• Statue of Cosimo Medicci  - Plazza Della Signora - Florence Italy.
  • Statue of Cosimo Medicci  - Plazza Della Signora - Florence Italy.
  • Palazzio Vecchio - Florence Italy.
  • Palazzio Vecchio - Florence Italy.
  • Fountain & Statue of Neptune - Plazza Della Signora - Florence Italy.
  • Fountain & Statue of Neptune - Plazza Della Signora - Florence Italy.
  • Ponte Vecchio over the River Arno, Florence, Italy.
  • Ponte Vecchio over the River Arno, Florence, Italy.
  • Ponte Vecchio over the River Arno, Florence, Italy.
  • Fountain & Statue of Neptune - Plazza Della Signora - Florence Italy.
  • Fountain & Statue of Neptune - Plazza Della Signora - Florence Italy.
  • Statue Of Perseus with the head of Medusa  by Cellini - The Loggia - Florence - Italy
  • Pictures and images of St Nicholas Church in the historic medieval Kintsvisi Monastery Georgian Orthodox Monastery complex, Shida Kartli Region, Georgia (country).<br />
<br />
Kintsvisi Monastery is the best preserved example of Georgian architecture of the 12th and 15th centuries, the so called Georgian Golden Age.
  • Alabaster jug possibly imported from Minoan Crete.   Mycenae graves, Greece. 15th century BC,  National Archaeological Museum, Athens.
  • Photo of a Three handles "Palace Style" amphora with three large octopuses within a marines cape of rocks and seaweed. A mycenaean copy of a Minoan Marine Style.   Mycenae tomb 2, Greece. 15th century BC,  cat no: 6725, National Archaeological Museum, Athens.
  • Photo of a  jug decorated with stylised birds bands showing Cycladic and Minoan influences.   Mycenae Grave find, Greece. 15th century BC,  ,  National Archaeological Museum, Athens.
  • Photo of a  jug decorated with stylised birds bands showing Cycladic and Minoan influences.   Mycenae Grave find, Greece. 15th century BC,  ,  National Archaeological Museum, Athens.
  • Photo of a late Helladic jug decorated with serpentine bands showing Cycladic and Minoan influences.   Mycenae Shaft Grave V, Greece. 16th to early 15th century BC,  cat no: 950,  National Archaeological Museum, Athens.
  • Photo of a late Helladic jug decorated with serpentine bands showing Cycladic and Minoan influences.   Mycenae Shaft Grave V, Greece. 16th to early 15th century BC,  cat no: 950,  National Archaeological Museum, Athens.
  • Photo of a Three handles "Palace Style" amphora with three large octopuses within a marines cape of rocks and seaweed. A mycenaean copy of a Minoan Marine Style.   Mycenae tomb 2, Greece. 15th century BC,  cat no: 6725, National Archaeological Museum, Athens.
  • Photo of a Three handles "Palace Style" amphora with three large octopuses within a marines cape of rocks and seaweed. A mycenaean copy of a Minoan Marine Style.   Mycenae tomb 2, Greece. 15th century BC,  cat no: 6725, National Archaeological Museum, Athens.
  • Photo of a Three handles "Palace Style" amphora with three large octopuses within a marines cape of rocks and seaweed. A mycenaean copy of a Minoan Marine Style.   Mycenae tomb 2, Greece. 15th century BC,  cat no: 6725, National Archaeological Museum, Athens.
  • Photo of a Three handles "Palace Style" amphora with three large octopuses within a marines cape of rocks and seaweed. A mycenaean copy of a Minoan Marine Style.   Mycenae tomb 2, Greece. 15th century BC,  cat no: 6725, National Archaeological Museum, Athens.
  • Photo of a Three handles "Palace Style" amphora with three large octopuses within a marines cape of rocks and seaweed. A mycenaean copy of a Minoan Marine Style.   Mycenae tomb 2, Greece. 15th century BC,  cat no: 6725, National Archaeological Museum, Athens.
  • Three handled Mycenaean  Palace Style amphora with three large octopuses within a marinescape of rocks and seaweed. A Mycenaean imitation of Minoan Marine Style. From the Mycenaean cemetery of Argive Prosymna, tomb 2, Greece. 15th Century BC. Cat No 6725 Athens Archaeological Museum.
  • Three handled Mycenaean  Palace Style amphora with three large octopuses within a marinescape of rocks and seaweed. A Mycenaean imitation of Minoan Marine Style. From the Mycenaean cemetery of Argive Prosymna, tomb 2, Greece. 15th Century BC. Cat No 6725 Athens Archaeological Museum.
  • Three handled Mycenaean  Palace Style amphora with three large octopuses within a marinescape of rocks and seaweed. A Mycenaean imitation of Minoan Marine Style. From the Mycenaean cemetery of Argive Prosymna, tomb 2, Greece. 15th Century BC. Cat No 6725 Athens Archaeological Museum.
  • Three handled Mycenaean  Palace Style amphora with three large octopuses within a marinescape of rocks and seaweed. A Mycenaean imitation of Minoan Marine Style. From the Mycenaean cemetery of Argive Prosymna, tomb 2, Greece. 15th Century BC. Cat No 6725 Athens Archaeological Museum.
  • Three handled Mycenaean  Palace Style amphora with three large octopuses within a marinescape of rocks and seaweed. A Mycenaean imitation of Minoan Marine Style. From the Mycenaean cemetery of Argive Prosymna, tomb 2, Greece. 15th Century BC. Cat No 6725 Athens Archaeological Museum.
  • Enamelled plaque depicting Christ in front of Pilate made in Limoges at the end of the 15th century, attributed to Master Pseudo-Monvaerni. inv 6309, The Louvre Museum, Paris.
  • Enamelled plaque depicting Christ in front of Pilate made in Limoges at the end of the 15th century, attributed to Master Pseudo-Monvaerni. inv 6309, The Louvre Museum, Paris.
  • Enamelled plaque depicting Christ in front of Pilate made in Limoges at the end of the 15th century, attributed to Master Pseudo-Monvaerni. inv 6309, The Louvre Museum, Paris.
  • Enamelled plaque depicting Christ in front of Pilate made in Limoges at the end of the 15th century, attributed to Master Pseudo-Monvaerni. inv 6309, The Louvre Museum, Paris.
  • Enamelled plaque depicting Christ’s flagellation made in Limoges at the end of the 15th century, attributed to Master Pseudo-Monvaerni. inv 6309, The Louvre Museum, Paris.
  • Enamelled plaque depicting Christ’s flagellation made in Limoges at the end of the 15th century, attributed to Master Pseudo-Monvaerni. inv 6309, The Louvre Museum, Paris.
  • Enamelled plaque depicting Christ’s flagellation made in Limoges at the end of the 15th century, attributed to Master Pseudo-Monvaerni. inv 6309, The Louvre Museum, Paris.
  • Enamelled plaque depicting Christ’s flagellation made in Limoges at the end of the 15th century, attributed to Master Pseudo-Monvaerni. inv 6309, The Louvre Museum, Paris.
  • Medieval Gothic ivory statuette of the Virgin and Child known as “a La Supplique” (supplication) made in Paris oat the beginning of the the 15th century.  inv 2745, The Louvre Museum, Paris.
  • Three handled Mycenaean  Palace Style amphora with large palm trees symmetrically placed on the sides and smaller palm trees with floral motifs in between. This Mycenaean  vase is distinguished by the high quality of clay and paint, and by the naturalistic rendering of the decoration. From the Mycenaean cemetery at Argive Deiras, Greece. 15th Century BC. Cat No 6725 Athens Archaeological Museum.
  • Three handled Mycenaean  Palace Style amphora with large palm trees symmetrically placed on the sides and smaller palm trees with floral motifs in between. This Mycenaean  vase is distinguished by the high quality of clay and paint, and by the naturalistic rendering of the decoration. From the Mycenaean cemetery at Argive Deiras, Greece. 15th Century BC. Cat No 6725 Athens Archaeological Museum.
  • Three handled Mycenaean  Palace Style amphora with three large octopuses within a marinescape of rocks and seaweed. A Mycenaean imitation of Minoan Marine Style. From the Mycenaean cemetery of Argive Prosymna, tomb 2, Greece. 15th Century BC. Cat No 6725 Athens Archaeological Museum.
  • Three handled Mycenaean  Palace Style amphora with large palm trees symmetrically placed on the sides and smaller palm trees with floral motifs in between. This Mycenaean  vase is distinguished by the high quality of clay and paint, and by the naturalistic rendering of the decoration. From the Mycenaean cemetery at Argive Deiras, Greece. 15th Century BC. Cat No 6725 Athens Archaeological Museum.
  • Three handled Mycenaean  Palace Style amphora with large palm trees symmetrically placed on the sides and smaller palm trees with floral motifs in between. This Mycenaean  vase is distinguished by the high quality of clay and paint, and by the naturalistic rendering of the decoration. From the Mycenaean cemetery at Argive Deiras, Greece. 15th Century BC. Cat No 6725 Athens Archaeological Museum.
  • Three handled Mycenaean  Palace Style amphora with large palm trees symmetrically placed on the sides and smaller palm trees with floral motifs in between. This Mycenaean  vase is distinguished by the high quality of clay and paint, and by the naturalistic rendering of the decoration. From the Mycenaean cemetery at Argive Deiras, Greece. 15th Century BC. Cat No 6725 Athens Archaeological Museum.
  • Three handled Mycenaean  Palace Style amphora with large palm trees symmetrically placed on the sides and smaller palm trees with floral motifs in between. This Mycenaean  vase is distinguished by the high quality of clay and paint, and by the naturalistic rendering of the decoration. From the Mycenaean cemetery at Argive Deiras, Greece. 15th Century BC. Cat No 6725 Athens Archaeological Museum.
  • Three handled Mycenaean  Palace Style amphora with large palm trees symmetrically placed on the sides and smaller palm trees with floral motifs in between. This Mycenaean  vase is distinguished by the high quality of clay and paint, and by the naturalistic rendering of the decoration. From the Mycenaean cemetery at Argive Deiras, Greece. 15th Century BC. Cat No 6725 Athens Archaeological Museum.
  • Pictures and images of frescoes inside the chapel in the historic medieval Kintsvisi Monastery Georgian Orthodox Monastery complex, Shida Kartli Region, Georgia (country).<br />
<br />
Kintsvisi Monastery is the best preserved example of Georgian architecture of the 12th and 15th centuries, the so called Georgian Golden Age.
  • Pictures and images of bas relief sculpture of archangels on the chapel in the historic medieval Kintsvisi Monastery Georgian Orthodox Monastery complex, Shida Kartli Region, Georgia (country).<br />
<br />
Kintsvisi Monastery is the best preserved example of Georgian architecture of the 12th and 15th centuries, the so called Georgian Golden Age.
  • Pictures and images of bas relief sculpture of archangels on the chapel in the historic medieval Kintsvisi Monastery Georgian Orthodox Monastery complex, Shida Kartli Region, Georgia (country).<br />
<br />
Kintsvisi Monastery is the best preserved example of Georgian architecture of the 12th and 15th centuries, the so called Georgian Golden Age.
  • Pictures and images of bas relief sculpture of the chapel in the historic medieval Kintsvisi Monastery Georgian Orthodox Monastery complex, Shida Kartli Region, Georgia (country).<br />
<br />
Kintsvisi Monastery is the best preserved example of Georgian architecture of the 12th and 15th centuries, the so called Georgian Golden Age.
  • Pictures and images of the chapel in the historic medieval Kintsvisi Monastery Georgian Orthodox Monastery complex, Shida Kartli Region, Georgia (country).<br />
<br />
Kintsvisi Monastery is the best preserved example of Georgian architecture of the 12th and 15th centuries, the so called Georgian Golden Age.
  • Pictures and images of the chapel in the historic medieval Kintsvisi Monastery Georgian Orthodox Monastery complex, Shida Kartli Region, Georgia (country).<br />
<br />
Kintsvisi Monastery is the best preserved example of Georgian architecture of the 12th and 15th centuries, the so called Georgian Golden Age.
  • Pictures and images of the chapel in the historic medieval Kintsvisi Monastery Georgian Orthodox Monastery complex, Shida Kartli Region, Georgia (country).<br />
<br />
Kintsvisi Monastery is the best preserved example of Georgian architecture of the 12th and 15th centuries, the so called Georgian Golden Age.
  • Pictures and images of the chapel in the historic medieval Kintsvisi Monastery Georgian Orthodox Monastery complex, Shida Kartli Region, Georgia (country).<br />
<br />
Kintsvisi Monastery is the best preserved example of Georgian architecture of the 12th and 15th centuries, the so called Georgian Golden Age.
  • Pictures and images of the chapel in the historic medieval Kintsvisi Monastery Georgian Orthodox Monastery complex, Shida Kartli Region, Georgia (country).<br />
<br />
Kintsvisi Monastery is the best preserved example of Georgian architecture of the 12th and 15th centuries, the so called Georgian Golden Age.
  • Pictures and images of the chapel in the historic medieval Kintsvisi Monastery Georgian Orthodox Monastery complex, Shida Kartli Region, Georgia (country).<br />
<br />
Kintsvisi Monastery is the best preserved example of Georgian architecture of the 12th and 15th centuries, the so called Georgian Golden Age.
  • Pictures and images of St Nicholas Church in the historic medieval Kintsvisi Monastery Georgian Orthodox Monastery complex, Shida Kartli Region, Georgia (country).<br />
<br />
Kintsvisi Monastery is the best preserved example of Georgian architecture of the 12th and 15th centuries, the so called Georgian Golden Age.
  • Pictures and images of St Nicholas Church in the historic medieval Kintsvisi Monastery Georgian Orthodox Monastery complex, Shida Kartli Region, Georgia (country).<br />
<br />
Kintsvisi Monastery is the best preserved example of Georgian architecture of the 12th and 15th centuries, the so called Georgian Golden Age.
  • Pictures and images of St Nicholas Church in the historic medieval Kintsvisi Monastery Georgian Orthodox Monastery complex, Shida Kartli Region, Georgia (country).<br />
<br />
Kintsvisi Monastery is the best preserved example of Georgian architecture of the 12th and 15th centuries, the so called Georgian Golden Age.
  • Pictures and images of St Nicholas Church in the historic medieval Kintsvisi Monastery Georgian Orthodox Monastery complex, Shida Kartli Region, Georgia (country).<br />
<br />
Kintsvisi Monastery is the best preserved example of Georgian architecture of the 12th and 15th centuries, the so called Georgian Golden Age.
  • Pictures and images of St Nicholas Church in the historic medieval Kintsvisi Monastery Georgian Orthodox Monastery complex, Shida Kartli Region, Georgia (country).<br />
<br />
Kintsvisi Monastery is the best preserved example of Georgian architecture of the 12th and 15th centuries, the so called Georgian Golden Age.
  • Pictures and images of St Nicholas Church in the historic medieval Kintsvisi Monastery Georgian Orthodox Monastery complex, Shida Kartli Region, Georgia (country).<br />
<br />
Kintsvisi Monastery is the best preserved example of Georgian architecture of the 12th and 15th centuries, the so called Georgian Golden Age.
  • Pictures and images of St Nicholas Church in the historic medieval Kintsvisi Monastery Georgian Orthodox Monastery complex, Shida Kartli Region, Georgia (country).<br />
<br />
Kintsvisi Monastery is the best preserved example of Georgian architecture of the 12th and 15th centuries, the so called Georgian Golden Age.
  • Pictures and images of St Nicholas Church in the historic medieval Kintsvisi Monastery Georgian Orthodox Monastery complex, Shida Kartli Region, Georgia (country).<br />
<br />
Kintsvisi Monastery is the best preserved example of Georgian architecture of the 12th and 15th centuries, the so called Georgian Golden Age.
  • Pictures and images of St Nicholas Church in the historic medieval Kintsvisi Monastery Georgian Orthodox Monastery complex, Shida Kartli Region, Georgia (country).<br />
<br />
Kintsvisi Monastery is the best preserved example of Georgian architecture of the 12th and 15th centuries, the so called Georgian Golden Age.
  • Pictures and images of St Nicholas Church in the historic medieval Kintsvisi Monastery Georgian Orthodox Monastery complex, Shida Kartli Region, Georgia (country).<br />
<br />
Kintsvisi Monastery is the best preserved example of Georgian architecture of the 12th and 15th centuries, the so called Georgian Golden Age.
  • Pictures and images of St Nicholas Church in the historic medieval Kintsvisi Monastery Georgian Orthodox Monastery complex, Shida Kartli Region, Georgia (country).<br />
<br />
Kintsvisi Monastery is the best preserved example of Georgian architecture of the 12th and 15th centuries, the so called Georgian Golden Age.
  • Pictures and images of St Nicholas Church in the historic medieval Kintsvisi Monastery Georgian Orthodox Monastery complex, Shida Kartli Region, Georgia (country).<br />
<br />
Kintsvisi Monastery is the best preserved example of Georgian architecture of the 12th and 15th centuries, the so called Georgian Golden Age.
  • Pictures and images of St Nicholas Church in the historic medieval Kintsvisi Monastery Georgian Orthodox Monastery complex, Shida Kartli Region, Georgia (country).<br />
<br />
Kintsvisi Monastery is the best preserved example of Georgian architecture of the 12th and 15th centuries, the so called Georgian Golden Age.
  • Close up of Hittite relief scultures of Hittite godsEflatun Pınar ( Eflatunpınar) Ancient Hittite relief sculpture monument and sacred pool.  Between 15th to 13th centuries BC. Lake Beysehir National Park, Konya, Turkey.
  • Close up of lower relief sculptures of Hittite gods at Eflatun Pınar ( Eflatunpınar) Ancient Hittite relief sculpture monument and sacred pool.  Between 15th to 13th centuries BC. Lake Beysehir National Park, Konya, Turkey.
  • Close up of Hittite relief scultures of Hittite godsEflatun Pınar ( Eflatunpınar) Ancient Hittite relief sculpture monument and sacred pool.  Between 15th to 13th centuries BC. Lake Beysehir National Park, Konya, Turkey.
  • Close up of lower relief sculptures of Hittite gods at Eflatun Pınar ( Eflatunpınar) Ancient Hittite relief sculpture monument and sacred pool.  Between 15th to 13th centuries BC. Lake Beysehir National Park, Konya, Turkey.
  • Close up of lower relief sculptures of Hittite gods at Eflatun Pınar ( Eflatunpınar) Ancient Hittite relief sculpture monument and sacred pool.  Between 15th to 13th centuries BC. Lake Beysehir National Park, Konya, Turkey.
  • Close up of Hittite relief scultures of Hittite godsEflatun Pınar ( Eflatunpınar) Ancient Hittite relief sculpture monument and sacred pool.  Between 15th to 13th centuries BC. Lake Beysehir National Park, Konya, Turkey.
  • Close up of lower relief sculptures of Hittite gods at Eflatun Pınar ( Eflatunpınar) Ancient Hittite relief sculpture monument and sacred pool.  Between 15th to 13th centuries BC. Lake Beysehir National Park, Konya, Turkey.
  • Close up of Hittite relief scultures of Hittite godsEflatun Pınar ( Eflatunpınar) Ancient Hittite relief sculpture monument and sacred pool.  Between 15th to 13th centuries BC. Lake Beysehir National Park, Konya, Turkey.
  • Close up of Hittite relief scultures of Hittite godsEflatun Pınar ( Eflatunpınar) Ancient Hittite relief sculpture monument and sacred pool.  Between 15th to 13th centuries BC. Lake Beysehir National Park, Konya, Turkey.
  • close up of Eflatun Pınar ( Eflatunpınar) Ancient Hittite relief sculpture monument and sacred pool, and its Hittite relief scultures of Hittite gods.  Between 15th to 13th centuries BC. Lake Beysehir National Park, Konya, Turkey.
  • Eflatun Pınar ( Eflatunpınar) Ancient Hittite relief sculpture monument and sacred pool, and its Hittite relief scultures of Hittite gods.  Between 15th to 13th centuries BC. Lake Beysehir National Park, Konya, Turkey.
  • Eflatun Pınar ( Eflatunpınar) Ancient Hittite relief sculpture monument and sacred pool, and its Hittite relief scultures of Hittite gods.  Between 15th to 13th centuries BC. Lake Beysehir National Park, Konya, Turkey.
  • Eflatun Pınar ( Eflatunpınar) Ancient Hittite relief sculpture monument and sacred pool, and its Hittite relief scultures of Hittite gods.  Between 15th to 13th centuries BC. Lake Beysehir National Park, Konya, Turkey.
  • Eflatun Pınar ( Eflatunpınar) Ancient Hittite relief sculpture monument and sacred pool, and its Hittite relief scultures of Hittite gods.  Between 15th to 13th centuries BC. Lake Beysehir National Park, Konya, Turkey.
  • Eflatun Pınar ( Eflatunpınar) Ancient Hittite relief sculpture monument and sacred pool, and its Hittite relief scultures of Hittite gods.  Between 15th to 13th centuries BC. Lake Beysehir National Park, Konya, Turkey.
  • Eflatun Pınar ( Eflatunpınar) Ancient Hittite relief sculpture monument and sacred pool, and its Hittite relief scultures of Hittite gods.  Between 15th to 13th centuries BC. Lake Beysehir National Park, Konya, Turkey.
  • Eflatun Pınar ( Eflatunpınar) Ancient Hittite relief sculpture monument and sacred pool, and its Hittite relief scultures of Hittite gods.  Between 15th to 13th centuries BC. Lake Beysehir National Park, Konya, Turkey.
  • Statues of bulls and Eflatun Pınar ( Eflatunpınar) Ancient Hittite relief sculpture monument and sacred pool, and its Hittite relief scultures of Hittite gods.  Between 15th to 13th centuries BC. Lake Beysehir National Park, Konya, Turkey.
  • Statues of bulls and Eflatun Pınar ( Eflatunpınar) Ancient Hittite relief sculpture monument and sacred pool, and its Hittite relief scultures of Hittite gods.  Between 15th to 13th centuries BC. Lake Beysehir National Park, Konya, Turkey.
  • Gothic altarpiece of Madonna and Child and the Saints, by Rossello di Jacopo Franchi, from Florence, 1st quarter of 15th century.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  15932.
  • Gothic wood relief sculpture of the crwoning of of the Virgin Mary in the central European sgchiool style, end of 15th Century.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  5270. Against a white background.
  • Gothic wood relief sculpture of the crwoning of of the Virgin Mary in the central European sgchiool style, end of 15th Century.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  5270. Against a black background.
  • Gothic wood relief sculpture of the crwoning of of the Virgin Mary in the central European sgchiool style, end of 15th Century.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  5270.
  • Gothic wood relief sculpture of the crwoning of of the Virgin Mary in the central European sgchiool style, end of 15th Century.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  5270. Against a art background.
  • Gothic wood relief sculpture of the crwoning of of the Virgin Mary in the central European sgchiool style, end of 15th Century.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  5270. Against a grey art background.
  • Gothic Aaltarpiece of Saint Barbara, 3rd quarter of the 15th century, tempera and gold leaf on for wood.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC   114746-7. Against a white background.
  • Gothic Aaltarpiece of Saint Barbara, 3rd quarter of the 15th century, tempera and gold leaf on for wood.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC   114746-7. Against a black background.
  • Gothic Aaltarpiece of Saint Barbara, 3rd quarter of the 15th century, tempera and gold leaf on for wood.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC   114746-7.
  • Gothic Aaltarpiece of Saint Barbara, 3rd quarter of the 15th century, tempera and gold leaf on for wood.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC   114746-7. Against a art background.
  • Gothic Aaltarpiece of Saint Barbara, 3rd quarter of the 15th century, tempera and gold leaf on for wood.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC   114746-7. Against a grey art background.
  • Gothic altarpiece of Saint Catarina (Catherine), 3rd quarter of the 15th century, tempera and gold leaf on for wood.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC   114746-7. Against a white background.
  • Gothic altarpiece of Saint Catarina (Catherine), 3rd quarter of the 15th century, tempera and gold leaf on for wood.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC   114746-7. Against a black background.
  • Gothic altarpiece of Saint Catarina (Catherine), 3rd quarter of the 15th century, tempera and gold leaf on for wood.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC   114746-7.
  • Gothic altarpiece of Saint Catarina (Catherine), 3rd quarter of the 15th century, tempera and gold leaf on for wood.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC   114746-7. Against a art background.
  • Gothic altarpiece of Saint Catarina (Catherine), 3rd quarter of the 15th century, tempera and gold leaf on for wood.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC   114746-7. Against a grey art background.
  • Gothic alabaster statue of Saint Anne and the Virgin Mary as a child from the Nottingham School England, 15th Century, from the cemetery of the vall de Bertizana, Nivarra.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  4353. Against a white background.
  • Gothic alabaster statue of Saint Anne and the Virgin Mary as a child from the Nottingham School England, 15th Century, from the cemetery of the vall de Bertizana, Nivarra.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  4353. Against a black background.
  • Gothic alabaster statue of Saint Anne and the Virgin Mary as a child from the Nottingham School England, 15th Century, from the cemetery of the vall de Bertizana, Nivarra.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  4353.
  • Gothic alabaster statue of Saint Anne and the Virgin Mary as a child from the Nottingham School England, 15th Century, from the cemetery of the vall de Bertizana, Nivarra.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  4353. Against a art background.
  • Gothic alabaster statue of Saint Anne and the Virgin Mary as a child from the Nottingham School England, 15th Century, from the cemetery of the vall de Bertizana, Nivarra.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  4353. Against a grey art background.
  • Gothic altarpiece of Saint Esteve (Stephen) & John the Baptist by Mestre de Bardalona, early 15th century, tempera and gold leaf on for wood from Santa Maria de Badalona.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC   15824. Against a white background.
  • Gothic altarpiece of Saint Esteve (Stephen) & John the Baptist by Mestre de Bardalona, early 15th century, tempera and gold leaf on for wood from Santa Maria de Badalona.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC   15824. Against a black background.
  • Gothic altarpiece of Saint Esteve (Stephen) & John the Baptist by Mestre de Bardalona, early 15th century, tempera and gold leaf on for wood from Santa Maria de Badalona.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC   15824. Against a light grey background.
  • Gothic altarpiece of Saint Esteve (Stephen) & John the Baptist by Mestre de Bardalona, early 15th century, tempera and gold leaf on for wood from Santa Maria de Badalona.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC   15824. Against a grey textured background.
  • Gothic altarpiece of Saint Esteve (Stephen) & John the Baptist by Mestre de Bardalona, early 15th century, tempera and gold leaf on for wood from Santa Maria de Badalona.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC   15824.
  • Gothic box made from poplar wood with stucco reliefs, gold leaf gold decorations and traces of polychrome iron and brass 2nd quarter 15th century, possibly from Barcelona, Catalunya, Spain. National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC 12120. Against a white background.
  • Gothic box made from poplar wood with stucco reliefs, gold leaf gold decorations and traces of polychrome iron and brass 2nd quarter 15th century, possibly from Barcelona, Catalunya, Spain. National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC 12120. Against a black background.
  • Gothic box made from poplar wood with stucco reliefs, gold leaf gold decorations and traces of polychrome iron and brass 2nd quarter 15th century, possibly from Barcelona, Catalunya, Spain. National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC 12120. Against a light grey background.
  • Gothic box made from poplar wood with stucco reliefs, gold leaf gold decorations and traces of polychrome iron and brass 2nd quarter 15th century, possibly from Barcelona, Catalunya, Spain. National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC 12120. Against a grey textured background.
  • Gothic box made from poplar wood with stucco reliefs, gold leaf gold decorations and traces of polychrome iron and brass 2nd quarter 15th century, possibly from Barcelona, Catalunya, Spain. National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC 12120.
  • Gothic Altarpiece of Saint Barbara, 3rd quarter of the 15th century, tempera and gold leaf on for wood.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC   114746-7.
  • Painted Gothic wooden Fourteen Intercessors altarpiece made at the end of the 15th century in Franconia.  The panel depict 14 saints in total. Inv RF 2531,  The Louvre Museum, Paris.
  • Three handled Mycenaean  Palace Style amphora with large palm trees symmetrically placed on the sides and smaller palm trees with floral motifs in between. This Mycenaean  vase is distinguished by the high quality of clay and paint, and by the naturalistic rendering of the decoration. From the Mycenaean cemetery at Argive Deiras, Greece. 15th Century BC. Cat No 6725 Athens Archaeological Museum.
  • Three handled Mycenaean  Palace Style amphora with large palm trees symmetrically placed on the sides and smaller palm trees with floral motifs in between. This Mycenaean  vase is distinguished by the high quality of clay and paint, and by the naturalistic rendering of the decoration. From the Mycenaean cemetery at Argive Deiras, Greece. 15th Century BC. Cat No 6725 Athens Archaeological Museum.
  • Three handled Mycenaean  Palace Style amphora with large palm trees symmetrically placed on the sides and smaller palm trees with floral motifs in between. This Mycenaean  vase is distinguished by the high quality of clay and paint, and by the naturalistic rendering of the decoration. From the Mycenaean cemetery at Argive Deiras, Greece. 15th Century BC. Cat No 6725 Athens Archaeological Museum.
  • Three handled Mycenaean  Palace Style amphora with three large octopuses within a marinescape of rocks and seaweed. A Mycenaean imitation of Minoan Marine Style. From the Mycenaean cemetery of Argive Prosymna, tomb 2, Greece. 15th Century BC. Cat No 6725 Athens Archaeological Museum.
  • Three handled Mycenaean  Palace Style amphora with large palm trees symmetrically placed on the sides and smaller palm trees with floral motifs in between. This Mycenaean  vase is distinguished by the high quality of clay and paint, and by the naturalistic rendering of the decoration. From the Mycenaean cemetery at Argive Deiras, Greece. 15th Century BC. Cat No 6725 Athens Archaeological Museum.
  • Three handled Mycenaean  Palace Style amphora with three large octopuses within a marinescape of rocks and seaweed. A Mycenaean imitation of Minoan Marine Style. From the Mycenaean cemetery of Argive Prosymna, tomb 2, Greece. 15th Century BC. Cat No 6725 Athens Archaeological Museum.
  • Three handled Mycenaean  Palace Style amphora with three large octopuses within a marinescape of rocks and seaweed. A Mycenaean imitation of Minoan Marine Style. From the Mycenaean cemetery of Argive Prosymna, tomb 2, Greece. 15th Century BC. Cat No 6725 Athens Archaeological Museum.
  • Three handled Mycenaean  Palace Style amphora with three large octopuses within a marinescape of rocks and seaweed. A Mycenaean imitation of Minoan Marine Style. From the Mycenaean cemetery of Argive Prosymna, tomb 2, Greece. 15th Century BC. Cat No 6725 Athens Archaeological Museum.
  • Painted Gothic wooden Fourteen Intercessors altarpiece made at the end of the 15th century in Franconia.  The panel depict 14 saints in total. Inv RF 2531,  The Louvre Museum, Paris.
  • Alabaster jug possibly imported from Minoan Crete.   Mycenae graves, Greece. 15th century BC,  National Archaeological Museum, Athens.
  • Photo of a Three handles "Palace Style" amphora with three large octopuses within a marines cape of rocks and seaweed. A mycenaean copy of a Minoan Marine Style.   Mycenae tomb 2, Greece. 15th century BC,  cat no: 6725, National Archaeological Museum, Athens.
  • Alabaster jug possibly imported from Minoan Crete.   Mycenae graves, Greece. 15th century BC,  National Archaeological Museum, Athens.
  • Alabaster jug possibly imported from Minoan Crete.   Mycenae graves, Greece. 15th century BC,  National Archaeological Museum, Athens.
  • Alabaster jug possibly imported from Minoan Crete.   Mycenae graves, Greece. 15th century BC,  National Archaeological Museum, Athens.
  • Photo of a Three handles "Palace Style" amphora with three large octopuses within a marines cape of rocks and seaweed. A mycenaean copy of a Minoan Marine Style.   Mycenae tomb 2, Greece. 15th century BC,  cat no: 6725, National Archaeological Museum, Athens.
  • Photo of a  jug decorated with stylised birds bands showing Cycladic and Minoan influences.   Mycenae Grave find, Greece. 15th century BC,  ,  National Archaeological Museum, Athens.
  • Photo of a Three handles "Palace Style" amphora with three large octopuses within a marines cape of rocks and seaweed. A mycenaean copy of a Minoan Marine Style.   Mycenae tomb 2, Greece. 15th century BC,  cat no: 6725, National Archaeological Museum, Athens.
  • Photo of a  jug decorated with stylised birds bands showing Cycladic and Minoan influences.   Mycenae Grave find, Greece. 15th century BC,  ,  National Archaeological Museum, Athens.
  • Photo of a  jug decorated with stylised birds bands showing Cycladic and Minoan influences.   Mycenae Grave find, Greece. 15th century BC,  ,  National Archaeological Museum, Athens.
  • Photo of a  jug decorated with stylised birds bands showing Cycladic and Minoan influences.   Mycenae Grave find, Greece. 15th century BC,  ,  National Archaeological Museum, Athens.
  • Photo of a Three handles "Palace Style" amphora with three large octopuses within a marines cape of rocks and seaweed. A mycenaean copy of a Minoan Marine Style.   Mycenae tomb 2, Greece. 15th century BC,  cat no: 6725, National Archaeological Museum, Athens.
  • Photo of a late Helladic jug decorated with serpentine bands showing Cycladic and Minoan influences.   Mycenae Shaft Grave V, Greece. 16th to early 15th century BC,  cat no: 950,  National Archaeological Museum, Athens.
  • Photo of a late Helladic jug decorated with serpentine bands showing Cycladic and Minoan influences.   Mycenae Shaft Grave V, Greece. 16th to early 15th century BC,  cat no: 950,  National Archaeological Museum, Athens.
  • Photo of a late Helladic jug decorated with serpentine bands showing Cycladic and Minoan influences.   Mycenae Shaft Grave V, Greece. 16th to early 15th century BC,  cat no: 950,  National Archaeological Museum, Athens.
  • Photo of a late Helladic jug decorated with serpentine bands showing Cycladic and Minoan influences.   Mycenae Shaft Grave V, Greece. 16th to early 15th century BC,  cat no: 950,  National Archaeological Museum, Athens.
  • Medieval Gothic ivory statuette of the Virgin and Child known as “a La Supplique” (supplication) made in Paris oat the beginning of the the 15th century.  inv 2745, The Louvre Museum, Paris.
  • Medieval Gothic ivory statuette of the Virgin and Child known as “a La Supplique” (supplication) made in Paris oat the beginning of the the 15th century.  inv 2745, The Louvre Museum, Paris.
  • Medieval Gothic ivory statuette of the Virgin and Child known as “a La Supplique” (supplication) made in Paris oat the beginning of the the 15th century.  inv 2745, The Louvre Museum, Paris.
  • Medieval Gothic ivory statuette of the Virgin and Child known as “a La Supplique” (supplication) made in Paris oat the beginning of the the 15th century.  inv 2745, The Louvre Museum, Paris.
  • 15th century castle Château de Chaumont, rebuilt by Charles I d'Amboise, acquired by Catherine de Medici in 1560. Chaumont-sur-Loire, Loir-et-Cher, France
  • 15th century castle Château de Chaumont, rebuilt by Charles I d'Amboise, acquired by Catherine de Medici in 1560. Chaumont-sur-Loire, Loir-et-Cher, France
  • 15th century castle Château de Chaumont, rebuilt by Charles I d'Amboise, acquired by Catherine de Medici in 1560. Chaumont-sur-Loire, Loir-et-Cher, France
  • 15th century castle Château de Chaumont, rebuilt by Charles I d'Amboise, acquired by Catherine de Medici in 1560. Chaumont-sur-Loire, Loir-et-Cher, France
  • 15th century Gothic wooden painted angel roof, restored in 1963, of the Church of St Cuthbert, Wells, Somerset, England
  • 15th century Gothic wooden painted angel roof, restored in 1963, of the Church of St Cuthbert, Wells, Somerset, England
  • 15th century Gothic wooden painted angel roof, restored in 1963, of the Church of St Cuthbert, Wells, Somerset, England
  • 15th century Gothic wooden painted angel roof, restored in 1963, of the Church of St Cuthbert, Wells, Somerset, England
  • 15th century Gothic wooden painted angel roof, restored in 1963, of the Church of St Cuthbert, Wells, Somerset, England
  • 15th century Gothic wooden painted angel roof, restored in 1963, of the Church of St Cuthbert, Wells, Somerset, England
  • 15th century Perpendicular Gothic bell tower of the Church of St Cuthbert, Wells, Somerset, England
  • 15th century Gothic wooden painted angel roof, restored in 1963, of the Church of St Cuthbert, Wells, Somerset, England
  • 15th century Gothic wooden painted angel roof, restored in 1963, of the Church of St Cuthbert, Wells, Somerset, England
  • 15th century Gothic wooden painted angel roof, restored in 1963, of the Church of St Cuthbert, Wells, Somerset, England
  • 15th century Gothic wooden painted angel roof, restored in 1963, of the Church of St Cuthbert, Wells, Somerset, England
  • 15th century Gothic wooden painted angel roof, restored in 1963, of the Church of St Cuthbert, Wells, Somerset, England
  • 15th century Gothic wooden painted angel roof, restored in 1963, of the Church of St Cuthbert, Wells, Somerset, England
  • 15th century Gothic wooden painted angel roof, restored in 1963, of the Church of St Cuthbert, Wells, Somerset, England
  • 15th century Gothic wooden painted angel roof, restored in 1963, of the Church of St Cuthbert, Wells, Somerset, England
  • 15th century Gothic wooden painted angel roof, restored in 1963, of the Church of St Cuthbert, Wells, Somerset, England
  • 15th century Gothic wooden painted angel roof, restored in 1963, of the Church of St Cuthbert, Wells, Somerset, England
  • 15th century Gothic wooden painted angel roof, restored in 1963, of the Church of St Cuthbert, Wells, Somerset, England
  • Medieval Gothic ivory statuette of the Virgin and Child known as “a La Supplique” (supplication) made in Paris oat the beginning of the the 15th century.  inv 2745, The Louvre Museum, Paris.
  • Medieval Gothic ivory statuette of the Virgin and Child known as “a La Supplique” (supplication) made in Paris oat the beginning of the the 15th century.  inv 2745, The Louvre Museum, Paris.
  • Medieval Gothic ivory statuette of the Virgin and Child known as “a La Supplique” (supplication) made in Paris oat the beginning of the the 15th century.  inv 2745, The Louvre Museum, Paris.
  • Medieval Gothic ivory statuette of the Virgin and Child known as “a La Supplique” (supplication) made in Paris oat the beginning of the the 15th century.  inv 2745, The Louvre Museum, Paris.
  • Medieval Gothic ivory statuette of the Virgin and Child known as “a La Supplique” (supplication) made in Paris oat the beginning of the the 15th century.  inv 2745, The Louvre Museum, Paris.
  • 15th century castle Château de Chaumont, rebuilt by Charles I d'Amboise, acquired by Catherine de Medici in 1560. Chaumont-sur-Loire, Loir-et-Cher, France
  • 15th century castle Château de Chaumont, rebuilt by Charles I d'Amboise, acquired by Catherine de Medici in 1560. Chaumont-sur-Loire, Loir-et-Cher, France
  • 15th century castle Château de Chaumont, rebuilt by Charles I d'Amboise, acquired by Catherine de Medici in 1560. Chaumont-sur-Loire, Loir-et-Cher, France
  • 15th century castle Château de Chaumont, rebuilt by Charles I d'Amboise, acquired by Catherine de Medici in 1560. Chaumont-sur-Loire, Loir-et-Cher, France
  • 15th century castle Château de Chaumont, rebuilt by Charles I d'Amboise, acquired by Catherine de Medici in 1560. Chaumont-sur-Loire, Loir-et-Cher, France
  • 15th century castle Château de Chaumont, rebuilt by Charles I d'Amboise, acquired by Catherine de Medici in 1560. Chaumont-sur-Loire, Loir-et-Cher, France
  • 15th century castle Château de Chaumont, rebuilt by Charles I d'Amboise, acquired by Catherine de Medici in 1560. Chaumont-sur-Loire, Loir-et-Cher, France
  • 15th century castle Château de Chaumont, rebuilt by Charles I d'Amboise, acquired by Catherine de Medici in 1560. Chaumont-sur-Loire, Loir-et-Cher, France
  • 15th century castle Château de Chaumont, rebuilt by Charles I d'Amboise, acquired by Catherine de Medici in 1560. Chaumont-sur-Loire, Loir-et-Cher, France
  • 15th century castle Château de Chaumont, rebuilt by Charles I d'Amboise, acquired by Catherine de Medici in 1560. Chaumont-sur-Loire, Loir-et-Cher, France
  • 15th century castle Château de Chaumont, rebuilt by Charles I d'Amboise, acquired by Catherine de Medici in 1560. Chaumont-sur-Loire, Loir-et-Cher, France
  • 15th century castle Château de Chaumont, rebuilt by Charles I d'Amboise, acquired by Catherine de Medici in 1560. Chaumont-sur-Loire, Loir-et-Cher, France
  • 15th century castle Château de Chaumont, rebuilt by Charles I d'Amboise, acquired by Catherine de Medici in 1560. Chaumont-sur-Loire, Loir-et-Cher, France
  • 15th century castle Château de Chaumont, rebuilt by Charles I d'Amboise, acquired by Catherine de Medici in 1560. Chaumont-sur-Loire, Loir-et-Cher, France
  • 15th century castle Château de Chaumont, rebuilt by Charles I d'Amboise, acquired by Catherine de Medici in 1560. Chaumont-sur-Loire, Loir-et-Cher, France
  • 15th century castle Château de Chaumont, rebuilt by Charles I d'Amboise, acquired by Catherine de Medici in 1560. Chaumont-sur-Loire, Loir-et-Cher, France
  • 15th century castle Château de Chaumont, rebuilt by Charles I d'Amboise, acquired by Catherine de Medici in 1560. Chaumont-sur-Loire, Loir-et-Cher, France
  • 15th century castle Château de Chaumont, rebuilt by Charles I d'Amboise, acquired by Catherine de Medici in 1560. Chaumont-sur-Loire, Loir-et-Cher, France
  • 15th century castle Château de Chaumont, rebuilt by Charles I d'Amboise, acquired by Catherine de Medici in 1560. Chaumont-sur-Loire, Loir-et-Cher, France
  • 15th century castle Château de Chaumont, rebuilt by Charles I d'Amboise, acquired by Catherine de Medici in 1560. Chaumont-sur-Loire, Loir-et-Cher, France
  • 15th century castle Château de Chaumont, rebuilt by Charles I d'Amboise, acquired by Catherine de Medici in 1560. Chaumont-sur-Loire, Loir-et-Cher, France
  • 15th century castle Château de Chaumont, rebuilt by Charles I d'Amboise, acquired by Catherine de Medici in 1560. Chaumont-sur-Loire, Loir-et-Cher, France
  • 15th century castle Château de Chaumont, rebuilt by Charles I d'Amboise, acquired by Catherine de Medici in 1560. Chaumont-sur-Loire, Loir-et-Cher, France
  • 15th century castle Château de Chaumont, rebuilt by Charles I d'Amboise, acquired by Catherine de Medici in 1560. Chaumont-sur-Loire, Loir-et-Cher, France
  • 15th century castle Château de Chaumont, rebuilt by Charles I d'Amboise, acquired by Catherine de Medici in 1560. Chaumont-sur-Loire, Loir-et-Cher, France
  • 15th century castle Château de Chaumont, rebuilt by Charles I d'Amboise, acquired by Catherine de Medici in 1560. Chaumont-sur-Loire, Loir-et-Cher, France
  • 15th century castle Château de Chaumont, rebuilt by Charles I d'Amboise, acquired by Catherine de Medici in 1560. Chaumont-sur-Loire, Loir-et-Cher, France
  • 15th century castle Château de Chaumont, rebuilt by Charles I d'Amboise, acquired by Catherine de Medici in 1560. Chaumont-sur-Loire, Loir-et-Cher, France
  • 15th century castle Château de Chaumont, rebuilt by Charles I d'Amboise, acquired by Catherine de Medici in 1560. Chaumont-sur-Loire, Loir-et-Cher, France
  • 15th century castle Château de Chaumont, rebuilt by Charles I d'Amboise, acquired by Catherine de Medici in 1560. Chaumont-sur-Loire, Loir-et-Cher, France
  • 15th century castle Château de Chaumont, rebuilt by Charles I d'Amboise, acquired by Catherine de Medici in 1560. Chaumont-sur-Loire, Loir-et-Cher, France
  • 15th century castle Château de Chaumont, rebuilt by Charles I d'Amboise, acquired by Catherine de Medici in 1560. Chaumont-sur-Loire, Loir-et-Cher, France
  • 15th century castle Château de Chaumont, rebuilt by Charles I d'Amboise, acquired by Catherine de Medici in 1560. Chaumont-sur-Loire, Loir-et-Cher, France
  • 15th century castle Château de Chaumont, rebuilt by Charles I d'Amboise, acquired by Catherine de Medici in 1560. Chaumont-sur-Loire, Loir-et-Cher, France
  • 15th century castle Château de Chaumont, rebuilt by Charles I d'Amboise, acquired by Catherine de Medici in 1560. Chaumont-sur-Loire, Loir-et-Cher, France
  • 15th century castle Château de Chaumont, rebuilt by Charles I d'Amboise, acquired by Catherine de Medici in 1560. Chaumont-sur-Loire, Loir-et-Cher, France
  • 15th century castle Château de Chaumont, rebuilt by Charles I d'Amboise, acquired by Catherine de Medici in 1560. Chaumont-sur-Loire, Loir-et-Cher, France
  • 15th century castle Château de Chaumont, rebuilt by Charles I d'Amboise, acquired by Catherine de Medici in 1560. Chaumont-sur-Loire, Loir-et-Cher, France
  • Alabaster jug possibly imported from Minoan Crete.   Mycenae graves, Greece. 15th century BC,  National Archaeological Museum, Athens.
  • Alabaster jug possibly imported from Minoan Crete.   Mycenae graves, Greece. 15th century BC,  National Archaeological Museum, Athens.
  • Photo of a Three handles "Palace Style" amphora with three large octopuses within a marines cape of rocks and seaweed. A mycenaean copy of a Minoan Marine Style.   Mycenae tomb 2, Greece. 15th century BC,  cat no: 6725, National Archaeological Museum, Athens.
  • Photo of a  jug decorated with stylised birds bands showing Cycladic and Minoan influences.   Mycenae Grave find, Greece. 15th century BC,  ,  National Archaeological Museum, Athens.
  • Photo of a late Helladic jug decorated with serpentine bands showing Cycladic and Minoan influences.   Mycenae Shaft Grave V, Greece. 16th to early 15th century BC,  cat no: 950,  National Archaeological Museum, Athens.
  • Photo of a late Helladic jug decorated with serpentine bands showing Cycladic and Minoan influences.   Mycenae Shaft Grave V, Greece. 16th to early 15th century BC,  cat no: 950,  National Archaeological Museum, Athens.
  • Mystras established in 1205 after the conquest of Constantinople during the Fourth Crusade by Prince William II Villehardouin & capital of the Byzantine Despotate of The Morea in the 14th & 15th centuries. Mystras was the last Byzantine stronghold surrendered by Demetrius Palaeologus to the Ottoman Sultan Mehmen II in 1460. Sparta, the Peloponnese, Greece. A UNESCO World Heritage Site.
  • Mystras established in 1205 after the conquest of Constantinople during the Fourth Crusade by Prince William II Villehardouin & capital of the Byzantine Despotate of The Morea in the 14th & 15th centuries. Mystras was the last Byzantine stronghold surrendered by Demetrius Palaeologus to the Ottoman Sultan Mehmen II in 1460. Sparta, the Peloponnese, Greece. A UNESCO World Heritage Site.
  • Mystras established in 1205 after the conquest of Constantinople during the Fourth Crusade by Prince William II Villehardouin & capital of the Byzantine Despotate of The Morea in the 14th & 15th centuries. Mystras was the last Byzantine stronghold surrendered by Demetrius Palaeologus to the Ottoman Sultan Mehmen II in 1460. Sparta, the Peloponnese, Greece. A UNESCO World Heritage Site.
  • Mystras established in 1205 after the conquest of Constantinople during the Fourth Crusade by Prince William II Villehardouin & capital of the Byzantine Despotate of The Morea in the 14th & 15th centuries. Mystras was the last Byzantine stronghold surrendered by Demetrius Palaeologus to the Ottoman Sultan Mehmen II in 1460. Sparta, the Peloponnese, Greece. A UNESCO World Heritage Site.
  • Mystras established in 1205 after the conquest of Constantinople during the Fourth Crusade by Prince William II Villehardouin & capital of the Byzantine Despotate of The Morea in the 14th & 15th centuries. Mystras was the last Byzantine stronghold surrendered by Demetrius Palaeologus to the Ottoman Sultan Mehmen II in 1460. Sparta, the Peloponnese, Greece. A UNESCO World Heritage Site.
  • Mystras established in 1205 after the conquest of Constantinople during the Fourth Crusade by Prince William II Villehardouin & capital of the Byzantine Despotate of The Morea in the 14th & 15th centuries. Mystras was the last Byzantine stronghold surrendered by Demetrius Palaeologus to the Ottoman Sultan Mehmen II in 1460. Sparta, the Peloponnese, Greece. A UNESCO World Heritage Site.
  • Mystras established in 1205 after the conquest of Constantinople during the Fourth Crusade by Prince William II Villehardouin & capital of the Byzantine Despotate of The Morea in the 14th & 15th centuries. Mystras was the last Byzantine stronghold surrendered by Demetrius Palaeologus to the Ottoman Sultan Mehmen II in 1460. Sparta, the Peloponnese, Greece. A UNESCO World Heritage Site.
  • Mystras established in 1205 after the conquest of Constantinople during the Fourth Crusade by Prince William II Villehardouin & capital of the Byzantine Despotate of The Morea in the 14th & 15th centuries. Mystras was the last Byzantine stronghold surrendered by Demetrius Palaeologus to the Ottoman Sultan Mehmen II in 1460. Sparta, the Peloponnese, Greece. A UNESCO World Heritage Site.
  • Mystras established in 1205 after the conquest of Constantinople during the Fourth Crusade by Prince William II Villehardouin & capital of the Byzantine Despotate of The Morea in the 14th & 15th centuries. Mystras was the last Byzantine stronghold surrendered by Demetrius Palaeologus to the Ottoman Sultan Mehmen II in 1460. Sparta, the Peloponnese, Greece. A UNESCO World Heritage Site.
  • Mystras established in 1205 after the conquest of Constantinople during the Fourth Crusade by Prince William II Villehardouin & capital of the Byzantine Despotate of The Morea in the 14th & 15th centuries. Mystras was the last Byzantine stronghold surrendered by Demetrius Palaeologus to the Ottoman Sultan Mehmen II in 1460. Sparta, the Peloponnese, Greece. A UNESCO World Heritage Site.
  • Mystras established in 1205 after the conquest of Constantinople during the Fourth Crusade by Prince William II Villehardouin & capital of the Byzantine Despotate of The Morea in the 14th & 15th centuries. Mystras was the last Byzantine stronghold surrendered by Demetrius Palaeologus to the Ottoman Sultan Mehmen II in 1460. Sparta, the Peloponnese, Greece. A UNESCO World Heritage Site.
  • Mystras established in 1205 after the conquest of Constantinople during the Fourth Crusade by Prince William II Villehardouin & capital of the Byzantine Despotate of The Morea in the 14th & 15th centuries. Mystras was the last Byzantine stronghold surrendered by Demetrius Palaeologus to the Ottoman Sultan Mehmen II in 1460. Sparta, the Peloponnese, Greece. A UNESCO World Heritage Site.
  • Mystras established in 1205 after the conquest of Constantinople during the Fourth Crusade by Prince William II Villehardouin & capital of the Byzantine Despotate of The Morea in the 14th & 15th centuries. Mystras was the last Byzantine stronghold surrendered by Demetrius Palaeologus to the Ottoman Sultan Mehmen II in 1460. Sparta, the Peloponnese, Greece. A UNESCO World Heritage Site.
  • Mystras established in 1205 after the conquest of Constantinople during the Fourth Crusade by Prince William II Villehardouin & capital of the Byzantine Despotate of The Morea in the 14th & 15th centuries. Mystras was the last Byzantine stronghold surrendered by Demetrius Palaeologus to the Ottoman Sultan Mehmen II in 1460. Sparta, the Peloponnese, Greece. A UNESCO World Heritage Site.
  • Mystras established in 1205 after the conquest of Constantinople during the Fourth Crusade by Prince William II Villehardouin & capital of the Byzantine Despotate of The Morea in the 14th & 15th centuries. Mystras was the last Byzantine stronghold surrendered by Demetrius Palaeologus to the Ottoman Sultan Mehmen II in 1460. Sparta, the Peloponnese, Greece. A UNESCO World Heritage Site.
  • Three handled Mycenaean  Palace Style amphora with three large octopuses within a marinescape of rocks and seaweed. A Mycenaean imitation of Minoan Marine Style. From the Mycenaean cemetery of Argive Prosymna, tomb 2, Greece. 15th Century BC. Cat No 6725 Athens Archaeological Museum.
  • 15th Century Venetian official grain measure at the Frankopan Castle ( Frankopanski Ka?tel ) Krk Town, Krk Island, Croatia
  • stone carvings and sculptures on the 15th century cathedral of The white city, Ostuni, Puglia, South Italy.
  • stone carvings and sculptures on the 15th century cathedral of The white city, Ostuni, Puglia, South Italy.
  • stone carvings and sculptures on the 15th century cathedral of The white city, Ostuni, Puglia, South Italy.
  • The 15th century  rose window of the cathedral of Ostuni, Puglia, South Italy.
  • The 15th century  rose window of the cathedral of Ostuni, Puglia, South Italy.
  • The 15th century  rose window of the cathedral of Ostuni, Puglia, South Italy.
  • The 15th century  rose window of the cathedral of Ostuni, Puglia, South Italy.
  • The 15th century  rose window of the cathedral of Ostuni, Puglia, South Italy.
  • The 15th century  rose window of the cathedral of Ostuni, Puglia, South Italy.
  • The 15th century  rose window of the cathedral of Ostuni, Puglia, South Italy.
  • The 15th century  rose window of the cathedral of Ostuni, Puglia, South Italy.
  • The 15th century  rose window of the cathedral of Ostuni, Puglia, South Italy.

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