• Ancient Roman statue of Pendua and his wife Nefertari, limestone, New Kingdom, 19th Dynasty, (1292-1186 BC),  Deir-el-Medina, Thebes. Egyptian Museum, Turin. white background.<br />
<br />
 Carved in Thebian white limestone the statue of Pendua and his wife Nefertari shows the skill and attention to details of the sculptors of Deir-el-Medina, the worker’s village of those who built the Royal Tombs at Thebes. The theme of the family is echoed by a carving of a daughter between the two figures.
  • Ancient Roman statue of Pendua and his wife Nefertari, limestone, New Kingdom, 19th Dynasty, (1292-1186 BC),  Deir-el-Medina, Thebes. Egyptian Museum, Turin. black background.<br />
<br />
 Carved in Thebian white limestone the statue of Pendua and his wife Nefertari shows the skill and attention to details of the sculptors of Deir-el-Medina, the worker’s village of those who built the Royal Tombs at Thebes. The theme of the family is echoed by a carving of a daughter between the two figures.
  • Ancient Roman statue of Pendua and his wife Nefertari, limestone, New Kingdom, 19th Dynasty, (1292-1186 BC),  Deir-el-Medina, Thebes. Egyptian Museum, Turin. .<br />
<br />
 Carved in Thebian white limestone the statue of Pendua and his wife Nefertari shows the skill and attention to details of the sculptors of Deir-el-Medina, the worker’s village of those who built the Royal Tombs at Thebes. The theme of the family is echoed by a carving of a daughter between the two figures.
  • Ancient Roman statue of Pendua and his wife Nefertari, limestone, New Kingdom, 19th Dynasty, (1292-1186 BC),  Deir-el-Medina, Thebes. Egyptian Museum, Turin. Grey background.<br />
<br />
 Carved in Thebian white limestone the statue of Pendua and his wife Nefertari shows the skill and attention to details of the sculptors of Deir-el-Medina, the worker’s village of those who built the Royal Tombs at Thebes. The theme of the family is echoed by a carving of a daughter between the two figures.
  • Ancient Roman statue of Pendua and his wife Nefertari, limestone, New Kingdom, 19th Dynasty, (1292-1186 BC),  Deir-el-Medina, Thebes. Egyptian Museum, Turin. Grey background.<br />
<br />
 Carved in Thebian white limestone the statue of Pendua and his wife Nefertari shows the skill and attention to details of the sculptors of Deir-el-Medina, the worker’s village of those who built the Royal Tombs at Thebes. The theme of the family is echoed by a carving of a daughter between the two figures.
  • Ancient Roman statue of Pendua and his wife Nefertari, limestone, New Kingdom, 19th Dynasty, (1292-1186 BC),  Deir-el-Medina, Thebes. Egyptian Museum, Turin. Grey background.<br />
<br />
 Carved in Thebian white limestone the statue of Pendua and his wife Nefertari shows the skill and attention to details of the sculptors of Deir-el-Medina, the worker’s village of those who built the Royal Tombs at Thebes. The theme of the family is echoed by a carving of a daughter between the two figures.
  • Ancient Roman statue of Pendua and his wife Nefertari, limestone, New Kingdom, 19th Dynasty, (1292-1186 BC),  Deir-el-Medina, Thebes. Egyptian Museum, Turin. black background.<br />
<br />
 Carved in Thebian white limestone the statue of Pendua and his wife Nefertari shows the skill and attention to details of the sculptors of Deir-el-Medina, the worker’s village of those who built the Royal Tombs at Thebes. The theme of the family is echoed by a carving of a daughter between the two figures.
  • Ancient Roman statue of Pendua and his wife Nefertari, limestone, New Kingdom, 19th Dynasty, (1292-1186 BC),  Deir-el-Medina, Thebes. Egyptian Museum, Turin. Grey background.<br />
<br />
 Carved in Thebian white limestone the statue of Pendua and his wife Nefertari shows the skill and attention to details of the sculptors of Deir-el-Medina, the worker’s village of those who built the Royal Tombs at Thebes. The theme of the family is echoed by a carving of a daughter between the two figures.
  • Ancient Roman statue of Pendua and his wife Nefertari, limestone, New Kingdom, 19th Dynasty, (1292-1186 BC),  Deir-el-Medina, Thebes. Egyptian Museum, Turin. white background.<br />
<br />
 Carved in Thebian white limestone the statue of Pendua and his wife Nefertari shows the skill and attention to details of the sculptors of Deir-el-Medina, the worker’s village of those who built the Royal Tombs at Thebes. The theme of the family is echoed by a carving of a daughter between the two figures.
  • Ancient Roman statue of Pendua and his wife Nefertari, limestone, New Kingdom, 19th Dynasty, (1292-1186 BC),  Deir-el-Medina, Thebes. Egyptian Museum, Turin. .<br />
<br />
 Carved in Thebian white limestone the statue of Pendua and his wife Nefertari shows the skill and attention to details of the sculptors of Deir-el-Medina, the worker’s village of those who built the Royal Tombs at Thebes. The theme of the family is echoed by a carving of a daughter between the two figures.
  • Ancient Egyptian False Door stele of Chamberlain Hornakht, son of Mera, slimestone, Middle Kingdom, 12th Dynasty (1939-1759 BC),  Egyptian Museum, Turin. Old fund cat 1612. <br />
<br />
A false door is an artistic representation of a door which does not function like a real door. They can be carved in a wall or painted on it. They are a common architectural element in the tombs of ancient Egypt,
  • Ancient Egyptian False Door stele of Chamberlain Hornakht, son of Mera, slimestone, Middle Kingdom, 12th Dynasty (1939-1759 BC),  Egyptian Museum, Turin. Old fund cat 1612. <br />
<br />
A false door is an artistic representation of a door which does not function like a real door. They can be carved in a wall or painted on it. They are a common architectural element in the tombs of ancient Egypt,
  • Ancient Egyptian False Door stele of Chamberlain Hornakht, son of Mera, slimestone, Middle Kingdom, 12th Dynasty (1939-1759 BC),  Egyptian Museum, Turin. Old fund cat 1612. white background<br />
<br />
A false door is an artistic representation of a door which does not function like a real door. They can be carved in a wall or painted on it. They are a common architectural element in the tombs of ancient Egypt,
  • Ancient Egyptian False Door stele of Chamberlain Hornakht, son of Mera, slimestone, Middle Kingdom, 12th Dynasty (1939-1759 BC),  Egyptian Museum, Turin. Old fund cat 1612. Black background<br />
<br />
A false door is an artistic representation of a door which does not function like a real door. They can be carved in a wall or painted on it. They are a common architectural element in the tombs of ancient Egypt,
  • Ancient Egyptian False Door stele of Chamberlain Hornakht, son of Mera, slimestone, Middle Kingdom, 12th Dynasty (1939-1759 BC),  Egyptian Museum, Turin. Old fund cat 1612.  Grey background<br />
<br />
A false door is an artistic representation of a door which does not function like a real door. They can be carved in a wall or painted on it. They are a common architectural element in the tombs of ancient Egypt,
  • Ancient Egyptian False Door stele of Chamberlain Hornakht, son of Mera, slimestone, Middle Kingdom, 12th Dynasty (1939-1759 BC),  Egyptian Museum, Turin. Old fund cat 1612.  Grey background<br />
<br />
A false door is an artistic representation of a door which does not function like a real door. They can be carved in a wall or painted on it. They are a common architectural element in the tombs of ancient Egypt,
  • Ancient Egyptian wooden model of bread making, Middle Kingdom, 12th Dynasty, (1939-1875 BC), Asyut., Tomb of Minhotep Egyptian Museum, Turin. Cat 8789. Grey background. <br />
<br />
Wooden tomb models were an Egyptian funerary custom throughout the Middle Kingdom in which wooden figurines and sets were constructed to be placed in the tombs of Egyptian royalty. These wooden models represented the work of servants, farmers, other skilled craftsman, armies, and religious rituals
  • Ancient Egyptian False Door stele of Princess Wehemnefret, limestone, Old Kingdom, 4th Dynasty (2543-2435 BC), Giza, Western Cemetery, mastaba of Wehemnefret. Egyptian Museum, Turin.  Schiaparelli Cat 1840. black background<br />
<br />
In the centre at the yop the deceased woman is depicted sitiing infront of a tabel laden with bread slices. The slices are depicted vertically as was the stylistic convention of the period. Imediately below the panel , on the left side of the lintel of the false door, is the name of the deceased and her titles stressing that she is a member of the Royal family "the daughter of the king".  In the 4 upper panels high ranking officials and courtiers are depicted. The nude child with his finger in his mouth on the right inner jamb is identified by its inscription as Irenptah, the deceased grandson. In other panels are ndividuals carrying offerings and priests.
  • Ancient Egyptian model of a funerary boat with oarsman and a sarcopagus under a canope, Middle Kingdom (1980-1700 BC. Egyptian Museum, Turin. Cat 1209. <br />
<br />
Funerary boats were probably believed to carry the deceased sould to the afterlife. Wooden tomb models were an Egyptian funerary custom throughout the Middle Kingdom in which wooden figurines and sets were constructed to be placed in the tombs of Egyptian royalty.
  • Ancient Egyptian wooden model of bread making, Middle Kingdom, 12th Dynasty, (1939-1875 BC), Asyut., Tomb of Minhotep Egyptian Museum, Turin. Cat 8789. white background. <br />
<br />
Wooden tomb models were an Egyptian funerary custom throughout the Middle Kingdom in which wooden figurines and sets were constructed to be placed in the tombs of Egyptian royalty. These wooden models represented the work of servants, farmers, other skilled craftsman, armies, and religious rituals
  • Ancient Egyptian wooden falcon bird, Late Period (722-322 BC), Egyptian Museum, Turin. Cat 986. <br />
<br />
Wooden tomb models were an Egyptian funerary custom from the Middle Kingdom in which wooden figurines and sets were constructed to be placed in the tombs of Egyptian royalty. These wooden models represented the work of servants, farmers, other skilled craftsman, armies, and religious rituals
  • Ancient Egyptian False Door stele of Princess Wehemnefret, limestone, Old Kingdom, 4th Dynasty (2543-2435 BC), Giza, Western Cemetery, mastaba of Wehemnefret. Egyptian Museum, Turin.  Schiaparelli Cat 1840. Grey background<br />
<br />
In the centre at the yop the deceased woman is depicted sitiing infront of a tabel laden with bread slices. The slices are depicted vertically as was the stylistic convention of the period. Imediately below the panel , on the left side of the lintel of the false door, is the name of the deceased and her titles stressing that she is a member of the Royal family "the daughter of the king".  In the 4 upper panels high ranking officials and courtiers are depicted. The nude child with his finger in his mouth on the right inner jamb is identified by its inscription as Irenptah, the deceased grandson. In other panels are ndividuals carrying offerings and priests.
  • Ancient Egyptian model of a funerary boat with oarsman and a sarcopagus under a canope, Middle Kingdom (1980-1700 BC. Egyptian Museum, Turin. Cat 1209. white background.<br />
<br />
Funerary boats were probably believed to carry the deceased sould to the afterlife. Wooden tomb models were an Egyptian funerary custom throughout the Middle Kingdom in which wooden figurines and sets were constructed to be placed in the tombs of Egyptian royalty.
  • Ancient Egyptian model of a funerary boat with oarsman and a sarcopagus under a canope, Middle Kingdom (1980-1700 BC. Egyptian Museum, Turin. Cat 1209. black background.<br />
<br />
Funerary boats were probably believed to carry the deceased sould to the afterlife. Wooden tomb models were an Egyptian funerary custom throughout the Middle Kingdom in which wooden figurines and sets were constructed to be placed in the tombs of Egyptian royalty.
  • Ancient Egyptian model of a boat with mast, Middle Kingdom (1980-1700 BC. Egyptian Museum, Turin. Grey Background.<br />
<br />
Wooden tomb models were an Egyptian funerary custom throughout the Middle Kingdom in which wooden figurines and sets were constructed to be placed in the tombs of Egyptian royalty.
  • Ancient Egyptian model of a funerary boat with oarsman and a sarcopagus under a canope, Middle Kingdom (1980-1700 BC. Egyptian Museum, Turin. Cat 1209. Grey Background.<br />
<br />
Funerary boats were probably believed to carry the deceased sould to the afterlife. Wooden tomb models were an Egyptian funerary custom throughout the Middle Kingdom in which wooden figurines and sets were constructed to be placed in the tombs of Egyptian royalty.
  • Ancient Egyptian model of a boat with mast, Middle Kingdom (1980-1700 BC. Egyptian Museum, Turin. white background.<br />
<br />
Wooden tomb models were an Egyptian funerary custom throughout the Middle Kingdom in which wooden figurines and sets were constructed to be placed in the tombs of Egyptian royalty.
  • Ancient Egyptian model of a boat with mast, Middle Kingdom (1980-1700 BC. Egyptian Museum, Turin. Grey Background.<br />
<br />
Wooden tomb models were an Egyptian funerary custom throughout the Middle Kingdom in which wooden figurines and sets were constructed to be placed in the tombs of Egyptian royalty.
  • Ancient Egyptian model of a boat with mast, Middle Kingdom (1980-1700 BC. Egyptian Museum, Turin. Grey Background.<br />
<br />
Wooden tomb models were an Egyptian funerary custom throughout the Middle Kingdom in which wooden figurines and sets were constructed to be placed in the tombs of Egyptian royalty.
  • Ancient Egyptian model of a boat with mast, Middle Kingdom (1980-1700 BC. Egyptian Museum, Turin. Grey Background.<br />
<br />
Wooden tomb models were an Egyptian funerary custom throughout the Middle Kingdom in which wooden figurines and sets were constructed to be placed in the tombs of Egyptian royalty.
  • Ancient Egyptian wooden model of bread making, Middle Kingdom, (1939-1875 BC),  Egyptian Museum, Turin. white background. <br />
<br />
Wooden tomb models were an Egyptian funerary custom throughout the Middle Kingdom in which wooden figurines and sets were constructed to be placed in the tombs of Egyptian royalty. These wooden models represented the work of servants, farmers, other skilled craftsman, armies, and religious rituals
  • Ancient Egyptian wooden model of bread making, Middle Kingdom, (1939-1875 BC),  Egyptian Museum, Turin.   black background. <br />
<br />
Wooden tomb models were an Egyptian funerary custom throughout the Middle Kingdom in which wooden figurines and sets were constructed to be placed in the tombs of Egyptian royalty. These wooden models represented the work of servants, farmers, other skilled craftsman, armies, and religious rituals
  • Ancient Egyptian wooden model of bread making, Middle Kingdom, (1939-1875 BC),  Egyptian Museum, Turin. <br />
<br />
Wooden tomb models were an Egyptian funerary custom throughout the Middle Kingdom in which wooden figurines and sets were constructed to be placed in the tombs of Egyptian royalty. These wooden models represented the work of servants, farmers, other skilled craftsman, armies, and religious rituals
  • Ancient Egyptian wooden falcon bird, Late Period (722-322 BC). Egyptian Museum, Turin. Grey background. <br />
<br />
Wooden tomb models were an Egyptian funerary custom from the Middle Kingdom in which wooden figurines and sets were constructed to be placed in the tombs of Egyptian royalty. These wooden models represented the work of servants, farmers, other skilled craftsman, armies, and religious rituals
  • Ancient Egyptian wooden model of a man cooking a duck, New Kingdom, 11-13th Dynasty, (1980-1700 BC), Asyut. Egyptian Museum, Turin. Cat 8944. white background. <br />
<br />
Wooden tomb models were an Egyptian funerary custom throughout the Middle Kingdom in which wooden figurines and sets were constructed to be placed in the tombs of Egyptian royalty. These wooden models represented the work of servants, farmers, other skilled craftsman, armies, and religious rituals
  • Ancient Egyptian wooden model boat from tomb of Shemes,  Middle Kingdom (1980-1700 BC), Asyut. Egyptian Museum, Turin.  Grey background.<br />
<br />
In 1908 in Asyut, Egypt an intact tomb was discovered of an official named Shemes, it contained many rich grave goods. Two rectangular Coffins, one for Shemes and the other for a woman called Rehuerausen, possibly his wife. They carry typical Middle Kingdom decorations,
  • Ancient Egyptian wooden model boat from tomb of Shemes,  Middle Kingdom (1980-1700 BC), Asyut. Egyptian Museum, Turin.  Grey background.<br />
<br />
In 1908 in Asyut, Egypt an intact tomb was discovered of an official named Shemes, it contained many rich grave goods. Two rectangular Coffins, one for Shemes and the other for a woman called Rehuerausen, possibly his wife. They carry typical Middle Kingdom decorations,
  • Ancient Egyptian wooden statue of Shemes,  Middle Kingdom (1980-1700 BC), tomb of Shimes, Asyut. Egyptian Museum, Turin.  white background<br />
<br />
In 1908 in Asyut, Egypt an intact tomb was discovered of an official named Shemes, it contained many rich grave goods. Two rectangular Coffins, one for Shemes and the other for a woman called Rehuerausen, possibly his wife. They carry typical Middle Kingdom decorations,
  • Ancient Egyptian wooden statue of Shemes,  Middle Kingdom (1980-1700 BC), tomb of Shimes, Asyut. Egyptian Museum, Turin.  Grey background.<br />
<br />
In 1908 in Asyut, Egypt an intact tomb was discovered of an official named Shemes, it contained many rich grave goods. Two rectangular Coffins, one for Shemes and the other for a woman called Rehuerausen, possibly his wife. They carry typical Middle Kingdom decorations,
  • Ancient Egyptian False Door stele of Princess Wehemnefret, limestone, Old Kingdom, 4th Dynasty (2543-2435 BC), Giza, Western Cemetery, mastaba of Wehemnefret. Egyptian Museum, Turin.  Schiaparelli Cat 1840. white background<br />
<br />
In the centre at the yop the deceased woman is depicted sitiing infront of a tabel laden with bread slices. The slices are depicted vertically as was the stylistic convention of the period. Imediately below the panel , on the left side of the lintel of the false door, is the name of the deceased and her titles stressing that she is a member of the Royal family "the daughter of the king".  In the 4 upper panels high ranking officials and courtiers are depicted. The nude child with his finger in his mouth on the right inner jamb is identified by its inscription as Irenptah, the deceased grandson. In other panels are ndividuals carrying offerings and priests.
  • Ancient Egyptian model of a funerary boat with oarsman and a sarcopagus under a canope, Middle Kingdom (1980-1700 BC. Egyptian Museum, Turin. Cat 1209. Grey Background.<br />
<br />
Funerary boats were probably believed to carry the deceased sould to the afterlife. Wooden tomb models were an Egyptian funerary custom throughout the Middle Kingdom in which wooden figurines and sets were constructed to be placed in the tombs of Egyptian royalty.
  • Ancient Egyptian model of a boat with mast, Middle Kingdom (1980-1700 BC. Egyptian Museum, Turin. black background.<br />
<br />
Wooden tomb models were an Egyptian funerary custom throughout the Middle Kingdom in which wooden figurines and sets were constructed to be placed in the tombs of Egyptian royalty.
  • Ancient Egyptian wooden model of bread making, Middle Kingdom, 12th Dynasty, (1939-1875 BC), Asyut., Tomb of Minhotep Egyptian Museum, Turin. Cat 8789.  black background. <br />
<br />
Wooden tomb models were an Egyptian funerary custom throughout the Middle Kingdom in which wooden figurines and sets were constructed to be placed in the tombs of Egyptian royalty. These wooden models represented the work of servants, farmers, other skilled craftsman, armies, and religious rituals
  • Ancient Egyptian wooden model of bread making, Middle Kingdom, 12th Dynasty, (1939-1875 BC), Asyut., Tomb of Minhotep Egyptian Museum, Turin. Cat 8789. Grey background. <br />
<br />
Wooden tomb models were an Egyptian funerary custom throughout the Middle Kingdom in which wooden figurines and sets were constructed to be placed in the tombs of Egyptian royalty. These wooden models represented the work of servants, farmers, other skilled craftsman, armies, and religious rituals
  • Ancient Egyptian wooden model of bread making, Middle Kingdom, (1939-1875 BC),  Egyptian Museum, Turin.  Grey background. <br />
<br />
Wooden tomb models were an Egyptian funerary custom throughout the Middle Kingdom in which wooden figurines and sets were constructed to be placed in the tombs of Egyptian royalty. These wooden models represented the work of servants, farmers, other skilled craftsman, armies, and religious rituals
  • Ancient Egyptian wooden model of bread making, Middle Kingdom, (1939-1875 BC),  Egyptian Museum, Turin.  Grey background. <br />
<br />
Wooden tomb models were an Egyptian funerary custom throughout the Middle Kingdom in which wooden figurines and sets were constructed to be placed in the tombs of Egyptian royalty. These wooden models represented the work of servants, farmers, other skilled craftsman, armies, and religious rituals
  • Ancient Egyptian wooden statue of osiris weeping, Late Period (664-332 BC). Egyptian Museum, Turin. Drovetti Cat 203.  white background.
  • Ancient Egyptian wooden statue of osiris weeping, Late Period (664-332 BC). Egyptian Museum, Turin. Drovetti Cat 203.  Grey background.
  • Ancient Egyptian wooden statue of Ptah Sokar Osiris, Ptolemaic Period(332-30 BC), Asyut. Egyptian Museum, Turin. Cat 9481. Grey background.
  • Ancient Egyptian wooden falcon bird, Late Period (722-322 BC), Egyptian Museum, Turin. Cat 986. white background <br />
<br />
Wooden tomb models were an Egyptian funerary custom from the Middle Kingdom in which wooden figurines and sets were constructed to be placed in the tombs of Egyptian royalty. These wooden models represented the work of servants, farmers, other skilled craftsman, armies, and religious rituals
  • Ancient Egyptian wooden falcon bird, Late Period (722-322 BC), Egyptian Museum, Turin. Cat 986. Grey background. <br />
<br />
Wooden tomb models were an Egyptian funerary custom from the Middle Kingdom in which wooden figurines and sets were constructed to be placed in the tombs of Egyptian royalty. These wooden models represented the work of servants, farmers, other skilled craftsman, armies, and religious rituals
  • Ancient Egyptian wooden falcon bird, Late Period (722-322 BC), Egyptian Museum, Turin. Cat 986. Grey background. <br />
<br />
Wooden tomb models were an Egyptian funerary custom from the Middle Kingdom in which wooden figurines and sets were constructed to be placed in the tombs of Egyptian royalty. These wooden models represented the work of servants, farmers, other skilled craftsman, armies, and religious rituals
  • Ancient Egyptian wooden falcon bird, Late Period (722-322 BC). Egyptian Museum, Turin. white background. <br />
<br />
Wooden tomb models were an Egyptian funerary custom from the Middle Kingdom in which wooden figurines and sets were constructed to be placed in the tombs of Egyptian royalty. These wooden models represented the work of servants, farmers, other skilled craftsman, armies, and religious rituals
  • Ancient Egyptian wooden falcon bird, Late Period (722-322 BC). Egyptian Museum, Turin. black background. <br />
<br />
Wooden tomb models were an Egyptian funerary custom from the Middle Kingdom in which wooden figurines and sets were constructed to be placed in the tombs of Egyptian royalty. These wooden models represented the work of servants, farmers, other skilled craftsman, armies, and religious rituals
  • Ancient Egyptian wooden falcon bird, Late Period (722-322 BC). Egyptian Museum, Turin. <br />
<br />
Wooden tomb models were an Egyptian funerary custom from the Middle Kingdom in which wooden figurines and sets were constructed to be placed in the tombs of Egyptian royalty. These wooden models represented the work of servants, farmers, other skilled craftsman, armies, and religious rituals
  • Ancient Egyptian wooden model of a man cooking a duck, New Kingdom, 11-13th Dynasty, (1980-1700 BC), Asyut. Egyptian Museum, Turin. Cat 8944. black background. <br />
<br />
Wooden tomb models were an Egyptian funerary custom throughout the Middle Kingdom in which wooden figurines and sets were constructed to be placed in the tombs of Egyptian royalty. These wooden models represented the work of servants, farmers, other skilled craftsman, armies, and religious rituals
  • Ancient Egyptian wooden model of a man cooking a duck, New Kingdom, 11-13th Dynasty, (1980-1700 BC), Asyut. Egyptian Museum, Turin. Cat 8944. Grey background. <br />
<br />
Wooden tomb models were an Egyptian funerary custom throughout the Middle Kingdom in which wooden figurines and sets were constructed to be placed in the tombs of Egyptian royalty. These wooden models represented the work of servants, farmers, other skilled craftsman, armies, and religious rituals
  • Ancient Egyptian wooden statue of Wepwawetemhat, Middle Kingdom, 12th Dynasty, (1939-1875 BC), Asyut, Tomb of Minhotep. Egyptian Museum, Turin. Cat 8786. Grey background.
  • Ancient Egyptian wooden model boat from tomb of Shemes,  Middle Kingdom (1980-1700 BC), Asyut. Egyptian Museum, Turin. black background<br />
<br />
In 1908 in Asyut, Egypt an intact tomb was discovered of an official named Shemes, it contained many rich grave goods. Two rectangular Coffins, one for Shemes and the other for a woman called Rehuerausen, possibly his wife. They carry typical Middle Kingdom decorations,
  • Ancient Egyptian wooden model boat from tomb of Shemes,  Middle Kingdom (1980-1700 BC), Asyut. Egyptian Museum, Turin.  white background<br />
<br />
In 1908 in Asyut, Egypt an intact tomb was discovered of an official named Shemes, it contained many rich grave goods. Two rectangular Coffins, one for Shemes and the other for a woman called Rehuerausen, possibly his wife. They carry typical Middle Kingdom decorations,
  • Ancient Egyptian wooden model boat from tomb of Shemes,  Middle Kingdom (1980-1700 BC), Asyut. Egyptian Museum, Turin.  <br />
<br />
In 1908 in Asyut, Egypt an intact tomb was discovered of an official named Shemes, it contained many rich grave goods. Two rectangular Coffins, one for Shemes and the other for a woman called Rehuerausen, possibly his wife. They carry typical Middle Kingdom decorations,
  • Ancient Egyptian wooden statue of Shemes,  Middle Kingdom (1980-1700 BC), tomb of Shimes, Asyut. Egyptian Museum, Turin. black background<br />
<br />
In 1908 in Asyut, Egypt an intact tomb was discovered of an official named Shemes, it contained many rich grave goods. Two rectangular Coffins, one for Shemes and the other for a woman called Rehuerausen, possibly his wife. They carry typical Middle Kingdom decorations,
  • Ancient Egyptian wooden statue of Shemes,  Middle Kingdom (1980-1700 BC), tomb of Shimes, Asyut. Egyptian Museum, Turin.  Grey background.<br />
<br />
In 1908 in Asyut, Egypt an intact tomb was discovered of an official named Shemes, it contained many rich grave goods. Two rectangular Coffins, one for Shemes and the other for a woman called Rehuerausen, possibly his wife. They carry typical Middle Kingdom decorations,
  • Ancient Egyptian False Door stele of Princess Wehemnefret, limestone, Old Kingdom, 4th Dynasty (2543-2435 BC), Giza, Western Cemetery, mastaba of Wehemnefret. Egyptian Museum, Turin.  Schiaparelli Cat 1840. <br />
<br />
In the centre at the yop the deceased woman is depicted sitiing infront of a tabel laden with bread slices. The slices are depicted vertically as was the stylistic convention of the period. Imediately below the panel , on the left side of the lintel of the false door, is the name of the deceased and her titles stressing that she is a member of the Royal family "the daughter of the king".  In the 4 upper panels high ranking officials and courtiers are depicted. The nude child with his finger in his mouth on the right inner jamb is identified by its inscription as Irenptah, the deceased grandson. In other panels are ndividuals carrying offerings and priests.
  • Ancient Egyptian False Door stele of Princess Wehemnefret, limestone, Old Kingdom, 4th Dynasty (2543-2435 BC), Giza, Western Cemetery, mastaba of Wehemnefret. Egyptian Museum, Turin.  Schiaparelli Cat 1840. Grey background<br />
<br />
In the centre at the yop the deceased woman is depicted sitiing infront of a tabel laden with bread slices. The slices are depicted vertically as was the stylistic convention of the period. Imediately below the panel , on the left side of the lintel of the false door, is the name of the deceased and her titles stressing that she is a member of the Royal family "the daughter of the king".  In the 4 upper panels high ranking officials and courtiers are depicted. The nude child with his finger in his mouth on the right inner jamb is identified by its inscription as Irenptah, the deceased grandson. In other panels are ndividuals carrying offerings and priests.
  • Ancient Egyptian wooden model of bread making, Middle Kingdom, 12th Dynasty, (1939-1875 BC), Asyut., Tomb of Minhotep Egyptian Museum, Turin. Cat 8789. Grey background. <br />
<br />
Wooden tomb models were an Egyptian funerary custom throughout the Middle Kingdom in which wooden figurines and sets were constructed to be placed in the tombs of Egyptian royalty. These wooden models represented the work of servants, farmers, other skilled craftsman, armies, and religious rituals
  • Ancient Egyptian wooden model of bread making, Middle Kingdom, (1939-1875 BC),  Egyptian Museum, Turin.  Grey background. <br />
<br />
Wooden tomb models were an Egyptian funerary custom throughout the Middle Kingdom in which wooden figurines and sets were constructed to be placed in the tombs of Egyptian royalty. These wooden models represented the work of servants, farmers, other skilled craftsman, armies, and religious rituals
  • Ancient Egyptian wooden statue of osiris weeping, Late Period (664-332 BC). Egyptian Museum, Turin. Drovetti Cat 203.  Grey background.
  • Ancient Egyptian wooden statue of osiris weeping, Late Period (664-332 BC). Egyptian Museum, Turin. Drovetti Cat 203.
  • Ancient Egyptian wooden statue of osiris weeping, Late Period (664-332 BC). Egyptian Museum, Turin. Drovetti Cat 203.  Grey background.
  • Ancient Egyptian wooden statue of Ptah Sokar Osiris, Ptolemaic Period(332-30 BC), Asyut. Egyptian Museum, Turin. Cat 9481. Grey background.
  • Ancient Egyptian wooden falcon bird, Late Period (722-322 BC), Egyptian Museum, Turin. Cat 986. black background <br />
<br />
Wooden tomb models were an Egyptian funerary custom from the Middle Kingdom in which wooden figurines and sets were constructed to be placed in the tombs of Egyptian royalty. These wooden models represented the work of servants, farmers, other skilled craftsman, armies, and religious rituals
  • Ancient Egyptian wooden falcon bird, Late Period (722-322 BC). Egyptian Museum, Turin. Grey background. <br />
<br />
Wooden tomb models were an Egyptian funerary custom from the Middle Kingdom in which wooden figurines and sets were constructed to be placed in the tombs of Egyptian royalty. These wooden models represented the work of servants, farmers, other skilled craftsman, armies, and religious rituals
  • Ancient Egyptian wooden model of a man cooking a duck, Middle Kingdom, 11-13th Dynasty, (1980-1700 BC), Asyut. Egyptian Museum, Turin. Cat 8944. Grey background. <br />
<br />
Wooden tomb models were an Egyptian funerary custom throughout the Middle Kingdom in which wooden figurines and sets were constructed to be placed in the tombs of Egyptian royalty. These wooden models represented the work of servants, farmers, other skilled craftsman, armies, and religious rituals
  • Ancient Egyptian wooden statue of Wepwawetemhat, Middle Kingdom, 12th Dynasty, (1939-1875 BC), Asyut, Tomb of Minhotep. Egyptian Museum, Turin. Cat 8786. black background
  • Ancient Egyptian wooden statue of Wepwawetemhat, Middle Kingdom, 12th Dynasty, (1939-1875 BC), Asyut, Tomb of Minhotep. Egyptian Museum, Turin. Cat 8786. white background.
  • Ancient Egyptian wooden statue of Wepwawetemhat, Middle Kingdom, 12th Dynasty, (1939-1875 BC), Asyut, Tomb of Minhotep. Egyptian Museum, Turin. Cat 8786.
  • Ancient Egyptian wooden statue of Ptah Sokar Osiris, Ptolemaic Period(332-30 BC), Asyut. Egyptian Museum, Turin. Cat 9481. Grey background.
  • Ancient Egyptian wooden statue of Ptah Sokar Osiris, Ptolemaic Period(332-30 BC), Asyut. Egyptian Museum, Turin. Cat 9481. Grey background.
  • Ancient Egyptian wooden model of a man cooking a duck, New Kingdom, 11-13th Dynasty, (1980-1700 BC), Asyut. Egyptian Museum, Turin. Cat 8944. <br />
<br />
Wooden tomb models were an Egyptian funerary custom throughout the Middle Kingdom in which wooden figurines and sets were constructed to be placed in the tombs of Egyptian royalty. These wooden models represented the work of servants, farmers, other skilled craftsman, armies, and religious rituals
  • Ancient Egyptian wooden statue of Wepwawetemhat, Middle Kingdom, 12th Dynasty, (1939-1875 BC), Asyut, Tomb of Minhotep. Egyptian Museum, Turin. Cat 8786. Grey background.
  • Ancient Egyptian wooden statue of Shemes,  Middle Kingdom (1980-1700 BC), tomb of Shimes, Asyut. Egyptian Museum, Turin.  <br />
<br />
In 1908 in Asyut, Egypt an intact tomb was discovered of an official named Shemes, it contained many rich grave goods. Two rectangular Coffins, one for Shemes and the other for a woman called Rehuerausen, possibly his wife. They carry typical Middle Kingdom decorations,
  • Ancient Egyptian wooden statue of Ptah Sokar Osiris, Ptolemaic Period(332-30 BC), Asyut. Egyptian Museum, Turin. Cat 9481. Grey background.
  • Ancient Egyptian house altar relief sculpture of Akhenaten, Nefrertiti and their three daughters. 18th Dynasty 1345 BC . Neues Museum Berlin AM 14145.
  • Quartz ancient Egyptian relief sculpture of Queen Tiy from the funerary temple of Amenohis III, West Thebes. 18th Dynasty Ancient Egypt, 1375 BC . Neues Museum Berlin Cat No: AM 23270.
  • Quartz ancient Egyptian relief sculpture of Queen Tiy from the funerary temple of Amenohis III, West Thebes. 18th Dynasty Ancient Egypt, 1375 BC . Neues Museum Berlin Cat No: AM 23270.
  • Ancient Egyptian relief study of a foot. 18th Dynasty 1345 BC . Neues Museum Berlin AM 20672.
  • Ancient Egyptian house altar relief sculpture of Akhenaten, Nefrertiti and their three daughters. 18th Dynasty 1345 BC . Neues Museum Berlin AM 14145.
  • Quartz ancient Egyptian relief sculpture of Queen Tiy from the funerary temple of Amenohis III, West Thebes. 18th Dynasty Ancient Egypt, 1375 BC . Neues Museum Berlin Cat No: AM 23270.
  • Ancient Egyptian relief study of a foot. 18th Dynasty 1345 BC . Neues Museum Berlin AM 20672.
  • Ancient Egyptian tomb relief sculpture of King Amenhotep III from the grave of Chaemhat, Thebes West. 18th Dynasty 1360 BC. Neues Museum Berlin AM 14503.
  • Ancient Egyptian tomb relief sculpture depicting the scribe and judge Ankhirptah. Middle Kingdom Egypt, 2170 BC. Neues Museum Berlin Cat No: AM 7337.
  • Ancient Egyptian relief portrait fragment of King Akhenaten from Amarna. 18th Dynasty 1345 BC . Neues Museum Berlin 1985.328.3: Gift from New York Metropolitan Museum, Norbert Schimmel.
  • Ancient Egyptian relief portrait fragment of King Akhenaten from Amarna. 18th Dynasty 1345 BC . Neues Museum Berlin 1985.328.3: Gift from New York Metropolitan Museum, Norbert Schimmel.
  • Ancient Egyptian relief portrait fragment of King Akhenaten from Amarna. 18th Dynasty 1345 BC . Neues Museum Berlin 1985.328.3: Gift from New York Metropolitan Museum, Norbert Schimmel.
  • Ancient Egyptian relief portrait fragment of King Akhenaten from Amarna. 18th Dynasty 1345 BC . Neues Museum Berlin 1985.328.3: Gift from New York Metropolitan Museum, Norbert Schimmel.
  • Ancient Egyptian house altar relief sculpture of Akhenaten, Nefrertiti and their three daughters. 18th Dynasty 1345 BC . Neues Museum Berlin AM 14145.
  • Ancient Egyptian house altar relief sculpture of Akhenaten, Nefrertiti and their three daughters. 18th Dynasty 1345 BC . Neues Museum Berlin AM 14145.
  • Ancient Egyptian house altar relief sculpture of Akhenaten, Nefrertiti and their three daughters. 18th Dynasty 1345 BC . Neues Museum Berlin AM 14145.
  • Ancient Egyptian house altar relief sculpture of Akhenaten, Nefrertiti and their three daughters. 18th Dynasty 1345 BC . Neues Museum Berlin AM 14145.
  • Quartz ancient Egyptian relief sculpture of Queen Tiy from the funerary temple of Amenohis III, West Thebes. 18th Dynasty Ancient Egypt, 1375 BC . Neues Museum Berlin Cat No: AM 23270.
  • Quartz ancient Egyptian relief sculpture of Queen Tiy from the funerary temple of Amenohis III, West Thebes. 18th Dynasty Ancient Egypt, 1375 BC . Neues Museum Berlin Cat No: AM 23270.
  • Ancient Egyptian relief study of a foot. 18th Dynasty 1345 BC . Neues Museum Berlin AM 20672.
  • Ancient Egyptian relief study of a foot. 18th Dynasty 1345 BC . Neues Museum Berlin AM 20672.
  • Ancient Egyptian tomb relief sculpture of King Amenhotep III from the grave of Chaemhat, Thebes West. 18th Dynasty 1360 BC. Neues Museum Berlin AM 14503.
  • Ancient Egyptian tomb relief sculpture of King Amenhotep III from the grave of Chaemhat, Thebes West. 18th Dynasty 1360 BC. Neues Museum Berlin AM 14503.
  • Ancient Egyptian tomb relief sculpture of King Amenhotep III from the grave of Chaemhat, Thebes West. 18th Dynasty 1360 BC. Neues Museum Berlin AM 14503.
  • Ancient Egyptian relief portrait of King Akhenaten from Amarna. 18th Dynasty 1340 BC . Neues Museum Berlin Cat No: AM 14512.
  • Ancient Egyptian relief portrait of King Akhenaten from Amarna. 18th Dynasty 1340 BC . Neues Museum Berlin Cat No: AM 14512.
  • Ancient Egyptian relief portrait of King Akhenaten from Amarna. 18th Dynasty 1340 BC . Neues Museum Berlin Cat No: AM 14512.
  • Ancient Egyptian relief portrait of King Akhenaten from Amarna. 18th Dynasty 1340 BC . Neues Museum Berlin Cat No: AM 21683.
  • Ancient Egyptian relief portrait of King Akhenaten from Amarna. 18th Dynasty 1340 BC . Neues Museum Berlin Cat No: AM 21683.
  • Ancient Egyptian tomb relief sculpture depicting the scribe and judge Ankhirptah. Middle Kingdom Egypt, 2170 BC. Neues Museum Berlin Cat No: AM 7337.
  • Ancient Egyptian tomb relief sculpture depicting the scribe and judge Ankhirptah. Middle Kingdom Egypt, 2170 BC. Neues Museum Berlin Cat No: AM 7337.
  • Ancient Egyptian tomb relief sculpture depicting the scribe and judge Ankhirptah. Middle Kingdom Egypt, 2170 BC. Neues Museum Berlin Cat No: AM 7337.
  • Ancient Egyptian tomb relief sculpture depicting the scribe and judge Ankhirptah. Middle Kingdom Egypt, 2170 BC. Neues Museum Berlin Cat No: AM 7337.
  • Quartz ancient Egyptian relief sculpture of Queen Tiy from the funerary temple of Amenohis III, West Thebes. 18th Dynasty Ancient Egypt, 1375 BC . Neues Museum Berlin Cat No: AM 23270.
  • Ancient Egyptian relief study of a foot. 18th Dynasty 1345 BC . Neues Museum Berlin AM 20672.
  • Ancient Egyptian tomb relief sculpture of King Amenhotep III from the grave of Chaemhat, Thebes West. 18th Dynasty 1360 BC. Neues Museum Berlin AM 14503.
  • Ancient Egyptian relief portrait of King Akhenaten from Amarna. 18th Dynasty 1340 BC . Neues Museum Berlin Cat No: AM 14512.
  • Ancient Egyptian relief portrait of King Akhenaten from Amarna. 18th Dynasty 1340 BC . Neues Museum Berlin Cat No: AM 21683.
  • Ancient Egyptian relief portrait of King Akhenaten from Amarna. 18th Dynasty 1340 BC . Neues Museum Berlin Cat No: AM 21683.
  • Ancient Egyptian relief portrait of King Akhenaten from Amarna. 18th Dynasty 1340 BC . Neues Museum Berlin Cat No: AM 21683.
  • Ancient Egyptian relief portrait fragment of King Akhenaten from Amarna. 18th Dynasty 1345 BC . Neues Museum Berlin 1985.328.3: Gift from New York Metropolitan Museum, Norbert Schimmel.
  • Ancient Egyptian relief portrait of King Akhenaten from Amarna. 18th Dynasty 1340 BC . Neues Museum Berlin Cat No: AM 14512.
  • Ancient Egyptian Sphinx statue, sandstone, New Kingdom, early 19th Dynasty (1292-1250), Karnak, Temple of Amon. Egyptian Museum, Turin. white background<br />
<br />
This sphinx statue show signs of remodelling. the accentuated curves of the eyebrows, the almond shaped eyes and the wide mouth with fleshy lips are still influenced by the late 18th Dynasty style. The long aquiline nose however is typical of Ramesside. The lappets of the nemes headdress and the beard show clear traces of unfinished re-carving. Drovetti Collection. C1409
  • Ancient Egyptian Sphinx statue, sandstone, New Kingdom, early 19th Dynasty (1292-1250), Karnak, Temple of Amon. Egyptian Museum, Turin. black background<br />
<br />
This sphinx statue show signs of remodelling. the accentuated curves of the eyebrows, the almond shaped eyes and the wide mouth with fleshy lips are still influenced by the late 18th Dynasty style. The long aquiline nose however is typical of Ramesside. The lappets of the nemes headdress and the beard show clear traces of unfinished re-carving. Drovetti Collection. C1409
  • Ancient Egyptian Sphinx statue, sandstone, New Kingdom, early 19th Dynasty (1292-1250), Karnak, Temple of Amon. Egyptian Museum, Turin. <br />
<br />
This sphinx statue show signs of remodelling. the accentuated curves of the eyebrows, the almond shaped eyes and the wide mouth with fleshy lips are still influenced by the late 18th Dynasty style. The long aquiline nose however is typical of Ramesside. The lappets of the nemes headdress and the beard show clear traces of unfinished re-carving. Drovetti Collection. C1409
  • Ancient Egyptian Sphinx statue, sandstone, New Kingdom, early 19th Dynasty (1292-1250), Karnak, Temple of Amon. Egyptian Museum, Turin. Grey background<br />
<br />
This sphinx statue show signs of remodelling. the accentuated curves of the eyebrows, the almond shaped eyes and the wide mouth with fleshy lips are still influenced by the late 18th Dynasty style. The long aquiline nose however is typical of Ramesside. The lappets of the nemes headdress and the beard show clear traces of unfinished re-carving. Drovetti Collection. C1409
  • Ancient Egyptian Sphinx statue, sandstone, New Kingdom, early 19th Dynasty (1292-1250), Karnak, Temple of Amon. Egyptian Museum, Turin. Grey background<br />
<br />
This sphinx statue show signs of remodelling. the accentuated curves of the eyebrows, the almond shaped eyes and the wide mouth with fleshy lips are still influenced by the late 18th Dynasty style. The long aquiline nose however is typical of Ramesside. The lappets of the nemes headdress and the beard show clear traces of unfinished re-carving. Drovetti Collection. C1409
  • Ancient Egyptian statue of Penmernabu, offering a naos with a rams head on top, limestone, New Kingdom, 19th Dynasty, (1292-1190 BC, Deir el-Medina. Egyptian Museum, Turin.<br />
<br />
Penmernabu is depicted presenting a rams head ontop of a shrine. The ram is sacred to the god Amon-Re. An image of the god is also carved on the statues's right shoulder, while an image of the goddess Ahmes-Nefretari is carved on his left shoulder. . Drovetti collection. Cat 3032.
  • Ancient Egyptian statue of Penmernabu, offering a naos with a rams head on top, limestone, New Kingdom, 19th Dynasty, (1292-1190 BC, Deir el-Medina. Egyptian Museum, Turin. black background.<br />
<br />
Penmernabu is depicted presenting a rams head ontop of a shrine. The ram is sacred to the god Amon-Re. An image of the god is also carved on the statues's right shoulder, while an image of the goddess Ahmes-Nefretari is carved on his left shoulder. . Drovetti collection. Cat 3032.
  • Ancient Egyptian statue of Penmernabu, offering a naos with a rams head on top, limestone, New Kingdom, 19th Dynasty, (1292-1190 BC, Deir el-Medina. Egyptian Museum, Turin. Grey background.<br />
<br />
Penmernabu is depicted presenting a rams head ontop of a shrine. The ram is sacred to the god Amon-Re. An image of the god is also carved on the statues's right shoulder, while an image of the goddess Ahmes-Nefretari is carved on his left shoulder. . Drovetti collection. Cat 3032.
  • Ancient Egyptian statue of Penmernabu, offering a naos with a rams head on top, limestone, New Kingdom, 19th Dynasty, (1292-1190 BC, Deir el-Medina. Egyptian Museum, Turin. Grey background.<br />
<br />
Penmernabu is depicted presenting a rams head ontop of a shrine. The ram is sacred to the god Amon-Re. An image of the god is also carved on the statues's right shoulder, while an image of the goddess Ahmes-Nefretari is carved on his left shoulder. . Drovetti collection. Cat 3032.
  • Ancient Egyptian statue of Penmernabu, offering a naos with a rams head on top, limestone, New Kingdom, 19th Dynasty, (1292-1190 BC, Deir el-Medina. Egyptian Museum, Turin. white background<br />
<br />
Penmernabu is depicted presenting a rams head ontop of a shrine. The ram is sacred to the god Amon-Re. An image of the god is also carved on the statues's right shoulder, while an image of the goddess Ahmes-Nefretari is carved on his left shoulder. . Drovetti collection. Cat 3032.
  • Ancient Egyptian stele odedicated to Amon Re the "good Ram" by foreman Baki, limestone, New Kingdom, 19th Dynasty, (1290-1213 BC), Deir el-Medina, Drovetti cat 1549. Egyptian Museum, Turin. black background. Reign of Ramesses II.<br />
<br />
This round-topped stele is carved in low relief and painted <br />
in several colours. The pictorial plane is divided into two <br />
registers, the upper one containing two rams facing each <br />
other. The animals, with cobras rising on their foreheads, <br />
wear tall headdresses composed of two tall plumes with a <br />
solar disk at the centre. Between them is a small offering <br />
table with lotus flowers. The mirror image hieroglyphic <br />
inscription refers to the rams and reveals their divine <br />
nature as that of Amun-Ra. In the register below, <br />
foreman Baki is shown in the pose of adoration.
  • Ancient Egyptian stele odedicated to Amon Re the "good Ram" by foreman Baki, limestone, New Kingdom, 19th Dynasty, (1290-1213 BC), Deir el-Medina, Drovetti cat 1549. Egyptian Museum, Turin. Grey background. Reign of Ramesses II.<br />
<br />
This round-topped stele is carved in low relief and painted <br />
in several colours. The pictorial plane is divided into two <br />
registers, the upper one containing two rams facing each <br />
other. The animals, with cobras rising on their foreheads, <br />
wear tall headdresses composed of two tall plumes with a <br />
solar disk at the centre. Between them is a small offering <br />
table with lotus flowers. The mirror image hieroglyphic <br />
inscription refers to the rams and reveals their divine <br />
nature as that of Amun-Ra. In the register below, <br />
foreman Baki is shown in the pose of adoration.
  • Ancient Egyptian stele of ssuperintendant of chancellor Meru, limestone, Middle Kingdom, 11th Dynasty, (2009-1959 BC), Abydos or Thebes, Egyptian Museum, Turin.  Grey background. Drovetti cat 1447.<br />
<br />
The upper section of the stele is dedicated to Meru's father, the central part contains a funerary invocation to Osiris. Lower register depict offerings to the dignitary and his mother, The figures are in bas-relief whereas the main text is carved in sunken relief which is less labour intensive. The Stele may have come from Meru's tomb in Thebes.
  • Ancient Egyptian stele of ssuperintendant of chancellor Meru, limestone, Middle Kingdom, 11th Dynasty, (2009-1959 BC), Abydos or Thebes, Egyptian Museum, Turin.  Grey background. Drovetti cat 1447.<br />
<br />
The upper section of the stele is dedicated to Meru's father, the central part contains a funerary invocation to Osiris. Lower register depict offerings to the dignitary and his mother, The figures are in bas-relief whereas the main text is carved in sunken relief which is less labour intensive. The Stele may have come from Meru's tomb in Thebes.
  • Ancient Egyptian stele of ssuperintendant of chancellor Meru, limestone, Middle Kingdom, 11th Dynasty, (2009-1959 BC), Abydos or Thebes, Egyptian Museum, Turin.  Grey background. Drovetti cat 1447.<br />
<br />
The upper section of the stele is dedicated to Meru's father, the central part contains a funerary invocation to Osiris. Lower register depict offerings to the dignitary and his mother, The figures are in bas-relief whereas the main text is carved in sunken relief which is less labour intensive. The Stele may have come from Meru's tomb in Thebes.
  • Ancient Egyptian stele of ssuperintendant of chancellor Meru, limestone, Middle Kingdom, 11th Dynasty, (2009-1959 BC), Abydos or Thebes, Egyptian Museum, Turin.  Grey background. Drovetti cat 1447.<br />
<br />
The upper section of the stele is dedicated to Meru's father, the central part contains a funerary invocation to Osiris. Lower register depict offerings to the dignitary and his mother, The figures are in bas-relief whereas the main text is carved in sunken relief which is less labour intensive. The Stele may have come from Meru's tomb in Thebes.
  • Ancient Egyptian stele of ssuperintendant of chancellor Meru, limestone, Middle Kingdom, 11th Dynasty, (2009-1959 BC), Abydos or Thebes, Egyptian Museum, Turin.  Grey background. Drovetti cat 1447.<br />
<br />
The upper section of the stele is dedicated to Meru's father, the central part contains a funerary invocation to Osiris. Lower register depict offerings to the dignitary and his mother, The figures are in bas-relief whereas the main text is carved in sunken relief which is less labour intensive. The Stele may have come from Meru's tomb in Thebes.
  • Ancient Egyptian architectonic element of the temple of Aten, Karnak, limestone, New Kingdom 18th Dynasty (1353-1336 BC). Egyptian Museum, Turin. black background<br />
<br />
This crystaline block from the riugn of Amenhoptep IV was part of the railing of the temple of Aten in Karnak. It is os a double form cartouche, which usually enclose the name of the king. Here insted, it contains the names of the sun disk Aten, the one god of King Akhenaten : "Ra-Harakhty rising in the Horizon" "in the name as the light which is in Aten". The name of the king is carved on the sides. The objects is therefore a links god with the pharoah. Drovetti collection Cat 1378
  • Ancient Egyptian architectonic element of the temple of Aten, Karnak, limestone, New Kingdom 18th Dynasty (1353-1336 BC). Egyptian Museum, Turin. <br />
This crystaline block from the riugn of Amenhoptep IV was part of the railing of the temple of Aten in Karnak. It is os a double form cartouche, which usually enclose the name of the king. Here insted, it contains the names of the sun disk Aten, the one god of King Akhenaten : "Ra-Harakhty rising in the Horizon" "in the name as the light which is in Aten". The name of the king is carved on the sides. The objects is therefore a links god with the pharoah. Drovetti collection Cat 1378
  • Ancient Egyptian Sarcophagus coffin of Tamutmutef, chantress of Amun, 18th Dynasty, (1550 to 1292 BC), Thebes. Egyptian Museum, Turin. black background.<br />
<br />
The Tamutmutef sarcophagus belongs to a group of 18th Dynasty coffins characterised by the representation of the deceased wearing everyday clothes instead of as a mummy. It is carved in relief to reveal the pleated linen dress eith arms and feet sticking out from the pleats of the cloth. This coffin may have been reused from earlier use updated with dense yellow decorations.
  • Ancient Egyptian Sarcophagus coffin of Tamutmutef, chantress of Amun, 18th Dynasty, (1550 to 1292 BC), Thebes. Egyptian Museum, Turin. white background.<br />
<br />
The Tamutmutef sarcophagus belongs to a group of 18th Dynasty coffins characterised by the representation of the deceased wearing everyday clothes instead of as a mummy. It is carved in relief to reveal the pleated linen dress eith arms and feet sticking out from the pleats of the cloth. This coffin may have been reused from earlier use updated with dense yellow decorations.
  • Ancient Egyptian Sarcophagus coffin of Tamutmutef, chantress of Amun, 18th Dynasty, (1550 to 1292 BC), Thebes. Egyptian Museum, Turin. Grey background.<br />
<br />
The Tamutmutef sarcophagus belongs to a group of 18th Dynasty coffins characterised by the representation of the deceased wearing everyday clothes instead of as a mummy. It is carved in relief to reveal the pleated linen dress eith arms and feet sticking out from the pleats of the cloth. This coffin may have been reused from earlier use updated with dense yellow decorations.
  • Ancient Egyptian Sarcophagus coffin of Tamutmutef, chantress of Amun, 18th Dynasty, (1550 to 1292 BC), Thebes. Egyptian Museum, Turin. Grey background.<br />
<br />
The Tamutmutef sarcophagus belongs to a group of 18th Dynasty coffins characterised by the representation of the deceased wearing everyday clothes instead of as a mummy. It is carved in relief to reveal the pleated linen dress eith arms and feet sticking out from the pleats of the cloth. This coffin may have been reused from earlier use updated with dense yellow decorations.
  • Ancient Egyptian Sarcophagus coffin of Tamutmutef, chantress of Amun, 18th Dynasty, (1550 to 1292 BC), Thebes. Egyptian Museum, Turin. Grey background.<br />
<br />
The Tamutmutef sarcophagus belongs to a group of 18th Dynasty coffins characterised by the representation of the deceased wearing everyday clothes instead of as a mummy. It is carved in relief to reveal the pleated linen dress eith arms and feet sticking out from the pleats of the cloth. This coffin may have been reused from earlier use updated with dense yellow decorations.
  • Ancient Egyptian stele odedicated to Amon Re the "good Ram" by foreman Baki, limestone, New Kingdom, 19th Dynasty, (1290-1213 BC), Deir el-Medina, Drovetti cat 1549. Egyptian Museum, Turin. white background,. Reign of Ramesses II.<br />
<br />
This round-topped stele is carved in low relief and painted <br />
in several colours. The pictorial plane is divided into two <br />
registers, the upper one containing two rams facing each <br />
other. The animals, with cobras rising on their foreheads, <br />
wear tall headdresses composed of two tall plumes with a <br />
solar disk at the centre. Between them is a small offering <br />
table with lotus flowers. The mirror image hieroglyphic <br />
inscription refers to the rams and reveals their divine <br />
nature as that of Amun-Ra. In the register below, <br />
foreman Baki is shown in the pose of adoration.
  • Ancient Egyptian stele odedicated to Amon Re the "good Ram" by foreman Baki, limestone, New Kingdom, 19th Dynasty, (1290-1213 BC), Deir el-Medina, Drovetti cat 1549. Egyptian Museum, Turin. Grey background. Reign of Ramesses II.<br />
<br />
This round-topped stele is carved in low relief and painted <br />
in several colours. The pictorial plane is divided into two <br />
registers, the upper one containing two rams facing each <br />
other. The animals, with cobras rising on their foreheads, <br />
wear tall headdresses composed of two tall plumes with a <br />
solar disk at the centre. Between them is a small offering <br />
table with lotus flowers. The mirror image hieroglyphic <br />
inscription refers to the rams and reveals their divine <br />
nature as that of Amun-Ra. In the register below, <br />
foreman Baki is shown in the pose of adoration.
  • Ancient Egyptian stele odedicated to Amon Re the "good Ram" by foreman Baki, limestone, New Kingdom, 19th Dynasty, (1290-1213 BC), Deir el-Medina, Drovetti cat 1549. Egyptian Museum, Turin. Reign of Ramesses II.<br />
<br />
This round-topped stele is carved in low relief and painted <br />
in several colours. The pictorial plane is divided into two <br />
registers, the upper one containing two rams facing each <br />
other. The animals, with cobras rising on their foreheads, <br />
wear tall headdresses composed of two tall plumes with a <br />
solar disk at the centre. Between them is a small offering <br />
table with lotus flowers. The mirror image hieroglyphic <br />
inscription refers to the rams and reveals their divine <br />
nature as that of Amun-Ra. In the register below, <br />
foreman Baki is shown in the pose of adoration.
  • Ancient Egyptian stele of ssuperintendant of chancellor Meru, limestone, Middle Kingdom, 11th Dynasty, (2009-1959 BC), Abydos or Thebes, Egyptian Museum, Turin.  Grey background. Drovetti cat 1447.<br />
<br />
The upper section of the stele is dedicated to Meru's father, the central part contains a funerary invocation to Osiris. Lower register depict offerings to the dignitary and his mother, The figures are in bas-relief whereas the main text is carved in sunken relief which is less labour intensive. The Stele may have come from Meru's tomb in Thebes.
  • Ancient Egyptian stele of ssuperintendant of chancellor Meru, limestone, Middle Kingdom, 11th Dynasty, (2009-1959 BC), Abydos or Thebes, Egyptian Museum, Turin.  Grey background. Drovetti cat 1447.<br />
<br />
The upper section of the stele is dedicated to Meru's father, the central part contains a funerary invocation to Osiris. Lower register depict offerings to the dignitary and his mother, The figures are in bas-relief whereas the main text is carved in sunken relief which is less labour intensive. The Stele may have come from Meru's tomb in Thebes.
  • Ancient Egyptian stele of ssuperintendant of chancellor Meru, limestone, Middle Kingdom, 11th Dynasty, (2009-1959 BC), Abydos or Thebes, Egyptian Museum, Turin.  Grey background. Drovetti cat 1447.<br />
<br />
The upper section of the stele is dedicated to Meru's father, the central part contains a funerary invocation to Osiris. Lower register depict offerings to the dignitary and his mother, The figures are in bas-relief whereas the main text is carved in sunken relief which is less labour intensive. The Stele may have come from Meru's tomb in Thebes.
  • Ancient Egyptian stele of ssuperintendant of chancellor Meru, limestone, Middle Kingdom, 11th Dynasty, (2009-1959 BC), Abydos or Thebes, Egyptian Museum, Turin.  Grey background. Drovetti cat 1447.<br />
<br />
The upper section of the stele is dedicated to Meru's father, the central part contains a funerary invocation to Osiris. Lower register depict offerings to the dignitary and his mother, The figures are in bas-relief whereas the main text is carved in sunken relief which is less labour intensive. The Stele may have come from Meru's tomb in Thebes.
  • Ancient Egyptian architectonic element of the temple of Aten, Karnak, limestone, New Kingdom 18th Dynasty (1353-1336 BC). Egyptian Museum, Turin. white background.<br />
<br />
This crystaline block from the riugn of Amenhoptep IV was part of the railing of the temple of Aten in Karnak. It is os a double form cartouche, which usually enclose the name of the king. Here insted, it contains the names of the sun disk Aten, the one god of King Akhenaten : "Ra-Harakhty rising in the Horizon" "in the name as the light which is in Aten". The name of the king is carved on the sides. The objects is therefore a links god with the pharoah. Drovetti collection Cat 1378
  • Ancient Egyptian architectonic element of the temple of Aten, Karnak, limestone, New Kingdom 18th Dynasty (1353-1336 BC). Egyptian Museum, Turin. Grey backcground.<br />
<br />
This crystaline block from the riugn of Amenhoptep IV was part of the railing of the temple of Aten in Karnak. It is os a double form cartouche, which usually enclose the name of the king. Here insted, it contains the names of the sun disk Aten, the one god of King Akhenaten : "Ra-Harakhty rising in the Horizon" "in the name as the light which is in Aten". The name of the king is carved on the sides. The objects is therefore a links god with the pharoah. Drovetti collection Cat 1378
  • Ancient Egyptian architectonic element of the temple of Aten, Karnak, limestone, New Kingdom 18th Dynasty (1353-1336 BC). Egyptian Museum, Turin. Grey backcground.<br />
<br />
This crystaline block from the riugn of Amenhoptep IV was part of the railing of the temple of Aten in Karnak. It is os a double form cartouche, which usually enclose the name of the king. Here insted, it contains the names of the sun disk Aten, the one god of King Akhenaten : "Ra-Harakhty rising in the Horizon" "in the name as the light which is in Aten". The name of the king is carved on the sides. The objects is therefore a links god with the pharoah. Drovetti collection Cat 1378
  • Ancient Egyptian Sarcophagus coffin of Tamutmutef, chantress of Amun, 18th Dynasty, (1550 to 1292 BC), Thebes. Egyptian Museum, Turin. white background.<br />
<br />
The Tamutmutef sarcophagus belongs to a group of 18th Dynasty coffins characterised by the representation of the deceased wearing everyday clothes instead of as a mummy. It is carved in relief to reveal the pleated linen dress eith arms and feet sticking out from the pleats of the cloth. This coffin may have been reused from earlier use updated with dense yellow decorations.
  • Ancient Egyptian Sarcophagus coffin of Tamutmutef, chantress of Amun, 18th Dynasty, (1550 to 1292 BC), Thebes. Egyptian Museum, Turin. black background.<br />
<br />
The Tamutmutef sarcophagus belongs to a group of 18th Dynasty coffins characterised by the representation of the deceased wearing everyday clothes instead of as a mummy. It is carved in relief to reveal the pleated linen dress eith arms and feet sticking out from the pleats of the cloth. This coffin may have been reused from earlier use updated with dense yellow decorations.
  • Ancient Egyptian Sarcophagus coffin of Tamutmutef, chantress of Amun, 18th Dynasty, (1550 to 1292 BC), Thebes. Egyptian Museum, Turin. Grey background.<br />
<br />
The Tamutmutef sarcophagus belongs to a group of 18th Dynasty coffins characterised by the representation of the deceased wearing everyday clothes instead of as a mummy. It is carved in relief to reveal the pleated linen dress eith arms and feet sticking out from the pleats of the cloth. This coffin may have been reused from earlier use updated with dense yellow decorations.
  • Ancient Egyptian Sarcophagus coffin of Tamutmutef, chantress of Amun, 18th Dynasty, (1550 to 1292 BC), Thebes. Egyptian Museum, Turin. Grey background.<br />
<br />
The Tamutmutef sarcophagus belongs to a group of 18th Dynasty coffins characterised by the representation of the deceased wearing everyday clothes instead of as a mummy. It is carved in relief to reveal the pleated linen dress eith arms and feet sticking out from the pleats of the cloth. This coffin may have been reused from earlier use updated with dense yellow decorations.
  • Ancient Egyptian Sarcophagus coffin of Tamutmutef, chantress of Amun, 18th Dynasty, (1550 to 1292 BC), Thebes. Egyptian Museum, Turin. Grey background.<br />
<br />
The Tamutmutef sarcophagus belongs to a group of 18th Dynasty coffins characterised by the representation of the deceased wearing everyday clothes instead of as a mummy. It is carved in relief to reveal the pleated linen dress eith arms and feet sticking out from the pleats of the cloth. This coffin may have been reused from earlier use updated with dense yellow decorations.

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Picture The Past

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FunkyStock Picture Library free resource for professional editorial picture editors, picture researchers, historical scholars and students and enthusiasts who want to browse some of the best pictures and images of historic countries, historical places, archaeological sites and the very best museum antiquities and artefacts exhibits in Europe and the Middle East.

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COUNTRIES

Browse travel pictures and images of historic places and archaeological sites of countries in Europe and the Middle East.

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HISTORICAL

Explore the past through pictures and images of its historic places. See the great palaces, castles and cities of antiquity as well as the great archaeological sites where our ancestors made history.

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MUSEUMS

Browse pictures & images the treasured artefacts and antiquities exhibits from the great Museum of Europe and the Middle East. See the art and objects made by our ancestors.

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