• Ancient Egyptian statue of princess Redji, grandorite, Saqqara, Old Kingdom, 3rd Dynasty (2592-2543 BC). Egyptian Museum, Turin. white background.<br />
<br />
The inscriptions at the base of the statue indicates that the statue is of the Kings Daughter named Redji. Never intended as a faithful depiction of the deceased , the statue was placed in the tomb to substitute for the deceased. The statue is in the typical rigid style of the old kingdom with a voluminous wig.
  • Ancient Egyptian statue of princess Redji, grandorite, Saqqara, Old Kingdom, 3rd Dynasty (2592-2543 BC). Egyptian Museum, Turin. grey background.<br />
<br />
The inscriptions at the base of the statue indicates that the statue is of the Kings Daughter named Redji. Never intended as a faithful depiction of the deceased , the statue was placed in the tomb to substitute for the deceased. The statue is in the typical rigid style of the old kingdom with a voluminous wig.
  • Ancient Egyptian statue of princess Redji, grandorite, Saqqara, Old Kingdom, 3rd Dynasty (2592-2543 BC). Egyptian Museum, Turin. grey background.<br />
<br />
The inscriptions at the base of the statue indicates that the statue is of the Kings Daughter named Redji. Never intended as a faithful depiction of the deceased , the statue was placed in the tomb to substitute for the deceased. The statue is in the typical rigid style of the old kingdom with a voluminous wig.
  • Ancient Egyptian statue of princess Redji, grandorite, Saqqara, Old Kingdom, 3rd Dynasty (2592-2543 BC). Egyptian Museum, Turin. grey background.<br />
<br />
The inscriptions at the base of the statue indicates that the statue is of the Kings Daughter named Redji. Never intended as a faithful depiction of the deceased , the statue was placed in the tomb to substitute for the deceased. The statue is in the typical rigid style of the old kingdom with a voluminous wig.
  • Ancient Egyptian statue of princess Redji, grandorite, Saqqara, Old Kingdom, 3rd Dynasty (2592-2543 BC). Egyptian Museum, Turin. grey background.<br />
<br />
The inscriptions at the base of the statue indicates that the statue is of the Kings Daughter named Redji. Never intended as a faithful depiction of the deceased , the statue was placed in the tomb to substitute for the deceased. The statue is in the typical rigid style of the old kingdom with a voluminous wig.
  • Ancient Egyptian statue of princess Redji, grandorite, Saqqara, Old Kingdom, 3rd Dynasty (2592-2543 BC). Egyptian Museum, Turin. black background.<br />
<br />
The inscriptions at the base of the statue indicates that the statue is of the Kings Daughter named Redji. Never intended as a faithful depiction of the deceased , the statue was placed in the tomb to substitute for the deceased. The statue is in the typical rigid style of the old kingdom with a voluminous wig.
  • Ancient Egyptian statue of Ptah - limestone - New Kingdom. 18th Dynasty, reign of Amenhotep III (1390 - 1353 BC), Karnac. Egyptian Museum, Turin.  Grey background<br />
<br />
Large statue of Egyptian gods are rare and most of them are part of building designs. This imposing statue of Ptah was probably made for the "Temple of Millions of Years", on the west bank of Thebes, promoted by Amenhotep III . When the temple was eventually abandoned its statues were reused in other temples in the region. Drovetti collection C. 87
  • Ancient Egyptian statue of Ptah - limestone - New Kingdom. 18th Dynasty, reign of Amenhotep III (1390 - 1353 BC), Karnac. Egyptian Museum, Turin.  Grey background<br />
<br />
Large statue of Egyptian gods are rare and most of them are part of building designs. This imposing statue of Ptah was probably made for the "Temple of Millions of Years", on the west bank of Thebes, promoted by Amenhotep III . When the temple was eventually abandoned its statues were reused in other temples in the region. Drovetti collection C. 87
  • Ancient Egyptian statue of Ptah - limestone - New Kingdom. 18th Dynasty, reign of Amenhotep III (1390 - 1353 BC), Karnac. Egyptian Museum, Turin.  Grey background<br />
<br />
Large statue of Egyptian gods are rare and most of them are part of building designs. This imposing statue of Ptah was probably made for the "Temple of Millions of Years", on the west bank of Thebes, promoted by Amenhotep III . When the temple was eventually abandoned its statues were reused in other temples in the region. Drovetti collection C. 87
  • Ancient Egyptian statue of Ptah - limestone - New Kingdom. 18th Dynasty, reign of Amenhotep III (1390 - 1353 BC), Karnac. Egyptian Museum, Turin.  Grey background<br />
<br />
Large statue of Egyptian gods are rare and most of them are part of building designs. This imposing statue of Ptah was probably made for the "Temple of Millions of Years", on the west bank of Thebes, promoted by Amenhotep III . When the temple was eventually abandoned its statues were reused in other temples in the region. Drovetti collection C. 87
  • Ancient Egyptian statue of Ptah - limestone - New Kingdom. 18th Dynasty, reign of Amenhotep III (1390 - 1353 BC), Karnac. Egyptian Museum, Turin.  white background<br />
<br />
Large statue of Egyptian gods are rare and most of them are part of building designs. This imposing statue of Ptah was probably made for the "Temple of Millions of Years", on the west bank of Thebes, promoted by Amenhotep III . When the temple was eventually abandoned its statues were reused in other temples in the region. Drovetti collection C. 87
  • Ancient Egyptian statue of Ptah - limestone - New Kingdom. 18th Dynasty, reign of Amenhotep III (1390 - 1353 BC), Karnac. Egyptian Museum, Turin.  black background<br />
<br />
Large statue of Egyptian gods are rare and most of them are part of building designs. This imposing statue of Ptah was probably made for the "Temple of Millions of Years", on the west bank of Thebes, promoted by Amenhotep III . When the temple was eventually abandoned its statues were reused in other temples in the region. Drovetti collection C. 87
  • Ancient Egyptian statue of Ptah - limestone - New Kingdom. 18th Dynasty, reign of Amenhotep III (1390 - 1353 BC), Karnac. Egyptian Museum, Turin.  Grey background<br />
<br />
Large statue of Egyptian gods are rare and most of them are part of building designs. This imposing statue of Ptah was probably made for the "Temple of Millions of Years", on the west bank of Thebes, promoted by Amenhotep III . When the temple was eventually abandoned its statues were reused in other temples in the region. Drovetti collection C. 87
  • Ancient Egyptian statue of Ptah - limestone - New Kingdom. 18th Dynasty, reign of Amenhotep III (1390 - 1353 BC), Karnac. Egyptian Museum, Turin.  Grey background<br />
<br />
Large statue of Egyptian gods are rare and most of them are part of building designs. This imposing statue of Ptah was probably made for the "Temple of Millions of Years", on the west bank of Thebes, promoted by Amenhotep III . When the temple was eventually abandoned its statues were reused in other temples in the region. Drovetti collection C. 87
  • Ancient Egyptian statue of Ptah - limestone - New Kingdom. 18th Dynasty, reign of Amenhotep III (1390 - 1353 BC), Karnac. Egyptian Museum, Turin.  Grey background<br />
<br />
Large statue of Egyptian gods are rare and most of them are part of building designs. This imposing statue of Ptah was probably made for the "Temple of Millions of Years", on the west bank of Thebes, promoted by Amenhotep III . When the temple was eventually abandoned its statues were reused in other temples in the region. Drovetti collection C. 87
  • Ancient Egyptian statue of Ptah - limestone - New Kingdom. 18th Dynasty, reign of Amenhotep III (1390 - 1353 BC), Karnac. Egyptian Museum, Turin.  Grey background<br />
<br />
Large statue of Egyptian gods are rare and most of them are part of building designs. This imposing statue of Ptah was probably made for the "Temple of Millions of Years", on the west bank of Thebes, promoted by Amenhotep III . When the temple was eventually abandoned its statues were reused in other temples in the region. Drovetti collection C. 87
  • Ancient Egyptian statue of Ptah - limestone - New Kingdom. 18th Dynasty, reign of Amenhotep III (1390 - 1353 BC), Karnac. Egyptian Museum, Turin.  white background<br />
<br />
Large statue of Egyptian gods are rare and most of them are part of building designs. This imposing statue of Ptah was probably made for the "Temple of Millions of Years", on the west bank of Thebes, promoted by Amenhotep III . When the temple was eventually abandoned its statues were reused in other temples in the region. Drovetti collection C. 87
  • Ancient Egyptian statue of Ptah - limestone - New Kingdom. 18th Dynasty, reign of Amenhotep III (1390 - 1353 BC), Karnac. Egyptian Museum, Turin.  Grey background<br />
<br />
Large statue of Egyptian gods are rare and most of them are part of building designs. This imposing statue of Ptah was probably made for the "Temple of Millions of Years", on the west bank of Thebes, promoted by Amenhotep III . When the temple was eventually abandoned its statues were reused in other temples in the region. Drovetti collection C. 87
  • Ancient Egyptian statue of Ptah - limestone - New Kingdom. 18th Dynasty, reign of Amenhotep III (1390 - 1353 BC), Karnac. Egyptian Museum, Turin.  white background<br />
<br />
Large statue of Egyptian gods are rare and most of them are part of building designs. This imposing statue of Ptah was probably made for the "Temple of Millions of Years", on the west bank of Thebes, promoted by Amenhotep III . When the temple was eventually abandoned its statues were reused in other temples in the region. Drovetti collection C. 87
  • Ancient Egyptian statue of Ptah - limestone - New Kingdom. 18th Dynasty, reign of Amenhotep III (1390 - 1353 BC), Karnac. Egyptian Museum, Turin.  Grey background<br />
<br />
Large statue of Egyptian gods are rare and most of them are part of building designs. This imposing statue of Ptah was probably made for the "Temple of Millions of Years", on the west bank of Thebes, promoted by Amenhotep III . When the temple was eventually abandoned its statues were reused in other temples in the region. Drovetti collection C. 87
  • Ancient Egyptian statue of Ptah - limestone - New Kingdom. 18th Dynasty, reign of Amenhotep III (1390 - 1353 BC), Karnac. Egyptian Museum, Turin.  white background<br />
<br />
Large statue of Egyptian gods are rare and most of them are part of building designs. This imposing statue of Ptah was probably made for the "Temple of Millions of Years", on the west bank of Thebes, promoted by Amenhotep III . When the temple was eventually abandoned its statues were reused in other temples in the region. Drovetti collection C. 87
  • Ancient Egyptian statue of Ptah - limestone - New Kingdom. 18th Dynasty, reign of Amenhotep III (1390 - 1353 BC), Karnac. Egyptian Museum, Turin.  Grey background<br />
<br />
Large statue of Egyptian gods are rare and most of them are part of building designs. This imposing statue of Ptah was probably made for the "Temple of Millions of Years", on the west bank of Thebes, promoted by Amenhotep III . When the temple was eventually abandoned its statues were reused in other temples in the region. Drovetti collection C. 87
  • Ancient Egyptian statue of Ptah - limestone - New Kingdom. 18th Dynasty, reign of Amenhotep III (1390 - 1353 BC), Karnac. Egyptian Museum, Turin.  Grey background<br />
<br />
Large statue of Egyptian gods are rare and most of them are part of building designs. This imposing statue of Ptah was probably made for the "Temple of Millions of Years", on the west bank of Thebes, promoted by Amenhotep III . When the temple was eventually abandoned its statues were reused in other temples in the region. Drovetti collection C. 87
  • Ancient Egyptian statue of Ptah - limestone - New Kingdom. 18th Dynasty, reign of Amenhotep III (1390 - 1353 BC), Karnac. Egyptian Museum, Turin.  Grey background<br />
<br />
Large statue of Egyptian gods are rare and most of them are part of building designs. This imposing statue of Ptah was probably made for the "Temple of Millions of Years", on the west bank of Thebes, promoted by Amenhotep III . When the temple was eventually abandoned its statues were reused in other temples in the region. Drovetti collection C. 87
  • Ancient Egyptian statue of Ptah - limestone - New Kingdom. 18th Dynasty, reign of Amenhotep III (1390 - 1353 BC), Karnac. Egyptian Museum, Turin.  Grey background<br />
<br />
Large statue of Egyptian gods are rare and most of them are part of building designs. This imposing statue of Ptah was probably made for the "Temple of Millions of Years", on the west bank of Thebes, promoted by Amenhotep III . When the temple was eventually abandoned its statues were reused in other temples in the region. Drovetti collection C. 87
  • Ancient Egyptian statue of Ptah - limestone - New Kingdom. 18th Dynasty, reign of Amenhotep III (1390 - 1353 BC), Karnac. Egyptian Museum, Turin.  Grey background<br />
<br />
Large statue of Egyptian gods are rare and most of them are part of building designs. This imposing statue of Ptah was probably made for the "Temple of Millions of Years", on the west bank of Thebes, promoted by Amenhotep III . When the temple was eventually abandoned its statues were reused in other temples in the region. Drovetti collection C. 87
  • Ancient Egyptian statue of pharaoh Horemheb with god Amun, limestone, New Kingdom, 18th Dynasty, (1319-1292 BC). Egyptian Museum, Turin. black background.<br />
<br />
Horemheb stands beside the taller depiction of the god Amun. The statue is typical of the period following the religious and artistic revolution of King Akhenaten. The muscles are not emphasised and the contours are soft, with rounded hips and juvenile faces, the eyes are almond shaped and the cheeks and lips sensual. Some scholars believe this may have been a statue of Tutenkhamon remodelled by Horemheb. Dorvetti collection. C 768
  • Ancient Egyptian statue of pharaoh Horemheb with god Amun, limestone, New Kingdom, 18th Dynasty, (1319-1292 BC). Egyptian Museum, Turin. Grey Background.<br />
<br />
Horemheb stands beside the taller depiction of the god Amun. The statue is typical of the period following the religious and artistic revolution of King Akhenaten. The muscles are not emphasised and the contours are soft, with rounded hips and juvenile faces, the eyes are almond shaped and the cheeks and lips sensual. Some scholars believe this may have been a statue of Tutenkhamon remodelled by Horemheb. Dorvetti collection. C 768
  • Ancient Egyptian statue of pharaoh Horemheb with god Amun, limestone, New Kingdom, 18th Dynasty, (1319-1292 BC). Egyptian Museum, Turin. Grey Background.<br />
<br />
Horemheb stands beside the taller depiction of the god Amun. The statue is typical of the period following the religious and artistic revolution of King Akhenaten. The muscles are not emphasised and the contours are soft, with rounded hips and juvenile faces, the eyes are almond shaped and the cheeks and lips sensual. Some scholars believe this may have been a statue of Tutenkhamon remodelled by Horemheb. Dorvetti collection. C 768
  • Ancient Egyptian statue of pharaoh Horemheb with god Amun, limestone, New Kingdom, 18th Dynasty, (1319-1292 BC). Egyptian Museum, Turin. white background.<br />
<br />
Horemheb stands beside the taller depiction of the god Amun. The statue is typical of the period following the religious and artistic revolution of King Akhenaten. The muscles are not emphasised and the contours are soft, with rounded hips and juvenile faces, the eyes are almond shaped and the cheeks and lips sensual. Some scholars believe this may have been a statue of Tutenkhamon remodelled by Horemheb. Dorvetti collection. C 768
  • Ancient Egyptian statue of pharaoh Horemheb with god Amun, limestone, New Kingdom, 18th Dynasty, (1319-1292 BC). Egyptian Museum, Turin. .<br />
<br />
Horemheb stands beside the taller depiction of the god Amun. The statue is typical of the period following the religious and artistic revolution of King Akhenaten. The muscles are not emphasised and the contours are soft, with rounded hips and juvenile faces, the eyes are almond shaped and the cheeks and lips sensual. Some scholars believe this may have been a statue of Tutenkhamon remodelled by Horemheb. Dorvetti collection. C 768
  • Ancient Egyptian statue of pharaoh Horemheb with god Amun, limestone, New Kingdom, 18th Dynasty, (1319-1292 BC). Egyptian Museum, Turin. black background.<br />
<br />
Horemheb stands beside the taller depiction of the god Amun. The statue is typical of the period following the religious and artistic revolution of King Akhenaten. The muscles are not emphasised and the contours are soft, with rounded hips and juvenile faces, the eyes are almond shaped and the cheeks and lips sensual. Some scholars believe this may have been a statue of Tutenkhamon remodelled by Horemheb. Dorvetti collection. C 768
  • Ancient Egyptian statue of pharaoh Horemheb with god Amun, limestone, New Kingdom, 18th Dynasty, (1319-1292 BC). Egyptian Museum, Turin. .<br />
<br />
Horemheb stands beside the taller depiction of the god Amun. The statue is typical of the period following the religious and artistic revolution of King Akhenaten. The muscles are not emphasised and the contours are soft, with rounded hips and juvenile faces, the eyes are almond shaped and the cheeks and lips sensual. Some scholars believe this may have been a statue of Tutenkhamon remodelled by Horemheb. Dorvetti collection. C 768
  • Ancient Egyptian statue of pharaoh Horemheb with god Amun, limestone, New Kingdom, 18th Dynasty, (1319-1292 BC). Egyptian Museum, Turin. Grey Background.<br />
<br />
Horemheb stands beside the taller depiction of the god Amun. The statue is typical of the period following the religious and artistic revolution of King Akhenaten. The muscles are not emphasised and the contours are soft, with rounded hips and juvenile faces, the eyes are almond shaped and the cheeks and lips sensual. Some scholars believe this may have been a statue of Tutenkhamon remodelled by Horemheb. Dorvetti collection. C 768
  • Ancient Egyptian statue of pharaoh Horemheb with god Amun, limestone, New Kingdom, 18th Dynasty, (1319-1292 BC). Egyptian Museum, Turin. Grey Background.<br />
<br />
Horemheb stands beside the taller depiction of the god Amun. The statue is typical of the period following the religious and artistic revolution of King Akhenaten. The muscles are not emphasised and the contours are soft, with rounded hips and juvenile faces, the eyes are almond shaped and the cheeks and lips sensual. Some scholars believe this may have been a statue of Tutenkhamon remodelled by Horemheb. Dorvetti collection. C 768
  • Ancient Egyptian statue of Hel, limestone, New Kingdom, late 18th Dynasty, (1320-1280 BC), Saqqara. Egyptian Museum, Turin. <br />
<br />
The women is seated on a cushioned stool. On her head is a lotus flower. In her left hand she holds a cloth in her right a counterweight for a meant necklace, a ritual instrument used in the cult of the goddess Hathor. the statue probably stood in a tomb in Saqqara necropolis of Memphis, where the Egyptian eletes of the time had splendid tombs with statues of s similar style. The inscription evokes the deceased "everything that comes forth in the presence of the gods of Memphis for Osiris, the lady of Hel..."
  • Ancient Egyptian statue of Hel, limestone, New Kingdom, late 18th Dynasty, (1320-1280 BC), Saqqara. Egyptian Museum, Turin. <br />
<br />
The women is seated on a cushioned stool. On her head is a lotus flower. In her left hand she holds a cloth in her right a counterweight for a meant necklace, a ritual instrument used in the cult of the goddess Hathor. the statue probably stood in a tomb in Saqqara necropolis of Memphis, where the Egyptian eletes of the time had splendid tombs with statues of s similar style. The inscription evokes the deceased "everything that comes forth in the presence of the gods of Memphis for Osiris, the lady of Hel..."
  • Ancient Egyptian statue head of a monarch, limestone, Middle Kingdom, mis 12th Dynasty, (1900-1850 BC), Qqw el-Kebir, tomb of Ibu. Egyptian Museum, Turin.  black background,<br />
<br />
Since this statue head comes from the tomb of Ibu it is likely that they depict a powerful gosvenor, although the incsription is lost. It can be dated by its style which is close to the statues of Amenemhat II and Sesostris II. Schiaparelli excavations. Cat 4410 & 4414
  • Ancient Egyptian statue head of a monarch, limestone, Middle Kingdom, mis 12th Dynasty, (1900-1850 BC), Qqw el-Kebir, tomb of Ibu. Egyptian Museum, Turin. black background.<br />
<br />
Since this statue head comes from the tomb of Ibu it is likely that they depict a powerful gosvenor, although the incsription is lost. It can be dated by its style which is close to the statues of Amenemhat II and Sesostris II. Schiaparelli excavations. Cat 4410 & 4414
  • Ancient Egyptian statue head of a monarch, limestone, Middle Kingdom, mis 12th Dynasty, (1900-1850 BC), Qqw el-Kebir, tomb of Ibu. Egyptian Museum, Turin. Grey background.<br />
<br />
Since this statue head comes from the tomb of Ibu it is likely that they depict a powerful gosvenor, although the incsription is lost. It can be dated by its style which is close to the statues of Amenemhat II and Sesostris II. Schiaparelli excavations. Cat 4410 & 4414
  • Ancient Egyptian statue head of a monarch, limestone, Middle Kingdom, mis 12th Dynasty, (1900-1850 BC), Qqw el-Kebir, tomb of Ibu. Egyptian Museum, Turin. <br />
<br />
Since this statue head comes from the tomb of Ibu it is likely that they depict a powerful gosvenor, although the incsription is lost. It can be dated by its style which is close to the statues of Amenemhat II and Sesostris II. Schiaparelli excavations. Cat 4410 & 4414
  • Ancient Egyptian statue head of a monarch, limestone, Middle Kingdom, mis 12th Dynasty, (1900-1850 BC), Qqw el-Kebir, tomb of Ibu. Egyptian Museum, Turin. white background.<br />
<br />
Since this statue head comes from the tomb of Ibu it is likely that they depict a powerful gosvenor, although the incsription is lost. It can be dated by its style which is close to the statues of Amenemhat II and Sesostris II. Schiaparelli excavations. Cat 4410 & 4414
  • Ancient Egyptian statue head of a monarch, limestone, Middle Kingdom, mis 12th Dynasty, (1900-1850 BC), Qqw el-Kebir, tomb of Ibu. Egyptian Museum, Turin. Grey background.<br />
<br />
Since this statue head comes from the tomb of Ibu it is likely that they depict a powerful gosvenor, although the incsription is lost. It can be dated by its style which is close to the statues of Amenemhat II and Sesostris II. Schiaparelli excavations. Cat 4410 & 4414
  • Ancient Egyptian cult statue of Amenhoptep I, limestone, New Kingdom, 19th Dynasty, (1292-1190 BC, Deir el-Medina. Egyptian Museum, Turin. black background.<br />
<br />
The cult of Amenhoptep I flourished during the 19th &20th Dynasties. This statue is typical of Theban sculpture of the Ramesside era : large eyes, full cheeks and aquiline nose. the kings skin colour is white rather than the more common red hue. This is typical of other Deir el-Medina statues of the era.  Drovetti collection. Cat 1372.
  • Ancient Egyptian cult statue of Amenhoptep I, limestone, New Kingdom, 19th Dynasty, (1292-1190 BC, Deir el-Medina. Egyptian Museum, Turin. Grey background.<br />
<br />
The cult of Amenhoptep I flourished during the 19th &20th Dynasties. This statue is typical of Theban sculpture of the Ramesside era : large eyes, full cheeks and aquiline nose. the kings skin colour is white rather than the more common red hue. This is typical of other Deir el-Medina statues of the era.  Drovetti collection. Cat 1372.
  • Ancient Egyptian statue of Hel, limestone, New Kingdom, late 18th Dynasty, (1320-1280 BC), Saqqara. Egyptian Museum, Turin. white background.<br />
<br />
The women is seated on a cushioned stool. On her head is a lotus flower. In her left hand she holds a cloth in her right a counterweight for a meant necklace, a ritual instrument used in the cult of the goddess Hathor. the statue probably stood in a tomb in Saqqara necropolis of Memphis, where the Egyptian eletes of the time had splendid tombs with statues of s similar style. The inscription evokes the deceased "everything that comes forth in the presence of the gods of Memphis for Osiris, the lady of Hel..."
  • Ancient Egyptian statue of Hel, limestone, New Kingdom, late 18th Dynasty, (1320-1280 BC), Saqqara. Egyptian Museum, Turin. Grey background.<br />
<br />
The women is seated on a cushioned stool. On her head is a lotus flower. In her left hand she holds a cloth in her right a counterweight for a meant necklace, a ritual instrument used in the cult of the goddess Hathor. the statue probably stood in a tomb in Saqqara necropolis of Memphis, where the Egyptian eletes of the time had splendid tombs with statues of s similar style. The inscription evokes the deceased "everything that comes forth in the presence of the gods of Memphis for Osiris, the lady of Hel..."
  • Ancient Egyptian statue of Hel, limestone, New Kingdom, late 18th Dynasty, (1320-1280 BC), Saqqara. Egyptian Museum, Turin. Grey background.<br />
<br />
The women is seated on a cushioned stool. On her head is a lotus flower. In her left hand she holds a cloth in her right a counterweight for a meant necklace, a ritual instrument used in the cult of the goddess Hathor. the statue probably stood in a tomb in Saqqara necropolis of Memphis, where the Egyptian eletes of the time had splendid tombs with statues of s similar style. The inscription evokes the deceased "everything that comes forth in the presence of the gods of Memphis for Osiris, the lady of Hel..."
  • Ancient Egyptian statue of Hel, limestone, New Kingdom, late 18th Dynasty, (1320-1280 BC), Saqqara. Egyptian Museum, Turin. Grey background.<br />
<br />
The women is seated on a cushioned stool. On her head is a lotus flower. In her left hand she holds a cloth in her right a counterweight for a meant necklace, a ritual instrument used in the cult of the goddess Hathor. the statue probably stood in a tomb in Saqqara necropolis of Memphis, where the Egyptian eletes of the time had splendid tombs with statues of s similar style. The inscription evokes the deceased "everything that comes forth in the presence of the gods of Memphis for Osiris, the lady of Hel..."
  • Ancient Egyptian statue of Hel, limestone, New Kingdom, late 18th Dynasty, (1320-1280 BC), Saqqara. Egyptian Museum, Turin. black background.<br />
<br />
The women is seated on a cushioned stool. On her head is a lotus flower. In her left hand she holds a cloth in her right a counterweight for a meant necklace, a ritual instrument used in the cult of the goddess Hathor. the statue probably stood in a tomb in Saqqara necropolis of Memphis, where the Egyptian eletes of the time had splendid tombs with statues of s similar style. The inscription evokes the deceased "everything that comes forth in the presence of the gods of Memphis for Osiris, the lady of Hel..."
  • Ancient Egyptian statue head of a monarch, limestone, Middle Kingdom, mis 12th Dynasty, (1900-1850 BC), Qqw el-Kebir, tomb of Ibu. Egyptian Museum, Turin. Grey Background<br />
<br />
Since this statue head comes from the tomb of Ibu it is likely that they depict a powerful gosvenor, although the incsription is lost. It can be dated by its style which is close to the statues of Amenemhat II and Sesostris II. Schiaparelli excavations. Cat 4410 & 4414
  • Ancient Egyptian statue head of a monarch, limestone, Middle Kingdom, mis 12th Dynasty, (1900-1850 BC), Qqw el-Kebir, tomb of Ibu. Egyptian Museum, Turin. Grey Background<br />
<br />
Since this statue head comes from the tomb of Ibu it is likely that they depict a powerful gosvenor, although the incsription is lost. It can be dated by its style which is close to the statues of Amenemhat II and Sesostris II. Schiaparelli excavations. Cat 4410 & 4414
  • Ancient Egyptian statue head of a monarch, limestone, Middle Kingdom, mis 12th Dynasty, (1900-1850 BC), Qqw el-Kebir, tomb of Ibu. Egyptian Museum, Turin. white background.<br />
<br />
Since this statue head comes from the tomb of Ibu it is likely that they depict a powerful gosvenor, although the incsription is lost. It can be dated by its style which is close to the statues of Amenemhat II and Sesostris II. Schiaparelli excavations. Cat 4410 & 4414
  • Ancient Egyptian statue head of a monarch, limestone, Middle Kingdom, mis 12th Dynasty, (1900-1850 BC), Qqw el-Kebir, tomb of Ibu. Egyptian Museum, Turin. Grey background.<br />
<br />
Since this statue head comes from the tomb of Ibu it is likely that they depict a powerful gosvenor, although the incsription is lost. It can be dated by its style which is close to the statues of Amenemhat II and Sesostris II. Schiaparelli excavations. Cat 4410 & 4414
  • Ancient Egyptian cult statue of Amenhoptep I, limestone, New Kingdom, 19th Dynasty, (1292-1190 BC, Deir el-Medina. Egyptian Museum, Turin. white background<br />
<br />
The cult of Amenhoptep I flourished during the 19th &20th Dynasties. This statue is typical of Theban sculpture of the Ramesside era : large eyes, full cheeks and aquiline nose. the kings skin colour is white rather than the more common red hue. This is typical of other Deir el-Medina statues of the era.  Drovetti collection. Cat 1372.
  • Ancient Egyptian cult statue of Amenhoptep I, limestone, New Kingdom, 19th Dynasty, (1292-1190 BC, Deir el-Medina. Egyptian Museum, Turin. Grey background.<br />
<br />
The cult of Amenhoptep I flourished during the 19th &20th Dynasties. This statue is typical of Theban sculpture of the Ramesside era : large eyes, full cheeks and aquiline nose. the kings skin colour is white rather than the more common red hue. This is typical of other Deir el-Medina statues of the era.  Drovetti collection. Cat 1372.
  • Ancient Egyptian cult statue of Amenhoptep I, limestone, New Kingdom, 19th Dynasty, (1292-1190 BC, Deir el-Medina. Egyptian Museum, Turin. Grey background.<br />
<br />
The cult of Amenhoptep I flourished during the 19th &20th Dynasties. This statue is typical of Theban sculpture of the Ramesside era : large eyes, full cheeks and aquiline nose. the kings skin colour is white rather than the more common red hue. This is typical of other Deir el-Medina statues of the era.  Drovetti collection. Cat 1372.
  • Ancient Egyptian statue of Hel, limestone, New Kingdom, late 18th Dynasty, (1320-1280 BC), Saqqara. Egyptian Museum, Turin. black background.<br />
<br />
The women is seated on a cushioned stool. On her head is a lotus flower. In her left hand she holds a cloth in her right a counterweight for a meant necklace, a ritual instrument used in the cult of the goddess Hathor. the statue probably stood in a tomb in Saqqara necropolis of Memphis, where the Egyptian eletes of the time had splendid tombs with statues of s similar style. The inscription evokes the deceased "everything that comes forth in the presence of the gods of Memphis for Osiris, the lady of Hel..."
  • Ancient Egyptian statue of Hel, limestone, New Kingdom, late 18th Dynasty, (1320-1280 BC), Saqqara. Egyptian Museum, Turin. Grey background.<br />
<br />
The women is seated on a cushioned stool. On her head is a lotus flower. In her left hand she holds a cloth in her right a counterweight for a meant necklace, a ritual instrument used in the cult of the goddess Hathor. the statue probably stood in a tomb in Saqqara necropolis of Memphis, where the Egyptian eletes of the time had splendid tombs with statues of s similar style. The inscription evokes the deceased "everything that comes forth in the presence of the gods of Memphis for Osiris, the lady of Hel..."
  • Ancient Egyptian statue of Ramesses II , granite, New Kingdom, 18th Dynasty, (1500-1400 BC, Karnak, Temple of Mut. Egyptian Museum, Turin. Grey background.<br />
<br />
The statue depicting Ramesses II  was reworked over a statue of an earlier pharaoh. This can be seen around the corners of the mouth which show reworking. The roundness of the face and short apron also point to an earlier style.  Ramesses II is depicted praying with his arms out straight and his hands resting flat on the apron of his kilt.
  • Ancient Egyptian statue head of a monarch, limestone, Middle Kingdom, mis 12th Dynasty, (1900-1850 BC), Qqw el-Kebir, tomb of Ibu. Egyptian Museum, Turin. white background<br />
<br />
Since this statue head comes from the tomb of Ibu it is likely that they depict a powerful gosvenor, although the incsription is lost. It can be dated by its style which is close to the statues of Amenemhat II and Sesostris II. Schiaparelli excavations. Cat 4410 & 4414
  • Ancient Egyptian statue head of a monarch, limestone, Middle Kingdom, mis 12th Dynasty, (1900-1850 BC), Qqw el-Kebir, tomb of Ibu. Egyptian Museum, Turin. <br />
<br />
Since this statue head comes from the tomb of Ibu it is likely that they depict a powerful gosvenor, although the incsription is lost. It can be dated by its style which is close to the statues of Amenemhat II and Sesostris II. Schiaparelli excavations. Cat 4410 & 4414
  • Ancient Egyptian statue head of a monarch, limestone, Middle Kingdom, mis 12th Dynasty, (1900-1850 BC), Qqw el-Kebir, tomb of Ibu. Egyptian Museum, Turin. <br />
<br />
Since this statue head comes from the tomb of Ibu it is likely that they depict a powerful gosvenor, although the incsription is lost. It can be dated by its style which is close to the statues of Amenemhat II and Sesostris II. Schiaparelli excavations. Cat 4410 & 4414
  • Ancient Egyptian statue head of a monarch, limestone, Middle Kingdom, mis 12th Dynasty, (1900-1850 BC), Qqw el-Kebir, tomb of Ibu. Egyptian Museum, Turin. black background.<br />
<br />
Since this statue head comes from the tomb of Ibu it is likely that they depict a powerful gosvenor, although the incsription is lost. It can be dated by its style which is close to the statues of Amenemhat II and Sesostris II. Schiaparelli excavations. Cat 4410 & 4414
  • Ancient Egyptian statue of Hel, limestone, New Kingdom, late 18th Dynasty, (1320-1280 BC), Saqqara. Egyptian Museum, Turin. white background.<br />
<br />
The women is seated on a cushioned stool. On her head is a lotus flower. In her left hand she holds a cloth in her right a counterweight for a meant necklace, a ritual instrument used in the cult of the goddess Hathor. the statue probably stood in a tomb in Saqqara necropolis of Memphis, where the Egyptian eletes of the time had splendid tombs with statues of s similar style. The inscription evokes the deceased "everything that comes forth in the presence of the gods of Memphis for Osiris, the lady of Hel..."
  • Ancient Egyptian statue of Ramesses II , granite, New Kingdom, 18th Dynasty, (1500-1400 BC, Karnak, Temple of Mut. Egyptian Museum, Turin. Grey background.<br />
<br />
The statue depicting Ramesses II  was reworked over a statue of an earlier pharaoh. This can be seen around the corners of the mouth which show reworking. The roundness of the face and short apron also point to an earlier style.  Ramesses II is depicted praying with his arms out straight and his hands resting flat on the apron of his kilt.
  • Ancient Egyptian statue of Pawer and his wife Mut, New Kingdom, 18th Dynasty, (1480-1390 BC), Thebes Necropolis. Egyptian Museum, Turin. Drovetti collection. Cat 3057.<br />
<br />
Between the two adults is their son Samut in childhood nudity. The text specifies that the statue was commissioned by Mut.
  • Ancient Egyptian statue of a Ram protecting King Amenhotep III, granite, New Kingdom, early 18th Dynasty (1390-1353), Karnak, Temple of Mut. Egyptian Museum, Turin. Grey background<br />
<br />
a figure of Amenhotep III as Osiris stands between the legs of the Ram. there is a hole in the top of the rams head for the insertion of a solar disk associating it to the god Amon, whose animal form is the ram, and with the sun god Re. The statue may have stood in the Soleb of Nubia. Drovetti Collection. C 836
  • Ancient Egyptian statue of Ramesses II , granite, New Kingdom, 18th Dynasty, (1500-1400 BC, Karnak, Temple of Mut. Egyptian Museum, Turin. white background.<br />
<br />
The statue depicting Ramesses II  was reworked over a statue of an earlier pharaoh. This can be seen around the corners of the mouth which show reworking. The roundness of the face and short apron also point to an earlier style.  Ramesses II is depicted praying with his arms out straight and his hands resting flat on the apron of his kilt.
  • Ancient Egyptian statue of Ramesses II , granite, New Kingdom, 18th Dynasty, (1500-1400 BC, Karnak, Temple of Mut. Egyptian Museum, Turin. black background.<br />
<br />
The statue depicting Ramesses II  was reworked over a statue of an earlier pharaoh. This can be seen around the corners of the mouth which show reworking. The roundness of the face and short apron also point to an earlier style.  Ramesses II is depicted praying with his arms out straight and his hands resting flat on the apron of his kilt.
  • Ancient Egyptian statue of Ramesses II , granite, New Kingdom, 18th Dynasty, (1500-1400 BC, Karnak, Temple of Mut. Egyptian Museum, Turin. Grey background.<br />
<br />
The statue depicting Ramesses II  was reworked over a statue of an earlier pharaoh. This can be seen around the corners of the mouth which show reworking. The roundness of the face and short apron also point to an earlier style.  Ramesses II is depicted praying with his arms out straight and his hands resting flat on the apron of his kilt.
  • Ancient Egyptian statue of Ramesses II , granite, New Kingdom, 18th Dynasty, (1500-1400 BC, Karnak, Temple of Mut. Egyptian Museum, Turin. Grey background.<br />
<br />
The statue depicting Ramesses II  was reworked over a statue of an earlier pharaoh. This can be seen around the corners of the mouth which show reworking. The roundness of the face and short apron also point to an earlier style.  Ramesses II is depicted praying with his arms out straight and his hands resting flat on the apron of his kilt.
  • Ancient Egyptian statue of Ramesses II , granite, New Kingdom, 18th Dynasty, (1500-1400 BC, Karnak, Temple of Mut. Egyptian Museum, Turin. white background.<br />
<br />
The statue depicting Ramesses II  was reworked over a statue of an earlier pharaoh. This can be seen around the corners of the mouth which show reworking. The roundness of the face and short apron also point to an earlier style.  Ramesses II is depicted praying with his arms out straight and his hands resting flat on the apron of his kilt.
  • Ancient Egyptian statue of Ramesses II , granite, New Kingdom, 18th Dynasty, (1500-1400 BC, Karnak, Temple of Mut. Egyptian Museum, Turin. Grey background.<br />
<br />
The statue depicting Ramesses II  was reworked over a statue of an earlier pharaoh. This can be seen around the corners of the mouth which show reworking. The roundness of the face and short apron also point to an earlier style.  Ramesses II is depicted praying with his arms out straight and his hands resting flat on the apron of his kilt.
  • Ancient Egyptian statue of king Horemheb & his wife Mutnedjemet, granodiorite, New Kingdom, 18th Dynasty, (1319-1292 BC), Karnak, Temple of Amon. Egyptian Museum, Turin. white background.<br />
<br />
Queen Mutnedjemet is depicted in the role of Hathor, the sun god, embracing her husband. The statue is unfinished with details missing including the stripes in the Royal kilt, the wings of a vulture on the queens headdress and bound enemies on one side of the throne. On the back of the throne is a long inscription recording the coronation of Horemheb who was the general of Tutenkhamun before ascending to the throne. Drovetto collection. C 1379.
  • Ancient Egyptian statue of king Horemheb & his wife Mutnedjemet, granodiorite, New Kingdom, 18th Dynasty, (1319-1292 BC), Karnak, Temple of Amon. Egyptian Museum, Turin. Grey Background.<br />
<br />
Queen Mutnedjemet is depicted in the role of Hathor, the sun god, embracing her husband. The statue is unfinished with details missing including the stripes in the Royal kilt, the wings of a vulture on the queens headdress and bound enemies on one side of the throne. On the back of the throne is a long inscription recording the coronation of Horemheb who was the general of Tutenkhamun before ascending to the throne. Drovetto collection. C 1379.
  • Ancient Egyptian voitive statue of Nefratari, New Kingdom, 19th -20th Dynasty, (1292-1076 BC, Deir el-Medina. Egyptian Museum, Turin. Cat 1349. black background.<br />
<br />
Queen Ahmose Neferatari, wife and mother of Amenhoptec I show the great devotion she was held in by ancient Egyptians. The inscription on the base name the dedicators of the statue
  • Ancient Egyptian voitive statue of Nefratari, New Kingdom, 19th -20th Dynasty, (1292-1076 BC, Deir el-Medina. Egyptian Museum, Turin. Cat 1349. <br />
<br />
Queen Ahmose Neferatari, wife and mother of Amenhoptec I show the great devotion she was held in by ancient Egyptians. The inscription on the base name the dedicators of the statue
  • Ancient Egyptian voitive statue of Nefratari, New Kingdom, 19th -20th Dynasty, (1292-1076 BC, Deir el-Medina. Egyptian Museum, Turin. Cat 1349. Grey background.<br />
<br />
Queen Ahmose Neferatari, wife and mother of Amenhoptec I show the great devotion she was held in by ancient Egyptians. The inscription on the base name the dedicators of the statue
  • Ancient Egyptian voitive statue of Nefratari, New Kingdom, 19th -20th Dynasty, (1292-1076 BC, Deir el-Medina. Egyptian Museum, Turin. Cat 1349. Grey background.<br />
<br />
Queen Ahmose Neferatari, wife and mother of Amenhoptec I show the great devotion she was held in by ancient Egyptians. The inscription on the base name the dedicators of the statue
  • Ancient Egyptian statue of Pawer and his wife Mut, New Kingdom, 18th Dynasty, (1480-1390 BC), Thebes Necropolis. Egyptian Museum, Turin. Drovetti collection. Cat 3057.<br />
<br />
Between the two adults is their son Samut in childhood nudity. The text specifies that the statue was commissioned by Mut.
  • Ancient Egyptian statue head of a monarch, limestone, Middle Kingdom, mis 12th Dynasty, (1900-1850 BC), Qqw el-Kebir, tomb of Ibu. Egyptian Museum, Turin. Grey background.<br />
<br />
Since this statue head comes from the tomb of Ibu it is likely that they depict a powerful gosvenor, although the incsription is lost. It can be dated by its style which is close to the statues of Amenemhat II and Sesostris II. Schiaparelli excavations. Cat 4410 & 4414
  • Ancient Egyptian statue of Qen, priest of Anukis, sanstone, New Kingdom, 19th Dynasty, (1292-1191 BC), Isalnd of sehel. Egyptian Museum, Turin. Grey background.<br />
<br />
Qen was a "gods father of Amon of Elephantine and of Khnum, Satis and Anukis". Elephantine is a Greek name of the present day Aswan. The naos, shrine, contains a female wearing a high plumed headdress. She is Anukis goddess of the Nile flood. With the ram-heahed god Khum and the goddess Satis, she formed the triad of the Elephantine. The statue probably comes from the temple of the Triad on Sehel Island just south of Elephantine.. Drovetti collection. Cat 3016.
  • Ancient Egyptian statue of Aanen, second priest to Amon, granodioite, New Kingdom, 18th Dynasty, (1390-1353, Thebes. Egyptian Museum, Turin. <br />
<br />
A dignitary wearing a wig, a long gown and the leopard skin of a priest. Writing on his belt are the names of Amenhotep III, Aanen and an inscription tells us that the statue depicts the astronomer priest Aanen  by saying " one knows the procession of the sky". Aanen was the brother of the queen Teye wife of Amenhotep III. Drovetti collection, cat 1377
  • Ancient Egyptian statue of Aanen, second priest to Amon, granodioite, New Kingdom, 18th Dynasty, (1390-1353, Thebes. Egyptian Museum, Turin. <br />
<br />
A dignitary wearing a wig, a long gown and the leopard skin of a priest. Writing on his belt are the names of Amenhotep III, Aanen and an inscription tells us that the statue depicts the astronomer priest Aanen  by saying " one knows the procession of the sky". Aanen was the brother of the queen Teye wife of Amenhotep III. Drovetti collection, cat 1377
  • Ancient Egyptian statue of Aanen, second priest to Amon, granodioite, New Kingdom, 18th Dynasty, (1390-1353, Thebes. Egyptian Museum, Turin. <br />
<br />
A dignitary wearing a wig, a long gown and the leopard skin of a priest. Writing on his belt are the names of Amenhotep III, Aanen and an inscription tells us that the statue depicts the astronomer priest Aanen  by saying " one knows the procession of the sky". Aanen was the brother of the queen Teye wife of Amenhotep III. Drovetti collection, cat 1377
  • Ancient Egyptian Sphinx statue, sandstone, New Kingdom, early 19th Dynasty (1292-1250), Karnak, Temple of Amon. Egyptian Museum, Turin. <br />
<br />
This sphinx statue show signs of remodelling. the accentuated curves of the eyebrows, the almond shaped eyes and the wide mouth with fleshy lips are still influenced by the late 18th Dynasty style. The long aquiline nose however is typical of Ramesside. The lappets of the nemes headdress and the beard show clear traces of unfinished re-carving. Drovetti Collection. C1409
  • Ancient Egyptian statue of goddess Sekhmet, grandodiorite, New Kingdom, 18th & 20thDynasty (1390-1150 BC), Thebes. Egyptian Museum, Turin. Grey Background.<br />
<br />
In this statue of Sekhmet the goddess is called "mistress of Shenut" possibly linking her to the lioness goddess Repyt of Anthribis.  Sekhmet, "the Powerful One" was a fearsome goddess symbolised by her lioness head. Daughter of the sun she personifies the disk of the world during the day. Sekhmet is the angry manifestation of Hathor inflicting the scourges of summer heat, famine and illness which is why the goddess needed to be exorcised every day. Drovetti Collection. C 248
  • Ancient Egyptian statue of goddess Sekhmet, grandodiorite, New Kingdom, 18th & 20thDynasty (1390-1150 BC), Thebes. Egyptian Museum, Turin. Grey Background.<br />
<br />
In this statue of Sekhmet the goddess is called "mistress of Shenut" possibly linking her to the lioness goddess Repyt of Anthribis.  Sekhmet, "the Powerful One" was a fearsome goddess symbolised by her lioness head. Daughter of the sun she personifies the disk of the world during the day. Sekhmet is the angry manifestation of Hathor inflicting the scourges of summer heat, famine and illness which is why the goddess needed to be exorcised every day. Drovetti Collection. C 248
  • Ancient Egyptian statue of goddess Sekhmet, grandodiorite, New Kingdom, 18th & 20thDynasty (1390-1150 BC), Thebes. Egyptian Museum, Turin. black background.<br />
<br />
In this statue of Sekhmet the goddess is called "mistress of Shenut" possibly linking her to the lioness goddess Repyt of Anthribis.  Sekhmet, "the Powerful One" was a fearsome goddess symbolised by her lioness head. Daughter of the sun she personifies the disk of the world during the day. Sekhmet is the angry manifestation of Hathor inflicting the scourges of summer heat, famine and illness which is why the goddess needed to be exorcised every day. Drovetti Collection. C 248
  • Ancient Egyptian statue of goddess Sekhmet, grandodiorite, New Kingdom, 18th & 20thDynasty (1390-1150 BC), Thebes. Egyptian Museum, Turin. Grey Background.<br />
<br />
This statue is unfinished and is in the stage before polishing. Sekhmet, "the Powerful One" was a fearsome goddess symbolised by her lioness head. Daughter of the sun she personifies the disk of the world during the day. Sekhmet is the angry manifestation of Hathor inflicting the scourges of summer heat, famine and illness which is why the goddess needed to be exorcised every day. Drovetti Collection. C 264
  • Ancient Egyptian statue of Ramesses II , granite, New Kingdom, 18th Dynasty, (1500-1400 BC, Karnak, Temple of Mut. Egyptian Museum, Turin. black background.<br />
<br />
The statue depicting Ramesses II  was reworked over a statue of an earlier pharaoh. This can be seen around the corners of the mouth which show reworking. The roundness of the face and short apron also point to an earlier style.  Ramesses II is depicted praying with his arms out straight and his hands resting flat on the apron of his kilt.
  • Ancient Egyptian statue of king Horemheb & his wife Mutnedjemet, granodiorite, New Kingdom, 18th Dynasty, (1319-1292 BC), Karnak, Temple of Amon. Egyptian Museum, Turin. Grey Background.<br />
<br />
Queen Mutnedjemet is depicted in the role of Hathor, the sun god, embracing her husband. The statue is unfinished with details missing including the stripes in the Royal kilt, the wings of a vulture on the queens headdress and bound enemies on one side of the throne. On the back of the throne is a long inscription recording the coronation of Horemheb who was the general of Tutenkhamun before ascending to the throne. Drovetto collection. C 1379.
  • Ancient Egyptian statue of Ramesses II. granodiorite, New Kingdom, 19th Dynasty, (1279-1213 BC), Karnak, Temple of Amon. Egyptian Museum, Turin. Black background.<br />
<br />
Ramesses II is depicted in all his majesty in this ststue. He wears a Khepresh crown and holds the heqa sceptre against his chest. The statue probably belongs to the beginning of Ramesses II reign because of the presence of Queen Nefertari by the throne who died half way through his reign.
  • Ancient Egyptian statue of Ramesses II. granodiorite, New Kingdom, 19th Dynasty, (1279-1213 BC), Karnak, Temple of Amon. Egyptian Museum, Turin. Grey background.<br />
<br />
Ramesses II is depicted in all his majesty in this ststue. He wears a Khepresh crown and holds the heqa sceptre against his chest. The statue probably belongs to the beginning of Ramesses II reign because of the presence of Queen Nefertari by the throne who died half way through his reign.
  • Ancient Egyptian statue of Ramesses II. granodiorite, New Kingdom, 19th Dynasty, (1279-1213 BC), Karnak, Temple of Amon. Egyptian Museum, Turin. Grey background.<br />
<br />
Ramesses II is depicted in all his majesty in this ststue. He wears a Khepresh crown and holds the heqa sceptre against his chest. The statue probably belongs to the beginning of Ramesses II reign because of the presence of Queen Nefertari by the throne who died half way through his reign.
  • Ancient Egyptian statue of Wahka son of Neferhoptep, Middle Kingdom, 13th Dynasty, (1760 BC), Qaw el-Kebir, Tomb 7. Egyptian Museum, Turin. black background. <br />
<br />
This exceptional example of a private sculpture depicts a provincial official in almost Royal size and attitude. It was found inside the largest funerary chapel in Qaw el-Kebir, built of governor Wahka II around 1850 BC, The style indicates a date about a century later at a time when local governors did not build large tombs anymore. The statue was therefore installed by another Wahka into his ancestors chapel to keep the memory of his glorious lineage alive. Schiapelli excavations Cat 4265.
  • Ancient Egyptian statue of Wahka son of Neferhoptep, Middle Kingdom, 13th Dynasty, (1760 BC), Qaw el-Kebir, Tomb 7. Egyptian Museum, Turin. white background,<br />
<br />
This exceptional example of a private sculpture depicts a provincial official in almost Royal size and attitude. It was found inside the largest funerary chapel in Qaw el-Kebir, built of governor Wahka II around 1850 BC, The style indicates a date about a century later at a time when local governors did not build large tombs anymore. The statue was therefore installed by another Wahka into his ancestors chapel to keep the memory of his glorious lineage alive. Schiapelli excavations Cat 4265.
  • Ancient Egyptian statue of Wahka son of Neferhoptep, Middle Kingdom, 13th Dynasty, (1760 BC), Qaw el-Kebir, Tomb 7. Egyptian Museum, Turin.<br />
<br />
This exceptional example of a private sculpture depicts a provincial official in almost Royal size and attitude. It was found inside the largest funerary chapel in Qaw el-Kebir, built of governor Wahka II around 1850 BC, The style indicates a date about a century later at a time when local governors did not build large tombs anymore. The statue was therefore installed by another Wahka into his ancestors chapel to keep the memory of his glorious lineage alive. Schiapelli excavations Cat 4265.
  • Ancient Egyptian voitive statue of Nefratari, New Kingdom, 19th -20th Dynasty, (1292-1076 BC, Deir el-Medina. Egyptian Museum, Turin. Cat 1349. white background.<br />
<br />
Queen Ahmose Neferatari, wife and mother of Amenhoptec I show the great devotion she was held in by ancient Egyptians. The inscription on the base name the dedicators of the statue
  • Ancient Egyptian statue of Pawer and his wife Mut, New Kingdom, 18th Dynasty, (1480-1390 BC), Thebes Necropolis. Egyptian Museum, Turin. white background. Drovetti collection. Cat 3057.<br />
<br />
Between the two adults is their son Samut in childhood nudity. The text specifies that the statue was commissioned by Mut.
  • Ancient Egyptian statue of Pawer and his wife Mut, New Kingdom, 18th Dynasty, (1480-1390 BC), Thebes Necropolis. Egyptian Museum, Turin. black background. Drovetti collection. Cat 3057.<br />
<br />
Between the two adults is their son Samut in childhood nudity. The text specifies that the statue was commissioned by Mut.
  • Ancient Egyptian statue of Pawer and his wife Mut, New Kingdom, 18th Dynasty, (1480-1390 BC), Thebes Necropolis. Egyptian Museum, Turin. Grey background. Drovetti collection. Cat 3057.<br />
<br />
Between the two adults is their son Samut in childhood nudity. The text specifies that the statue was commissioned by Mut.
  • Ancient Egyptian statue of Pawer and his wife Mut, New Kingdom, 18th Dynasty, (1480-1390 BC), Thebes Necropolis. Egyptian Museum, Turin. Grey background. Drovetti collection. Cat 3057.<br />
<br />
Between the two adults is their son Samut in childhood nudity. The text specifies that the statue was commissioned by Mut.
  • Ancient Egyptian statue of Pawer and his wife Mut, New Kingdom, 18th Dynasty, (1480-1390 BC), Thebes Necropolis. Egyptian Museum, Turin. black background. Drovetti collection. Cat 3057.<br />
<br />
Between the two adults is their son Samut in childhood nudity. The text specifies that the statue was commissioned by Mut.
  • Ancient Egyptian statue of Pawer and his wife Mut, New Kingdom, 18th Dynasty, (1480-1390 BC), Thebes Necropolis. Egyptian Museum, Turin. white background. Drovetti collection. Cat 3057.<br />
<br />
Between the two adults is their son Samut in childhood nudity. The text specifies that the statue was commissioned by Mut.
  • Ancient Egyptian statue of Pawer and his wife Mut, New Kingdom, 18th Dynasty, (1480-1390 BC), Thebes Necropolis. Egyptian Museum, Turin. Grey background. Drovetti collection. Cat 3057.<br />
<br />
Between the two adults is their son Samut in childhood nudity. The text specifies that the statue was commissioned by Mut.
  • Ancient Egyptian statue of Pawer and his wife Mut, New Kingdom, 18th Dynasty, (1480-1390 BC), Thebes Necropolis. Egyptian Museum, Turin. Grey background. Drovetti collection. Cat 3057.<br />
<br />
Between the two adults is their son Samut in childhood nudity. The text specifies that the statue was commissioned by Mut.
  • Ancient Egyptian statue of Qen, priest of Anukis, sanstone, New Kingdom, 19th Dynasty, (1292-1191 BC), Isalnd of sehel. Egyptian Museum, Turin. black background,<br />
<br />
Qen was a "gods father of Amon of Elephantine and of Khnum, Satis and Anukis". Elephantine is a Greek name of the present day Aswan. The naos, shrine, contains a female wearing a high plumed headdress. She is Anukis goddess of the Nile flood. With the ram-heahed god Khum and the goddess Satis, she formed the triad of the Elephantine. The statue probably comes from the temple of the Triad on Sehel Island just south of Elephantine.. Drovetti collection. Cat 3016.
  • Ancient Egyptian statue of Qen, priest of Anukis, sanstone, New Kingdom, 19th Dynasty, (1292-1191 BC), Isalnd of sehel. Egyptian Museum, Turin. Grey background.<br />
<br />
Qen was a "gods father of Amon of Elephantine and of Khnum, Satis and Anukis". Elephantine is a Greek name of the present day Aswan. The naos, shrine, contains a female wearing a high plumed headdress. She is Anukis goddess of the Nile flood. With the ram-heahed god Khum and the goddess Satis, she formed the triad of the Elephantine. The statue probably comes from the temple of the Triad on Sehel Island just south of Elephantine.. Drovetti collection. Cat 3016.
  • Ancient Egyptian statue of Iteti, sandstone, Old Kingdom, 5th Dynasty, (2500-2400 BC), Mastaba. Egyptian Museum, Turin. Grey background.<br />
<br />
Fragmentary sandstone statue inscribed for Iteti, identified as "inspector of wab-priests of the pyramid of Khufu"; Iteti, wearing curly wig and moustache (engraved on face), seated on chair with bull's legs.
  • Ancient Egyptian statue of Iteti, sandstone, Old Kingdom, 5th Dynasty, (2500-2400 BC), Mastaba. Egyptian Museum, Turin. Grey background.<br />
<br />
Fragmentary sandstone statue inscribed for Iteti, identified as "inspector of wab-priests of the pyramid of Khufu"; Iteti, wearing curly wig and moustache (engraved on face), seated on chair with bull's legs.
  • Ancient Egyptian statue of the god Ptah, granodiorite, New Kingdom, 18th Dynasty, (1390-1353 BC)Karnak. Egyptian Museum, Turin. white background,.<br />
<br />
The statue of the god Ptah is in the likeness of the reigning king Amenhotep III with a youthful almost feminine face, full cheeks, large smiling mouth and fleshy lips. The large almond shaped eyes are characteristic of the period as is the outline of the lips, Drovetti collection. Cat 86
  • Ancient Egyptian statue of the god Ptah, granodiorite, New Kingdom, 18th Dynasty, (1390-1353 BC)Karnak. Egyptian Museum, Turin. black background,<br />
<br />
The statue of the god Ptah is in the likeness of the reigning king Amenhotep III with a youthful almost feminine face, full cheeks, large smiling mouth and fleshy lips. The large almond shaped eyes are characteristic of the period as is the outline of the lips, Drovetti collection. Cat 86
  • Ancient Egyptian statue of the god Ptah, granodiorite, New Kingdom, 18th Dynasty, (1390-1353 BC)Karnak. Egyptian Museum, Turin. <br />
<br />
The statue of the god Ptah is in the likeness of the reigning king Amenhotep III with a youthful almost feminine face, full cheeks, large smiling mouth and fleshy lips. The large almond shaped eyes are characteristic of the period as is the outline of the lips, Drovetti collection. Cat 86
  • Ancient Egyptian statue of the god Ptah, granodiorite, New Kingdom, 18th Dynasty, (1390-1353 BC)Karnak. Egyptian Museum, Turin. Grey background.<br />
<br />
The statue of the god Ptah is in the likeness of the reigning king Amenhotep III with a youthful almost feminine face, full cheeks, large smiling mouth and fleshy lips. The large almond shaped eyes are characteristic of the period as is the outline of the lips, Drovetti collection. Cat 86
  • Ancient Egyptian statue of the god Ptah, granodiorite, New Kingdom, 18th Dynasty, (1390-1353 BC)Karnak. Egyptian Museum, Turin. Grey background.<br />
<br />
The statue of the god Ptah is in the likeness of the reigning king Amenhotep III with a youthful almost feminine face, full cheeks, large smiling mouth and fleshy lips. The large almond shaped eyes are characteristic of the period as is the outline of the lips, Drovetti collection. Cat 86
  • Ancient Egyptian statue of Aanen, second priest to Amon, granodioite, New Kingdom, 18th Dynasty, (1390-1353, Thebes. Egyptian Museum, Turin. <br />
<br />
A dignitary wearing a wig, a long gown and the leopard skin of a priest. Writing on his belt are the names of Amenhotep III, Aanen and an inscription tells us that the statue depicts the astronomer priest Aanen  by saying " one knows the procession of the sky". Aanen was the brother of the queen Teye wife of Amenhotep III. Drovetti collection, cat 1377
  • Ancient Egyptian statue of Aanen, second priest to Amon, granodioite, New Kingdom, 18th Dynasty, (1390-1353, Thebes. Egyptian Museum, Turin. <br />
<br />
A dignitary wearing a wig, a long gown and the leopard skin of a priest. Writing on his belt are the names of Amenhotep III, Aanen and an inscription tells us that the statue depicts the astronomer priest Aanen  by saying " one knows the procession of the sky". Aanen was the brother of the queen Teye wife of Amenhotep III. Drovetti collection, cat 1377
  • Ancient Egyptian statue of Aanen, second priest to Amon, granodioite, New Kingdom, 18th Dynasty, (1390-1353, Thebes. Egyptian Museum, Turin. <br />
<br />
A dignitary wearing a wig, a long gown and the leopard skin of a priest. Writing on his belt are the names of Amenhotep III, Aanen and an inscription tells us that the statue depicts the astronomer priest Aanen  by saying " one knows the procession of the sky". Aanen was the brother of the queen Teye wife of Amenhotep III. Drovetti collection, cat 1377
  • Ancient Egyptian statue of Aanen, second priest to Amon, granodioite, New Kingdom, 18th Dynasty, (1390-1353, Thebes. Egyptian Museum, Turin. <br />
<br />
A dignitary wearing a wig, a long gown and the leopard skin of a priest. Writing on his belt are the names of Amenhotep III, Aanen and an inscription tells us that the statue depicts the astronomer priest Aanen  by saying " one knows the procession of the sky". Aanen was the brother of the queen Teye wife of Amenhotep III. Drovetti collection, cat 1377
  • Ancient Egyptian statue of Aanen, second priest to Amon, granodioite, New Kingdom, 18th Dynasty, (1390-1353, Thebes. Egyptian Museum, Turin. <br />
<br />
A dignitary wearing a wig, a long gown and the leopard skin of a priest. Writing on his belt are the names of Amenhotep III, Aanen and an inscription tells us that the statue depicts the astronomer priest Aanen  by saying " one knows the procession of the sky". Aanen was the brother of the queen Teye wife of Amenhotep III. Drovetti collection, cat 1377
  • Ancient Egyptian statue of a Ram protecting King Amenhotep III, granite, New Kingdom, early 18th Dynasty (1390-1353), Karnak, Temple of Mut. Egyptian Museum, Turin. white background<br />
<br />
a figure of Amenhotep III as Osiris stands between the legs of the Ram. there is a hole in the top of the rams head for the insertion of a solar disk associating it to the god Amon, whose animal form is the ram, and with the sun god Re. The statue may have stood in the Soleb of Nubia. Drovetti Collection. C 836
  • Ancient Egyptian statue of a Ram proytecting King Amenhotep III, granite, New Kingdom, early 18th Dynasty (1390-1353), Karnak, Temple of Mut. Egyptian Museum, Turin. white background<br />
<br />
a figure of Amenhotep III as Osiris stands between the legs of the Ram. there is a hole in the top of the rams head for the insertion of a solar disk associating it to the god Amon, whose animal form is the ram, and with the sun god Re. The statue may have stood in the Soleb of Nubia. Drovetti Collection. C 836
  • Ancient Egyptian statue of a Ram proytecting King Amenhotep III, granite, New Kingdom, early 18th Dynasty (1390-1353), Karnak, Temple of Mut. Egyptian Museum, Turin. black background<br />
<br />
a figure of Amenhotep III as Osiris stands between the legs of the Ram. there is a hole in the top of the rams head for the insertion of a solar disk associating it to the god Amon, whose animal form is the ram, and with the sun god Re. The statue may have stood in the Soleb of Nubia. Drovetti Collection. C 836
  • Ancient Egyptian statue of a Ram proytecting King Amenhotep III, granite, New Kingdom, early 18th Dynasty (1390-1353), Karnak, Temple of Mut. Egyptian Museum, Turin. <br />
<br />
a figure of Amenhotep III as Osiris stands between the legs of the Ram. there is a hole in the top of the rams head for the insertion of a solar disk associating it to the god Amon, whose animal form is the ram, and with the sun god Re. The statue may have stood in the Soleb of Nubia. Drovetti Collection. C 836
  • Ancient Egyptian Sphinx statue, sandstone, New Kingdom, early 19th Dynasty (1292-1250), Karnak, Temple of Amon. Egyptian Museum, Turin. white background<br />
<br />
This sphinx statue show signs of remodelling. the accentuated curves of the eyebrows, the almond shaped eyes and the wide mouth with fleshy lips are still influenced by the late 18th Dynasty style. The long aquiline nose however is typical of Ramesside. The lappets of the nemes headdress and the beard show clear traces of unfinished re-carving. Drovetti Collection. C1409
  • Ancient Egyptian Sphinx statue, sandstone, New Kingdom, early 19th Dynasty (1292-1250), Karnak, Temple of Amon. Egyptian Museum, Turin. black background<br />
<br />
This sphinx statue show signs of remodelling. the accentuated curves of the eyebrows, the almond shaped eyes and the wide mouth with fleshy lips are still influenced by the late 18th Dynasty style. The long aquiline nose however is typical of Ramesside. The lappets of the nemes headdress and the beard show clear traces of unfinished re-carving. Drovetti Collection. C1409
  • Ancient Egyptian Sphinx statue, sandstone, New Kingdom, early 19th Dynasty (1292-1250), Karnak, Temple of Amon. Egyptian Museum, Turin. Grey background<br />
<br />
This sphinx statue show signs of remodelling. the accentuated curves of the eyebrows, the almond shaped eyes and the wide mouth with fleshy lips are still influenced by the late 18th Dynasty style. The long aquiline nose however is typical of Ramesside. The lappets of the nemes headdress and the beard show clear traces of unfinished re-carving. Drovetti Collection. C1409
  • Ancient Roman statue of Pendua and his wife Nefertari, limestone, New Kingdom, 19th Dynasty, (1292-1186 BC),  Deir-el-Medina, Thebes. Egyptian Museum, Turin. white background.<br />
<br />
 Carved in Thebian white limestone the statue of Pendua and his wife Nefertari shows the skill and attention to details of the sculptors of Deir-el-Medina, the worker’s village of those who built the Royal Tombs at Thebes. The theme of the family is echoed by a carving of a daughter between the two figures.
  • Ancient Egyptian statue of goddess Sekhmet, grandodiorite, New Kingdom, 18th & 20thDynasty (1390-1150 BC), Thebes. Egyptian Museum, Turin. white background.<br />
<br />
In this statue of Sekhmet the goddess is called "mistress of Shenut" possibly linking her to the lioness goddess Repyt of Anthribis.  Sekhmet, "the Powerful One" was a fearsome goddess symbolised by her lioness head. Daughter of the sun she personifies the disk of the world during the day. Sekhmet is the angry manifestation of Hathor inflicting the scourges of summer heat, famine and illness which is why the goddess needed to be exorcised every day. Drovetti Collection. C 248
  • Ancient Egyptian statue of goddess Sekhmet, grandodiorite, New Kingdom, 18th & 20thDynasty (1390-1150 BC), Thebes. Egyptian Museum, Turin. Grey Background.<br />
<br />
In this statue of Sekhmet the goddess is called "mistress of Shenut" possibly linking her to the lioness goddess Repyt of Anthribis.  Sekhmet, "the Powerful One" was a fearsome goddess symbolised by her lioness head. Daughter of the sun she personifies the disk of the world during the day. Sekhmet is the angry manifestation of Hathor inflicting the scourges of summer heat, famine and illness which is why the goddess needed to be exorcised every day. Drovetti Collection. C 248
  • Ancient Egyptian statue of goddess Sekhmet, grandodiorite, New Kingdom, 18th & 20thDynasty (1390-1150 BC), Thebes. Egyptian Museum, Turin. Grey Background.<br />
<br />
In this statue of Sekhmet the goddess is called "mistress of Shenut" possibly linking her to the lioness goddess Repyt of Anthribis.  Sekhmet, "the Powerful One" was a fearsome goddess symbolised by her lioness head. Daughter of the sun she personifies the disk of the world during the day. Sekhmet is the angry manifestation of Hathor inflicting the scourges of summer heat, famine and illness which is why the goddess needed to be exorcised every day. Drovetti Collection. C 248
  • Ancient Egyptian statue of goddess Sekhmet, grandodiorite, New Kingdom, 18th & 20thDynasty (1390-1150 BC), Thebes. Egyptian Museum, Turin. Grey Background.<br />
<br />
In this statue of Sekhmet the goddess is called "mistress of Shenut" possibly linking her to the lioness goddess Repyt of Anthribis.  Sekhmet, "the Powerful One" was a fearsome goddess symbolised by her lioness head. Daughter of the sun she personifies the disk of the world during the day. Sekhmet is the angry manifestation of Hathor inflicting the scourges of summer heat, famine and illness which is why the goddess needed to be exorcised every day. Drovetti Collection. C 248
  • Ancient Egyptian statue of goddess Sekhmet, grandodiorite, New Kingdom, 18th & 20thDynasty (1390-1150 BC), Thebes. Egyptian Museum, Turin. Grey Background.<br />
<br />
In this statue of Sekhmet the goddess is called "mistress of Shenut" possibly linking her to the lioness goddess Repyt of Anthribis.  Sekhmet, "the Powerful One" was a fearsome goddess symbolised by her lioness head. Daughter of the sun she personifies the disk of the world during the day. Sekhmet is the angry manifestation of Hathor inflicting the scourges of summer heat, famine and illness which is why the goddess needed to be exorcised every day. Drovetti Collection. C 248
  • Ancient Egyptian statue of goddess Sekhmet, grandodiorite, New Kingdom, 18th & 20thDynasty (1390-1150 BC), Thebes. Egyptian Museum, Turin. black background.<br />
<br />
This statue is unfinished and is in the stage before polishing. Sekhmet, "the Powerful One" was a fearsome goddess symbolised by her lioness head. Daughter of the sun she personifies the disk of the world during the day. Sekhmet is the angry manifestation of Hathor inflicting the scourges of summer heat, famine and illness which is why the goddess needed to be exorcised every day. Drovetti Collection. C 264
  • Ancient Egyptian statue of goddess Sekhmet, grandodiorite, New Kingdom, 18th & 20thDynasty (1390-1150 BC), Thebes. Egyptian Museum, Turin. Grey Background.<br />
<br />
This statue is unfinished and is in the stage before polishing. Sekhmet, "the Powerful One" was a fearsome goddess symbolised by her lioness head. Daughter of the sun she personifies the disk of the world during the day. Sekhmet is the angry manifestation of Hathor inflicting the scourges of summer heat, famine and illness which is why the goddess needed to be exorcised every day. Drovetti Collection. C 264
  • Ancient Egyptian statue of goddess Sekhmet, grandodiorite, New Kingdom, 18th & 20thDynasty (1390-1150 BC), Thebes. Egyptian Museum, Turin. Grey Background.<br />
<br />
This statue is unfinished and is in the stage before polishing. Sekhmet, "the Powerful One" was a fearsome goddess symbolised by her lioness head. Daughter of the sun she personifies the disk of the world during the day. Sekhmet is the angry manifestation of Hathor inflicting the scourges of summer heat, famine and illness which is why the goddess needed to be exorcised every day. Drovetti Collection. C 264
  • Ancient Egyptian statue of goddess Sekhmet, grandodiorite, New Kingdom, 18th & 20thDynasty (1390-1150 BC), Thebes. Egyptian Museum, Turin. Grey Background.<br />
<br />
This statue is unfinished and is in the stage before polishing. Sekhmet, "the Powerful One" was a fearsome goddess symbolised by her lioness head. Daughter of the sun she personifies the disk of the world during the day. Sekhmet is the angry manifestation of Hathor inflicting the scourges of summer heat, famine and illness which is why the goddess needed to be exorcised every day. Drovetti Collection. C 264
  • Ancient Egyptian statue of goddess Sekhmet, grandodiorite, New Kingdom, 18th & 20thDynasty (1390-1150 BC), Thebes. Egyptian Museum, Turin. white background.<br />
<br />
This statue is unfinished and is in the stage before polishing. Sekhmet, "the Powerful One" was a fearsome goddess symbolised by her lioness head. Daughter of the sun she personifies the disk of the world during the day. Sekhmet is the angry manifestation of Hathor inflicting the scourges of summer heat, famine and illness which is why the goddess needed to be exorcised every day. Drovetti Collection. C 264
  • Ancient Egyptian statue of goddess Sekhmet, grandodiorite, New Kingdom, 18th & 20thDynasty (1390-1150 BC), Thebes. Egyptian Museum, Turin. black background.<br />
<br />
This statue is unfinished and is in the stage before polishing. Sekhmet, "the Powerful One" was a fearsome goddess symbolised by her lioness head. Daughter of the sun she personifies the disk of the world during the day. Sekhmet is the angry manifestation of Hathor inflicting the scourges of summer heat, famine and illness which is why the goddess needed to be exorcised every day. Drovetti Collection. C 264
  • Ancient Egyptian statue of goddess Sekhmet, grandodiorite, New Kingdom, 18th & 20thDynasty (1390-1150 BC), Thebes. Egyptian Museum, Turin. Grey Background.<br />
<br />
This statue is unfinished and is in the stage before polishing. Sekhmet, "the Powerful One" was a fearsome goddess symbolised by her lioness head. Daughter of the sun she personifies the disk of the world during the day. Sekhmet is the angry manifestation of Hathor inflicting the scourges of summer heat, famine and illness which is why the goddess needed to be exorcised every day. Drovetti Collection. C 264
  • Ancient Egyptian statue of goddess Sekhmet, grandodiorite, New Kingdom, 18th & 20thDynasty (1390-1150 BC), Thebes. Egyptian Museum, Turin. Grey Background.<br />
<br />
This statue is unfinished and is in the stage before polishing. Sekhmet, "the Powerful One" was a fearsome goddess symbolised by her lioness head. Daughter of the sun she personifies the disk of the world during the day. Sekhmet is the angry manifestation of Hathor inflicting the scourges of summer heat, famine and illness which is why the goddess needed to be exorcised every day. Drovetti Collection. C 264
  • Ancient Egyptian statue of Ramesses II , granite, New Kingdom, 18th Dynasty, (1500-1400 BC, Karnak, Temple of Mut. Egyptian Museum, Turin. Grey background.<br />
<br />
The statue depicting Ramesses II  was reworked over a statue of an earlier pharaoh. This can be seen around the corners of the mouth which show reworking. The roundness of the face and short apron also point to an earlier style.  Ramesses II is depicted praying with his arms out straight and his hands resting flat on the apron of his kilt.
  • Ancient Egyptian statue of king Horemheb & his wife Mutnedjemet, granodiorite, New Kingdom, 18th Dynasty, (1319-1292 BC), Karnak, Temple of Amon. Egyptian Museum, Turin. black background.<br />
<br />
Queen Mutnedjemet is depicted in the role of Hathor, the sun god, embracing her husband. The statue is unfinished with details missing including the stripes in the Royal kilt, the wings of a vulture on the queens headdress and bound enemies on one side of the throne. On the back of the throne is a long inscription recording the coronation of Horemheb who was the general of Tutenkhamun before ascending to the throne. Drovetto collection. C 1379.
  • Ancient Egyptian statue of king Horemheb & his wife Mutnedjemet, granodiorite, New Kingdom, 18th Dynasty, (1319-1292 BC), Karnak, Temple of Amon. Egyptian Museum, Turin. Grey Background.<br />
<br />
Queen Mutnedjemet is depicted in the role of Hathor, the sun god, embracing her husband. The statue is unfinished with details missing including the stripes in the Royal kilt, the wings of a vulture on the queens headdress and bound enemies on one side of the throne. On the back of the throne is a long inscription recording the coronation of Horemheb who was the general of Tutenkhamun before ascending to the throne. Drovetto collection. C 1379.
  • Ancient Egyptian statue of Ramesses II. granodiorite, New Kingdom, 19th Dynasty, (1279-1213 BC), Karnak, Temple of Amon. Egyptian Museum, Turin. Grey background.<br />
<br />
Ramesses II is depicted in all his majesty in this ststue. He wears a Khepresh crown and holds the heqa sceptre against his chest. The statue probably belongs to the beginning of Ramesses II reign because of the presence of Queen Nefertari by the throne who died half way through his reign.
  • Ancient Egyptian statue of Ramesses II. granodiorite, New Kingdom, 19th Dynasty, (1279-1213 BC), Karnak, Temple of Amon. Egyptian Museum, Turin. Grey background.<br />
<br />
Ramesses II is depicted in all his majesty in this ststue. He wears a Khepresh crown and holds the heqa sceptre against his chest. The statue probably belongs to the beginning of Ramesses II reign because of the presence of Queen Nefertari by the throne who died half way through his reign.
  • Ancient Egyptian statue of Ramesses II. granodiorite, New Kingdom, 19th Dynasty, (1279-1213 BC), Karnak, Temple of Amon. Egyptian Museum, Turin. Grey background.<br />
<br />
Ramesses II is depicted in all his majesty in this ststue. He wears a Khepresh crown and holds the heqa sceptre against his chest. The statue probably belongs to the beginning of Ramesses II reign because of the presence of Queen Nefertari by the throne who died half way through his reign.
  • Ancient Egyptian statue of Ramesses II. granodiorite, New Kingdom, 19th Dynasty, (1279-1213 BC), Karnak, Temple of Amon. Egyptian Museum, Turin. white background.<br />
<br />
Ramesses II is depicted in all his majesty in this ststue. He wears a Khepresh crown and holds the heqa sceptre against his chest. The statue probably belongs to the beginning of Ramesses II reign because of the presence of Queen Nefertari by the throne who died half way through his reign.
  • Ancient Egyptian statue of Ramesses II. granodiorite, New Kingdom, 19th Dynasty, (1279-1213 BC), Karnak, Temple of Amon. Egyptian Museum, Turin. Black background.<br />
<br />
Ramesses II is depicted in all his majesty in this ststue. He wears a Khepresh crown and holds the heqa sceptre against his chest. The statue probably belongs to the beginning of Ramesses II reign because of the presence of Queen Nefertari by the throne who died half way through his reign.
  • Ancient Egyptian statue of Ramesses II. granodiorite, New Kingdom, 19th Dynasty, (1279-1213 BC), Karnak, Temple of Amon. Egyptian Museum, Turin. Grey background.<br />
<br />
Ramesses II is depicted in all his majesty in this ststue. He wears a Khepresh crown and holds the heqa sceptre against his chest. The statue probably belongs to the beginning of Ramesses II reign because of the presence of Queen Nefertari by the throne who died half way through his reign.
  • Ancient Egyptian statue of Ramesses II. granodiorite, New Kingdom, 19th Dynasty, (1279-1213 BC), Karnak, Temple of Amon. Egyptian Museum, Turin. Grey background.<br />
<br />
Ramesses II is depicted in all his majesty in this ststue. He wears a Khepresh crown and holds the heqa sceptre against his chest. The statue probably belongs to the beginning of Ramesses II reign because of the presence of Queen Nefertari by the throne who died half way through his reign.
  • Ancient Egyptian statue of Ramesses II. granodiorite, New Kingdom, 19th Dynasty, (1279-1213 BC), Karnak, Temple of Amon. Egyptian Museum, Turin. white background.<br />
<br />
Ramesses II is depicted in all his majesty in this ststue. He wears a Khepresh crown and holds the heqa sceptre against his chest. The statue probably belongs to the beginning of Ramesses II reign because of the presence of Queen Nefertari by the throne who died half way through his reign.
  • Ancient Egyptian statue of Ramesses II. granodiorite, New Kingdom, 19th Dynasty, (1279-1213 BC), Karnak, Temple of Amon. Egyptian Museum, Turin. Grey background.<br />
<br />
Ramesses II is depicted in all his majesty in this ststue. He wears a Khepresh crown and holds the heqa sceptre against his chest. The statue probably belongs to the beginning of Ramesses II reign because of the presence of Queen Nefertari by the throne who died half way through his reign.
  • Ancient Egyptian statue of Wahka son of Neferhoptep, Middle Kingdom, 13th Dynasty, (1760 BC), Qaw el-Kebir, Tomb 7. Egyptian Museum, Turin. Grey background. <br />
<br />
This exceptional example of a private sculpture depicts a provincial official in almost Royal size and attitude. It was found inside the largest funerary chapel in Qaw el-Kebir, built of governor Wahka II around 1850 BC, The style indicates a date about a century later at a time when local governors did not build large tombs anymore. The statue was therefore installed by another Wahka into his ancestors chapel to keep the memory of his glorious lineage alive. Schiapelli excavations Cat 4265.
  • Ancient Egyptian statue of Wahka son of Neferhoptep, Middle Kingdom, 13th Dynasty, (1760 BC), Qaw el-Kebir, Tomb 7. Egyptian Museum, Turin. Grey background. <br />
<br />
This exceptional example of a private sculpture depicts a provincial official in almost Royal size and attitude. It was found inside the largest funerary chapel in Qaw el-Kebir, built of governor Wahka II around 1850 BC, The style indicates a date about a century later at a time when local governors did not build large tombs anymore. The statue was therefore installed by another Wahka into his ancestors chapel to keep the memory of his glorious lineage alive. Schiapelli excavations Cat 4265.
  • Ancient Egyptian statue of Qen, priest of Anukis, sanstone, New Kingdom, 19th Dynasty, (1292-1191 BC), Isalnd of sehel. Egyptian Museum, Turin. white background.<br />
<br />
Qen was a "gods father of Amon of Elephantine and of Khnum, Satis and Anukis". Elephantine is a Greek name of the present day Aswan. The naos, shrine, contains a female wearing a high plumed headdress. She is Anukis goddess of the Nile flood. With the ram-heahed god Khum and the goddess Satis, she formed the triad of the Elephantine. The statue probably comes from the temple of the Triad on Sehel Island just south of Elephantine.. Drovetti collection. Cat 3016.
  • Ancient Egyptian statue of Qen, priest of Anukis, sanstone, New Kingdom, 19th Dynasty, (1292-1191 BC), Isalnd of sehel. Egyptian Museum, Turin. <br />
<br />
Qen was a "gods father of Amon of Elephantine and of Khnum, Satis and Anukis". Elephantine is a Greek name of the present day Aswan. The naos, shrine, contains a female wearing a high plumed headdress. She is Anukis goddess of the Nile flood. With the ram-heahed god Khum and the goddess Satis, she formed the triad of the Elephantine. The statue probably comes from the temple of the Triad on Sehel Island just south of Elephantine.. Drovetti collection. Cat 3016.
  • Ancient Egyptian statue of Iteti, sandstone, Old Kingdom, 5th Dynasty, (2500-2400 BC), Mastaba. Egyptian Museum, Turin. white background.<br />
<br />
Fragmentary sandstone statue inscribed for Iteti, identified as "inspector of wab-priests of the pyramid of Khufu"; Iteti, wearing curly wig and moustache (engraved on face), seated on chair with bull's legs.
  • Ancient Egyptian statue of Iteti, sandstone, Old Kingdom, 5th Dynasty, (2500-2400 BC), Mastaba. Egyptian Museum, Turin. black background.<br />
<br />
Fragmentary sandstone statue inscribed for Iteti, identified as "inspector of wab-priests of the pyramid of Khufu"; Iteti, wearing curly wig and moustache (engraved on face), seated on chair with bull's legs.
  • Ancient Egyptian statue of Iteti, sandstone, Old Kingdom, 5th Dynasty, (2500-2400 BC), Mastaba. Egyptian Museum, Turin. <br />
<br />
Fragmentary sandstone statue inscribed for Iteti, identified as "inspector of wab-priests of the pyramid of Khufu"; Iteti, wearing curly wig and moustache (engraved on face), seated on chair with bull's legs.
  • Ancient Egyptian statue of Aanen, second priest to Amon, granodioite, New Kingdom, 18th Dynasty, (1390-1353, Thebes. Egyptian Museum, Turin. <br />
<br />
A dignitary wearing a wig, a long gown and the leopard skin of a priest. Writing on his belt are the names of Amenhotep III, Aanen and an inscription tells us that the statue depicts the astronomer priest Aanen  by saying " one knows the procession of the sky". Aanen was the brother of the queen Teye wife of Amenhotep III. Drovetti collection, cat 1377
  • Ancient Egyptian statue of Aanen, second priest to Amon, granodioite, New Kingdom, 18th Dynasty, (1390-1353, Thebes. Egyptian Museum, Turin. <br />
<br />
A dignitary wearing a wig, a long gown and the leopard skin of a priest. Writing on his belt are the names of Amenhotep III, Aanen and an inscription tells us that the statue depicts the astronomer priest Aanen  by saying " one knows the procession of the sky". Aanen was the brother of the queen Teye wife of Amenhotep III. Drovetti collection, cat 1377
  • Ancient Egyptian statue of a Ram protecting King Amenhotep III, granite, New Kingdom, early 18th Dynasty (1390-1353), Karnak, Temple of Mut. Egyptian Museum, Turin. Black background<br />
<br />
a figure of Amenhotep III as Osiris stands between the legs of the Ram. there is a hole in the top of the rams head for the insertion of a solar disk associating it to the god Amon, whose animal form is the ram, and with the sun god Re. The statue may have stood in the Soleb of Nubia. Drovetti Collection. C 836
  • Ancient Egyptian statue of a Ram protecting King Amenhotep III, granite, New Kingdom, early 18th Dynasty (1390-1353), Karnak, Temple of Mut. Egyptian Museum, Turin. <br />
<br />
a figure of Amenhotep III as Osiris stands between the legs of the Ram. there is a hole in the top of the rams head for the insertion of a solar disk associating it to the god Amon, whose animal form is the ram, and with the sun god Re. The statue may have stood in the Soleb of Nubia. Drovetti Collection. C 836
  • Ancient Egyptian statue of a Ram proytecting King Amenhotep III, granite, New Kingdom, early 18th Dynasty (1390-1353), Karnak, Temple of Mut. Egyptian Museum, Turin. Grey background<br />
<br />
a figure of Amenhotep III as Osiris stands between the legs of the Ram. there is a hole in the top of the rams head for the insertion of a solar disk associating it to the god Amon, whose animal form is the ram, and with the sun god Re. The statue may have stood in the Soleb of Nubia. Drovetti Collection. C 836
  • Ancient Egyptian statue of a Ram proytecting King Amenhotep III, granite, New Kingdom, early 18th Dynasty (1390-1353), Karnak, Temple of Mut. Egyptian Museum, Turin. Grey background<br />
<br />
a figure of Amenhotep III as Osiris stands between the legs of the Ram. there is a hole in the top of the rams head for the insertion of a solar disk associating it to the god Amon, whose animal form is the ram, and with the sun god Re. The statue may have stood in the Soleb of Nubia. Drovetti Collection. C 836
  • Ancient Egyptian Sphinx statue, sandstone, New Kingdom, early 19th Dynasty (1292-1250), Karnak, Temple of Amon. Egyptian Museum, Turin. Grey background<br />
<br />
This sphinx statue show signs of remodelling. the accentuated curves of the eyebrows, the almond shaped eyes and the wide mouth with fleshy lips are still influenced by the late 18th Dynasty style. The long aquiline nose however is typical of Ramesside. The lappets of the nemes headdress and the beard show clear traces of unfinished re-carving. Drovetti Collection. C1409
  • Ancient Roman statue of Pendua and his wife Nefertari, limestone, New Kingdom, 19th Dynasty, (1292-1186 BC),  Deir-el-Medina, Thebes. Egyptian Museum, Turin. white background.<br />
<br />
 Carved in Thebian white limestone the statue of Pendua and his wife Nefertari shows the skill and attention to details of the sculptors of Deir-el-Medina, the worker’s village of those who built the Royal Tombs at Thebes. The theme of the family is echoed by a carving of a daughter between the two figures.
  • Ancient Roman statue of Pendua and his wife Nefertari, limestone, New Kingdom, 19th Dynasty, (1292-1186 BC),  Deir-el-Medina, Thebes. Egyptian Museum, Turin. black background.<br />
<br />
 Carved in Thebian white limestone the statue of Pendua and his wife Nefertari shows the skill and attention to details of the sculptors of Deir-el-Medina, the worker’s village of those who built the Royal Tombs at Thebes. The theme of the family is echoed by a carving of a daughter between the two figures.
  • Ancient Roman statue of Pendua and his wife Nefertari, limestone, New Kingdom, 19th Dynasty, (1292-1186 BC),  Deir-el-Medina, Thebes. Egyptian Museum, Turin. .<br />
<br />
 Carved in Thebian white limestone the statue of Pendua and his wife Nefertari shows the skill and attention to details of the sculptors of Deir-el-Medina, the worker’s village of those who built the Royal Tombs at Thebes. The theme of the family is echoed by a carving of a daughter between the two figures.
  • Ancient Roman statue of Pendua and his wife Nefertari, limestone, New Kingdom, 19th Dynasty, (1292-1186 BC),  Deir-el-Medina, Thebes. Egyptian Museum, Turin. black background.<br />
<br />
 Carved in Thebian white limestone the statue of Pendua and his wife Nefertari shows the skill and attention to details of the sculptors of Deir-el-Medina, the worker’s village of those who built the Royal Tombs at Thebes. The theme of the family is echoed by a carving of a daughter between the two figures.
  • Ancient Roman statue of Pendua and his wife Nefertari, limestone, New Kingdom, 19th Dynasty, (1292-1186 BC),  Deir-el-Medina, Thebes. Egyptian Museum, Turin. Grey background.<br />
<br />
 Carved in Thebian white limestone the statue of Pendua and his wife Nefertari shows the skill and attention to details of the sculptors of Deir-el-Medina, the worker’s village of those who built the Royal Tombs at Thebes. The theme of the family is echoed by a carving of a daughter between the two figures.
  • Ancient Roman statue of Pendua and his wife Nefertari, limestone, New Kingdom, 19th Dynasty, (1292-1186 BC),  Deir-el-Medina, Thebes. Egyptian Museum, Turin. Grey background.<br />
<br />
 Carved in Thebian white limestone the statue of Pendua and his wife Nefertari shows the skill and attention to details of the sculptors of Deir-el-Medina, the worker’s village of those who built the Royal Tombs at Thebes. The theme of the family is echoed by a carving of a daughter between the two figures.
  • Ancient Egyptian statue of goddess Sekhmet, grandodiorite, New Kingdom, 18th & 20thDynasty (1390-1150 BC), Thebes. Egyptian Museum, Turin. black background.<br />
<br />
In this statue of Sekhmet the goddess is called "mistress of Shenut" possibly linking her to the lioness goddess Repyt of Anthribis.  Sekhmet, "the Powerful One" was a fearsome goddess symbolised by her lioness head. Daughter of the sun she personifies the disk of the world during the day. Sekhmet is the angry manifestation of Hathor inflicting the scourges of summer heat, famine and illness which is why the goddess needed to be exorcised every day. Drovetti Collection. C 248
  • Ancient Egyptian statue of goddess Sekhmet, grandodiorite, New Kingdom, 18th & 20thDynasty (1390-1150 BC), Thebes. Egyptian Museum, Turin. white background.<br />
<br />
In this statue of Sekhmet the goddess is called "mistress of Shenut" possibly linking her to the lioness goddess Repyt of Anthribis.  Sekhmet, "the Powerful One" was a fearsome goddess symbolised by her lioness head. Daughter of the sun she personifies the disk of the world during the day. Sekhmet is the angry manifestation of Hathor inflicting the scourges of summer heat, famine and illness which is why the goddess needed to be exorcised every day. Drovetti Collection. C 248
  • Ancient Egyptian statue of goddess Sekhmet, grandodiorite, New Kingdom, 18th & 20thDynasty (1390-1150 BC), Thebes. Egyptian Museum, Turin. Grey Background.<br />
<br />
In this statue of Sekhmet the goddess is called "mistress of Shenut" possibly linking her to the lioness goddess Repyt of Anthribis.  Sekhmet, "the Powerful One" was a fearsome goddess symbolised by her lioness head. Daughter of the sun she personifies the disk of the world during the day. Sekhmet is the angry manifestation of Hathor inflicting the scourges of summer heat, famine and illness which is why the goddess needed to be exorcised every day. Drovetti Collection. C 248
  • Ancient Egyptian statue of goddess Sekhmet, grandodiorite, New Kingdom, 18th & 20thDynasty (1390-1150 BC), Thebes. Egyptian Museum, Turin. white background.<br />
<br />
This statue is unfinished and is in the stage before polishing. Sekhmet, "the Powerful One" was a fearsome goddess symbolised by her lioness head. Daughter of the sun she personifies the disk of the world during the day. Sekhmet is the angry manifestation of Hathor inflicting the scourges of summer heat, famine and illness which is why the goddess needed to be exorcised every day. Drovetti Collection. C 264
  • Ancient Egyptian statue of Ramesses II. granodiorite, New Kingdom, 19th Dynasty, (1279-1213 BC), Karnak, Temple of Amon. Egyptian Museum, Turin. white background.<br />
<br />
Ramesses II is depicted in all his majesty in this ststue. He wears a Khepresh crown and holds the heqa sceptre against his chest. The statue probably belongs to the beginning of Ramesses II reign because of the presence of Queen Nefertari by the throne who died half way through his reign.
  • Ancient Egyptian statue of Ramesses II. granodiorite, New Kingdom, 19th Dynasty, (1279-1213 BC), Karnak, Temple of Amon. Egyptian Museum, Turin. Grey background.<br />
<br />
Ramesses II is depicted in all his majesty in this ststue. He wears a Khepresh crown and holds the heqa sceptre against his chest. The statue probably belongs to the beginning of Ramesses II reign because of the presence of Queen Nefertari by the throne who died half way through his reign.
  • Ancient Egyptian statue of Ramesses II. granodiorite, New Kingdom, 19th Dynasty, (1279-1213 BC), Karnak, Temple of Amon. Egyptian Museum, Turin. Black background.<br />
<br />
Ramesses II is depicted in all his majesty in this ststue. He wears a Khepresh crown and holds the heqa sceptre against his chest. The statue probably belongs to the beginning of Ramesses II reign because of the presence of Queen Nefertari by the throne who died half way through his reign.
  • Ancient Egyptian statue of Ramesses II. granodiorite, New Kingdom, 19th Dynasty, (1279-1213 BC), Karnak, Temple of Amon. Egyptian Museum, Turin. Grey background.<br />
<br />
Ramesses II is depicted in all his majesty in this ststue. He wears a Khepresh crown and holds the heqa sceptre against his chest. The statue probably belongs to the beginning of Ramesses II reign because of the presence of Queen Nefertari by the throne who died half way through his reign.
  • Ancient Egyptian statue of a Ram protecting King Amenhotep III, granite, New Kingdom, early 18th Dynasty (1390-1353), Karnak, Temple of Mut. Egyptian Museum, Turin. Grey background<br />
<br />
a figure of Amenhotep III as Osiris stands between the legs of the Ram. there is a hole in the top of the rams head for the insertion of a solar disk associating it to the god Amon, whose animal form is the ram, and with the sun god Re. The statue may have stood in the Soleb of Nubia. Drovetti Collection. C 836
  • Ancient Roman statue of Pendua and his wife Nefertari, limestone, New Kingdom, 19th Dynasty, (1292-1186 BC),  Deir-el-Medina, Thebes. Egyptian Museum, Turin. Grey background.<br />
<br />
 Carved in Thebian white limestone the statue of Pendua and his wife Nefertari shows the skill and attention to details of the sculptors of Deir-el-Medina, the worker’s village of those who built the Royal Tombs at Thebes. The theme of the family is echoed by a carving of a daughter between the two figures.
  • Ancient Roman statue of Pendua and his wife Nefertari, limestone, New Kingdom, 19th Dynasty, (1292-1186 BC),  Deir-el-Medina, Thebes. Egyptian Museum, Turin. Grey background.<br />
<br />
 Carved in Thebian white limestone the statue of Pendua and his wife Nefertari shows the skill and attention to details of the sculptors of Deir-el-Medina, the worker’s village of those who built the Royal Tombs at Thebes. The theme of the family is echoed by a carving of a daughter between the two figures.
  • Ancient Roman statue of Pendua and his wife Nefertari, limestone, New Kingdom, 19th Dynasty, (1292-1186 BC),  Deir-el-Medina, Thebes. Egyptian Museum, Turin. .<br />
<br />
 Carved in Thebian white limestone the statue of Pendua and his wife Nefertari shows the skill and attention to details of the sculptors of Deir-el-Medina, the worker’s village of those who built the Royal Tombs at Thebes. The theme of the family is echoed by a carving of a daughter between the two figures.
  • Ancient Egyptian statue of Ramesses II. granodiorite, New Kingdom, 19th Dynasty, (1279-1213 BC), Karnak, Temple of Amon. Egyptian Museum, Turin. Grey background.<br />
<br />
Ramesses II is depicted in all his majesty in this ststue. He wears a Khepresh crown and holds the heqa sceptre against his chest. The statue probably belongs to the beginning of Ramesses II reign because of the presence of Queen Nefertari by the throne who died half way through his reign.
  • Ancient Egyptian Sphinx statue, sandstone, New Kingdom, early 19th Dynasty (1292-1250), Karnak, Temple of Amon. Egyptian Museum, Turin. white background.<br />
<br />
The Phatoah and queen could be represented by Sphinx statues and by associating human faces with the body of a lion the Egyptians combined the strength of the animal that was connected to the sun god with human inetelligence. In this guardian rols sphinxes were generally placed facing each other on either side of temple gates, processional ways or dooways inside the temple. . Drovetti Collection. C1408
  • Ancient Egyptian Sphinx statue, sandstone, New Kingdom, early 19th Dynasty (1292-1250), Karnak, Temple of Amon. Egyptian Museum, Turin. black background<br />
<br />
The Phatoah and queen could be represented by Sphinx statues and by associating human faces with the body of a lion the Egyptians combined the strength of the animal that was connected to the sun god with human inetelligence. In this guardian rols sphinxes were generally placed facing each other on either side of temple gates, processional ways or dooways inside the temple. . Drovetti Collection. C1408
  • Ancient Egyptian Sphinx statue, sandstone, New Kingdom, early 19th Dynasty (1292-1250), Karnak, Temple of Amon. Egyptian Museum, Turin. Grey background<br />
<br />
The Phatoah and queen could be represented by Sphinx statues and by associating human faces with the body of a lion the Egyptians combined the strength of the animal that was connected to the sun god with human inetelligence. In this guardian rols sphinxes were generally placed facing each other on either side of temple gates, processional ways or dooways inside the temple. . Drovetti Collection. C1408
  • Ancient Egyptian Sphinx statue, sandstone, New Kingdom, early 19th Dynasty (1292-1250), Karnak, Temple of Amon. Egyptian Museum, Turin. white background.<br />
<br />
The Phatoah and queen could be represented by Sphinx statues and by associating human faces with the body of a lion the Egyptians combined the strength of the animal that was connected to the sun god with human inetelligence. In this guardian rols sphinxes were generally placed facing each other on either side of temple gates, processional ways or dooways inside the temple. . Drovetti Collection. C1408
  • Ancient Egyptian Sphinx statue, sandstone, New Kingdom, early 19th Dynasty (1292-1250), Karnak, Temple of Amon. Egyptian Museum, Turin. Grey background<br />
<br />
The Phatoah and queen could be represented by Sphinx statues and by associating human faces with the body of a lion the Egyptians combined the strength of the animal that was connected to the sun god with human inetelligence. In this guardian rols sphinxes were generally placed facing each other on either side of temple gates, processional ways or dooways inside the temple. . Drovetti Collection. C1408
  • Ancient Egyptian Sphinx statue, sandstone, New Kingdom, early 19th Dynasty (1292-1250), Karnak, Temple of Amon. Egyptian Museum, Turin. <br />
<br />
The Phatoah and queen could be represented by Sphinx statues and by associating human faces with the body of a lion the Egyptians combined the strength of the animal that was connected to the sun god with human inetelligence. In this guardian rols sphinxes were generally placed facing each other on either side of temple gates, processional ways or dooways inside the temple. . Drovetti Collection. C1408
  • Ancient Egyptian Sphinx statue, sandstone, New Kingdom, early 19th Dynasty (1292-1250), Karnak, Temple of Amon. Egyptian Museum, Turin. Grey background<br />
<br />
The Phatoah and queen could be represented by Sphinx statues and by associating human faces with the body of a lion the Egyptians combined the strength of the animal that was connected to the sun god with human inetelligence. In this guardian rols sphinxes were generally placed facing each other on either side of temple gates, processional ways or dooways inside the temple. . Drovetti Collection. C1408
  • Ancient Egyptian Sphinx statue, sandstone, New Kingdom, early 19th Dynasty (1292-1250), Karnak, Temple of Amon. Egyptian Museum, Turin. black background<br />
<br />
The Phatoah and queen could be represented by Sphinx statues and by associating human faces with the body of a lion the Egyptians combined the strength of the animal that was connected to the sun god with human inetelligence. In this guardian rols sphinxes were generally placed facing each other on either side of temple gates, processional ways or dooways inside the temple. . Drovetti Collection. C1408
  • Ancient Egyptian Sphinx statue, sandstone, New Kingdom, early 19th Dynasty (1292-1250), Karnak, Temple of Amon. Egyptian Museum, Turin. Grey background<br />
<br />
The Phatoah and queen could be represented by Sphinx statues and by associating human faces with the body of a lion the Egyptians combined the strength of the animal that was connected to the sun god with human inetelligence. In this guardian rols sphinxes were generally placed facing each other on either side of temple gates, processional ways or dooways inside the temple. . Drovetti Collection. C1408
  • Ancient Egyptian Sphinx statue, sandstone, New Kingdom, early 19th Dynasty (1292-1250), Karnak, Temple of Amon. Egyptian Museum, Turin. Grey background<br />
<br />
The Phatoah and queen could be represented by Sphinx statues and by associating human faces with the body of a lion the Egyptians combined the strength of the animal that was connected to the sun god with human inetelligence. In this guardian rols sphinxes were generally placed facing each other on either side of temple gates, processional ways or dooways inside the temple. . Drovetti Collection. C1408
  • Ancient Egyptian Sphinx statue, sandstone, New Kingdom, early 19th Dynasty (1292-1250), Karnak, Temple of Amon. Egyptian Museum, Turin. black background<br />
<br />
The Phatoah and queen could be represented by Sphinx statues and by associating human faces with the body of a lion the Egyptians combined the strength of the animal that was connected to the sun god with human inetelligence. In this guardian rols sphinxes were generally placed facing each other on either side of temple gates, processional ways or dooways inside the temple. . Drovetti Collection. C1408
  • Ancient Egyptian Sphinx statue, sandstone, New Kingdom, early 19th Dynasty (1292-1250), Karnak, Temple of Amon. Egyptian Museum, Turin. <br />
<br />
The Phatoah and queen could be represented by Sphinx statues and by associating human faces with the body of a lion the Egyptians combined the strength of the animal that was connected to the sun god with human inetelligence. In this guardian rols sphinxes were generally placed facing each other on either side of temple gates, processional ways or dooways inside the temple. . Drovetti Collection. C1408
  • Ancient Egyptian Sphinx statue, sandstone, New Kingdom, early 19th Dynasty (1292-1250), Karnak, Temple of Amon. Egyptian Museum, Turin. Grey background<br />
<br />
The Phatoah and queen could be represented by Sphinx statues and by associating human faces with the body of a lion the Egyptians combined the strength of the animal that was connected to the sun god with human inetelligence. In this guardian rols sphinxes were generally placed facing each other on either side of temple gates, processional ways or dooways inside the temple. . Drovetti Collection. C1408
  • Ancient Egyptian Sphinx statue, sandstone, New Kingdom, early 19th Dynasty (1292-1250), Karnak, Temple of Amon. Egyptian Museum, Turin. <br />
<br />
The Phatoah and queen could be represented by Sphinx statues and by associating human faces with the body of a lion the Egyptians combined the strength of the animal that was connected to the sun god with human inetelligence. In this guardian rols sphinxes were generally placed facing each other on either side of temple gates, processional ways or dooways inside the temple. . Drovetti Collection. C1408
  • Ancient Egyptian Sphinx statue, sandstone, New Kingdom, early 19th Dynasty (1292-1250), Karnak, Temple of Amon. Egyptian Museum, Turin. white background.<br />
<br />
The Phatoah and queen could be represented by Sphinx statues and by associating human faces with the body of a lion the Egyptians combined the strength of the animal that was connected to the sun god with human inetelligence. In this guardian rols sphinxes were generally placed facing each other on either side of temple gates, processional ways or dooways inside the temple. . Drovetti Collection. C1408
  • Colossal ancient Egyptian statue of Sethy II, sandstone, New Kingdom, 19th Dynasty, (1202-1198 BC), Karnak Temple of Amon. Egyptian Museum, Turin. black background.<br />
<br />
A striking monumental sculpture expresses the strength of Sethy II who is depicted with his muscular left leg forward to express jis capability. He holds the standard of Amon depicted on it. It stood in the courtyard of the temple at Karnak along with a sister statue, now in the Louvre.Drovetti Collection. C 1383
  • Colossal ancient Egyptian statue of Sethy II, sandstone, New Kingdom, 19th Dynasty, (1202-1198 BC), Karnak Temple of Amon. Egyptian Museum, Turin. Grey background.<br />
<br />
A striking monumental sculpture expresses the strength of Sethy II who is depicted with his muscular left leg forward to express jis capability. He holds the standard of Amon depicted on it. It stood in the courtyard of the temple at Karnak along with a sister statue, now in the Louvre.Drovetti Collection. C 1383
  • Colossal ancient Egyptian statue of Sethy II, sandstone, New Kingdom, 19th Dynasty, (1202-1198 BC), Karnak Temple of Amon. Egyptian Museum, Turin. black background.<br />
<br />
A striking monumental sculpture expresses the strength of Sethy II who is depicted with his muscular left leg forward to express jis capability. He holds the standard of Amon depicted on it. It stood in the courtyard of the temple at Karnak along with a sister statue, now in the Louvre.Drovetti Collection. C 1383
  • Colossal ancient Egyptian statue of Sethy II, sandstone, New Kingdom, 19th Dynasty, (1202-1198 BC), Karnak Temple of Amon. Egyptian Museum, Turin. Grey background.<br />
<br />
A striking monumental sculpture expresses the strength of Sethy II who is depicted with his muscular left leg forward to express jis capability. He holds the standard of Amon depicted on it. It stood in the courtyard of the temple at Karnak along with a sister statue, now in the Louvre.Drovetti Collection. C 1383
  • Colossal ancient Egyptian statue of Sethy II, sandstone, New Kingdom, 19th Dynasty, (1202-1198 BC), Karnak Temple of Amon. Egyptian Museum, Turin. Grey background.<br />
<br />
A striking monumental sculpture expresses the strength of Sethy II who is depicted with his muscular left leg forward to express jis capability. He holds the standard of Amon depicted on it. It stood in the courtyard of the temple at Karnak along with a sister statue, now in the Louvre.Drovetti Collection. C 1383
  • Colossal ancient Egyptian statue of Sethy II, sandstone, New Kingdom, 19th Dynasty, (1202-1198 BC), Karnak Temple of Amon. Egyptian Museum, Turin. Grey background.<br />
<br />
A striking monumental sculpture expresses the strength of Sethy II who is depicted with his muscular left leg forward to express jis capability. He holds the standard of Amon depicted on it. It stood in the courtyard of the temple at Karnak along with a sister statue, now in the Louvre.Drovetti Collection. C 1383
  • Colossal ancient Egyptian statue of Sethy II, sandstone, New Kingdom, 19th Dynasty, (1202-1198 BC), Karnak Temple of Amon. Egyptian Museum, Turin. white background.<br />
<br />
A striking monumental sculpture expresses the strength of Sethy II who is depicted with his muscular left leg forward to express jis capability. He holds the standard of Amon depicted on it. It stood in the courtyard of the temple at Karnak along with a sister statue, now in the Louvre.Drovetti Collection. C 1383
  • Colossal ancient Egyptian statue of Sethy II, sandstone, New Kingdom, 19th Dynasty, (1202-1198 BC), Karnak Temple of Amon. Egyptian Museum, Turin. Grey background.<br />
<br />
A striking monumental sculpture expresses the strength of Sethy II who is depicted with his muscular left leg forward to express jis capability. He holds the standard of Amon depicted on it. It stood in the courtyard of the temple at Karnak along with a sister statue, now in the Louvre.Drovetti Collection. C 1383
  • Colossal ancient Egyptian statue of Sethy II, sandstone, New Kingdom, 19th Dynasty, (1202-1198 BC), Karnak Temple of Amon. Egyptian Museum, Turin. Grey background.<br />
<br />
A striking monumental sculpture expresses the strength of Sethy II who is depicted with his muscular left leg forward to express jis capability. He holds the standard of Amon depicted on it. It stood in the courtyard of the temple at Karnak along with a sister statue, now in the Louvre.Drovetti Collection. C 1383
  • Colossal ancient Egyptian statue of Sethy II, sandstone, New Kingdom, 19th Dynasty, (1202-1198 BC), Karnak Temple of Amon. Egyptian Museum, Turin. white background.<br />
<br />
A striking monumental sculpture expresses the strength of Sethy II who is depicted with his muscular left leg forward to express jis capability. He holds the standard of Amon depicted on it. It stood in the courtyard of the temple at Karnak along with a sister statue, now in the Louvre.Drovetti Collection. C 1383
  • Colossal ancient Egyptian statue of Sethy II, sandstone, New Kingdom, 19th Dynasty, (1202-1198 BC), Karnak Temple of Amon. Egyptian Museum, Turin. Grey background.<br />
<br />
A striking monumental sculpture expresses the strength of Sethy II who is depicted with his muscular left leg forward to express jis capability. He holds the standard of Amon depicted on it. It stood in the courtyard of the temple at Karnak along with a sister statue, now in the Louvre.Drovetti Collection. C 1383
  • Colossal ancient Egyptian statue of Sethy II, sandstone, New Kingdom, 19th Dynasty, (1202-1198 BC), Karnak Temple of Amon. Egyptian Museum, Turin. Grey background.<br />
<br />
A striking monumental sculpture expresses the strength of Sethy II who is depicted with his muscular left leg forward to express jis capability. He holds the standard of Amon depicted on it. It stood in the courtyard of the temple at Karnak along with a sister statue, now in the Louvre.Drovetti Collection. C 1383
  • Colossal ancient Egyptian statue of Sethy II, sandstone, New Kingdom, 19th Dynasty, (1202-1198 BC), Karnak Temple of Amon. Egyptian Museum, Turin. white background.<br />
<br />
A striking monumental sculpture expresses the strength of Sethy II who is depicted with his muscular left leg forward to express jis capability. He holds the standard of Amon depicted on it. It stood in the courtyard of the temple at Karnak along with a sister statue, now in the Louvre.Drovetti Collection. C 1383
  • Colossal ancient Egyptian statue of Sethy II, sandstone, New Kingdom, 19th Dynasty, (1202-1198 BC), Karnak Temple of Amon. Egyptian Museum, Turin. Grey background.<br />
<br />
A striking monumental sculpture expresses the strength of Sethy II who is depicted with his muscular left leg forward to express jis capability. He holds the standard of Amon depicted on it. It stood in the courtyard of the temple at Karnak along with a sister statue, now in the Louvre.Drovetti Collection. C 1383
  • Colossal ancient Egyptian statue of Sethy II, sandstone, New Kingdom, 19th Dynasty, (1202-1198 BC), Karnak Temple of Amon. Egyptian Museum, Turin. black background.<br />
<br />
A striking monumental sculpture expresses the strength of Sethy II who is depicted with his muscular left leg forward to express jis capability. He holds the standard of Amon depicted on it. It stood in the courtyard of the temple at Karnak along with a sister statue, now in the Louvre.Drovetti Collection. C 1383
  • Ancient Egyptian statue bust of a male, graanodiorite, Late Period, (722-322 BC). Egyptian Museum, Turin. Grey background.  Grey background. Drovetti collection. Cat 3139
  • Ancient Egyptian statue of a queen wearing a clinging dress, sandstone, Ptolemaic Period (332-30BC). Egyptian Museum, Turin. <br />
<br />
Drovetti Collection, Cat 1386
  • Ancient Egyptian statue of goddess Sekhmet, grandodiorite, New Kingdom, 18th & 20thDynasty (1390-1150 BC), Thebes. Egyptian Museum, Turin. Grey Background.<br />
<br />
Sekhmet, "the Powerful One" was a fearsome goddess symbolised by her lioness head. Daughter of the sun she personifies the disk of the world during the day. Sekhmet is the angry manifestation of Hathor inflicting the scourges of summer heat, famine and illness which is why the goddess needed to be exorcised every day. Drovetti Collection. C 255
  • Ancient Egyptian statue of Tuthmosis II, granodorite, New Kingdom, 18th Dynasty, (1479-1425 BC), Karnak, Temple of Amun. Egyptian Museum, Turin. Grey background.<br />
<br />
Tuthmosis II is shown wearing Royal regalia including the shendyt kilt, the nemes headdress and the uraeus cobra on his forehead. Between his legs in a bulls tail, the symbol of power. On the sides of the throne is the sema-tawy, a sign composed of a lotus and papyrus, the symbols od Upper and Lower Egypt. Under the feet of the king are the Nine Bows, the enemies of Egypt. Together these symbolise that the pharaoh keeps the two halves of Egypt together and protects them against her enemies. Drovetti Collection. C 1376
  • Ancient Egyptian statue of Tuthmosis II, granodorite, New Kingdom, 18th Dynasty, (1479-1425 BC), Karnak, Temple of Amun. Egyptian Museum, Turin. Grey background.<br />
<br />
Tuthmosis II is shown wearing Royal regalia including the shendyt kilt, the nemes headdress and the uraeus cobra on his forehead. Between his legs in a bulls tail, the symbol of power. On the sides of the throne is the sema-tawy, a sign composed of a lotus and papyrus, the symbols od Upper and Lower Egypt. Under the feet of the king are the Nine Bows, the enemies of Egypt. Together these symbolise that the pharaoh keeps the two halves of Egypt together and protects them against her enemies. Drovetti Collection. C 1376
  • Female ancient Egyptian statue, New Kingdom, 18th Dynasty, (1480-1390 BC), Thebes Necropolis. Egyptian Museum, Turin. white background. Drovetti collection.
  • Ancient Egyptian statue of Amenmes and his wife Taka, New Kingdom, 18th Dynasty, (1480-1390 BC), Thebes Necropolis. Egyptian Museum, Turin. Grey background. Drovetti collection. Cat 3059
  • Ancient Egyptian statue of Amenmes and his wife Taka, New Kingdom, 18th Dynasty, (1480-1390 BC), Thebes Necropolis. Egyptian Museum, Turin. black background. Drovetti collection. Cat 3059
  • Ancient Egyptian statue of Amenmes and his wife Taka, New Kingdom, 18th Dynasty, (1480-1390 BC), Thebes Necropolis. Egyptian Museum, Turin. Grey background. Drovetti collection. Cat 3059
  • Ancient Egyptian statue of Amenmes and his wife Taka, New Kingdom, 18th Dynasty, (1480-1390 BC), Thebes Necropolis. Egyptian Museum, Turin. Grey background. Drovetti collection. Cat 3059
  • Plaster cast of an ancient Egyptian Thot Baboon statue, reign of Nectanebo (359-342 BC). Campo Marizo, temple of Isis. Egyptian Museum, Turin. white background.<br />
<br />
The original is in the Capitoline Museum Rome. The baboon is an image of Thot, lunar God, creator of hieroglyphic writing and patron of science.
  • Ancient Egyptian statue head of a monarch, limestone, Middle Kingdom, mid 12th Dynasty, (1900-1850 BC), Qqw el-Kebir, tomb of Ibu. Egyptian Museum, Cat 4410 Turin. Grey Background.
  • Ancient Egyptian statue bust of a male, graanodiorite, Late Period, (722-322 BC). Egyptian Museum, Turin. Grey background.  Drovetti collection. Cat 3139
  • Ancient Egyptian statue bust of a male, graanodiorite, Late Period, (722-322 BC). Egyptian Museum, Turin. Grey background.  white background. Drovetti collection. Cat 3139
  • Ancient Egyptian statue of Penmernabu, offering a naos with a rams head on top, limestone, New Kingdom, 19th Dynasty, (1292-1190 BC, Deir el-Medina. Egyptian Museum, Turin. black background.<br />
<br />
Penmernabu is depicted presenting a rams head ontop of a shrine. The ram is sacred to the god Amon-Re. An image of the god is also carved on the statues's right shoulder, while an image of the goddess Ahmes-Nefretari is carved on his left shoulder. . Drovetti collection. Cat 3032.
  • Ancient Egyptian statue of a queen wearing a clinging dress, sandstone, Ptolemaic Period (332-30BC). Egyptian Museum, Turin. Grey background<br />
<br />
Drovetti Collection, Cat 1386
  • Ancient Egyptian statue of a queen wearing a clinging dress, sandstone, Ptolemaic Period (332-30BC). Egyptian Museum, Turin. black background<br />
<br />
Drovetti Collection, Cat 1386
  • Ancient Egyptian statue of goddess Sekhmet, grandodiorite, New Kingdom, 18th & 20thDynasty (1390-1150 BC), Thebes. Egyptian Museum, Turin. Grey Background.<br />
<br />
Sekhmet, "the Powerful One" was a fearsome goddess symbolised by her lioness head. Daughter of the sun she personifies the disk of the world during the day. Sekhmet is the angry manifestation of Hathor inflicting the scourges of summer heat, famine and illness which is why the goddess needed to be exorcised every day. Drovetti Collection. C 255
  • Ancient Egyptian statue of goddess Sekhmet, grandodiorite, New Kingdom, 18th & 20thDynasty (1390-1150 BC), Thebes. Egyptian Museum, Turin. Grey Background.<br />
<br />
Sekhmet, "the Powerful One" was a fearsome goddess symbolised by her lioness head. Daughter of the sun she personifies the disk of the world during the day. Sekhmet is the angry manifestation of Hathor inflicting the scourges of summer heat, famine and illness which is why the goddess needed to be exorcised every day. Drovetti Collection. C 255
  • Ancient Egyptian statue of goddess Sekhmet, grandodiorite, New Kingdom, 18th & 20thDynasty (1156-1150 BC), Thebes. Egyptian Museum, Turin. white background.<br />
<br />
Sekhmet, "the Powerful One" was a fearsome goddess symbolised by her lioness head. Daughter of the sun she personifies the disk of the world during the day. Sekhmet is the angry manifestation of Hathor inflicting the scourges of summer heat, famine and illness which is why the goddess needed to be exorcised every day. Drovetti Collection. C 251
  • Ancient Egyptian statue of goddess Sekhmet, grandodiorite, New Kingdom, 18th & 20thDynasty (1156-1150 BC), Thebes. Egyptian Museum, Turin. Grey Background.<br />
<br />
Sekhmet, "the Powerful One" was a fearsome goddess symbolised by her lioness head. Daughter of the sun she personifies the disk of the world during the day. Sekhmet is the angry manifestation of Hathor inflicting the scourges of summer heat, famine and illness which is why the goddess needed to be exorcised every day. Drovetti Collection. C 251
  • Ancient Egyptian statue of goddess Sekhmet, grandodiorite, New Kingdom, 18th & 20thDynasty (1390-1150 BC), Thebes. Egyptian Museum, Turin. Grey Background.<br />
<br />
Sekhmet, "the Powerful One" was a fearsome goddess symbolised by her lioness head. Daughter of the sun she personifies the disk of the world during the day. Sekhmet is the angry manifestation of Hathor inflicting the scourges of summer heat, famine and illness which is why the goddess needed to be exorcised every day. Drovetti Collection. C 249
  • Ancient Egyptian statue of goddess Sekhmet, grandodiorite, New Kingdom, 18th & 20thDynasty (1390-1150 BC), Thebes. Egyptian Museum, Turin. Grey Background.<br />
<br />
Sekhmet, "the Powerful One" was a fearsome goddess symbolised by her lioness head. Daughter of the sun she personifies the disk of the world during the day. Sekhmet is the angry manifestation of Hathor inflicting the scourges of summer heat, famine and illness which is why the goddess needed to be exorcised every day. Drovetti Collection. C 249
  • Ancient Egyptian statue of goddess Sekhmet, grandodiorite, New Kingdom, 18th & 20thDynasty (1390-1150 BC), Thebes. Egyptian Museum, Turin. Grey Background.<br />
<br />
Sekhmet, "the Powerful One" was a fearsome goddess symbolised by her lioness head. Daughter of the sun she personifies the disk of the world during the day. Sekhmet is the angry manifestation of Hathor inflicting the scourges of summer heat, famine and illness which is why the goddess needed to be exorcised every day. Drovetti Collection. C 263
  • Ancient Egyptian statue of goddess Sekhmet, grandodiorite, New Kingdom, 18th & 20thDynasty (1390-1150 BC), Thebes. Egyptian Museum, Turin. Grey Background.<br />
<br />
Sekhmet, "the Powerful One" was a fearsome goddess symbolised by her lioness head. Daughter of the sun she personifies the disk of the world during the day. Sekhmet is the angry manifestation of Hathor inflicting the scourges of summer heat, famine and illness which is why the goddess needed to be exorcised every day. Drovetti Collection. C 263
  • Ancient Egyptian statue of Tuthmosis II, granodorite, New Kingdom, 18th Dynasty, (1479-1425 BC), Karnak, Temple of Amun. Egyptian Museum, Turin. black background.<br />
<br />
Tuthmosis II is shown wearing Royal regalia including the shendyt kilt, the nemes headdress and the uraeus cobra on his forehead. Between his legs in a bulls tail, the symbol of power. On the sides of the throne is the sema-tawy, a sign composed of a lotus and papyrus, the symbols od Upper and Lower Egypt. Under the feet of the king are the Nine Bows, the enemies of Egypt. Together these symbolise that the pharaoh keeps the two halves of Egypt together and protects them against her enemies. Drovetti Collection. C 1376
  • Ancient Egyptian statue of Tuthmosis II, granodorite, New Kingdom, 18th Dynasty, (1479-1425 BC), Karnak, Temple of Amun. Egyptian Museum, Turin. white background<br />
<br />
Tuthmosis II is shown wearing Royal regalia including the shendyt kilt, the nemes headdress and the uraeus cobra on his forehead. Between his legs in a bulls tail, the symbol of power. On the sides of the throne is the sema-tawy, a sign composed of a lotus and papyrus, the symbols od Upper and Lower Egypt. Under the feet of the king are the Nine Bows, the enemies of Egypt. Together these symbolise that the pharaoh keeps the two halves of Egypt together and protects them against her enemies. Drovetti Collection. C 1376
  • Ancient Egyptian statue of Tuthmosis II, granodorite, New Kingdom, 18th Dynasty, (1479-1425 BC), Karnak, Temple of Amun. Egyptian Museum, Turin. white background<br />
<br />
Tuthmosis II is shown wearing Royal regalia including the shendyt kilt, the nemes headdress and the uraeus cobra on his forehead. Between his legs in a bulls tail, the symbol of power. On the sides of the throne is the sema-tawy, a sign composed of a lotus and papyrus, the symbols od Upper and Lower Egypt. Under the feet of the king are the Nine Bows, the enemies of Egypt. Together these symbolise that the pharaoh keeps the two halves of Egypt together and protects them against her enemies. Drovetti Collection. C 1376
  • Ancient Egyptian statue of Tuthmosis II, granodorite, New Kingdom, 18th Dynasty, (1479-1425 BC), Karnak, Temple of Amun. Egyptian Museum, Turin. Grey background.<br />
<br />
Tuthmosis II is shown wearing Royal regalia including the shendyt kilt, the nemes headdress and the uraeus cobra on his forehead. Between his legs in a bulls tail, the symbol of power. On the sides of the throne is the sema-tawy, a sign composed of a lotus and papyrus, the symbols od Upper and Lower Egypt. Under the feet of the king are the Nine Bows, the enemies of Egypt. Together these symbolise that the pharaoh keeps the two halves of Egypt together and protects them against her enemies. Drovetti Collection. C 1376
  • Ancient Egyptian bronze statue of Osiris, Ptolomaic Period, (722-30 BC). Egyptian Museum, Turin. white background. Old fundCat 39.
  • Ancient Egyptian bronze statue of Osiris, Ptolomaic Period, (722-30 BC). Egyptian Museum, Turin. Grey background. Old fundCat 39.
  • Ancient Egyptian bronze statue of Osiris, Ptolomaic Period, (722-30 BC). Egyptian Museum, Turin. Grey background. Old fundCat 39.

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FunkyStock Picture Library free resource for professional editorial picture editors, picture researchers, historical scholars and students and enthusiasts who want to browse some of the best pictures and images of historic countries, historical places, archaeological sites and the very best museum antiquities and artefacts exhibits in Europe and the Middle East.

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