• Late  Greek Archaic relief sculpture in Proconnesian Marble of a charioteer ( Last quarter 6th Cent. B.C) From Cyzicus, ( Erdek formerly Artàke, Αρτάκη in Greek) on the southern shore of the sea of Marmara, Turkey. Istanbul Archaeological Museum Inv. 2813T Cat. Bursa M.1.
  • Late  Greek Archaic relief sculpture in Proconnesian Marble of a charioteer ( Last quarter 6th Cent. B.C) From Cyzicus, ( Erdek formerly Artàke, Αρτάκη in Greek) on the southern shore of the sea of Marmara, Turkey. Istanbul Archaeological Museum Inv. 2813T Cat. Bursa M.1.
  • Late  Greek Archaic relief sculpture in Proconnesian Marble of a charioteer ( Last quarter 6th Cent. B.C) From Cyzicus, ( Erdek formerly Artàke, Αρτάκη in Greek) on the southern shore of the sea of Marmara, Turkey. Istanbul Archaeological Museum Inv. 2813T Cat. Bursa M.1.
  • Late  Greek Archaic relief sculpture in Proconnesian Marble of a charioteer ( Last quarter 6th Cent. B.C) From Cyzicus, ( Erdek formerly Artàke, Αρτάκη in Greek) on the southern shore of the sea of Marmara, Turkey. Istanbul Archaeological Museum Inv. 2813T Cat. Bursa M.1.
  • Greek Classical Period Statue of Aphrodite made of Parian marble. Restored by the famous Italian Sculptor A. Canova ( 1757 - 1822 ), Aphrodite is standing nude apart from a richly draped himation which she retains with her left hand in front of her pudenda. 4th c. BC. Athens National Archaeological Museum cat No 3524, from the collection of Lord Hope, donated by M. Embeirikos in 1924.<br />
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This statue of Aphrodite is a variant of the Aphrodite (Venus) of Cnidus and is a copy of a 2nd century AD copy of a 4th century  original by the ancient Greek sculptor Praxiteles of Athens. As with the Capitaline Venus, Aphrodite is rising from bathing and is covering her breasts with her right hand, unlike the other known variants of this pose the Aphrodite of the Athens museum is covered from the waste down with a drape.
  • Greek Classical Period Bronze Statue of Zeus or Poseidon found in the sea of Cape Artemision of the north Eastern Euboea Island, Greece.  The God is shown in a great stride about to throw either a trident of a thunderbolt that is now missing from his right hand. The statue is one of the only preserved statues of the preserved style with exquisite rendering of motion & anatomy. The identity of the statue is controversial and is probably more likely to be Zeus rather than Poseidon. 460 BC Ref No X15161 Athens Archaeological Museum
  • Statue of Aphrodite, a 2nd century Roman Copy. This sculpture depicts Aphrodite in the typical pose known as the Modest Aphrodite style or Dresden-Capitoline type and is a copy of a lost 4th century BC Aphrodite of Cnidos sculpture by Athenian sculpture Praxiteles. Naples National Archaeological Museum, Italy
  • 2nd century Roman marble torso copy of the statue of Aphrodite of Cnidus by Praixitele. Many Roman replicas exist of the Aphrodite of Cnidus which is one of the most famous statues of antiquity. The statue depicts the goddess bathing with a vase of water beside her. The lost original is a Hellenistic Greek sculpture made in 360-350 BC which is attributed to Athenian sculpture Praxiteles. Tradition has it that the model for the original was the lover of sculptor Phryne. The original is the oldest known female nude in Greek sculpture. Louvre Museum, Paris. Usual No 2184
  • Aphrodite of Fréjus in the style known as "Venus Genetrix". A 1.64m high Roman statue, dating from the end of the 1st century BC to the start of the 1st century AD, in Parian marble, was discovered at Fréjus (Forum Julii) in 1650. It is considered as the best Roman copy of the lost Greek work. Louvre Museum, Paris<br />
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The Venus Genetrix style of statue depicts Aphrodite (Venus to the Romans) as Genetrix ( Latin for Mother). This sculptural type was adopted by the Julia-Claudian dynasty after Julius Caesar claimed that he was defended from Venus herself.  The original lost Greek statue is attributed to Greek sculpture Callimachus who created a Bronze Aphrodite in 420-410. According to Pliny's Natural History showing her dressed in a light but clinging chiton or peplos, which was lowered on the left shoulder to reveal her left breast and hung down in a sheer face and decoratively carved so as not to hide the outlines of the woman's body. Venus was depicted holding the apple won in the Judgement of Paris in her left hand, whilst her right hand moved to cover her head. From the lost bronze original are derived all surviving copies. The composition was frontal, the body's form monumental, and in the surviving Roman replicas its proportions are close to the Polyclitean, an ancient Greek sculptor in bronze of the fifth century BC.
  • Lely's Venus (Aphrodite). 1st or 2nd cent. AD Roman copy of a Greek original. The goddess Venus id surprised whilst bathing and she nervously turns. Her hair is in the style typical of the time and her pose has been designed to be unrevealing from any angle.  British Museum exhibit, London.<br />
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This sculpture  is a variation on the Classic Hellanistic 3rd to Ist century BC style of Aphrodite crouching to bathe. Aphrodite crouches with her right knee close to the ground, turns her head to the right and, in most versions, reaches her right arm over to her left shoulder to cover her breasts. The sculpture here changes the pattern by raising the right arm to the neck, rather than making her arm cross her chest, this flattens the composition.
  • The Venus of Arles (  Greek Goddess Aphrodite) is a 1.94-metre-high (6.4 ft) marble sculpture of Venus probably a copy of the Aphrodite of Thespiae by 4th century BC Greek Athenian sculpture Praxiteles . Louvre Museum, Paris. <br />
The style of the Venus of Arles, like the Venus de Milo, is not a fully nude figure both having draped clothes from the waist down. The first known example of a totally nude Venus is the 4th century BC  Aphrodite of Cnidus by.Praxiteles  The Venus of Arles was probably an earlier statue by Praxiteles known as the Aphrodite of Thespiae . <br />
The venus of Arles was found in 1651 by workmen digging a well in Arles. In 1681 it was given to Louis XIV to decorate the Galerie des Glaces of Versailles. The statue was moved to the Musée du Louvre after the French Revolution.
  • The Venus of Arles (  Greek Goddess Aphrodite) is a 1.94-metre-high (6.4 ft) marble sculpture of Venus probably a copy of the Aphrodite of Thespiae by 4th century BC Greek Athenian sculpture Praxiteles . Louvre Museum, Paris.
  • Crouching Aphrodite (Venus). 2nd Century Imperial Roman Marble Statue from Italy. Louvre Museum, Paris. Cat No MR 371 
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This sculpture  is a variation on the Classic Hellanistic 3rd to Ist century BC style of Aphrodite crouching to bathe. Aphrodite crouches with her right knee close to the ground, turns her head to the right and, in most versions, reaches her right arm over to her left shoulder to cover her breasts. The sculpture here changes the pattern by raising the right arm to the neck, rather than making her arm cross her chest, this flattens the composition.
  • Venus de Milo ( Aphrodite of Milos ) A 203 cm (6 ft 8 in)  marble statue from the Greek Island of Milos sculpted in 130 and 100 BC thought to be the work of Alexandros of Antioch;. Louvre Museum, Paris. <br />
The Aphrodite of Milos was discovered on 8 April 1820 by a peasant named Yorgos Kentrotas, inside a buried niche within the ancient city ruins of Milos, the current village of Tripiti, on the island of Milos  in the Aegean, which was then a part of the Ottoman Empire. The statue was purchase by the French ambassador to Turkey and it was shipped to France. Legend has it that the statues arms were broken off during transport but this story however proved to be a fabrication – Voutier's drawings of the statue when it was first discovered show that its arms were already missing.<br />
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In 1815, France had returned the Medici Venus,  to the Italians after it had been looted from Italy by Napoleon Bonaparte. The Medici Venus, regarded as one of the finest Classical sculptures in existence, caused the French to promote the Venus de Milo as a greater treasure than that which they recently had lost. The de Milo statue was praised dutifully by many artists and critics as the epitome of graceful female beauty. However, Pierre-Auguste Renoir was among its detractors, labeling it a "big gendarme".
  • This 2nd to 3rd century Italian marble statue of Venus (Aphrodite) is the result of a fit between the bottom of an ancient body, a torso of the XVI century and an ancient face and top of head. The statue follows the style of a modest Aphrodite, known by other Roman replicas are copies of 3rd century BC Hellanistic Greek statues now lost.<br />
Borghese collection, Louvre Museum, Paris. Inv No. MR. 279 (Usual No Ma 369)
  • This 2nd to 3rd century Italian marble statue of Venus (Aphrodite) is the result of a fit between the bottom of an ancient body, a torso of the XVI century and an ancient face and top of head. The statue follows the style of a modest Aphrodite, known by other Roman replicas are copies of 3rd century BC Hellanistic Greek statues now lost.<br />
Borghese collection, Louvre Museum, Paris. Inv No. MR. 279 (Usual No Ma 369)
  • Sleeping Hermaphroditus.  A Life size ancient 2nd century AD Roman statue sculpted in Greek Marble and found in the grounds of Santa Maria della Vittoria, near the Baths of Diocletian, Rome. It was added to the Borghese Collection by Cardinal Scipione Borghese, in the 17th century and was named the "Borghese Hermaphroditus”. It was later sold to the occupying French and was removed it to The Louvre. Hermaphrodite, son of Hermes and Aphrodite had repels the advances of the nymph Salmacis. However, she got Zeus as their two bodies are united in a bisexual being. The Sleeping Hermaphroditus has been described as a good early Imperial Roman copy of a bronze original by the later of the two Hellenistic sculptors named Polycles (150 BC) the original bronze was mentioned in Pliny's Natural History. In 1619  Bernini sculpted the mattress on which the ancient marble of Hermaphrodite lies. Louvre Museum, Paris
  • Sleeping Hermaphroditus.  A Life size ancient 2nd century AD Roman statue sculpted in Greek Marble and found in the grounds of Santa Maria della Vittoria, near the Baths of Diocletian, Rome. It was added to the Borghese Collection by Cardinal Scipione Borghese, in the 17th century and was named the "Borghese Hermaphroditus”. It was later sold to the occupying French and was removed it to The Louvre. Hermaphrodite, son of Hermes and Aphrodite had repels the advances of the nymph Salmacis. However, she got Zeus as their two bodies are united in a bisexual being. The Sleeping Hermaphroditus has been described as a good early Imperial Roman copy of a bronze original by the later of the two Hellenistic sculptors named Polycles (150 BC) the original bronze was mentioned in Pliny's Natural History. In 1619  Bernini sculpted the mattress on which the ancient marble of Hermaphrodite lies. Louvre Museum, Paris
  • Crouching Aphrodite (Venus). 2nd Century Imperial Roman Marble Statue from Italy. Louvre Museum, Paris. Cat No MR 372
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This sculpture  is a variation on the Classic Hellanistic 3rd to Ist century BC style of Aphrodite crouching to bathe. Aphrodite crouches with her right knee close to the ground, turns her head to the right as if looking at somebody and, in most versions, reaches her right arm over to her left shoulder to cover her breasts.
  • Crouching Aphrodite (Venus). 2nd Century Imperial Roman Marble Statue from Italy. Louvre Museum, Paris. Cat No MR 372
<br />
This sculpture  is a variation on the Classic Hellanistic 3rd to Ist century BC style of Aphrodite crouching to bathe. Aphrodite crouches with her right knee close to the ground, turns her head to the right as if looking at somebody and, in most versions, reaches her right arm over to her left shoulder to cover her breasts.
  • Sleeping Hermaphroditus.  A Life size ancient 2nd century AD Roman statue sculpted in Greek Marble and found in the grounds of Santa Maria della Vittoria, near the Baths of Diocletian, Rome. It was added to the Borghese Collection by Cardinal Scipione Borghese, in the 17th century and was named the "Borghese Hermaphroditus”. It was later sold to the occupying French and was removed it to The Louvre. Hermaphrodite, son of Hermes and Aphrodite had repels the advances of the nymph Salmacis. However, she got Zeus as their two bodies are united in a bisexual being. The Sleeping Hermaphroditus has been described as a good early Imperial Roman copy of a bronze original by the later of the two Hellenistic sculptors named Polycles (150 BC) the original bronze was mentioned in Pliny's Natural History. In 1619  Bernini sculpted the mattress on which the ancient marble of Hermaphrodite lies. Louvre Museum, Paris
  • The Three Graces (  Les Trois Grâces ) A 1.19 metres high 2nd century Imperial Roman copy of a circa 330 BC Hellanistic Greek statue.  Found in the Villa Cornovaglia in Rome. Louvre Museum, Paris. Catalogue Number: Louvre Ma 287.<br />
The Three Graces are three nude females that in classic Hellanistic art they are depicted with two facing forward and the middle one facing away. The Three Graces, or Three Charities, of Greek mythology were Aglaia, Euphrosyne, and Thalia. They were the goddesses who symbolised joy, pleasure, grace, beauty, festivity, adornment, dance, and song. Daughters of Zeus and the sea-nymph Eurynome, they were also the attendants, or handmaidens, of Aphrodite and Hera and protectors of vegetation.

  • Artemis and a deer, known as "Diana of Versailles”, a 1st - 2nd century Roman statue in marble probably from Italy.  Artemis, Diana to the Romans, is goddess of the hunt, is accompanied by a deer.  The Diana of Versailles, similar to other Roman replicas was found in Libya or Turkey and was copied from a lost Greek bronze original attributed to Leochares, c. 325 BC .  First the statue was at Fontainbleau then the Louvre ancient hall and finally it went to Versailles. From the collection of Louis XIV, Pope Paul IV and Henry II (1556) . Inv MR 152 ( or Ma 589), Louvre Museum Paris
  • The Three Graces (  Les Trois Grâces ) A 1.19 metres high 2nd century Imperial Roman copy of a circa 330 BC Hellanistic Greek statue.  Found in the Villa Cornovaglia in Rome. Louvre Museum, Paris. Catalogue Number: Louvre Ma 287.<br />
The Three Graces are three nude females that in classic Hellanistic art they are depicted with two facing forward and the middle one facing away. The Three Graces, or Three Charities, of Greek mythology were Aglaia, Euphrosyne, and Thalia. They were the goddesses who symbolised joy, pleasure, grace, beauty, festivity, adornment, dance, and song. Daughters of Zeus and the sea-nymph Eurynome, they were also the attendants, or handmaidens, of Aphrodite and Hera and protectors of vegetation.

  • The Three Graces (  Les Trois Grâces ) A 1.19 metres high 2nd century Imperial Roman copy of a circa 330 BC Hellanistic Greek statue.  Found in the Villa Cornovaglia in Rome. Louvre Museum, Paris. Catalogue Number: Louvre Ma 287.<br />
The Three Graces are three nude females that in classic Hellanistic art they are depicted with two facing forward and the middle one facing away. The Three Graces, or Three Charities, of Greek mythology were Aglaia, Euphrosyne, and Thalia. They were the goddesses who symbolised joy, pleasure, grace, beauty, festivity, adornment, dance, and song. Daughters of Zeus and the sea-nymph Eurynome, they were also the attendants, or handmaidens, of Aphrodite and Hera and protectors of vegetation.

  • Aphrodite, Roman Venus, of Vienne Goddess of Love. This 1st to 2nd century Roman marble copy of a lost Greek original attributed to attibuee Doidalsas Bithynia around 250BC, is of the crouching Venus style. Excavated from the Palace of Mirrors in Saint Romain en Gal (Isere France). The Crouching Venus is a Hellenistic model of Venus surprised at her bath. Venus crouches with her right knee close to the ground, turns her head to the right and, in most versions, reaches her right arm over to her left shoulder to cover her breasts. Louvre Museum, Inv No MNB 1292 ( Usual No Ma 2240)
  • Sculpture of Lapiths and  Centaurs battling from the Metope of the Parthenon on the Acropolis of Athens. South Metope no II. Also known as the Elgin marbles. British Museum London. The Lapith holds a Centaur by the throat. The diagnal of the Lapiths body across the Centaur is often used in Greek Classical art to depict strife.
  • Sculpture of Lapiths and  Centaurs battling from the Metope of the Parthenon on the Acropolis of Athens. South Metope no II. Also known as the Elgin marbles. British Museum London. The Lapith holds a Centaur by the throat. The diagnal of the Lapiths body across the Centaur is often used in Greek Classical art to depict strife.
  • Sculpture of Lapiths and  Centaurs battling from the Metope of the Parthenon on the Acropolis of Athens. South Metope no II. Also known as the Elgin marbles. British Museum London. The Lapith holds a Centaur by the throat. The diagnal of the Lapiths body across the Centaur is often used in Greek Classical art to depict strife.
  • Sculpture of Lapiths and  Centaurs battling from the Metope of the Parthenon on the Acropolis of Athens No III. Also known as the Elgin marbles. British Museum London.
  • Sculpture of Lapiths and  Centaurs battling from the Metope of the Parthenon on the Acropolis of Athens no XXVIII. Also known as the Elgin marbles. British Museum London.
  • Sculpture of Lapiths and  Centaurs battling from the Metope of the Parthenon on the Acropolis of Athens. Also known as the Elgin marbles. British Museum London.
  • Sculpture of Lapiths and  Centaurs battling from the Metope of the Parthenon on the Acropolis of Athens no XXVII. Also known as the Elgin marbles. British Museum London. This is one of the most dramatic compositions of the Metopes with the Lapith preparing to make a final strike and the cloak of the Centaur fanning out
  • Sculpture of Lapiths and  Centaurs battling from the Metope of the Parthenon on the Acropolis of Athens no XXVII. Also known as the Elgin marbles. British Museum London. This is one of the most dramatic compositions of the Metopes with the Lapith preparing to make a final strike and the cloak of the Centaur fanning out
  • Sculpture of Lapiths and  Centaurs battling from the Metope of the Parthenon on the Acropolis of Athens no XXVII. Also known as the Elgin marbles. British Museum London. This is one of the most dramatic compositions of the Metopes with the Lapith preparing to make a final strike and the cloak of the Centaur fanning out
  • Sculpture of Lapiths and  Centaurs battling from the Metope of the Parthenon on the Acropolis of Athens no XXIX. Also known as the Elgin marbles. British Museum London. A Centaur with pointed ears is carrying off a virgin.
  • Sculpture of Lapiths and  Centaurs battling from the Metope of the Parthenon on the Acropolis of Athens no XXIX. Also known as the Elgin marbles. British Museum London. A Centaur with pointed ears is carrying off a virgin.
  • Sculpture of Lapiths and  Centaurs battling from the south east corner Metope of the Parthenon on the Acropolis of Athens no XXXII. Also known as the Elgin marbles. British Museum London.
  • Sculpture of Lapiths and  Centaurs battling from the Metope of the Parthenon on the Acropolis of Athens No III. Also known as the Elgin marbles. British Museum London.
  • Sculpture of Lapiths and  Centaurs battling from the Metope of the Parthenon on the Acropolis of Athens No III. Also known as the Elgin marbles. British Museum London.
  • Sculpture of Lapiths and  Centaurs battling from the Metope of the Parthenon on the Acropolis of Athens no XXVIII. Also known as the Elgin marbles. British Museum London.
  • Sculpture of Lapiths and  Centaurs battling from the Metope of the Parthenon on the Acropolis of Athens no XXVIII. Also known as the Elgin marbles. British Museum London.
  • Sculpture of Lapiths and  Centaurs battling from the Metope of the Parthenon on the Acropolis of Athens. Also known as the Elgin marbles. British Museum London.
  • Sculpture of Lapiths and  Centaurs battling from the Metope of the Parthenon on the Acropolis of Athens. Also known as the Elgin marbles. British Museum London.
  • Sculpture of Lapiths and  Centaurs battling from the Metope of the Parthenon on the Acropolis of Athens no XXIX. Also known as the Elgin marbles. British Museum London. A Centaur with pointed ears is carrying off a virgin.
  • Sculpture of Lapiths and  Centaurs battling from the Metope of the Parthenon on the Acropolis of Athens no XXX. Also known as the Elgin marbles. British Museum London. The Centaur is about to trample the Lapith who is picking up a stone as his final defence.
  • Sculpture of Lapiths and  Centaurs battling from the Metope of the Parthenon on the Acropolis of Athens no XXX. Also known as the Elgin marbles. British Museum London. The Centaur is about to trample the Lapith who is picking up a stone as his final defence.
  • Sculpture of Lapiths and  Centaurs battling from the Metope of the Parthenon on the Acropolis of Athens no XXX. Also known as the Elgin marbles. British Museum London. The Centaur is about to trample the Lapith who is picking up a stone as his final defence.
  • Sculpture of Lapiths and  Centaurs battling from the south east corner Metope of the Parthenon on the Acropolis of Athens no XXXII. Also known as the Elgin marbles. British Museum London.
  • Sculpture of Lapiths and  Centaurs battling from the south east corner Metope of the Parthenon on the Acropolis of Athens no XXXII. Also known as the Elgin marbles. British Museum London.
  • Sculpture of Lapiths and  Centaurs battling from the Metope of the Parthenon on the Acropolis of Athens no XXX. Also known as the Elgin marbles. British Museum London. The Centaur is about to trample the Lapith who is picking up a stone as his final defence.
  • Sculpture of Lapiths and  Centaurs battling from the south east corner Metope of the Parthenon on the Acropolis of Athens no XXXII. Also known as the Elgin marbles. British Museum London.
  • 1st Century BC statue of Aphordite by Menophantos. The casket of the sculpture is inscribed “ of the Aphrodite which is situated in the Troad (Troy) Menophantos made it”. This sculpture depicts Aphrodite in the typical pose known as the Modest Aphrodite style and is a copy of a lost 4th century BC Aphrodite of Cnidos sculpture by Athenian sculpture Praxiteles. Capitoline Museums, Rome
  • 1st Century BC statue of Aphordite by Menophantos. The casket of the sculpture is inscribed “ of the Aphrodite which is situated in the Troad (Troy) Menophantos made it”. This sculpture depicts Aphrodite in the typical pose known as the Modest Aphrodite style and is a copy of a lost 4th century BC Aphrodite of Cnidos sculpture by Athenian sculpture Praxiteles. Capitoline Museums, Rome
  • Aphrodite Crouching whilst bathing. The Goddess of love Aphrodite, Venus to the Romans is depicted crouching whilst bathing, she looks to one side as if surprised by something. In this style of Aphrodite statue her arms stretch across in front of her and her right hand gently touches her right shoulder. In this variant of the style she is accompanied by Eros, traces of whose feet and hand survive, and a swan. This statue is a  2nd century Roman copy of a lost Greek. Hellanistic original of the mid 3rd century BC attributed to the Greek sculptor Doldalsas of Bethynia. This version of Aphrodite Bathing made around AD 117-138 is the most artistically successful version know. Capitoline Museums, Rome
  • Aphrodite Crouching whilst bathing. The Goddess of love Aphrodite, Venus to the Romans is depicted crouching whilst bathing, she looks to one side as if surprised by something. In this style of Aphrodite statue her arms stretch across in front of her and her right hand gently touches her right shoulder. This statue is a  2nd century Roman copy of a lost Greek. Hellanistic original of the mid 3rd century BC attributed to the Greek sculptor Doldalsas of Bethynia. This version of Aphrodite Bathing made around AD 117-138 is the most artistically successful version know. Capitoline Museums, Rome
  • Aphrodite Crouching whilst bathing. The Goddess of love Aphrodite, Venus to the Romans is depicted crouching whilst bathing, she looks to one side as if surprised by something. In this style of Aphrodite statue her arms stretch across in front of her and her right hand gently touches her right shoulder. This statue is a  2nd century Roman copy of a lost Greek. Hellanistic original of the mid 3rd century BC attributed to the Greek sculptor Doldalsas of Bethynia. This version of Aphrodite Bathing made around AD 117-138 is the most artistically successful version know. Capitoline Museums, Rome
  • The Riace bronze Greek statue head cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statue head cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statue head cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statue head cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statue A cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statue A cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statue A cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statue A cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statue A cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statues cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statue A cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statues cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statue A cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statue A cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statues cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statue A cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statues cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statues cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statues cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statues cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statue A cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statues cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statue A cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statues cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statues cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statue A cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • Full length view of the Riace bronze Greek statue A cast about 460 BC. statue A was probably sculpted by Myron. The style of the Riace statues straddles the archaic period and heralds the start of the classical period. Both statues depict strong young naked warriors who stand calmly but exuding great power. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • Torso face on view of the Riace bronze Greek statue A cast about 460 BC. statue A was probably sculpted by Myron. The style of the Riace statues straddles the archaic period and heralds the start of the classical period. Both statues depict strong young naked warriors who stand calmly but exuding great power. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • Full length tree quarter view of the Riace bronze Greek statue B cast about 460 - 450 BC. statue B was probably sculpted by Phidias. There is a sense of movement in the statues their legs being bent as if they are about to take a step. Their heads are turned which accentuates a sense of anticipation as if they are looking for something. The anatomical detail is extraordinary which gives a startling realism to the statue and demonstarte the high level of skill of the Greek sculptors of this peiod. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • Torso three quarter of the Riace bronze Greek statue A cast about 460 BC. statue A was probably sculpted by Myron. The style of the Riace statues straddles the archaic period and heralds the start of the classical period. Both statues depict strong young naked warriors who stand calmly but exuding great power. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • Torso of the Riace bronze Greek statue A cast about 460 BC. statue A was probably sculpted by Myron. The style of the Riace statues straddles the archaic period and heralds the start of the classical period. Both statues depict strong young naked warriors who stand calmly but exuding great power. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • Upper torso of the Riace bronze Greek statue B cast about 460 - 450 BC. statue B was probably sculpted by Phidias. There is a sense of movement in the statues their legs being bent as if they are about to take a step. Their heads are turned which accentuates a sense of anticipation as if they are looking for something. The anatomical detail is extraordinary which gives a startling realism to the statue and demonstarte the high level of skill of the Greek sculptors of this peiod. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • Full length face on view of the Riace bronze Greek statue B cast about 460 - 450 BC. statue B was probably sculpted by Phidias. There is a sense of movement in the statues their legs being bent as if they are about to take a step. Their heads are turned which accentuates a sense of anticipation as if they are looking for something. The anatomical detail is extraordinary which gives a startling realism to the statue and demonstarte the high level of skill of the Greek sculptors of this peiod. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • Torso of the Riace bronze Greek statue B cast about 460 - 450 BC. statue B was probably sculpted by Phidias. There is a sense of movement in the statues their legs being bent as if they are about to take a step. Their heads are turned which accentuates a sense of anticipation as if they are looking for something. The anatomical detail is extraordinary which gives a startling realism to the statue and demonstarte the high level of skill of the Greek sculptors of this period. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statue head cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statue head cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statue head cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statue head cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statue head cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statue head cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statue A cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statue A cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statues cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statues cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statue A cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statues cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statue A cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statues cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statue A cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statue A cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statues cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statues cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statue A cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statue A cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statues cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statues cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statues cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • low full length view of the  Riace bronze Greek statue A cast about 460 BC. statue A was probably sculpted by Myron. The style of the Riace statues straddles the archaic period and heralds the start of the classical period. Both statues depict strong young naked warriors who stand calmly but exuding great power. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • Full length side view of the Riace bronze Greek statue B cast about 460 - 450 BC. statue B was probably sculpted by Phidias. There is a sense of movement in the statues their legs being bent as if they are about to take a step. Their heads are turned which accentuates a sense of anticipation as if they are looking for something. The anatomical detail is extraordinary which gives a startling realism to the statue and demonstarte the high level of skill of the Greek sculptors of this peiod. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • Greek Classical Period Statue of Aphrodite made of Parian marble. Restored by the famous Italian Sculptor A. Canova ( 1757 - 1822 ), Aphrodite is standing nude apart from a richly draped himation which she retains with her left hand in front of her pudenda. 4th c. BC. Athens National Archaeological Museum cat No 3524, from the collection of Lord Hope, donated by M. Embeirikos in 1924.<br />
This statue of Aphrodite is a variant of the Aphrodite (Venus) of Cnidus and is a copy of a 2nd century AD copy of a 4th century  original by the ancient Greek sculptor Praxiteles of Athens. As with the Capitaline Venus, Aphrodite is rising from bathing and is covering her breasts with her right hand, unlike the other known variants of this pose the Aphrodite of the Athens museum is covered from the waste down with a drape.
  • Greek Classical Period Statue of Aphrodite made of Parian marble. Restored by the famous Italian Sculptor A. Canova ( 1757 - 1822 ), Aphrodite is standing nude apart from a richly draped himation which she retains with her left hand in front of her pudenda. 4th c. BC. Athens National Archaeological Museum cat No 3524, from the collection of Lord Hope, donated by M. Embeirikos in 1924.<br />
This statue of Aphrodite is a variant of the Aphrodite (Venus) of Cnidus and is a copy of a 2nd century AD copy of a 4th century  original by the ancient Greek sculptor Praxiteles of Athens. As with the Capitaline Venus, Aphrodite is rising from bathing and is covering her breasts with her right hand, unlike the other known variants of this pose the Aphrodite of the Athens museum is covered from the waste down with a drape.
  • Greek Classical Period Statue of Aphrodite made of Parian marble. Restored by the famous Italian Sculptor A. Canova ( 1757 - 1822 ), Aphrodite is standing nude apart from a richly draped himation which she retains with her left hand in front of her pudenda. 4th c. BC. Athens National Archaeological Museum cat No 3524, from the collection of Lord Hope, donated by M. Embeirikos in 1924.<br />
This statue of Aphrodite is a variant of the Aphrodite (Venus) of Cnidus and is a copy of a 2nd century AD copy of a 4th century  original by the ancient Greek sculptor Praxiteles of Athens. As with the Capitaline Venus, Aphrodite is rising from bathing and is covering her breasts with her right hand, unlike the other known variants of this pose the Aphrodite of the Athens museum is covered from the waste down with a drape.
  • Greek marble Statue of Hermaphroditius ( Hermaphrodites) a mythical being that has both male & female characteristics. From Pergamum (Bergama) Turkey. Istanbul Archaeology Museum, Inv 363T Cat. Mendel 624.
  • Greek marble Statue of Hermaphroditius ( Hermaphrodites) a mythical being that has both male & female characteristics. From Pergamum (Bergama) Turkey. Istanbul Archaeology Museum, Inv 363T Cat. Mendel 624.
  • Greek marble Statue of Hermaphroditius ( Hermaphrodites) a mythical being that has both male & female characteristics. From Pergamum (Bergama) Turkey. Istanbul Archaeology Museum, Inv 363T Cat. Mendel 624.
  • Greek Classical Period Bronze Statue of Zeus or Poseidon found in the sea of Cape Artemision of the north Eastern Euboea Island, Greece.  The God is shown in a great stride about to throw either a trident of a thunderbolt that is now missing from his right hand. The statue is one of the only preserved statues of the preserved style with exquisite rendering of motion & anatomy. The identity of the statue is controversial and is probably more likely to be Zeus rather than Poseidon. 460 BC Ref No X15161 Athens Archaeological Museum
  • Greek Classical Period Bronze Statue of Zeus or Poseidon found in the sea of Cape Artemision of the north Eastern Euboea Island, Greece.  The God is shown in a great stride about to throw either a trident of a thunderbolt that is now missing from his right hand. The statue is one of the only preserved statues of the preserved style with exquisite rendering of motion & anatomy. The identity of the statue is controversial and is probably more likely to be Zeus rather than Poseidon. 460 BC Ref No X15161 Athens Archaeological Museum
  • Greek Classical Period Bronze Statue of Zeus or Poseidon found in the sea of Cape Artemision of the north Eastern Euboea Island, Greece.  The God is shown in a great stride about to throw either a trident of a thunderbolt that is now missing from his right hand. The statue is one of the only preserved statues of the preserved style with exquisite rendering of motion & anatomy. The identity of the statue is controversial and is probably more likely to be Zeus rather than Poseidon. 460 BC Ref No X15161 Athens Archaeological Museum
  • Greek Classical Period Bronze Statue of Zeus or Poseidon found in the sea of Cape Artemision of the north Eastern Euboea Island, Greece.  The God is shown in a great stride about to throw either a trident of a thunderbolt that is now missing from his right hand. The statue is one of the only preserved statues of the preserved style with exquisite rendering of motion & anatomy. The identity of the statue is controversial and is probably more likely to be Zeus rather than Poseidon. 460 BC Ref No X15161 Athens Archaeological Museum
  • "Charioteer of Delphi" 470 BC. The "Charioteer of Delphi" is one of the best known ancient Greek statues, and one of the best preserved examples of classical bronze casts. It is considered a fine example of the "Severe" style. Delphi Archaeological Museum.
  • "Charioteer of Delphi" 470 BC. The "Charioteer of Delphi" is one of the best known ancient Greek statues, and one of the best preserved examples of classical bronze casts. It is considered a fine example of the "Severe" style. Delphi Archaeological Museum.
  • "Charioteer of Delphi" 470 BC. The "Charioteer of Delphi" is one of the best known ancient Greek statues, and one of the best preserved examples of classical bronze casts. It is considered a fine example of the "Severe" style. Delphi Archaeological Museum.
  • "Charioteer of Delphi" 470 BC. The "Charioteer of Delphi" is one of the best known ancient Greek statues, and one of the best preserved examples of classical bronze casts. It is considered a fine example of the "Severe" style. Delphi Archaeological Museum.
  • "Charioteer of Delphi" 470 BC. The "Charioteer of Delphi" is one of the best known ancient Greek statues, and one of the best preserved examples of classical bronze casts. It is considered a fine example of the "Severe" style. Delphi Archaeological Museum.
  • "Charioteer of Delphi" 470 BC. The "Charioteer of Delphi" is one of the best known ancient Greek statues, and one of the best preserved examples of classical bronze casts. It is considered a fine example of the "Severe" style. Delphi Archaeological Museum.
  • "Charioteer of Delphi" 470 BC. The "Charioteer of Delphi" is one of the best known ancient Greek statues, and one of the best preserved examples of classical bronze casts. It is considered a fine example of the "Severe" style. Delphi Archaeological Museum.
  • "Charioteer of Delphi" 470 BC. The "Charioteer of Delphi" is one of the best known ancient Greek statues, and one of the best preserved examples of classical bronze casts. It is considered a fine example of the "Severe" style. Delphi Archaeological Museum.
  • "Charioteer of Delphi" 470 BC. The "Charioteer of Delphi" is one of the best known ancient Greek statues, and one of the best preserved examples of classical bronze casts. It is considered a fine example of the "Severe" style. Delphi Archaeological Museum.
  • "Charioteer of Delphi" 470 BC. The "Charioteer of Delphi" is one of the best known ancient Greek statues, and one of the best preserved examples of classical bronze casts. It is considered a fine example of the "Severe" style. Delphi Archaeological Museum.
  • Greek Classical Period Bronze Statue of Zeus or Poseidon found in the sea of Cape Artemision of the north Eastern Euboea Island, Greece.  The God is shown in a great stride about to throw either a trident of a thunderbolt that is now missing from his right hand. The statue is one of the only preserved statues of the preserved style with exquisite rendering of motion & anatomy. The identity of the statue is controversial and is probably more likely to be Zeus rather than Poseidon. 460 BC Ref No X15161 Athens Archaeological Museum
  • Greek Classical Period Bronze Statue of Zeus or Poseidon found in the sea of Cape Artemision of the north Eastern Euboea Island, Greece.  The God is shown in a great stride about to throw either a trident of a thunderbolt that is now missing from his right hand. The statue is one of the only preserved statues of the preserved style with exquisite rendering of motion & anatomy. The identity of the statue is controversial and is probably more likely to be Zeus rather than Poseidon. 460 BC Ref No X15161 Athens Archaeological Museum
  • Greek Classical Period Bronze Statue of Zeus or Poseidon found in the sea of Cape Artemision of the north Eastern Euboea Island, Greece.  The God is shown in a great stride about to throw either a trident of a thunderbolt that is now missing from his right hand. The statue is one of the only preserved statues of the preserved style with exquisite rendering of motion & anatomy. The identity of the statue is controversial and is probably more likely to be Zeus rather than Poseidon. 460 BC Ref No X15161 Athens Archaeological Museum
  • Greek Classical Period Bronze Statue of Zeus or Poseidon found in the sea of Cape Artemision of the north Eastern Euboea Island, Greece.  The God is shown in a great stride about to throw either a trident of a thunderbolt that is now missing from his right hand. The statue is one of the only preserved statues of the preserved style with exquisite rendering of motion & anatomy. The identity of the statue is controversial and is probably more likely to be Zeus rather than Poseidon. 460 BC Ref No X15161 Athens Archaeological Museum
  • Greek Classical Period Bronze Statue of Zeus or Poseidon found in the sea of Cape Artemision of the north Eastern Euboea Island, Greece.  The God is shown in a great stride about to throw either a trident of a thunderbolt that is now missing from his right hand. The statue is one of the only preserved statues of the preserved style with exquisite rendering of motion & anatomy. The identity of the statue is controversial and is probably more likely to be Zeus rather than Poseidon. 460 BC Ref No X15161 Athens Archaeological Museum
  • 2nd century Roman marble torso copy of the statue of Aphrodite of Cnidus by Praixitele. Many Roman replicas exist of the Aphrodite of Cnidus which is one of the most famous statues of antiquity. The statue depicts the goddess bathing with a vase of water beside her. The lost original is a Hellenistic Greek sculpture made in 360-350 BC which is attributed to Athenian sculpture Praxiteles. Tradition has it that the model for the original was the lover of sculptor Phryne. The original is the oldest known female nude in Greek sculpture.  Inv Ma 2184 Louvre Museum, Paris.
  • The Venus of Arles (  Greek Goddess Aphrodite) is a 1.94-metre-high (6.4 ft) marble sculpture of Venus probably a copy of the Aphrodite of Thespiae by 4th century BC Greek Athenian sculpture Praxiteles . Louvre Museum, Paris.
  • The Venus of Arles (  Greek Goddess Aphrodite) is a 1.94-metre-high (6.4 ft) marble sculpture of Venus probably a copy of the Aphrodite of Thespiae by 4th century BC Greek Athenian sculpture Praxiteles . Louvre Museum, Paris.
  • The Venus of Arles (  Greek Goddess Aphrodite) is a 1.94-metre-high (6.4 ft) marble sculpture of Venus probably a copy of the Aphrodite of Thespiae by 4th century BC Greek Athenian sculpture Praxiteles . Louvre Museum, Paris. <br />
The style of the Venus of Arles, like the Venus de Milo, is not a fully nude figure both having draped clothes from the waist down. The first known example of a totally nude Venus is the 4th century BC  Aphrodite of Cnidus by.Praxiteles  The Venus of Arles was probably an earlier statue by Praxiteles known as the Aphrodite of Thespiae . <br />
The venus of Arles was found in 1651 by workmen digging a well in Arles. In 1681 it was given to Louis XIV to decorate the Galerie des Glaces of Versailles. The statue was moved to the Musée du Louvre after the French Revolution.
  • Torso of Venus (Greek goddess of love), 2nd century Roma copy found near Florence. This sculpture depicts Aphrodite in the typical pose known as the Modest Aphrodite style and is a copy of a lost 4th century BC Aphrodite of Cnidos sculpture by Athenian sculpture Praxiteles.This copy follows the style of the late Hellanistic type known as the “Medici Venus”. Altes Museum Berlin
  • Torso of Venus (Greek goddess of love), 2nd century Roma copy found near Florence. This sculpture depicts Aphrodite in the typical pose known as the Modest Aphrodite style and is a copy of a lost 4th century BC Aphrodite of Cnidos sculpture by Athenian sculpture Praxiteles.This copy follows the style of the late Hellanistic type known as the “Medici Venus”. Altes Museum Berlin
  • Torso of Venus (Greek goddess of love), 2nd century Roma copy found near Florence. This sculpture depicts Aphrodite in the typical pose known as the Modest Aphrodite style and is a copy of a lost 4th century BC Aphrodite of Cnidos sculpture by Athenian sculpture Praxiteles.This copy follows the style of the late Hellanistic type known as the “Medici Venus”. Altes Museum Berlin
  • Torso of Venus (Greek goddess of love), 2nd century Roma copy found near Florence. This sculpture depicts Aphrodite in the typical pose known as the Modest Aphrodite style and is a copy of a lost 4th century BC Aphrodite of Cnidos sculpture by Athenian sculpture Praxiteles.This copy follows the style of the late Hellanistic type known as the “Medici Venus”. Altes Museum Berlin
  • The Venus of Arles (  Greek Goddess Aphrodite) is a 1.94-metre-high (6.4 ft) marble sculpture of Venus probably a copy of the Aphrodite of Thespiae by 4th century BC Greek Athenian sculpture Praxiteles . Louvre Museum, Paris.
  • The Venus of Arles (  Greek Goddess Aphrodite) is a 1.94-metre-high (6.4 ft) marble sculpture of Venus probably a copy of the Aphrodite of Thespiae by 4th century BC Greek Athenian sculpture Praxiteles . Louvre Museum, Paris. <br />
The style of the Venus of Arles, like the Venus de Milo, is not a fully nude figure both having draped clothes from the waist down. The first known example of a totally nude Venus is the 4th century BC  Aphrodite of Cnidus by.Praxiteles  The Venus of Arles was probably an earlier statue by Praxiteles known as the Aphrodite of Thespiae . <br />
The venus of Arles was found in 1651 by workmen digging a well in Arles. In 1681 it was given to Louis XIV to decorate the Galerie des Glaces of Versailles. The statue was moved to the Musée du Louvre after the French Revolution.
  • The Venus of Arles (  Greek Goddess Aphrodite) is a 1.94-metre-high (6.4 ft) marble sculpture of Venus probably a copy of the Aphrodite of Thespiae by 4th century BC Greek Athenian sculpture Praxiteles . Louvre Museum, Paris. <br />
The style of the Venus of Arles, like the Venus de Milo, is not a fully nude figure both having draped clothes from the waist down. The first known example of a totally nude Venus is the 4th century BC  Aphrodite of Cnidus by.Praxiteles  The Venus of Arles was probably an earlier statue by Praxiteles known as the Aphrodite of Thespiae . <br />
The venus of Arles was found in 1651 by workmen digging a well in Arles. In 1681 it was given to Louis XIV to decorate the Galerie des Glaces of Versailles. The statue was moved to the Musée du Louvre after the French Revolution.
  • The Venus of Arles (  Greek Goddess Aphrodite) is a 1.94-metre-high (6.4 ft) marble sculpture of Venus probably a copy of the Aphrodite of Thespiae by 4th century BC Greek Athenian sculpture Praxiteles . Louvre Museum, Paris.
  • The Venus of Arles (  Greek Goddess Aphrodite) is a 1.94-metre-high (6.4 ft) marble sculpture of Venus probably a copy of the Aphrodite of Thespiae by 4th century BC Greek Athenian sculpture Praxiteles . Louvre Museum, Paris. <br />
The style of the Venus of Arles, like the Venus de Milo, is not a fully nude figure both having draped clothes from the waist down. The first known example of a totally nude Venus is the 4th century BC  Aphrodite of Cnidus by.Praxiteles  The Venus of Arles was probably an earlier statue by Praxiteles known as the Aphrodite of Thespiae . <br />
The venus of Arles was found in 1651 by workmen digging a well in Arles. In 1681 it was given to Louis XIV to decorate the Galerie des Glaces of Versailles. The statue was moved to the Musée du Louvre after the French Revolution.
  • The Venus of Arles (  Greek Goddess Aphrodite) is a 1.94-metre-high (6.4 ft) marble sculpture of Venus probably a copy of the Aphrodite of Thespiae by 4th century BC Greek Athenian sculpture Praxiteles . Louvre Museum, Paris. <br />
The style of the Venus of Arles, like the Venus de Milo, is not a fully nude figure both having draped clothes from the waist down. The first known example of a totally nude Venus is the 4th century BC  Aphrodite of Cnidus by.Praxiteles  The Venus of Arles was probably an earlier statue by Praxiteles known as the Aphrodite of Thespiae . <br />
The venus of Arles was found in 1651 by workmen digging a well in Arles. In 1681 it was given to Louis XIV to decorate the Galerie des Glaces of Versailles. The statue was moved to the Musée du Louvre after the French Revolution.
  • The Venus of Arles (  Greek Goddess Aphrodite) is a 1.94-metre-high (6.4 ft) marble sculpture of Venus probably a copy of the Aphrodite of Thespiae by 4th century BC Greek Athenian sculpture Praxiteles . Louvre Museum, Paris.
  • The Venus of Arles (  Greek Goddess Aphrodite) is a 1.94-metre-high (6.4 ft) marble sculpture of Venus probably a copy of the Aphrodite of Thespiae by 4th century BC Greek Athenian sculpture Praxiteles . Louvre Museum, Paris.
  • Statue of Venus Marina (Greek Goddess of love), 1st century Roma copy found near Florence. This high quality statue of Venus of Aphrodite This sculpture depicts Aphrodite in the typical pose known as the Modest Aphrodite style and is a copy of a lost 4th century BC Aphrodite of Cnidos sculpture by Athenian sculpture Praxiteles. In this aviation there is evidence that Venus leaned on a pillar with a dolphin which was a pointer to her having been born in the sea. Altes Museum Berlin
  • Statue of Venus Marina (Greek Goddess of love), 1st century Roma copy found near Florence. This high quality statue of Venus of Aphrodite This sculpture depicts Aphrodite in the typical pose known as the Modest Aphrodite style and is a copy of a lost 4th century BC Aphrodite of Cnidos sculpture by Athenian sculpture Praxiteles. In this aviation there is evidence that Venus leaned on a pillar with a dolphin which was a pointer to her having been born in the sea. Altes Museum Berlin
  • Statue of Venus Marina (Greek Goddess of love), 1st century Roma copy found near Florence. This high quality statue of Venus of Aphrodite This sculpture depicts Aphrodite in the typical pose known as the Modest Aphrodite style and is a copy of a lost 4th century BC Aphrodite of Cnidos sculpture by Athenian sculpture Praxiteles. In this aviation there is evidence that Venus leaned on a pillar with a dolphin which was a pointer to her having been born in the sea. Altes Museum Berlin
  • Statue of Venus Marina (Greek Goddess of love), 1st century Roma copy found near Florence. This high quality statue of Venus of Aphrodite This sculpture depicts Aphrodite in the typical pose known as the Modest Aphrodite style and is a copy of a lost 4th century BC Aphrodite of Cnidos sculpture by Athenian sculpture Praxiteles. In this aviation there is evidence that Venus leaned on a pillar with a dolphin which was a pointer to her having been born in the sea. Altes Museum Berlin
  • 1st Century BC statue of Aphordite by Menophantos. The casket of the sculpture is inscribed “ of the Aphrodite which is situated in the Troad (Troy) Menophantos made it”. This sculpture depicts Aphrodite in the typical pose known as the Modest Aphrodite style and is a copy of a lost 4th century BC Aphrodite of Cnidos sculpture by Athenian sculpture Praxiteles. Capitoline Museums, Rome
  • 1st Century BC statue of Aphordite by Menophantos. The casket of the sculpture is inscribed “ of the Aphrodite which is situated in the Troad (Troy) Menophantos made it”. This sculpture depicts Aphrodite in the typical pose known as the Modest Aphrodite style and is a copy of a lost 4th century BC Aphrodite of Cnidos sculpture by Athenian sculpture Praxiteles. Capitoline Museums, Rome
  • 1st Century BC statue of Aphordite by Menophantos. The casket of the sculpture is inscribed “ of the Aphrodite which is situated in the Troad (Troy) Menophantos made it”. This sculpture depicts Aphrodite in the typical pose known as the Modest Aphrodite style and is a copy of a lost 4th century BC Aphrodite of Cnidos sculpture by Athenian sculpture Praxiteles. Capitoline Museums, Rome
  • 1st Century BC statue of Aphordite by Menophantos. The casket of the sculpture is inscribed “ of the Aphrodite which is situated in the Troad (Troy) Menophantos made it”. This sculpture depicts Aphrodite in the typical pose known as the Modest Aphrodite style and is a copy of a lost 4th century BC Aphrodite of Cnidos sculpture by Athenian sculpture Praxiteles. Capitoline Museums, Rome
  • 1st Century BC statue of Aphordite by Menophantos. The casket of the sculpture is inscribed “ of the Aphrodite which is situated in the Troad (Troy) Menophantos made it”. This sculpture depicts Aphrodite in the typical pose known as the Modest Aphrodite style and is a copy of a lost 4th century BC Aphrodite of Cnidos sculpture by Athenian sculpture Praxiteles. Capitoline Museums, Rome
  • Statue of Aphrodite, a 2nd century Roman Copy. This sculpture depicts Aphrodite in the typical pose known as the Modest Aphrodite style or Capitoline type and is a copy of a lost 4th century BC Aphrodite of Cnidos sculpture by Athenian sculpture Praxiteles. Naples National Archaeological Museum, Italy
  • Statue of Aphrodite, a 2nd century Roman Copy. This sculpture depicts Aphrodite in the typical pose known as the Modest Aphrodite style or Capitoline type and is a copy of a lost 4th century BC Aphrodite of Cnidos sculpture by Athenian sculpture Praxiteles. Naples National Archaeological Museum, Italy
  • Statue of Aphrodite, a 2nd century Roman Copy. This sculpture depicts Aphrodite in the typical pose known as the Modest Aphrodite style or Capitoline type and is a copy of a lost 4th century BC Aphrodite of Cnidos sculpture by Athenian sculpture Praxiteles. Naples National Archaeological Museum, Italy
  • Statue of Aphrodite, a 2nd century Roman Copy. This sculpture depicts Aphrodite in the typical pose known as the Modest Aphrodite style or Capitoline type and is a copy of a lost 4th century BC Aphrodite of Cnidos sculpture by Athenian sculpture Praxiteles. Naples National Archaeological Museum, Italy
  • Statue of Aphrodite, a 2nd century Roman Copy. This sculpture depicts Aphrodite in the typical pose known as the Modest Aphrodite style or Dresden-Capitoline type and is a copy of a lost 4th century BC Aphrodite of Cnidos sculpture by Athenian sculpture Praxiteles. Naples National Archaeological Museum, Italy
  • Statue of Aphrodite, a 2nd century Roman Copy. This sculpture depicts Aphrodite in the typical pose known as the Modest Aphrodite style or Dresden-Capitoline type and is a copy of a lost 4th century BC Aphrodite of Cnidos sculpture by Athenian sculpture Praxiteles. Inv 6283 - Farnese Collection. Naples National Archaeological Museum, Italy
  • Aphrodite of Fréjus in the style known as "Venus Genetrix". A 1.64m high Roman statue, dating from the end of the 1st century BC to the start of the 1st century AD, in Parian marble, was discovered at Fréjus (Forum Julii) in 1650. It is considered as the best Roman copy of the lost Greek work. Louvre Museum, Paris<br />
<br />
The Venus Genetrix style of statue depicts Aphrodite (Venus to the Romans) as Genetrix ( Latin for Mother). This sculptural type was adopted by the Julia-Claudian dynasty after Julius Caesar claimed that he was defended from Venus herself.  The original lost Greek statue is attributed to Greek sculpture Callimachus who created a Bronze Aphrodite in 420-410. According to Pliny's Natural History showing her dressed in a light but clinging chiton or peplos, which was lowered on the left shoulder to reveal her left breast and hung down in a sheer face and decoratively carved so as not to hide the outlines of the woman's body. Venus was depicted holding the apple won in the Judgement of Paris in her left hand, whilst her right hand moved to cover her head. From the lost bronze original are derived all surviving copies. The composition was frontal, the body's form monumental, and in the surviving Roman replicas its proportions are close to the Polyclitean, an ancient Greek sculptor in bronze of the fifth century BC.
  • a 2nd century Roman Copy Statue of Aphrodite or Venus, . This sculpture depicts Aphrodite in the typical pose known as the Modest Aphrodite style  and is a copy of a lost 4th century BC Aphrodite of Cnidos sculpture by Athenian sculpture Praxiteles. Merida Archaeological Museum, Spain
  • a 2nd century Roman Copy Statue of Aphrodite or Venus, . This sculpture depicts Aphrodite in the typical pose known as the Modest Aphrodite style  and is a copy of a lost 4th century BC Aphrodite of Cnidos sculpture by Athenian sculpture Praxiteles. Merida Archaeological Museum, Spain
  • a 2nd century Roman Copy Statue of Aphrodite or Venus, . This sculpture depicts Aphrodite in the typical pose known as the Modest Aphrodite style  and is a copy of a lost 4th century BC Aphrodite of Cnidos sculpture by Athenian sculpture Praxiteles. Merida Archaeological Museum, Spain
  • a 2nd century Roman Copy Statue of Aphrodite or Venus, . This sculpture depicts Aphrodite in the typical pose known as the Modest Aphrodite style  and is a copy of a lost 4th century BC Aphrodite of Cnidos sculpture by Athenian sculpture Praxiteles. Merida Archaeological Museum, Spain
  • a 2nd century Roman Copy Statue of Aphrodite or Venus, . This sculpture depicts Aphrodite in the typical pose known as the Modest Aphrodite style  and is a copy of a lost 4th century BC Aphrodite of Cnidos sculpture by Athenian sculpture Praxiteles. Merida Archaeological Museum, Spain
  • a 2nd century Roman Copy Statue of Aphrodite or Venus, . This sculpture depicts Aphrodite in the typical pose known as the Modest Aphrodite style  and is a copy of a lost 4th century BC Aphrodite of Cnidos sculpture by Athenian sculpture Praxiteles. Merida Archaeological Museum, Spain
  • a 2nd century Roman Copy Statue of Aphrodite or Venus, . This sculpture depicts Aphrodite in the typical pose known as the Modest Aphrodite style  and is a copy of a lost 4th century BC Aphrodite of Cnidos sculpture by Athenian sculpture Praxiteles. Merida Archaeological Museum, Spain
  • a 2nd century Roman Copy Statue of Aphrodite or Venus, . This sculpture depicts Aphrodite in the typical pose known as the Modest Aphrodite style  and is a copy of a lost 4th century BC Aphrodite of Cnidos sculpture by Athenian sculpture Praxiteles. Merida Archaeological Museum, Spain
  • Statue of Venus, 1st 2nd century Roman. This Roman sculpture retains elements of a lost 4th century BC Aphrodite of Cnidos sculpture by Athenian sculpture Praxiteles. In this version Venus no longer hides her modesty and stands with an arm raised revealing her breasts. British Museum, London.
  • Statue of Venus, 1st 2nd century Roman. This Roman sculpture retains elements of a lost 4th century BC Aphrodite of Cnidos sculpture by Athenian sculpture Praxiteles. In this version Venus no longer hides her modesty and stands with an arm raised revealing her breasts. British Museum, London.
  • Statue of Venus, 1st 2nd century Roman. This Roman sculpture retains elements of a lost 4th century BC Aphrodite of Cnidos sculpture by Athenian sculpture Praxiteles. In this version Venus no longer hides her modesty and stands with an arm raised revealing her breasts. British Museum, London.
  • Statue of Aphrodite, a 2nd century Roman Copy. This sculpture depicts Aphrodite in the typical pose known as the Modest Aphrodite style or Dresden-Capitoline type and is a copy of a lost 4th century BC Aphrodite of Cnidos sculpture by Athenian sculpture Praxiteles. Naples National Archaeological Museum, Italy
  • Statue of Aphrodite, a 2nd century Roman Copy. This sculpture depicts Aphrodite in the typical pose known as the Modest Aphrodite style or Dresden-Capitoline type and is a copy of a lost 4th century BC Aphrodite of Cnidos sculpture by Athenian sculpture Praxiteles. Naples National Archaeological Museum, Italy
  • Statue of Aphrodite, a 2nd century Roman Copy. This sculpture depicts Aphrodite in the typical pose known as the Modest Aphrodite style or Dresden-Capitoline type and is a copy of a lost 4th century BC Aphrodite of Cnidos sculpture by Athenian sculpture Praxiteles. Naples National Archaeological Museum, Italy
  • Statue of Venus, 1st 2nd century Roman. This Roman sculpture retains elements of a lost 4th century BC Aphrodite of Cnidos sculpture by Athenian sculpture Praxiteles. In this version Venus no longer hides her modesty and stands with an arm raised revealing her breasts. British Museum, London.
  • Statue of Venus, 1st 2nd century Roman. This Roman sculpture retains elements of a lost 4th century BC Aphrodite of Cnidos sculpture by Athenian sculpture Praxiteles. In this version Venus no longer hides her modesty and stands with an arm raised revealing her breasts. British Museum, London.
  • Statue of Venus, 1st 2nd century Roman. This Roman sculpture retains elements of a lost 4th century BC Aphrodite of Cnidos sculpture by Athenian sculpture Praxiteles. In this version Venus no longer hides her modesty and stands with an arm raised revealing her breasts. British Museum, London.
  • Statue of Aphrodite, a 2nd century Roman Copy. This sculpture depicts Aphrodite in the typical pose known as the Modest Aphrodite style or Capitoline type and is a copy of a lost 4th century BC Aphrodite of Cnidos sculpture by Athenian sculpture Praxiteles. Naples National Archaeological Museum, Italy
  • Statue of Aphrodite, a 2nd century Roman Copy. This sculpture depicts Aphrodite in the typical pose known as the Modest Aphrodite style or Capitoline type and is a copy of a lost 4th century BC Aphrodite of Cnidos sculpture by Athenian sculpture Praxiteles. Naples National Archaeological Museum, Italy
  • Statue of Aphrodite, a 2nd century Roman Copy. This sculpture depicts Aphrodite in the typical pose known as the Modest Aphrodite style or Dresden-Capitoline type and is a copy of a lost 4th century BC Aphrodite of Cnidos sculpture by Athenian sculpture Praxiteles. Naples National Archaeological Museum, Italy
  • Statue of Aphrodite, a 2nd century Roman Copy. This sculpture depicts Aphrodite in the typical pose known as the Modest Aphrodite style or Dresden-Capitoline type and is a copy of a lost 4th century BC Aphrodite of Cnidos sculpture by Athenian sculpture Praxiteles. Naples National Archaeological Museum, Italy
  • 1st Century BC statue of Aphordite by Menophantos. The casket of the sculpture is inscribed “ of the Aphrodite which is situated in the Troad (Troy) Menophantos made it”. This sculpture depicts Aphrodite in the typical pose known as the Modest Aphrodite style and is a copy of a lost 4th century BC Aphrodite of Cnidos sculpture by Athenian sculpture Praxiteles. Capitoline Museums, Rome
  • 1st Century BC statue of Aphordite by Menophantos. The casket of the sculpture is inscribed “ of the Aphrodite which is situated in the Troad (Troy) Menophantos made it”. This sculpture depicts Aphrodite in the typical pose known as the Modest Aphrodite style and is a copy of a lost 4th century BC Aphrodite of Cnidos sculpture by Athenian sculpture Praxiteles. Capitoline Museums, Rome
  • 1st Century BC statue of Aphordite by Menophantos. The casket of the sculpture is inscribed “ of the Aphrodite which is situated in the Troad (Troy) Menophantos made it”. This sculpture depicts Aphrodite in the typical pose known as the Modest Aphrodite style and is a copy of a lost 4th century BC Aphrodite of Cnidos sculpture by Athenian sculpture Praxiteles. Capitoline Museums, Rome
  • 1st Century BC statue of Aphordite by Menophantos. The casket of the sculpture is inscribed “ of the Aphrodite which is situated in the Troad (Troy) Menophantos made it”. This sculpture depicts Aphrodite in the typical pose known as the Modest Aphrodite style and is a copy of a lost 4th century BC Aphrodite of Cnidos sculpture by Athenian sculpture Praxiteles. Capitoline Museums, Rome
  • 1st Century BC statue of Aphordite by Menophantos. The casket of the sculpture is inscribed “ of the Aphrodite which is situated in the Troad (Troy) Menophantos made it”. This sculpture depicts Aphrodite in the typical pose known as the Modest Aphrodite style and is a copy of a lost 4th century BC Aphrodite of Cnidos sculpture by Athenian sculpture Praxiteles. Capitoline Museums, Rome
  • 1st Century BC statue of Aphordite by Menophantos. The casket of the sculpture is inscribed “ of the Aphrodite which is situated in the Troad (Troy) Menophantos made it”. This sculpture depicts Aphrodite in the typical pose known as the Modest Aphrodite style and is a copy of a lost 4th century BC Aphrodite of Cnidos sculpture by Athenian sculpture Praxiteles. Capitoline Museums, Rome
  • 1st Century BC statue of Aphordite by Menophantos. The casket of the sculpture is inscribed “ of the Aphrodite which is situated in the Troad (Troy) Menophantos made it”. This sculpture depicts Aphrodite in the typical pose known as the Modest Aphrodite style and is a copy of a lost 4th century BC Aphrodite of Cnidos sculpture by Athenian sculpture Praxiteles. Capitoline Museums, Rome
  • Aphrodite of Fréjus in the style known as "Venus Genetrix". A 1.64m high Roman statue, dating from the end of the 1st century BC to the start of the 1st century AD, in Parian marble, was discovered at Fréjus (Forum Julii) in 1650. It is considered as the best Roman copy of the lost Greek work. Louvre Museum, Paris<br />
<br />
The Venus Genetrix style of statue depicts Aphrodite (Venus to the Romans) as Genetrix ( Latin for Mother). This sculptural type was adopted by the Julia-Claudian dynasty after Julius Caesar claimed that he was defended from Venus herself.  The original lost Greek statue is attributed to Greek sculpture Callimachus who created a Bronze Aphrodite in 420-410. According to Pliny's Natural History showing her dressed in a light but clinging chiton or peplos, which was lowered on the left shoulder to reveal her left breast and hung down in a sheer face and decoratively carved so as not to hide the outlines of the woman's body. Venus was depicted holding the apple won in the Judgement of Paris in her left hand, whilst her right hand moved to cover her head. From the lost bronze original are derived all surviving copies. The composition was frontal, the body's form monumental, and in the surviving Roman replicas its proportions are close to the Polyclitean, an ancient Greek sculptor in bronze of the fifth century BC.
  • Aphrodite of Fréjus in the style known as "Venus Genetrix". A 1.64m high Roman statue, dating from the end of the 1st century BC to the start of the 1st century AD, in Parian marble, was discovered at Fréjus (Forum Julii) in 1650. It is considered as the best Roman copy of the lost Greek work. Louvre Museum, Paris<br />
<br />
The Venus Genetrix style of statue depicts Aphrodite (Venus to the Romans) as Genetrix ( Latin for Mother). This sculptural type was adopted by the Julia-Claudian dynasty after Julius Caesar claimed that he was defended from Venus herself.  The original lost Greek statue is attributed to Greek sculpture Callimachus who created a Bronze Aphrodite in 420-410. According to Pliny's Natural History showing her dressed in a light but clinging chiton or peplos, which was lowered on the left shoulder to reveal her left breast and hung down in a sheer face and decoratively carved so as not to hide the outlines of the woman's body. Venus was depicted holding the apple won in the Judgement of Paris in her left hand, whilst her right hand moved to cover her head. From the lost bronze original are derived all surviving copies. The composition was frontal, the body's form monumental, and in the surviving Roman replicas its proportions are close to the Polyclitean, an ancient Greek sculptor in bronze of the fifth century BC.
  • 1st Century BC statue of Aphordite by Menophantos. The casket of the sculpture is inscribed “ of the Aphrodite which is situated in the Troad (Troy) Menophantos made it”. This sculpture depicts Aphrodite in the typical pose known as the Modest Aphrodite style and is a copy of a lost 4th century BC Aphrodite of Cnidos sculpture by Athenian sculpture Praxiteles. Capitoline Museums, Rome
  • Statue of Aphrodite, a 2nd century Roman Copy. This sculpture depicts Aphrodite in the typical pose known as the Modest Aphrodite style or Dresden-Capitoline type and is a copy of a lost 4th century BC Aphrodite of Cnidos sculpture by Athenian sculpture Praxiteles. Farnese Collection, Naples  National Archaeological Museum, Italy
  • Statue of Aphrodite, a 2nd century Roman Copy. This sculpture depicts Aphrodite in the typical pose known as the Modest Aphrodite style or Dresden-Capitoline type and is a copy of a lost 4th century BC Aphrodite of Cnidos sculpture by Athenian sculpture Praxiteles. Naples National Archaeological Museum, Italy
  • Aphrodite of Fréjus in the style known as "Venus Genetrix". A 1.64m high Roman statue, dating from the end of the 1st century BC to the start of the 1st century AD, in Parian marble, was discovered at Fréjus (Forum Julii) in 1650. It is considered as the best Roman copy of the lost Greek work. Louvre Museum, Paris<br />
<br />
The Venus Genetrix style of statue depicts Aphrodite (Venus to the Romans) as Genetrix ( Latin for Mother). This sculptural type was adopted by the Julia-Claudian dynasty after Julius Caesar claimed that he was defended from Venus herself.  The original lost Greek statue is attributed to Greek sculpture Callimachus who created a Bronze Aphrodite in 420-410. According to Pliny's Natural History showing her dressed in a light but clinging chiton or peplos, which was lowered on the left shoulder to reveal her left breast and hung down in a sheer face and decoratively carved so as not to hide the outlines of the woman's body. Venus was depicted holding the apple won in the Judgement of Paris in her left hand, whilst her right hand moved to cover her head. From the lost bronze original are derived all surviving copies. The composition was frontal, the body's form monumental, and in the surviving Roman replicas its proportions are close to the Polyclitean, an ancient Greek sculptor in bronze of the fifth century BC.
  • Aphrodite of Fréjus in the style known as "Venus Genetrix". A 1.64m high Roman statue, dating from the end of the 1st century BC to the start of the 1st century AD, in Parian marble, was discovered at Fréjus (Forum Julii) in 1650. It is considered as the best Roman copy of the lost Greek work. Louvre Museum, Paris<br />
<br />
The Venus Genetrix style of statue depicts Aphrodite (Venus to the Romans) as Genetrix ( Latin for Mother). This sculptural type was adopted by the Julia-Claudian dynasty after Julius Caesar claimed that he was defended from Venus herself.  The original lost Greek statue is attributed to Greek sculpture Callimachus who created a Bronze Aphrodite in 420-410. According to Pliny's Natural History showing her dressed in a light but clinging chiton or peplos, which was lowered on the left shoulder to reveal her left breast and hung down in a sheer face and decoratively carved so as not to hide the outlines of the woman's body. Venus was depicted holding the apple won in the Judgement of Paris in her left hand, whilst her right hand moved to cover her head. From the lost bronze original are derived all surviving copies. The composition was frontal, the body's form monumental, and in the surviving Roman replicas its proportions are close to the Polyclitean, an ancient Greek sculptor in bronze of the fifth century BC.
  • Statue of Venus, 1st 2nd century Roman. This Roman sculpture retains elements of a lost 4th century BC Aphrodite of Cnidos sculpture by Athenian sculpture Praxiteles. In this version Venus no longer hides her modesty and stands with an arm raised revealing her breasts. British Museum, London.
  • 1st Century BC statue of Aphordite by Menophantos. The casket of the sculpture is inscribed “ of the Aphrodite which is situated in the Troad (Troy) Menophantos made it”. This sculpture depicts Aphrodite in the typical pose known as the Modest Aphrodite style and is a copy of a lost 4th century BC Aphrodite of Cnidos sculpture by Athenian sculpture Praxiteles. Capitoline Museums, Rome
  • Aphrodite of Fréjus in the style known as "Venus Genetrix". A 1.64m high Roman statue, dating from the end of the 1st century BC to the start of the 1st century AD, in Parian marble, was discovered at Fréjus (Forum Julii) in 1650. It is considered as the best Roman copy of the lost Greek work. Louvre Museum, Paris<br />
<br />
The Venus Genetrix style of statue depicts Aphrodite (Venus to the Romans) as Genetrix ( Latin for Mother). This sculptural type was adopted by the Julia-Claudian dynasty after Julius Caesar claimed that he was defended from Venus herself.  The original lost Greek statue is attributed to Greek sculpture Callimachus who created a Bronze Aphrodite in 420-410. According to Pliny's Natural History showing her dressed in a light but clinging chiton or peplos, which was lowered on the left shoulder to reveal her left breast and hung down in a sheer face and decoratively carved so as not to hide the outlines of the woman's body. Venus was depicted holding the apple won in the Judgement of Paris in her left hand, whilst her right hand moved to cover her head. From the lost bronze original are derived all surviving copies. The composition was frontal, the body's form monumental, and in the surviving Roman replicas its proportions are close to the Polyclitean, an ancient Greek sculptor in bronze of the fifth century BC.
  • Aphrodite of Fréjus in the style known as "Venus Genetrix". A 1.64m high Roman statue, dating from the end of the 1st century BC to the start of the 1st century AD, in Parian marble, was discovered at Fréjus (Forum Julii) in 1650. It is considered as the best Roman copy of the lost Greek work. Louvre Museum, Paris<br />
<br />
The Venus Genetrix style of statue depicts Aphrodite (Venus to the Romans) as Genetrix ( Latin for Mother). This sculptural type was adopted by the Julia-Claudian dynasty after Julius Caesar claimed that he was defended from Venus herself.  The original lost Greek statue is attributed to Greek sculpture Callimachus who created a Bronze Aphrodite in 420-410. According to Pliny's Natural History showing her dressed in a light but clinging chiton or peplos, which was lowered on the left shoulder to reveal her left breast and hung down in a sheer face and decoratively carved so as not to hide the outlines of the woman's body. Venus was depicted holding the apple won in the Judgement of Paris in her left hand, whilst her right hand moved to cover her head. From the lost bronze original are derived all surviving copies. The composition was frontal, the body's form monumental, and in the surviving Roman replicas its proportions are close to the Polyclitean, an ancient Greek sculptor in bronze of the fifth century BC.
  • Statue of Aphrodite, a 1st century Roman Copy with a portrait head. This sculpture depicts Aphrodite in the typical pose known as the Modest Aphrodite style or Capitoline type and is a copy of a lost 4th century BC Aphrodite of Cnidos sculpture by Athenian sculpture Praxiteles. Naples National Archaeological Museum, Italy
  • The Kaufmann Aphrodite head. 2nd century Roman marble copy modelled on the statue head of Aphrodite of Cnidus by Praixitele. Many Roman replicas exist of the Aphrodite of Cnidus which is one of the most famous statues of antiquity. The statue depicts the goddess bathing with a vase of water beside her. The lost original is a Hellenistic Greek sculpture made in 360-350 BC which is attributed to Athenian sculpture Praxiteles. Tradition has it that the model for the original was the lover of sculptor Phryne. The original is the oldest known female nude in Greek sculpture. Borghese Collection, Louvre Museum, Paris. Inv no MR657 ( Usual No Ma 421)
  • The Kaufmann Aphrodite head. 2nd century Roman marble copy modelled on the statue head of Aphrodite of Cnidus by Praixitele. Many Roman replicas exist of the Aphrodite of Cnidus which is one of the most famous statues of antiquity. The statue depicts the goddess bathing with a vase of water beside her. The lost original is a Hellenistic Greek sculpture made in 360-350 BC which is attributed to Athenian sculpture Praxiteles. Tradition has it that the model for the original was the lover of sculptor Phryne. The original is the oldest known female nude in Greek sculpture. Borghese Collection, Louvre Museum, Paris. Inv no MR657 ( Usual No Ma 421)
  • The Kaufmann Aphrodite head. 2nd century Roman marble copy modelled on the statue head of Aphrodite of Cnidus by Praixitele. Many Roman replicas exist of the Aphrodite of Cnidus which is one of the most famous statues of antiquity. The statue depicts the goddess bathing with a vase of water beside her. The lost original is a Hellenistic Greek sculpture made in 360-350 BC which is attributed to Athenian sculpture Praxiteles. Tradition has it that the model for the original was the lover of sculptor Phryne. The original is the oldest known female nude in Greek sculpture. Borghese Collection, Louvre Museum, Paris. Inv no MR657 ( Usual No Ma 421)
  • The Kaufmann Aphrodite head. 2nd century Roman marble copy modelled on the statue head of Aphrodite of Cnidus by Praixitele. Many Roman replicas exist of the Aphrodite of Cnidus which is one of the most famous statues of antiquity. The statue depicts the goddess bathing with a vase of water beside her. The lost original is a Hellenistic Greek sculpture made in 360-350 BC which is attributed to Athenian sculpture Praxiteles. Tradition has it that the model for the original was the lover of sculptor Phryne. The original is the oldest known female nude in Greek sculpture. Borghese Collection, Louvre Museum, Paris. Inv no MR657 ( Usual No Ma 421)
  • 2nd century Roman marble torso copy of the statue of Aphrodite of Cnidus by Praixitele. Many Roman replicas exist of the Aphrodite of Cnidus which is one of the most famous statues of antiquity. The statue depicts the goddess bathing with a vase of water beside her. The lost original is a Hellenistic Greek sculpture made in 360-350 BC which is attributed to Athenian sculpture Praxiteles. Tradition has it that the model for the original was the lover of sculptor Phryne. The original is the oldest known female nude in Greek sculpture. Louvre Museum, Paris. Usual No 2184
  • 2nd century Roman marble torso copy of the statue of Aphrodite of Cnidus by Praixitele. Many Roman replicas exist of the Aphrodite of Cnidus which is one of the most famous statues of antiquity. The statue depicts the goddess bathing with a vase of water beside her. The lost original is a Hellenistic Greek sculpture made in 360-350 BC which is attributed to Athenian sculpture Praxiteles. Tradition has it that the model for the original was the lover of sculptor Phryne. The original is the oldest known female nude in Greek sculpture. Louvre Museum, Paris. Usual No 2184
  • 2nd century Roman marble torso copy of the statue of Aphrodite of Cnidus by Praixitele. Many Roman replicas exist of the Aphrodite of Cnidus which is one of the most famous statues of antiquity. The statue depicts the goddess bathing with a vase of water beside her. The lost original is a Hellenistic Greek sculpture made in 360-350 BC which is attributed to Athenian sculpture Praxiteles. Tradition has it that the model for the original was the lover of sculptor Phryne. The original is the oldest known female nude in Greek sculpture. Louvre Museum, Paris. Usual No 2184
  • Statue of Aphrodite, a 1st century Roman Copy with a portrait head. This sculpture depicts Aphrodite in the typical pose known as the Modest Aphrodite style or Capitoline type and is a copy of a lost 4th century BC Aphrodite of Cnidos sculpture by Athenian sculpture Praxiteles. Naples National Archaeological Museum, Italy
  • The Kaufmann Aphrodite head. 2nd century Roman marble copy modelled on the statue head of Aphrodite of Cnidus by Praixitele. Many Roman replicas exist of the Aphrodite of Cnidus which is one of the most famous statues of antiquity. The statue depicts the goddess bathing with a vase of water beside her. The lost original is a Hellenistic Greek sculpture made in 360-350 BC which is attributed to Athenian sculpture Praxiteles. Tradition has it that the model for the original was the lover of sculptor Phryne. The original is the oldest known female nude in Greek sculpture. Borghese Collection, Louvre Museum, Paris. Inv no MR657 ( Usual No Ma 421)
  • The Kaufmann Aphrodite head. 2nd century Roman marble copy modelled on the statue head of Aphrodite of Cnidus by Praixitele. Many Roman replicas exist of the Aphrodite of Cnidus which is one of the most famous statues of antiquity. The statue depicts the goddess bathing with a vase of water beside her. The lost original is a Hellenistic Greek sculpture made in 360-350 BC which is attributed to Athenian sculpture Praxiteles. Tradition has it that the model for the original was the lover of sculptor Phryne. The original is the oldest known female nude in Greek sculpture. Borghese Collection, Louvre Museum, Paris. Inv no MR657 ( Usual No Ma 421)
  • The Kaufmann Aphrodite head. 2nd century Roman marble copy modelled on the statue head of Aphrodite of Cnidus by Praixitele. Many Roman replicas exist of the Aphrodite of Cnidus which is one of the most famous statues of antiquity. The statue depicts the goddess bathing with a vase of water beside her. The lost original is a Hellenistic Greek sculpture made in 360-350 BC which is attributed to Athenian sculpture Praxiteles. Tradition has it that the model for the original was the lover of sculptor Phryne. The original is the oldest known female nude in Greek sculpture. Borghese Collection, Louvre Museum, Paris. Inv no MR657 ( Usual No Ma 421)
  • The Kaufmann Aphrodite head. 2nd century Roman marble copy modelled on the statue head of Aphrodite of Cnidus by Praixitele. Many Roman replicas exist of the Aphrodite of Cnidus which is one of the most famous statues of antiquity. The statue depicts the goddess bathing with a vase of water beside her. The lost original is a Hellenistic Greek sculpture made in 360-350 BC which is attributed to Athenian sculpture Praxiteles. Tradition has it that the model for the original was the lover of sculptor Phryne. The original is the oldest known female nude in Greek sculpture. Borghese Collection, Louvre Museum, Paris. Inv no MR657 ( Usual No Ma 421)
  • 2nd century Roman marble torso copy of the statue of Aphrodite of Cnidus by Praixitele. Many Roman replicas exist of the Aphrodite of Cnidus which is one of the most famous statues of antiquity. The statue depicts the goddess bathing with a vase of water beside her. The lost original is a Hellenistic Greek sculpture made in 360-350 BC which is attributed to Athenian sculpture Praxiteles. Tradition has it that the model for the original was the lover of sculptor Phryne. The original is the oldest known female nude in Greek sculpture. Louvre Museum, Paris. Usual No 2184
  • 2nd century Roman marble torso copy of the statue of Aphrodite of Cnidus by Praixitele. Many Roman replicas exist of the Aphrodite of Cnidus which is one of the most famous statues of antiquity. The statue depicts the goddess bathing with a vase of water beside her. The lost original is a Hellenistic Greek sculpture made in 360-350 BC which is attributed to Athenian sculpture Praxiteles. Tradition has it that the model for the original was the lover of sculptor Phryne. The original is the oldest known female nude in Greek sculpture. Louvre Museum, Paris. Usual No 2184
  • 2nd century Roman marble torso copy of the statue of Aphrodite of Cnidus by Praixitele. Many Roman replicas exist of the Aphrodite of Cnidus which is one of the most famous statues of antiquity. The statue depicts the goddess bathing with a vase of water beside her. The lost original is a Hellenistic Greek sculpture made in 360-350 BC which is attributed to Athenian sculpture Praxiteles. Tradition has it that the model for the original was the lover of sculptor Phryne. The original is the oldest known female nude in Greek sculpture. Louvre Museum, Paris. Usual No 2184
  • 2nd century Roman marble torso copy of the statue of Aphrodite of Cnidus by Praixitele. Many Roman replicas exist of the Aphrodite of Cnidus which is one of the most famous statues of antiquity. The statue depicts the goddess bathing with a vase of water beside her. The lost original is a Hellenistic Greek sculpture made in 360-350 BC which is attributed to Athenian sculpture Praxiteles. Tradition has it that the model for the original was the lover of sculptor Phryne. The original is the oldest known female nude in Greek sculpture. Louvre Museum, Paris. Usual No 2184
  • Statue of Aphrodite, a 1st century Roman Copy with a portrait head. This sculpture depicts Aphrodite in the typical pose known as the Modest Aphrodite style or Capitoline type and is a copy of a lost 4th century BC Aphrodite of Cnidos sculpture by Athenian sculpture Praxiteles. Naples National Archaeological Museum, Italy
  • Statue of Aphrodite, a 1st century Roman Copy with a portrait head. This sculpture depicts Aphrodite in the typical pose known as the Modest Aphrodite style or Capitoline type and is a copy of a lost 4th century BC Aphrodite of Cnidos sculpture by Athenian sculpture Praxiteles. Naples National Archaeological Museum, Italy
  • Statue of Aphrodite, a 1st century Roman Copy with a portrait head. This sculpture depicts Aphrodite in the typical pose known as the Modest Aphrodite style or Capitoline type and is a copy of a lost 4th century BC Aphrodite of Cnidos sculpture by Athenian sculpture Praxiteles. Naples National Archaeological Museum, Italy
  • The Venus of Arles (  Greek Goddess Aphrodite) is a 1.94-metre-high (6.4 ft) marble sculpture of Venus probably a copy of the Aphrodite of Thespiae by 4th century BC Greek Athenian sculpture Praxiteles . Louvre Museum, Paris.
  • The Venus of Arles (  Greek Goddess Aphrodite) is a 1.94-metre-high (6.4 ft) marble sculpture of Venus probably a copy of the Aphrodite of Thespiae by 4th century BC Greek Athenian sculpture Praxiteles . Louvre Museum, Paris. <br />
The style of the Venus of Arles, like the Venus de Milo, is not a fully nude figure both having draped clothes from the waist down. The first known example of a totally nude Venus is the 4th century BC  Aphrodite of Cnidus by.Praxiteles  The Venus of Arles was probably an earlier statue by Praxiteles known as the Aphrodite of Thespiae . <br />
The venus of Arles was found in 1651 by workmen digging a well in Arles. In 1681 it was given to Louis XIV to decorate the Galerie des Glaces of Versailles. The statue was moved to the Musée du Louvre after the French Revolution.
  • Statue of Thetsis - a 2nd century AD Roman statue found in the city of Lavinia, Italy. Thetis (/ˈθɛtɪs/; Ancient Greek: Θέτις, [tʰétis]), is encountered in Greek mythology mostly as a sea nymph or known as the goddess of water, one of the fifty Nereids, daughters of the ancient sea god Nereus. he statue belonged to a set of ten divinities formerly presented in the portico hemicycle of the city. The Albani Collection Inv No. LL 19 (Usual No Ma 2244), Louvre Museum, Paris.
  • Crouching Aphrodite (Venus). 2nd Century Imperial Roman Marble Statue from Italy. Louvre Museum, Paris. Cat No MR 371 
<br />
This sculpture  is a variation on the Classic Hellanistic 3rd to Ist century BC style of Aphrodite crouching to bathe. Aphrodite crouches with her right knee close to the ground, turns her head to the right and, in most versions, reaches her right arm over to her left shoulder to cover her breasts. The sculpture here changes the pattern by raising the right arm to the neck, rather than making her arm cross her chest, this flattens the composition.
  • Crouching Aphrodite (Venus). 2nd Century Imperial Roman Marble Statue from Italy. Louvre Museum, Paris. Cat No MR 371 
<br />
This sculpture  is a variation on the Classic Hellanistic 3rd to Ist century BC style of Aphrodite crouching to bathe. Aphrodite crouches with her right knee close to the ground, turns her head to the right and, in most versions, reaches her right arm over to her left shoulder to cover her breasts. The sculpture here changes the pattern by raising the right arm to the neck, rather than making her arm cross her chest, this flattens the composition.
  • Statue of Aphrodite, a 2nd century Roman Copy. This sculpture depicts Aphrodite in the typical pose known as the Modest Aphrodite style or Capitoline type and is a copy of a lost 4th century BC Aphrodite of Cnidos sculpture by Athenian sculpture Praxiteles. Naples National Archaeological Museum, Italy
  • Crouching Aphrodite (Venus). 2nd Century Imperial Roman Marble Statue from Italy. Louvre Museum, Paris. Cat No MR 371 
<br />
This sculpture  is a variation on the Classic Hellanistic 3rd to Ist century BC style of Aphrodite crouching to bathe. Aphrodite crouches with her right knee close to the ground, turns her head to the right and, in most versions, reaches her right arm over to her left shoulder to cover her breasts. The sculpture here changes the pattern by raising the right arm to the neck, rather than making her arm cross her chest, this flattens the composition.
  • Statue of Venus, 1st 2nd century Roman. This Roman sculpture retains elements of a lost 4th century BC Aphrodite of Cnidos sculpture by Athenian sculpture Praxiteles. In this version Venus no longer hides her modesty and stands with an arm raised revealing her breasts. British Museum, London.
  • Statue of Aphrodite, a 1st century Roman Copy with a portrait head. This sculpture depicts Aphrodite in the typical pose known as the Modest Aphrodite style or Capitoline type and is a copy of a lost 4th century BC Aphrodite of Cnidos sculpture by Athenian sculpture Praxiteles. Naples National Archaeological Museum, Italy
  • Statue of Aphrodite, a 2nd century Roman Copy. This sculpture depicts Aphrodite in the typical pose known as the Modest Aphrodite style or Dresden-Capitoline type and is a copy of a lost 4th century BC Aphrodite of Cnidos sculpture by Athenian sculpture Praxiteles. Naples National Archaeological Museum, Italy
  • Crouching Aphrodite (Venus). 2nd Century Imperial Roman Marble Statue from Italy. Louvre Museum, Paris. Cat No MR 371 
<br />
This sculpture  is a variation on the Classic Hellanistic 3rd to Ist century BC style of Aphrodite crouching to bathe. Aphrodite crouches with her right knee close to the ground, turns her head to the right and, in most versions, reaches her right arm over to her left shoulder to cover her breasts. The sculpture here changes the pattern by raising the right arm to the neck, rather than making her arm cross her chest, this flattens the composition.
  • Crouching Aphrodite (Venus). 2nd Century Imperial Roman Marble Statue from Italy. Louvre Museum, Paris. Cat No MR 371 
<br />
This sculpture  is a variation on the Classic Hellanistic 3rd to Ist century BC style of Aphrodite crouching to bathe. Aphrodite crouches with her right knee close to the ground, turns her head to the right and, in most versions, reaches her right arm over to her left shoulder to cover her breasts. The sculpture here changes the pattern by raising the right arm to the neck, rather than making her arm cross her chest, this flattens the composition.
  • Crouching Aphrodite (Venus). 2nd Century Imperial Roman Marble Statue from Italy. Louvre Museum, Paris. Cat No MR 371 
<br />
This sculpture  is a variation on the Classic Hellanistic 3rd to Ist century BC style of Aphrodite crouching to bathe. Aphrodite crouches with her right knee close to the ground, turns her head to the right and, in most versions, reaches her right arm over to her left shoulder to cover her breasts. The sculpture here changes the pattern by raising the right arm to the neck, rather than making her arm cross her chest, this flattens the composition.
  • The ancient Uratian iron age fortress of Van, Van, Turkey
  • The ancient Uratian iron age fortress of Van, Van, Turkey 4
  • The ancient Uratian iron age fortress of Van, Van, Turkey 3
  • The ancient Uratian iron age fortress of Van, Van, Turkey 2
  • The ancient Uratian iron age fortress of Van, Van, Turkey 1

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