• Interior Byzantine Romanesque style Christian frescoes of the central apse with Christ Pantocrator (in majesty) in a maodorla, Santissima Trinita di Saccargia, consecrated 1116 AD, Codrongianos, Sardinia.
  • Interior Byzantine Romanesque style Christian frescoes of the central apse with Christ Pantocrator (in majesty) in a maodorla, Santissima Trinita di Saccargia, consecrated 1116 AD, Codrongianos, Sardinia.
  • Interior Byzantine Romanesque style Christian frescoes of scens from the life of Christ, Santissima Trinita di Saccargia, consecrated 1116 AD, Codrongianos, Sardinia. Panorama
  • Central aisle looking towards the Byzantine Romanesque style Christian frescoes above the altar, Santissima Trinita di Saccargia, consecrated 1116 AD, Codrongianos, Sardinia.
  • Interior Byzantine Romanesque style Christian frescoes of biblical scenes, Santissima Trinita di Saccargia, consecrated 1116 AD, Codrongianos, Sardinia.
  • Interior Byzantine Romanesque style Christian frescoes of the central apse with Christ Pantocrator (in majesty) in a maodorla, Santissima Trinita di Saccargia, consecrated 1116 AD, Codrongianos, Sardinia.
  • Interior Byzantine Romanesque style Christian frescoes of the central apse with Christ Pantocrator (in majesty) in a maodorla, Santissima Trinita di Saccargia, consecrated 1116 AD, Codrongianos, Sardinia.
  • Interior Byzantine Romanesque style Christian frescoes of the central apse with Christ Pantocrator (in majesty) in a maodorla, Santissima Trinita di Saccargia, consecrated 1116 AD, Codrongianos, Sardinia.
  • Interior Byzantine Romanesque style Christian frescoes of the central apse with Christ Pantocrator (in majesty) in a maodorla, Santissima Trinita di Saccargia, consecrated 1116 AD, Codrongianos, Sardinia.
  • Interior Byzantine Romanesque style Christian frescoes of biblical scenes, Santissima Trinita di Saccargia, consecrated 1116 AD, Codrongianos, Sardinia.
  • Interior Byzantine Romanesque style Christian frescoes of biblical scenes, Santissima Trinita di Saccargia, consecrated 1116 AD, Codrongianos, Sardinia.
  • Interior Byzantine Romanesque style Christian frescoes of biblical scenes, Santissima Trinita di Saccargia, consecrated 1116 AD, Codrongianos, Sardinia.
  • Interior Byzantine Romanesque style Christian frescoes of biblical scenes, Santissima Trinita di Saccargia, consecrated 1116 AD, Codrongianos, Sardinia.
  • Interior Byzantine Romanesque style Christian frescoes of the central apse with Christ Pantocrator (in majesty) in a maodorla, Santissima Trinita di Saccargia, consecrated 1116 AD, Codrongianos, Sardinia.
  • Interior Byzantine Romanesque style Christian frescoes, Santissima Trinita di Saccargia, consecrated 1116 AD, Codrongianos, Sardinia.
  • Interior Byzantine Romanesque style Christian frescoes, Santissima Trinita di Saccargia, consecrated 1116 AD, Codrongianos, Sardinia.
  • Twelfth century Romanesque frescoes of the Apse of Estaon depicting a Byzantine style angels with Archangel Gabriel,  from the church of Sant Eulalia d’Estaon, Vall de Cardos, Catalonia, Spain. National Art Museum of Catalonia, Barcelona. MNAC 15969
  • Second half of the twelfth Century Romanesque frescoes of the Apse d’Esterri de Cardos depicting a Byzantine style angel. The church of Sant Pau d’Estirri de Cardos, Spain. National Art Museum of Catalonia, Barcelona. MNAC 15970
  • Twelfth century Romanesque frescoes of the Apse of Estaon depicting a Byzantine style angels with Archangel Michael, from the church of Sant Eulalia d’Estaon, Vall de Cardos, Catalonia, Spain. National Art Museum of Catalonia, Barcelona. MNAC 15969
  • Twelfth century Romanesque frescoes of the Apse of Estaon depicting Christ Pantocrator ( In Majesty) surrounded by Byzantine style angels, from the church of Sant Eulalia d’Estaon, Vall de Cardos, Catalonia, Spain. National Art Museum of Catalonia, Barcelona. MNAC 15969
  • Twelfth century Romanesque frescoes of the Apse of Estaon depicting Christ Pantocrator ( In Majesty) surrounded by Byzantine style angels, and below scenes from the Baptism of Christ, from the church of Sant Eulalia d’Estaon, Vall de Cardos, Catalonia, Spain. National Art Museum of Catalonia, Barcelona. MNAC 15969
  • The Romanesque Altar Front of Avia<br />
<br />
Around 1200, Tempera on wood with metalic ornamention from the church of Santa Maria d'Avia, Spain.<br />
<br />
National Art Museum of Catalonia, Barcelona. MNAC 15784<br />
<br />
<br />
The altar front of Byzantine art d'Avia depicting scenes from the life of the Virgin Mary and the nativity. The artistic style of the Altar front relies heavily of Byzantine influences. The intensity and variety of colors and the systematic application of appliqué are typical of eastern Mediterranean and Byzantine art . This can also be seen in the style and hand positions of the Virgin Mary and child, at the centre of the altar piece, which copies a style known as “Our Lady of the Way” which in turn minics the orthodox icon “the Virgin Hodegetria”.
  • Reconstucted Byzantine style frescos of the 4th century AD 3 aisled Roamnesque basilica of Saint Demetrius, or Hagios Demetrios, Άγιος Δημήτριος, a Palaeochristian and Byzantine Monuments of Thessaloniki, Greece. A UNESCO World Heritage Site.
  • Reconstucted Byzantine style frescos of the 4th century AD 3 aisled Roamnesque basilica of Saint Demetrius, or Hagios Demetrios, Άγιος Δημήτριος, a Palaeochristian and Byzantine Monuments of Thessaloniki, Greece. A UNESCO World Heritage Site.
  • Reconstucted Byzantine style frescos of the 4th century AD 3 aisled Roamnesque basilica of Saint Demetrius, or Hagios Demetrios,  , a Palaeochristian and Byzantine Monuments of Thessaloniki, Greece. A UNESCO World Heritage Site.
  • Reconstucted Byzantine style frescos of the 4th century AD 3 aisled Roamnesque basilica of Saint Demetrius, or Hagios Demetrios,  , a Palaeochristian and Byzantine Monuments of Thessaloniki, Greece. A UNESCO World Heritage Site.
  • Reconstucted Byzantine style frescos of the 4th century AD 3 aisled Roamnesque basilica of Saint Demetrius, or Hagios Demetrios,  , a Palaeochristian and Byzantine Monuments of Thessaloniki, Greece. A UNESCO World Heritage Site.
  • Reconstucted Byzantine style frescos of the 4th century AD 3 aisled Roamnesque basilica of Saint Demetrius, or Hagios Demetrios,  , a Palaeochristian and Byzantine Monuments of Thessaloniki, Greece. A UNESCO World Heritage Site.
  • Reconstucted Byzantine style frescos of the 4th century AD 3 aisled Roamnesque basilica of Saint Demetrius, or Hagios Demetrios, Άγιος Δημήτριος, a Palaeochristian and Byzantine Monuments of Thessaloniki, Greece. A UNESCO World Heritage Site.
  • Reconstucted Byzantine style frescos of the 4th century AD 3 aisled Roamnesque basilica of Saint Demetrius, or Hagios Demetrios, Άγιος Δημήτριος, a Palaeochristian and Byzantine Monuments of Thessaloniki, Greece. A UNESCO World Heritage Site.
  • Reconstucted Byzantine style frescos of the 4th century AD 3 aisled Roamnesque basilica of Saint Demetrius, or Hagios Demetrios,  , a Palaeochristian and Byzantine Monuments of Thessaloniki, Greece. A UNESCO World Heritage Site.
  • Reconstucted Byzantine style frescos of the 4th century AD 3 aisled Roamnesque basilica of Saint Demetrius, or Hagios Demetrios,  , a Palaeochristian and Byzantine Monuments of Thessaloniki, Greece. A UNESCO World Heritage Site.
  • Reconstucted Byzantine style frescos of the 4th century AD 3 aisled Roamnesque basilica of Saint Demetrius, or Hagios Demetrios,  , a Palaeochristian and Byzantine Monuments of Thessaloniki, Greece. A UNESCO World Heritage Site.
  • Reconstucted Byzantine style frescos of the 4th century AD 3 aisled Roamnesque basilica of Saint Demetrius, or Hagios Demetrios,  , a Palaeochristian and Byzantine Monuments of Thessaloniki, Greece. A UNESCO World Heritage Site.
  • Reconstucted Byzantine style frescos of the 4th century AD 3 aisled Roamnesque basilica of Saint Demetrius, or Hagios Demetrios,  , a Palaeochristian and Byzantine Monuments of Thessaloniki, Greece. A UNESCO World Heritage Site.
  • Reconstucted Byzantine style frescos of the 4th century AD 3 aisled Roamnesque basilica of Saint Demetrius, or Hagios Demetrios,  , a Palaeochristian and Byzantine Monuments of Thessaloniki, Greece. A UNESCO World Heritage Site.
  • Early Renaissance frescoes by Vitale da Bologna (1309 — 1369) of Christ Pantocrator (in majesty), pinted in the Byzantine style of Christ appearing in a madorla or eye. Church of Santa Maria, Benedictine Abbey of Pomposa, Emilia-Romagna, Italy.
  • Early Renaissance frescoes by Vitale da Bologna (1309 — 1369) of Christ Pantocrator (in majesty), pinted in the Byzantine style of Christ appearing in a madorla or eye. Church of Santa Maria, Benedictine Abbey of Pomposa, Emilia-Romagna, Italy.
  • Early Renaissance frescoes by Vitale da Bologna (1309 — 1369) of Christ Pantocrator (in majesty), pinted in the Byzantine style of Christ appearing in a madorla or eye. Church of Santa Maria, Benedictine Abbey of Pomposa, Emilia-Romagna, Italy.
  • Early Renaissance frescoes by Vitale da Bologna (1309 — 1369) of Christ Pantocrator (in majesty), pinted in the Byzantine style of Christ appearing in a madorla or eye. Church of Santa Maria, Benedictine Abbey of Pomposa, Emilia-Romagna, Italy.
  • Early Renaissance frescoes by Vitale da Bologna (1309 — 1369) of Christ Pantocrator (in majesty), pinted in the Byzantine style of Christ appearing in a madorla or eye. Church of Santa Maria, Benedictine Abbey of Pomposa, Emilia-Romagna, Italy.
  • Early Renaissance frescoes by Vitale da Bologna (1309 — 1369) of Christ Pantocrator (in majesty), pinted in the Byzantine style of Christ appearing in a madorla or eye. Church of Santa Maria, Benedictine Abbey of Pomposa, Emilia-Romagna, Italy.
  • Early Renaissance frescoes by Vitale da Bologna (1309 — 1369) of Christ Pantocrator (in majesty), pinted in the Byzantine style of Christ appearing in a madorla or eye. Church of Santa Maria, Benedictine Abbey of Pomposa, Emilia-Romagna, Italy.
  • Early Renaissance frescoes by Vitale da Bologna (1309 — 1369) of Christ Pantocrator (in majesty), pinted in the Byzantine style of Christ appearing in a madorla or eye. Church of Santa Maria, Benedictine Abbey of Pomposa, Emilia-Romagna, Italy.
  • Early Renaissance frescoes by Vitale da Bologna (1309 — 1369) of Christ Pantocrator (in majesty), pinted in the Byzantine style of Christ appearing in a madorla or eye. Church of Santa Maria, Benedictine Abbey of Pomposa, Emilia-Romagna, Italy.
  • Early Renaissance frescoes by Vitale da Bologna (1309 — 1369) of Christ Pantocrator (in majesty), pinted in the Byzantine style of Christ appearing in a madorla or eye. Church of Santa Maria, Benedictine Abbey of Pomposa, Emilia-Romagna, Italy.
  • Early Renaissance frescoes by Vitale da Bologna (1309 — 1369) of Christ Pantocrator (in majesty), pinted in the Byzantine style of Christ appearing in a madorla or eye. Church of Santa Maria, Benedictine Abbey of Pomposa, Emilia-Romagna, Italy.
  • Early Renaissance frescoes by Vitale da Bologna (1309 — 1369) of Christ Pantocrator (in majesty), pinted in the Byzantine style of Christ appearing in a madorla or eye. Church of Santa Maria, Benedictine Abbey of Pomposa, Emilia-Romagna, Italy.
  • Early Renaissance frescoes by Vitale da Bologna (1309 — 1369) of Christ Pantocrator (in majesty), pinted in the Byzantine style of Christ appearing in a madorla or eye. Church of Santa Maria, Benedictine Abbey of Pomposa, Emilia-Romagna, Italy.
  • Early Renaissance frescoes by Vitale da Bologna (1309 — 1369) of Christ Pantocrator (in majesty), pinted in the Byzantine style of Christ appearing in a madorla or eye. Church of Santa Maria, Benedictine Abbey of Pomposa, Emilia-Romagna, Italy.
  • Early Renaissance frescoes by Vitale da Bologna (1309 — 1369) of Christ Pantocrator (in majesty), pinted in the Byzantine style of Christ appearing in a madorla or eye. Church of Santa Maria, Benedictine Abbey of Pomposa, Emilia-Romagna, Italy.
  • Early Renaissance frescoes by Vitale da Bologna (1309 — 1369) of Christ Pantocrator (in majesty), pinted in the Byzantine style of Christ appearing in a madorla or eye. Church of Santa Maria, Benedictine Abbey of Pomposa, Emilia-Romagna, Italy.
  • Early Renaissance frescoes by Vitale da Bologna (1309 — 1369) of Christ Pantocrator (in majesty), pinted in the Byzantine style of Christ appearing in a madorla or eye. Church of Santa Maria, Benedictine Abbey of Pomposa, Emilia-Romagna, Italy.
  • Second half of the twelfth Century Romanesque frescoes of the Apse d’Esterri de Cardos depicting a Byzantine style angel. The church of Sant Pau d’Estirri de Cardos, Spain. National Art Museum of Catalonia, Barcelona. MNAC 15970
  • Twelfth century Romanesque frescoes of the Apse of Estaon depicting a Byzantine style angels with Archangel Gabriel,  from the church of Sant Eulalia d’Estaon, Vall de Cardos, Catalonia, Spain. National Art Museum of Catalonia, Barcelona. MNAC 15969
  • Twelfth century Romanesque frescoes of the Apse of Estaon depicting Christ Pantocrator ( In Majesty) surrounded by Byzantine style angels, from the church of Sant Eulalia d’Estaon, Vall de Cardos, Catalonia, Spain. National Art Museum of Catalonia, Barcelona. MNAC 15969
  • Twelfth century Romanesque frescoes of the Apse of Estaon depicting Christ Pantocrator ( In Majesty) surrounded by Byzantine style angels, and below scenes from the Baptism of Christ, from the church of Sant Eulalia d’Estaon, Vall de Cardos, Catalonia, Spain. National Art Museum of Catalonia, Barcelona. MNAC 15969
  • Twelfth century Romanesque frescoes of the Apse of Estaon depicting a Byzantine style angels with Archangel Michael, from the church of Sant Eulalia d’Estaon, Vall de Cardos, Catalonia, Spain. National Art Museum of Catalonia, Barcelona. MNAC 15969
  • The Romanesque Altar Front of Avia<br />
<br />
Around 1200, Tempera on wood with metalic ornamention from the church of Santa Maria d'Avia, Spain.<br />
<br />
National Art Museum of Catalonia, Barcelona. MNAC 15784<br />
<br />
<br />
The altar front of Byzantine art d'Avia depicting the Virgin Mary in the style of “Our Lady of the Way”. The artistic style of the Altar front relies heavily of Byzantine influences. The intensity and variety of colors and the systematic application of appliqué are typical of eastern Mediterranean and Byzantine art . This can also be seen in the style and hand positions of the Virgin Mary and child, at the centre of the altar piece, which copies a style known as “Our Lady of the Way” which in turn minics the orthodox icon “the Virgin Hodegetria”.
  • The Romanesque Altar Front of Avia<br />
<br />
Around 1200, Tempera on wood with metalic ornamention from the church of Santa Maria d'Avia, Spain.<br />
<br />
National Art Museum of Catalonia, Barcelona. MNAC 15784<br />
<br />
<br />
The altar front of Byzantine art d'Avia depicting the Virgin Mary in the style of “Our Lady of the Way”. The artistic style of the Altar front relies heavily of Byzantine influences. The intensity and variety of colors and the systematic application of appliqué are typical of eastern Mediterranean and Byzantine art . This can also be seen in the style and hand positions of the Virgin Mary and child, at the centre of the altar piece, which copies a style known as “Our Lady of the Way” which in turn minics the orthodox icon “the Virgin Hodegetria”.
  • The Romanesque Altar Front of Avia<br />
<br />
Around 1200, Tempera on wood with metalic ornamention from the church of Santa Maria d'Avia, Spain.<br />
<br />
National Art Museum of Catalonia, Barcelona. MNAC 15784<br />
<br />
<br />
The altar front of Byzantine art d'Avia depicting the Virgin Mary in the style of “Our Lady of the Way”. The artistic style of the Altar front relies heavily of Byzantine influences. The intensity and variety of colors and the systematic application of appliqué are typical of eastern Mediterranean and Byzantine art . This can also be seen in the style and hand positions of the Virgin Mary and child, at the centre of the altar piece, which copies a style known as “Our Lady of the Way” which in turn minics the orthodox icon “the Virgin Hodegetria”.
  • The Romanesque Altar Front of Avia<br />
<br />
Around 1200, Tempera on wood with metalic ornamention from the church of Santa Maria d'Avia, Spain.<br />
<br />
National Art Museum of Catalonia, Barcelona. MNAC 15784<br />
<br />
<br />
The altar front of Byzantine art d'Avia depicting scenes from the life of the Virgin Mary and the nativity. The artistic style of the Altar front relies heavily of Byzantine influences. The intensity and variety of colors and the systematic application of appliqué are typical of eastern Mediterranean and Byzantine art . This can also be seen in the style and hand positions of the Virgin Mary and child, at the centre of the altar piece, which copies a style known as “Our Lady of the Way” which in turn minics the orthodox icon “the Virgin Hodegetria”.
  • The Romanesque Altar Front of Avia<br />
<br />
Around 1200, Tempera on wood with metalic ornamention from the church of Santa Maria d'Avia, Spain.<br />
<br />
National Art Museum of Catalonia, Barcelona. MNAC 15784<br />
<br />
<br />
The altar front of Byzantine art d'Avia depicting scenes from the life of the Virgin Mary and the nativity. The artistic style of the Altar front relies heavily of Byzantine influences. The intensity and variety of colors and the systematic application of appliqué are typical of eastern Mediterranean and Byzantine art . This can also be seen in the style and hand positions of the Virgin Mary and child, at the centre of the altar piece, which copies a style known as “Our Lady of the Way” which in turn minics the orthodox icon “the Virgin Hodegetria”.
  • The Romanesque Altar Front of Avia<br />
<br />
Around 1200, Tempera on wood with metalic ornamention from the church of Santa Maria d'Avia, Spain.<br />
<br />
National Art Museum of Catalonia, Barcelona. MNAC 15784<br />
<br />
<br />
The altar front of Byzantine art d'Avia depicting scenes from the life of the Virgin Mary and the nativity. The artistic style of the Altar front relies heavily of Byzantine influences. The intensity and variety of colors and the systematic application of appliqué are typical of eastern Mediterranean and Byzantine art . This can also be seen in the style and hand positions of the Virgin Mary and child, at the centre of the altar piece, which copies a style known as “Our Lady of the Way” which in turn minics the orthodox icon “the Virgin Hodegetria”.
  • The Romanesque Altar Front of Avia<br />
<br />
Around 1200, Tempera on wood with metalic ornamention from the church of Santa Maria d'Avia, Spain.<br />
<br />
National Art Museum of Catalonia, Barcelona. MNAC 15784<br />
<br />
<br />
The altar front of Byzantine art d'Avia depicting scenes from the life of the Virgin Mary and the nativity. The artistic style of the Altar front relies heavily of Byzantine influences. The intensity and variety of colors and the systematic application of appliqué are typical of eastern Mediterranean and Byzantine art . This can also be seen in the style and hand positions of the Virgin Mary and child, at the centre of the altar piece, which copies a style known as “Our Lady of the Way” which in turn minics the orthodox icon “the Virgin Hodegetria”.
  • The Romanesque Altar Front of Avia<br />
<br />
Around 1200, Tempera on wood with metalic ornamention from the church of Santa Maria d'Avia, Spain.<br />
<br />
National Art Museum of Catalonia, Barcelona. MNAC 15784<br />
<br />
<br />
The altar front of Byzantine art d'Avia depicting scenes from the life of the Virgin Mary and the nativity. The artistic style of the Altar front relies heavily of Byzantine influences. The intensity and variety of colors and the systematic application of appliqué are typical of eastern Mediterranean and Byzantine art . This can also be seen in the style and hand positions of the Virgin Mary and child, at the centre of the altar piece, which copies a style known as “Our Lady of the Way” which in turn minics the orthodox icon “the Virgin Hodegetria”.
  • The Romanesque Altar Front of Avia<br />
<br />
Around 1200, Tempera on wood with metalic ornamention from the church of Santa Maria d'Avia, Spain.<br />
<br />
National Art Museum of Catalonia, Barcelona. MNAC 15784<br />
<br />
<br />
The altar front of Byzantine art d'Avia depicting scenes from the life of the Virgin Mary and the nativity. The artistic style of the Altar front relies heavily of Byzantine influences. The intensity and variety of colors and the systematic application of appliqué are typical of eastern Mediterranean and Byzantine art . This can also be seen in the style and hand positions of the Virgin Mary and child, at the centre of the altar piece, which copies a style known as “Our Lady of the Way” which in turn minics the orthodox icon “the Virgin Hodegetria”.
  • The Romanesque Altar Front of Avia<br />
<br />
Around 1200, Tempera on wood with metalic ornamention from the church of Santa Maria d'Avia, Spain.<br />
<br />
National Art Museum of Catalonia, Barcelona. MNAC 15784<br />
<br />
<br />
The altar front of Byzantine art d'Avia depicting scenes from the life of the Virgin Mary and the nativity. The artistic style of the Altar front relies heavily of Byzantine influences. The intensity and variety of colors and the systematic application of appliqué are typical of eastern Mediterranean and Byzantine art . This can also be seen in the style and hand positions of the Virgin Mary and child, at the centre of the altar piece, which copies a style known as “Our Lady of the Way” which in turn minics the orthodox icon “the Virgin Hodegetria”.
  • The Romanesque Altar Front of Avia<br />
<br />
Around 1200, Tempera on wood with metalic ornamention from the church of Santa Maria d'Avia, Spain.<br />
<br />
National Art Museum of Catalonia, Barcelona. MNAC 15784<br />
<br />
<br />
The altar front of Byzantine art d'Avia depicting scenes from the life of the Virgin Mary and the nativity. The artistic style of the Altar front relies heavily of Byzantine influences. The intensity and variety of colors and the systematic application of appliqué are typical of eastern Mediterranean and Byzantine art . This can also be seen in the style and hand positions of the Virgin Mary and child, at the centre of the altar piece, which copies a style known as “Our Lady of the Way” which in turn minics the orthodox icon “the Virgin Hodegetria”.
  • The Romanesque Altar Front of Avia<br />
<br />
Around 1200, Tempera on wood with metalic ornamention from the church of Santa Maria d'Avia, Spain.<br />
<br />
National Art Museum of Catalonia, Barcelona. MNAC 15784<br />
<br />
<br />
The altar front of Byzantine art d'Avia depicting scenes from the life of the Virgin Mary and the nativity. The artistic style of the Altar front relies heavily of Byzantine influences. The intensity and variety of colors and the systematic application of appliqué are typical of eastern Mediterranean and Byzantine art . This can also be seen in the style and hand positions of the Virgin Mary and child, at the centre of the altar piece, which copies a style known as “Our Lady of the Way” which in turn minics the orthodox icon “the Virgin Hodegetria”.
  • The Romanesque Altar Front of Avia<br />
<br />
Around 1200, Tempera on wood with metalic ornamention from the church of Santa Maria d'Avia, Spain.<br />
<br />
National Art Museum of Catalonia, Barcelona. MNAC 15784<br />
<br />
<br />
The altar front of Byzantine art d'Avia depicting scenes from the life of the Virgin Mary and the nativity. The artistic style of the Altar front relies heavily of Byzantine influences. The intensity and variety of colors and the systematic application of appliqué are typical of eastern Mediterranean and Byzantine art . This can also be seen in the style and hand positions of the Virgin Mary and child, at the centre of the altar piece, which copies a style known as “Our Lady of the Way” which in turn minics the orthodox icon “the Virgin Hodegetria”.
  • The Romanesque Altar Front of Avia<br />
<br />
Around 1200, Tempera on wood with metalic ornamention from the church of Santa Maria d'Avia, Spain.<br />
<br />
National Art Museum of Catalonia, Barcelona. MNAC 15784<br />
<br />
<br />
The altar front of Byzantine art d'Avia depicting scenes from the life of the Virgin Mary and the nativity. The artistic style of the Altar front relies heavily of Byzantine influences. The intensity and variety of colors and the systematic application of appliqué are typical of eastern Mediterranean and Byzantine art . This can also be seen in the style and hand positions of the Virgin Mary and child, at the centre of the altar piece, which copies a style known as “Our Lady of the Way” which in turn minics the orthodox icon “the Virgin Hodegetria”.
  • The Byzantine style frescos of the new Orthodox church of Omala. Kefalonia, Ionian Islands, Greece.
  • The Byzantine style frescos of the new Orthodox church of Omala. Kefalonia, Ionian Islands, Greece.
  • The Byzantine style frescos of the new Orthodox church of Omala. Kefalonia, Ionian Islands, Greece.
  • The Byzantine style frescos of the new Orthodox church of Omala. Kefalonia, Ionian Islands, Greece.
  • The Byzantine style frescos of the new Orthodox church of Omala. Kefalonia, Ionian Islands, Greece.
  • The Byzantine style frescos of the new Orthodox church of Omala. Kefalonia, Ionian Islands, Greece.
  • The Byzantine style frescos of the new Orthodox church of Omala. Kefalonia, Ionian Islands, Greece.
  • The Byzantine style frescos of the new Orthodox church of Omala. Kefalonia, Ionian Islands, Greece.
  • The Byzantine style frescos of the new Orthodox church of Omala. Kefalonia, Ionian Islands, Greece.
  • The Byzantine style frescos of the new Orthodox church of Omala. Kefalonia, Ionian Islands, Greece.
  • The Byzantine style frescos of the new Orthodox church of Omala. Kefalonia, Ionian Islands, Greece.
  • The Byzantine style frescos of the new Orthodox church of Omala. Kefalonia, Ionian Islands, Greece.
  • The Byzantine style frescos of the new Orthodox church of Omala. Kefalonia, Ionian Islands, Greece.
  • The Byzantine style frescos of the new Orthodox church of Omala. Kefalonia, Ionian Islands, Greece.
  • The Byzantine style frescos of the new Orthodox church of Omala. Kefalonia, Ionian Islands, Greece.
  • The Byzantine style frescos of the new Orthodox church of Omala. Kefalonia, Ionian Islands, Greece.
  • The Byzantine style frescos of the new Orthodox church of Omala. Kefalonia, Ionian Islands, Greece.
  • The Byzantine style frescos of the new Orthodox church of Omala. Kefalonia, Ionian Islands, Greece.
  • The Byzantine style frescos of the new Orthodox church of Omala. Kefalonia, Ionian Islands, Greece.
  • The Byzantine style frescos of the new Orthodox church of Omala. Kefalonia, Ionian Islands, Greece.
  • The Byzantine style frescos of the new Orthodox church of Omala. Kefalonia, Ionian Islands, Greece.
  • The Byzantine style frescos of the new Orthodox church of Omala. Kefalonia, Ionian Islands, Greece.
  • The Byzantine style frescos of the new Orthodox church of Omala. Kefalonia, Ionian Islands, Greece.
  • The Byzantine style frescos of the new Orthodox church of Omala. Kefalonia, Ionian Islands, Greece.
  • The Byzantine style frescos of the new Orthodox church of Omala. Kefalonia, Ionian Islands, Greece.
  • The Byzantine style frescos of the new Orthodox church of Omala. Kefalonia, Ionian Islands, Greece.
  • The Byzantine style frescos of the new Orthodox church of Omala. Kefalonia, Ionian Islands, Greece.
  • The Byzantine style frescos of the new Orthodox church of Omala. Kefalonia, Ionian Islands, Greece.
  • The Byzantine style frescos of the new Orthodox church of Omala. Kefalonia, Ionian Islands, Greece.
  • Pictures & images of the interior frescoes on the barrel vaulted roof of of Ubisa St. George Georgian Orthodox medieval monastery, Georgia (country)<br />
<br />
The 14th century lavish interior frescoes were painted by Gerasim in a local style known as Palaeologus  following Byzantine influences.
  • Pictures & images of the interior frescoes on the barrel vaulted roof of of Ubisa St. George Georgian Orthodox medieval monastery, Georgia (country)<br />
<br />
The 14th century lavish interior frescoes were painted by Gerasim in a local style known as Palaeologus  following Byzantine influences.
  • Pictures & images of the interior frescoes of Ubisa St. George Georgian Orthodox medieval monastery, Georgia (country)<br />
<br />
The 14th century lavish interior frescoes were painted by Gerasim in a local style known as Palaeologus  following Byzantine influences.
  • Pictures & images of the interior frescoes of Ubisa St. George Georgian Orthodox medieval monastery, Georgia (country)<br />
<br />
The 14th century lavish interior frescoes were painted by Gerasim in a local style known as Palaeologus  following Byzantine influences.
  • Pictures & images of the interior frescoes of Christ Pantocrator in the Apse of Ubisa St. George Georgian Orthodox medieval monastery, Georgia (country)<br />
<br />
The 14th century lavish interior frescoes were painted by Gerasim in a local style known as Palaeologus  following Byzantine influences.
  • Pictures & images of the interior frescoes of Ubisa St. George Georgian Orthodox medieval monastery, Georgia (country)<br />
<br />
The 14th century lavish interior frescoes were painted by Gerasim in a local style known as Palaeologus  following Byzantine influences.
  • Pictures & images of the interior frescoes of Ubisa St. George Georgian Orthodox medieval monastery, Georgia (country)<br />
<br />
The 14th century lavish interior frescoes were painted by Gerasim in a local style known as Palaeologus  following Byzantine influences.
  • Pictures & images of the interior frescoes on the barrel vaulted roof of of Ubisa St. George Georgian Orthodox medieval monastery, Georgia (country)<br />
<br />
The 14th century lavish interior frescoes were painted by Gerasim in a local style known as Palaeologus  following Byzantine influences.
  • Pictures & images of the interior frescoes of Ubisa St. George Georgian Orthodox medieval monastery, Georgia (country)<br />
<br />
The 14th century lavish interior frescoes were painted by Gerasim in a local style known as Palaeologus  following Byzantine influences.
  • Pictures & images of the interior frescoes of a Georgian King and Queen Ubisa St. George Georgian Orthodox medieval monastery, Georgia (country)<br />
<br />
The 14th century lavish interior frescoes were painted by Gerasim in a local style known as Palaeologus  following Byzantine influences.
  • Pictures & images of the interior frescoes of Ubisa St. George Georgian Orthodox medieval monastery, Georgia (country)<br />
<br />
The 14th century lavish interior frescoes were painted by Gerasim in a local style known as Palaeologus  following Byzantine influences.
  • Pictures & images of the interior frescoes of Christ Pantocrator in the Apse of Ubisa St. George Georgian Orthodox medieval monastery, Georgia (country)<br />
<br />
The 14th century lavish interior frescoes were painted by Gerasim in a local style known as Palaeologus  following Byzantine influences.
  • Pictures & images of the interior frescoes of the Last Supper, Ubisa St. George Georgian Orthodox medieval monastery, Georgia (country)<br />
<br />
The 14th century lavish interior frescoes were painted by Gerasim in a local style known as Palaeologus  following Byzantine influences.
  • 13th century Byzantine Roman style frescoes of the apostles on the apse wall of the Romanesque Basilica Church of Santa Maria Maggiore, Tuscania
  • 13th century Byzantine Roman style frescoes of the apostles on the apse wall of the Romanesque Basilica Church of Santa Maria Maggiore, Tuscania

FunkyStock Picture Library Resource

Picture The Past

ABOUT

FunkyStock Picture Library free resource for professional editorial picture editors, picture researchers, historical scholars and students and enthusiasts who want to browse some of the best pictures and images of historic countries, historical places, archaeological sites and the very best museum antiquities and artefacts exhibits in Europe and the Middle East.

Pictures and Images can be downloaded or bought as stock photos or photo art prints.

COUNTRIES

Browse travel pictures and images of historic places and archaeological sites of countries in Europe and the Middle East.

VIEW COUNTRIES INDEX....

HISTORICAL

Explore the past through pictures and images of its historic places. See the great palaces, castles and cities of antiquity as well as the great archaeological sites where our ancestors made history.

EXPLORE HISTORICAL PLACES...

MUSEUMS

Browse pictures & images the treasured artefacts and antiquities exhibits from the great Museum of Europe and the Middle East. See the art and objects made by our ancestors.

SEE MUESEUM ANTIQUITIES....