaulx Abbey main aisle arches and windows. North Yorkshire, England
  • Rievaulx Abbey main aisle arches and windows. North Yorkshire, England
  • Rievaulx Abbey main aisle arches and windows. North Yorkshire, England
  • Rievaulx Abbey main aisle arches and windows. North Yorkshire, England
  • Rievaulx Abbey main aisle arches and windows. North Yorkshire, England
  • Rievaulx Abbey main aisle arches and windows. North Yorkshire, England
  • Rievaulx Abbey main aisle arches and windows. North Yorkshire, England
  • Rievaulx Abbey main church, side view. North Yorkshire, England
  • Rievaulx Abbey main church, side view.North Yorkshire, England
  • Rievaulx Abbey main church, side view.North Yorkshire, England
  • Rievaulx Abbey main church, side view.North Yorkshire, England
  • Rievaulx Abbey main church.North Yorkshire, England
  • Rievaulx Abbey main church.North Yorkshire, England
  • Rievaulx Abbey main church.North Yorkshire, England
  • Pictures & images of the interior fresco depicting 13th-century depiction of the "Beast of the Apocalypse" and figures of the Zodiac. The Eastern Orthodox Georgian Svetitskhoveli Cathedral (Cathedral of the Living Pillar) , Mtskheta, Georgia (country). A UNESCO World Heritage Site.<br />
<br />
Currently the second largest church building in Georgia, Svetitskhoveli Cathedral is a masterpiece of Early Medieval architecture completed in 1029 by Georgian architect Arsukisdze on an earlier site dating back toi the 4th century.
  • Pictures & images of the interior fresco depicting 13th-century depiction of the "Beast of the Apocalypse" and figures of the Zodiac. The Eastern Orthodox Georgian Svetitskhoveli Cathedral (Cathedral of the Living Pillar) , Mtskheta, Georgia (country). A UNESCO World Heritage Site.<br />
<br />
Currently the second largest church building in Georgia, Svetitskhoveli Cathedral is a masterpiece of Early Medieval architecture completed in 1029 by Georgian architect Arsukisdze on an earlier site dating back toi the 4th century.
  • Pictures & images of the interior fresco depicting 13th-century depiction of the "Beast of the Apocalypse" and figures of the Zodiac. The Eastern Orthodox Georgian Svetitskhoveli Cathedral (Cathedral of the Living Pillar) , Mtskheta, Georgia (country). A UNESCO World Heritage Site.<br />
<br />
Currently the second largest church building in Georgia, Svetitskhoveli Cathedral is a masterpiece of Early Medieval architecture completed in 1029 by Georgian architect Arsukisdze on an earlier site dating back toi the 4th century.
  • Pictures & images of the interior fresco depicting 13th-century depiction of the "Beast of the Apocalypse" and figures of the Zodiac. The Eastern Orthodox Georgian Svetitskhoveli Cathedral (Cathedral of the Living Pillar) , Mtskheta, Georgia (country). A UNESCO World Heritage Site.<br />
<br />
Currently the second largest church building in Georgia, Svetitskhoveli Cathedral is a masterpiece of Early Medieval architecture completed in 1029 by Georgian architect Arsukisdze on an earlier site dating back toi the 4th century.
  • Pictures & images of the interior fresco depicting 13th-century depiction of the "Beast of the Apocalypse" and figures of the Zodiac. The Eastern Orthodox Georgian Svetitskhoveli Cathedral (Cathedral of the Living Pillar) , Mtskheta, Georgia (country). A UNESCO World Heritage Site.<br />
<br />
Currently the second largest church building in Georgia, Svetitskhoveli Cathedral is a masterpiece of Early Medieval architecture completed in 1029 by Georgian architect Arsukisdze on an earlier site dating back toi the 4th century.
  • Pictures & images of the interior fresco depicting 13th-century depiction of the "Beast of the Apocalypse" and figures of the Zodiac. The Eastern Orthodox Georgian Svetitskhoveli Cathedral (Cathedral of the Living Pillar) , Mtskheta, Georgia (country). A UNESCO World Heritage Site.<br />
<br />
Currently the second largest church building in Georgia, Svetitskhoveli Cathedral is a masterpiece of Early Medieval architecture completed in 1029 by Georgian architect Arsukisdze on an earlier site dating back toi the 4th century.
  • Pictures & images of the interior fresco depicting 13th-century depiction of the "Beast of the Apocalypse" and figures of the Zodiac. The Eastern Orthodox Georgian Svetitskhoveli Cathedral (Cathedral of the Living Pillar) , Mtskheta, Georgia (country). A UNESCO World Heritage Site.<br />
<br />
Currently the second largest church building in Georgia, Svetitskhoveli Cathedral is a masterpiece of Early Medieval architecture completed in 1029 by Georgian architect Arsukisdze on an earlier site dating back toi the 4th century.
  • Pictures & images of the interior fresco depicting 13th-century depiction of the "Beast of the Apocalypse" and figures of the Zodiac. The Eastern Orthodox Georgian Svetitskhoveli Cathedral (Cathedral of the Living Pillar) , Mtskheta, Georgia (country). A UNESCO World Heritage Site.<br />
<br />
Currently the second largest church building in Georgia, Svetitskhoveli Cathedral is a masterpiece of Early Medieval architecture completed in 1029 by Georgian architect Arsukisdze on an earlier site dating back toi the 4th century.
  • Pictures & images of the interior fresco depicting 13th-century depiction of the "Beast of the Apocalypse" and figures of the Zodiac. The Eastern Orthodox Georgian Svetitskhoveli Cathedral (Cathedral of the Living Pillar) , Mtskheta, Georgia (country). A UNESCO World Heritage Site.<br />
<br />
Currently the second largest church building in Georgia, Svetitskhoveli Cathedral is a masterpiece of Early Medieval architecture completed in 1029 by Georgian architect Arsukisdze on an earlier site dating back toi the 4th century.
  • Pictures & images of the interior fresco depicting 13th-century depiction of the "Beast of the Apocalypse" and figures of the Zodiac. The Eastern Orthodox Georgian Svetitskhoveli Cathedral (Cathedral of the Living Pillar) , Mtskheta, Georgia (country). A UNESCO World Heritage Site.<br />
<br />
Currently the second largest church building in Georgia, Svetitskhoveli Cathedral is a masterpiece of Early Medieval architecture completed in 1029 by Georgian architect Arsukisdze on an earlier site dating back toi the 4th century.
  • Pictures & images of the interior fresco depicting 13th-century depiction of the "Beast of the Apocalypse" and figures of the Zodiac. The Eastern Orthodox Georgian Svetitskhoveli Cathedral (Cathedral of the Living Pillar) , Mtskheta, Georgia (country). A UNESCO World Heritage Site.<br />
<br />
Currently the second largest church building in Georgia, Svetitskhoveli Cathedral is a masterpiece of Early Medieval architecture completed in 1029 by Georgian architect Arsukisdze on an earlier site dating back toi the 4th century.
  • Pictures & images of the interior fresco depicting 13th-century depiction of the "Beast of the Apocalypse" and figures of the Zodiac. The Eastern Orthodox Georgian Svetitskhoveli Cathedral (Cathedral of the Living Pillar) , Mtskheta, Georgia (country). A UNESCO World Heritage Site.<br />
<br />
Currently the second largest church building in Georgia, Svetitskhoveli Cathedral is a masterpiece of Early Medieval architecture completed in 1029 by Georgian architect Arsukisdze on an earlier site dating back toi the 4th century.
  • Pictures & images of the interior fresco depicting 13th-century depiction of the "Beast of the Apocalypse" and figures of the Zodiac. The Eastern Orthodox Georgian Svetitskhoveli Cathedral (Cathedral of the Living Pillar) , Mtskheta, Georgia (country). A UNESCO World Heritage Site.<br />
<br />
Currently the second largest church building in Georgia, Svetitskhoveli Cathedral is a masterpiece of Early Medieval architecture completed in 1029 by Georgian architect Arsukisdze on an earlier site dating back toi the 4th century.
  • Picture of the Hittite Hittite Fasillar Monument, finished replica of 13th century BC original. Anatolian Civilisations Museum, Ankara, Turkey. Against a grey art background.<br />
<br />
The original is an unfinished monumental stele that is situated fiat on the back on a slope at the immediate vicinity of the village Fasillar within the Konya province, Beysehir. This is an exact replica of the original that was made of trachyte igneous rock. This represents the origin& that was cast into the mould of the same dimensions and colour. <br />
<br />
The height from the toes to the top of the lions is 7,40 meters. There is also a socket that is 80 cm. Long inserted into the basement. The Hittite monument dates from the end of 13th century BC There appears the great God higher than 4 meters stepping on the smaller mountain God that is accompanied by the lions on.
  • The Hittite Fasillar Monument, finished replica of 13th century BC original. Anatolian Civilizations Museum, Ankara, Turkey. Against a brown art background.<br />
<br />
The original is an unfinished monumental stele that is situated fiat on the back on a slope at the immediate vicinity of the village Fasillar within the Konya province, Beysehir. This is an exact replica of the original that was made of trachyte igneous rock. This represents the origin& that was cast into the mould of the same dimensions and colour. <br />
<br />
The height from the toes to the top of the lions is 7,40 meters. There is also a socket that is 80 cm. Long inserted into the basement. The Hittite monument dates from the end of 13th century BC There appears the great God higher than 4 meters stepping on the smaller mountain God that is accompanied by the lions on.
  • Close up of the Hittite Fasillar Monument, finished replica of 13th century BC original. Anatolian Civilisations Museum, Ankara, Turkey<br />
<br />
The original is an unfinished monumental stele that is situated fiat on the back on a slope at the immediate vicinity of the village Fasillar within the Konya province, Beysehir. This is an exact replica of the original that was made of trachyte igneous rock. This represents the origin& that was cast into the mould of the same dimensions and colour. <br />
<br />
The height from the toes to the top of the lions is 7,40 meters. There is also a socket that is 80 cm. Long inserted into the basement. The Hittite monument dates from the end of 13th century BC There appears the great God higher than 4 meters stepping on the smaller mountain God that is accompanied by the lions on.
  • Image of the Hittite Fasillar Monument, finished replica of 13th century BC original. Anatolian Civilisations Museum, Ankara, Turkey. Against a white background.<br />
<br />
The original is an unfinished monumental stele that is situated fiat on the back on a slope at the immediate vicinity of the village Fasillar within the Konya province, Beysehir. This is an exact replica of the original that was made of trachyte igneous rock. This represents the origin& that was cast into the mould of the same dimensions and colour. <br />
<br />
The height from the toes to the top of the lions is 7,40 meters. There is also a socket that is 80 cm. Long inserted into the basement. The Hittite monument dates from the end of 13th century BC There appears the great God higher than 4 meters stepping on the smaller mountain God that is accompanied by the lions on.
  • Photo of the Hittite Fasillar Monument, finished replica of 13th century BC original. Anatolian Civilisations Museum, Ankara, Turkey. Against a black background.<br />
<br />
The original is an unfinished monumental stele that is situated fiat on the back on a slope at the immediate vicinity of the village Fasillar within the Konya province, Beysehir. This is an exact replica of the original that was made of trachyte igneous rock. This represents the origin& that was cast into the mould of the same dimensions and colour. <br />
<br />
The height from the toes to the top of the lions is 7,40 meters. There is also a socket that is 80 cm. Long inserted into the basement. The Hittite monument dates from the end of 13th century BC There appears the great God higher than 4 meters stepping on the smaller mountain God that is accompanied by the lions on.
  • The Hittite Fasillar Monument, finished replica of 13th century BC original. Anatolian Civilizations Museum, Ankara, Turkey. Against a gray background.<br />
<br />
The original is an unfinished monumental stele that is situated fiat on the back on a slope at the immediate vicinity of the village Fasillar within the Konya province, Beysehir. This is an exact replica of the original that was made of trachyte igneous rock. This represents the origin& that was cast into the mould of the same dimensions and colour. <br />
<br />
The height from the toes to the top of the lions is 7,40 meters. There is also a socket that is 80 cm. Long inserted into the basement. The Hittite monument dates from the end of 13th century BC There appears the great God higher than 4 meters stepping on the smaller mountain God that is accompanied by the lions on.
  • The Hittite Fasillar Monument, finished replica of 13th century BC original. Anatolian Civilizations Museum, Ankara, Turkey<br />
<br />
The original is an unfinished monumental stele that is situated fiat on the back on a slope at the immediate vicinity of the village Fasillar within the Konya province, Beysehir. This is an exact replica of the original that was made of trachyte igneous rock. This represents the origin& that was cast into the mould of the same dimensions and colour. <br />
<br />
The height from the toes to the top of the lions is 7,40 meters. There is also a socket that is 80 cm. Long inserted into the basement. The Hittite monument dates from the end of 13th century BC There appears the great God higher than 4 meters stepping on the smaller mountain God that is accompanied by the lions on.
  • 13th century Rose window, sculptures and loggia on the facade of the 8th century Romanesque Basilica church of St Peters, Tuscania, Lazio, Italy
  • 13th century Romanesque  reilief sculptures depicting monsters and mythical animals on the loggia corbels of the  8th century Romanesque Basilica church of St Peters, Tuscania, Lazio, Italy
  • 13th century Rose window, sculptures and loggia on the facade of the 8th century Romanesque Basilica church of St Peters, Tuscania, Lazio, Italy
  • 13th century Rose window, sculptures and loggia on the facade of the 8th century Romanesque Basilica church of St Peters, Tuscania, Lazio, Italy
  • 13th century Rose window, sculptures and loggia on the facade of the 8th century Romanesque Basilica church of St Peters, Tuscania, Lazio, Italy
  • 13th century Romanesque  reilief sculptures depicting monsters and mythical animals on the loggia corbels of the  8th century Romanesque Basilica church of St Peters, Tuscania, Lazio, Italy
  • 13th century Romanesque  reilief sculptures depicting monsters and mythical animals on the loggia corbels of the  8th century Romanesque Basilica church of St Peters, Tuscania, Lazio, Italy
  • 13th century Romanesque  reilief sculptures depicting monsters and mythical animals on the loggia corbels of the  8th century Romanesque Basilica church of St Peters, Tuscania, Lazio, Italy
  • 13th century Romanesque  reilief sculptures depicting monsters and mythical animals on the loggia corbels of the  8th century Romanesque Basilica church of St Peters, Tuscania, Lazio, Italy
  • 13th century Romanesque  reilief sculptures depicting monsters and mythical animals on the loggia corbels of the  8th century Romanesque Basilica church of St Peters, Tuscania, Lazio, Italy
  • 13th century Rose window, sculptures and loggia on the facade of the 8th century Romanesque Basilica church of St Peters, Tuscania, Lazio, Italy
  • 13th century Rose window, sculptures and loggia on the facade of the 8th century Romanesque Basilica church of St Peters, Tuscania, Lazio, Italy
  • 13th century winged griffin on the 8th century Romanesque Basilica church of St Peters, Tuscania, Lazio, Italy
  • 13th century reilief sculpture depicting the Kingdom of Evil with three faced demons with a snake in its arms and branches and leaves growing from its mouth of the 8th century Romanesque Basilica church of St Peters, Tuscania, Lazio, Italy
  • 13th century reilief sculpture depicting the Kingdom of Good and salvation with Atlas at the bottom symbolically holding up the church which is represented at the top by the Lamb of God with 2 angels on either side and the four Fathers of the church in round panels running down either side of the central window, of the 8th century Romanesque Basilica church of St Peters, Tuscania, Lazio, Italy
  • 13th century reilief sculpture depicting the Kingdom of Evil with three faced demons with a snake in its arms and branches and leaves growing from its mouth of the 8th century Romanesque Basilica church of St Peters, Tuscania, Lazio, Italy
  • 13th century reilief sculpture depicting the Kingdom of Evil with three faced demons with a snake in its arms and branches and leaves growing from its mouth of the 8th century Romanesque Basilica church of St Peters, Tuscania, Lazio, Italy
  • 13th century reilief sculpture depicting the Kingdom of Evil with three faced demons with a snake in its arms and branches and leaves growing from its mouth of the 8th century Romanesque Basilica church of St Peters, Tuscania, Lazio, Italy
  • 13th century reilief sculpture depicting the  Lion of the Evangelist Marc, of the 8th century Romanesque Basilica church of St Peters, Tuscania, Lazio, Italy
  • 13th century reilief sculpture depicting the Kingdom of Good and salvation with Atlas at the bottom symbolically holding up the church which is represented at the top by the Lamb of God with 2 angels on either side and the four Fathers of the church in round panels running down either side of the central window, of the 8th century Romanesque Basilica church of St Peters, Tuscania, Lazio, Italy
  • 13th century reilief sculpture depicting the Kingdom of Good and salvation with Atlas at the bottom symbolically holding up the church which is represented at the top by the Lamb of God with 2 angels on either side and the four Fathers of the church in round panels running down either side of the central window, of the 8th century Romanesque Basilica church of St Peters, Tuscania, Lazio, Italy
  • Mycenaean Fresco wall painting of a Mycanaean footman leading a horse & hunting dog,  Tiryns, Greece. 14th - 13th Century BC. Athens Archaeological Museum. Cat No 5878.  Black Background
  • Mycenaean Fresco wall painting of a Mycanaean footman leading a horse & hunting dog,  Tiryns, Greece. 14th - 13th Century BC. Athens Archaeological Museum. Cat No 5878.  Grey art Background
  • Mycenaean Fresco wall painting of a Wild Boar Hunt from the Tiryns, Greece. 14th - 13th Century BC. Athens Archaeological Museum. Black Background
  • Mycenaean Fresco wall painting of a Wild Boar Hunt from the Tiryns, Greece. 14th - 13th Century BC. Athens Archaeological Museum. Grey art Background
  • Mycenaean Fresco wall painting of a Wild Boar Hunt from the Tiryns, Greece. 14th - 13th Century BC. Athens Archaeological Museum. Grey Background
  • Mycenaean Fresco wall painting of a Wild Boar Hunt from the Tiryns, Greece. 14th - 13th Century BC. Athens Archaeological Museum.
  • Mycenaean Fresco wall painting of a Wild Boar Hunt from the Tiryns, Greece. 14th - 13th Century BC. Athens Archaeological Museum. Grey art Background
  • Beaumaris Castle, looking towards Snowdonia,  built in 1284 by Edward 1st, considered to be one of the finest example of 13th century military architecture by UNESCO. A Unesco World Heritage Site. Beaumaris, Anglesey Island, Wales.
  • Beaumaris Castle, looking towards Snowdonia,  built in 1284 by Edward 1st, considered to be one of the finest example of 13th century military architecture by UNESCO. A Unesco World Heritage Site. Beaumaris, Anglesey Island, Wales.
  • Beaumaris Castle, looking towards Snowdonia,  built in 1284 by Edward 1st, considered to be one of the finest example of 13th century military architecture by UNESCO. A Unesco World Heritage Site. Beaumaris, Anglesey Island, Wales.
  • Beaumaris Castle, looking towards Snowdonia,  built in 1284 by Edward 1st, considered to be one of the finest example of 13th century military architecture by UNESCO. A Unesco World Heritage Site. Beaumaris, Anglesey Island, Wales.
  • Beaumaris Castle, looking towards Snowdonia,  built in 1284 by Edward 1st, considered to be one of the finest example of 13th century military architecture by UNESCO. A Unesco World Heritage Site. Beaumaris, Anglesey Island, Wales.
  • Beaumaris Castle, looking towards Snowdonia,  built in 1284 by Edward 1st, considered to be one of the finest example of 13th century military architecture by UNESCO. A Unesco World Heritage Site. Beaumaris, Anglesey Island, Wales.
  • Beaumaris Castle, looking towards Snowdonia,  built in 1284 by Edward 1st, considered to be one of the finest example of 13th century military architecture by UNESCO. A Unesco World Heritage Site. Beaumaris, Anglesey Island, Wales.
  • Pictures & images of the Byzantine apse fresco in the Gelati Georgian Orthodox Church St George, 13th century, depicting scenes from the life of Christ.  The medieval Gelati monastic complex near Kutaisi in the Imereti region of western Georgia (country). A UNESCO World Heritage Site.
  • Pictures & images of Gelati Georgian Orthodox churches bell tower with  St Nicholas church, 13th century, behind. The medieval Gelati monastic complex near Kutaisi in the Imereti region of western Georgia (country). A UNESCO World Heritage Site.
  • Pictures & images of Gelati Georgian Orthodox church of St. Nicholas, 13th century.  The medieval Gelati monastic complex near Kutaisi in the Imereti region of western Georgia (country). A UNESCO World Heritage Site.
  • Pictures & images of Gelati Georgian Orthodox churches of (foreground) St George, 13th century, (behind) Church of the Virgin, 1106. The medieval Gelati monastic complex near Kutaisi in the Imereti region of western Georgia (country). A UNESCO World Heritage Site.
  • Pictures & images of Gelati Georgian Orthodox churches of (foreground) St George, 13th century, (behind) Church of the Virgin, 1106. The medieval Gelati monastic complex near Kutaisi in the Imereti region of western Georgia (country). A UNESCO World Heritage Site.
  • Pictures & images of Gelati Georgian Orthodox churches of (foreground) St George, 13th century, (behind) Church of the Virgin, 1106. The medieval Gelati monastic complex near Kutaisi in the Imereti region of western Georgia (country). A UNESCO World Heritage Site.
  • Picture & image of the exterior of the late medieval (13th century) moated urban castle reisdence of Rocca Sanvitale ( Sanvitale Castle ),  Fontanellato, Italy
  • Picture & image of the exterior of the late medieval (13th century) moated urban castle reisdence of Rocca Sanvitale ( Sanvitale Castle ),  Fontanellato, Italy
  • 13th century Romanesque facade & Campinale of the Romanesque Cattedrale di San Martino,  Duomo of Lucca, Tunscany, Italy
  • Panorama of the Arcades of St Michele of the 13th century Romanesque facade of the San Michele in Foro,  a Roman Catholic basilica church in Lucca, Tunscany, Italy
  • 13th century Romanesque facade of the San Michele in Foro is a Roman Catholic basilica church in Lucca, Tunscany, Italy
  • 13th century Romanesque facade and campinale of the San Michele in Foro is a Roman Catholic basilica church in Lucca, Tunscany, Italy
  • Close up of the Arcades of St Michele of the 13th century Romanesque facade of the San Michele in Foro,  a Roman Catholic basilica church in Lucca, Tunscany, Italy
  • Close up of the 13th century Byzantine Mosaic panel depicting Christ Pantocrator of the Basilica of San Frediano, a Romanesque church, Lucca, Tunscany, Italy
  • 13th century Facade with Byzantine Mosaic panel depicting Christ Pantocrator of the Basilica of San Frediano, a Romanesque church, Lucca, Tunscany, Italy
  • Upper arcades and statue of St Michele of the 13th century Romanesque facade of the San Michele in Foro,  a Roman Catholic basilica church in Lucca, Tunscany, Italy
  • Close up of the Arcades and and columns of St Michele of the 13th century Romanesque facade of the San Michele in Foro,  a Roman Catholic basilica church in Lucca, Tunscany, Italy
  • Close up of the Arcades and corner of St Michele of the 13th century Romanesque facade of the San Michele in Foro,  a Roman Catholic basilica church in Lucca, Tunscany, Italy
  • Close up of the statue of St Michele of the 13th century Romanesque facade of the San Michele in Foro,  a Roman Catholic basilica church in Lucca, Tunscany, Italy
  • 13th century Romanesque facade of the San Michele in Foro is a Roman Catholic basilica church in Lucca, Tunscany, Italy
  • 13th century Romanesque decorative marble archivolt of the main portal with decorative marble relief sculptures of the signs of the Zodiac and the work of the seasons on the 8th century Romanesque Basilica church of St Peters, Tuscania, Lazio, Italy
  • Medieval Gothic gold leaf funerary mask, end of 13th century made in Limoges. AD. From the Priory of Papillaye, Maine et Loire, the death mask came from the tomb of Herbert Lasnier who died in 1290. inv 6485, The Louvre Museum, Paris.
  • Gothic altar panel depicting St Michael sleighing the dragon. End of the 13th century, tempera on a spruce wooden panel  from  The Church of Sant Miguel de Soriguerola, Cerdanya, Huesca, Spain. Inv MNAC 43901. National Museum of Catalan Art (MNAC), Barcelona, Spain
  • Gothic altar panel depicting scenes of hell with the damned in a colder being heated by the devil. End of the 13th century, tempera on a spruce wooden panel  from  The Church of Sant Miguel de Soriguerola, Cerdanya, Huesca, Spain. Inv MNAC 43901. National Museum of Catalan Art (MNAC), Barcelona, Spain
  • Gothic panel depicting scenes from the Life of St Nicholas. End of the 13th century, fresco transferred to canvas from a mural on the north wall of  The Church of San Fructuoso, Nicholas and John the Evangelist, Huesca, Spain. Inv MNAC 45796. National Museum of Catalan Art (MNAC), Barcelona, Spain
  • Stained glass windows depicting scenes from the life of Saint Nicaise, made in the first quarter of the 13th century from a chapel in the Cathedral of Soissons, France. The stained glass depicts the martyrdom of Saint Nicaise.  Inv OA 6006,  The Louvre Museum, Paris.
  • Mycenaean Fresco wall painting of a Mycanaean footman leading a horse & hunting dog,  Tiryns, Greece. 14th - 13th Century BC. Athens Archaeological Museum. Cat No 5878.  Grey Background
  • Mycenaean Fresco wall painting of a Mycanaean footman leading a horse & hunting dog,  Tiryns, Greece. 14th - 13th Century BC. Athens Archaeological Museum. Cat No 5878
  • Mycenaean Fresco wall painting of a Mycanaean footman leading a horse & hunting dog,  Tiryns, Greece. 14th - 13th Century BC. Athens Archaeological Museum. Cat No 5878
  • Mycenaean Fresco wall painting of a Wild Boar Hunt from the Tiryns, Greece. 14th - 13th Century BC. Athens Archaeological Museum. White Background.
  • Mycenaean Fresco wall painting of a Wild Boar Hunt from the Tiryns, Greece. 14th - 13th Century BC. Athens Archaeological Museum. Grey Background
  • Mycenaean Fresco wall painting of a Wild Boar Hunt from the Tiryns, Greece. 14th - 13th Century BC. Athens Archaeological Museum.
  • Mycenaean Fresco wall painting of a Wild Boar Hunt from the Tiryns, Greece. 14th - 13th Century BC. Athens Archaeological Museum. Grey Background
  • Mycenaean Fresco wall painting of a Wild Boar Hunt from the Tiryns, Greece. 14th - 13th Century BC. Athens Archaeological Museum. Grey Background
  • Mycenaean Fresco wall painting of a Wild Boar Hunt from the Tiryns, Greece. 14th - 13th Century BC. Athens Archaeological Museum. White Background.
  • Mycenaean Fresco wall painting of a Wild Boar Hunt from the Tiryns, Greece. 14th - 13th Century BC. Athens Archaeological Museum.<br />
 Black Background
  • Mycenaean Fresco wall painting of a Wild Boar Hunt from the Tiryns, Greece. 14th - 13th Century BC. Athens Archaeological Museum.
  • Beaumaris Castle, looking towards Snowdonia,  built in 1284 by Edward 1st, considered to be one of the finest example of 13th century military architecture by UNESCO. A Unesco World Heritage Site. Beaumaris, Anglesey Island, Wales.
  • Beaumaris Castle, looking towards Snowdonia,  built in 1284 by Edward 1st, considered to be one of the finest example of 13th century military architecture by UNESCO. A Unesco World Heritage Site. Beaumaris, Anglesey Island, Wales.
  • Beaumaris Castle, looking towards Snowdonia,  built in 1284 by Edward 1st, considered to be one of the finest example of 13th century military architecture by UNESCO. A Unesco World Heritage Site. Beaumaris, Anglesey Island, Wales.
  • Beaumaris Castle, looking towards Snowdonia,  built in 1284 by Edward 1st, considered to be one of the finest example of 13th century military architecture by UNESCO. A Unesco World Heritage Site. Beaumaris, Anglesey Island, Wales.

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