• Full length side view of the Riace bronze Greek statue B cast about 460 - 450 BC. statue B was probably sculpted by Phidias. There is a sense of movement in the statues their legs being bent as if they are about to take a step. Their heads are turned which accentuates a sense of anticipation as if they are looking for something. The anatomical detail is extraordinary which gives a startling realism to the statue and demonstarte the high level of skill of the Greek sculptors of this peiod. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statue head cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statue head cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statue head cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statue head cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statue head cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statue head cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statue A cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statue A cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statue A cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statues cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statues cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statues cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statue A cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statue A cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statue A cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statue A cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statues cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statues cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statues cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statue A cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statue A cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statues cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statue A cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statue A cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statues cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • low full length view of the  Riace bronze Greek statue A cast about 460 BC. statue A was probably sculpted by Myron. The style of the Riace statues straddles the archaic period and heralds the start of the classical period. Both statues depict strong young naked warriors who stand calmly but exuding great power. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • Upper torso of the Riace bronze Greek statue B cast about 460 - 450 BC. statue B was probably sculpted by Phidias. There is a sense of movement in the statues their legs being bent as if they are about to take a step. Their heads are turned which accentuates a sense of anticipation as if they are looking for something. The anatomical detail is extraordinary which gives a startling realism to the statue and demonstarte the high level of skill of the Greek sculptors of this peiod. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • Torso of the Riace bronze Greek statue B cast about 460 - 450 BC. statue B was probably sculpted by Phidias. There is a sense of movement in the statues their legs being bent as if they are about to take a step. Their heads are turned which accentuates a sense of anticipation as if they are looking for something. The anatomical detail is extraordinary which gives a startling realism to the statue and demonstarte the high level of skill of the Greek sculptors of this period. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statue head cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statue head cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statue A cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statue A cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statue A cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statues cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statue A cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statues cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statues cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statues cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statues cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statues cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statue A cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statues cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statues cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statues cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statues cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statue A cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • Full length view of the Riace bronze Greek statue A cast about 460 BC. statue A was probably sculpted by Myron. The style of the Riace statues straddles the archaic period and heralds the start of the classical period. Both statues depict strong young naked warriors who stand calmly but exuding great power. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • Full length tree quarter view of the Riace bronze Greek statue B cast about 460 - 450 BC. statue B was probably sculpted by Phidias. There is a sense of movement in the statues their legs being bent as if they are about to take a step. Their heads are turned which accentuates a sense of anticipation as if they are looking for something. The anatomical detail is extraordinary which gives a startling realism to the statue and demonstarte the high level of skill of the Greek sculptors of this peiod. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • Torso three quarter of the Riace bronze Greek statue A cast about 460 BC. statue A was probably sculpted by Myron. The style of the Riace statues straddles the archaic period and heralds the start of the classical period. Both statues depict strong young naked warriors who stand calmly but exuding great power. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • Full length face on view of the Riace bronze Greek statue B cast about 460 - 450 BC. statue B was probably sculpted by Phidias. There is a sense of movement in the statues their legs being bent as if they are about to take a step. Their heads are turned which accentuates a sense of anticipation as if they are looking for something. The anatomical detail is extraordinary which gives a startling realism to the statue and demonstarte the high level of skill of the Greek sculptors of this peiod. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statue head cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statue head cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statue A cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statue A cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statues cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statue A cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • Torso face on view of the Riace bronze Greek statue A cast about 460 BC. statue A was probably sculpted by Myron. The style of the Riace statues straddles the archaic period and heralds the start of the classical period. Both statues depict strong young naked warriors who stand calmly but exuding great power. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • Torso of the Riace bronze Greek statue A cast about 460 BC. statue A was probably sculpted by Myron. The style of the Riace statues straddles the archaic period and heralds the start of the classical period. Both statues depict strong young naked warriors who stand calmly but exuding great power. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • Sarcophagus of The Mourning Women, 4th cent. B.C Greek from the Royal Necropolis of Sidon , Chamber no I, Lebanon, Istanbul Archaeological Museum Inv. 386T  Cat. Mendel 10.
  • Sarcophagus of The Mourning Women, 4th cent. B.C Greek from the Royal Necropolis of Sidon , Chamber no I, Lebanon, Istanbul Archaeological Museum Inv. 386T  Cat. Mendel 10.
  • Sarcophagus of The Mourning Women, 4th cent. B.C Greek from the Royal Necropolis of Sidon , Chamber no I, Lebanon, Istanbul Archaeological Museum Inv. 386T  Cat. Mendel 10.
  • Sarcophagus of The Mourning Women, 4th cent. B.C Greek from the Royal Necropolis of Sidon , Chamber no I, Lebanon, Istanbul Archaeological Museum Inv. 386T  Cat. Mendel 10.
  • Sarcophagus of The Mourning Women, 4th cent. B.C Greek from the Royal Necropolis of Sidon , Chamber no I, Lebanon, Istanbul Archaeological Museum Inv. 386T  Cat. Mendel 10.
  • Marble statue of Pan found in Sparta, Pelopenese, 1st Cent AD copy of 4th Cent BC Greek original. Athens Archaeological Museum Cat No 252. Against grey<br />
<br />
Pan, the goat footed god wears an animal pelt from which protrude only his jhairy legs. In his left hand he is holding pan pipes. The expression on his bestial featured face is softened by a broad smile.
  • Marble statue of Pan found in Sparta, Pelopenese, 1st Cent AD copy of 4th Cent BC Greek original. Athens Archaeological Museum Cat No 252. Against grey<br />
<br />
Pan, the goat footed god wears an animal pelt from which protrude only his jhairy legs. In his left hand he is holding pan pipes. The expression on his bestial featured face is softened by a broad smile.
  • Marble statue of Pan found in Sparta, Pelopenese, 1st Cent AD copy of 4th Cent BC Greek original. Athens Archaeological Museum Cat No 252. Against white, <br />
<br />
Pan, the goat footed god wears an animal pelt from which protrude only his jhairy legs. In his left hand he is holding pan pipes. The expression on his bestial featured face is softened by a broad smile.
  • Marble statue of Pan found in Sparta, Pelopenese, 1st Cent AD copy of 4th Cent BC Greek original. Athens Archaeological Museum Cat No 252. Against black<br />
<br />
Pan, the goat footed god wears an animal pelt from which protrude only his jhairy legs. In his left hand he is holding pan pipes. The expression on his bestial featured face is softened by a broad smile.
  • Marble statue of Pan found in Sparta, Pelopenese, 1st Cent AD copy of 4th Cent BC Greek original. Athens Archaeological Museum Cat No 252.<br />
<br />
Pan, the goat footed god wears an animal pelt from which protrude only his jhairy legs. In his left hand he is holding pan pipes. The expression on his bestial featured face is softened by a broad smile.
  • Statue of a female inj the Small Herculaneum Style, Athens Archaeological Museum, Cat no 242. Pentelic marble.  Against white, <br />
<br />
Copy of earlier famous Greek statue dated 300 BC. The women is depicted wearing a full length chiton and a himation that covers her entire body.
  • Statue of a female inj the Small Herculaneum Style, Athens Archaeological Museum, Cat no 242. Pentelic marble. Against black<br />
<br />
Copy of earlier famous Greek statue dated 300 BC. The women is depicted wearing a full length chiton and a himation that covers her entire body.
  • Statue of a female inj the Small Herculaneum Style, Athens Archaeological Museum, Cat no 242. Pentelic marble. Against grey<br />
<br />
Copy of earlier famous Greek statue dated 300 BC. The women is depicted wearing a full length chiton and a himation that covers her entire body.
  • Statue of a female inj the Small Herculaneum Style, Athens Archaeological Museum, Cat no 242. Pentelic marble. <br />
<br />
Copy of earlier famous Greek statue dated 300 BC. The women is depicted wearing a full length chiton and a himation that covers her entire body.
  • Statue of a female inj the Small Herculaneum Style, Athens Archaeological Museum, Cat no 242. Pentelic marble.  Against grey<br />
<br />
Copy of earlier famous Greek statue dated 300 BC. The women is depicted wearing a full length chiton and a himation that covers her entire body.
  • The 'Atalante Hermes' Roman marble statue found at Atalante. 2nd Cemt AD copy of the 4th cent BC Lysippean Greek style. Athens Archaeological Museum, cat no 240. Against white, <br />
<br />
Funserary statue of a youth depicted as Hermes. He is shown nude with his chlamys over his shoulder and wound around his right arm. In his left hand he holds a 'caduceus'.
  • The 'Atalante Hermes' Roman marble statue found at Atalante. 2nd Cemt AD copy of the 4th cent BC Lysippean Greek style. Athens Archaeological Museum, cat no 240. Against grey<br />
<br />
Funserary statue of a youth depicted as Hermes. He is shown nude with his chlamys over his shoulder and wound around his right arm. In his left hand he holds a 'caduceus'.
  • The 'Atalante Hermes' Roman marble statue found at Atalante. 2nd Cemt AD copy of the 4th cent BC Lysippean Greek style. Athens Archaeological Museum, cat no 240. Against grey<br />
<br />
Funserary statue of a youth depicted as Hermes. He is shown nude with his chlamys over his shoulder and wound around his right arm. In his left hand he holds a 'caduceus'.
  • The 'Atalante Hermes' Roman marble statue found at Atalante. 2nd Cemt AD copy of the 4th cent BC Lysippean Greek style. Athens Archaeological Museum, cat no 240. Against black<br />
<br />
Funserary statue of a youth depicted as Hermes. He is shown nude with his chlamys over his shoulder and wound around his right arm. In his left hand he holds a 'caduceus'.
  • The 'Atalante Hermes' Roman marble statue found at Atalante. 2nd Cemt AD copy of the 4th cent BC Lysippean Greek style. Athens Archaeological Museum, cat no 240.<br />
<br />
Funserary statue of a youth depicted as Hermes. He is shown nude with his chlamys over his shoulder and wound around his right arm. In his left hand he holds a 'caduceus'.
  • Alexander The Great ( Alexander III of Macedon) 4th Cent BC. Sarcophagus calved from Pentelic Marble from the Royal Necropolis of Sidon, Chamber no.III, Lebanon. Istanbul Archaeological Museum Inv. 370T Cat. Mendel 68
  • Alexander The Great ( Alexander III of Macedon) 4th Cent BC. Sarcophagus calved from Pentelic Marble from the Royal Necropolis of Sidon, Chamber no.III, Lebanon. Istanbul Archaeological Museum Inv. 370T Cat. Mendel 68
  • Alexander The Great ( Alexander III of Macedon) 4th Cent BC. Sarcophagus calved from Pentelic Marble from the Royal Necropolis of Sidon, Chamber no.III, Lebanon. Istanbul Archaeological Museum Inv. 370T Cat. Mendel 68
  • Alexander The Great ( Alexander III of Macedon) 4th Cent BC. Sarcophagus calved from Pentelic Marble from the Royal Necropolis of Sidon, Chamber no.III, Lebanon. Istanbul Archaeological Museum Inv. 370T Cat. Mendel 68
  • Alexander The Great ( Alexander III of Macedon) 4th Cent BC. Sarcophagus calved from Pentelic Marble from the Royal Necropolis of Sidon, Chamber no.III, Lebanon. Istanbul Archaeological Museum Inv. 370T Cat. Mendel 68
  • Roman funerary statue of a women in the Large Herculaneum style, Found in the cemetery of Stagiou Street, Athens, Athens Archaeological Museum, cat no 32622. Against black<br />
<br />
This statue is the typle known as the Large Herculaneum Wome. She wears a full length chiton and himation that covers her head and entire body. Dating from the 1st cent AD it is a copy of an earlier statue circa 320 BC, probably by Praxiteles
  • Roman funerary statue of a women in the Large Herculaneum style, Found in the cemetery of Stagiou Street, Athens, Athens Archaeological Museum, cat no 32622. Against white, <br />
<br />
This statue is the typle known as the Large Herculaneum Wome. She wears a full length chiton and himation that covers her head and entire body. Dating from the 1st cent AD it is a copy of an earlier statue circa 320 BC, probably by Praxiteles
  • Roman funerary statue of a women in the Large Herculaneum style, Found in the cemetery of Stagiou Street, Athens, Athens Archaeological Museum, cat no 32622.  against grey<br />
<br />
This statue is the typle known as the Large Herculaneum Wome. She wears a full length chiton and himation that covers her head and entire body. Dating from the 1st cent AD it is a copy of an earlier statue circa 320 BC, probably by Praxiteles
  • Roman funerary statue of a women in the Large Herculaneum style, Found in the cemetery of Stagiou Street, Athens, Athens Archaeological Museum, cat no 32622.<br />
<br />
This statue is the typle known as the Large Herculaneum Wome. She wears a full length chiton and himation that covers her head and entire body. Dating from the 1st cent AD it is a copy of an earlier statue circa 320 BC, probably by Praxiteles
  • Roman marble statue of Hermes found at Aigion, Pelopenese. 27 BC - 14 AD. Athens Archaeological Museum Cat No 241. Against black<br />
<br />
Hermes is depicted standing wearing a chalamys that is wound around his lest arm. In his right hand he holds a purse and in his left a 'caduceus'. Augustan Roman period
  • Roman marble statue of Hermes found at Aigion, Pelopenese. 27 BC- 14AD. Athens Archaeological Museum Cat No 241. Against grey<br />
<br />
Hermes is depicted standing wearing a chalamys that is wound around his lest arm. In his right hand he holds a purse and in his left a 'caduceus'. Augustan Roman period
  • Roman funerary statue of a women in the Large Herculaneum style, Found in the cemetery of Stagiou Street, Athens, Athens Archaeological Museum, cat no 32622.  against grey<br />
<br />
This statue is the typle known as the Large Herculaneum Wome. She wears a full length chiton and himation that covers her head and entire body. Dating from the 1st cent AD it is a copy of an earlier statue circa 320 BC, probably by Praxiteles
  • Roman marble statue of Hermes found at Aigion, Pelopenese. 27 BC - 14 AD. Athens Archaeological Museum Cat No 241. Against white, <br />
<br />
Hermes is depicted standing wearing a chalamys that is wound around his lest arm. In his right hand he holds a purse and in his left a 'caduceus'. Augustan Roman period
  • Roman marble statue of Hermes found at Aigion, Pelopenese. 27 BC - 14 AD. Athens Archaeological Museum Cat No 241. Against grey<br />
<br />
Hermes is depicted standing wearing a chalamys that is wound around his lest arm. In his right hand he holds a purse and in his left a 'caduceus'. Augustan Roman period
  • Roman marble statue of Hermes found at Aigion, Pelopenese. 27 BC - 14 AD. Athens Archaeological Museum Cat No 241.<br />
<br />
Hermes is depicted standing wearing a chalamys that is wound around his lest arm. In his right hand he holds a purse and in his left a 'caduceus'. Augustan Roman period
  • Roman statue of Hecate. Marble. Perge. 2nd century AD. Inv no 2010/541. Antalya Archaeology Museum; Turkey.<br />
<br />
 Hekate is a goddess in ancient Greek religion and mythology, most often shown holding a pair of torches or a key and in later periods depicted in triple form. She was variously associated with crossroads, entrance-ways, light, magic, witchcraft, knowledge of herbs and poisonous plants, ghosts, necromancy, and sorcery.  Against a grey background
  • Roman statue of Hermes. Marble. Perge. 2nd century AD. Inv no . Antalya Archaeology Museum; Turkey.  Against a grey background<br />
<br />
Hermes is the god of trade, heraldry, merchants, commerce, roads, sports, travelers, and athletes in Ancient Greek religion and mythology; the son of Zeus and the Pleiad Maia, he was the second youngest of the Olympian gods
  • Roman statue of Aphrodite. Marble. Perge. 2nd century AD. Inv no 2014/191 . Antalya Archaeology Museum; Turkey.<br />
<br />
Aphrodite is an ancient Greek goddess associated with love, beauty, pleasure, and procreation. She is identified with the planet Venus, which is named after the Roman goddess Venus, with whom Aphrodite was extensively syncretized. Aphrodite's major symbols include myrtles, roses, doves, sparrows, and swans.
  • Roman statue of Aphrodite. Marble. Perge. 2nd century AD. Inv no 2014/191 . Antalya Archaeology Museum; Turkey. Against a black background.<br />
<br />
Aphrodite is an ancient Greek goddess associated with love, beauty, pleasure, and procreation. She is identified with the planet Venus, which is named after the Roman goddess Venus, with whom Aphrodite was extensively syncretized. Aphrodite's major symbols include myrtles, roses, doves, sparrows, and swans.
  • Roman statue of Hermes. Marble. Perge. 2nd century AD. Inv no . Antalya Archaeology Museum; Turkey.  Against a grey background<br />
<br />
Hermes is the god of trade, heraldry, merchants, commerce, roads, sports, travelers, and athletes in Ancient Greek religion and mythology; the son of Zeus and the Pleiad Maia, he was the second youngest of the Olympian gods
  • Roman statue of Dionysus. Marble. Perge. 2nd century AD. Inv no . Antalya Archaeology Museum; Turkey.  Against a grey background<br />
<br />
Dionysus  is the god of the grape-harvest, winemaking and wine, of fertility, ritual madness, religious ecstasy, and theatre in ancient Greek religion and myth.
  • Roman statue of Hecate. Marble. Perge. 2nd century AD. Inv no 2010/541. Antalya Archaeology Museum; Turkey. Against a white background.<br />
<br />
 Hekate is a goddess in ancient Greek religion and mythology, most often shown holding a pair of torches or a key and in later periods depicted in triple form. She was variously associated with crossroads, entrance-ways, light, magic, witchcraft, knowledge of herbs and poisonous plants, ghosts, necromancy, and sorcery.
  • Roman statue of Hecate. Marble. Perge. 2nd century AD. Inv no 2010/541. Antalya Archaeology Museum; Turkey. Against a black background.<br />
<br />
 Hekate is a goddess in ancient Greek religion and mythology, most often shown holding a pair of torches or a key and in later periods depicted in triple form. She was variously associated with crossroads, entrance-ways, light, magic, witchcraft, knowledge of herbs and poisonous plants, ghosts, necromancy, and sorcery.
  • Roman statue of Hecate. Marble. Perge. 2nd century AD. Inv no 2010/541. Antalya Archaeology Museum; Turkey. Against a warm art background.<br />
<br />
 Hekate is a goddess in ancient Greek religion and mythology, most often shown holding a pair of torches or a key and in later periods depicted in triple form. She was variously associated with crossroads, entrance-ways, light, magic, witchcraft, knowledge of herbs and poisonous plants, ghosts, necromancy, and sorcery.
  • Roman statue of Asclepius. Marble. Perge. 2nd century AD. Inv no .Antalya Archaeology Museum; Turkey.<br />
<br />
Asclepius was a hero and god of medicine in ancient Greek religion and mythology. Asclepius represents the healing aspect of the medical arts, one of his his daughters is Hygieia
  • Roman statue of Aphrodite. Marble. Perge. 2nd century AD. Inv no 2014/196. Antalya Archaeology Museum; Turkey.<br />
<br />
Aphrodite is an ancient Greek goddess associated with love, beauty, pleasure, and procreation. She is identified with the planet Venus, which is named after the Roman goddess Venus, with whom Aphrodite was extensively syncretized. Aphrodite's major symbols include myrtles, roses, doves, sparrows, and swans.
  • Roman statue of Aphrodite. Marble. Perge. 2nd century AD. Inv no 2014/191 . Antalya Archaeology Museum; Turkey. Against a white background.<br />
<br />
Aphrodite is an ancient Greek goddess associated with love, beauty, pleasure, and procreation. She is identified with the planet Venus, which is named after the Roman goddess Venus, with whom Aphrodite was extensively syncretized. Aphrodite's major symbols include myrtles, roses, doves, sparrows, and swans.
  • Roman statue of Modest Aphrodite. Marble. Perge. 2nd century AD. Inv no . Antalya Archaeology Museum; Turkey. Against a white background.<br />
<br />
Aphrodite is an ancient Greek goddess associated with love, beauty, pleasure, and procreation. She is identified with the planet Venus, which is named after the Roman goddess Venus, with whom Aphrodite was extensively syncretized. Aphrodite's major symbols include myrtles, roses, doves, sparrows, and swans.
  • Roman statue of Hecate. Marble. Perge. 2nd century AD. Inv no 2010/541. Antalya Archaeology Museum; Turkey.<br />
<br />
 Hekate is a goddess in ancient Greek religion and mythology, most often shown holding a pair of torches or a key and in later periods depicted in triple form. She was variously associated with crossroads, entrance-ways, light, magic, witchcraft, knowledge of herbs and poisonous plants, ghosts, necromancy, and sorcery.
  • Roman statue of Hecate. Marble. Perge. 2nd century AD. Inv no 2010/541. Antalya Archaeology Museum; Turkey. Against a warm art background.<br />
<br />
 Hekate is a goddess in ancient Greek religion and mythology, most often shown holding a pair of torches or a key and in later periods depicted in triple form. She was variously associated with crossroads, entrance-ways, light, magic, witchcraft, knowledge of herbs and poisonous plants, ghosts, necromancy, and sorcery.
  • Roman statue of Hecate. Marble. Perge. 2nd century AD. Inv no 2010/541. Antalya Archaeology Museum; Turkey. Against a white background.<br />
<br />
 Hekate is a goddess in ancient Greek religion and mythology, most often shown holding a pair of torches or a key and in later periods depicted in triple form. She was variously associated with crossroads, entrance-ways, light, magic, witchcraft, knowledge of herbs and poisonous plants, ghosts, necromancy, and sorcery.
  • Roman statue of Hecate. Marble. Perge. 2nd century AD. Inv no 2010/541. Antalya Archaeology Museum; Turkey. Against a black background.<br />
<br />
 Hekate is a goddess in ancient Greek religion and mythology, most often shown holding a pair of torches or a key and in later periods depicted in triple form. She was variously associated with crossroads, entrance-ways, light, magic, witchcraft, knowledge of herbs and poisonous plants, ghosts, necromancy, and sorcery.
  • Roman statue of Asklepios. Marble. Perge. 2nd century AD. Inv no . Antalya Archaeology Museum; Turkey. Against a white background.<br />
<br />
Asclepius was a hero and god of medicine in ancient Greek religion and mythology.
  • Roman statue of Asklepios. Marble. Perge. 2nd century AD. Inv no . Antalya Archaeology Museum; Turkey. Against a warm art background.<br />
<br />
Asclepius was a hero and god of medicine in ancient Greek religion and mythology.
  • Roman statue of Asklepios. Marble. Perge. 2nd century AD. Inv no . Antalya Archaeology Museum; Turkey.  Against a grey background<br />
<br />
Asclepius was a hero and god of medicine in ancient Greek religion and mythology.
  • Roman statue of Asklepios. Marble. Perge. 2nd century AD. Inv no . Antalya Archaeology Museum; Turkey. Against a black background.<br />
<br />
Asclepius was a hero and god of medicine in ancient Greek religion and mythology.
  • Roman statue of Hecate. Marble. Perge. 2nd century AD. Inv no 2010/541. Antalya Archaeology Museum; Turkey. Against a black background.<br />
<br />
 Hekate is a goddess in ancient Greek religion and mythology, most often shown holding a pair of torches or a key and in later periods depicted in triple form. She was variously associated with crossroads, entrance-ways, light, magic, witchcraft, knowledge of herbs and poisonous plants, ghosts, necromancy, and sorcery.
  • Roman statue of Hecate. Marble. Perge. 2nd century AD. Inv no 2010/541. Antalya Archaeology Museum; Turkey.<br />
<br />
 Hekate is a goddess in ancient Greek religion and mythology, most often shown holding a pair of torches or a key and in later periods depicted in triple form. She was variously associated with crossroads, entrance-ways, light, magic, witchcraft, knowledge of herbs and poisonous plants, ghosts, necromancy, and sorcery.
  • Roman statue of Hecate. Marble. Perge. 2nd century AD. Inv no 2010/541. Antalya Archaeology Museum; Turkey. Against a white background.<br />
<br />
 Hekate is a goddess in ancient Greek religion and mythology, most often shown holding a pair of torches or a key and in later periods depicted in triple form. She was variously associated with crossroads, entrance-ways, light, magic, witchcraft, knowledge of herbs and poisonous plants, ghosts, necromancy, and sorcery.
  • Roman statue of Hecate. Marble. Perge. 2nd century AD. Inv no 2010/541. Antalya Archaeology Museum; Turkey. Against a warm art background.<br />
<br />
 Hekate is a goddess in ancient Greek religion and mythology, most often shown holding a pair of torches or a key and in later periods depicted in triple form. She was variously associated with crossroads, entrance-ways, light, magic, witchcraft, knowledge of herbs and poisonous plants, ghosts, necromancy, and sorcery.
  • Roman statue of Hermes. Marble. Perge. 2nd century AD. Inv no . Antalya Archaeology Museum; Turkey.<br />
<br />
Hermes is the god of trade, heraldry, merchants, commerce, roads, sports, travelers, and athletes in Ancient Greek religion and mythology; the son of Zeus and the Pleiad Maia, he was the second youngest of the Olympian gods
  • Roman statue of Hermes. Marble. Perge. 2nd century AD. Inv no . Antalya Archaeology Museum; Turkey. Against a white background.<br />
<br />
Hermes is the god of trade, heraldry, merchants, commerce, roads, sports, travelers, and athletes in Ancient Greek religion and mythology; the son of Zeus and the Pleiad Maia, he was the second youngest of the Olympian gods
  • Roman statue of Hermes. Marble. Perge. 2nd century AD. Inv no . Antalya Archaeology Museum; Turkey. Against a black background.<br />
<br />
Hermes is the god of trade, heraldry, merchants, commerce, roads, sports, travelers, and athletes in Ancient Greek religion and mythology; the son of Zeus and the Pleiad Maia, he was the second youngest of the Olympian gods
  • Roman statue of Hermes. Marble. Perge. 2nd century AD. Inv no . Antalya Archaeology Museum; Turkey. Against a warm art background.<br />
<br />
Hermes is the god of trade, heraldry, merchants, commerce, roads, sports, travelers, and athletes in Ancient Greek religion and mythology; the son of Zeus and the Pleiad Maia, he was the second youngest of the Olympian gods
  • Roman statue of Asklepios. Marble. Perge. 2nd century AD. Inv no . Antalya Archaeology Museum; Turkey. Against a warm art background.<br />
<br />
Asclepius was a hero and god of medicine in ancient Greek religion and mythology.
  • Roman statue of Asklepios. Marble. Perge. 2nd century AD. Inv no . Antalya Archaeology Museum; Turkey. Against a white background.<br />
<br />
Asclepius was a hero and god of medicine in ancient Greek religion and mythology.
  • Roman statue of Aphrodite. Marble. Perge. 2nd century AD. Inv no 2014/191 . Antalya Archaeology Museum; Turkey. Against a warm art background.<br />
<br />
Aphrodite is an ancient Greek goddess associated with love, beauty, pleasure, and procreation. She is identified with the planet Venus, which is named after the Roman goddess Venus, with whom Aphrodite was extensively syncretized. Aphrodite's major symbols include myrtles, roses, doves, sparrows, and swans.
  • Roman statue of Aphrodite. Marble. Perge. 2nd century AD. Inv no 2014/191 . Antalya Archaeology Museum; Turkey. Against a white background.<br />
<br />
Aphrodite is an ancient Greek goddess associated with love, beauty, pleasure, and procreation. She is identified with the planet Venus, which is named after the Roman goddess Venus, with whom Aphrodite was extensively syncretized. Aphrodite's major symbols include myrtles, roses, doves, sparrows, and swans.
  • Roman statue of Aphrodite. Marble. Perge. 2nd century AD. Inv no 2014/191 . Antalya Archaeology Museum; Turkey.<br />
<br />
Aphrodite is an ancient Greek goddess associated with love, beauty, pleasure, and procreation. She is identified with the planet Venus, which is named after the Roman goddess Venus, with whom Aphrodite was extensively syncretized. Aphrodite's major symbols include myrtles, roses, doves, sparrows, and swans.
  • Roman statue of Aphrodite. Marble. Perge. 2nd century AD. Inv no 2014/191 . Antalya Archaeology Museum; Turkey. Against a white background.<br />
<br />
Aphrodite is an ancient Greek goddess associated with love, beauty, pleasure, and procreation. She is identified with the planet Venus, which is named after the Roman goddess Venus, with whom Aphrodite was extensively syncretized. Aphrodite's major symbols include myrtles, roses, doves, sparrows, and swans.
  • Roman statue of Hermes. Marble. Perge. 2nd century AD. Inv no . Antalya Archaeology Museum; Turkey. Against a black background.<br />
<br />
Hermes is the god of trade, heraldry, merchants, commerce, roads, sports, travelers, and athletes in Ancient Greek religion and mythology; the son of Zeus and the Pleiad Maia, he was the second youngest of the Olympian gods
  • Roman statue of Hermes. Marble. Perge. 2nd century AD. Inv no . Antalya Archaeology Museum; Turkey. Against a warm art background.<br />
<br />
Hermes is the god of trade, heraldry, merchants, commerce, roads, sports, travelers, and athletes in Ancient Greek religion and mythology; the son of Zeus and the Pleiad Maia, he was the second youngest of the Olympian gods
  • Roman statue of Dionysus. Marble. Perge. 2nd century AD. Inv no . Antalya Archaeology Museum; Turkey.<br />
<br />
Dionysus  is the god of the grape-harvest, winemaking and wine, of fertility, ritual madness, religious ecstasy, and theatre in ancient Greek religion and myth.
  • Roman statue of Dionysus. Marble. Perge. 2nd century AD. Inv no . Antalya Archaeology Museum; Turkey. Against a white background.<br />
<br />
Dionysus  is the god of the grape-harvest, winemaking and wine, of fertility, ritual madness, religious ecstasy, and theatre in ancient Greek religion and myth.
  • Roman statue of Asclepius. Marble. Perge. 2nd century AD. Inv no .Antalya Archaeology Museum; Turkey. Against a warm art background.<br />
<br />
Asclepius was a hero and god of medicine in ancient Greek religion and mythology. Asclepius represents the healing aspect of the medical arts, one of his his daughters is Hygieia
  • Roman statue of Asclepius. Marble. Perge. 2nd century AD. Inv no .Antalya Archaeology Museum; Turkey. Against a black background.<br />
<br />
Asclepius was a hero and god of medicine in ancient Greek religion and mythology. Asclepius represents the healing aspect of the medical arts, one of his his daughters is Hygieia
  • Roman statue of Aphrodite. Marble. Perge. 2nd century AD. Inv no 2014/196. Antalya Archaeology Museum; Turkey. Against a warm art background.<br />
<br />
Aphrodite is an ancient Greek goddess associated with love, beauty, pleasure, and procreation. She is identified with the planet Venus, which is named after the Roman goddess Venus, with whom Aphrodite was extensively syncretized. Aphrodite's major symbols include myrtles, roses, doves, sparrows, and swans.
  • Roman statue of Aphrodite. Marble. Perge. 2nd century AD. Inv no 2014/196. Antalya Archaeology Museum; Turkey. Against a white background.<br />
<br />
Aphrodite is an ancient Greek goddess associated with love, beauty, pleasure, and procreation. She is identified with the planet Venus, which is named after the Roman goddess Venus, with whom Aphrodite was extensively syncretized. Aphrodite's major symbols include myrtles, roses, doves, sparrows, and swans.
  • Roman statue of Aphrodite. Marble. Perge. 2nd century AD. Inv no 2014/196. Antalya Archaeology Museum; Turkey. Against a black background.<br />
<br />
Aphrodite is an ancient Greek goddess associated with love, beauty, pleasure, and procreation. She is identified with the planet Venus, which is named after the Roman goddess Venus, with whom Aphrodite was extensively syncretized. Aphrodite's major symbols include myrtles, roses, doves, sparrows, and swans.
  • Roman statue of Aphrodite. Marble. Perge. 2nd century AD. Inv no 2014/196. Antalya Archaeology Museum; Turkey.  Against a grey background<br />
<br />
Aphrodite is an ancient Greek goddess associated with love, beauty, pleasure, and procreation. She is identified with the planet Venus, which is named after the Roman goddess Venus, with whom Aphrodite was extensively syncretized. Aphrodite's major symbols include myrtles, roses, doves, sparrows, and swans.
  • Roman statue of Aphrodite. Marble. Perge. 2nd century AD. Inv no 2014/191 . Antalya Archaeology Museum; Turkey.<br />
<br />
Aphrodite is an ancient Greek goddess associated with love, beauty, pleasure, and procreation. She is identified with the planet Venus, which is named after the Roman goddess Venus, with whom Aphrodite was extensively syncretized. Aphrodite's major symbols include myrtles, roses, doves, sparrows, and swans.
  • Roman statue of Aphrodite. Marble. Perge. 2nd century AD. Inv no 2014/191 . Antalya Archaeology Museum; Turkey. Against a warm art background.<br />
<br />
Aphrodite is an ancient Greek goddess associated with love, beauty, pleasure, and procreation. She is identified with the planet Venus, which is named after the Roman goddess Venus, with whom Aphrodite was extensively syncretized. Aphrodite's major symbols include myrtles, roses, doves, sparrows, and swans.
  • Roman statue of Aphrodite. Marble. Perge. 2nd century AD. Inv no 2014/191 . Antalya Archaeology Museum; Turkey. Against a black background.<br />
<br />
Aphrodite is an ancient Greek goddess associated with love, beauty, pleasure, and procreation. She is identified with the planet Venus, which is named after the Roman goddess Venus, with whom Aphrodite was extensively syncretized. Aphrodite's major symbols include myrtles, roses, doves, sparrows, and swans.
  • Roman statue of Modest Aphrodite. Marble. Perge. 2nd century AD. Inv no . Antalya Archaeology Museum; Turkey. Against a warm art background.<br />
<br />
Aphrodite is an ancient Greek goddess associated with love, beauty, pleasure, and procreation. She is identified with the planet Venus, which is named after the Roman goddess Venus, with whom Aphrodite was extensively syncretized. Aphrodite's major symbols include myrtles, roses, doves, sparrows, and swans.
  • Roman statue of Modest Aphrodite. Marble. Perge. 2nd century AD. Inv no . Antalya Archaeology Museum; Turkey.  Against a grey background<br />
<br />
Aphrodite is an ancient Greek goddess associated with love, beauty, pleasure, and procreation. She is identified with the planet Venus, which is named after the Roman goddess Venus, with whom Aphrodite was extensively syncretized. Aphrodite's major symbols include myrtles, roses, doves, sparrows, and swans.
  • Roman statue of Hecate. Marble. Perge. 2nd century AD. Inv no 2010/541. Antalya Archaeology Museum; Turkey.<br />
<br />
 Hekate is a goddess in ancient Greek religion and mythology, most often shown holding a pair of torches or a key and in later periods depicted in triple form. She was variously associated with crossroads, entrance-ways, light, magic, witchcraft, knowledge of herbs and poisonous plants, ghosts, necromancy, and sorcery. Against a grey background
  • Roman statue of Asklepios. Marble. Perge. 2nd century AD. Inv no . Antalya Archaeology Museum; Turkey.<br />
<br />
Asclepius was a hero and god of medicine in ancient Greek religion and mythology.
  • Roman statue of Asklepios. Marble. Perge. 2nd century AD. Inv no . Antalya Archaeology Museum; Turkey.<br />
<br />
Asclepius was a hero and god of medicine in ancient Greek religion and mythology.
  • Roman statue of Asklepios. Marble. Perge. 2nd century AD. Inv no . Antalya Archaeology Museum; Turkey. Against a black background.<br />
<br />
Asclepius was a hero and god of medicine in ancient Greek religion and mythology.
  • Roman statue of Asklepios. Marble. Perge. 2nd century AD. Inv no . Antalya Archaeology Museum; Turkey.  Against a grey background<br />
<br />
Asclepius was a hero and god of medicine in ancient Greek religion and mythology.
  • Roman statue of Aphrodite. Marble. Perge. 2nd century AD. Inv no 2014/191 . Antalya Archaeology Museum; Turkey.  Against a grey background<br />
<br />
Aphrodite is an ancient Greek goddess associated with love, beauty, pleasure, and procreation. She is identified with the planet Venus, which is named after the Roman goddess Venus, with whom Aphrodite was extensively syncretized. Aphrodite's major symbols include myrtles, roses, doves, sparrows, and swans.
  • Roman statue of Aphrodite. Marble. Perge. 2nd century AD. Inv no 2014/191 . Antalya Archaeology Museum; Turkey. Against a black background.<br />
<br />
Aphrodite is an ancient Greek goddess associated with love, beauty, pleasure, and procreation. She is identified with the planet Venus, which is named after the Roman goddess Venus, with whom Aphrodite was extensively syncretized. Aphrodite's major symbols include myrtles, roses, doves, sparrows, and swans.
  • Roman statue of Aphrodite. Marble. Perge. 2nd century AD. Inv no 2014/191 . Antalya Archaeology Museum; Turkey. Against a warm art background.<br />
<br />
Aphrodite is an ancient Greek goddess associated with love, beauty, pleasure, and procreation. She is identified with the planet Venus, which is named after the Roman goddess Venus, with whom Aphrodite was extensively syncretized. Aphrodite's major symbols include myrtles, roses, doves, sparrows, and swans.
  • Roman statue of Aphrodite. Marble. Perge. 2nd century AD. Inv no 2014/191 . Antalya Archaeology Museum; Turkey.  Against a grey background<br />
<br />
Aphrodite is an ancient Greek goddess associated with love, beauty, pleasure, and procreation. She is identified with the planet Venus, which is named after the Roman goddess Venus, with whom Aphrodite was extensively syncretized. Aphrodite's major symbols include myrtles, roses, doves, sparrows, and swans.
  • Roman statue of Hermes. Marble. Perge. 2nd century AD. Inv no . Antalya Archaeology Museum; Turkey.<br />
<br />
Hermes is the god of trade, heraldry, merchants, commerce, roads, sports, travelers, and athletes in Ancient Greek religion and mythology; the son of Zeus and the Pleiad Maia, he was the second youngest of the Olympian gods
  • Roman statue of Hermes. Marble. Perge. 2nd century AD. Inv no . Antalya Archaeology Museum; Turkey. Against a white background.<br />
<br />
Hermes is the god of trade, heraldry, merchants, commerce, roads, sports, travelers, and athletes in Ancient Greek religion and mythology; the son of Zeus and the Pleiad Maia, he was the second youngest of the Olympian gods
  • Roman statue of Dionysus. Marble. Perge. 2nd century AD. Inv no . Antalya Archaeology Museum; Turkey. Against a black background.<br />
<br />
Dionysus  is the god of the grape-harvest, winemaking and wine, of fertility, ritual madness, religious ecstasy, and theatre in ancient Greek religion and myth.
  • Roman statue of Dionysus. Marble. Perge. 2nd century AD. Inv no . Antalya Archaeology Museum; Turkey. Against a warm art background.<br />
<br />
Dionysus  is the god of the grape-harvest, winemaking and wine, of fertility, ritual madness, religious ecstasy, and theatre in ancient Greek religion and myth.
  • Roman statue of Hecate. Marble. Perge. 2nd century AD. Inv no 2010/541. Antalya Archaeology Museum; Turkey.<br />
<br />
 Hekate is a goddess in ancient Greek religion and mythology, most often shown holding a pair of torches or a key and in later periods depicted in triple form. She was variously associated with crossroads, entrance-ways, light, magic, witchcraft, knowledge of herbs and poisonous plants, ghosts, necromancy, and sorcery.
  • Roman statue of Hecate. Marble. Perge. 2nd century AD. Inv no 2010/541. Antalya Archaeology Museum; Turkey.  Against a grey background<br />
<br />
 Hekate is a goddess in ancient Greek religion and mythology, most often shown holding a pair of torches or a key and in later periods depicted in triple form. She was variously associated with crossroads, entrance-ways, light, magic, witchcraft, knowledge of herbs and poisonous plants, ghosts, necromancy, and sorcery.
  • Roman statue of Asclepius. Marble. Perge. 2nd century AD. Inv no .Antalya Archaeology Museum; Turkey. Against a white background.<br />
<br />
Asclepius was a hero and god of medicine in ancient Greek religion and mythology. Asclepius represents the healing aspect of the medical arts, one of his his daughters is Hygieia
  • Roman statue of Asclepius. Marble. Perge. 2nd century AD. Inv no .Antalya Archaeology Museum; Turkey.  Against a grey background<br />
<br />
Asclepius was a hero and god of medicine in ancient Greek religion and mythology. Asclepius represents the healing aspect of the medical arts, one of his his daughters is Hygieia
  • Roman statue of Aphrodite. Marble. Perge. 2nd century AD. Inv no 2014/191 . Antalya Archaeology Museum; Turkey.  Against a grey background<br />
<br />
Aphrodite is an ancient Greek goddess associated with love, beauty, pleasure, and procreation. She is identified with the planet Venus, which is named after the Roman goddess Venus, with whom Aphrodite was extensively syncretized. Aphrodite's major symbols include myrtles, roses, doves, sparrows, and swans.
  • Roman statue of Modest Aphrodite. Marble. Perge. 2nd century AD. Inv no . Antalya Archaeology Museum; Turkey.<br />
<br />
Aphrodite is an ancient Greek goddess associated with love, beauty, pleasure, and procreation. She is identified with the planet Venus, which is named after the Roman goddess Venus, with whom Aphrodite was extensively syncretized. Aphrodite's major symbols include myrtles, roses, doves, sparrows, and swans.
  • Roman statue of Modest Aphrodite. Marble. Perge. 2nd century AD. Inv no . Antalya Archaeology Museum; Turkey. Against a black background.<br />
<br />
Aphrodite is an ancient Greek goddess associated with love, beauty, pleasure, and procreation. She is identified with the planet Venus, which is named after the Roman goddess Venus, with whom Aphrodite was extensively syncretized. Aphrodite's major symbols include myrtles, roses, doves, sparrows, and swans.
  • Roman mosaic of Pan and Hamadryad, a Greek mythological being that lives in trees , found in Pompeii, from the Farnese Collection, inv no 227708, Naples Archaeological Museum
  • The Minoan 'Black Captain' fresco wall art from the House of Frescoes, Knossos Palace, 1350-1300 BC . Heraklion Archaeological Museum.<br />
<br />
The fresco probably depicts a running military detachment, the leader is wearing a Minoan loin cloth and holds two spears, he has been named "Captain of the Blacks" as those follwing him are probably black African soldiers in sercice of the palace<br />
<br />
This scene may be depicting an excersise or sport similar to the Greek Hoplite race
  • The Minoan 'Black Captain' fresco wall art from the House of Frescoes, Knossos Palace, 1350-1300 BC . Heraklion Archaeological Museum.<br />
<br />
The fresco probably depicts a running military detachment, the leader is wearing a Minoan loin cloth and holds two spears, he has been named "Captain of the Blacks" as those follwing him are probably black African soldiers in sercice of the palace<br />
<br />
This scene may be depicting an excersise or sport similar to the Greek Hoplite race
  • The Minoan 'Black Captain' fresco wall art from the House of Frescoes, Knossos Palace, 1350-1300 BC . Heraklion Archaeological Museum.,white background<br />
<br />
<br />
The fresco probably depicts a running military detachment, the leader is wearing a Minoan loin cloth and holds two spears, he has been named "Captain of the Blacks" as those follwing him are probably black African soldiers in sercice of the palace<br />
<br />
This scene may be depicting an excersise or sport similar to the Greek Hoplite race
  • The Minoan 'Black Captain' fresco wall art from the House of Frescoes, Knossos Palace, 1350-1300 BC . Heraklion Archaeological Museum.,grey background<br />
<br />
The fresco probably depicts a running military detachment, the leader is wearing a Minoan loin cloth and holds two spears, he has been named "Captain of the Blacks" as those follwing him are probably black African soldiers in sercice of the palace<br />
<br />
This scene may be depicting an excersise or sport similar to the Greek Hoplite race
  • The Minoan 'Black Captain' fresco wall art from the House of Frescoes, Knossos Palace, 1350-1300 BC . Heraklion Archaeological Museum.<br />
<br />
The fresco probably depicts a running military detachment, the leader is wearing a Minoan loin cloth and holds two spears, he has been named "Captain of the Blacks" as those follwing him are probably black African soldiers in sercice of the palace<br />
<br />
This scene may be depicting an excersise or sport similar to the Greek Hoplite race
  • The Minoan 'Black Captain' fresco wall art from the House of Frescoes, Knossos Palace, 1350-1300 BC . Heraklion Archaeological Museum.,grey background<br />
<br />
The fresco probably depicts a running military detachment, the leader is wearing a Minoan loin cloth and holds two spears, he has been named "Captain of the Blacks" as those follwing him are probably black African soldiers in sercice of the palace<br />
<br />
This scene may be depicting an excersise or sport similar to the Greek Hoplite race
  • The Minoan 'Black Captain' fresco wall art from the House of Frescoes, Knossos Palace, 1350-1300 BC . Heraklion Archaeological Museum., black background<br />
<br />
The fresco probably depicts a running military detachment, the leader is wearing a Minoan loin cloth and holds two spears, he has been named "Captain of the Blacks" as those follwing him are probably black African soldiers in sercice of the palace<br />
<br />
This scene may be depicting an excersise or sport similar to the Greek Hoplite race
  • Minoan 'Sacred Knot" fresco wall art depicting the religious apotropaic symbol, Nirou Chani 1600-1450 BC . Heraklion Archaeological Museum.,grey background
  • Minoan 'Sacred Knot" fresco wall art depicting the religious apotropaic symbol, Nirou Chani 1600-1450 BC . Heraklion Archaeological Museum.
  • Minoan 'Sacred Knot" fresco wall art depicting the religious apotropaic symbol, Nirou Chani 1600-1450 BC . Heraklion Archaeological Museum.,grey background
  • Minoan 'Sacred Knot" fresco wall art depicting the religious apotropaic symbol, Nirou Chani 1600-1450 BC . Heraklion Archaeological Museum.
  • Minoan 'Sacred Knot" fresco wall art depicting the religious apotropaic symbol, Nirou Chani 1600-1450 BC . Heraklion Archaeological Museum.
  • Minoan 'Sacred Knot" fresco wall art depicting the religious apotropaic symbol, Nirou Chani 1600-1450 BC . Heraklion Archaeological Museum., black background
  • Minoan 'Sacred Knot" fresco wall art depicting the religious apotropaic symbol, Nirou Chani 1600-1450 BC . Heraklion Archaeological Museum.,white background
  • The Minoan 'Dancer' fresco deicting a doddess descending from the heavens, Knossos Palace, 1600-1450 BC . Heraklion Archaeological Museum., black background<br />
<br />
The Dancer fresco depits a goddess descending from the heavens as indicated by her locks of hair streaming in the wind. This is a familiar convention in Minoan iconogragraphy of a goddess hovering in the air, her right arm extended in a gesture of authority. This fragment is psrt of a larger epiphony scene
  • The Minoan 'Dancer' fresco deicting a doddess descending from the heavens, Knossos Palace, 1600-1450 BC . Heraklion Archaeological Museum.,grey background<br />
<br />
The Dancer fresco depits a goddess descending from the heavens as indicated by her locks of hair streaming in the wind. This is a familiar convention in Minoan iconogragraphy of a goddess hovering in the air, her right arm extended in a gesture of authority. This fragment is psrt of a larger epiphony scene
  • The Minoan 'Dancer' fresco deicting a doddess descending from the heavens, Knossos Palace, 1600-1450 BC . Heraklion Archaeological Museum.,grey background<br />
<br />
The Dancer fresco depits a goddess descending from the heavens as indicated by her locks of hair streaming in the wind. This is a familiar convention in Minoan iconogragraphy of a goddess hovering in the air, her right arm extended in a gesture of authority. This fragment is psrt of a larger epiphony scene
  • The Minoan runner fresco fragment wall art from the House of Frescoes, Knossos Palace, 1350-1300 BC . Heraklion Archaeological Museum.,grey background
  • The Minoan runner fresco fragment wall art from the House of Frescoes, Knossos Palace, 1350-1300 BC . Heraklion Archaeological Museum.
  • The Minoan 'Bull leaping' fresco depicting an athlete leaping over a bulls back,  Knossos-Palace, 1600-1400 BC . Heraklion Archaeological Museum.<br />
<br />
there are 3 participants, two white skinned women and one brown skinned man. One female athele is restraining the bull ny the horns to slow it down as the male athlete performs a backward summersault ober the bulls back. The second female athlete waits to catch the leaper.<br />
<br />
The fresco was found on the east side of the palace of Knossos together with fragments depicting different stages of bull leaping.
  • The Minoan 'Bull leaping' fresco depicting an athlete leaping over a bulls back,  Knossos-Palace, 1600-1400 BC . Heraklion Archaeological Museum.<br />
<br />
there are 3 participants, two white skinned women and one brown skinned man. One female athele is restraining the bull ny the horns to slow it down as the male athlete performs a backward summersault ober the bulls back. The second female athlete waits to catch the leaper.<br />
<br />
The fresco was found on the east side of the palace of Knossos together with fragments depicting different stages of bull leaping.
  • The Minoan 'Bull leaping' fresco depicting an athlete leaping over a bulls back,  Knossos-Palace, 1600-1400 BC . Heraklion Archaeological Museum.,grey background<br />
<br />
there are 3 participants, two white skinned women and one brown skinned man. One female athele is restraining the bull ny the horns to slow it down as the male athlete performs a backward summersault ober the bulls back. The second female athlete waits to catch the leaper.<br />
<br />
The fresco was found on the east side of the palace of Knossos together with fragments depicting different stages of bull leaping.
  • The Minoan 'Bull leaping' fresco depicting an athlete leaping over a bulls back,  Knossos-Palace, 1600-1400 BC . Heraklion Archaeological Museum.<br />
<br />
there are 3 participants, two white skinned women and one brown skinned man. One female athele is restraining the bull ny the horns to slow it down as the male athlete performs a backward summersault ober the bulls back. The second female athlete waits to catch the leaper.<br />
<br />
The fresco was found on the east side of the palace of Knossos together with fragments depicting different stages of bull leaping.
  • The Minoan 'Bull leaping' fresco depicting an athlete leaping over a bulls back,  Knossos-Palace, 1600-1400 BC . Heraklion Archaeological Museum.,grey background<br />
<br />
there are 3 participants, two white skinned women and one brown skinned man. One female athele is restraining the bull ny the horns to slow it down as the male athlete performs a backward summersault ober the bulls back. The second female athlete waits to catch the leaper.<br />
<br />
The fresco was found on the east side of the palace of Knossos together with fragments depicting different stages of bull leaping.
  • The Minoan "Three columned Shrine" minture fresco Knossos-Palace, 1700-1450 BC . Heraklion Archaeological Museum.,white background<br />
<br />
<br />
The freco depicts a portico with columns on which double axes are fixed, separated by horns of consecration, on a balustrade decorated with rosettes
  • The Minoan "Three columned Shrine" minture fresco Knossos-Palace, 1700-1450 BC . Heraklion Archaeological Museum. black background<br />
<br />
The freco depicts a portico with columns on which double axes are fixed, separated by horns of consecration, on a balustrade decorated with rosettes
  • The Minoan "Three columned Shrine" minture fresco Knossos-Palace, 1700-1450 BC . Heraklion Archaeological Museum.,grey background<br />
<br />
<br />
The freco depicts a portico with columns on which double axes are fixed, separated by horns of consecration, on a balustrade decorated with rosettes
  • The Minoan "Three columned Shrine" minture fresco Knossos-Palace, 1700-1450 BC . Heraklion Archaeological Museum.,grey background<br />
<br />
<br />
The freco depicts a portico with columns on which double axes are fixed, separated by horns of consecration, on a balustrade decorated with rosettes
  • "Prince of lilies" or "Priest-king Relief", plaster relief at the end of the Corridor of Processions, restored by Gilliéron, Knossos Minoan archaeological site
  • The Minoan  "Procession  Fresco' reconstructed at Knossos  archaeological site, Crete
  • The 'Bull leaper' Minoan fresco, reconstructed at Knossos Archaeological Site, Crete
  • "Prince of lilies" or "Priest-king Relief", plaster relief at the end of the Corridor of Processions, restored by Gilliéron, Knossos Minoan archaeological site
  • The 'Blue Monkey' Minoan fresco, reconstructed at Knossos Archaeological Site, Crete
  • Reconstruction of a Minoan Bull relief fresco  of the Nouth Propylaeum,  Knossos  archaeological site, Crete
  • The 'Bull leaper' Minoan fresco, reconstructed at Knossos Archaeological Site, Crete
  • "Prince of lilies" or "Priest-king Relief", plaster relief at the end of the Corridor of Processions, restored by Gilliéron, Knossos Minoan archaeological site
  • The Minoan  "Procession  Fresco' reconstructed at Knossos  archaeological site, Crete
  • Dolphin Freco of the Queens Megaron, Knossos Palace Archaeological Site, Crete
  • "Prince of lilies" or "Priest-king Relief", plaster relief at the end of the Corridor of Processions, restored by Gilliéron, Knossos Minoan archaeological site
  • The 'Bull leaper' Minoan fresco, reconstructed at Knossos Archaeological Site, Crete
  • Minoan wall art fresco of a 'figure of eight' shield from Knossos Palace, 1450-1300 BC. Heraklion Archaeological Museum.  Grey Background. <br />
<br />
<br />
The Final Palatial Period Minoan fresco is from the Grand Staircase of the Palace of Knossos and is a Trompe-l'œil  of minoan warriors shields covered with ox hide.
  • Minoan wall art depicting 'Blue Monkeys' from Knossos Palace, 1700-1450 BC. Heraklion Archaeological Museum.
  • Minoan Bull wall art fresco , West Bastion, Knossos Palace, 1600-1450 BC. Heraklion Archaeological Museum.<br />
<br />
The Minoan Bull fresco was part of a larger composition which probably had a hunter or bull leaper in it. It is a masterpiece of Minoan naturalism and a work of high quality and expresive power.
  • Minoan 'Papyrus wall art fresco from the 'House of Frescoes' Knossos Palace, 1600-1500 BC. Heraklion Archaeological Museum.
  • The Minoan 'Dolphin Fresco' wall art from the Queen's Megaron, Knossos Palace, 1600-1450 BC. Heraklion Archaeological Museum.<br />
<br />
Two dolphins are depicted swimming amongst small fish .
  • Minoan Bull wall art fresco , West Bastion, Knossos Palace, 1600-1450 BC. Heraklion Archaeological Museum.<br />
<br />
The Minoan Bull fresco was part of a larger composition which probably had a hunter or bull leaper in it. It is a masterpiece of Minoan naturalism and a work of high quality and expresive power.
  • Minoan 'Prince of the Lilies' wall art freco, Knossos Palace, 1600-1450 BCHeraklion Archaeological Museum.<br />
<br />
An emblematic image of Minoan Crete this fresco was part of a larger composition in high relief. The fresco depicts a life size figure wearing a coloured kilt with a cod piece and a belt. A majestic crown on his head is adorned with papyrus lilies and peacock feathers. Neopalatial Period.
  • Minoan wall art fresco depicting a female figure, Neopalatial Period, C.1450 BC. Pseira, Crete. Heraklion Archaeological Museum.
  • Minoan fresco panel from the 'Lily Frescoes' from the 'Villa of the Lilies' Amnisos, 1600-1500 BC. Heraklion Archaeological Museum.<br />
<br />
Ths freco depicts white lilies against a red background and red lilies against w white backgoround with long stems in front of a fence. The wall art uses fresco and 'in cavo' technique. Neopalatial Period.
  • Minoan fresco panel from the 'Lily Frescoes' from the 'Villa of the Lilies' Amnisos, 1600-1500 BC. Heraklion Archaeological Museum.  Grey Background. <br />
<br />
Ths freco depicts white lilies against a red background and red lilies against w white backgoround with long stems in front of a fence. The wall art uses fresco and 'in cavo' technique. Neopalatial Period.
  • Minoan floral wall art fresco from Knossos Palace, 1600-1300 BC. Heraklion Archaeological Museum.  Grey Background.
  • Minoan wall art fresco depicting a female figure, Neopalatial Period, C.1450 BC. Pseira, Crete. Heraklion Archaeological Museum.  Grey Background.
  • Minoan wall art fresco depicting a female figure, Neopalatial Period, C.1450 BC. Pseira, Crete. Heraklion Archaeological Museum.
  • The painted Minoan Hagia Triada Sarcophagus 1370-1300 BC. Heraklion Archaeological Museum.  Grey Background. <br />
<br />
The limestone Hagia Triada Sarcophagus is painted with frescoes depicting the ceremonies honouring the dead.
  • Minoan 'Blue Monkey' wall art fresco from the 'House of Frescoes' Knossos Palace, 1600-1500 BC. Heraklion Archaeological Museum.  Grey Background.
  • Minoan 'Papyrus wall art fresco from the 'House of Frescoes' Knossos Palace, 1600-1500 BC. Heraklion Archaeological Museum.  Grey Background.
  • The Minoan 'Procession Fresco', wall art from the South Prpylaeum, Knossos Palace, 1500-1400 BC . Heraklion Archaeological Museum.  Grey Background. <br />
<br />
This latrge Minoan fresco of many figure in procession would have decorated the corridor between the West Porch and the South Propylaeum of Knossos Palace. Both sides of the corridor were painted with hundreds of male and femal;e figures carrying precious utensils and vessels, probably depicting gift bearers to the ruler of the Palace. The composition is much like those found in the Palaces and tombs of Egypt and the near east at the time. Neopalatial final period.
  • The Minoan 'Saffron Gatherer' wall art fresco, from 'House of Frescoes' Knossos Palace. 1700-1450 BC. Heraklion Archaeological Museum.  Grey Background. <br />
<br />
The 'Saffron Gatherers' fresco depicts a blue monket gatering saffron crocuses and placing them in a basket. The saffron is thought to have been a gift to the 'Great Goddess'. One of the earliest frescoes from Knossos.
  • The Minoan 'Blue Boy' or 'Saffron Gatherer' wall art fresco from Knossos Palace, 1600-1300 BC. Heraklion Archaeological Museum.  Grey Background.
  • The Minoan 'Dolphin Fresco' wall art from the Queen's Megaron, Knossos Palace, 1600-1450 BC. Heraklion Archaeological Museum.  Grey Background. <br />
<br />
Two dolphins are depicted swimming amongst small fish .
  • Close up of The Minoan ' Camp Stool' wall art fresco from the West vwing of Knossos Palace, 1450-1300 BC. Heraklion Archaeological Museum.<br />
<br />
This Minoan fresco probably depicted a typical banquet at Knossos Palace held in the Upper Hall of the West Wing. Figures seated on 'camp stools' are raising cups and kylikes. A female figure with Mediterranean features wearing vivid make up named ' La Parisienne' by Arthur Evans, has a large 'sacred knot' bunched behind her head and maybe she was a priestess.
  • Minoan wall art fresco from the Throne Room of Knossos, 1450-1300 BC. Heraklion Archaeological Museum.  Grey Background. <br />
<br />
This Minoan fresco depicts griffins and palm trees
  • Minoan wall art freco depicting a procession leading a goat from Agia Triada (Hagia Triada) Crete. 1450-1300 BC. Heraklion Archaeological Museum.  Grey Background. <br />
<br />
This minoan fresco found at the minoan settlement of Hagia Triada, depicts a sacrifical procession leading animals to be sacrificed.
  • Minoan wall art depicting 'Blue Monkeys' from Knossos Palace, 1700-1450 BC. Heraklion Archaeological Museum.  Grey Background.
  • The Minoan 'Partridge Fresco', wall art from the  'Guset House' Knossos Palace, 1600-140 BC. Heraklion Archaeological Museum. Black Background. <br />
<br />
This Minoan fresco was painted in vivid colours using fine brush strokes and colour gradients. It portrays partridges , commonly found in Crete, among rocks and thopical Cretian flora. It decorated the pavillion in the so called 'Guset House' or 'Caravanserai.
  • Minoan wall art fresco of a 'figure of eight' shield from Knossos Palace, 1450-1300 BC. Heraklion Archaeological Museum.<br />
<br />
<br />
The Final Palatial Period Minoan fresco is from the Grand Staircase of the Palace of Knossos and is a Trompe-l'œil  of minoan warriors shields covered with ox hide.
  • Minoan wall art depicting 'Blue Monkeys' from Knossos Palace, 1700-1450 BC. Heraklion Archaeological Museum.
  • Minoan 'Papyrus wall art fresco from the 'House of Frescoes' Knossos Palace, 1600-1500 BC. Heraklion Archaeological Museum.
  • Minoan 'Blue Monkey' wall art fresco from the 'House of Frescoes' Knossos Palace, 1600-1500 BC. Heraklion Archaeological Museum.
  • The Minoan 'Dolphin Fresco' wall art from the Queen's Megaron, Knossos Palace, 1600-1450 BC. Heraklion Archaeological Museum.<br />
<br />
Two dolphins are depicted swimming amongst small fish .
  • Minoan wall art fresco of 'Ladies in Blue' from Knossos Palace 1600-1450 BC. Heraklion Archaeological Museum.<br />
<br />
The 'Ladies in Blue' Minoan fresco depicts richy dressed female figures with opulent jewelery and clothing with flamboyant hairstyles refecting the wealth of the Palace of Knossos
  • Minoan Bull wall art fresco , West Bastion, Knossos Palace, 1600-1450 BC. Heraklion Archaeological Museum.<br />
<br />
The Minoan Bull fresco was part of a larger composition which probably had a hunter or bull leaper in it. It is a masterpiece of Minoan naturalism and a work of high quality and expresive power.
  • Minoan wall art fresco depicting a female figure, Neopalatial Period, C.1450 BC. Pseira, Crete. Heraklion Archaeological Museum.
  • Minoan fresco panel from the 'Lily Frescoes' from the 'Villa of the Lilies' Amnisos, 1600-1500 BC. Heraklion Archaeological Museum.<br />
<br />
Ths freco depicts white lilies against a red background and red lilies against w white backgoround with long stems in front of a fence. The wall art uses fresco and 'in cavo' technique. Neopalatial Period.
  • Minoan floral wall art fresco from Knossos Palace, 1600-1300 BC. Heraklion Archaeological Museum.
  • Minoan floral wall art fresco from Knossos Palace, 1600-1300 BC. Heraklion Archaeological Museum.
  • Minoan Bull wall art fresco , West Bastion, Knossos Palace, 1600-1450 BC. Heraklion Archaeological Museum.<br />
<br />
The Minoan Bull fresco was part of a larger composition which probably had a hunter or bull leaper in it. It is a masterpiece of Minoan naturalism and a work of high quality and expresive power.
  • Minoan wall art fresco depicting a female figure, Neopalatial Period, C.1450 BC. Pseira, Crete. Heraklion Archaeological Museum.
  • Minoan wall art fresco depicting a female figure, Neopalatial Period, C.1450 BC. Pseira, Crete. Heraklion Archaeological Museum.
  • Minoan 'Prince of the Lilies' wall art freco, Knossos Palace, 1600-1450 BCHeraklion Archaeological Museum.<br />
<br />
An emblematic image of Minoan Crete this fresco was part of a larger composition in high relief. The fresco depicts a life size figure wearing a coloured kilt with a cod piece and a belt. A majestic crown on his head is adorned with papyrus lilies and peacock feathers. Neopalatial Period.
  • The painted Minoan Hagia Triada Sarcophagus 1370-1300 BC. Heraklion Archaeological Museum.<br />
<br />
The limestone Hagia Triada Sarcophagus is painted with frescoes depicting the ceremonies honouring the dead.
  • Minoan 'Papyrus wall art fresco from the 'House of Frescoes' Knossos Palace, 1600-1500 BC. Heraklion Archaeological Museum.  Grey Background.
  • The Minoan 'Procession Fresco', wall art from the South Prpylaeum, Knossos Palace, 1500-1400 BC . Heraklion Archaeological Museum.  Grey Background. <br />
<br />
This latrge Minoan fresco of many figure in procession would have decorated the corridor between the West Porch and the South Propylaeum of Knossos Palace. Both sides of the corridor were painted with hundreds of male and femal;e figures carrying precious utensils and vessels, probably depicting gift bearers to the ruler of the Palace. The composition is much like those found in the Palaces and tombs of Egypt and the near east at the time. Neopalatial final period.
  • The Minoan 'Blue Boy' or 'Saffron Gatherer' wall art fresco from Knossos Palace, 1600-1300 BC. Heraklion Archaeological Museum.  Grey Background.
  • The Minoan 'Dolphin Fresco' wall art from the Queen's Megaron, Knossos Palace, 1600-1450 BC. Heraklion Archaeological Museum.  Grey Background. <br />
<br />
Two dolphins are depicted swimming amongst small fish .

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