• Gothic decorative painted beam panels with griffins and a carved syalise tree, Tempera on wood. National Museum of Catalan Art (MNAC), Barcelona, Spain
  • Gothic decorative painted beam panels with griffins and a carved syalise tree, Tempera on wood. National Museum of Catalan Art (MNAC), Barcelona, Spain
  • Gothic decorative painted beam panels with griffins and a carved syalise tree, Tempera on wood. National Museum of Catalan Art (MNAC), Barcelona, Spain. Against a art background.
  • Gothic decorative painted beam panels with griffins and a carved syalise tree, Tempera on wood. National Museum of Catalan Art (MNAC), Barcelona, Spain. Against a grey art background.
  • Virgin Mary; Mother of God; The Virgin; Mare de deu; Gothic altarpiece of Madonna and Child by Joan Reixach of Barcelona, circa 1450, tempera and gold leaf on wood, from the sanctuary of San Pau d'Albocasser, Castello..  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  64055.
  • Virgin Mary; Mother of God; The Virgin; Mare de deu; Gothic altarpiece of Madonna and Child by Joan Reixach of Barcelona, circa 1450, tempera and gold leaf on wood, from the sanctuary of San Pau d'Albocasser, Castello..  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  64055. Against a black background.
  • Virgin Mary; Mother of God; The Virgin; Mare de deu; Gothic altarpiece of Madonna and Child by Joan Reixach of Barcelona, circa 1450, tempera and gold leaf on wood, from the sanctuary of San Pau d'Albocasser, Castello..  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  64055.
  • Virgin Mary; Mother of God; The Virgin; Mare de deu; Gothic altarpiece of Madonna and Child by Joan Reixach of Barcelona, circa 1450, tempera and gold leaf on wood, from the sanctuary of San Pau d'Albocasser, Castello..  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  64055. Against a grey art background.
  • Gothic decorative painted beam panels with gknights on horses, Tempera on wood. National Museum of Catalan Art (MNAC), Barcelona, Spain, Against a black background.
  • Gothic decorative painted beam panels with lions and a carved syalise tree, Tempera on wood. National Museum of Catalan Art (MNAC), Barcelona, Spain
  • Gothic statue of The Virgin Mary (Madonna) holding the baby Jesus. Polychrome and gold leaf on wood by the Circle of Gil de Siloe around 1500, probably from Castella. Inv MNAC 64028. National Museum of Catalan Art (MNAC), Barcelona, Spain. Against a art background.
  • Gothic statue of The Virgin Mary (Madonna) holding the baby Jesus. Polychrome and gold leaf on wood by the Circle of Gil de Siloe around 1500, probably from Castella. Inv MNAC 64028. National Museum of Catalan Art (MNAC), Barcelona, Spain. Against a grey art background.
  • Gothic altarpiece of the Dormition of the Madonna (Dormicio de la Mare de Dieu) by Pere Garcia de Benavarri, circa 1460-1465, tempera and gold leaf on wood.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  64040. Against a white background.
  • Gothic altarpiece of the Dormition of the Madonna (Dormicio de la Mare de Dieu) by Pere Garcia de Benavarri, circa 1460-1465, tempera and gold leaf on wood.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  64040. Against a art background.
  • Gothic painted panel of the Nativity scene by Taddeo Gabbi of Florence, circa 1325, tempera and gold leaf on wood. National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC 212807. Against a grey art background. <br />
Taddeo Gabbi, one of Giotto's most brilliant disciples, painted this Nativity when he was still part of Giotto's workshop. The painting has many of Giotto's hallmarks such as  spatial illusionism or the reality of figures that can be seen in the nativity of the Peruzzi Chapel.<br />
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SPANISH<br />
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Taddeo Gabbi, uno de los discipulos mas brillantes de Giotto, debio pintar esta Natividad cuando aun formaba parte del taller del maestro. En ella se ven las conquistas de la "revolucion giottesca", como el illusioismo espacial o el realismo de las figuras. Maria arropa a Jesus dentro del establo, mientras los sobrevuela un grupo de angeles. La posicion de uno de ellos y la presencia de una oveja indican que la composicion se completaba a la izquierda con el Anuncio a los pastores. En primer termino aparecen un pensativo Jose y las dos parteras que susurran, un recurso ya utilizado pr Giotto en los frescos de la Capilla Peruzzi.
  • Gothic altarpiece of Madonna and Child by Bernardo Daddi, circa 1340-1345, tempera and gold leaf on wood.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  212806. Against a art background.
  • Gothic altarpiece of Madonna Of Humility With The Eternal Father In Glory, by Cenni di Francesco di Ser Cenni of Florence, circa 1375-80, tempera and gold leaf on wood. The Madonna and Child are depicted with the 12 apostles. National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  212805. Against a white background.
  • Gothic altarpiece of Madonna Of Humility With The Eternal Father In Glory, by Cenni di Francesco di Ser Cenni of Florence, circa 1375-80, tempera and gold leaf on wood. The Madonna and Child are depicted with the 12 apostles. National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  212805. Against a grey art background.
  • Gothic altarpiece of Madonna and Child with St Peter and Paul by Vicenzo Frediani, circa 1490, tempera and gold leaf on wood.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  64978. Against a grey art background.
  • Gothic Catalan Alterpiece of Sant Jeroni Penetant by Mestre de la Seu d'Urgell, circa 1495, tempera and gold leaf on wood, from the church of Santa Maria de Puigcerda, Baixa Cerdanya, Spain.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  15821. Against a white background.
  • Gothic Catalan Alterpiece of Sant Jeroni Penetant by Mestre de la Seu d'Urgell, circa 1495, tempera and gold leaf on wood, from the church of Santa Maria de Puigcerda, Baixa Cerdanya, Spain.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  15821. Against a black background.
  • Gothic Catalan Alterpiece of Sant Jeroni Penetant by Mestre de la Seu d'Urgell, circa 1495, tempera and gold leaf on wood, from the church of Santa Maria de Puigcerda, Baixa Cerdanya, Spain.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  15821. Against a grey art background.
  • Gothic wood relief sculpture of the crwoning of of the Virgin Mary in the central European sgchiool style, end of 15th Century.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  5270.
  • Gothic marble relief sculpture of the Coronation of the Virgin Mary made in London or York, 1420-1460.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  64124.
  • Gothic marble relief sculpture of the Coronation of the Virgin Mary made in London or York, 1420-1460.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  64124. Against a grey art background.
  • Gothic Catalan altarpiece of Saint Peter enthroned, by Roderic d'Orsona of Valencia, circa 1475, tempera and gold leaf on wood.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC 15816. Against a art background.
  • Gothic Catalan altarpiece of Saint Peter enthroned, by Roderic d'Orsona of Valencia, circa 1475, tempera and gold leaf on wood.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC 15816.
  • Gothic altarpiece of Madonna and Child and 4 angels, by Pere Garcia de Benavarri, circa 1445-1485, tempera and gold leaf on wood.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  15817. Against a black background.
  • Gothic altarpiece of Madonna and Child and 4 angels, by Pere Garcia de Benavarri, circa 1445-1485, tempera and gold leaf on wood.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  15817. Against a art background.
  • Gothic altarpiece depicting the Last Supper (Sant Sopar) by Jaume Huguet, circa 1463 - 1475, Temperal and gold leaf on wood, from the convent of Sant Augusti Vell, Barcelona.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  40412. Against a grey art background.
  • Gothic altarpiece tableau of the Archangel Gabriel  by Joan Mates of Vlafranca de Penedes, circa 1410-1430, tempera and gold leaf on for wood from the church of Santa Maria de Penafel, Alt Penedes, Spain.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  214533. Against a black background.
  • Gothic altarpiece tableau of the Archangel Gabriel  by Joan Mates of Vlafranca de Penedes, circa 1410-1430, tempera and gold leaf on for wood from the church of Santa Maria de Penafel, Alt Penedes, Spain.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  214533.
  • Gothic altarpiece tableau of the Archangel Gabriel  by Joan Mates of Vlafranca de Penedes, circa 1410-1430, tempera and gold leaf on for wood from the church of Santa Maria de Penafel, Alt Penedes, Spain.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  214533. Against a art background.
  • Gothic altarpiece depicting top, Calvary, bottom, St Sebastia (Sebastian) , by Joan Mates of Villafranca de Penedes, circa 1417-1425, from the refrectory of Pia Almoina, Barcelona, Temperal and gold leaf on wood.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  32340. Joan Mates was a Spanish painter of the International Gothic style. Against a black background.
  • Gothic altarpiece depicting top, Calvary, bottom, St Sebastia (Sebastian) , by Joan Mates of Villafranca de Penedes, circa 1417-1425, from the refrectory of Pia Almoina, Barcelona, Temperal and gold leaf on wood.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  32340. Joan Mates was a Spanish painter of the International Gothic style. Against a art background.
  • Gothic altarpiece depicting top, Calvary, bottom, St Sebastia (Sebastian) , by Joan Mates of Villafranca de Penedes, circa 1417-1425, from the refrectory of Pia Almoina, Barcelona, Temperal and gold leaf on wood.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  32340. Joan Mates was a Spanish painter of the International Gothic style. Against a grey art background.
  • Gothic altarpiece ofthe Nativity from the workshop of Taller de Pere Garcia de Benavarri, circa 1475, tempera and gold leaf on for wood, from the church of Nostra Senyora de Baldos de Montanyana, Osca.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC   114750-1. Against a black background.
  • Gothic altarpiece ofthe Nativity from the workshop of Taller de Pere Garcia de Benavarri, circa 1475, tempera and gold leaf on for wood, from the church of Nostra Senyora de Baldos de Montanyana, Osca.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC   114750-1. Against a art background.
  • Gothic altarpiece of Archangel Michael ( Sant Miguel Arcangel) by Blasco de Branen of Saragossa, circa 1435-1445 , tempera and gold leaf on for wood.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC   114741.
  • Gothic altarpiece of Archangel Michael ( Sant Miguel Arcangel) by Blasco de Branen of Saragossa, circa 1435-1445 , tempera and gold leaf on for wood.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC   114741. Against a grey art background.
  • Gothic Aaltarpiece of Saint Barbara, 3rd quarter of the 15th century, tempera and gold leaf on for wood.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC   114746-7.
  • Gothic altarpiece of Saint Catarina (Catherine), 3rd quarter of the 15th century, tempera and gold leaf on for wood.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC   114746-7. Against a grey art background.
  • Gothic Catalan altarpiece depicting the Madonna of Mercy by Bonant Zaortiga, circa 1430-1440, tempera and gold leaf on wood, from the church of Mare de Dieu de Carrasca , Blancas, Terol, Spain<br />
Bonnat Zaortiga was one of the most prominent representatives of the international Gothic. The Mother of God of Mercy  protects humans with her cape, symbolizing one of the most feared evils of the European Middle Ages, plague, often understood as a punishment for the sins of mankind. This was the central panel of the altarpiece of the church of the Mother of God. National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC 3945.
  • Gothic altarpiece dedicated to St Vincent by Bernat Martorell circa 1483-1440 in Barcelona, tempera and gold lef on wood from the Parish church of St Vincent of menarguens, Noguera, Spain. At the top of the central panels of the altar tryptic, replacing the traditional Calvery scene, can be seen in the centre the Virgin of Mercy and kneeling to the left is Sant Benet de Bages, in black, and to the right St. Bernard of Clairvaux, patron saint of thr Benedictine and Cistercian orders . Below this is a depiction of St Vincent and either side are scenes of the Mardom of Vincent. Along the bottom are scenes from the Passion of Christ, with Judas in a yellow tunic kissing Christ and a furious Peter cutting off the ear of Malcus. National Museum of Catalan Art (MNAC), Barcelona, Spain, inv 15797. Against a white background.
  • Gothic altarpiece dedicated to St Vincent by Bernat Martorell circa 1483-1440 in Barcelona, tempera and gold lef on wood from the Parish church of St Vincent of menarguens, Noguera, Spain. At the top of the central panels of the altar tryptic, replacing the traditional Calvery scene, can be seen in the centre the Virgin of Mercy and kneeling to the left is Sant Benet de Bages, in black, and to the right St. Bernard of Clairvaux, patron saint of thr Benedictine and Cistercian orders . Below this is a depiction of St Vincent and either side are scenes of the Mardom of Vincent. Along the bottom are scenes from the Passion of Christ, with Judas in a yellow tunic kissing Christ and a furious Peter cutting off the ear of Malcus. National Museum of Catalan Art (MNAC), Barcelona, Spain, inv 15797. Against a black background.
  • Gothic altarpiece dedicated to St Vincent by Bernat Martorell circa 1483-1440 in Barcelona, tempera and gold lef on wood from the Parish church of St Vincent of menarguens, Noguera, Spain. At the top of the central panels of the altar tryptic, replacing the traditional Calvery scene, can be seen in the centre the Virgin of Mercy and kneeling to the left is Sant Benet de Bages, in black, and to the right St. Bernard of Clairvaux, patron saint of thr Benedictine and Cistercian orders . Below this is a depiction of St Vincent and either side are scenes of the Mardom of Vincent. Along the bottom are scenes from the Passion of Christ, with Judas in a yellow tunic kissing Christ and a furious Peter cutting off the ear of Malcus. National Museum of Catalan Art (MNAC), Barcelona, Spain, inv 15797
  • Gothic altarpiece dedicated to St Vincent by Bernat Martorell circa 1483-1440 in Barcelona, tempera and gold lef on wood from the Parish church of St Vincent of menarguens, Noguera, Spain. At the top of the central panels of the altar tryptic, replacing the traditional Calvery scene, can be seen in the centre the Virgin of Mercy and kneeling to the left is Sant Benet de Bages, in black, and to the right St. Bernard of Clairvaux, patron saint of thr Benedictine and Cistercian orders . Below this is a depiction of St Vincent and either side are scenes of the Mardom of Vincent. Along the bottom are scenes from the Passion of Christ, with Judas in a yellow tunic kissing Christ and a furious Peter cutting off the ear of Malcus. National Museum of Catalan Art (MNAC), Barcelona, Spain, inv 15797. Against a art background.
  • Gothic altarpiece dedicated to St Vincent by Bernat Martorell circa 1483-1440 in Barcelona, tempera and gold lef on wood from the Parish church of St Vincent of menarguens, Noguera, Spain. At the top of the central panels of the altar tryptic, replacing the traditional Calvery scene, can be seen in the centre the Virgin of Mercy and kneeling to the left is Sant Benet de Bages, in black, and to the right St. Bernard of Clairvaux, patron saint of thr Benedictine and Cistercian orders . Below this is a depiction of St Vincent and either side are scenes of the Mardom of Vincent. Along the bottom are scenes from the Passion of Christ, with Judas in a yellow tunic kissing Christ and a furious Peter cutting off the ear of Malcus. National Museum of Catalan Art (MNAC), Barcelona, Spain, inv 15797, Against a grey art background.
  • Gothic Altarpiece of the Madonna Nursing or Madonna Lactans, by Ramon de Mur, active around Tarrega and Montblanc circa 1412-1435, tempera and gold leaf on for wood, from the parish church of Santa Maria de Cervera (Segarra),  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  15818. Against a white background.
  • Gothic Altarpiece of the Madonna Nursing or Madonna Lactans, by Ramon de Mur, active around Tarrega and Montblanc circa 1412-1435, tempera and gold leaf on for wood, from the parish church of Santa Maria de Cervera (Segarra),  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  15818.
  • Gothic Altarpiece of the Madonna Nursing or Madonna Lactans, by Ramon de Mur, active around Tarrega and Montblanc circa 1412-1435, tempera and gold leaf on for wood, from the parish church of Santa Maria de Cervera (Segarra),  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  15818. Against a grey art background.
  • Gothic altarpiece of Madonna and Child by Niccolo di Tommaso, circa 1362-1367, tempera and gold leaf on wood.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  212809. Against a white background.
  • Gothic Altarpiece of the Madonna Nursing or Madonna Lactans, by Ramon de Mur, active around Tarrega and Montblanc circa 1412-1435, tempera and gold leaf on for wood, from the parish church of Santa Maria de Cervera (Segarra),  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  15818. Against a art background.
  • Gothic altarpiece of Madonna and Child by Niccolo di Tommaso, circa 1362-1367, tempera and gold leaf on wood.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  212809.
  • Gothic marble statue of Mary Magdelane (Magdelena) by Mestre de Pedralbes of Barcelona, 2nd half of 14th Century, from the cemetery of the cathedral of Barcelona.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  9797.
  • Gothic alabaster statue of Saint Anne and the Virgin Mary as a child from the Nottingham School England, 15th Century, from the cemetery of the vall de Bertizana, Nivarra.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  4353.
  • Gothic alabaster statue of Saint Anne and the Virgin Mary as a child from the Nottingham School England, 15th Century, from the cemetery of the vall de Bertizana, Nivarra.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  4353. Against a art background.
  • Gothic alabaster statue of Saint Anne and the Virgin Mary as a child from the Nottingham School England, 15th Century, from the cemetery of the vall de Bertizana, Nivarra.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  4353. Against a grey art background.
  • Gothic terracotta statue of the Archangel Gabriel attributed to Lorenzo Mercadante de Bretanya of Seville, circa 1460, from the convent of Santa Clara de Fregenal de la Sierra, Badajoz..  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  4367. Against a grey art background.
  • Gothic terracotta statue of the Archangel Gabriel attributed to Lorenzo Mercadante de Bretanya of Seville, circa 1460, from the convent of Santa Clara de Fregenal de la Sierra, Badajoz..  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  4367. Against a art background.
  • Gothic wooden statue of Madonna and Child from Bohemia, circa 1530-1540, tempera and gold leaf on wood,.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  65506. Against a white background.
  • Gothic wooden statue of Madonna and Child from Bohemia, circa 1530-1540, tempera and gold leaf on wood,.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  65506. Against a black background.
  • Gothic wooden statue of Sant Nicolau (Nicholas) from Gremany, circa 1500, tempera and gold leaf on wood, from the church of San Miguel de Medina del Campo, Valladolid..  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  65507.
  • Gothic wooden statue of Sant Nicolau (Nicholas) from Gremany, circa 1500, tempera and gold leaf on wood, from the church of San Miguel de Medina del Campo, Valladolid..  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  65507. Against a art background.
  • Gothic wooden statue of Madonna and Child by Seguidor de Diego de Siloe of Burgos, circa 1530-1540, tempera and gold leaf on wood, from the church of San Miguel de Medina del Campo, Valladolid..  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  131050. Against a white background.
  • Gothic wooden statue of Madonna and Child by Seguidor de Diego de Siloe of Burgos, circa 1530-1540, tempera and gold leaf on wood, from the church of San Miguel de Medina del Campo, Valladolid..  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  131050.
  • Gothic wooden statue of Sant Joan Evangelista (John the Evangelist) from Gremany, circa 1500, tempera and gold leaf on wood.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  64114. Against a black background.
  • Gothic wooden statue of Sant Joan Evangelista (John the Evangelist) from Gremany, circa 1500, tempera and gold leaf on wood.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  64114.
  • Gothic altarpiece of Saint Esteve (Stephen) & John the Baptist by Mestre de Bardalona, early 15th century, tempera and gold leaf on for wood from Santa Maria de Badalona.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC   15824. Against a grey textured background.
  • Gothic marble relief sculpture from the tomb of Ramon d'Urtx, died 1290, from the convent of Sant Domenee de Puigcerda, Cerdanya, Spain..  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  64011. Against a white background.
  • Gothic marble relief sculpture from the tomb of Ramon d'Urtx, died 1290, from the convent of Sant Domenee de Puigcerda, Cerdanya, Spain..  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  64011. Against a light grey background.
  • Gothic marble relief sculpture from the tomb of Ramon d'Urtx, died 1290, from the convent of Sant Domenee de Puigcerda, Cerdanya, Spain..  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  64011. Against a grey textured background.
  • Gothic marble relief sculpture from the tomb of Ramon d'Urtx, died 1290, from the convent of Sant Domenee de Puigcerda, Cerdanya, Spain..  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  64011.
  • Gothic Catalan marble relief sculpture from the tomb of Margarida Cadell, died 1308, from the convent of Sant Domenee de Puigcerda, Cerdanya, Spain.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  4366. Against a white background.
  • Gothic Catalan marble relief sculpture from the tomb of Margarida Cadell, died 1308, from the convent of Sant Domenee de Puigcerda, Cerdanya, Spain.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  4366.
  • Gothic alabaster relief sculpture of two profits by Pere Oller, circa 1415, from the convent del Carme, Girona, Spain..  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC 214163. Against a white background.
  • Gothic alabaster relief sculpture of two profits by Pere Oller, circa 1415, from the convent del Carme, Girona, Spain..  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC 214163. Against a grey textured background.
  • Gothic alabaster relief sculpture of two profits by Pere Oller, circa 1415, from the convent del Carme, Girona, Spain..  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC 214163. Against a light grey background.
  • Gothic altarpiece depicting left to right - the Archangel Gabriel, the martyrdom of Santa Eulalia and St Caterina, by Bernat Martorell, circa 1442-1445, Temperal and gold leaf on wood.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  1442. Against a black background.
  • Gothic altarpiece depicting left to right - the Archangel Gabriel, the martyrdom of Santa Eulalia and St Caterina, by Bernat Martorell, circa 1442-1445, Temperal and gold leaf on wood.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  1442. Against a light grey background.
  • Gothic altarpiece depicting left to right - the Archangel Gabriel, the martyrdom of Santa Eulalia and St Caterina, by Bernat Martorell, circa 1442-1445, Temperal and gold leaf on wood.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  1442. Against a grey textured background.
  • Gothic Panel from the tomb of the Knight Sancho Sanchez Carillo . Polychrome and gold leaf on wood by the Circle of Gil de Siloe around 1500, probably from Castella. Inv MNAC 64028. National Museum of Catalan Art (MNAC), Barcelona, Spain. Against a white background.
  • Gothic Panel from the tomb of the Knight Sancho Sanchez Carillo . Polychrome and gold leaf on wood by the Circle of Gil de Siloe around 1500, probably from Castella. Inv MNAC 64028. National Museum of Catalan Art (MNAC), Barcelona, Spain. Against a grey textured background.
  • Gothic Catalan altarpiece of, left to right, the martydom of St Bartholomew, Calvaty and the deat of St Mary Magdelene, by Jaume Huguet, Barcelona circa 11465-1480, tempera and gold leaf on for wood, from the church of San Marti de Petegas de san Seloni, Valle Oriental, Spain.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC   24365. Against a white background.
  • Gothic Catalan altarpiece of, left to right, the martydom of St Bartholomew, Calvaty and the deat of St Mary Magdelene, by Jaume Huguet, Barcelona circa 11465-1480, tempera and gold leaf on for wood, from the church of San Marti de Petegas de san Seloni, Valle Oriental, Spain.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC   24365. Against a light grey background.
  • Gothic Catalan altarpiece of, left to right, the martydom of St Bartholomew, Calvaty and the deat of St Mary Magdelene, by Jaume Huguet, Barcelona circa 11465-1480, tempera and gold leaf on for wood, from the church of San Marti de Petegas de san Seloni, Valle Oriental, Spain.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC   24365.
  • Gothic box made from poplar wood with stucco reliefs, gold leaf gold decorations and traces of polychrome iron and brass 2nd quarter 15th century, possibly from Barcelona, Catalunya, Spain. National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC 12120. Against a white background.
  • Gothic box made from poplar wood with stucco reliefs, gold leaf gold decorations and traces of polychrome iron and brass 2nd quarter 15th century, possibly from Barcelona, Catalunya, Spain. National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC 12120. Against a black background.
  • Gothic box made from poplar wood with stucco reliefs, gold leaf gold decorations and traces of polychrome iron and brass 2nd quarter 15th century, possibly from Barcelona, Catalunya, Spain. National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC 12120. Against a light grey background.
  • Gothic box made from poplar wood with stucco reliefs, gold leaf gold decorations and traces of polychrome iron and brass 2nd quarter 15th century, possibly from Barcelona, Catalunya, Spain. National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC 12120. Against a grey textured background.
  • Gothic box made from poplar wood with stucco reliefs, gold leaf gold decorations and traces of polychrome iron and brass 2nd quarter 15th century, possibly from Barcelona, Catalunya, Spain. National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC 12120.
  • Gothic embossed Brass on wood box, circa 1370-1450, possibly made in Barcelona, Catalunya. National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC 5361. Against a white background.
  • Gothic embossed Brass on wood box, circa 1370-1450, possibly made in Barcelona, Catalunya. National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC 5361.
  • Gothic embossed Brass on wood box, circa 1370-1450, possibly made in Barcelona, Catalunya. National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC 5361. Against a black background.
  • Gothic embossed Brass on wood box, circa 1370-1450, possibly made in Barcelona, Catalunya. National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC 5361.
  • Gothic embossed Brass on wood box, circa 1370-1450, possibly made in Barcelona, Catalunya. National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC 5361. Against a light grey background.
  • Gothic Altarpiece of Madonna and Child by Giovanni de Bologna, circa 1380-1389, tempera and gold leaf on wood.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  212802.
  • Gothic Altarpiece of Madonna and Child enthroned with angels byPero di Giovanni known as "Lorenzo Monaco" of Sienna and Florence, circa 1415-1420, tempera and gold leaf on wood. National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC 212808.<br />
<br />
The Virgin Mary is seated with the child standing on her lap, in an attitude of blessing, accompanied by angels with incentives. The composition is very simple and fuses Sienese and Florentine pictorial traditions in the style of Lorenzo Monaco, monk of the convent of Santa Maria degli Angeli in Florence and the last representative of the style of Giotto before the Renaissance revival of Fra Angelico.
  • Gothic Catalan painted panel of the Banquet of Herod (Banquet d'Herodes) by Pere Garcia de Benvarri of Barcelona, Circa 1470, tempera and gold leaf on wood, from the church of Sant Joan (John) del Mercat de Lleida, Spain, National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  64060. <br />
<br />
Pere Garcia, one of the most outstanding representatives of the Aragonese school of influence of flamenco, works for several Aragonese and Catalan centres. From the church of Sant Joan del Mercat in Lleida there are some tables of the old high altarpiece, a large piece of furniture dedicated to Bautista, partially preserved and one of the narrative chambers, the Banquet of Herod. This scene, in which Salome presents the head of St. John to Herod. <br />
<br />
The styling of the scene allows us to imagine how a festive banquet took place in a noble Catalan house in the second half of the fifteenth century.<br />
<br />
SPANISH<br />
<br />
Pere Garcia, uno de los representantes mas destacados de la escuela gotica aragonesa de influence flamenca, trabajo para varios centros aragoneses y catalanes. De la iglesia de Sant Joan del Mercat de Lleida proviennen algunas tablas del antiguo retablo mayor, un mueble de grandes dimensiones dedicado a Bautista, conservado parcialmente y del que se expone uno de los compartientos narrativos, el Banquet de Herodes. Esta escena, en la que Salome presenta la cabeza de san juan a Herodidias y Herodes, permite imaginar como transcurria un banquete festivo en una casa noble en la esgunda mitad del siglo XV
  • Gothic Altarpiece of the Archangel Gabriel by Jaume Huguet of  Bardalona, circa 1455-1460, tempera and gold leaf on for wood from Santa Maria del Pi, Barcelona.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  37761-2-3-4-5.
  • Gothic Altarpiece of Madonna and Child and the Saints  by Jaume Huguet of  Bardalona, circa 1455-1460, tempera and gold leaf on for wood from Santa Maria del Pi, Barcelona.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  37761-2-3-4-5.
  • Gothic Altarpiece depicting the Last Supper (Sant Sopar) by Jaume Huguet, circa 1463 - 1475, Tempera and gold leaf on wood, from the convent of Sant Augusti Vell, Barcelona.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  40412.
  • Gothic Catalan Altarpiece of Madonna and Child by Jaume Huguet, circa 1450, tempera and gold leaf on wood, from the parish church of Vallmoll, Alt Camp.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  64066.
  • Gothic Catalan Altarpiece depicting the Archangel Gabriel by Bernat Martorell, circa 1442-1445, Tempera and gold leaf on wood.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  1442.
  • Gothic Altarpiece of the Annunciation by Archangel Gabriel , circa 1450, tempera and gold leaf on for wood.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC   114748.
  • Gothic Altarpiece of St Sebastia (Sebastian) , by Joan Mates of Villafranca de Penedes, circa 1417-1425, from the refrectory of Pia Almoina, Barcelona, Tempera and gold leaf on wood.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  32340. Joan Mates was a Spanish painter of the International Gothic style.
  • Gothic Altarpiece of Saint Barbara, 3rd quarter of the 15th century, tempera and gold leaf on for wood.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC   114746-7.
  • Gothic Altarpiece of Madonna and child, by Pietro da Pisa from liguria, circa 1401-1423, tempera and gold leaf on for wood.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC 67192.
  • Gothic Altarpiece of  St Anthony the Abbot, from the workshop of Llorenc Saragossa, last quarter of the 14th century, from Xelva, Valencia, tempera and gold leaf on for wood.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC 64027.
  • Gothic painted Panel Altarpiece of Saint Stephen by  Jaume Serra. Tempera, gold leaf and metal plate on wood. Circa 1385. Dimensions 185.7 x 186.5 x 11 cm. From the monastery of Santa Maria de Gualter (Noguera).. National Museum of Catalan Art, Barcelona, Spain, inv no: 003947-CJT
  • Gothic painted Panel Altarpiece of Saint Stephen by  Jaume Serra. Tempera, gold leaf and metal plate on wood. Circa 1385. Dimesions 185.7 x 186.5 x 11 cm. From the monastery of Santa Maria de Gualter (Noguera).. National Museum of Catalan Art, Barcelona, Spain, inv no: 003947-CJT
  • Gothic altarpiece dedicated to St Vincent by Bernat Martorell circa 1483-1440 in Barcelona, tempera and gold leaf on wood from the Parish church of St Vincent of menarguens, Noguera, Spain. At the top of the central panels of the altar tryptic, replacing the traditional Calvary scene, can be seen in the centre the Virgin of Mercy and kneeling to the left is Sant Benet de Bages, in black, and to the right St. Bernard of Clairvaux, patron saint of thr Benedictine and Cistercian orders . Below this is a depiction of St Vincent and either side are scenes of the Mardom of Vincent. Along the bottom are scenes from the Passion of Christ, with Judas in a yellow tunic kissing Christ and a furious Peter cutting off the ear of Malcus. National Museum of Catalan Art (MNAC), Barcelona, Spain, inv 15797
  • Gothic Altarpiece of the Madonna Nursing or Madonna Lactans, by Ramon de Mur, active around Tarrega and Montblanc circa 1412-1435, tempera and gold leaf on for wood, from the parish church of Santa Maria de Cervera (Segarra),  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  15818.
  • Gothic Altarpiece of the Madonna and Child nursing or Madonna Lactans, with St Clara and St Anthony the Abbot from the workshop of Llorenc, Saragossa,  last quarter of the 14th century, tempera and gold leaf on for wood, from Xelva (Valencia),  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  64027.
  • Gothic fresco mural painting "THE CONQUEST OF MAJORCA" 1285-1290. National Museum of Catalan Art, Barcelona, Spain, inv no: 071447-CJT. <br />
The mural paintings of the Conquest of Majorca come from the former ancestral home of the Caldes family in Carrer Montcada in Barcelona, a building later known as Palau Aguilar. Discovered and removed in 1961, these paintings are one of the most important examples of early or Linear Gothic Catalan painting. This magnificent example of painting on historical subject matter narrates the conquest of the island of Majorca by James I the Conqueror in 1229. Like a painted chronicle, the episodes follow the detailed narrative of Catalan medieval accounts such as King James I's 'Llibre dels Feits' and Bernat Desclot's 'Crònica'.
  • Gothic fresco mural painting "THE CONQUEST OF MAJORCA" 1285-1290. National Museum of Catalan Art, Barcelona, Spain, inv no: 071447-CJT. <br />
The mural paintings of the Conquest of Majorca come from the former ancestral home of the Caldes family in Carrer Montcada in Barcelona, a building later known as Palau Aguilar. Discovered and removed in 1961, these paintings are one of the most important examples of early or Linear Gothic Catalan painting. This magnificent example of painting on historical subject matter narrates the conquest of the island of Majorca by James I the Conqueror in 1229. Like a painted chronicle, the episodes follow the detailed narrative of Catalan medieval accounts such as King James I's 'Llibre dels Feits' and Bernat Desclot's 'Crònica'.
  • Gothic fresco mural painting "THE CONQUEST OF MAJORCA" 1285-1290. National Museum of Catalan Art, Barcelona, Spain, inv no: 071447-CJT. <br />
The mural paintings of the Conquest of Majorca come from the former ancestral home of the Caldes family in Carrer Montcada in Barcelona, a building later known as Palau Aguilar. Discovered and removed in 1961, these paintings are one of the most important examples of early or Linear Gothic Catalan painting. This magnificent example of painting on historical subject matter narrates the conquest of the island of Majorca by James I the Conqueror in 1229. Like a painted chronicle, the episodes follow the detailed narrative of Catalan medieval accounts such as King James I's 'Llibre dels Feits' and Bernat Desclot's 'Crònica'.
  • Gothic decorative painted beam panels with doves, hares and a carved syalise tree, Tempera on wood. National Museum of Catalan Art (MNAC), Barcelona, Spain
  • Gothic altar panel depicting St Michael sleighing the dragon. End of the 13th century, tempera on a spruce wooden panel  from  The Church of Sant Miguel de Soriguerola, Cerdanya, Huesca, Spain. Inv MNAC 43901. National Museum of Catalan Art (MNAC), Barcelona, Spain
  • Gothic altar panel depicting scenes of hell with the damned in a colder being heated by the devil. End of the 13th century, tempera on a spruce wooden panel  from  The Church of Sant Miguel de Soriguerola, Cerdanya, Huesca, Spain. Inv MNAC 43901. National Museum of Catalan Art (MNAC), Barcelona, Spain
  • Gothic panel depicting scenes from the Life of St Nicholas. End of the 13th century, fresco transferred to canvas from a mural on the north wall of  The Church of San Fructuoso, Nicholas and John the Evangelist, Huesca, Spain. Inv MNAC 45796. National Museum of Catalan Art (MNAC), Barcelona, Spain
  • Gothic panel depicting scenes from the Life of St Nicholas. End of the 13th century, fresco transferred to canvas from a mural on the north wall of  The Church of San Fructuoso, Nicholas and John the Evangelist, Huesca, Spain. Inv MNAC 45796. National Museum of Catalan Art (MNAC), Barcelona, Spain
  • Gothic panel depicting scenes from the Life of St Nicholas. End of the 13th century, fresco transferred to canvas from a mural on the north wall of  The Church of San Fructuoso, Nicholas and John the Evangelist, Huesca, Spain. Inv MNAC 45796. National Museum of Catalan Art (MNAC), Barcelona, Spain
  • Gothic panel depicting scenes from the Life of St Nicholas. End of the 13th century, fresco transferred to canvas from a mural on the north wall of  The Church of San Fructuoso, Nicholas and John the Evangelist, Huesca, Spain. Inv MNAC 45796. National Museum of Catalan Art (MNAC), Barcelona, Spain
  • Gothic panel depicting scenes from the Life of St Nicholas. End of the 13th century, fresco transferred to canvas from a mural on the north wall of  The Church of San Fructuoso, Nicholas and John the Evangelist, Huesca, Spain. Inv MNAC 45796. National Museum of Catalan Art (MNAC), Barcelona, Spain
  • Gothic decorative relief panel depicting the Virgin Mary and Saint Antony. circa 1378-1390 from the church of Salvador of Gerb, Noguera. inv MNAC 25071, National Museum of Catalan Art (MNAC), Barcelona, Spain
  • Gothic statue of The Virgin Mary (Madonna) holding the baby Jesus. Polychrome and gold leaf on wood by the Circle of Gil de Siloe around 1500, probably from Castella. Inv MNAC 64028. National Museum of Catalan Art (MNAC), Barcelona, Spain
  • Gothic statue of The Virgin Mary (Madonna) holding the baby Jesus. Polychrome and gold leaf on wood by the Circle of Gil de Siloe around 1500, probably from Castella. Inv MNAC 64028. National Museum of Catalan Art (MNAC), Barcelona, Spain
  • Painted Gothic panels from the Altarpiece of the Virgin of the Angels.<br />
From Left - San John the Baptist, Santa Mary Magdele, St. James the Less, St. Paul.Tempera and gold leaf on wood, circa 1385 by by Pere Serra  from the Cathedral of Tortosa (Tarragona). Inv MNAC 3950, 3948, 3949. National Museum of Catalan Art (MNAC), Barcelona, Spain
  • Painted Gothic panels from the Altarpiece of the Virgin of the Angels.<br />
From Left - San John the Baptist, Santa Mary Magdele, St. James the Less, St. Paul.Tempera and gold leaf on wood, circa 1385 by by Pere Serra  from the Cathedral of Tortosa (Tarragona). Inv MNAC 3950, 3948, 3949. National Museum of Catalan Art (MNAC), Barcelona, Spain
  • Painted Gothic panels from the Altarpiece of the Virgin of the Angels.<br />
From Left - San Peter, Santa Clara, Saint James the Greater, St. John the Evangelist. Tempera and gold leaf on wood, circa 1385 by by Pere Serra  from the Cathedral of Tortosa (Tarragona). Inv MNAC 3950, 3948, 3949. National Museum of Catalan Art (MNAC), Barcelona, Spain
  • Painted Gothic panels from the Altarpiece of the Virgin of the Angels.<br />
From Left - San Peter, Santa Clara, Saint James the Greater, St. John the Evangelist. Tempera and gold leaf on wood, circa 1385 by by Pere Serra  from the Cathedral of Tortosa (Tarragona). Inv MNAC 3950, 3948, 3949. National Museum of Catalan Art (MNAC), Barcelona, Spain
  • A Gothic stone carving of St. Andrew Bishop bring tempted by the devil. Second half of the fourteenth century by Bartomeu de Robio.From the church of Santa Maria de Castello Farfanya (Noguera). Inv MNAC 122485. National Museum of Catalan Art (MNAC), Barcelona, Spain
  • Late 13th or 14th century Gothic Bas-relief depicting the miracle performed by St Michael at Mont St Michael. limestone with traces of polcrome from the Church of San Miguel de Canet lo Roig (Castello), by the Master of Sant Mateu. Inv MNAC 45846-45845. National Museum of Catalan Art (MNAC), Barcelona, Spain
  • Late 13th or 14th century Gothic Bas-relief depicting the miracle performed by St Michael at Mont St Michael. limestone with traces of polcrome from the Church of San Miguel de Canet lo Roig (Castello), by the Master of Sant Mateu. Inv MNAC 45846-45845. National Museum of Catalan Art (MNAC), Barcelona, Spain
  • Late 13th or 14th century Gothic Bas-relief depicting the miracle performed by St Michael at Mont St Michael. limestone with traces of polcrome from the Church of San Miguel de Canet lo Roig (Castello), by the Master of Sant Mateu. Inv MNAC 45846-45845. National Museum of Catalan Art (MNAC), Barcelona, Spain
  • Close up of a Gothic painted Panel of the life of Saint Dominic, anonymous artist from Aragon. Tempera and varnished metal plate on wood. First quarter of 14th century. 134 x 193 x 8.3 cm. From the church of Sant Miquel de Tamarit de Llitera (Huesca). National Museum of Catalan Art, inv no: 015825-000
  • Gothic painted bas-relief of the Nativity by Master of Albesa, Active in Lleida. Polychrome and gilded limestone bas-relief. Second half of 14th century. Dimesions 57 x 69 x 11 cm.Compartment of a sculptural altarpiece devoted to the Virgin. From the crypt of the collegiate church of Sant Pere d'Àger (Noguera). National Museum of Catalan Art, Barcelona, Spain, inv no: 017342-000
  • Gothic painted bas-relief of the Nativity by Master of Albesa, Active in Lleida. Polychrome and gilded limestone bas-relief. Second half of 14th century. Dimesions 57 x 69 x 11 cm.Compartment of a sculptural altarpiece devoted to the Virgin. From the crypt of the collegiate church of Sant Pere d'Àger (Noguera). National Museum of Catalan Art, Barcelona, Spain, inv no: 017342-000
  • Limoges Gothic goblet or cup from Cerdanya, circa 1195-1200. Copper engraved with an application of Champlevé enamelling. From a church in Cerdanya, Pyrenese, Spain. Inv MNAC 12106. National Museum of Catalan Art (MNAC), Barcelona, Spain
  • Limoges Gothic Christian thurible or incense burner, 13th century. Copper engraved with an application of Champlevé enamelling. Origin Unknown. Inv MNAC 4550. National Museum of Catalan Art (MNAC), Barcelona, Spain
  • Limoges Gothic Christian thurible or incense burner, 13th century. Copper engraved with an application of Champlevé enamelling. Origin Unknown. Inv MNAC 4550. National Museum of Catalan Art (MNAC), Barcelona, Spain
  • Limoges Gothic Christian thurible or incense burner, 13th century. Copper engraved with an application of Champlevé enamelling. Origin Unknown. Inv MNAC 4550. National Museum of Catalan Art (MNAC), Barcelona, Spain
  • Limoges Gothic chest with scenes from the Crucifixtion, circa 1210-1220. Copper engraved with an application of Champlevé enamelling. Origin Unknown. Inv MNAC 4573. National Museum of Catalan Art (MNAC), Barcelona, Spain
  • Limoges figure of Christ from a Gothic Crucifix, circa 1200-1220. Copper engraving embossing, laced with an application of Champlevé enamelling and glass beads. Origin Unknow. Inv MNAC 4100. National Museum of Catalan Art (MNAC), Barcelona, Spain
  • Limoges figure of Christ from a Gothic Crucifix, circa 1200-1220. Copper engraving embossing, laced with an application of Champlevé enamelling and glass beads. Origin Unknow. Inv MNAC 4100. National Museum of Catalan Art (MNAC), Barcelona, Spain
  • Gothic chest decorated with the Slaughter of the Innocents from Limoges Circa 1210-1220. Engraved copper with inlaid enamel  enamel champlevé and glass on wooden core. National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC 65529
  • Gothic chest decorated with the Slaughter of the Innocents from Limoges Circa 1210-1220. Engraved copper with inlaid enamel  enamel champlevé and glass on wooden core. National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC 65529
  • Gothic chest decorated with the Slaughter of the Innocents from Limoges Circa 1210-1220. Engraved copper with inlaid enamel  enamel champlevé and glass on wooden core. National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC 65529
  • Gothic chest decorated with the Resurection of Christ from Limoges Circa 1220. Engraved copper with inlaid enamel  enamel champlevé and glass on wooden core. National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC 65530
  • Gothic chest decorated with the Resurection of Christ from Limoges Circa 1220. Engraved copper with inlaid enamel  enamel champlevé and glass on wooden core. National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC 65530
  • Gothic chest decorated with the Resurection of Christ from Limoges Circa 1220. Engraved copper with inlaid enamel  enamel champlevé and glass on wooden core. National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC 65530
  • Gothic cast bronze statue of Christ. Date circa 1180 probably comes from Cerdanya.  National Museum of Catalan Art, Barcelona, Spain inv no: MNAC 4553
  • Gothic cast bronze statue of Christ. Date circa 1180 probably comes from Cerdanya.  National Museum of Catalan Art, Barcelona, Spain inv no: MNAC 4553
  • Gothic statue of the Virgin Mary and Child. Polychrome and gold leaf on alabaster. Date - Second half of the 14th century. National Museum of Catalan Art, Barcelona, Spain inv no: 9874
  • Gothic statue of the Virgin Mary and Child. Polychrome and gold leaf on alabaster. Date - Second half of the 14th century. National Museum of Catalan Art, Barcelona, Spain inv no: 9874
  • Gothic wood statue of the Virgin Mary and Child. Polychrome wood carving with varnished metal-plating. Date - First quarter of the 13th century. National Museum of Catalan Art, Barcelona, Spain inv no: 3924
  • Gothic painted bas-relief of Life of St Peter by Joan Gasco. Polycchrome and gold leaf on wood. Date Circa 1516.  From the church of Santa Maria of Palautordera (Valles Oriental). National Museum of Catalan Art, Barcelona, Spain, inv no: 015934-000
  • Gothic painted wood panels with scenes of the Martyrdom of Saint Lucy<br />
Circa 1300. Tempera on wood. Date Circa 1300. Dimensions 68.3 x 25.3 x 1 cm. From the parish church of Santa Llúcia de Mur (Guàrdia de Noguera, Pallars Jussà). National Museum of Catalan Art, Barcelona, Spain, inv no: 035703-CJT
  • Gothic painted wood panels with scenes of the Martyrdom of Saint Lucy<br />
Circa 1300. Tempera on wood. Date Circa 1300. Dimensions 66 x 25.8 x 2 cm. From the parish church of Santa Llúcia de Mur (Guàrdia de Noguera, Pallars Jussà). National Museum of Catalan Art, Barcelona, Spain, inv no: 035703-CJT
  • Gothic painted Panel Virgin of the "Consellers" by Lluis Dalmau. Tempera and gold leaf on wood. Date 1443-1445. Dimesions 316 x 312.5 x 32.5 cm. From the altar of the chapel of Barcelona City Hall. <br />
The prestige attached to Burgundian courtly culture and the painter Jan van Eyck explain why in 1431 King Alfons the Magnanimous sent his official painter, the Valencian Lluís Dalmau, to Flanders, to learn the new realist language at first hand. In 1443, Dalmau was commissioned to paint this altarpiece for the chapel of the City Hall. This work was a breakthrough in Catalonia on account of the format, the technique used, as it was painted in oil, and the skilful illusionism of a figurative space in which that year's five councillors, painted from life, are represented on the same scale as the Virgin and the Saints. National Museum of Catalan Art, Barcelona, Spain, inv no: 015938-000
  • Gothic painted Panel Virgin of the "Consellers" by Lluis Dalmau. Tempera and gold leaf on wood. Date 1443-1445. Dimesions 316 x 312.5 x 32.5 cm. From the altar of the chapel of Barcelona City Hall. <br />
The prestige attached to Burgundian courtly culture and the painter Jan van Eyck explain why in 1431 King Alfons the Magnanimous sent his official painter, the Valencian Lluís Dalmau, to Flanders, to learn the new realist language at first hand. In 1443, Dalmau was commissioned to paint this altarpiece for the chapel of the City Hall. This work was a breakthrough in Catalonia on account of the format, the technique used, as it was painted in oil, and the skilful illusionism of a figurative space in which that year's five councillors, painted from life, are represented on the same scale as the Virgin and the Saints. National Museum of Catalan Art, Barcelona, Spain, inv no: 015938-000
  • Gothic painted Panel Altarpiece of Saint Barbara by Goncal Peris Sarria. Tempera and gold leaf on wood. Date Circa 1410-1425. Dimesions 278 x 207.7 x 17 cm. At the beginning of the 20th century, the altarpiece was kept in the parish church of Puertomingalvo (Teruel), but it could originally have come from the chapel of Santa Bárbara near this town. This altarpiece is attributed to the painter Gonçal Peris Sarrià, one of the chief representatives of Valencian International Gothic. His style is marked by expressive and picturesque elements, the flowing line and the charm of the colour. The main compartment of the altarpiece represents the titular saint with her distinctive attributes –the tower, in allusion to her imprisonment, and the palm, as she is considered a martyr-- and above her the Calvary. On either side are depicted various episodes from the life of Saint Barbara, who was called on to keep away lightning and storms. . National Museum of Catalan Art, Barcelona, Spain, inv no: 035672-CJT
  • Gothic painted Panel Altarpiece of the Virgin Suckling the Child, Saint Clare and Saint Anthony the Abbott by the Workshop of Llorenc Saragossa. Tempera and gold leaf on wood. Date Last quarter of 14th century. Dimesions 207 x 187.5 x 10 cm. From Xelva (Valencia). National Museum of Catalan Art, Barcelona, Spain, inv no: 064027-CJT
  • Gothic painted Panel Altarpiece of the Virgin Suckling the Child, Saint Clare and Saint Anthony the Abbott by the Workshop of Llorenc Saragossa. Tempera and gold leaf on wood. Date Last quarter of 14th century. Dimesions 207 x 187.5 x 10 cm. From Xelva (Valencia). National Museum of Catalan Art, Barcelona, Spain, inv no: 064027-CJT
  • Gothic painted bas-relief of the Presentation of Jesus at the Templeby Master of Albesa, Active in Lleida. Polychrome and gilded limestone bas-relief. Second half of 14th century. Dimesions 57 x 69 x 11 cm. Compartment of a sculptural altarpiece devoted to the Virgin. From the crypt of the collegiate church of Sant Pere d'Àger (Noguera). National Museum of Catalan Art, Barcelona, Spain, inv no: 017343-000
  • Gothic painted bas-relief of the Presentation of Jesus at the Templeby Master of Albesa, Active in Lleida. Polychrome and gilded limestone bas-relief. Second half of 14th century. Dimesions 57 x 69 x 11 cm. Compartment of a sculptural altarpiece devoted to the Virgin. From the crypt of the collegiate church of Sant Pere d'Àger (Noguera). National Museum of Catalan Art, Barcelona, Spain, inv no: 017343-000
  • Gothic painted bas-relief of the Nativity by Master of Albesa, Active in Lleida. Polychrome and gilded limestone bas-relief. Second half of 14th century. Dimesions 57 x 69 x 11 cm.Compartment of a sculptural altarpiece devoted to the Virgin. From the crypt of the collegiate church of Sant Pere d'Àger (Noguera). National Museum of Catalan Art, Barcelona, Spain, inv no: 017342-000
  • Gothic wood statue of Virgin and Child by tan anontmous Catalan Artist. Carved alabaster with remains of polychrome and gold leaf. Date Second half of 14th century. Dimensions 117.5 x 38.6 x 28.4 cm.  Probably comes from Sanaüja (Segarra). National Museum of Catalan Art, Barcelona, Spain inv no: 004359-000
  • Gothic painted Panel Virgin of the Angels by  Enrique de Estencop. Tempera, stucco reliefs and gold leaf on wood. 1391-1392. Dimensions 142.2 x 99 x 8 cm.  National Museum of Catalan Art, Barcelona, Spain, inv no: 064025-000
  • Gothic painted Panel Virgin of the Angels by  Enrique de Estencop. Tempera, stucco reliefs and gold leaf on wood. 1391-1392. Dimensions 142.2 x 99 x 8 cm.  National Museum of Catalan Art, Barcelona, Spain, inv no: 064025-000
  • Gothic painted Panel Virgin of the Angels by  Enrique de Estencop. Tempera, stucco reliefs and gold leaf on wood. 1391-1392. Dimensions 142.2 x 99 x 8 cm.  National Museum of Catalan Art, Barcelona, Spain, inv no: 064025-000
  • Gothic painted Panel Altarpiece of Saint Stephen by  Jaume Serra. Tempera, gold leaf and metal plate on wood. Circa 1385. Dimesions 185.7 x 186.5 x 11 cm. From the monastery of Santa Maria de Gualter (Noguera).. National Museum of Catalan Art, Barcelona, Spain, inv no: 003947-CJT
  • Gothic painted Panel Altarpiece of Saint Anthony the Abbot by Master of Rubio. Tempera and gold leaf on wood. Circa 1360-1375. Dimensions 173.5 x 176.3 x 11.5 cm.  National Museum of Catalan Art, Barcelona, Spain, inv no: 045854-CJT
  • Gothic painted Panel Altarpiece of Saint Anthony the Abbot by Master of Rubio. Tempera and gold leaf on wood. Circa 1360-1375. Dimensions 173.5 x 176.3 x 11.5 cm.  National Museum of Catalan Art, Barcelona, Spain, inv no: 045854-CJT
  • Gothic painted Panel Virgin of the Angels by Pere Serra. Tempera and gold leaf on wood. Circa 1385. 195.8 x 131 x 11 cm. Comes from Tortosa cathedral (Baix Ebre). <br />
This splendid central panel and the two sections of the predella with saints (which must once have flanked a tabernacle) are all that remains of an altarpiece. It was dedicated to the Virgin Mary and was painted for one of the chapels in the ambulatory of Tortosa cathedral, probably towards the 1380s. The compartment with the Virgin and Child surrounded by angels playing music is a very graceful and refined version of an iconographic type that was extremely popular at the time. Pere Serra, author of the altarpiece, came from a family of painters who grew to head the Catalan painting of the second half of the fourteenth century. National Museum of Catalan Art, Barcelona, Spain, inv no: 003950-000
  • Gothic painted Panel Altarpiece of Saint Anthony the Abbot by Master of Rubio. Tempera and gold leaf on wood. Circa 1360-1375. Dimensions 173.5 x 176.3 x 11.5 cm.  National Museum of Catalan Art, Barcelona, Spain, inv no: 045854-CJT
  • Gothic painted Panel Virgin of the Angels by Pere Serra. Tempera and gold leaf on wood. Circa 1385. 195.8 x 131 x 11 cm. Comes from Tortosa cathedral (Baix Ebre). <br />
This splendid central panel and the two sections of the predella with saints (which must once have flanked a tabernacle) are all that remains of an altarpiece. It was dedicated to the Virgin Mary and was painted for one of the chapels in the ambulatory of Tortosa cathedral, probably towards the 1380s. The compartment with the Virgin and Child surrounded by angels playing music is a very graceful and refined version of an iconographic type that was extremely popular at the time. Pere Serra, author of the altarpiece, came from a family of painters who grew to head the Catalan painting of the second half of the fourteenth century. National Museum of Catalan Art, Barcelona, Spain, inv no: 003950-000
  • Gothic painted Panel Altarpiece of Saint Vincent by  Master of Estopanya. Tempera and gold leaf on wood. Circa 1350-1370. 199 x 255 x 10 cm. Comes from Estopanyà (Baixa Ribagorça, Huesca).. National Museum of Catalan Art, Barcelona, Spain, inv no: 003940-CJT
  • Gothic painted Panel Altarpiece of the Annunciation and Three Kings of the Epiphany by the Circle of Ferrer and Arnau Bassa. Tempera and gold leaf on wood. Circa 1347-1360. 282.9 x 151 x 11 cm. The origin of this panel has traditionally been associated with the collegiate church of Sant Vicenç de Cardona (Bages). National Museum of Catalan Art, Barcelona, Spain, inv no: 015855-000
  • Gothic painted Panel Altarpiece of the Saints John by  Master of Santa Coloma de Queralt. Tempera and gold leaf on wood. Circa 1356. 220.5 x 209.8 x 11.5 cm. From the church of Sant Miquel de Tamarit de Llitera (Huesca). National Museum of Catalan Art, Barcelona, Spain, inv no: 004351-CJT
  • Gothic wood statue of the Head of Christ by  Jaume Cascalls. Carved alabaster with polychrome and gilt remains.  This head must have belonged to a Recumbent Christ which could have formed part of a sculptural group of the Holy Sepulchre. It probably came from the chapel of Corpus Christi of the convent of Sant Agustí Vell, Barcelona.<br />
Jaume Cascalls is one of the most important sculptors of the fourteenth century in Catalonia. This is borne out by his involvement over almost thirty years with the project of the royal pantheon in Poblet for King Peter the Ceremonious and with other large undertakings of the time. Today, on stylistic grounds, he is credited with this 'Head of Christ', which must have formed part of a sculptural group of the Holy Sepulchre, presumably from the church of the convent of Sant Agustí Vell in Barcelona. The break in the neck suggests it belonged to a full-length recumbent Christ, like the one kept at Sant Feliu in Girona and also attributed to Cascalls. National Museum of Catalan Art, inv no: 034879-000
  • Gothic wood statue of the Head of Christ by  Jaume Cascalls. Carved alabaster with polychrome and gilt remains.  This head must have belonged to a Recumbent Christ which could have formed part of a sculptural group of the Holy Sepulchre. It probably came from the chapel of Corpus Christi of the convent of Sant Agustí Vell, Barcelona.<br />
Jaume Cascalls is one of the most important sculptors of the fourteenth century in Catalonia. This is borne out by his involvement over almost thirty years with the project of the royal pantheon in Poblet for King Peter the Ceremonious and with other large undertakings of the time. Today, on stylistic grounds, he is credited with this 'Head of Christ', which must have formed part of a sculptural group of the Holy Sepulchre, presumably from the church of the convent of Sant Agustí Vell in Barcelona. The break in the neck suggests it belonged to a full-length recumbent Christ, like the one kept at Sant Feliu in Girona and also attributed to Cascalls. National Museum of Catalan Art, inv no: 034879-000
  • Gothic painted Altarpiece of the Corpus Christi by Master of Vallbona de les Monges possibly Guillem Seguer. Tempera, stucco reliefs, gold leaf and varnished metal plate on wood. Circa 1335-1345. 108.8 x 222 x 8.7 cm. From the chapel of Corpus Christi in the church of the monastery of Santa Maria de Vallbona de les Monges (Urgell).  National Museum of Catalan Art, inv no: 009920-000
  • Gothic statue of the Virgin Mary and child by an anonymous Catalan artist. Carved alabaster with remains of polychrome and gold leaf. Circa 1330-1340. 112 x 42.5 x 22.7 cm. From the parish church of Navata (Alt Empordà).. National Museum of Catalan Art, inv no: 004356-000
  • Gothic painted Altarpiece of Saint Peter Martyr by an anonymous Aragon artist. Tempera and varnished metal plate on wood. First third of 14th century. 196.5 x 121.5 x 10 cm. From Barbastre or the monastery of Santa María de Sigena (Villanueva de Sigena, Huesca).. National Museum of Catalan Art, inv no: 015820-000
  • Gothic painted Altarpiece of Saint Peter Martyr by an anonymous Aragon artist. Tempera and varnished metal plate on wood. First third of 14th century. 196.5 x 121.5 x 10 cm. From Barbastre or the monastery of Santa María de Sigena (Villanueva de Sigena, Huesca).. National Museum of Catalan Art, inv no: 015820-000
  • Gothic painted Panel of the life of Saint Dominic, anonymous artist from Aragon. Tempera and varnished metal plate on wood. First quarter of 14th century. 134 x 193 x 8.3 cm. From the church of Sant Miquel de Tamarit de Llitera (Huesca). National Museum of Catalan Art, inv no: 015825-000
  • Gothic painted Panel of the life of Saint Dominic, anonymous artist from Aragon. Tempera and varnished metal plate on wood. First quarter of 14th century. 134 x 193 x 8.3 cm. From the church of Sant Miquel de Tamarit de Llitera (Huesca). National Museum of Catalan Art, inv no: 015825-000
  • Gothic painted Panel of the life of Saint Dominic, anonymous artist from Aragon. Tempera and varnished metal plate on wood. First quarter of 14th century. 134 x 193 x 8.3 cm. From the church of Sant Miquel de Tamarit de Llitera (Huesca). National Museum of Catalan Art, inv no: 015825-000
  • Gothic painted Panel of the life of Saint Dominic, anonymous artist from Aragon. Tempera and varnished metal plate on wood. First quarter of 14th century. 134 x 193 x 8.3 cm. From the church of Sant Miquel de Tamarit de Llitera (Huesca). National Museum of Catalan Art, inv no: 015825-000
  • Gothic painted Altar frontal of Saint Christopher by Master of Soriguerola. Tempera and varnished metal plate on wood. Beginning of 14th century. 134 x 193 x 8.3 cm. The traditional hypothesis is that it could have come from the parish church of Sant Cristòfol de Toses (Ripollès), as the titular saint coincides with the church's dedication.. National Museum of Catalan Art, inv no: 015825-000
  • Gothic painted Altar frontal of Saint Christopher by Master of Soriguerola. Tempera and varnished metal plate on wood. Beginning of 14th century. 134 x 193 x 8.3 cm. The traditional hypothesis is that it could have come from the parish church of Sant Cristòfol de Toses (Ripollès), as the titular saint coincides with the church's dedication.. National Museum of Catalan Art, inv no: 015825-000
  • Gothic painted Altar frontal of Saint Christopher by Master of Soriguerola. Tempera and varnished metal plate on wood. Beginning of 14th century. 134 x 193 x 8.3 cm. The traditional hypothesis is that it could have come from the parish church of Sant Cristòfol de Toses (Ripollès), as the titular saint coincides with the church's dedication.. National Museum of Catalan Art, inv no: 015825-000
  • Gothic painted Panel of the life of Saint Ursula. Tempera and varnished metal plate on wood. National Museum of Catalan Art, inv no: 004377-000
  • Gothic painted Panel of the life of Saint Ursula. Tempera and varnished metal plate on wood. National Museum of Catalan Art, inv no: 004377-000
  • Gothic painted Panel of the life of Saint Ursula. Tempera and varnished metal plate on wood. National Museum of Catalan Art, inv no: 004377-000
  • Altarpiece of the Virgin by JAUME SERRA Circa 1367-1381. Tempera, gold leaf and metal plate on wood (346.3 x 321 x 26 cm) MNAC - National Museum of Catalan art, Barcelona, Spain Inv No: 015916-CJT
  • Altarpiece of the Virgin by JAUME SERRA Circa 1367-1381. Tempera, gold leaf and metal plate on wood (346.3 x 321 x 26 cm) MNAC - National Museum of Catalan art, Barcelona, Spain Inv No: 015916-CJT
  • Gothic statue of Saint Peter by Joan Gasco. Tempera, oil, and stucco reliefs in gold leaf on wood. Date circa 1516. From the church of Santa Maria of Palautordera (Valles Oriental).  National Museum of Catalan Art, Barcelona, Spain inv no: 15934
  • Gothic statue of Saint Peter by Joan Gasco. Tempera, oil, and stucco reliefs in gold leaf on wood. Date circa 1516. From the church of Santa Maria of Palautordera (Valles Oriental).  National Museum of Catalan Art, Barcelona, Spain inv no: 15934
  • Gothic statue of Saint Peter by Joan Gasco. Tempera, oil, and stucco reliefs in gold leaf on wood. Date circa 1516. From the church of Santa Maria of Palautordera (Valles Oriental).  National Museum of Catalan Art, Barcelona, Spain inv no: 15934
  • Gothic wood statue of a Saint by the St Bertrand de Cominges Group of artists. Polychrome wood carving with varnished metal-plating.  National Museum of Catalan Art, inv no: 064015-000
  • Gothic wood statue of Saint Lucy by the St Bertrand de Cominges Group of artists. Polychrome wood carving with varnished metal-plating.  National Museum of Catalan Art, inv no: 064013-000
  • Gothic wood statue of Saint Lucy by the St Bertrand de Cominges Group of artists. Polychrome wood carving with varnished metal-plating.  National Museum of Catalan Art, inv no: 064013-000
  • Gothic wood statue of Bishop Saint by the St Bertrand de Cominges Group of artists. Polychrome wood carving with varnished metal-plating.  National Museum of Catalan Art, inv no: 064024-000
  • Gothic wood statue of Bishop Saint by the St Bertrand de Cominges Group of artists. Polychrome wood carving with varnished metal-plating.  National Museum of Catalan Art, inv no: 064024-000
  • Virgin Mary  Gothic sculpture from a Calvery scene. Polychrome wood carving with remains of varnished metal plate. National Museum of Catalan Art, Barcelona, Spain, inv no: 004390-CJT.
  • St John the Evangelist Gothic sculpture from a Calvery scene. Polychrome wood carving with remains of varnished metal plate. National Museum of Catalan Art, Barcelona, Spain, inv no: 004390-CJT.
  • St John the Evangelist Gothic sculpture from a Calvery scene. Polychrome wood carving with remains of varnished metal plate. National Museum of Catalan Art, Barcelona, Spain, inv no: 004390-CJT.
  • Gothic fresco mural painting "THE CONQUEST OF MAJORCA" 1285-1290. National Museum of Catalan Art, Barcelona, Spain, inv no: 071447-CJT. <br />
The mural paintings of the Conquest of Majorca come from the former ancestral home of the Caldes family in Carrer Montcada in Barcelona, a building later known as Palau Aguilar. Discovered and removed in 1961, these paintings are one of the most important examples of early or Linear Gothic Catalan painting. This magnificent example of painting on historical subject matter narrates the conquest of the island of Majorca by James I the Conqueror in 1229. Like a painted chronicle, the episodes follow the detailed narrative of Catalan medieval accounts such as King James I's 'Llibre dels Feits' and Bernat Desclot's 'Crònica'.
  • Gothic decorative painted beam panels with doves, hares and a carved syalise tree, Tempera on wood. National Museum of Catalan Art (MNAC), Barcelona, Spain
  • Gothic decorative painted beam panels with doves, hares and a carved syalise tree, Tempera on wood. National Museum of Catalan Art (MNAC), Barcelona, Spain
  • Gothic decorative painted beam panels with doves, hares and a carved syalise tree, Tempera on wood. National Museum of Catalan Art (MNAC), Barcelona, Spain
  • Gothic altar panel depicting St Michael sleighing the dragon. End of the 13th century, tempera on a spruce wooden panel  from  The Church of Sant Miguel de Soriguerola, Cerdanya, Huesca, Spain. Inv MNAC 43901. National Museum of Catalan Art (MNAC), Barcelona, Spain
  • Gothic altar panel depicting St Michael weighing the souls at the Last Judgement. End of the 13th century, tempera on a spruce wooden panel  from  The Church of Sant Miguel de Soriguerola, Cerdanya, Huesca, Spain. Inv MNAC 43901. National Museum of Catalan Art (MNAC), Barcelona, Spain
  • Gothic altar panel depicting the Last Supper. End of the 13th century, tempera on a spruce wooden panel  from  The Church of Sant Miguel de Soriguerola, Cerdanya, Huesca, Spain. Inv MNAC 43901. National Museum of Catalan Art (MNAC), Barcelona, Spain
  • Gothic panel depicting scenes from the Life of St Nicholas. End of the 13th century, fresco transferred to canvas from a mural on the north wall of  The Church of San Fructuoso, Nicholas and John the Evangelist, Huesca, Spain. Inv MNAC 45796. National Museum of Catalan Art (MNAC), Barcelona, Spain
  • Gothic panel depicting scenes from the Life of St Nicholas. End of the 13th century, fresco transferred to canvas from a mural on the north wall of  The Church of San Fructuoso, Nicholas and John the Evangelist, Huesca, Spain. Inv MNAC 45796. National Museum of Catalan Art (MNAC), Barcelona, Spain
  • Gothic panel of the (Virgin Mary) Madonna of Humility. Polychrome and gold leaf on wood, circa 1433-1435. The Virgin is seated on a cushion on the floor holding the baby Jesus. She hand a jug with roses a symbol of motherhood and purity. Behind her a gold curtain is held by three angels, while two others are sitting on the floor are playing the organ and lute. The skill of the use of light and shade and the fine brushwork points to an artist of great skill using the Quattrocento style. The piece has been identified as that described by the writer on art Giorgia Vasari in 1568 which was owned Gondi family in Florence.. Inv MNAC 212817. National Museum of Catalan Art (MNAC), Barcelona, Spain
  • Gothic statue of The Virgin Mary (Madonna) holding the baby Jesus. Polychrome and gold leaf on wood by the Circle of Gil de Siloe around 1500, probably from Castella. Inv MNAC 64028. National Museum of Catalan Art (MNAC), Barcelona, Spain
  • Painted Gothic panels from the Altarpiece of the Virgin of the Angels.<br />
From Left - San John the Baptist, Santa Mary Magdele, St. James the Less, St. Paul.Tempera and gold leaf on wood, circa 1385 by by Pere Serra  from the Cathedral of Tortosa (Tarragona). Inv MNAC 3950, 3948, 3949. National Museum of Catalan Art (MNAC), Barcelona, Spain
  • Painted Gothic panels from the Altarpiece of the Virgin of the Angels.<br />
From Left - San John the Baptist, Santa Mary Magdele, St. James the Less, St. Paul.Tempera and gold leaf on wood, circa 1385 by by Pere Serra  from the Cathedral of Tortosa (Tarragona). Inv MNAC 3950, 3948, 3949. National Museum of Catalan Art (MNAC), Barcelona, Spain
  • Painted Gothic panels from the Altarpiece of the Virgin of the Angels.<br />
From Left - San Peter, Santa Clara, Saint James the Greater, St. John the Evangelist. Tempera and gold leaf on wood, circa 1385 by by Pere Serra  from the Cathedral of Tortosa (Tarragona). Inv MNAC 3950, 3948, 3949. National Museum of Catalan Art (MNAC), Barcelona, Spain
  • Painted Gothic panels from the Altarpiece of the Virgin of the Angels.<br />
From Left - San Peter, Santa Clara, Saint James the Greater, St. John the Evangelist. Tempera and gold leaf on wood, circa 1385 by by Pere Serra  from the Cathedral of Tortosa (Tarragona). Inv MNAC 3950, 3948, 3949. National Museum of Catalan Art (MNAC), Barcelona, Spain
  • A Gothic stone carving of St. Andrew Bishop bring tempted by the devil. Second half of the fourteenth century by Bartomeu de Robio.From the church of Santa Maria de Castello Farfanya (Noguera). Inv MNAC 122485. National Museum of Catalan Art (MNAC), Barcelona, Spain
  • A Gothic stone carving of St. Andrew Bishop bring tempted by the devil. Second half of the fourteenth century by Bartomeu de Robio.From the church of Santa Maria de Castello Farfanya (Noguera). Inv MNAC 122485. National Museum of Catalan Art (MNAC), Barcelona, Spain
  • Late 13th or 14th century Gothic Bas-relief depicting the miracle performed by St Michael at Mont St Michael. limestone with traces of polcrome from the Church of San Miguel de Canet lo Roig (Castello), by the Master of Sant Mateu. Inv MNAC 45846-45845. National Museum of Catalan Art (MNAC), Barcelona, Spain
  • Late 13th or 14th century Gothic Bas-relief depicting the miracle performed by St Michael at Mont St Michael. limestone with traces of polcrome from the Church of San Miguel de Canet lo Roig (Castello), by the Master of Sant Mateu. Inv MNAC 45846-45845. National Museum of Catalan Art (MNAC), Barcelona, Spain
  • Late 13th or 14th century Gothic Bas-relief depicting the miracle performed by St Michael at Mont St Michael. limestone with traces of polcrome from the Church of San Miguel de Canet lo Roig (Castello), by the Master of Sant Mateu. Inv MNAC 45846-45845. National Museum of Catalan Art (MNAC), Barcelona, Spain
  • Close up of a Gothic painted Panel of the life of Saint Dominic, anonymous artist from Aragon. Tempera and varnished metal plate on wood. First quarter of 14th century. 134 x 193 x 8.3 cm. From the church of Sant Miquel de Tamarit de Llitera (Huesca). National Museum of Catalan Art, inv no: 015825-000
  • Gothic painted bas-relief of the Nativity by Master of Albesa, Active in Lleida. Polychrome and gilded limestone bas-relief. Second half of 14th century. Dimesions 57 x 69 x 11 cm.Compartment of a sculptural altarpiece devoted to the Virgin. From the crypt of the collegiate church of Sant Pere d'Àger (Noguera). National Museum of Catalan Art, Barcelona, Spain, inv no: 017342-000
  • Limoges Gothic chest with scenes from the Crucifixtion, circa 1210-1220. Copper engraved with an application of Champlevé enamelling. Origin Unknown. Inv MNAC 4573. National Museum of Catalan Art (MNAC), Barcelona, Spain
  • Limoges Gothic chest with scenes from the Crucifixtion, circa 1210-1220. Copper engraved with an application of Champlevé enamelling. Origin Unknown. Inv MNAC 4573. National Museum of Catalan Art (MNAC), Barcelona, Spain
  • Gothic chest decorated with the Slaughter of the Innocents from Limoges Circa 1210-1220. Engraved copper with inlaid enamel  enamel champlevé and glass on wooden core. National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC 65529
  • Gothic chest decorated with the Resurection of Christ from Limoges Circa 1220. Engraved copper with inlaid enamel  enamel champlevé and glass on wooden core. National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC 65530
  • Gothic cast bronze statue of Christ. Date circa 1180 probably comes from Cerdanya.  National Museum of Catalan Art, Barcelona, Spain inv no: MNAC 4553
  • Gothic wood statue of the Virgin Mary and Child. Polychrome wood carving with varnished metal-plating. Date - First quarter of the 13th century. National Museum of Catalan Art, Barcelona, Spain inv no: 3924
  • Gothic wood statue of the Virgin Mary and Child. Polychrome wood carving with varnished metal-plating. Date - First quarter of the 13th century. National Museum of Catalan Art, Barcelona, Spain inv no: 3924
  • Gothic wood statue of the Virgin Mary and Child. Polychrome wood carving with varnished metal-plating. Date - First quarter of the 13th century. National Museum of Catalan Art, Barcelona, Spain inv no: 3924
  • Gothic wood statue of the Virgin Mary and Child. Polychrome wood carving with varnished metal-plating. Date - First quarter of the 13th century. National Museum of Catalan Art, Barcelona, Spain inv no: 3924
  • Gothic painted bas-relief of Life of St Peter by Joan Gasco. Polycchrome and gold leaf on wood. Date Circa 1516.  From the church of Santa Maria of Palautordera (Valles Oriental). National Museum of Catalan Art, Barcelona, Spain, inv no: 015934-000
  • Gothic painted wood panels with scenes of the Martyrdom of Saint Lucy<br />
Circa 1300. Tempera on wood. Date Circa 1300. From the parish church of Santa Llúcia de Mur (Guàrdia de Noguera, Pallars Jussà). National Museum of Catalan Art, Barcelona, Spain, inv no: 035703-CJT
  • Gothic painted wood panels with scenes of the Martyrdom of Saint Lucy<br />
Circa 1300. Tempera on wood. Date Circa 1300. Dimensions 68.3 x 25.3 x 1 cm. From the parish church of Santa Llúcia de Mur (Guàrdia de Noguera, Pallars Jussà). National Museum of Catalan Art, Barcelona, Spain, inv no: 035703-CJT
  • Gothic painted Panel Virgin of the "Consellers" by Lluis Dalmau. Tempera and gold leaf on wood. Date 1443-1445. Dimesions 316 x 312.5 x 32.5 cm. From the altar of the chapel of Barcelona City Hall. <br />
The prestige attached to Burgundian courtly culture and the painter Jan van Eyck explain why in 1431 King Alfons the Magnanimous sent his official painter, the Valencian Lluís Dalmau, to Flanders, to learn the new realist language at first hand. In 1443, Dalmau was commissioned to paint this altarpiece for the chapel of the City Hall. This work was a breakthrough in Catalonia on account of the format, the technique used, as it was painted in oil, and the skilful illusionism of a figurative space in which that year's five councillors, painted from life, are represented on the same scale as the Virgin and the Saints. National Museum of Catalan Art, Barcelona, Spain, inv no: 015938-000
  • Gothic painted Panel Altarpiece of the Virgin Suckling the Child, Saint Clare and Saint Anthony the Abbott by the Workshop of Llorenc Saragossa. Tempera and gold leaf on wood. Date Last quarter of 14th century. Dimesions 207 x 187.5 x 10 cm. From Xelva (Valencia). National Museum of Catalan Art, Barcelona, Spain, inv no: 064027-CJT
  • Gothic painted bas-relief of the Presentation of Jesus at the Templeby Master of Albesa, Active in Lleida. Polychrome and gilded limestone bas-relief. Second half of 14th century. Dimesions 57 x 69 x 11 cm. Compartment of a sculptural altarpiece devoted to the Virgin. From the crypt of the collegiate church of Sant Pere d'Àger (Noguera). National Museum of Catalan Art, Barcelona, Spain, inv no: 017343-000
  • Gothic painted bas-relief of the Nativity by Master of Albesa, Active in Lleida. Polychrome and gilded limestone bas-relief. Second half of 14th century. Dimesions 57 x 69 x 11 cm.Compartment of a sculptural altarpiece devoted to the Virgin. From the crypt of the collegiate church of Sant Pere d'Àger (Noguera). National Museum of Catalan Art, Barcelona, Spain, inv no: 017342-000
  • Gothic painted bas-relief of the Nativity by Master of Albesa, Active in Lleida. Polychrome and gilded limestone bas-relief. Second half of 14th century. Dimesions 57 x 69 x 11 cm.Compartment of a sculptural altarpiece devoted to the Virgin. From the crypt of the collegiate church of Sant Pere d'Àger (Noguera). National Museum of Catalan Art, Barcelona, Spain, inv no: 017342-000
  • Gothic wood statue of Virgin and Child by tan anontmous Catalan Artist. Carved alabaster with remains of polychrome and gold leaf. Date Second half of 14th century. Dimensions 117.5 x 38.6 x 28.4 cm.  Probably comes from Sanaüja (Segarra). National Museum of Catalan Art, Barcelona, Spain inv no: 004359-000

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