• Seated marble goddess. Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara. Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara. Against a white background
  • Fresco depicting a scematic arial view of the square houses of Catalhoyuk with the volcanic mout Hasan behind. . Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara. Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara
  • Seated marble goddess. Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara. Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara. Against a black background
  • Seated marble goddess. Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara. Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara. Against a gray mottled background
  • Seated marble goddess. Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara. Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara
  • Seated marble goddess. Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara. Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara. Against a grey background
  • Brown obsidian dagger blades. Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara. Against a white background
  • Brown obsidian dagger blades. Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara. Against a black background
  • Detail of wall fresco depicting figure moving. 6000 BC. Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara
  • Terracotta Vase with female face. Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara. Against a white background
  • Terracotta Vase with female face. Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara. Against a black background
  • Terracotta Goddess figure which has been associated with agriculture & human fertility because of her big breasts and wide hips. She is depicted sitting between 2 leopards suggesting she was important. 5750 BC. . Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara. Against a grey background
  • Neolithic round stone weaving loom weights. 6000 BC. Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara
  • Neolithic round stone weaving loom weights. 6000 BC. Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara
  • Fresco of human figures around a deer. None of the figures carry weapons and some a dressed in leopard costumes. The figures seem to be trying to hold on or touch the deer amd one figure appears to be holding its tongue. 6000 BC, Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara.
  • Black obsidian blades. Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara
  • Hunting scene. A deer and wild boar are depicted being hunted with people using bows and arrows. One person is depcted trying to net the boar. 6000 BC,  Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara. Against a grey background
  • painted leopard relief. The people of Catalhoyuk had a special religious meaning with leopards. These platered reliefs have many coats of plater indicating their long term importance. 6000 BC,  Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara. Against a black background
  • Fresco of human figures around a deer. None of the figures carry weapons and some a dressed in leopard costumes. The figures seem to be trying to hold on or touch the deer amd one figure appears to be holding its tongue. 6000 BC, Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara. Against a black background
  • Fresco of human figures around a deer. None of the figures carry weapons and some a dressed in leopard costumes. The figures seem to be trying to hold on or touch the deer amd one figure appears to be holding its tongue. 6000 BC, Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara. Against a grey background
  • Detail of wall fresco depicting figure moving wearing a leopard costume. 6000 BC. Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara
  • Wall fresco of geometric red and black triangles which appears to be a rug pattern copy. 6000 BC. . Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara. Against a white background
  • Wall fresco of geometric red and black triangles which appears to be a rug pattern copy. 6000 BC. . Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara
  • Stone relief of four figures. Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara. Against a black background
  • Styalised stone fiqurine. Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara
  • Fresco of human figures around a deer. None of the figures carry weapons and some a dressed in leopard costumes. The figures seem to be trying to hold on or touch the deer amd one figure appears to be holding its tongue. 6000 BC, Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara.
  • Fresco of human figures around a deer. None of the figures carry weapons and some a dressed in leopard costumes. The figures seem to be trying to hold on or touch the deer amd one figure appears to be holding its tongue. 6000 BC, Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara.
  • Black obsidian blades. Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara. Against a black background
  • Black obsidian blades. Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara. Against a gray mottled background
  • Black obsidian blades. Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara. Against a white background
  • Black obsidian arrow heads. Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara
  • Hunting scene. A deer and wild boar are depicted being hunted with people using bows and arrows. One person is depcted trying to net the boar. 6000 BC,  Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara. Against a gray mottled background
  • painted leopard relief. The people of Catalhoyuk had a special religious meaning with leopards. These platered reliefs have many coats of plater indicating their long term importance. 6000 BC,  Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara. Against a white background
  • Detail of wall fresco depicting figure moving wearing a leopard costume. 6000 BC. Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara
  • Styalised stone fiqurine. Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara. Against a gray mottled background
  • Seated terracotta goddess, probably a sign of fertility. Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara. Against a grey background
  • Terracotta Goddess figure which has been associated with agriculture & human fertility because of her big breasts and wide hips. She is depicted sitting between 2 leopards suggesting she was important. 5750 BC. . Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara
  • Neolithic round stone weaving loom weights. 6000 BC. Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara
  • Neolithic round stone weaving loom weights. 6000 BC. Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara
  • Black obsidian arrow heads. Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara. Against a grey background
  • Hunting scene. A deer and wild boar are depicted being hunted with people using bows and arrows. One person is depcted trying to net the boar. 6000 BC,  Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara. Against a white background
  • painted leopard relief. The people of Catalhoyuk had a special religious meaning with leopards. These platered reliefs have many coats of plater indicating their long term importance. 6000 BC,  Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara
  • painted leopard relief. The people of Catalhoyuk had a special religious meaning with leopards. These platered reliefs have many coats of plater indicating their long term importance. 6000 BC,  Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara
  • Fresco of human figures around a deer. None of the figures carry weapons and some a dressed in leopard costumes. The figures seem to be trying to hold on or touch the deer amd one figure appears to be holding its tongue. 6000 BC, Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara. Against a gray mottled background
  • Terracotta Vase with female face. Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara
  • Styalised stone fiqurine. Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara. Against a white background
  • Seated terracotta goddess, probably a sign of fertility. Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara
  • Seated terracotta goddess, probably a sign of fertility. Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara. Against a gray mottled background
  • Black obsidian blades. Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara. Against a black background
  • Black obsidian arrow heads. Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara. Against a gray mottled background
  • Black obsidian arrow heads. Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara. Against a black background
  • Brown obsidian dagger blades. Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara. Against a grey background
  • Bone necklace. Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara. Against a grey background
  • Fresco of human figures around a deer. None of the figures carry weapons and some a dressed in leopard costumes. The figures seem to be trying to hold on or touch the deer amd one figure appears to be holding its tongue. 6000 BC, Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara.
  • Fresco of a scene in which a pair of Cranes stand opposite two wild deer. The head of one of the birds is missing. 6000 BC, Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara
  • Wall fresco of geometric red and black triangles which appears to be a rug pattern copy. 6000 BC. . Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara. Against a black background
  • Wall fresco of geometric red and black triangles which appears to be a rug pattern copy. 6000 BC. . Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara. Against a grey background
  • Wall fresco of geometric red and black triangles which appears to be a rug pattern copy. 6000 BC. . Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara. Against a gray mottled background
  • Stone relief of four figures. Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara. Against a grey background
  • Styalised stone fiqurine. Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara
  • Terracotta Goddess figure which has been associated with agriculture & human fertility because of her big breasts and wide hips. She is depicted sitting between 2 leopards suggesting she was important. 5750 BC. . Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara. Against a black background
  • Neolithic round stone weaving loom weights. 6000 BC. Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara
  • Fresco of human figures around a deer. None of the figures carry weapons and some a dressed in leopard costumes. The figures seem to be trying to hold on or touch the deer amd one figure appears to be holding its tongue. 6000 BC, Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara.
  • Fresco of human figures around a deer. None of the figures carry weapons and some a dressed in leopard costumes. The figures seem to be trying to hold on or touch the deer amd one figure appears to be holding its tongue. 6000 BC, Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara.
  • Black obsidian blades. Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara. Against a white background
  • Black obsidian blades. Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara. Against a white background
  • Black obsidian blades. Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara. Against a white background
  • Black obsidian blades. Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara. Against a grey background
  • Black obsidian blades. Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara. Against a grey background
  • Black obsidian blades. Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara
  • Black obsidian arrow heads. Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara. Against a white background
  • Brown obsidian dagger blades. Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara
  • Brown obsidian dagger blades. Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara. Against a gray mottled background
  • Brown obsidian dagger with a bone handle carved into the shape of a snake. It is believed this may have been a ritual dagger. Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara. Against a white background
  • Brown obsidian dagger with a bone handle carved into the shape of a snake. It is believed this may have been a ritual dagger. Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara. Against a black background
  • Brown obsidian dagger with a bone handle carved into the shape of a snake. It is believed this may have been a ritual dagger. Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara
  • Brown obsidian dagger with a bone handle carved into the shape of a snake. It is believed this may have been a ritual dagger. Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara. Against a grey background
  • Brown obsidian dagger with a bone handle carved into the shape of a snake. It is believed this may have been a ritual dagger. Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara. Against a gray mottled background
  • Bone necklace. Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara. Against a white background
  • Bone necklace. Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara. Against a black background
  • Bone necklace. Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara
  • Hunting scene. A deer and wild boar are depicted being hunted with people using bows and arrows. One person is depcted trying to net the boar. 6000 BC,  Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara. Against a black background
  • Bone necklace. Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara. Against a gray mottled background
  • Hunting scene. A deer and wild boar are depicted being hunted with people using bows and arrows. One person is depcted trying to net the boar. 6000 BC,  Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara
  • painted leopard relief. The people of Catalhoyuk had a special religious meaning with leopards. These platered reliefs have many coats of plater indicating their long term importance. 6000 BC,  Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara. Against a black background
  • painted leopard relief. The people of Catalhoyuk had a special religious meaning with leopards. These platered reliefs have many coats of plater indicating their long term importance. 6000 BC,  Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara. Against a grey background
  • painted leopard relief. The people of Catalhoyuk had a special religious meaning with leopards. These platered reliefs have many coats of plater indicating their long term importance. 6000 BC,  Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara. Against a gray mottled background
  • painted leopard relief. The people of Catalhoyuk had a special religious meaning with leopards. These platered reliefs have many coats of plater indicating their long term importance. 6000 BC,  Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara. Against a white background
  • painted leopard relief. The people of Catalhoyuk had a special religious meaning with leopards. These platered reliefs have many coats of plater indicating their long term importance. 6000 BC,  Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara. Against a grey background
  • painted leopard relief. The people of Catalhoyuk had a special religious meaning with leopards. These platered reliefs have many coats of plater indicating their long term importance. 6000 BC,  Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara. Against a gray mottled background
  • Fresco of human figures around a deer. None of the figures carry weapons and some a dressed in leopard costumes. The figures seem to be trying to hold on or touch the deer amd one figure appears to be holding its tongue. 6000 BC, Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara. Against a white background
  • Detail of wall fresco depicting figure moving. 6000 BC. Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara
  • Stone relief of four figures. Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara. Against a white background
  • Stone relief of four figures. Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara
  • Stone relief of four figures. Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara. Against a gray mottled background
  • Terracotta Vase with female face. Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara. Against a gray mottled background
  • Terracotta Vase with female face. Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara. Against a grey background
  • Styalised stone fiqurine. Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara. Against a black background
  • Seated terracotta goddess, probably a sign of fertility. Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara. Against a white background
  • Seated terracotta goddess, probably a sign of fertility. Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara. Against a black background
  • Terracotta Goddess figure which has been associated with agriculture & human fertility because of her big breasts and wide hips. She is depicted sitting between 2 leopards suggesting she was important. 5750 BC. . Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara. Against a white background
  • Terracotta Goddess figure which has been associated with agriculture & human fertility because of her big breasts and wide hips. She is depicted sitting between 2 leopards suggesting she was important. 5750 BC. . Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara. Against a gray mottled background
  • Alaca Hoyuk Sphinx Gate Hittite monumental relief sculpted orthostat stone pane of Goddess. Anatolian Civilizations Museum, Ankara, Turkey.<br />
<br />
Sitting in a chair without a backrest, the head and the face of the figure are completely destroyed. She has a long veil on her head, a long dress hanging down to her ankles, and the shoes with the curved ends. The stool under her feet indicates that she is an important person. She drinks something from the vessel in her right hand and she keeps the handled goblet in her hand a little higher.  <br />
<br />
Against a brown art background.
  • Neolithic terracotta bowl. 6000 BC. Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara
  • Neolithic terracotta bowl. 6000 BC. Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara
  • Neolithic terracotta cook pot on stand. 6000 BC. Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara
  • Neolithic terracotta pot with handle. 6000 BC. Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara
  • Neolithic terracotta cook pot. 6000 BC. Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara
  • Neolithic terracotta pot with handle. 6000 BC. Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara
  • Neolithic terracotta cook pot on stand. 6000 BC. Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara
  • Neolithic stone plate with long spout and bone spoons. 6000 BC. Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara
  • Neolithic terracotta cook pot on stand. 6000 BC. Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara
  • Neolithic bone fishing hooks. 6000 BC. Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara
  • Neolithic bone fishing hooks. 6000 BC. Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara
  • Neolithic terracotta bowl. 6000 BC. Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara
  • Neolithic terracotta bowl. 6000 BC. Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara
  • Neolithic terracotta bowl. 6000 BC. Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara
  • Neolithic terracotta cook pot. 6000 BC. Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara
  • Neolithic terracotta cook pot. 6000 BC. Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara
  • Neolithic stone plate with long spout and bone spoons. 6000 BC. Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara
  • Neolithic stone plate with long spout and bone spoons. 6000 BC. Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara
  • Neolithic terracotta pot with handle. 6000 BC. Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara
  • Neolithic terracotta pot with handle. 6000 BC. Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara
  • Neolithic terracotta cook pot on stand. 6000 BC. Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara
  • Neolithic bone fishing hooks. 6000 BC. Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara
  • Neolithic bone fishing hooks. 6000 BC. Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara
  • Neolithic bone fishing hooks. 6000 BC. Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara
  • Neolithic terracotta cook pot. 6000 BC. Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara
  • Neolithic terracotta cook pot. 6000 BC. Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara
  • Neolithic stone plate with long spout and bone spoons. 6000 BC. Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara
  • Neolithic stone plate with long spout and bone spoons. 6000 BC. Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara
  • Neolithic terracotta pot with handle. 6000 BC. Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara
  • Neolithic terracotta cook pot on stand. 6000 BC. Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara
  • Alaca Hoyuk - Hittite lion sculpture corner Stone . Andesite. Alacahoyuk, 1399 - 1301 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
Corner stone with sculpted lion, bull and winged sun disk. It was discovered at the right side of the Alacahoyuk sphinx door. The lion puts his front legs on a small bull. There is a Hittite winged sun disk on the abdomen of the lion, which can be seen from a lower location. The position of the sun course indicates that the stone is situated in a high place.<br />
<br />
Against a white background.
  • Hittite relief sculpted stone panel. Lion. Aslantepe Gate Limestone, Aslantepe, Malatya, 1200-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
The lion on the left of the two lions at the gate of the palace. His head and his front part were processed as high embossing and his body as regular embossing. The signs behind the lion and over his tail read; "Halposulupis, Mighty (?) King".<br />
<br />
Against a black background.
  • Aslantepe Hittite relief sculpted orthostat stone panel. Limestone, Aslantepe, Malatya, 1200-700 B.C. . Anatolian Civilisations Museum, Ankara, Turkey. Depiction of a horse walking.<br />
<br />
Against a grey art background.
  • Aslantepe Hittite relief sculpted orthostat stone panel Limestone, Aslantepe, Malatya, 1200-700 BC. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
A short-dressed and winged demon (mixed creature), and on the third face is the Storm God. The Storm God holds a triple lightning bundle in his left hand and a hammer in his right hand. His both arms are in an upright position. <br />
<br />
Against a brown art background.
  • Alaca Hoyuk - Hittite lion sculpture corner Stone . Andesite. Alacahoyuk, 1399 - 1301 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
Corner stone with sculpted lion, bull and winged sun disk. It was discovered at the right side of the Alacahoyuk sphinx door. The lion puts his front legs on a small bull. There is a Hittite winged sun disk on the abdomen of the lion, which can be seen from a lower location. The position of the sun course indicates that the stone is situated in a high place.<br />
<br />
Against a brown art background.
  • Aslantepe Hittite relief sculpted orthostat stone panel. Limestone, Aslantepe, Malatya, 1200-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey. Scene of two Gods walking one carrying a spear, dressed in tunics.<br />
<br />
Against a gray background.
  • Aslantepe Hittite relief sculpted orthostat stone panel. Limestone, Aslantepe, Malatya, 1200-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
Scene of king's offering drink and sacrifice to the god. The god is on the deer, with the bow attached to his shoulder and with a triple bundle of lightning in his hand. The king looks at the god, and makes the libation to the god while carrying a scepter with a curled end - lituus. Behind the king is a servant holding a goat for sacrifice to the god. Hieroglyphs read; "God Parata, Strong King... ". <br />
<br />
Against a gray background.
  • Aslantepe Hittite relief sculpted orthostat stone panel. Limestone, Aslantepe Malatya, 1200-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey. Winged protective god holds a branch with fruits. in his left hand, and a fruit in his right hand.<br />
<br />
Against a white background.
  • Aslantepe Hittite relief sculpted orthostat stone panel of Lion Men. Limestone, 1399-1301 BC. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
There are two lion-men with a sword at their waists on both sides of the tree of life. The figure on the right holds a sickle in his left hand resting on his shoulder and a symbol his right hand. The figure on the left carries a double-faced ax in his right hand. <br />
<br />
Against a brown art background.
  • Alaca Hoyuk - Hittite lion sculptures corner Stone. . Andesite. Alacahoyuk, 1399 - 1301 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
Corner stone decorated by lion, bull and winged sun disk. It was discovered at the right side of the Alacahoyuk sphinx door. The lion puts his front legs on a small bull. There is a Hittite winged sun disk on the abdomen of the lion, which can be seen from a lower location. The position of the sun course indicates that the stone is situated in a high place. <br />
<br />
Against a brown art background.
  • Alaca Hoyuk - Hittite lion sculpture corner Stone . Andesite. Alacahoyuk, 1399 - 1301 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
Corner stone with sculpted lion, bull and winged sun disk. It was discovered at the right side of the Alacahoyuk sphinx door. The lion puts his front legs on a small bull. There is a Hittite winged sun disk on the abdomen of the lion, which can be seen from a lower location. The position of the sun course indicates that the stone is situated in a high place.<br />
<br />
Against a grey art background.
  • Aslantepe Hittite relief sculpted orthostat stone panel. Limestone, Aslantepe, Malatya, 1200-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey. Scene of two Gods walking one carrying a spear, dressed in tunics.<br />
<br />
Against a grey art background.
  • Aslantepe Hittite relief sculpted orthostat stone panel. Limestone, Aslantepe, Malatya, 1200-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
Scene of king's offering drink and sacrifice to the god. The god is on the deer, with the bow attached to his shoulder and with a triple bundle of lightning in his hand. The king looks at the god, and makes the libation to the god while carrying a scepter with a curled end - lituus. Behind the king is a servant holding a goat for sacrifice to the god. Hieroglyphs read; "God Parata, Strong King... ". <br />
<br />
Anatolian Civilizations Museum, Ankara, Turkey
  • Hittite relief sculpted stone panel. Lion. Aslantepe Gate Limestone, Aslantepe, Malatya, 1200-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
The lion on the left of the two lions at the gate of the palace. His head and his front part were processed as high embossing and his body as regular embossing. The signs behind the lion and over his tail read; "Halposulupis, Mighty (?) King".<br />
<br />
Against a grey art background.
  • Hittite relief sculpted stone panel. Lion. Aslantepe Gate Limestone, Aslantepe, Malatya, 1200-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
The lion on the left of the two lions at the gate of the palace. His head and his front part were processed as high embossing and his body as regular embossing. The signs behind the lion and over his tail read; "Halposulupis, Mighty (?) King".<br />
<br />
Against a black background.
  • Hittite relief sculpted stone panel. Lion. Aslantepe Gate Limestone, Aslantepe, Malatya, 1200-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
The lion on the left of the two lions at the gate of the palace. His head and his front part were processed as high embossing and his body as regular embossing. The signs behind the lion and over his tail read; "Halposulupis, Mighty (?) King".<br />
<br />
Against a white background.
  • Aslantepe Hittite relief sculpted orthostat stone panel. Limestone, Aslantepe, Malatya, 1200-700 B.C. . Anatolian Civilisations Museum, Ankara, Turkey. Depiction of a horse walking.<br />
<br />
Against a gray background.
  • Hittite relief sculpted stone panel. Lion. Aslantepe Gate Limestone, Aslantepe, Malatya, 1200-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
The lion on the left of the two lions at the gate of the palace. His head and his front part were processed as high embossing and his body as regular embossing. The signs behind the lion and over his tail read; "Halposulupis, Mighty (?) King".<br />
<br />
Against a grey art background.
  • Aslantepe Hittite relief sculpted orthostat stone panel. Limestone, Aslantepe, Malatya, 1200-700 BC. Anatolian Civilisations Museum, Ankara, Turkey. Depiction of a horse walking.<br />
<br />
Against a white background.
  • Aslantepe Hittite relief sculpted orthostat stone panel Limestone, Aslantepe, Malatya, 1200-700 BC. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
A short-dressed and winged demon (mixed creature), and on the third face is the Storm God. The Storm God holds a triple lightning bundle in his left hand and a hammer in his right hand. His both arms are in an upright position. <br />
<br />
Against a white background.
  • Aslantepe Hittite relief sculpted orthostat stone panel. Limestone, Aslantepe Malatya, 1200-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
Winged protective god holds a branch with fruits. in his left hand, and a fruit in his right hand.<br />
<br />
Against a brown art background.
  • Aslantepe Hittite relief sculpted Stele. Limestone, Aslantepe, Malatya, 1200-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
Under the winged sun disk, is a god standing on a lion and across the god is a sitting goddess. The hieroglyphs reads "Karhuhas, the stag god" for the god, and "Kubaba" for the Goddess. <br />
<br />
Against a brown art background.
  • Alaca Hoyuk - Hittite lion sculpture corner Stone . Andesite. Alacahoyuk, 1399 - 1301 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
Corner stone with sculpted lion, bull and winged sun disk. It was discovered at the right side of the Alacahoyuk sphinx door. The lion puts his front legs on a small bull. There is a Hittite winged sun disk on the abdomen of the lion, which can be seen from a lower location. The position of the sun course indicates that the stone is situated in a high place.<br />
<br />
Against a brown gray background.
  • Hittite relief sculpted stone panel. Lion. Aslantepe Gate Limestone, Aslantepe, Malatya, 1200-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
The lion on the left of the two lions at the gate of the palace. His head and his front part were processed as high embossing and his body as regular embossing. The signs behind the lion and over his tail read; "Halposulupis, Mighty (?) King".<br />
<br />
Against a white background.
  • Aslantepe Hittite relief sculpted orthostat stone panel. Limestone, Aslantepe, Malatya, 1200-700 B.C. . Anatolian Civilisations Museum, Ankara, Turkey<br />
Depiction of a horse walking <br />
<br />
Against a grey art background.
  • Aslantepe Hittite relief sculpted orthostat stone panel. Limestone, Aslantepe, Malatya, 1200-700 B.C. . Anatolian Civilisations Museum, Ankara, Turkey<br />
<br />
Scene of the king's offering drink and sacrifice to the gods. King pours from the pitcher to the vessel (libation); behind the king is a servant bringing a sacrifice. Storm God across the king holds Teshup, a triple lightning bundle - sickle, and a spear-mace set in the other orthostat; the goddess Ishtar holds weapon in both. All six figures have shoes with the curled ends. <br />
<br />
Against a gray background.
  • Aslantepe Hittite relief sculpted orthostat stone panel. Limestone, Aslantepe Malatya, 1200-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
Winged protective god holds a branch with fruits. in his left hand, and a fruit in his right hand.<br />
<br />
Against a gray background.
  • Alaca Hoyuk Sphinx Gate Hittite monumental relief sculpted orthostat stone panel. Andesite, Alaca, Corum, 1399 - 1301 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
Figure with a sharp and horned headdress (probably a god) sitting on a stool with a short backrest, with a figure (probably the figure of a king) worshipping to it. Both figures wear a large and ring-shaped earring. Among them is a hieroglyph, the symbol of divinity.<br />
<br />
Against a brown gray background.
  • Alaca Hoyuk - Hittite lion sculpture corner Stone . Andesite. Alacahoyuk, 1399 - 1301 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
Corner stone with sculpted lion, bull and winged sun disk. It was discovered at the right side of the Alacahoyuk sphinx door. The lion puts his front legs on a small bull. There is a Hittite winged sun disk on the abdomen of the lion, which can be seen from a lower location. The position of the sun course indicates that the stone is situated in a high place.<br />
Against a grey background.
  • Aslantepe Hittite relief sculpted orthostat stone panel. Limestone, Aslantepe, Malatya, 1200-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey. Scene of two Gods walking one carrying a spear, dressed in tunics.<br />
<br />
Against a brown art background.
  • Aslantepe Hittite relief sculpted orthostat stone panel. Limestone, Aslantepe, Malatya, 1200-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
Scene of king's offering drink and sacrifice to the god. The god is on the deer, with the bow attached to his shoulder and with a triple bundle of lightning in his hand. The king looks at the god, and makes the libation to the god while carrying a scepter with a curled end - lituus. Behind the king is a servant holding a goat for sacrifice to the god. Hieroglyphs read; "God Parata, Strong King... ". <br />
<br />
Against a black background.
  • Aslantepe Hittite relief sculpted orthostat stone panel. Limestone, Aslantepe, Malatya, 1200-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
Scene of king's offering drink and sacrifice to the god. The god is on the deer, with the bow attached to his shoulder and with a triple bundle of lightning in his hand. The king looks at the god, and makes the libation to the god while carrying a scepter with a curled end - lituus. Behind the king is a servant holding a goat for sacrifice to the god. Hieroglyphs read; "God Parata, Strong King... ". <br />
<br />
Against a brown art background.
  • Aslantepe Hittite relief sculpted orthostat stone panel. Limestone, Aslantepe, Malatya, 1200-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
Scene of king's offering drink and sacrifice to the god. The god is on the deer, with the bow attached to his shoulder and with a triple bundle of lightning in his hand. The king looks at the god, and makes the libation to the god while carrying a scepter with a curled end - lituus. Behind the king is a servant holding a goat for sacrifice to the god. Hieroglyphs read; "God Parata, Strong King... ". <br />
<br />
Against a grey art background.
  • Aslantepe Hittite Orthostat. Limestone, Aslantepe, Malatya, 1200-700 B.C. <br />
<br />
Scene of offering drink and sacrifice. The god, with a symbol of divinity above, is in the chariot while holding a boomerang in his hand and a sword at his waist. The same god holds a lightning bundle in the middle. On the right, the king offers a drink to god. The inscription above reads "Great, powerful King Sulumeli". A servant stands behind holding a bull for sacrifice to the gods. Anatolian Civilisations Museum, Ankara, Turkey<br />
<br />
Against a grey art background.
  • Aslantepe Hittite relief sculpted orthostat stone panel. Limestone, Aslantepe, Malatya, 1200-700 B.C. . Anatolian Civilisations Museum, Ankara, Turkey. Depiction of a horse walking. <br />
<br />
Against a black background.
  • Aslantepe Hittite relief sculpted orthostat stone panel. Limestone, Aslantepe, Malatya, 1200-700 B.C. . Anatolian Civilisations Museum, Ankara, Turkey. Depiction of a horse walking.<br />
<br />
Against a gray background.
  • Aslantepe Hittite relief sculpted orthostat stone panel. Limestone, Aslantepe, Malatya, 1200-700 B.C. . Anatolian Civilisations Museum, Ankara, Turkey<br />
<br />
Scene of the king's offering drink and sacrifice to the gods. King pours from the pitcher to the vessel (libation); behind the king is a servant bringing a sacrifice. Storm God across the king holds Teshup, a triple lightning bundle - sickle, and a spear-mace set in the other orthostat; the goddess Ishtar holds weapon in both. All six figures have shoes with the curled ends. <br />
<br />
Against a grey art background.
  • Aslantepe Hittite relief sculpted orthostat stone panel Limestone, Aslantepe, Malatya, 1200-700 BC. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
A short-dressed and winged demon (mixed creature), and on the third face is the Storm God. The Storm God holds a triple lightning bundle in his left hand and a hammer in his right hand. His both arms are in an upright position. <br />
<br />
Against a black background.
  • Alaca Hoyuk - Hittite lion sculpture corner Stone . Andesite. Alacahoyuk, 1399 - 1301 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
Corner stone with sculpted lion, bull and winged sun disk. It was discovered at the right side of the Alacahoyuk sphinx door. The lion puts his front legs on a small bull. There is a Hittite winged sun disk on the abdomen of the lion, which can be seen from a lower location. The position of the sun course indicates that the stone is situated in a high place.<br />
<br />
Against a grey art background.
  • Alaca Hoyuk - Hittite lion sculpture corner Stone . Andesite. Alacahoyuk, 1399 - 1301 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
Corner stone with sculpted lion, bull and winged sun disk. It was discovered at the right side of the Alacahoyuk sphinx door. The lion puts his front legs on a small bull. There is a Hittite winged sun disk on the abdomen of the lion, which can be seen from a lower location. The position of the sun course indicates that the stone is situated in a high place.<br />
<br />
Against a black background.
  • Alaca Hoyuk - Hittite lion sculpture corner Stone . Andesite. Alacahoyuk, 1399 - 1301 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
Corner stone with sculpted lion, bull and winged sun disk. It was discovered at the right side of the Alacahoyuk sphinx door. The lion puts his front legs on a small bull. There is a Hittite winged sun disk on the abdomen of the lion, which can be seen from a lower location. The position of the sun course indicates that the stone is situated in a high place.
  • Aslantepe Hittite Orthostat. Limestone, Aslantepe, Malatya, 1200-700 B.C. <br />
<br />
Scene of offering drink and sacrifice. The god, with a symbol of divinity above, is in the chariot while holding a boomerang in his hand and a sword at his waist. The same god holds a lightning bundle in the middle. On the right, the king offers a drink to god. The inscription above reads "Great, powerful King Sulumeli". A servant stands behind holding a bull for sacrifice to the gods. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
Against a brown art background.
  • Hittite relief sculpted stone panel. Lion. Aslantepe Gate Limestone, Aslantepe, Malatya, 1200-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
The lion on the left of the two lions at the gate of the palace. His head and his front part were processed as high embossing and his body as regular embossing. The signs behind the lion and over his tail read; "Halposulupis, Mighty (?) King".<br />
<br />
Against a brown art background.
  • Hittite relief sculpted stone panel. Lion. Aslantepe Gate Limestone, Aslantepe, Malatya, 1200-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
The lion on the left of the two lions at the gate of the palace. His head and his front part were processed as high embossing and his body as regular embossing. The signs behind the lion and over his tail read; "Halposulupis, Mighty (?) King".<br />
<br />
Against a gray background.
  • Hittite relief sculpted stone panel. Lion. Aslantepe Gate Limestone, Aslantepe, Malatya, 1200-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
The lion on the left of the two lions at the gate of the palace. His head and his front part were processed as high embossing and his body as regular embossing. The signs behind the lion and over his tail read; "Halposulupis, Mighty (?) King".<br />
<br />
Against a brown art background.
  • Aslantepe Hittite relief sculpted orthostat stone panel. Limestone, Aslantepe, Malatya, 1200-700 BC.  Anatolian Civilisations Museum, Ankara, Turkey. Depiction of a horse walking.<br />
<br />
Against a white background.
  • Aslantepe Hittite relief sculpted orthostat stone panel. Limestone, Aslantepe, Malatya, 1200-700 B.C.  Anatolian Civilisations Museum, Ankara, Turkey<br />
<br />
Scene of the king's offering drink and sacrifice to the gods. King pours from the pitcher to the vessel (libation); behind the king is a servant bringing a sacrifice. Storm God across the king holds Teshup, a triple lightning bundle - sickle, and a spear-mace set in the other orthostat; the goddess Ishtar holds weapon in both. All six figures have shoes with the curled ends. <br />
<br />
Against a white background.
  • Aslantepe Hittite relief sculpted orthostat stone panel. Limestone, Aslantepe, Malatya, 1200-700 B.C. . Anatolian Civilisations Museum, Ankara, Turkey<br />
<br />
Scene of the king's offering drink and sacrifice to the gods. King pours from the pitcher to the vessel (libation); behind the king is a servant bringing a sacrifice. Storm God across the king holds Teshup, a triple lightning bundle - sickle, and a spear-mace set in the other orthostat; the goddess Ishtar holds weapon in both. All six figures have shoes with the curled ends. <br />
<br />
Against a black background.
  • Aslantepe Hittite relief sculpted orthostat stone panel. Limestone, Aslantepe, Malatya, 1200-700 B.C. . Anatolian Civilisations Museum, Ankara, Turkey<br />
<br />
Scene of the king's offering drink and sacrifice to the gods. King pours from the pitcher to the vessel (libation); behind the king is a servant bringing a sacrifice. Storm God across the king holds Teshup, a triple lightning bundle - sickle, and a spear-mace set in the other orthostat; the goddess Ishtar holds weapon in both. All six figures have shoes with the curled ends. <br />
<br />
Against a brown art background.
  • Aslantepe Hittite relief sculpted orthostat stone panel Limestone, Aslantepe, Malatya, 1200-700 BC. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
A short-dressed and winged demon (mixed creature), and on the third face is the Storm God. The Storm God holds a triple lightning bundle in his left hand and a hammer in his right hand. His both arms are in an upright position. <br />
<br />
Against a gray background.
  • Aslantepe Hittite relief sculpted orthostat stone panel of Lion Men. Limestone, 1399-1301 BC. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
There are two lion-men with a sword at their waists on both sides of the tree of life. The figure on the right holds a sickle in his left hand resting on his shoulder and a symbol his right hand. The figure on the left carries a double-faced ax in his right hand. <br />
<br />
Against a gray background.
  • Aslantepe Hittite relief sculpted Stele. Limestone, Aslantepe, Malatya, 1200-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
Under the winged sun disk, is a god standing on a lion and across the god is a sitting goddess. The hieroglyphs reads "Karhuhas, the stag god" for the god, and "Kubaba" for the Goddess. <br />
<br />
Against a gray background.
  • Alaca Hoyuk Sphinx Gate Hittite monumental relief sculpted orthostat stone panel. Andesite, Alaca, Corum, 1399 - 1301 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
Figure with a sharp and horned headdress (probably a god) sitting on a stool with a short backrest, with a figure (probably the figure of a king) worshipping to it. Both figures wear a large and ring-shaped earring. Among them is a hieroglyph, the symbol of divinity.<br />
<br />
Against a brown art background.
  • Alaca Hoyuk Sphinx Gate Hittite monumental relief sculpted orthostat stone panel. Andesite, Alaca, Corum, 1399 - 1301 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
Figure with a sharp and horned headdress (probably a god) sitting on a stool with a short backrest, with a figure (probably the figure of a king) worshipping to it. Both figures wear a large and ring-shaped earring. Among them is a hieroglyph, the symbol of divinity.<br />
<br />
Against a grey art background.
  • Alaca Hoyuk - Hittite lion sculptures corner Stone. . Andesite. Alacahoyuk, 1399 - 1301 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
Corner stone decorated by lion, bull and winged sun disk. It was discovered at the right side of the Alacahoyuk sphinx door. The lion puts his front legs on a small bull. There is a Hittite winged sun disk on the abdomen of the lion, which can be seen from a lower location. The position of the sun course indicates that the stone is situated in a high place. <br />
<br />
Against a white background.
  • Alaca Hoyuk - Hittite lion sculptures corner Stone. . Andesite. Alacahoyuk, 1399 - 1301 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
Corner stone decorated by lion, bull and winged sun disk. It was discovered at the right side of the Alacahoyuk sphinx door. The lion puts his front legs on a small bull. There is a Hittite winged sun disk on the abdomen of the lion, which can be seen from a lower location. The position of the sun course indicates that the stone is situated in a high place. <br />
<br />
Against a black background.
  • Alaca Hoyuk - Hittite lion sculptures corner Stone. . Andesite. Alacahoyuk, 1399 - 1301 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
Corner stone decorated by lion, bull and winged sun disk. It was discovered at the right side of the Alacahoyuk sphinx door. The lion puts his front legs on a small bull. There is a Hittite winged sun disk on the abdomen of the lion, which can be seen from a lower location. The position of the sun course indicates that the stone is situated in a high place. <br />
<br />
Against a brown gray background.
  • Alaca Hoyuk - Hittite lion sculptures corner Stone. . Andesite. Alacahoyuk, 1399 - 1301 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
Corner stone decorated by lion, bull and winged sun disk. It was discovered at the right side of the Alacahoyuk sphinx door. The lion puts his front legs on a small bull. There is a Hittite winged sun disk on the abdomen of the lion, which can be seen from a lower location. The position of the sun course indicates that the stone is situated in a high place. <br />
<br />
Against a grey art background.
  • Alaca Hoyuk - Hittite lion sculpture corner Stone . Andesite. Alacahoyuk, 1399 - 1301 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
Corner stone with sculpted lion, bull and winged sun disk. It was discovered at the right side of the Alacahoyuk sphinx door. The lion puts his front legs on a small bull. There is a Hittite winged sun disk on the abdomen of the lion, which can be seen from a lower location. The position of the sun course indicates that the stone is situated in a high place.<br />
<br />
Against a white background.
  • Alaca Hoyuk - Hittite lion sculpture corner Stone . Andesite. Alacahoyuk, 1399 - 1301 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
Corner stone with sculpted lion, bull and winged sun disk. It was discovered at the right side of the Alacahoyuk sphinx door. The lion puts his front legs on a small bull. There is a Hittite winged sun disk on the abdomen of the lion, which can be seen from a lower location. The position of the sun course indicates that the stone is situated in a high place.<br />
<br />
Against a black background.
  • Alaca Hoyuk - Hittite lion sculpture corner Stone . Andesite. Alacahoyuk, 1399 - 1301 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
Corner stone with sculpted lion, bull and winged sun disk. It was discovered at the right side of the Alacahoyuk sphinx door. The lion puts his front legs on a small bull. There is a Hittite winged sun disk on the abdomen of the lion, which can be seen from a lower location. The position of the sun course indicates that the stone is situated in a high place.<br />
<br />
Against a brown gray background.
  • Phrygian relief sculpted orthostat stone panel Andesite, Atateirk Orman ciftligi, Ankara, 12OO-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
Winged griffin with a bird's head and a lion's body. There is a bird's head at the end of its tail. The chest was processed like fish scales. Its wing extends along the body. Muscles in its legs are schematic. <br />
<br />
Against a grey art background.
  • Phrygian relief sculpted orthostat stone panel Andesite, Kalaba Village, Ankara, , 1200-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
Figure of a roaring lion. The cross mark on his chest draws attention. The muscles in his legs are schematic. <br />
<br />
Against a black background.
  • Phrygian relief sculpted orthostat stone panel. Andesite, Kucukevler, Ankara., 1200-700 B.C. Walking horse. Muscles in the legs of the figure are schematic. Anatolian Civilisations Museum, Ankara, Turkey<br />
<br />
Against a white background.
  • Photo of Phrygian relief sculpted orthostat stone panel. Andesite, Kucukevler, Ankara., 1200-700 B.C.  Walking horse. Muscles in the legs of the figure are schematic. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
Against a brown art background.
  • Phrygian relief sculpted orthostat stone panel. Andesite, Ahiyakup, Ankara Phrygian, 1200-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
Sphinx. Curly-haired and bearded, the figure has the head of a human and the body of a lion, with its wings extending down to its tail. Muscles in its legs are schematic. There is a band on its head. <br />
<br />
Against a white background.
  • Pictures & images of Phrygian relief sculpted orthostat stone panel. Andesite, Ahiyakup, Ankara Phrygian, 1200-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
Sphinx. Curly-haired and bearded, the figure has the head of a human and the body of a lion, with its wings extending down to its tail. Muscles in its legs are schematic. There is a band on its head. <br />
<br />
Against a gray background.
  • Phygian relief sculpted orthostat stone panel. Andesite, Etimesgut, Ankara. Phrygian. 1200-700 BC. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
Figure of a roaring lion. The cross mark on the chest draws attention. The muscles in his legs are schematic. There are frame edges in front and behind the lion. <br />
<br />
Against a white background.
  • Pictures & images of Phrygian relief sculpted orthostat stone panel, 1200-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey. Figure of a walking bull. <br />
<br />
Against a gray background.
  • Phrygian relief sculpted orthostat stone panel, 1200-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey. Figure of a walking bull. <br />
<br />
Against a grey art background.
  • Pictures & images of Phygian relief sculpted orthostat stone panel. Andesite, Etimesgut, Ankara. Phrygian. 1200-700 BC. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
Figure of a roaring lion. The cross mark on the chest draws attention. The muscles in his legs are schematic. There are frame edges in front and behind the lion. <br />
<br />
Against a gray background.
  • Photo of Phrygian relief sculpted orthostat stone panel Andesite, Atateirk Orman ciftligi, Ankara, 12OO-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
Winged griffin with a bird's head and a lion's body. There is a bird's head at the end of its tail. The chest was processed like fish scales. Its wing extends along the body. Muscles in its legs are schematic. <br />
<br />
Against a brown art background.
  • Phrygian relief sculpted orthostat stone panel Andesite, Atateirk Orman ciftligi, Ankara, 12OO-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
Winged griffin with a bird's head and a lion's body. There is a bird's head at the end of its tail. The chest was processed like fish scales. Its wing extends along the body. Muscles in its legs are schematic. <br />
<br />
Against a white background.
  • Phrygian relief sculpted orthostat stone panel Andesite, Kalaba Village, Ankara, , 1200-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
Figure of a roaring lion. The cross mark on his chest draws attention. The muscles in his legs are schematic. <br />
<br />
Against a white background.
  • Pictures & images of Phrygian relief sculpted orthostat stone panel. Andesite, Kucukevler, Ankara., 1200-700 B.C. Walking horse. Muscles in the legs of the figure are schematic. Anatolian Civilisations Museum, Ankara, Turkey<br />
<br />
Against a gray background.
  • Phrygian relief sculpted orthostat stone panel Andesite, Atateirk Orman ciftligi, Ankara, 12OO-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
Winged griffin with a bird's head and a lion's body. There is a bird's head at the end of its tail. The chest was processed like fish scales. Its wing extends along the body. Muscles in its legs are schematic. <br />
<br />
Against a black background.
  • Phrygian relief sculpted orthostat stone panel, 1200-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey. Figure of a walking bull.<br />
<br />
Against a black background.
  • Phygian relief sculpted orthostat stone panel. Andesite, Etimesgut, Ankara. Phrygian. 1200-700 BC. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
Figure of a roaring lion. The cross mark on the chest draws attention. The muscles in his legs are schematic. There are frame edges in front and behind the lion. <br />
<br />
Against a grey art background.
  • Phrygian relief sculpted orthostat stone panel. Andesite, Kucukevler, Ankara., 1200-700 B.C.  Walking horse. Muscles in the legs of the figure are schematic. Anatolian Civilisations Museum, Ankara, Turkey<br />
<br />
Against a grey art background.
  • Pictures & images of Phrygian relief sculpted orthostat stone panel Andesite, Atateirk Orman ciftligi, Ankara, 12OO-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
Winged griffin with a bird's head and a lion's body. There is a bird's head at the end of its tail. The chest was processed like fish scales. Its wing extends along the body. Muscles in its legs are schematic. <br />
<br />
Against a gray background.
  • Phrygian relief sculpted orthostat stone panel. Andesite, Ahiyakup, Ankara Phrygian, 1200-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
Sphinx. Curly-haired and bearded, the figure has the head of a human and the body of a lion, with its wings extending down to its tail. Muscles in its legs are schematic. There is a band on its head. <br />
<br />
Against a grey art background.
  • Phrygian relief sculpted orthostat stone panel. Andesite, Ahiyakup, Ankara Phrygian, 1200-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
Sphinx. Curly-haired and bearded, the figure has the head of a human and the body of a lion, with its wings extending down to its tail. Muscles in its legs are schematic. There is a band on its head. <br />
<br />
Against a black background.
  • Photo of Phrygian relief sculpted orthostat stone panel. Andesite, Ahiyakup, Ankara Phrygian, 1200-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
Sphinx. Curly-haired and bearded, the figure has the head of a human and the body of a lion, with its wings extending down to its tail. Muscles in its legs are schematic. There is a band on its head. <br />
<br />
Against a brown art background.
  • Phrygian relief sculpted orthostat stone panel, 1200-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey. Figure of a walking bull. <br />
<br />
Against a white background.
  • Photo of Phrygian relief sculpted orthostat stone panel, 1200-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey. Figure of a walking bull. <br />
<br />
Against a brown art background.
  • Phygian relief sculpted orthostat stone panel. Andesite, Etimesgut, Ankara. Phrygian. 1200-700 BC. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
Figure of a roaring lion. The cross mark on the chest draws attention. The muscles in his legs are schematic. There are frame edges in front and behind the lion.<br />
<br />
Against a black background.
  • Photo of Phygian relief sculpted orthostat stone panel. Andesite, Etimesgut, Ankara. Phrygian. 1200-700 BC. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
Figure of a roaring lion. The cross mark on the chest draws attention. The muscles in his legs are schematic. There are frame edges in front and behind the lion. <br />
<br />
Against a brown art background.
  • Phrygian relief sculpted orthostat stone panel Andesite, Kalaba Village, Ankara, , 1200-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
Figure of a roaring lion. The cross mark on his chest draws attention. The muscles in his legs are schematic.<br />
<br />
Against a grey art background.
  • Photo of Phrygian relief sculpted orthostat stone panel Andesite, Kalaba Village, Ankara, , 1200-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
Figure of a roaring lion. The cross mark on his chest draws attention. The muscles in his legs are schematic. <br />
<br />
Against a brown art background.
  • Pictures & images of Phrygian relief sculpted orthostat stone panel Andesite, Kalaba Village, Ankara, , 1200-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
Figure of a roaring lion. The cross mark on his chest draws attention. The muscles in his legs are schematic. <br />
<br />
Against a gray background.
  • Aslantepe Hittite relief sculpted orthostat stone panel. Limestone, Aslantepe, Malatya, 1200-700 B.C. Anatolian Civilizations Museum, Ankara, Turkey. Scene of two Gods walking one carrying a spear, dressed in tunics.<br />
<br />
Anatolian Civilizations Museum, Ankara, Turkey
  • Aslantepe Hittite relief sculpted orthostat stone panel. Limestone, Aslantepe, Malatya, 1200-700 B.C. Anatolian Civilizations Museum, Ankara, Turkey. Scene of two Gods walking one carrying a spear, dressed in tunics.<br />
<br />
Against a black background.
  • Aslantepe Hittite Orthostat. Limestone, Aslantepe, Malatya, 1200-700 B.C. Anatolian Civilizations Museum, Ankara, Turkey.<br />
<br />
Scene of offering drink and sacrifice. The god, with a symbol of divinity above, is in the chariot while holding a boomerang in his hand and a sword at his waist. The same god holds a lightning bundle in the middle. On the right, the king offers a drink to god. The inscription above reads "Great, powerful King Sulumeli". A servant stands behind holding a bull for sacrifice to the gods. Anatolian Civilizations Museum, Ankara, Turkey<br />
<br />
Against a black background.
  • Aslantepe Hittite relief sculpted orthostat stone panel of Lion Men. Limestone, 1399-1301 BC. Anatolian Civilizations Museum, Ankara, Turkey.<br />
<br />
There are two lion-men with a sword at their waists on both sides of the tree of life. The figure on the right holds a sickle in his left hand resting on his shoulder and a symbol his right hand. The figure on the left carries a double-faced ax in his right hand.
  • Alaca Hoyuk Hittite monumental relief sculpted orthostat stone panel. Andesite, Alaca, Corum, 1399 - 1301 B.C. Anatolian Civilizations Museum, Ankara, Turkey.<br />
<br />
Hunters - A human figure with a spear in his hands attacking to a lion with two dogs helping him. The lion is on the defensive. One of the dogs has climbed on the back of the lion and bites it while the other attacks towards the lion's belly. The lion steps over the dog with its left hind foot.  Against a white background.
  • Upright picture of Alaca Hoyuk Sphinx Gate Hittite monumental relief sculpted orthostat stone panel. Andesite, Alaca, Corum, 1399 - 1301 B.C. Jugglers and acrobats.  Anatolian Civilizations Museum, Ankara, Turkey<br />
<br />
The juggler facing towards left, with long hair and a short dress, swallows a dagger; the smaller acrobats behind go up the stairs without holding on. All the figures have horned headdresses and earrings with a huge ring on their ears. It is thought that the acrobats are of different nationality, which is the reason why they are depicted smaller. <br />
<br />
Against a grey art background.
  • Alaca Hoyuk Sphinx Gate Hittite monumental relief sculpted orthostat stone panel. Andesite, Alaca, corum, 1399 - 1301 B.C.  King and queen in front of the altar. Anatolian Civilizations Museum, Ankara, Turkey.<br />
<br />
Left Panel - The king carries the kingdom sceptre - lituus in his right hand, and extends his left hand forward for worship. The queen wears a fancy dress hanging down to the floor; both figures wear earrings with a large ring.<br />
<br />
Right Panel - Bull. It is the sacred animal of the Storm God. It is over a pedestal which is split from top to bottom. It is stocky and short-legged. With a huge horn, the bull has schematic muscles. In the orthostats on the left side, there is a procession moving towards this bull. <br />
<br />
Against a grey art background.
  • Aslantepe Hittite relief sculpted orthostat stone panel. Limestone, Aslantepe, Malatya, 1200-700 B.C. . Anatolian Civilisations Museum, Ankara, Turkey. Depiction of a horse walking .<br />
<br />
Against a black background.
  • Aslantepe Hittite relief sculpted orthostat stone panel of Lion Men. Limestone, 1399-1301 BC. Anatolian Civilizations Museum, Ankara, Turkey.<br />
<br />
There are two lion-men with a sword at their waists on both sides of the tree of life. The figure on the right holds a sickle in his left hand resting on his shoulder and a symbol his right hand. The figure on the left carries a double-faced ax in his right hand. <br />
<br />
Against a grey art background.
  • Alaca Hoyuk Hittite monumental relief sculpted orthostat stone panel. Andesite, Alaca, Corum, 1399-1301 B.C. Anatolian Civilizations Museum, Ankara, Turkey.<br />
<br />
Four deer figures are depicted in various positions with a flower in the lower right corner and a tree in the upper left corner. A faded human figure and an animal figure in the upper section are noteworthy. <br />
<br />
Against a brown gray background.
  • Alaca Hoyuk Hittite monumental relief sculpted orthostat stone panel. Andesite, Alaca, Corum, 1399-1301 B.C. Anatolian Civilizations Museum, Ankara, Turkey.<br />
<br />
Four deer figures are depicted in various positions with a flower in the lower right corner and a tree in the upper left corner. A faded human figure and an animal figure in the upper section are noteworthy. <br />
<br />
Against a white background.
  • Alaca Hoyuk Hittite monumental relief sculpted orthostat stone panel. Andesite, Alaca, Corum, 1399-1301 B.C. Anatolian Civilizations Museum, Ankara, Turkey.<br />
<br />
Four deer figures are depicted in various positions with a flower in the lower right corner and a tree in the upper left corner. A faded human figure and an animal figure in the upper section are noteworthy. <br />
<br />
Against a black background.
  • Alaca Hoyuk Hittite monumental relief sculpted orthostat stone panel. Andesite, Alaca, Corum, 1399 - 1301 B.C. Anatolian Civilizations Museum, Ankara, Turkey<br />
<br />
The rightmost figure wears a long coat and tailed dress. With both hands, he holds a sceptre with a ring in the middle. This item is thought to be a cult object in Assyria reliefs. The pointed and twisted tips of his shoes also show that he is in a high rank.  <br />
<br />
Against a black background.
  • Alaca Hoyuk Hittite monumental relief sculpted orthostat stone panel. Andesite, Alaca, Corum, 1399 - 1301 B.C. Anatolian Civilizations Museum, Ankara, Turkey<br />
<br />
The rightmost figure wears a long coat and tailed dress. With both hands, he holds a sceptre with a ring in the middle. This item is thought to be a cult object in Assyria reliefs. The pointed and twisted tips of his shoes also show that he is in a high rank.  <br />
<br />
Against a brown art background.
  • Alaca Hoyuk Sphinx Gate Hittite monumental relief sculpted orthostat stone panel. Andesite. Alaca, Corum, 1399 - 1301 B.C. Anatolian Civilizations Museum, Ankara, Turkey.<br />
<br />
Left Panel - Sitting in a chair without a backrest, the head and the face of the figure are completely destroyed. She has a long veil on her head, a long dress hanging down to her ankles, and the shoes with the curved ends. The stool under her feet indicates that she is an important person. She drinks something from the vessel in her right hand and she keeps the handled goblet in her hand a little higher.  <br />
<br />
Right Panel - Three figures with short skirts have their right arms positioned ahead. They each carry a sceptre in their left hand, which they lean against their shoulder. <br />
<br />
Against a white background.
  • Alaca Hoyuk Sphinx Gate Hittite monumental relief sculpted orthostat stone panel. Andesite. Alaca, Corum, 1399 - 1301 B.C. Anatolian Civilizations Museum, Ankara, Turkey.<br />
<br />
Left Panel - Sitting in a chair without a backrest, the head and the face of the figure are completely destroyed. She has a long veil on her head, a long dress hanging down to her ankles, and the shoes with the curved ends. The stool under her feet indicates that she is an important person. She drinks something from the vessel in her right hand and she keeps the handled goblet in her hand a little higher.  <br />
<br />
Right Panel - Three figures with short skirts have their right arms positioned ahead. They each carry a sceptre in their left hand, which they lean against their shoulder. <br />
<br />
Against a brown art background.
  • Alaca Hoyuk Sphinx Gate Hittite monumental relief sculpted orthostat stone panel. Andesite, Alaca, Corum, 1399 - 1301 BC. Anatolian Civilizations Museum, Ankara, Turkey.<br />
<br />
The figure playing a musical instrument similar to a guitar is followed by another figure carrying an animal. The stem of the musical instrument is fringed. The left side of the Orthostat is uncompleted.<br />
<br />
Against a white background.
  • Alaca Hoyuk Sphinx Gate Hittite monumental relief sculpted orthostat stone panel. Andesite, Alaca, Corum, 1399 - 1301 BC. Anatolian Civilizations Museum, Ankara, Turkey.<br />
<br />
The figure playing a musical instrument similar to a guitar is followed by another figure carrying an animal. The stem of the musical instrument is fringed. The left side of the Orthostat is uncompleted.  <br />
<br />
Against a brown art background.
  • Landscape picture of Alaca Hoyuk Sphinx Gate Hittite monumental relief sculpted orthostat stone panel. Andesite, Alaca, Corum, 1399 - 1301 B.C. Jugglers and acrobats.  Anatolian Civilizations Museum, Ankara, Turkey<br />
<br />
The juggler facing towards left, with long hair and a short dress, swallows a dagger; the smaller acrobats behind go up the stairs without holding on. All the figures have horned headdresses and earrings with a huge ring on their ears. It is thought that the acrobats are of different nationality, which is the reason why they are depicted smaller.  <br />
<br />
Against a white background.
  • Landscape picture of Alaca Hoyuk Sphinx Gate Hittite monumental relief sculpted orthostat stone panel. Andesite, Alaca, Corum, 1399 - 1301 B.C. Jugglers and acrobats.  Anatolian Civilizations Museum, Ankara, Turkey<br />
<br />
The juggler facing towards left, with long hair and a short dress, swallows a dagger; the smaller acrobats behind go up the stairs without holding on. All the figures have horned headdresses and earrings with a huge ring on their ears. It is thought that the acrobats are of different nationality, which is the reason why they are depicted smaller. <br />
<br />
Against a brown art background.
  • Alaca Hoyuk Sphinx Gate Hittite monumental relief sculpted orthostat stone panel. Andesite, Alaca, Corum, 1399 - 1301 B.C. Anatolian Civilizations Museum, Ankara, Turkey.<br />
<br />
Three figures moving towards the altar behind the sacrifices. The figures wearing a long-tailed cloak hold objects in their left hand, which resembles to a sceptre with a twisted end.
  • Alaca Hoyuk Sphinx Gate Hittite monumental relief sculpted orthostat stone panel. A figure bringing sacrificial animals.  Anatolian Civilizations Museum, Ankara. Turkey<br />
<br />
The figure wearing a long-tailed cloak holds, with the right hand, the horn of the goat coming from behind.  <br />
<br />
Against a brown gray background.
  • Alaca Hoyuk Sphinx Gate Hittite monumental relief sculpted orthostat stone panel. A figure bringing sacrificial animals.  Anatolian Civilizations Museum, Ankara. Turkey<br />
<br />
The figure wearing a long-tailed cloak holds, with the right hand, the horn of the goat coming from behind.  <br />
<br />
Against a brown art background.
  • Alaca Hoyuk Sphinx Gate Hittite monumental relief sculpted orthostat stone panel. Andesite, Alaca, corum, 1399 - 1301 B.C.  King and queen in front of the altar. Anatolian Civilizations Museum, Ankara, Turkey.<br />
<br />
Left Panel - The king carries the kingdom sceptre - lituus in his right hand, and extends his left hand forward for worship. The queen wears a fancy dress hanging down to the floor; both figures wear earrings with a large ring.<br />
<br />
Right Panel - Bull. It is the sacred animal of the Storm God. It is over a pedestal which is split from top to bottom. It is stocky and short-legged. With a huge horn, the bull has schematic muscles. In the orthostats on the left side, there is a procession moving towards this bull. <br />
<br />
Against a black background.
  • Alaca Hoyuk Sphinx Gate Hittite monumental relief sculpted orthostat stone panel. Andesite, Alaca, corum, 1399 - 1301 B.C.  King and queen in front of the altar. Anatolian Civilizations Museum, Ankara, Turkey.<br />
<br />
Left Panel - The king carries the kingdom sceptre - lituus in his right hand, and extends his left hand forward for worship. The queen wears a fancy dress hanging down to the floor; both figures wear earrings with a large ring.<br />
<br />
Right Panel - Bull. It is the sacred animal of the Storm God. It is over a pedestal which is split from top to bottom. It is stocky and short-legged. With a huge horn, the bull has schematic muscles. In the orthostats on the left side, there is a procession moving towards this bull.
  • Alaca Hoyuk Sphinx Gate Hittite monumental relief sculpted orthostat stone panel. Andesite, Alaca, corum, 1399 - 1301 B.C.  King and queen in front of the altar. Anatolian Civilizations Museum, Ankara, Turkey.<br />
<br />
Left Panel - The king carries the kingdom sceptre - lituus in his right hand, and extends his left hand forward for worship. The queen wears a fancy dress hanging down to the floor; both figures wear earrings with a large ring.<br />
<br />
Right Panel - Bull. It is the sacred animal of the Storm God. It is over a pedestal which is split from top to bottom. It is stocky and short-legged. With a huge horn, the bull has schematic muscles. In the orthostats on the left side, there is a procession moving towards this bull. <br />
<br />
Against a brown art background.
  • Aslantepe Hittite relief sculpted orthostat stone panel. Limestone, Aslantepe, Malatya, 1200-700 B.C. . Anatolian Civilisations Museum, Ankara, Turkey<br />
Depiction of a horse walking

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