• Byzantine Roman mosaics , c. 561 AD, in the Basilica of Sant' Apollinare Nuovo, depicting  the Three Magi, moving from the city of Classe towards the group of the Madonna and Child surrounded by four angels. Ravenna Italy, A UNESCO World Heritage Site.
  • Byzantine Roman mosaics , c. 561 AD, in the Basilica of Sant Apollinare Nuovo, depicting 22 Virgins led by the Three Magi, moving from the city of Classe towards the group of the Madonna and Child surrounded by four angels. Ravenna Italy, A UNESCO World Heritage Site.
  • Byzantine Roman mosaics , c. 561 AD, in the Basilica of Sant Apollinare Nuovo, depicting 22 Virgins led by the Three Magi, moving from the city of Classe towards the group of the Madonna and Child surrounded by four angels. Ravenna Italy, A UNESCO World Heritage Site.
  • Byzantine Roman mosaics of the ceiling of the Apse of the Basilica of San Vitale in Ravenna, Italy. Mosaic decoration paid for by Emperor Justinian I in 547. A UNESCO World Heritage Site
  • Byzantine Roman mosaics of the Apse of the Basilica of San Vitale in Ravenna, Italy. Mosaic decoration paid for by Emperor Justinian I in 547. A UNESCO World Heritage Site
  • Byzantine Roman mosaics , c. 561 AD, in the Basilica of Sant Apollinare Nuovo, depicting  the Three Magi, moving from the city of Classe towards the group of the Madonna and Child surrounded by four angels. Ravenna Italy, A UNESCO World Heritage Site.
  • Mosaic panel depicting The sacrifice of Isaac.  Byzantine Roman mosaics of the Basilica of San Vitale in Ravenna, Italy. Mosaic decoration paid for by Emperor Justinian I in 547. A UNESCO World Heritage Site
  • Byzantine Roman mosaics of the Basilica of San Vitale in Ravenna, Italy. Mosaic decoration paid for by Emperor Justinian I in 547. A UNESCO World Heritage Site
  • Byzantine Roman mosaics of the Basilica of San Vitale in Ravenna, Italy. Mosaic decoration paid for by Emperor Justinian I in 547. A UNESCO World Heritage Site
  • Byzantine Roman mosaics of the Basilica of San Vitale in Ravenna, Italy. Mosaic decoration paid for by Emperor Justinian I in 547. A UNESCO World Heritage Site
  • Mosaic panel depicting The sacrifice of Isaac.  Byzantine Roman mosaics of the Basilica of San Vitale in Ravenna, Italy. Mosaic decoration paid for by Emperor Justinian I in 547. A UNESCO World Heritage Site
  • Byzantine Roman mosaics of the Basilica of San Vitale in Ravenna, Italy. Mosaic decoration paid for by Emperor Justinian I in 547. A UNESCO World Heritage Site
  • Mosaic depicting Empress Theodora and attendants. Byzantine Roman mosaics of the Basilica of San Vitale in Ravenna, Italy. Mosaic decoration paid for by Emperor Justinian I in 547. A UNESCO World Heritage Site
  • Mosaic panel depicting The sacrifice of Isaac.  Byzantine Roman mosaics of the Basilica of San Vitale in Ravenna, Italy. Mosaic decoration paid for by Emperor Justinian I in 547. A UNESCO World Heritage Site
  • Mosaic depicting Abel making sacrifice. Byzantine Roman mosaics of the Basilica of San Vitale in Ravenna, Italy. Mosaic decoration paid for by Emperor Justinian I in 547. A UNESCO World Heritage Site
  • Apse mosaic depicting a clean shaven Christ, Byzantine Roman mosaics of the Basilica of San Vitale in Ravenna, Italy. Mosaic decoration paid for by Emperor Justinian I in 547. A UNESCO World Heritage Site
  • Mosaic depicting Emperor Justinian I. Byzantine Roman mosaics of the Basilica of San Vitale in Ravenna, Italy. Mosaic decoration paid for by Emperor Justinian I in 547. A UNESCO World Heritage Site
  • Mosaic depicting Emperor Justinian I. Byzantine Roman mosaics of the Basilica of San Vitale in Ravenna, Italy. Mosaic decoration paid for by Emperor Justinian I in 547. A UNESCO World Heritage Site
  • Byzantine mosaics at the Palatine Chapel ( Capella Palatina ) Norman Palace Palermo, Sicily, Italy. Christ above the Alter.
  • Byzantine mosaics at the Palatine Chapel ( Capella Palatina ) Norman Palace Palermo, Sicily, Italy. Christ above the Alter.
  • Medieval ivory relief panel from a diptych depicting a triumphant Byzantine Roman Emperor, probably Justinian. From Constantinople, 6th century. Inv. OA 9063, The Louvre Museum, Paris.
  • Medieval Christian ivory diptych depicting the Nativity, the crucifixion and the Profits. Thirteenth century probably from Byzantine Roman Constantinople, present day Istanbul. Inv. OA 12442, The Louvre Museum, Paris.
  • Byzantine Christian Mosaics of The Palatine Chapel  ( Capella Palatina) in The Norman Palace (Palazzo dei Normanni), Palermo, Sicily. Scenes of Christ and from the Bible.
  • Byzantine mosaics at the Palatine Chapel ( Capella Palatina ) Norman Palace Palermo, Sicily, Italy. Christ above the Alter.
  • Medieval Christian relief Icon depicting scenes from the Nativity, A central ivory panel surrounded by beaten silver border. From Constantinople, 11th or 12th century. Inv. OA 11399, The Louvre Museum, Paris.
  • Byzantine Deësis ( Entreaty) mosaic , 1261, in which the Virgin Mary & John The Baptist,  both shown in three-quarters profile, are imploring the intercession of Christ Pantocrator for humanity on Judgment Day.   Hagia Sophia, Istanbul, Turkey
  • Byzantine Deësis ( Entreaty) mosaic , 1261, in which John The Virgin Mary shown in three-quarters profile, are imploring the intercession of Christ Pantocrator for humanity on Judgment Day.   Hagia Sophia, Istanbul, Turkey
  • Byzantine Deësis ( Entreaty) mosaic , 1261, in which John The Virgin Mary shown in three-quarters profile, are imploring the intercession of Christ Pantocrator for humanity on Judgment Day.   Hagia Sophia, Istanbul, Turkey
  • Byzantine Deësis ( Entreaty) mosaic , 1261, in which John The Baptist,  both shown in three-quarters profile, are imploring the intercession of Christ Pantocrator for humanity on Judgment Day.   Hagia Sophia, Istanbul, Turkey
  • Byzantine Deësis ( Entreaty) mosaic , 1261, detail of Christ Pantocrator for humanity on Judgment Day.   Hagia Sophia, Istanbul, Turkey
  • Byzantine Deësis ( Entreaty) mosaic , 1261, detail of Christ Pantocrator for humanity on Judgment Day.   Hagia Sophia, Istanbul, Turkey
  • Byzantine Deësis ( Entreaty) mosaic , 1261, detail of Christ Pantocrator for humanity on Judgment Day.   Hagia Sophia, Istanbul, Turkey
  • Byzantine Deësis ( Entreaty) mosaic , 1261, detail of Christ Pantocrator for humanity on Judgment Day.   Hagia Sophia, Istanbul, Turkey
  • Byzantine Deësis ( Entreaty) mosaic , 1261, detail of Christ Pantocrator for humanity on Judgment Day.   Hagia Sophia, Istanbul, Turkey
  • Ceiling of The Arian Baptistry in Ravenna built by Theoderic the Great in the late 5th century AD, depicting an unshaven Christ being baptised by John the Baptist, Ravenna, Italy. A UNESCO World Heritage Site.
  • Ceiling of The Arian Baptistry in Ravenna built by Theoderic the Great in the late 5th century AD, depicting an unshaven Christ being baptised by John the Baptist, Ravenna, Italy. A UNESCO World Heritage Site.
  • Early seventh Century Christian Roman Byzantine commemoration mosaic from the baptistery of a rural church in Wadi Arremal, present day Zaghouan Region of Tunisia. The Bardo National Museum, Tunis, Tunisia. Against a grey art background.<br />
<br />
The mosaic shows workers construction the early christian church the mosaic commemorates. The mosaic can be regarded as being late Roman of early Byzantine Roman as the area came under the rule of Constantinople during this period
  • Worker with a column on a horse cart, a detail from an early seventh Century Christian Roman Byzantine commemoration mosaic from the baptistery of a rural church in Wadi Arremal, present day Zaghouan Region of Tunisia, The Bardo National Museum, Tunis, Tunisia.<br />
<br />
The mosaic shows workers construction the early christian church the mosaic commemorates. The mosaic can be regarded as being late Roman of early Byzantine Roman as the area came under the rule of Constantinople during this period
  • Early seventh Century Christian Roman Byzantine commemoration mosaic from the baptistery of a rural church in Wadi Arremal, present day Zaghouan Region of Tunisia. The Bardo National Museum, Tunis, Tunisia.  Against a white background.<br />
<br />
The mosaic shows workers construction the early christian church the mosaic commemorates. The mosaic can be regarded as being late Roman of early Byzantine Roman as the area came under the rule of Constantinople during this period
  • Early seventh Century Christian Roman Byzantine commemoration mosaic from the baptistery of a rural church in Wadi Arremal, present day Zaghouan Region of Tunisia. The Bardo National Museum, Tunis, Tunisia.   Against a grey background.<br />
<br />
The mosaic shows workers construction the early christian church the mosaic commemorates. The mosaic can be regarded as being late Roman of early Byzantine Roman as the area came under the rule of Constantinople during this period
  • Early seventh Century Christian Eastern Roman Byzantine  commemoration mosaic from the baptistery of a rural church in Wadi Arremal, present day Zaghouan Region of Tunisia. The Bardo National Museum, Tunis, Tunisia.<br />
<br />
The mosaic shows workers construction the early christian church the mosaic commemorates. The mosaic can be regarded as being late Roman of early Byzantine Roman as the area came under the rule of Constantinople during this period
  • Early seventh Century Christian Roman Byzantine commemoration mosaic from the baptistery of a rural church in Wadi Arremal, present day Zaghouan Region of Tunisia. The Bardo National Museum, Tunis, Tunisia.  Against a black background.<br />
<br />
The mosaic shows workers construction the early christian church the mosaic commemorates. The mosaic can be regarded as being late Roman of early Byzantine Roman as the area came under the rule of Constantinople during this period
  • Sixth century Eastern Roman Byzantine  Christian walk in Baptismal font made from marble. The Bardo National Museum, Tunis, Tunisia
  • Sixth century Eastern Roman Byzantine  Christian walk in Baptismal font made from marble. The Bardo National Museum, Tunis, Tunisia
  • Fifth Century Christian Eastern Roman Byzantine  funerary mosaic from Mezghani Christian necropolis mounds in the Roman province of Africa Proconsularis , (Tunisian Sfax) dedicated to Priscianus. Above the memorial text is the Constantinian monogram depicting the Christian Chi-Rho symbol used by the Roman emperor Constantine I as part of his military standard (vexillum). The layout of the mosaic is typical of those excavated in the Sfax region from this period.<br />
<br />
The Bardo National Museum, Tunis, Tunisia. Against a grey art background.
  • Fifth century AD Eastern Roman Byzantine  Christian  funerary mosaic of of a little girl The fragmentary inscription is at the top: (name of the deceased) who lived 4 years 11 months, 3 days 7 hours. The deceased is featured in a praying attitude, wearing an embroidered dalmatic. A monogrammed cross and a lit candle accompany the funerary idealised portrait. <br />
Christian necropolis of the Mezghani mounds in the Roman province of Africa Proconsularis  (present day Sfax, Tunisia) Fifth c. A.D. <br />
<br />
<br />
The Bardo National Museum Tunis, Tunisia. Against a grey art background.
  • 5th century Eastern Roman Byzantine  funerary mosaic from Tarbaka in the Roman province of Africa Proconsularis , present day Tunisia, with a crown at the top probably a Christogram  (Latin Monogramma Christi ) is a monogram used as an abbreviation for the name of Jesus Christ, with a figure below and a latin text for the deceased " Covuldeus in peace". Either side of the figure are a lit candle which symbolises eternal faith. The Bardo National Museum, Tunis Tunisia. Against a grey art background.<br />
<br />
Christian burial grounds The ingenuity and expertise of mosaic schools, particularly those operating in Proconsular Africa and By-zacena, led to the dissemination of a mosaic trend which was very well tailored to the needs of a Christian clientele, who was authorised by the Church to use the basilica area and its ancillaries for burial, particularly in the sacred spaces such as the baptistery and the choir.
  • Fifth century Eastern Roman Byzantine  Christian funerary mosaic dedicated to Leontia.  The Constantinian monogram depicting the Christian Chi-Rho symbol used by the Roman emperor Constantine I as part of his military standard (vexillum).  The inscription in the cartouche reads " Leontia in peace and harmony with God, entered into eternal life on the Sixth Ides of October". Two birds and cut Roses occupy the rest of the mosaic. <br />
<br />
Excavated from Demna Parish Church ruins between the 4th and 5th columns of the right aisle. The Bardo National Museum, Tunis, Tunisia. Against a grey art background.
  • Fifth Century Christian Eastern Roman Byzantine  funerary mosaic from Mezghani Christian necropolis mounds in the Roman province of Africa Proconsularis , (Tunisian Sfax) dedicated to Priscianus. Above the memorial text is the Constantinian monogram depicting the Christian Chi-Rho symbol used by the Roman emperor Constantine I as part of his military standard (vexillum). The layout of the mosaic is typical of those excavated in the Sfax region from this period.<br />
<br />
The Bardo National Museum, Tunis, Tunisia.   Against a grey background.
  • 6th century Eastern Roman Byzantine  Christian mosaic of the mosaic of the Most Holy Sepulchre and the memorial of Golgotha in Jerusalem .<br />
<br />
In the foreground is the dome of Golgotha, erected at the site of the crucifixion ofJesus Christ, from where  the four rivers of Paradise flow: the Geon = Gihon, the Fison = Pishon, the Tigris and Euphrates, symbolically referring to the Word (the four gospels). Sheep, representing the faithfuls, are drinking from the rivers. In the background are depictions of the the Holy Sepulchre with its door ajar, and two other buildings, symbolising Bethlehem and Jerusalem. <br />
<br />
From the threshold of the martyrdom erected in honour of Jesus Christ at the church of Iunca - Younga (in present the day region of Mahres in Tunisia). The Bardo National Museum, Tunis, Tunisia. Against a grey art background.
  • Fifth Century Christian Eastern Roman Byzantine  funerary mosaic from Mezghani Christian necropolis mounds in the Roman province of Africa Proconsularis , (Tunisian Sfax) dedicated to Priscianus. Above the memorial text is the Constantinian monogram depicting the Christian Chi-Rho symbol used by the Roman emperor Constantine I as part of his military standard (vexillum). The layout of the mosaic is typical of those excavated in the Sfax region from this period.<br />
<br />
The Bardo National Museum, Tunis, Tunisia.  Against a white background.
  • Fifth Century Christian Eastern Roman Byzantine  funerary mosaic from Mezghani Christian necropolis mounds in the Roman province of Africa Proconsularis , (Tunisian Sfax) dedicated to Priscianus. Above the memorial text is the Constantinian monogram depicting the Christian Chi-Rho symbol used by the Roman emperor Constantine I as part of his military standard (vexillum). The layout of the mosaic is typical of those excavated in the Sfax region from this period.<br />
<br />
The Bardo National Museum, Tunis, Tunisia.
  • Fifth century Eastern Roman Byzantine  Christian funerary mosaic from Leptis Minus-Lemto in the Roman province of Africa Proconsularis , (Tunisian Sehel Region) dedicated to Cresconius, depicting the Christian Chi-Rho symbol used by the Roman emperor Constantine I as part of his military standard (vexillum). <br />
<br />
The Bardo National Museum, Tunis, Tunisia.
  • 5th century Eastern Roman Byzantine  funerary mosaic from Tarbaka in the Roman province of Africa Proconsularis , present day Tunisia, with a crown at the top probably a Christogram  (Latin Monogramma Christi ) is a monogram used as an abbreviation for the name of Jesus Christ, with a figure below and a latin text for the deceased " Covuldeus in peace". Either side of the figure are a lit candle which symbolises eternal faith. The Bardo National Museum, Tunis Tunisia.<br />
<br />
Christian burial grounds The ingenuity and expertise of mosaic schools, particularly those operating in Proconsular Africa and By-zacena, led to the dissemination of a mosaic trend which was very well tailored to the needs of a Christian clientele, who was authorised by the Church to use the basilica area and its ancillaries for burial, particularly in the sacred spaces such as the baptistery and the choir.
  • Fifth century AD Eastern Roman Byzantine  Christian funerary mosaic of two adults and a young child. <br />
<br />
Acanthus scrollwork bearing the fruits of the vine and full of birds (border). The epitaph, set into a centred laurel wreath, reads : Constantia in peace. has lived 55 years, died on the 8th of the Ides of August (August 23); Gaudiosa in peace has lived 22 years, died on the Third ides of May (may 18) The epitaph of the child, who died without being baptised and was buried with the two adult deceased, runs at the bottom of the panel : (P)alatinus, innocent, peaceful, departed on the Fifth ides of April. <br />
<br />
From Demna pariah church, near the hallway connecting the vestibule to the choir. The Bardo National Museum, Tunis, Tunisia. Against a grey art background.
  • Fifth century Eastern Roman Byzantine  Christian terracotta candle holder for 12 candles from a church in Africa Proconsularis , present day Tunisia. The Bardo National Museum, Tunis, Tunisia. Against a grey art background.
  • Fifth Century Christian Eastern Roman Byzantine  funerary mosaic from Mezghani Christian necropolis mounds in the Roman province of Africa Proconsularis , (Tunisian Sfax) dedicated to Priscianus. Above the memorial text is the Constantinian monogram depicting the Christian Chi-Rho symbol used by the Roman emperor Constantine I as part of his military standard (vexillum). The layout of the mosaic is typical of those excavated in the Sfax region from this period.<br />
<br />
The Bardo National Museum, Tunis, Tunisia.  Against a black background.
  • Fifth century Eastern Roman Byzantine  Christian funerary mosaic from Leptis Minus-Lemto in the Roman province of Africa Proconsularis , (Tunisian Sehel Region) dedicated to Cresconius, depicting the Christian Chi-Rho symbol used by the Roman emperor Constantine I as part of his military standard (vexillum). <br />
<br />
The Bardo National Museum, Tunis, Tunisia.
  • Fifth century AD Eastern Roman Byzantine  Christian  funerary mosaic of of a little girl The fragmentary inscription is at the top: (name of the deceased) who lived 4 years 11 months, 3 days 7 hours. The deceased is featured in a praying attitude, wearing an embroidered dalmatic. A monogrammed cross and a lit candle accompany the funerary idealised portrait. <br />
Christian necropolis of the Mezghani mounds in the Roman province of Africa Proconsularis  (present day Sfax, Tunisia) Fifth c. A.D. <br />
<br />
<br />
The Bardo National Museum Tunis, Tunisia.  Against a white background.
  • Fifth century AD Eastern Roman Byzantine  Christian  funerary mosaic of of a little girl The fragmentary inscription is at the top: (name of the deceased) who lived 4 years 11 months, 3 days 7 hours. The deceased is featured in a praying attitude, wearing an embroidered dalmatic. A monogrammed cross and a lit candle accompany the funerary idealised portrait. <br />
Christian necropolis of the Mezghani mounds in the Roman province of Africa Proconsularis  (present day Sfax, Tunisia) Fifth c. A.D. <br />
<br />
<br />
The Bardo National Museum Tunis, Tunisia
  • 5th century Eastern Roman Byzantine  funerary mosaic from Tarbaka in the Roman province of Africa Proconsularis , present day Tunisia, with a crown at the top probably a Christogram  (Latin Monogramma Christi ) is a monogram used as an abbreviation for the name of Jesus Christ, with a figure below and a latin text for the deceased " Covuldeus in peace". Either side of the figure are a lit candle which symbolises eternal faith. The Bardo National Museum, Tunis Tunisia.   Against a grey background.<br />
<br />
Christian burial grounds The ingenuity and expertise of mosaic schools, particularly those operating in Proconsular Africa and By-zacena, led to the dissemination of a mosaic trend which was very well tailored to the needs of a Christian clientele, who was authorised by the Church to use the basilica area and its ancillaries for burial, particularly in the sacred spaces such as the baptistery and the choir.
  • Fifth century Eastern Roman Byzantine  Christian funerary mosaic dedicated to Leontia.  The Constantinian monogram depicting the Christian Chi-Rho symbol used by the Roman emperor Constantine I as part of his military standard (vexillum).  The inscription in the cartouche reads " Leontia in peace and harmony with God, entered into eternal life on the Sixth Ides of October". Two birds and cut Roses occupy the rest of the mosaic. <br />
<br />
Excavated from Demna Parish Church ruins between the 4th and 5th columns of the right aisle. The Bardo National Museum, Tunis, Tunisia.  Against a white background.
  • Fifth century Eastern Roman Byzantine  Christian funerary mosaic dedicated to Leontia.  The Constantinian monogram depicting the Christian Chi-Rho symbol used by the Roman emperor Constantine I as part of his military standard (vexillum).  The inscription in the cartouche reads " Leontia in peace and harmony with God, entered into eternal life on the Sixth Ides of October". Two birds and cut Roses occupy the rest of the mosaic. <br />
<br />
Excavated from Demna Parish Church ruins between the 4th and 5th columns of the right aisle. The Bardo National Museum, Tunis, Tunisia.  Against a black background.
  • Fifth century Eastern Roman Byzantine  Christian funerary mosaic dedicated to Leontia.  The Constantinian monogram depicting the Christian Chi-Rho symbol used by the Roman emperor Constantine I as part of his military standard (vexillum).  <br />
<br />
Excavated from Demna Parish Church ruins between the 4th and 5th columns of the right aisle. The Bardo National Museum, Tunis, Tunisia.
  • Fifth century Eastern Roman Byzantine  Christian funerary mosaic from Leptis Minus-Lemto in the Roman province of Africa Proconsularis , (Tunisian Sehel Region) dedicated to Cresconius, depicting the Christian Chi-Rho symbol used by the Roman emperor Constantine I as part of his military standard (vexillum). <br />
<br />
The Bardo National Museum, Tunis, Tunisia.  Against a black background.
  • Detail of a fifth century AD Eastern Roman Byzantine  Christian  funerary mosaic of of a little girl The fragmentary inscription is at the top: (name of the deceased) who lived 4 years 11 months, 3 days 7 hours. The deceased is featured in a praying attitude, wearing an embroidered dalmatic. A monogrammed cross and a lit candle accompany the funerary idealised portrait. <br />
Christian necropolis of the Mezghani mounds in the Roman province of Africa Proconsularis  (present day Sfax, Tunisia) Fifth c. A.D. <br />
<br />
<br />
The Bardo National Museum Tunis, Tunisia
  • Fifth century AD Eastern Roman Byzantine  Christian  funerary mosaic of of a little girl The fragmentary inscription is at the top: (name of the deceased) who lived 4 years 11 months, 3 days 7 hours. The deceased is featured in a praying attitude, wearing an embroidered dalmatic. A monogrammed cross and a lit candle accompany the funerary idealised portrait. <br />
Christian necropolis of the Mezghani mounds in the Roman province of Africa Proconsularis  (present day Sfax, Tunisia) Fifth c. A.D. <br />
<br />
<br />
The Bardo National Museum Tunis, Tunisia.  Against a black background.
  • 5th century Eastern Roman Byzantine   funerary mosaic from Tarbaka in the Roman province of Africa Proconsularis , present day Tunisia, with a crown at the top probably a Christogram  (Latin Monogramma Christi ) is a monogram used as an abbreviation for the name of Jesus Christ, with a figure below and a latin text for the deceased " Covuldeus in peace". Either side of the figure are a lit candle which symbolises eternal faith. The Bardo National Museum, Tunis Tunisia.  Against a white background.<br />
<br />
Christian burial grounds The ingenuity and expertise of mosaic schools, particularly those operating in Proconsular Africa and By-zacena, led to the dissemination of a mosaic trend which was very well tailored to the needs of a Christian clientele, who was authorised by the Church to use the basilica area and its ancillaries for burial, particularly in the sacred spaces such as the baptistery and the choir.
  • 5th century Eastern Roman Byzantine  funerary mosaic from Tarbaka in the Roman province of Africa Proconsularis , present day Tunisia, with a crown at the top probably a Christogram  (Latin Monogramma Christi ) is a monogram used as an abbreviation for the name of Jesus Christ, with a figure below and a latin text for the deceased " Covuldeus in peace". Either side of the figure are a lit candle which symbolises eternal faith. The Bardo National Museum, Tunis Tunisia.<br />
<br />
Christian burial grounds The ingenuity and expertise of mosaic schools, particularly those operating in Proconsular Africa and By-zacena, led to the dissemination of a mosaic trend which was very well tailored to the needs of a Christian clientele, who was authorised by the Church to use the basilica area and its ancillaries for burial, particularly in the sacred spaces such as the baptistery and the choir.
  • Fifth century Eastern Roman Byzantine  Christian funerary mosaic dedicated to Leontia.  The Constantinian monogram depicting the Christian Chi-Rho symbol used by the Roman emperor Constantine I as part of his military standard (vexillum).  The inscription in the cartouche reads " Leontia in peace and harmony with God, entered into eternal life on the Sixth Ides of October". Two birds and cut Roses occupy the rest of the mosaic. <br />
<br />
Excavated from Demna Parish Church ruins between the 4th and 5th columns of the right aisle. The Bardo National Museum, Tunis, Tunisia.
  • Fifth century Eastern Roman Byzantine  Christian funerary mosaic dedicated to Leontia.  The Constantinian monogram depicting the Christian Chi-Rho symbol used by the Roman emperor Constantine I as part of his military standard (vexillum).  The inscription in the cartouche reads " Leontia in peace and harmony with God, entered into eternal life on the Sixth Ides of October". Two birds and cut Roses occupy the rest of the mosaic. <br />
<br />
Excavated from Demna Parish Church ruins between the 4th and 5th columns of the right aisle. The Bardo National Museum, Tunis, Tunisia.
  • Fifth century Eastern Roman Byzantine  Christian terracotta candle holder for 12 candles from a church in Africa Proconsularis , present day Tunisia. The Bardo National Museum, Tunis, Tunisia.   Against a grey background.
  • 5th century AD Eastern Roman Byzantine  Christian  funerary mosaic of Crescentia from Tharbarka western Necropolis in the Roman province of Africa Proconsularis, present day Tunisia. The funerary portrait depicts a young girl, Crescentia, dressed in a dalmatic tunic with vertical stripes, pulled in at the waist by a belt , with a necklace around her neck. Today the dalmatic is a long wide-sleeved tunic, which still serves as a liturgical vestment in the Roman Catholic church. To the right side of Crescentia is a lit candle which symbolises eternal faith. <br />
<br />
The Bardo National Museum Tunis, Tunisia
  • 6th century Eastern Roman Byzantine  Christian mosaic of the mosaic of the Most Holy Sepulchre and the memorial of Golgotha in Jerusalem .<br />
<br />
In the foreground is the dome of Golgotha, erected at the site of the crucifixion ofJesus Christ, from where  the four rivers of Paradise flow: the Geon = Gihon, the Fison = Pishon, the Tigris and Euphrates, symbolically referring to the Word (the four gospels). Sheep, representing the faithfuls, are drinking from the rivers. In the background are depictions of the the Holy Sepulchre with its door ajar, and two other buildings, symbolising Bethlehem and Jerusalem. <br />
<br />
From the threshold of the martyrdom erected in honour of Jesus Christ at the church of Iunca - Younga (in present the day region of Mahres in Tunisia). The Bardo National Museum, Tunis, Tunisia.  Against a black background.
  • 6th century Eastern Roman Byzantine  Christian mosaic of the mosaic of the Most Holy Sepulchre and the memorial of Golgotha in Jerusalem .<br />
<br />
In the foreground is the dome of Golgotha, erected at the site of the crucifixion ofJesus Christ, from where  the four rivers of Paradise flow: the Geon = Gihon, the Fison = Pishon, the Tigris and Euphrates, symbolically referring to the Word (the four gospels). Sheep, representing the faithfuls, are drinking from the rivers. In the background are depictions of the the Holy Sepulchre with its door ajar, and two other buildings, symbolising Bethlehem and Jerusalem. <br />
<br />
From the threshold of the martyrdom erected in honour of Jesus Christ at the church of Iunca - Younga (in present the day region of Mahres in Tunisia). The Bardo National Museum, Tunis, Tunisia.  Against a white background.
  • 6th century Eastern Roman Byzantine  Christian mosaic of the mosaic of the Most Holy Sepulchre and the memorial of Golgotha in Jerusalem .<br />
<br />
In the foreground is the dome of Golgotha, erected at the site of the crucifixion ofJesus Christ, from where  the four rivers of Paradise flow: the Geon = Gihon, the Fison = Pishon, the Tigris and Euphrates, symbolically referring to the Word (the four gospels). Sheep, representing the faithfuls, are drinking from the rivers. In the background are depictions of the the Holy Sepulchre with its door ajar, and two other buildings, symbolising Bethlehem and Jerusalem. <br />
<br />
From the threshold of the martyrdom erected in honour of Jesus Christ at the church of Iunca - Younga (in present the day region of Mahres in Tunisia). The Bardo National Museum, Tunis, Tunisia.   Against a grey background.
  • 6th century Eastern Roman Byzantine  Christian mosaic of the mosaic of the Most Holy Sepulchre and the memorial of Golgotha in Jerusalem .<br />
<br />
In the foreground is the dome of Golgotha, erected at the site of the crucifixion ofJesus Christ, from where  the four rivers of Paradise flow: the Geon = Gihon, the Fison = Pishon, the Tigris and Euphrates, symbolically referring to the Word (the four gospels). Sheep, representing the faithfuls, are drinking from the rivers. In the background are depictions of the the Holy Sepulchre with its door ajar, and two other buildings, symbolising Bethlehem and Jerusalem. <br />
<br />
From the threshold of the martyrdom erected in honour of Jesus Christ at the church of Iunca - Younga (in present the day region of Mahres in Tunisia). The Bardo National Museum, Tunis, Tunisia.
  • Fifth century AD Eastern Roman Byzantine  Christian funerary mosaic of two adults and a young child. <br />
<br />
Acanthus scrollwork bearing the fruits of the vine and full of birds (border). The epitaph, set into a centred laurel wreath, reads : Constantia in peace. has lived 55 years, died on the 8th of the Ides of August (August 23); Gaudiosa in peace has lived 22 years, died on the Third ides of May (may 18) The epitaph of the child, who died without being baptised and was buried with the two adult deceased, runs at the bottom of the panel : (P)alatinus, innocent, peaceful, departed on the Fifth ides of April. <br />
<br />
From Demna pariah church, near the hallway connecting the vestibule to the choir. The Bardo National Museum, Tunis, Tunisia.  Against a black background.
  • Fifth century AD Eastern Roman Byzantine  Christian funerary mosaic of two adults and a young child. <br />
<br />
Acanthus scrollwork bearing the fruits of the vine and full of birds (border). The epitaph, set into a centred laurel wreath, reads : Constantia in peace. has lived 55 years, died on the 8th of the Ides of August (August 23); Gaudiosa in peace has lived 22 years, died on the Third ides of May (may 18) The epitaph of the child, who died without being baptised and was buried with the two adult deceased, runs at the bottom of the panel : (P)alatinus, innocent, peaceful, departed on the Fifth ides of April. <br />
<br />
From Demna pariah church, near the hallway connecting the vestibule to the choir. The Bardo National Museum, Tunis, Tunisia
  • Fifth century AD Eastern Roman Byzantine  Christian funerary mosaic of two adults and a young child. <br />
<br />
Acanthus scrollwork bearing the fruits of the vine and full of birds (border). The epitaph, set into a centred laurel wreath, reads : Constantia in peace. has lived 55 years, died on the 8th of the Ides of August (August 23); Gaudiosa in peace has lived 22 years, died on the Third ides of May (may 18) The epitaph of the child, who died without being baptised and was buried with the two adult deceased, runs at the bottom of the panel : (P)alatinus, innocent, peaceful, departed on the Fifth ides of April. <br />
<br />
From Demna pariah church, near the hallway connecting the vestibule to the choir. The Bardo National Museum, Tunis, Tunisia.   Against a grey background.
  • Fifth century Eastern Roman Byzantine  Christian terracotta candle holder for 12 candles from a church in Africa Proconsularis , present day Tunisia. The Bardo National Museum, Tunis, Tunisia.  Against a white background.
  • Fifth century Eastern Roman Byzantine  Christian terracotta candle holder for 12 candles from a church in Africa Proconsularis , present day Tunisia. The Bardo National Museum, Tunis, Tunisia.  Against a black background.
  • Fifth century Eastern Roman Byzantine  Christian terracotta candle holder for 12 candles from a church in Africa Proconsularis , present day Tunisia. The Bardo National Museum, Tunis, Tunisia.
  • Fifth century AD Eastern Roman Byzantine  Christian funerary mosaic of two adults and a young child. <br />
<br />
Acanthus scrollwork bearing the fruits of the vine and full of birds (border). The epitaph, set into a centred laurel wreath, reads : Constantia in peace. has lived 55 years, died on the 8th of the Ides of August (August 23); Gaudiosa in peace has lived 22 years, died on the Third ides of May (may 18) The epitaph of the child, who died without being baptised and was buried with the two adult deceased, runs at the bottom of the panel : (P)alatinus, innocent, peaceful, departed on the Fifth ides of April. <br />
<br />
From Demna pariah church, near the hallway connecting the vestibule to the choir. The Bardo National Museum, Tunis, Tunisia.  Against a white background.
  • Detail of  a fifth century AD Eastern Roman Byzantine  Christian funerary mosaic of two adults and a young child. <br />
<br />
Acanthus scrollwork bearing the fruits of the vine and full of birds (border). The epitaph, set into a centred laurel wreath, reads : Constantia in peace. has lived 55 years, died on the 8th of the Ides of August (August 23); Gaudiosa in peace has lived 22 years, died on the Third ides of May (may 18) The epitaph of the child, who died without being baptised and was buried with the two adult deceased, runs at the bottom of the panel : (P)alatinus, innocent, peaceful, departed on the Fifth ides of April. <br />
<br />
From Demna pariah church, near the hallway connecting the vestibule to the choir. The Bardo National Museum, Tunis, Tunisia
  • Second century Roman Christian funerary stele for 3 dead people from Africa Proconsularis. The stele depicts the deceased:  Fausata who died age 75, a man who died age 70 and a child who died age 2 years 6 months. From the first half of the second century AD from the region of Bou Arada in present day Tunisia. The Bardo National Museum, Tunis, Tunisia. Against a grey art background.
  • Fifth century Roman Christian funerary mosaic from Leptis Minus-Lemto in the Roman province of Africa Proconsularis , (Tunisian Sehel Region) dedicated to Cresconius, depicting the Christian Chi-Rho symbol used by the Roman emperor Constantine I as part of his military standard (vexillum). <br />
<br />
The Bardo National Museum, Tunis, Tunisia.   Against a grey background.
  • Fifth century AD Roman Christian  funerary mosaic of of a little girl The fragmentary inscription is at the top: (name of the deceased) who lived 4 years 11 months, 3 days 7 hours. The deceased is featured in a praying attitude, wearing an embroidered dalmatic. A monogrammed cross and a lit candle accompany the funerary idealised portrait. <br />
Christian necropolis of the Mezghani mounds in the Roman province of Africa Proconsularis  (present day Sfax, Tunisia) Fifth c. A.D. <br />
<br />
<br />
The Bardo National Museum Tunis, Tunisia.   Against a grey background.
  • Second century Roman Christian funerary stele for 3 dead people from Africa Proconsularis. The stele depicts the deceased:  Fausata who died age 75, a man who died age 70 and a child who died age 2 years 6 months. From the first half of the second century AD from the region of Bou Arada in present day Tunisia. The Bardo National Museum, Tunis, Tunisia.   Against a grey background.
  • Second century Roman Christian funerary stele for 3 dead people from Africa Proconsularis. The stele depicts the deceased:  Fausata who died age 75, a man who died age 70 and a child who died age 2 years 6 months. From the first half of the second century AD from the region of Bou Arada in present day Tunisia. The Bardo National Museum, Tunis, Tunisia.  Against a white background.
  • Second century Roman Christian funerary stele for 3 dead people from Africa Proconsularis. The stele depicts the deceased:  Fausata who died age 75, a man who died age 70 and a child who died age 2 years 6 months. From the first half of the second century AD from the region of Bou Arada in present day Tunisia. The Bardo National Museum, Tunis, Tunisia.
  • Second century Roman Christian funerary stele for 3 dead people from Africa Proconsularis. The stele depicts the deceased:  Fausata who died age 75, a man who died age 70 and a child who died age 2 years 6 months. From the first half of the second century AD from the region of Bou Arada in present day Tunisia. The Bardo National Museum, Tunis, Tunisia.  Against a black background.
  • Roman mosaic of a Young boy playing with snakes, possibly an early Christian mosaic. Syria or Lebanon, 5th century AD. Cubes of marble and limestone. Dressed in a long tunic, the child playing with two snakes could be illustrating a passage from the Book of Isai (11.6 to 8). This fragmented mosaic panel once continued in upper part, as indicated by the animal hoofs, and to the right of the mosaic are remains of a Greek inscription. inv 5094. Louvre Museum, Paris
  • Roman mosaic of a Young boy playing with snakes, possibly an early Christian mosaic. Syria or Lebanon, 5th century AD. Cubes of marble and limestone. Dressed in a long tunic, the child playing with two snakes could be illustrating a passage from the Book of Isai (11.6 to 8). This fragmented mosaic panel once continued in upper part, as indicated by the animal hoofs, and to the right of the mosaic are remains of a Greek inscription. inv 5094. Louvre Museum, Paris
  • Roman mosaic of a Young boy playing with snakes, possibly an early Christian mosaic. Syria or Lebanon, 5th century AD. Cubes of marble and limestone. Dressed in a long tunic, the child playing with two snakes could be illustrating a passage from the Book of Isai (11.6 to 8). This fragmented mosaic panel once continued in upper part, as indicated by the animal hoofs, and to the right of the mosaic are remains of a Greek inscription. inv 5094. Louvre Museum, Paris
  • Roman mosaic of a Young boy playing with snakes, possibly an early Christian mosaic. Syria or Lebanon, 5th century AD. Cubes of marble and limestone. Dressed in a long tunic, the child playing with two snakes could be illustrating a passage from the Book of Isai (11.6 to 8). This fragmented mosaic panel once continued in upper part, as indicated by the animal hoofs, and to the right of the mosaic are remains of a Greek inscription. inv 5094. Louvre Museum, Paris
  • Second century Roman funerary stele dedicated to Anninia Laeta from the cemetery of Thuburbo Majus a city of the Roman province of Africa Proconsularis, in present day Tunisia. The Bardo National Museum , Tunis, Tunisia. Against a grey art background.
  • Second century AD Roman funerary Stele dedicated to Caipenniae Victoriae from  Africa Proconsularis , present day Tunisia. The Bardo National Museum, Tunis, Tunisia . Against a grey art background.
  • Roman mosaic of an early Christian church floor from Qabr Hiram, Lebanon, 575 AD. Marble blocks and glass paste cubes. This mosaic was designed to follow the layout of the church which had three naves. It depicts God through images of his creation: rural activities, fruit, animals with representations of the months, seasons and winds. The inscription indicates that the basilica was dedicated to St. Christopher and was built in 575 AD.. Inv 32230-2236, Louvre Museum, Paris
  • Roman mosaic of an early Christian church floor from Qabr Hiram, Lebanon, 575 AD. Marble blocks and glass paste cubes. This mosaic was designed to follow the layout of the church which had three naves. It depicts God through images of his creation: rural activities, fruit, animals with representations of the months, seasons and winds. The inscription indicates that the basilica was dedicated to St. Christopher and was built in 575 AD.. Inv 32230-2236, Louvre Museum, Paris
  • Roman mosaic of an early Christian church floor from Qabr Hiram, Lebanon, 575 AD. Marble blocks and glass paste cubes. This mosaic was designed to follow the layout of the church which had three naves. It depicts God through images of his creation: rural activities, fruit, animals with representations of the months, seasons and winds. The inscription indicates that the basilica was dedicated to St. Christopher and was built in 575 AD.. Inv 32230-2236, Louvre Museum, Paris
  • Roman mosaic of a Young boy playing with snakes, possibly an early Christian mosaic. Syria or Lebanon, 5th century AD. Cubes of marble and limestone. Dressed in a long tunic, the child playing with two snakes could be illustrating a passage from the Book of Isai (11.6 to 8). This fragmented mosaic panel once continued in upper part, as indicated by the animal hoofs, and to the right of the mosaic are remains of a Greek inscription. inv 5094. Louvre Museum, Paris
  • Byzantine mosaics in the Cathedral of Monreale- Jacob steals the blessing of his father intended for Esau- Palermo - Sicily Pictures, photos, images & fotos photography
  • Byzantine mosaics depicting scenes from the Bible in the Cathedral of Monreale - Palermo - Sicily Pictures, photos, images & fotos photography
  • Medieval Byzantine mosaics of Christian scene with Christ and the angels, Monreale Cathedral, Sicily
  • Medieval Byzantine mosaics of Christian scene with Christ and the angels, Monreale Cathedral, Sicily
  • Byzantine mosaics in the Cathedral of Monreale - Palermo - Sicily Pictures, photos, images & fotos photography
  • Byzantine mosaics in the Cathedral of Monreale - Palermo - Sicily Pictures, photos, images & fotos photography
  • Byzantine mosaics in the Cathedral of Monreale - Palermo - Sicily Pictures, photos, images & fotos photography
  • Byzantine mosaics in the Cathedral of Monreale - The Sacrifice of Isaac - Palermo - Sicily Pictures, photos, images & fotos photography
  • Byzantine mosaics in the Cathedral of Monreale - Rebecca waters Abrahams camels - Palermo - Sicily Pictures, photos, images & fotos photography
  • Byzantine mosaics in the Cathedral of Monreale- Building the Tower of Babel  - Palermo - Sicily Pictures, photos, images & fotos photography
  • Byzantine mosaics depicting scenes from the Bible of the building o the Tower of Babel in the Cathedral of Monreale - Palermo - Sicily Pictures, photos, images & fotos photography
  • Byzantine mosaics depicting scenes from the Bible in the Cathedral of Monreale - Palermo - Sicily Pictures, photos, images & fotos photography
  • Byzantine mosaics depicting scenes from the Bible about Noah  in the Cathedral of Monreale - Palermo - Sicily Pictures, photos, images & fotos photography
  • Byzantine mosaics of Jesus Christ in the Cathedral of Monreale - Palermo - Sicily Pictures, photos, images & fotos photography
  • Byzantine mosaics of Jesus Christ in the Cathedral of Monreale - Palermo - Sicily Pictures, photos, images & fotos photography
  • Byzantine mosaics depicting scenes from the Bible in the Cathedral of Monreale - Palermo - Sicily Pictures, photos, images & fotos photography
  • Byzantine mosaics depicting scenes from the Bible in the Cathedral of Monreale - Palermo - Sicily Pictures, photos, images & fotos photography
  • Byzantine mosaics of Jesus Christ in the Cathedral of Monreale - Palermo - Sicily Pictures, photos, images & fotos photography
  • Main Isle and altar wioth Byzantine mosaics  in the Cathedral of Monreale - Palermo - Sicily Pictures, photos, images & fotos photography
  • Byzantine mosaics in the Cathedral of Monreale - Noah letting the animals out - Palermo - Sicily Pictures, photos, images & fotos photography
  • Byzantine mosaics in the Cathedral of Monreale - Palermo - Sicily Pictures, photos, images & fotos photography
  • Byzantine mosaics in the Cathedral of Monreale - Palermo - Sicily Pictures, photos, images & fotos photography
  • Byzantine mosaics depicting scenes from the Bible in the Cathedral of Monreale - Palermo - Sicily Pictures, photos, images & fotos photography
  • Byzantine mosaics of Jesus Christ in the Cathedral of Monreale - Palermo - Sicily Pictures, photos, images & fotos photography
  • Byzantine mosaics of Jesus Christ in the Cathedral of Monreale - Palermo - Sicily Pictures, photos, images & fotos photography
  • Byzantine mosaics of Jesus Christ in the Cathedral of Monreale - Palermo - Sicily Pictures, photos, images & fotos photography
  • Main Isle and altar wioth Byzantine mosaics  in the Cathedral of Monreale - Palermo - Sicily Pictures, photos, images & fotos photography
  • Medieval Byzantine mosaics of Noah putting animals into the arc, Monreale Cathedral, Sicily
  • Medieval Byzantine mosaics of Rebecca and Abraham  Monreale Cathedral, Sicily
  • Medieval Byzantine mosaics of with a depiction of Christ Pantocrator on the apse and main altar, Monreale Cathedral, Sicily
  • Byzantine mosaics in the Cathedral of Monreale - Palermo - Sicily Pictures, photos, images & fotos photography
  • Byzantine mosaics in the Cathedral of Monreale - Palermo - Sicily Pictures, photos, images & fotos photography
  • Byzantine mosaics in the Cathedral of Monreale - Palermo - Sicily Pictures, photos, images & fotos photography
  • Byzantine mosaics of Jesus Christ in the Cathedral of Monreale - Palermo - Sicily Pictures, photos, images & fotos photography
  • Byzantine mosaics depicting scenes from the Bible in the Cathedral of Monreale - Palermo - Sicily Pictures, photos, images & fotos photography
  • Byzantine mosaics depicting scenes from the Bible in the Cathedral of Monreale - Palermo - Sicily Pictures, photos, images & fotos photography
  • Byzantine mosaics of Jesus Christ in the Cathedral of Monreale - Palermo - Sicily Pictures, photos, images & fotos photography
  • Main Isle and altar wioth Byzantine mosaics  in the Cathedral of Monreale - Palermo - Sicily Pictures, photos, images & fotos photography
  • Main Isle and altar wioth Byzantine mosaics  in the Cathedral of Monreale - Palermo - Sicily Pictures, photos, images & fotos photography
  • Main Isle and altar wioth Byzantine mosaics  in the Cathedral of Monreale - Palermo - Sicily Pictures, photos, images & fotos photography
  • Medieval Byzantine mosaics of Noah's Arc, Monreale Cathedral, Sicily
  • Medieval Byzantine mosaics of Noah building the arc, Monreale Cathedral, Sicily
  • Medieval Byzantine mosaics of with a depiction of Christ Pantocrator on the apse and main altar, Monreale Cathedral, Sicily
  • Medieval Byzantine mosaics of Rebecca and Abraham, Monreale Cathedral, Sicily
  • Medieval Byzantine mosaics of Adam & Eve A the Serpant, Monreale Cathedral, Sicily
  • Medieval Byzantine mosaics of Abraham about to sacrifice  Ishmael, Monreale Cathedral, Sicily
  • Medieval Byzantine mosaics of with a depiction of Christ Pantocrator on the apse and main altar, Monreale Cathedral, Sicily
  • Medieval Byzantine mosaics of Noah putting animals into the arc, Monreale Cathedral, Sicily
  • Medieval Byzantine mosaics of Rebecca and Abraham, Monreale Cathedral, Sicily
  • Medieval Byzantine mosaics of Rebecca and Abraham  Monreale Cathedral, Sicily
  • Medieval Byzantine mosaics of Angels appearing to Abraham, Monreale Cathedral, Sicily
  • Medieval Byzantine mosaics of Abraham about to sacrifice  Ishmael, Monreale Cathedral, Sicily
  • Medieval Byzantine mosaics of Angels appearing to Abraham, Monreale Cathedral, Sicily
  • Medieval Byzantine mosaics of Noahs Sons rebuilding their home, Monreale Cathedral, Sicily
  • Medieval Byzantine mosaics of biblical senes, Monreale Cathedral, Sicily
  • Medieval Byzantine mosaics of God appearing to Noah, Monreale Cathedral, Sicily
  • Medieval Byzantine mosaics of Noah's Arc, Monreale Cathedral, Sicily
  • Medieval Byzantine mosaics of Noah building the arc, Monreale Cathedral, Sicily
  • Medieval Byzantine mosaics of Adam & Eve A the Serpant, Monreale Cathedral, Sicily
  • Medieval Byzantine mosaics of God appearing to Noah, Monreale Cathedral, Sicily
  • Medieval Byzantine mosaics of Noahs Sons rebuilding their home, Monreale Cathedral, Sicily
  • Medieval Byzantine mosaics of biblical senes, Monreale Cathedral, Sicily
  • Byzantine mosaic of Tabitha being raised from the dead by Saint Peter. Tabitha is adorned with the garments she had woven for some widows and had given to them as charity. The Palatine Chapel, Norman Palace, Sicily travel photos & pictures available as stock photos, pictures & images & also to download as photo art prints.
  • Byzantine Christian Mosaics of The Palatine Chapel  ( Capella Palatina) in The Norman Palace (Palazzo dei Normanni), Palermo, Sicily. Scenes of Christ and from the Bible.
  • Byzantine Christian Mosaics of The Palatine Chapel  ( Capella Palatina) in The Norman Palace (Palazzo dei Normanni), Palermo, Sicily
  • Byzantine Christian Mosaics of The Palatine Chapel  ( Capella Palatina) in The Norman Palace (Palazzo dei Normanni), Palermo, Sicily. Scenes of Christ and from the Bible.
  • Byzantine mosaics at the Palatine Chapel ( Capella Palatina ) Norman Palace Palermo, Sicily, It. Noah's Arc.
  • Byzantine mosaics at the Palatine Chapel ( Capella Palatina ) Norman Palace Palermo, Sicily, It
  • Byzantine mosaics at the Palatine Chapel ( Capella Palatina ) Norman Palace Palermo, Sicily, Italy. St Paul.
  • Byzantine mosaics at the Palatine Chapel ( Capella Palatina ) Norman Palace Palermo, Sicily, Italy. Christ with Saint Peter and Paul abouve the throne stage.
  • Byzantine mosaics at the Palatine Chapel ( Capella Palatina ) Norman Palace Palermo, Sicily, Italy. Christ in the ceiling dome with the angels.
  • Byzantine mosaics at the Palatine Chapel ( Capella Palatina ) Norman Palace Palermo, Sicily, Italy. Christ above the Alter.
  • Byzantine mosaics at the Palatine Chapel ( Capella Palatina ) Norman Palace Palermo, Sicily, Italy
  • Byzantine mosaics at the Palatine Chapel ( Capella Palatina ) Norman Palace Palermo, Sicily, Italy
  • Byzantine mosaics at the Palatine Chapel ( Capella Palatina ) Norman Palace Palermo, Sicily, Italy
  • Byzantine mosaics at the Palatine Chapel ( Capella Palatina ) Norman Palace Palermo, Sicily, Italy
  • Medieval Byzantine style mosaics of Bible story of Noah, the Palatine Chapel, Cappella Palatina, Palermo, Italy
  • Medieval Byzantine style mosaics of St Peter & Paul & Emperor Nero, Palatine Chapel, Cappella Palatina, Palermo, Italy
  • Medieval Byzantine style mosaics of St Paul being bapitised  in the Palatine Chapel, Cappella Palatina, Palermo, Italy
  • Medieval Byzantine style mosaics of the side aisle arches,  Palatine Chapel, Cappella Palatina, Palermo, Italy
  • Medieval Byzantine style mosaics of the side aisle arches,  Palatine Chapel, Cappella Palatina, Palermo, Italy
  • Medieval Byzantine style mosaics of the main aisle & altar,  Palatine Chapel, Cappella Palatina, Palermo, Italy
  • Medieval Byzantine style mosaics of Christ Pantocrator above the altar of the Palatine Chapel, Cappella Palatina, Palermo, Italy
  • Medieval Byzantine style mosaics of the main aisle & altar,  Palatine Chapel, Cappella Palatina, Palermo, Italy
  • Medieval Byzantine style mosaics of St Paul being bapitised  in the Palatine Chapel, Cappella Palatina, Palermo, Italy
  • Medieval Byzantine style mosaics of the life of St Peter, the Palatine Chapel, Cappella Palatina, Palermo, Italy
  • Medieval Byzantine style mosaics of the side aisle arches,  Palatine Chapel, Cappella Palatina, Palermo, Italy
  • Byzantine mosaics at the Palatine Chapel ( Capella Palatina ) Norman Palace Palermo, Sicily, Ittaly. Building the tower of Babel.
  • Byzantine mosaics at the Palatine Chapel ( Capella Palatina ) Norman Palace Palermo, Sicily, Italy. Christ above the Alter.
  • Medieval Byzantine style mosaics of St Augusten,  the Palatine Chapel, Cappella Palatina, Palermo, Italy
  • Medieval Byzantine style mosaics of the Bible story of Noah's ark Palatine Chapel, Cappella Palatina, Palermo, Italy
  • Medieval Byzantine style mosaics of the Bible story of Rebecca watering the vcamels, Palatine Chapel, Cappella Palatina, Palermo, Italy
  • Medieval Byzantine style mosaics of the Bible story of Rebecca watering the vcamels, Palatine Chapel, Cappella Palatina, Palermo, Italy
  • Medieval Byzantine style mosaics of the Bible story of Rebecca watering the vcamels, Palatine Chapel, Cappella Palatina, Palermo, Italy
  • Medieval Byzantine style mosaics of the Bible story of Abraham, Palatine Chapel, Cappella Palatina, Palermo, Italy
  • Medieval Byzantine style mosaics of the Palatine Chapel, Cappella Palatina, Palermo, Italy
  • Medieval Byzantine style mosaics of the Bible story of Abraham, Palatine Chapel, Cappella Palatina, Palermo, Italy
  • Medieval Byzantine style mosaics of the Bible story of Abraham, Palatine Chapel, Cappella Palatina, Palermo, Italy
  • Medieval Byzantine style mosaics of the story of Adam & Eve eating fruit from tree,  the Palatine Chapel, Cappella Palatina, Palermo, Italy
  • Medieval Byzantine style mosaics of the story of Adam & Eve,  the Palatine Chapel, Cappella Palatina, Palermo, Italy
  • Medieval Byzantine style mosaics of the story of Adam & Eve being expelled from Eden,  the Palatine Chapel, Cappella Palatina, Palermo, Italy
  • Medieval Byzantine style mosaics of the life of St Peter, the Palatine Chapel, Cappella Palatina, Palermo, Italy
  • Medieval Byzantine style mosaics of the life of St Peter, the Palatine Chapel, Cappella Palatina, Palermo, Italy
  • Medieval Byzantine style mosaics of the life of St Peter, the Palatine Chapel, Cappella Palatina, Palermo, Italy
  • Medieval Byzantine style mosaics of St Paul preaching in then fleeing from Damascus, Palatine Chapel, Cappella Palatina, Palermo, Italy
  • Medieval Byzantine style mosaics of St Paul preaching in then fleeing from Damascus, Palatine Chapel, Cappella Palatina, Palermo, Italy
  • Medieval Byzantine style mosaics of St Paul preaching in then fleeing from Damascus, Palatine Chapel, Cappella Palatina, Palermo, Italy
  • Medieval Byzantine style mosaics of St Peter & St Paul,  the Palatine Chapel, Cappella Palatina, Palermo, Italy
  • Medieval Byzantine style mosaics of St Peter meeting St Paul, the Palatine Chapel, Cappella Palatina, Palermo, Italy
  • Medieval Byzantine style mosaics of St Peter meeting St Paul, the Palatine Chapel, Cappella Palatina, Palermo, Italy
  • Medieval Byzantine style mosaics of St Peter & Paul & Emperor Nero, Palatine Chapel, Cappella Palatina, Palermo, Italy
  • Medieval Byzantine style mosaics of Simon Magnus & Emperor Nero, Palatine Chapel, Cappella Palatina, Palermo, Italy
  • Medieval Byzantine style mosaics of St Peter & Paul & Emperor Nero, Palatine Chapel, Cappella Palatina, Palermo, Italy
  • Medieval Byzantine style mosaics of the Life of St Paul in the Palatine Chapel, Cappella Palatina, Palermo, Italy
  • Medieval Byzantine style mosaics of the Life of St Paul in the Palatine Chapel, Cappella Palatina, Palermo, Italy
  • Medieval Byzantine style mosaics of St Paul being bapitised  in the Palatine Chapel, Cappella Palatina, Palermo, Italy
  • Medieval Byzantine style mosaics of the Life of St Paul in the Palatine Chapel, Cappella Palatina, Palermo, Italy
  • Medieval Byzantine style tiles of the Palatine Chapel, Cappella Palatina, Palermo, Italy
  • Medieval Byzantine style tiles of the Palatine Chapel, Cappella Palatina, Palermo, Italy
  • Medieval Byzantine style tiles of the Palatine Chapel, Cappella Palatina, Palermo, Italy
  • Medieval Byzantine style tiles of the Palatine Chapel, Cappella Palatina, Palermo, Italy
  • Medieval Byzantine style mosaics of Christ Pantocrator on the end of the main aisle, the Palatine Chapel, Cappella Palatina, Palermo, Italy
  • Medieval Byzantine style mosaics of Christ Pantocrator on the end of the main aisle, the Palatine Chapel, Cappella Palatina, Palermo, Italy
  • Medieval Byzantine style mosaics of Christ Pantocrator on the end of the main aisle, the Palatine Chapel, Cappella Palatina, Palermo, Italy
  • Medieval Byzantine style mosaics of the side aisle arches,  Palatine Chapel, Cappella Palatina, Palermo, Italy
  • Medieval Byzantine style mosaics of the side aisle arches,  Palatine Chapel, Cappella Palatina, Palermo, Italy
  • Medieval Byzantine style mosaics of the side aisle arches,  Palatine Chapel, Cappella Palatina, Palermo, Italy
  • Medieval Byzantine style mosaics of the side aisle arches,  Palatine Chapel, Cappella Palatina, Palermo, Italy
  • Medieval Byzantine style mosaics of the side aisle arches,  Palatine Chapel, Cappella Palatina, Palermo, Italy
  • Medieval Byzantine style mosaics of the side aisle arches,  Palatine Chapel, Cappella Palatina, Palermo, Italy
  • Medieval Byzantine style mosaics of the side aisle arches,  Palatine Chapel, Cappella Palatina, Palermo, Italy
  • Medieval Byzantine style mosaics of the side aisle arches,  Palatine Chapel, Cappella Palatina, Palermo, Italy
  • Medieval Byzantine style mosaics of the side aisle arches,  Palatine Chapel, Cappella Palatina, Palermo, Italy
  • Medieval Byzantine style mosaics of the side aisle arches,  Palatine Chapel, Cappella Palatina, Palermo, Italy
  • Medieval Byzantine style mosaics of the side aisle arches,  Palatine Chapel, Cappella Palatina, Palermo, Italy
  • Medieval Byzantine style mosaics of the side aisle arches,  Palatine Chapel, Cappella Palatina, Palermo, Italy
  • Medieval Byzantine style mosaics of the side aisle arches,  Palatine Chapel, Cappella Palatina, Palermo, Italy
  • Medieval Byzantine style mosaics of the side aisle arches,  Palatine Chapel, Cappella Palatina, Palermo, Italy
  • Medieval Byzantine style mosaics of the side aisle arches,  Palatine Chapel, Cappella Palatina, Palermo, Italy
  • Medieval Byzantine style mosaics of the side aisle arches,  Palatine Chapel, Cappella Palatina, Palermo, Italy
  • Medieval Byzantine style mosaics of the side aisle arches,  Palatine Chapel, Cappella Palatina, Palermo, Italy
  • Medieval Byzantine style mosaics of the side aisle arches,  Palatine Chapel, Cappella Palatina, Palermo, Italy
  • Medieval Byzantine style mosaics of the side aisle arches,  Palatine Chapel, Cappella Palatina, Palermo, Italy
  • Medieval Byzantine style mosaics of the side aisle arches,  Palatine Chapel, Cappella Palatina, Palermo, Italy
  • Medieval Byzantine style mosaics of the side aisle arches,  Palatine Chapel, Cappella Palatina, Palermo, Italy
  • Medieval Byzantine style mosaics of the side aisle arches,  Palatine Chapel, Cappella Palatina, Palermo, Italy
  • Medieval Byzantine style mosaics of the side aisle arches,  Palatine Chapel, Cappella Palatina, Palermo, Italy
  • Medieval Byzantine style mosaics of the side aisle arches,  Palatine Chapel, Cappella Palatina, Palermo, Italy

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