• 6th century Inscription of the great hall of the synagogue of Nam-Ham-mam-Lif in the Roman province of Africa Proconsularis, present day Tunisia. The mosaic floor of the vestibule (porticus) was an offering from Asterius son of Rusticus, the Head of the Jewish community who was working in the Naro jewellers trade. The mosaic reads in Latin  "Asterius, filius Rustici, arcosinagogi, margaritari, (de d(onis) dei partemporticites-selavit".  The Bardo National Museum, Tunis Tunisia.   Against a grey background.<br />
<br />
The so called synagogue of Naro (Hammam-Lif, Tunisia), discovered in 1883, is a square buil-ding (20 by 20 m), consisting of several rooms and hallways communicating with an inner courtyard. The plan is inspired by traditional domestic architecture of Roman Africa. The room, dedicated to religious ceremonies, was paved with a magnificent mosaic of several figured panels with an iconography highlighting Judaeo-Christian concepts, attesting a proselyte attitude addressing a local Judaic community, who was very active between the late fifth c. and the early sixth century AD.
  • 6th century Inscription of the great hall of the synagogue of Nam-Ham-mam-Lif in the Roman province of Africa Proconsularis, present day Tunisia. The mosaic floor of the vestibule (porticus) was an offering from Asterius son of Rusticus, the Head of the Jewish community who was working in the Naro jewellers trade. The mosaic reads in Latin  "Asterius, filius Rustici, arcosinagogi, margaritari, (de d(onis) dei partemporticites-selavit".  The Bardo National Museum, Tunis Tunisia<br />
<br />
The so called synagogue of Naro (Hammam-Lif, Tunisia), discovered in 1883, is a square buil-ding (20 by 20 m), consisting of several rooms and hallways communicating with an inner courtyard. The plan is inspired by traditional domestic architecture of Roman Africa. The room, dedicated to religious ceremonies, was paved with a magnificent mosaic of several figured panels with an iconography highlighting Judaeo-Christian concepts, attesting a proselyte attitude addressing a local Judaic community, who was very active between the late fifth c. and the early sixth century AD.
  • Second century AD Roman funerary Stele dedicated to Caipenniae Victoriae from  Africa Proconsularis , present day Tunisia. The Bardo National Museum, Tunis, Tunisia
  • Detail of a second century Roman funerary stele dedicated to Anninia Laeta from the cemetery of Thuburbo Majus a city of the Roman province of Africa Proconsularis, in present day Tunisia. The Bardo National Museum , Tunis, Tunisia.
  • Second century Roman funerary stele dedicated to Anninia Laeta from the cemetery of Thuburbo Majus a city of the Roman province of Africa Proconsularis, in present day Tunisia. The Bardo National Museum , Tunis, Tunisia.  Against a white background.
  • Second century Roman funerary stele dedicated to Anninia Laeta from the cemetery of Thuburbo Majus a city of the Roman province of Africa Proconsularis, in present day Tunisia. The Bardo National Museum , Tunis, Tunisia. Against a grey art background.
  • Fifth Century Christian Eastern Roman Byzantine  funerary mosaic from Mezghani Christian necropolis mounds in the Roman province of Africa Proconsularis , (Tunisian Sfax) dedicated to Priscianus. Above the memorial text is the Constantinian monogram depicting the Christian Chi-Rho symbol used by the Roman emperor Constantine I as part of his military standard (vexillum). The layout of the mosaic is typical of those excavated in the Sfax region from this period.<br />
<br />
The Bardo National Museum, Tunis, Tunisia.  Against a white background.
  • Fifth Century Christian Eastern Roman Byzantine  funerary mosaic from Mezghani Christian necropolis mounds in the Roman province of Africa Proconsularis , (Tunisian Sfax) dedicated to Priscianus. Above the memorial text is the Constantinian monogram depicting the Christian Chi-Rho symbol used by the Roman emperor Constantine I as part of his military standard (vexillum). The layout of the mosaic is typical of those excavated in the Sfax region from this period.<br />
<br />
The Bardo National Museum, Tunis, Tunisia. Against a grey art background.
  • Fifth century Eastern Roman Byzantine  Christian funerary mosaic from Leptis Minus-Lemto in the Roman province of Africa Proconsularis , (Tunisian Sehel Region) dedicated to Cresconius, depicting the Christian Chi-Rho symbol used by the Roman emperor Constantine I as part of his military standard (vexillum). <br />
<br />
The Bardo National Museum, Tunis, Tunisia.
  • Fifth century AD Eastern Roman Byzantine  Christian  funerary mosaic of of a little girl The fragmentary inscription is at the top: (name of the deceased) who lived 4 years 11 months, 3 days 7 hours. The deceased is featured in a praying attitude, wearing an embroidered dalmatic. A monogrammed cross and a lit candle accompany the funerary idealised portrait. <br />
Christian necropolis of the Mezghani mounds in the Roman province of Africa Proconsularis  (present day Sfax, Tunisia) Fifth c. A.D. <br />
<br />
<br />
The Bardo National Museum Tunis, Tunisia
  • Fifth century AD Eastern Roman Byzantine  Christian  funerary mosaic of of a little girl The fragmentary inscription is at the top: (name of the deceased) who lived 4 years 11 months, 3 days 7 hours. The deceased is featured in a praying attitude, wearing an embroidered dalmatic. A monogrammed cross and a lit candle accompany the funerary idealised portrait. <br />
Christian necropolis of the Mezghani mounds in the Roman province of Africa Proconsularis  (present day Sfax, Tunisia) Fifth c. A.D. <br />
<br />
<br />
The Bardo National Museum Tunis, Tunisia. Against a grey art background.
  • 6th century Eastern Roman Byzantine  Christian mosaic of the mosaic of the Most Holy Sepulchre and the memorial of Golgotha in Jerusalem .<br />
<br />
In the foreground is the dome of Golgotha, erected at the site of the crucifixion ofJesus Christ, from where  the four rivers of Paradise flow: the Geon = Gihon, the Fison = Pishon, the Tigris and Euphrates, symbolically referring to the Word (the four gospels). Sheep, representing the faithfuls, are drinking from the rivers. In the background are depictions of the the Holy Sepulchre with its door ajar, and two other buildings, symbolising Bethlehem and Jerusalem. <br />
<br />
From the threshold of the martyrdom erected in honour of Jesus Christ at the church of Iunca - Younga (in present the day region of Mahres in Tunisia). The Bardo National Museum, Tunis, Tunisia.  Against a black background.
  • 6th century Eastern Roman Byzantine  Christian mosaic of the mosaic of the Most Holy Sepulchre and the memorial of Golgotha in Jerusalem .<br />
<br />
In the foreground is the dome of Golgotha, erected at the site of the crucifixion ofJesus Christ, from where  the four rivers of Paradise flow: the Geon = Gihon, the Fison = Pishon, the Tigris and Euphrates, symbolically referring to the Word (the four gospels). Sheep, representing the faithfuls, are drinking from the rivers. In the background are depictions of the the Holy Sepulchre with its door ajar, and two other buildings, symbolising Bethlehem and Jerusalem. <br />
<br />
From the threshold of the martyrdom erected in honour of Jesus Christ at the church of Iunca - Younga (in present the day region of Mahres in Tunisia). The Bardo National Museum, Tunis, Tunisia. Against a grey art background.
  • Fifth century Eastern Roman Byzantine  Christian terracotta candle holder for 12 candles from a church in Africa Proconsularis , present day Tunisia. The Bardo National Museum, Tunis, Tunisia.  Against a white background.
  • Fifth century Eastern Roman Byzantine  Christian terracotta candle holder for 12 candles from a church in Africa Proconsularis , present day Tunisia. The Bardo National Museum, Tunis, Tunisia.
  • 6th century Inscription of the great hall of the synagogue of Nam-Ham-mam-Lif in the Roman province of Africa Proconsularis, present day Tunisia. The mosaic floor of the vestibule (porticus) was an offering from Asterius son of Rusticus, the Head of the Jewish community who was working in the Naro jewellers trade. The mosaic reads in Latin  "Asterius, filius Rustici, arcosinagogi, margaritari, (de d(onis) dei partemporticites-selavit".  The Bardo National Museum, Tunis Tunisia.  Against a white background.<br />
<br />
The so called synagogue of Naro (Hammam-Lif, Tunisia), discovered in 1883, is a square buil-ding (20 by 20 m), consisting of several rooms and hallways communicating with an inner courtyard. The plan is inspired by traditional domestic architecture of Roman Africa. The room, dedicated to religious ceremonies, was paved with a magnificent mosaic of several figured panels with an iconography highlighting Judaeo-Christian concepts, attesting a proselyte attitude addressing a local Judaic community, who was very active between the late fifth c. and the early sixth century AD.
  • 6th century Inscription of the great hall of the synagogue of Nam-Ham-mam-Lif in the Roman province of Africa Proconsularis, present day Tunisia. The mosaic floor of the vestibule (porticus) was an offering from Asterius son of Rusticus, the Head of the Jewish community who was working in the Naro jewellers trade. The mosaic reads in Latin  "Asterius, filius Rustici, arcosinagogi, margaritari, (de d(onis) dei partemporticites-selavit".  The Bardo National Museum, Tunis Tunisia.  Against a black background.<br />
<br />
The so called synagogue of Naro (Hammam-Lif, Tunisia), discovered in 1883, is a square buil-ding (20 by 20 m), consisting of several rooms and hallways communicating with an inner courtyard. The plan is inspired by traditional domestic architecture of Roman Africa. The room, dedicated to religious ceremonies, was paved with a magnificent mosaic of several figured panels with an iconography highlighting Judaeo-Christian concepts, attesting a proselyte attitude addressing a local Judaic community, who was very active between the late fifth c. and the early sixth century AD.
  • 6th century Inscription of the great hall of the synagogue of Nam-Ham-mam-Lif in the Roman province of Africa Proconsularis, present day Tunisia. The mosaic floor of the vestibule (porticus) was an offering from Asterius son of Rusticus, the Head of the Jewish community who was working in the Naro jewellers trade. The mosaic reads in Latin  "Asterius, filius Rustici, arcosinagogi, margaritari, (de d(onis) dei partemporticites-selavit".  The Bardo National Museum, Tunis Tunisia. Against a grey art background.<br />
<br />
The so called synagogue of Naro (Hammam-Lif, Tunisia), discovered in 1883, is a square buil-ding (20 by 20 m), consisting of several rooms and hallways communicating with an inner courtyard. The plan is inspired by traditional domestic architecture of Roman Africa. The room, dedicated to religious ceremonies, was paved with a magnificent mosaic of several figured panels with an iconography highlighting Judaeo-Christian concepts, attesting a proselyte attitude addressing a local Judaic community, who was very active between the late fifth c. and the early sixth century AD.
  • Second century Roman Christian funerary stele for 3 dead people from Africa Proconsularis. The stele depicts the deceased:  Fausata who died age 75, a man who died age 70 and a child who died age 2 years 6 months. From the first half of the second century AD from the region of Bou Arada in present day Tunisia. The Bardo National Museum, Tunis, Tunisia.  Against a white background.
  • Second century Roman Christian funerary stele for 3 dead people from Africa Proconsularis. The stele depicts the deceased:  Fausata who died age 75, a man who died age 70 and a child who died age 2 years 6 months. From the first half of the second century AD from the region of Bou Arada in present day Tunisia. The Bardo National Museum, Tunis, Tunisia.   Against a grey background.
  • Second century Roman Christian funerary stele for 3 dead people from Africa Proconsularis. The stele depicts the deceased:  Fausata who died age 75, a man who died age 70 and a child who died age 2 years 6 months. From the first half of the second century AD from the region of Bou Arada in present day Tunisia. The Bardo National Museum, Tunis, Tunisia.  Against a black background.
  • Second century Roman Christian funerary stele for 3 dead people from Africa Proconsularis. The stele depicts the deceased:  Fausata who died age 75, a man who died age 70 and a child who died age 2 years 6 months. From the first half of the second century AD from the region of Bou Arada in present day Tunisia. The Bardo National Museum, Tunis, Tunisia.
  • Second century Roman Christian funerary stele for 3 dead people from Africa Proconsularis. The stele depicts the deceased:  Fausata who died age 75, a man who died age 70 and a child who died age 2 years 6 months. From the first half of the second century AD from the region of Bou Arada in present day Tunisia. The Bardo National Museum, Tunis, Tunisia. Against a grey art background.
  • Second century AD Roman funerary Stele dedicated to Caipenniae Victoriae from  Africa Proconsularis , present day Tunisia. The Bardo National Museum, Tunis, Tunisia .  Against a white background.
  • Second century AD Roman funerary Stele dedicated to Caipenniae Victoriae from  Africa Proconsularis , present day Tunisia. The Bardo National Museum, Tunis, Tunisia .  Against a black background.
  • Second century AD Roman funerary Stele dedicated to Caipenniae Victoriae from  Africa Proconsularis , present day Tunisia. The Bardo National Museum, Tunis, Tunisia .   Against a grey background.
  • Second century AD Roman funerary Stele dedicated to Caipenniae Victoriae from  Africa Proconsularis , present day Tunisia. The Bardo National Museum, Tunis, Tunisia . Against a grey art background.
  • Second century Roman funerary stele dedicated to Anninia Laeta from the cemetery of Thuburbo Majus a city of the Roman province of Africa Proconsularis, in present day Tunisia. The Bardo National Museum , Tunis, Tunisia.  Against a black background.
  • Second century Roman funerary stele dedicated to Anninia Laeta from the cemetery of Thuburbo Majus a city of the Roman province of Africa Proconsularis, in present day Tunisia. The Bardo National Museum , Tunis, Tunisia.   Against a grey background.
  • Second century Roman funerary stele dedicated to Anninia Laeta from the cemetery of Thuburbo Majus a city of the Roman province of Africa Proconsularis, in present day Tunisia. The Bardo National Museum , Tunis, Tunisia.
  • Fifth Century Christian Eastern Roman Byzantine  funerary mosaic from Mezghani Christian necropolis mounds in the Roman province of Africa Proconsularis , (Tunisian Sfax) dedicated to Priscianus. Above the memorial text is the Constantinian monogram depicting the Christian Chi-Rho symbol used by the Roman emperor Constantine I as part of his military standard (vexillum). The layout of the mosaic is typical of those excavated in the Sfax region from this period.<br />
<br />
The Bardo National Museum, Tunis, Tunisia.  Against a black background.
  • Fifth Century Christian Eastern Roman Byzantine  funerary mosaic from Mezghani Christian necropolis mounds in the Roman province of Africa Proconsularis , (Tunisian Sfax) dedicated to Priscianus. Above the memorial text is the Constantinian monogram depicting the Christian Chi-Rho symbol used by the Roman emperor Constantine I as part of his military standard (vexillum). The layout of the mosaic is typical of those excavated in the Sfax region from this period.<br />
<br />
The Bardo National Museum, Tunis, Tunisia.
  • Fifth Century Christian Eastern Roman Byzantine  funerary mosaic from Mezghani Christian necropolis mounds in the Roman province of Africa Proconsularis , (Tunisian Sfax) dedicated to Priscianus. Above the memorial text is the Constantinian monogram depicting the Christian Chi-Rho symbol used by the Roman emperor Constantine I as part of his military standard (vexillum). The layout of the mosaic is typical of those excavated in the Sfax region from this period.<br />
<br />
The Bardo National Museum, Tunis, Tunisia.   Against a grey background.
  • Fifth century Eastern Roman Byzantine  Christian funerary mosaic from Leptis Minus-Lemto in the Roman province of Africa Proconsularis , (Tunisian Sehel Region) dedicated to Cresconius, depicting the Christian Chi-Rho symbol used by the Roman emperor Constantine I as part of his military standard (vexillum). <br />
<br />
The Bardo National Museum, Tunis, Tunisia.  Against a black background.
  • Fifth century Roman Christian funerary mosaic from Leptis Minus-Lemto in the Roman province of Africa Proconsularis , (Tunisian Sehel Region) dedicated to Cresconius, depicting the Christian Chi-Rho symbol used by the Roman emperor Constantine I as part of his military standard (vexillum). <br />
<br />
The Bardo National Museum, Tunis, Tunisia.   Against a grey background.
  • Fifth century Eastern Roman Byzantine  Christian funerary mosaic from Leptis Minus-Lemto in the Roman province of Africa Proconsularis , (Tunisian Sehel Region) dedicated to Cresconius, depicting the Christian Chi-Rho symbol used by the Roman emperor Constantine I as part of his military standard (vexillum). <br />
<br />
The Bardo National Museum, Tunis, Tunisia.
  • Fifth century AD Eastern Roman Byzantine  Christian  funerary mosaic of of a little girl The fragmentary inscription is at the top: (name of the deceased) who lived 4 years 11 months, 3 days 7 hours. The deceased is featured in a praying attitude, wearing an embroidered dalmatic. A monogrammed cross and a lit candle accompany the funerary idealised portrait. <br />
Christian necropolis of the Mezghani mounds in the Roman province of Africa Proconsularis  (present day Sfax, Tunisia) Fifth c. A.D. <br />
<br />
<br />
The Bardo National Museum Tunis, Tunisia.  Against a white background.
  • Detail of a fifth century AD Eastern Roman Byzantine  Christian  funerary mosaic of of a little girl The fragmentary inscription is at the top: (name of the deceased) who lived 4 years 11 months, 3 days 7 hours. The deceased is featured in a praying attitude, wearing an embroidered dalmatic. A monogrammed cross and a lit candle accompany the funerary idealised portrait. <br />
Christian necropolis of the Mezghani mounds in the Roman province of Africa Proconsularis  (present day Sfax, Tunisia) Fifth c. A.D. <br />
<br />
<br />
The Bardo National Museum Tunis, Tunisia
  • Fifth century AD Eastern Roman Byzantine  Christian  funerary mosaic of of a little girl The fragmentary inscription is at the top: (name of the deceased) who lived 4 years 11 months, 3 days 7 hours. The deceased is featured in a praying attitude, wearing an embroidered dalmatic. A monogrammed cross and a lit candle accompany the funerary idealised portrait. <br />
Christian necropolis of the Mezghani mounds in the Roman province of Africa Proconsularis  (present day Sfax, Tunisia) Fifth c. A.D. <br />
<br />
<br />
The Bardo National Museum Tunis, Tunisia.  Against a black background.
  • Fifth century AD Roman Christian  funerary mosaic of of a little girl The fragmentary inscription is at the top: (name of the deceased) who lived 4 years 11 months, 3 days 7 hours. The deceased is featured in a praying attitude, wearing an embroidered dalmatic. A monogrammed cross and a lit candle accompany the funerary idealised portrait. <br />
Christian necropolis of the Mezghani mounds in the Roman province of Africa Proconsularis  (present day Sfax, Tunisia) Fifth c. A.D. <br />
<br />
<br />
The Bardo National Museum Tunis, Tunisia.   Against a grey background.
  • 5th century Eastern Roman Byzantine   funerary mosaic from Tarbaka in the Roman province of Africa Proconsularis , present day Tunisia, with a crown at the top probably a Christogram  (Latin Monogramma Christi ) is a monogram used as an abbreviation for the name of Jesus Christ, with a figure below and a latin text for the deceased " Covuldeus in peace". Either side of the figure are a lit candle which symbolises eternal faith. The Bardo National Museum, Tunis Tunisia.  Against a white background.<br />
<br />
Christian burial grounds The ingenuity and expertise of mosaic schools, particularly those operating in Proconsular Africa and By-zacena, led to the dissemination of a mosaic trend which was very well tailored to the needs of a Christian clientele, who was authorised by the Church to use the basilica area and its ancillaries for burial, particularly in the sacred spaces such as the baptistery and the choir.
  • 5th century AD Eastern Roman Byzantine  Christian  funerary mosaic of Crescentia from Tharbarka western Necropolis in the Roman province of Africa Proconsularis, present day Tunisia. The funerary portrait depicts a young girl, Crescentia, dressed in a dalmatic tunic with vertical stripes, pulled in at the waist by a belt , with a necklace around her neck. Today the dalmatic is a long wide-sleeved tunic, which still serves as a liturgical vestment in the Roman Catholic church. To the right side of Crescentia is a lit candle which symbolises eternal faith. <br />
<br />
The Bardo National Museum Tunis, Tunisia
  • 5th century Eastern Roman Byzantine  funerary mosaic from Tarbaka in the Roman province of Africa Proconsularis , present day Tunisia, with a crown at the top probably a Christogram  (Latin Monogramma Christi ) is a monogram used as an abbreviation for the name of Jesus Christ, with a figure below and a latin text for the deceased " Covuldeus in peace". Either side of the figure are a lit candle which symbolises eternal faith. The Bardo National Museum, Tunis Tunisia.<br />
<br />
Christian burial grounds The ingenuity and expertise of mosaic schools, particularly those operating in Proconsular Africa and By-zacena, led to the dissemination of a mosaic trend which was very well tailored to the needs of a Christian clientele, who was authorised by the Church to use the basilica area and its ancillaries for burial, particularly in the sacred spaces such as the baptistery and the choir.
  • 5th century Eastern Roman Byzantine  funerary mosaic from Tarbaka in the Roman province of Africa Proconsularis , present day Tunisia, with a crown at the top probably a Christogram  (Latin Monogramma Christi ) is a monogram used as an abbreviation for the name of Jesus Christ, with a figure below and a latin text for the deceased " Covuldeus in peace". Either side of the figure are a lit candle which symbolises eternal faith. The Bardo National Museum, Tunis Tunisia.   Against a grey background.<br />
<br />
Christian burial grounds The ingenuity and expertise of mosaic schools, particularly those operating in Proconsular Africa and By-zacena, led to the dissemination of a mosaic trend which was very well tailored to the needs of a Christian clientele, who was authorised by the Church to use the basilica area and its ancillaries for burial, particularly in the sacred spaces such as the baptistery and the choir.
  • 5th century Eastern Roman Byzantine  funerary mosaic from Tarbaka in the Roman province of Africa Proconsularis , present day Tunisia, with a crown at the top probably a Christogram  (Latin Monogramma Christi ) is a monogram used as an abbreviation for the name of Jesus Christ, with a figure below and a latin text for the deceased " Covuldeus in peace". Either side of the figure are a lit candle which symbolises eternal faith. The Bardo National Museum, Tunis Tunisia.<br />
<br />
Christian burial grounds The ingenuity and expertise of mosaic schools, particularly those operating in Proconsular Africa and By-zacena, led to the dissemination of a mosaic trend which was very well tailored to the needs of a Christian clientele, who was authorised by the Church to use the basilica area and its ancillaries for burial, particularly in the sacred spaces such as the baptistery and the choir.
  • 5th century Eastern Roman Byzantine  funerary mosaic from Tarbaka in the Roman province of Africa Proconsularis , present day Tunisia, with a crown at the top probably a Christogram  (Latin Monogramma Christi ) is a monogram used as an abbreviation for the name of Jesus Christ, with a figure below and a latin text for the deceased " Covuldeus in peace". Either side of the figure are a lit candle which symbolises eternal faith. The Bardo National Museum, Tunis Tunisia. Against a grey art background.<br />
<br />
Christian burial grounds The ingenuity and expertise of mosaic schools, particularly those operating in Proconsular Africa and By-zacena, led to the dissemination of a mosaic trend which was very well tailored to the needs of a Christian clientele, who was authorised by the Church to use the basilica area and its ancillaries for burial, particularly in the sacred spaces such as the baptistery and the choir.
  • 6th century Eastern Roman Byzantine  Christian mosaic of the mosaic of the Most Holy Sepulchre and the memorial of Golgotha in Jerusalem .<br />
<br />
In the foreground is the dome of Golgotha, erected at the site of the crucifixion ofJesus Christ, from where  the four rivers of Paradise flow: the Geon = Gihon, the Fison = Pishon, the Tigris and Euphrates, symbolically referring to the Word (the four gospels). Sheep, representing the faithfuls, are drinking from the rivers. In the background are depictions of the the Holy Sepulchre with its door ajar, and two other buildings, symbolising Bethlehem and Jerusalem. <br />
<br />
From the threshold of the martyrdom erected in honour of Jesus Christ at the church of Iunca - Younga (in present the day region of Mahres in Tunisia). The Bardo National Museum, Tunis, Tunisia.  Against a white background.
  • 6th century Eastern Roman Byzantine  Christian mosaic of the mosaic of the Most Holy Sepulchre and the memorial of Golgotha in Jerusalem .<br />
<br />
In the foreground is the dome of Golgotha, erected at the site of the crucifixion ofJesus Christ, from where  the four rivers of Paradise flow: the Geon = Gihon, the Fison = Pishon, the Tigris and Euphrates, symbolically referring to the Word (the four gospels). Sheep, representing the faithfuls, are drinking from the rivers. In the background are depictions of the the Holy Sepulchre with its door ajar, and two other buildings, symbolising Bethlehem and Jerusalem. <br />
<br />
From the threshold of the martyrdom erected in honour of Jesus Christ at the church of Iunca - Younga (in present the day region of Mahres in Tunisia). The Bardo National Museum, Tunis, Tunisia.   Against a grey background.
  • 6th century Eastern Roman Byzantine  Christian mosaic of the mosaic of the Most Holy Sepulchre and the memorial of Golgotha in Jerusalem .<br />
<br />
In the foreground is the dome of Golgotha, erected at the site of the crucifixion ofJesus Christ, from where  the four rivers of Paradise flow: the Geon = Gihon, the Fison = Pishon, the Tigris and Euphrates, symbolically referring to the Word (the four gospels). Sheep, representing the faithfuls, are drinking from the rivers. In the background are depictions of the the Holy Sepulchre with its door ajar, and two other buildings, symbolising Bethlehem and Jerusalem. <br />
<br />
From the threshold of the martyrdom erected in honour of Jesus Christ at the church of Iunca - Younga (in present the day region of Mahres in Tunisia). The Bardo National Museum, Tunis, Tunisia.
  • Fifth century Eastern Roman Byzantine  Christian funerary mosaic dedicated to Leontia.  The Constantinian monogram depicting the Christian Chi-Rho symbol used by the Roman emperor Constantine I as part of his military standard (vexillum).  The inscription in the cartouche reads " Leontia in peace and harmony with God, entered into eternal life on the Sixth Ides of October". Two birds and cut Roses occupy the rest of the mosaic. <br />
<br />
Excavated from Demna Parish Church ruins between the 4th and 5th columns of the right aisle. The Bardo National Museum, Tunis, Tunisia.  Against a white background.
  • Fifth century Eastern Roman Byzantine  Christian funerary mosaic dedicated to Leontia.  The Constantinian monogram depicting the Christian Chi-Rho symbol used by the Roman emperor Constantine I as part of his military standard (vexillum).  The inscription in the cartouche reads " Leontia in peace and harmony with God, entered into eternal life on the Sixth Ides of October". Two birds and cut Roses occupy the rest of the mosaic. <br />
<br />
Excavated from Demna Parish Church ruins between the 4th and 5th columns of the right aisle. The Bardo National Museum, Tunis, Tunisia.  Against a black background.
  • Fifth century Eastern Roman Byzantine  Christian funerary mosaic dedicated to Leontia.  The Constantinian monogram depicting the Christian Chi-Rho symbol used by the Roman emperor Constantine I as part of his military standard (vexillum).  <br />
<br />
Excavated from Demna Parish Church ruins between the 4th and 5th columns of the right aisle. The Bardo National Museum, Tunis, Tunisia.
  • Fifth century Eastern Roman Byzantine  Christian funerary mosaic dedicated to Leontia.  The Constantinian monogram depicting the Christian Chi-Rho symbol used by the Roman emperor Constantine I as part of his military standard (vexillum).  The inscription in the cartouche reads " Leontia in peace and harmony with God, entered into eternal life on the Sixth Ides of October". Two birds and cut Roses occupy the rest of the mosaic. <br />
<br />
Excavated from Demna Parish Church ruins between the 4th and 5th columns of the right aisle. The Bardo National Museum, Tunis, Tunisia.
  • Fifth century Eastern Roman Byzantine  Christian funerary mosaic dedicated to Leontia.  The Constantinian monogram depicting the Christian Chi-Rho symbol used by the Roman emperor Constantine I as part of his military standard (vexillum).  The inscription in the cartouche reads " Leontia in peace and harmony with God, entered into eternal life on the Sixth Ides of October". Two birds and cut Roses occupy the rest of the mosaic. <br />
<br />
Excavated from Demna Parish Church ruins between the 4th and 5th columns of the right aisle. The Bardo National Museum, Tunis, Tunisia.
  • Fifth century Eastern Roman Byzantine  Christian funerary mosaic dedicated to Leontia.  The Constantinian monogram depicting the Christian Chi-Rho symbol used by the Roman emperor Constantine I as part of his military standard (vexillum).  The inscription in the cartouche reads " Leontia in peace and harmony with God, entered into eternal life on the Sixth Ides of October". Two birds and cut Roses occupy the rest of the mosaic. <br />
<br />
Excavated from Demna Parish Church ruins between the 4th and 5th columns of the right aisle. The Bardo National Museum, Tunis, Tunisia. Against a grey art background.
  • Fifth century AD Eastern Roman Byzantine  Christian funerary mosaic of two adults and a young child. <br />
<br />
Acanthus scrollwork bearing the fruits of the vine and full of birds (border). The epitaph, set into a centred laurel wreath, reads : Constantia in peace. has lived 55 years, died on the 8th of the Ides of August (August 23); Gaudiosa in peace has lived 22 years, died on the Third ides of May (may 18) The epitaph of the child, who died without being baptised and was buried with the two adult deceased, runs at the bottom of the panel : (P)alatinus, innocent, peaceful, departed on the Fifth ides of April. <br />
<br />
From Demna pariah church, near the hallway connecting the vestibule to the choir. The Bardo National Museum, Tunis, Tunisia.  Against a white background.
  • Detail of  a fifth century AD Eastern Roman Byzantine  Christian funerary mosaic of two adults and a young child. <br />
<br />
Acanthus scrollwork bearing the fruits of the vine and full of birds (border). The epitaph, set into a centred laurel wreath, reads : Constantia in peace. has lived 55 years, died on the 8th of the Ides of August (August 23); Gaudiosa in peace has lived 22 years, died on the Third ides of May (may 18) The epitaph of the child, who died without being baptised and was buried with the two adult deceased, runs at the bottom of the panel : (P)alatinus, innocent, peaceful, departed on the Fifth ides of April. <br />
<br />
From Demna pariah church, near the hallway connecting the vestibule to the choir. The Bardo National Museum, Tunis, Tunisia
  • Fifth century AD Eastern Roman Byzantine  Christian funerary mosaic of two adults and a young child. <br />
<br />
Acanthus scrollwork bearing the fruits of the vine and full of birds (border). The epitaph, set into a centred laurel wreath, reads : Constantia in peace. has lived 55 years, died on the 8th of the Ides of August (August 23); Gaudiosa in peace has lived 22 years, died on the Third ides of May (may 18) The epitaph of the child, who died without being baptised and was buried with the two adult deceased, runs at the bottom of the panel : (P)alatinus, innocent, peaceful, departed on the Fifth ides of April. <br />
<br />
From Demna pariah church, near the hallway connecting the vestibule to the choir. The Bardo National Museum, Tunis, Tunisia.  Against a black background.
  • Fifth century AD Eastern Roman Byzantine  Christian funerary mosaic of two adults and a young child. <br />
<br />
Acanthus scrollwork bearing the fruits of the vine and full of birds (border). The epitaph, set into a centred laurel wreath, reads : Constantia in peace. has lived 55 years, died on the 8th of the Ides of August (August 23); Gaudiosa in peace has lived 22 years, died on the Third ides of May (may 18) The epitaph of the child, who died without being baptised and was buried with the two adult deceased, runs at the bottom of the panel : (P)alatinus, innocent, peaceful, departed on the Fifth ides of April. <br />
<br />
From Demna pariah church, near the hallway connecting the vestibule to the choir. The Bardo National Museum, Tunis, Tunisia
  • Fifth century AD Eastern Roman Byzantine  Christian funerary mosaic of two adults and a young child. <br />
<br />
Acanthus scrollwork bearing the fruits of the vine and full of birds (border). The epitaph, set into a centred laurel wreath, reads : Constantia in peace. has lived 55 years, died on the 8th of the Ides of August (August 23); Gaudiosa in peace has lived 22 years, died on the Third ides of May (may 18) The epitaph of the child, who died without being baptised and was buried with the two adult deceased, runs at the bottom of the panel : (P)alatinus, innocent, peaceful, departed on the Fifth ides of April. <br />
<br />
From Demna pariah church, near the hallway connecting the vestibule to the choir. The Bardo National Museum, Tunis, Tunisia.   Against a grey background.
  • Fifth century AD Eastern Roman Byzantine  Christian funerary mosaic of two adults and a young child. <br />
<br />
Acanthus scrollwork bearing the fruits of the vine and full of birds (border). The epitaph, set into a centred laurel wreath, reads : Constantia in peace. has lived 55 years, died on the 8th of the Ides of August (August 23); Gaudiosa in peace has lived 22 years, died on the Third ides of May (may 18) The epitaph of the child, who died without being baptised and was buried with the two adult deceased, runs at the bottom of the panel : (P)alatinus, innocent, peaceful, departed on the Fifth ides of April. <br />
<br />
From Demna pariah church, near the hallway connecting the vestibule to the choir. The Bardo National Museum, Tunis, Tunisia. Against a grey art background.
  • Fifth century Eastern Roman Byzantine  Christian terracotta candle holder for 12 candles from a church in Africa Proconsularis , present day Tunisia. The Bardo National Museum, Tunis, Tunisia.   Against a grey background.
  • Fifth century Eastern Roman Byzantine  Christian terracotta candle holder for 12 candles from a church in Africa Proconsularis , present day Tunisia. The Bardo National Museum, Tunis, Tunisia.  Against a black background.
  • Fifth century Eastern Roman Byzantine  Christian terracotta candle holder for 12 candles from a church in Africa Proconsularis , present day Tunisia. The Bardo National Museum, Tunis, Tunisia. Against a grey art background.
  • Sixth century Eastern Roman Byzantine  Christian walk in Baptismal font made from marble. The Bardo National Museum, Tunis, Tunisia
  • Sixth century Eastern Roman Byzantine  Christian walk in Baptismal font made from marble. The Bardo National Museum, Tunis, Tunisia

FunkyStock Picture Library Resource

Picture The Past

ABOUT

FunkyStock Picture Library free resource for professional editorial picture editors, picture researchers, historical scholars and students and enthusiasts who want to browse some of the best pictures and images of historic countries, historical places, archaeological sites and the very best museum antiquities and artefacts exhibits in Europe and the Middle East.

Pictures and Images can be downloaded or bought as stock photos or photo art prints.

COUNTRIES

Browse travel pictures and images of historic places and archaeological sites of countries in Europe and the Middle East.

VIEW COUNTRIES INDEX....

HISTORICAL

Explore the past through pictures and images of its historic places. See the great palaces, castles and cities of antiquity as well as the great archaeological sites where our ancestors made history.

EXPLORE HISTORICAL PLACES...

MUSEUMS

Browse pictures & images the treasured artefacts and antiquities exhibits from the great Museum of Europe and the Middle East. See the art and objects made by our ancestors.

SEE MUESEUM ANTIQUITIES....