• Alabaster jug possibly imported from Minoan Crete.   Mycenae graves, Greece. 15th century BC,  National Archaeological Museum, Athens.
  • Photo of a Three handles "Palace Style" amphora with three large octopuses within a marines cape of rocks and seaweed. A mycenaean copy of a Minoan Marine Style.   Mycenae tomb 2, Greece. 15th century BC,  cat no: 6725, National Archaeological Museum, Athens.
  • Photo of a  jug decorated with stylised birds bands showing Cycladic and Minoan influences.   Mycenae Grave find, Greece. 15th century BC,  ,  National Archaeological Museum, Athens.
  • Photo of a  jug decorated with stylised birds bands showing Cycladic and Minoan influences.   Mycenae Grave find, Greece. 15th century BC,  ,  National Archaeological Museum, Athens.
  • Photo of a late Helladic jug decorated with serpentine bands showing Cycladic and Minoan influences.   Mycenae Shaft Grave V, Greece. 16th to early 15th century BC,  cat no: 950,  National Archaeological Museum, Athens.
  • Photo of a late Helladic jug decorated with serpentine bands showing Cycladic and Minoan influences.   Mycenae Shaft Grave V, Greece. 16th to early 15th century BC,  cat no: 950,  National Archaeological Museum, Athens.
  • Gold Death Mask Known from Grave IV, Grave Circle A, Mycenae. 16th Century BC. The mask is made of a thin sheet of beaten gold . 16th century BC. Cat No 253 Athens Archaeological Museum.
  • 17th century town house with 16th century enclosed balcony  and 14th century ground floor windows- Sopron, Hungary
  • 17th century town house with 16th century enclosed balcony  and 14th century ground floor windows- Sopron, Hungary
  • 17th century town house with 16th century enclosed balcony  and 14th century ground floor windows- Sopron, Hungary
  • 11th Century Medieval Bayeux Tapestry - Scene 57 - Harold dies after being shot in the eye with an arrow.
  • 11th Century Medieval Bayeux Tapestry - Scene 56 -  Harold army is cut down. Battle of Hastings 1066.
  • 11th Century Medieval Bayeux Tapestry - Scene 57 - Harold dies after being shot in the eye with an arrow. Scene 58 - Williams army routes the saxom army. Battle of Hastings 1066.
  • 11th Century Medieval Bayeux Tapestry - Scene 57 - Harold dies after being shot in the eye with an arrow. Battle of Hastings 1066.
  • 11th Century Medieval Bayeux Tapestry - Scene 56 -  Harold army is cut down
  • 11th Century Medieval Bayeux Tapestry - Scene 55 - Duke William takes off his helmet to show he has not been wounded.
  • 11th Century Medieval Bayeux Tapestry - Scene 53 - The battle of Hastings rages on. Scene 54 -  Williams brother Bishop Odon encourages the Norman soldiers to fight. Battle of Hastings 1066
  • 11th Century Medieval Bayeux Tapestry - Scene 53 - The battle of Hastings rages on. Battle of Hastings 1066
  • 11th Century Medieval Bayeux Tapestry - Scene 53 - Scenes from the battle of Hastings
  • 11th Century Medieval Bayeux Tapestry - Scene 53 - Scenes from the battle of Hastings
  • 11the Century Medieval Bayeux Tapestry - Scene 52 - Death of Harold brothers, Lewine and Gyrd.
  • 11th Century Medieval Bayeux Tapestry - Scene 52 - Death of Harold brothers, Lewine and Gyrd. Battle of Hastings 1066
  • 11th Century Medieval Bayeux Tapestry - Scene 51 William encourages his cavalry into battle. Battle of Hastings 1066.
  • 11th Century Medieval Bayeux Tapestry - Scene 51 William encourages his cavalry into battle. Battle of Hastings 1066.
  • 11the Century Medieval Bayeux Tapestry - Scene 51 William encourages his soldiers into battle. Battle of Hastings 1066
  • 11th Century Medieval Bayeux Tapestry - Scene 51 William encourages his soldiers into battle. Battle of Hastings 1066.
  • 11th Century Medieval Bayeux Tapestry - Scene 51 William encourages his soldiers into battle against the Saxon foot soldiers. Battle of Hastings 1066.
  • 11th Century Medieval Bayeux Tapestry - Scene 50 - A watchman warns Harold that the Norman army is close. Scene 50 William addresses his soldiers. Battle of Hastings 1066
  • 11th Century Medieval Bayeux Tapestry - Scene 51 William encourages his soldiers into battle. Battle of Hastings 1066.
  • 11th Century Medieval Bayeux Tapestry - Scene 50 - A watchman warns Harold that the Norman army is close. Battle of Hastings 1066.
  • 11th Century Medieval Bayeux Tapestry - Scene 50 - A watchman warns Harold that the Norman army is close. Battle of Hastings 1066.
  • 11th Century Medieval Bayeux Tapestry - Scene 48 - Scene 49 - William is told that the Saxon army is close. Battle of Hastings 1066
  • 11th Century Medieval Bayeux Tapestry - Scene 49 - William is told that the Saxon army is close. Battle of Hastings 1066.
  • 11th Century Medieval Bayeux Tapestry - Scene 48 - The Normans from up into battle formation. Scene 49 - William is told that the Saxon army is close. Battle of Hastings 1066
  • 11th Century Medieval Bayeux Tapestry - Scene 48 - The Normans from up into battle formation. Battle of Hastings 1066.
  • 11th Century Medieval Bayeux Tapestry - Scene 46 - A watchman informs William of Harold armies movements. Scene 47 - Williams men burn down a house. Scene 47 - William prepares to meet Harold
  • 11th Century Medieval Bayeux Tapestry - Scene 47 - William prepares to meet Harold
  • 11th Century Medieval Bayeux Tapestry - Scene 46 - A watchman informs William of Horold armies movements. Scene 47 - Williams men burn down a house.
  • 11th Century Medieval Bayeux Tapestry - Scene 45 - Fortified cam built by Williams men
  • 11th Century Medieval Bayeux Tapestry - Scene 43 & 44 -  William at a banquet with his Barons and Bishop Odon.
  • 11th Century Medieval Bayeux Tapestry - Scene 43 & 44 -  William at a banquet with his Barons and Bishop Odon.
  • 11the Century Medieval Bayeux Tapestry - After arriving in England. Scene 41 - Wadar Supervises Williams cooks. Scene 42 - Williams servants roast meat and fowl. Scene 43 & 44 -  William at a banquet with his Barons and Bishop Odon. Scene 45 - Fortified camp built by Williams men.
  • 11th Century Medieval Bayeux Tapestry - Scene 42 - Williams servants roast meat and fowl
  • 11th Century Medieval Bayeux Tapestry - Scene 41 - Wadar Supervises Williams cooks
  • 11the Century Medieval Bayeux Tapestry -Scene 24 - Harold sails back to England from Normandy. Scene 25 - Harold reports to Edward the Confessor on his visit to Normandy.
  • 11the Century Medieval Bayeux Tapestry - Scene 1 - Edward the Confessor sends Harold to inform William that he will succeed to the throne of England. Scene 2 - Harold proceeeds to the coast with a pack of Hounds
  • 11th Century Medieval Bayeux Tapestry -Scene 23 - Touching 2 reliquires Harold swears fealty to William.Scene 24 - Harold sails back to England from Normandy
  • 11th Century Medieval Bayeux Tapestry -Scene 23 - Touching 2 reliquires Harold swears fealty to William.Scene 24 - Harold sails back to England from Normandy
  • Gold Death Mask Known from Grave IV, Grave Circle A, Mycenae. 16th Century BC. The mask is made of a thin sheet of beaten gold . 16th century BC. Cat No 254 Athens Archaeological Museum.
  • Gold Death Mask Known from Grave IV, Grave Circle A, Mycenae. 16th Century BC. The mask is made of a thin sheet of beaten gold . 16th century BC. Cat No 254 Athens Archaeological Museum.
  • Gold Death Mask Known from Grave IV, Grave Circle A, Mycenae. 16th Century BC. The mask is made of a thin sheet of beaten gold . 16th century BC. Cat No 254 Athens Archaeological Museum.
  • Gold Death Mask Known from Grave IV, Grave Circle A, Mycenae. 16th Century BC. The mask is made of a thin sheet of beaten gold . 16th century BC. Cat No 254 Athens Archaeological Museum.
  • Gold Death Mask Known from Grave IV, Grave Circle A, Mycenae. 16th Century BC. The mask is made of a thin sheet of beaten gold . 16th century BC. Cat No 253 Athens Archaeological Museum.
  • Gold Death Mask Known from Grave IV, Grave Circle A, Mycenae. 16th Century BC. The mask is made of a thin sheet of beaten gold . 16th century BC. Cat No 253 Athens Archaeological Museum.
  • Gold Death Mask Known from Grave IV, Grave Circle A, Mycenae. 16th Century BC. The mask is made of a thin sheet of beaten gold . 16th century BC. Cat No 253 Athens Archaeological Museum.
  • Gold Death Mask  from Grave Circle A, Mycenae. 16th Century BC. The mask is made of a thin sheet of beaten gold . 16th century BC.  Athens Archaeological Museum.
  • Gold Death Mask  from Grave Circle A, Mycenae. 16th Century BC. The mask is made of a thin sheet of beaten gold . 16th century BC.  Athens Archaeological Museum.
  • Gold Death Mask  from Grave Circle A, Mycenae. 16th Century BC. The mask is made of a thin sheet of beaten gold . 16th century BC.  Athens Archaeological Museum.
  • Gold Death Mask  from Grave Circle A, Mycenae. 16th Century BC. The mask is made of a thin sheet of beaten gold . 16th century BC.  Athens Archaeological Museum.
  • Gold Death Mask  from Grave Circle A, Mycenae. 16th Century BC. The mask is made of a thin sheet of beaten gold . 16th century BC.  Athens Archaeological Museum.
  • Gold Death Mask  from Grave Circle A, Mycenae. 16th Century BC. The mask is made of a thin sheet of beaten gold . 16th century BC.  Athens Archaeological Museum.
  • Gold Death Mask Known from Grave IV, Grave Circle A, Mycenae. 16th Century BC. The mask is made of a thin sheet of beaten gold . 16th century BC. Cat No 254 Athens Archaeological Museum.
  • Gold Death Mask Known from Grave IV, Grave Circle A, Mycenae. 16th Century BC. The mask is made of a thin sheet of beaten gold . 16th century BC. Cat No 253 Athens Archaeological Museum.
  • Three handled Mycenaean  Palace Style amphora with large palm trees symmetrically placed on the sides and smaller palm trees with floral motifs in between. This Mycenaean  vase is distinguished by the high quality of clay and paint, and by the naturalistic rendering of the decoration. From the Mycenaean cemetery at Argive Deiras, Greece. 15th Century BC. Cat No 6725 Athens Archaeological Museum.
  • Three handled Mycenaean  Palace Style amphora with large palm trees symmetrically placed on the sides and smaller palm trees with floral motifs in between. This Mycenaean  vase is distinguished by the high quality of clay and paint, and by the naturalistic rendering of the decoration. From the Mycenaean cemetery at Argive Deiras, Greece. 15th Century BC. Cat No 6725 Athens Archaeological Museum.
  • Three handled Mycenaean  Palace Style amphora with three large octopuses within a marinescape of rocks and seaweed. A Mycenaean imitation of Minoan Marine Style. From the Mycenaean cemetery of Argive Prosymna, tomb 2, Greece. 15th Century BC. Cat No 6725 Athens Archaeological Museum.
  • 4 tetrachs on the facade of Saint Marks Basilica Venice - sith century afro - egyptian art
  • Detail of sixth Century Pillars From Acre - St Marks - Venice - Italy
  • Detail of sixth Century Pillars From Acre - St Marks - Venice - Italy
  • Century Half Plate wooden View Camera close up of lens and shutter
  • Century Half Plate wooden View Camera
  • Century Half Plate wooden View Camera
  • Gold Death Mask Known as the "mask of Agamemnon"  from Grave V, Grave Circle A, Mycenae. The mask is made of a thin sheet of beaten gold & shows a man with a beard. 16th century BC Cat No 624 Athens Archaeological Museum.
  • Gold Death Mask Known as the "mask of Agamemnon"  from Grave V, Grave Circle A, Mycenae. The mask is made of a thin sheet of beaten gold & shows a man with a beard. 16th century BC. Cat No 624 Athens Archaeological Museum.
  • Gold Death Mask Known as the "mask of Agamemnon"  from Grave V, Grave Circle A, Mycenae. The mask is made of a thin sheet of beaten gold & shows a man with a beard. 16th century BC Cat No 624 Athens Archaeological Museum.
  • Gold Death Mask Known as the "mask of Agamemnon"  from Grave V, Grave Circle A, Mycenae. The mask is made of a thin sheet of beaten gold & shows a man with a beard. 16th century BC. Cat No 624 Athens Archaeological Museum.
  • Gold Death Mask Known as the "mask of Agamemnon"  from Grave V, Grave Circle A, Mycenae. The mask is made of a thin sheet of beaten gold & shows a man with a beard. 16th century BC Cat No 624 Athens Archaeological Museum.
  • Gold Death Mask Known as the "mask of Agamemnon"  from Grave V, Grave Circle A, Mycenae. The mask is made of a thin sheet of beaten gold & shows a man with a beard. 16th century BC Cat No 624 Athens Archaeological Museum.
  • Gold Death Mask  from Grave V, Grave Circle A, Mycenae. The mask is made of a thin sheet of beaten gold and is the only mask from grave circle A with eyes open. 16th century BC. Cat No 259 Athens Archaeological Museum.
  • Gold Death Mask  from Grave V, Grave Circle A, Mycenae. The mask is made of a thin sheet of beaten gold and is the only mask from grave circle A with eyes open. 16th century BC. Cat No 259 Athens Archaeological Museum.
  • Gold Death Mask  from Grave V, Grave Circle A, Mycenae. The mask is made of a thin sheet of beaten gold and is the only mask from grave circle A with eyes open. 16th century BC. Cat No 259 Athens Archaeological Museum.
  • Gold Death Mask  from Grave V, Grave Circle A, Mycenae. The mask is made of a thin sheet of beaten gold and is the only mask from grave circle A with eyes open. 16th century BC. Cat No 259 Athens Archaeological Museum.
  • Three handled Mycenaean  Palace Style amphora with large palm trees symmetrically placed on the sides and smaller palm trees with floral motifs in between. This Mycenaean  vase is distinguished by the high quality of clay and paint, and by the naturalistic rendering of the decoration. From the Mycenaean cemetery at Argive Deiras, Greece. 15th Century BC. Cat No 6725 Athens Archaeological Museum.
  • Three handled Mycenaean  Palace Style amphora with large palm trees symmetrically placed on the sides and smaller palm trees with floral motifs in between. This Mycenaean  vase is distinguished by the high quality of clay and paint, and by the naturalistic rendering of the decoration. From the Mycenaean cemetery at Argive Deiras, Greece. 15th Century BC. Cat No 6725 Athens Archaeological Museum.
  • Three handled Mycenaean  Palace Style amphora with large palm trees symmetrically placed on the sides and smaller palm trees with floral motifs in between. This Mycenaean  vase is distinguished by the high quality of clay and paint, and by the naturalistic rendering of the decoration. From the Mycenaean cemetery at Argive Deiras, Greece. 15th Century BC. Cat No 6725 Athens Archaeological Museum.
  • Three handled Mycenaean  Palace Style amphora with three large octopuses within a marinescape of rocks and seaweed. A Mycenaean imitation of Minoan Marine Style. From the Mycenaean cemetery of Argive Prosymna, tomb 2, Greece. 15th Century BC. Cat No 6725 Athens Archaeological Museum.
  • Three handled Mycenaean  Palace Style amphora with large palm trees symmetrically placed on the sides and smaller palm trees with floral motifs in between. This Mycenaean  vase is distinguished by the high quality of clay and paint, and by the naturalistic rendering of the decoration. From the Mycenaean cemetery at Argive Deiras, Greece. 15th Century BC. Cat No 6725 Athens Archaeological Museum.
  • Three handled Mycenaean  Palace Style amphora with three large octopuses within a marinescape of rocks and seaweed. A Mycenaean imitation of Minoan Marine Style. From the Mycenaean cemetery of Argive Prosymna, tomb 2, Greece. 15th Century BC. Cat No 6725 Athens Archaeological Museum.
  • Three handled Mycenaean  Palace Style amphora with three large octopuses within a marinescape of rocks and seaweed. A Mycenaean imitation of Minoan Marine Style. From the Mycenaean cemetery of Argive Prosymna, tomb 2, Greece. 15th Century BC. Cat No 6725 Athens Archaeological Museum.
  • Three handled Mycenaean  Palace Style amphora with three large octopuses within a marinescape of rocks and seaweed. A Mycenaean imitation of Minoan Marine Style. From the Mycenaean cemetery of Argive Prosymna, tomb 2, Greece. 15th Century BC. Cat No 6725 Athens Archaeological Museum.
  • Mycenaean Fresco wall painting  of a Mycanaean with horse & wild boar hunting dog from the Tiryns, Greece. 14th - 13th Century BC. Athens Archaeological Museum.
  • Mycenaean Fresco wall painting of a chariot from the Tiryns, Greece. 14th - 13th Century BC. Athens Archaeological Museum.
  • Mycenaean Fresco wall painting  of an elborately dressed women in a procession  from the Tiryns, Greece. 14th - 13th Century BC. Cat No 5883 Athens Archaeological Museum.
  • Mycenaean Fresco wall painting of a man leaping over a bull  from the Tiryns, Greece. 14th - 13th Century BC. Athens Archaeological Museum.
  • Mycenaean Fresco wall painting of a figure of eight shield. Mycenae Acropolis, Greece,  14th - 13th Century BC. Athens Archaeological Museum.
  • Mycenaean Fresco wall painting of a figure of eight shield. Mycenae Acropolis, Greece,  14th - 13th Century BC.  Cat No 11672  Athens Archaeological Museum.
  • Mycenaean Fresco wall painting  from the Mycenae , Greece. 14th - 13th Century BC. Athens Archaeological Museum.
  • Mycenaean Fresco wall painting  from the Mycenae , Greece. 14th - 13th Century BC. Athens Archaeological Museum.
  • Mycenaean Fresco wall painting of a Wild Boar Hunt from the Tiryns, Greece. 14th - 13th Century BC. Athens Archaeological Museum.
  • Large wine krater known as "House of the Warrior Vase", showing men in full armour ( helmet, cuirass, greaves, shield and spear ) as they depart fro war with a sack of supplies hanging from their spears. A fine example of Mycenaean Pictoral Style. Mycenae acropolis, Greece. 12th century BC, cat no: 1426 ,  National Archaeological Museum, Athens.
  • Large wine krater known as "House of the Warrior Vase", showing men in full armour ( helmet, cuirass, greaves, shield and spear ) as they depart fro war with a sack of supplies hanging from their spears. A fine example of Mycenaean Pictoral Style. Mycenae acropolis, Greece. 12th century BC, cat no: 1426 ,  National Archaeological Museum, Athens.
  • Boar's tusk helmet with cheek guards and double bone hook on top. Tomb 515 Mycenae, Greece. 14th-15th century BC. National Archaeological Museum, Athens.. The Boar's tusk helmet was described in the Iliad as follows "Meriones gave Odysseus a bow, a quiver and a sword, and put a cleverly made leather helmet on his head. On the inside there was a strong lining on interwoven straps, onto which a felt cap had been sewn in. The outside was cleverly adorned all around with rows of white tusks from a shiny-toothed boar, the tusks running in alternate directions in each row.<br />
—Homer, Iliad 10.260–5"
  • Boar's tusk helmet with cheek guards and double bone hook on top. Tomb 515 Mycenae, Greece. 14th-15th century BC. National Archaeological Museum, Athens.. The Boar's tusk helmet was described in the Iliad as follows "Meriones gave Odysseus a bow, a quiver and a sword, and put a cleverly made leather helmet on his head. On the inside there was a strong lining on interwoven straps, onto which a felt cap had been sewn in. The outside was cleverly adorned all around with rows of white tusks from a shiny-toothed boar, the tusks running in alternate directions in each row.<br />
—Homer, Iliad 10.260–5"
  • A unique plaster head of a women, possibly a goddess of sphinx, one of the few examples of Mycenaean plater art. The severe expression is excentualted by red and black paint and the small hair curls fall from below a polos 9 a cylindrical cap). From one of the cult areas of the acropolis of  Mycenae, Greece. 13th century BC, cat no: 4575,  National Archaeological Museum, Athens.
  • Boar's tusk helmet with cheek guards and double bone hook on top. Tomb 515 Mycenae, Greece. 14th-15th century BC. National Archaeological Museum, Athens.. The Boar's tusk helmet was described in the Iliad as follows "Meriones gave Odysseus a bow, a quiver and a sword, and put a cleverly made leather helmet on his head. On the inside there was a strong lining on interwoven straps, onto which a felt cap had been sewn in. The outside was cleverly adorned all around with rows of white tusks from a shiny-toothed boar, the tusks running in alternate directions in each row.<br />
—Homer, Iliad 10.260–5"
  • A unique plaster head of a women, possibly a goddess of sphinx, one of the few examples of Mycenaean plater art. The severe expression is excentualted by red and black paint and the small hair curls fall from below a polos 9 a cylindrical cap). From one of the cult areas of the acropolis of  Mycenae, Greece. 13th century BC, cat no: 4575,  National Archaeological Museum, Athens.
  • Alabaster jug possibly imported from Minoan Crete.   Mycenae graves, Greece. 15th century BC,  National Archaeological Museum, Athens.
  • A unique plaster head of a women, possibly a goddess of sphinx, one of the few examples of Mycenaean plater art. The severe expression is excentualted by red and black paint and the small hair curls fall from below a polos 9 a cylindrical cap). From one of the cult areas of the acropolis of  Mycenae, Greece. 13th century BC, cat no: 4575,  National Archaeological Museum, Athens.
  • A unique plaster head of a women, possibly a goddess of sphinx, one of the few examples of Mycenaean plater art. The severe expression is excentualted by red and black paint and the small hair curls fall from below a polos 9 a cylindrical cap). From one of the cult areas of the acropolis of  Mycenae, Greece. 13th century BC, cat no: 4575,  National Archaeological Museum, Athens.
  • Photo of a Three handles "Palace Style" amphora with three large octopuses within a marines cape of rocks and seaweed. A mycenaean copy of a Minoan Marine Style.   Mycenae tomb 2, Greece. 15th century BC,  cat no: 6725, National Archaeological Museum, Athens.
  • Alabaster jug possibly imported from Minoan Crete.   Mycenae graves, Greece. 15th century BC,  National Archaeological Museum, Athens.
  • Alabaster jug possibly imported from Minoan Crete.   Mycenae graves, Greece. 15th century BC,  National Archaeological Museum, Athens.
  • Alabaster jug possibly imported from Minoan Crete.   Mycenae graves, Greece. 15th century BC,  National Archaeological Museum, Athens.
  • Photo of a Three handles "Palace Style" amphora with three large octopuses within a marines cape of rocks and seaweed. A mycenaean copy of a Minoan Marine Style.   Mycenae tomb 2, Greece. 15th century BC,  cat no: 6725, National Archaeological Museum, Athens.
  • Photo of a  jug decorated with stylised birds bands showing Cycladic and Minoan influences.   Mycenae Grave find, Greece. 15th century BC,  ,  National Archaeological Museum, Athens.
  • Photo of a Three handles "Palace Style" amphora with three large octopuses within a marines cape of rocks and seaweed. A mycenaean copy of a Minoan Marine Style.   Mycenae tomb 2, Greece. 15th century BC,  cat no: 6725, National Archaeological Museum, Athens.
  • Photo of a  jug decorated with stylised birds bands showing Cycladic and Minoan influences.   Mycenae Grave find, Greece. 15th century BC,  ,  National Archaeological Museum, Athens.
  • Photo of a  jug decorated with stylised birds bands showing Cycladic and Minoan influences.   Mycenae Grave find, Greece. 15th century BC,  ,  National Archaeological Museum, Athens.
  • Photo of a  jug decorated with stylised birds bands showing Cycladic and Minoan influences.   Mycenae Grave find, Greece. 15th century BC,  ,  National Archaeological Museum, Athens.
  • Photo of a Three handles "Palace Style" amphora with three large octopuses within a marines cape of rocks and seaweed. A mycenaean copy of a Minoan Marine Style.   Mycenae tomb 2, Greece. 15th century BC,  cat no: 6725, National Archaeological Museum, Athens.
  • Photo of a late Helladic jug decorated with serpentine bands showing Cycladic and Minoan influences.   Mycenae Shaft Grave V, Greece. 16th to early 15th century BC,  cat no: 950,  National Archaeological Museum, Athens.
  • Photo of a late Helladic jug decorated with serpentine bands showing Cycladic and Minoan influences.   Mycenae Shaft Grave V, Greece. 16th to early 15th century BC,  cat no: 950,  National Archaeological Museum, Athens.
  • Photo of a late Helladic jug decorated with serpentine bands showing Cycladic and Minoan influences.   Mycenae Shaft Grave V, Greece. 16th to early 15th century BC,  cat no: 950,  National Archaeological Museum, Athens.
  • Mycenaean Fresco wall painting  of an elborately dressed women in a procession  from the Tiryns, Greece. 14th - 13th Century BC. Cat No 5883 Athens Archaeological Museum.
  • Photo of a late Helladic jug decorated with serpentine bands showing Cycladic and Minoan influences.   Mycenae Shaft Grave V, Greece. 16th to early 15th century BC,  cat no: 950,  National Archaeological Museum, Athens.
  • The 12th century medieval Norman ruins of Goodrich Castle fortifications, Goodrich, Herefordshire, England
  • The 12th century medieval Norman ruins of Goodrich Castle fortifications, Goodrich, Herefordshire, England
  • The 12th century medieval Norman ruins of Goodrich Castle fortifications, Goodrich, Herefordshire, England
  • The 12th century medieval Norman ruins of Goodrich Castle fortifications, Goodrich, Herefordshire, England
  • The 12th century medieval Norman ruins of Goodrich Castle fortifications, Goodrich, Herefordshire, England
  • The 12th century medieval Norman ruins of Goodrich Castle fortifications, Goodrich, Herefordshire, England
  • The 12th century medieval Norman ruins of Goodrich Castle fortifications, Goodrich, Herefordshire, England
  • The 12th century medieval Norman ruins & Keep of Goodrich Castle, Goodrich, Herefordshire, England
  • The 12th century medieval Norman ruins of Goodrich Castle fortifications, Goodrich, Herefordshire, England
  • The 12th century medieval Norman ruins of Goodrich Castle fortifications, Goodrich, Herefordshire, England
  • The 12th century medieval Norman ruins of Goodrich Castle fortifications, Goodrich, Herefordshire, England
  • The 12th century medieval Norman ruins of Goodrich Castle, Goodrich, Herefordshire, England
  • The 12th century medieval Norman ruins of Goodrich Castle fortifications, Goodrich, Herefordshire, England
  • The 12th century Romanesque Cistercian Abbey of Notre Dame of Senanque ( 1148 ) set amongst the flowering lavender fields of Provence near Gordes, France.
  • The 12th century Romanesque Cistercian Abbey of Notre Dame of Senanque ( 1148 ) set amongst the flowering lavender fields of Provence near Gordes, France.
  • The 12th century medieval Norman ruins of Goodrich Castle fortifications, Goodrich, Herefordshire, England
  • The 12th century medieval Norman ruins of Goodrich Castle fortifications, Goodrich, Herefordshire, England
  • The 12th century medieval Norman ruins of Goodrich Castle fortifications, Goodrich, Herefordshire, England
  • The 12th century medieval Norman ruins of Goodrich Castle fortifications, Goodrich, Herefordshire, England
  • The 12th century Romanesque Cistercian Abbey of Notre Dame of Senanque ( 1148 ) set amongst the flowering lavender fields of Provence near Gordes, France.
  • The 12th century Romanesque Cistercian Abbey of Notre Dame of Senanque ( 1148 ) set amongst the flowering lavender fields of Provence near Gordes, France.
  • The 12th century Romanesque Cistercian Abbey of Notre Dame of Senanque ( 1148 ) set amongst the flowering lavender fields of Provence near Gordes, France.
  • The 12th century Romanesque Cistercian Abbey of Notre Dame of Senanque ( 1148 ) set amongst the flowering lavender fields of Provence near Gordes, France.
  • The 12th century Romanesque Cistercian Abbey of Notre Dame of Senanque ( 1148 ) set amongst the flowering lavender fields of Provence near Gordes, France.
  • The 12th century Romanesque Cistercian Abbey of Notre Dame of Senanque ( 1148 ) set amongst the flowering lavender fields of Provence near Gordes, France.
  • The 12th century Romanesque Cistercian Abbey of Notre Dame of Senanque ( 1148 ) set amongst the flowering lavender fields of Provence near Gordes, France.
  • The 12th century Romanesque Cistercian Abbey of Notre Dame of Senanque ( 1148 ) set amongst the flowering lavender fields of Provence near Gordes, France.
  • The 12th century Romanesque Cistercian Abbey of Notre Dame of Senanque ( 1148 ) set amongst the flowering lavender fields of Provence near Gordes, France.
  • The 12th century Romanesque Cistercian Abbey of Notre Dame of Senanque ( 1148 ) set amongst the flowering lavender fields of Provence near Gordes, France.
  • The 12th century Romanesque Cistercian Abbey of Notre Dame of Senanque ( 1148 ) set amongst the flowering lavender fields of Provence near Gordes, France.
  • The 12th century Romanesque Cistercian Abbey of Notre Dame of Senanque ( 1148 ) set amongst the flowering lavender fields of Provence near Gordes, France.
  • The 12th century Romanesque Cistercian Abbey of Notre Dame of Senanque ( 1148 ) set amongst the flowering lavender fields of Provence near Gordes, France.
  • The 12th century Romanesque Cistercian Abbey of Notre Dame of Senanque ( 1148 ) set amongst the flowering lavender fields of Provence near Gordes, France.
  • The 12th century Romanesque Cistercian Abbey of Notre Dame of Senanque ( 1148 ) set amongst the flowering lavender fields of Provence near Gordes, France.
  • The 12th century Romanesque Cistercian Abbey of Notre Dame of Senanque ( 1148 ) set amongst the flowering lavender fields of Provence near Gordes, France.
  • The 12th century Romanesque Cistercian Abbey of Notre Dame of Senanque ( 1148 ) set amongst the flowering lavender fields of Provence near Gordes, France.
  • The 12th century Romanesque Cistercian Abbey of Notre Dame of Senanque ( 1148 ) set amongst the flowering lavender fields of Provence near Gordes, France.
  • Interior of the 12th century Romanesque Cistercian Abbey of Notre Dame of Senanque ( 1148 ) set amongst the flowering lavender fields of Provence near Gordes, France.
  • Interior of the 12th century Romanesque Cistercian Abbey of Notre Dame of Senanque ( 1148 ) set amongst the flowering lavender fields of Provence near Gordes, France.
  • The 12th century Romanesque Cistercian Abbey of Notre Dame of Senanque ( 1148 ).  Provence near Gordes, France.
  • The 12th century Romanesque Cistercian Abbey of Notre Dame of Senanque ( 1148 ).  Provence near Gordes, France.
  • The 12th century Romanesque Cistercian Abbey of Notre Dame of Senanque ( 1148 ).  Provence near Gordes, France.
  • The 12th century Romanesque Cistercian Abbey of Notre Dame of Senanque ( 1148 ).  Provence near Gordes, France.
  • Statue of the Madonna and Child in the cloisters of the 12th century Romanesque Cistercian Abbey of Notre Dame of Senanque ( 1148 ). Provence near Gordes, France.
  • Statue of the Madonna and Child in the cloisters of the 12th century Romanesque Cistercian Abbey of Notre Dame of Senanque ( 1148 ). Provence near Gordes, France.
  • Refrectory of the 12th century Romanesque Cistercian Abbey of Notre Dame of Senanque ( 1148 ) set amongst the flowering lavender fields of Provence near Gordes, France.
  • Co;umns in the cloisters of the 12th century Romanesque Cistercian Abbey of Notre Dame of Senanque ( 1148 ) . Provence near Gordes, France.
  • Co;umns in the cloisters of the 12th century Romanesque Cistercian Abbey of Notre Dame of Senanque ( 1148 ) . Provence near Gordes, France.
  • Co;umns in the cloisters of the 12th century Romanesque Cistercian Abbey of Notre Dame of Senanque ( 1148 ) . Provence near Gordes, France.
  • Co;umns in the cloisters of the 12th century Romanesque Cistercian Abbey of Notre Dame of Senanque ( 1148 ) . Provence near Gordes, France.
  • Cloisters of the 12th century Romanesque Cistercian Abbey of Notre Dame of Senanque ( 1148 ). Provence near Gordes, France.
  • Cloisters of the 12th century Romanesque Cistercian Abbey of Notre Dame of Senanque ( 1148 ). Provence near Gordes, France.
  • Cloisters of the 12th century Romanesque Cistercian Abbey of Notre Dame of Senanque ( 1148 ). Provence near Gordes, France.
  • Cloisters of the 12th century Romanesque Cistercian Abbey of Notre Dame of Senanque ( 1148 ). Provence near Gordes, France.
  • Cloisters of the 12th century Romanesque Cistercian Abbey of Notre Dame of Senanque ( 1148 ). Provence near Gordes, France.
  • Cloisters of the 12th century Romanesque Cistercian Abbey of Notre Dame of Senanque ( 1148 ). Provence near Gordes, France.
  • The 12th century Romanesque Cistercian Abbey of Notre Dame of Senanque ( 1148 ) set amongst the flowering lavender fields of Provence near Gordes, France.
  • The 12th century Romanesque Cistercian Abbey of Notre Dame of Senanque ( 1148 ) set amongst the flowering lavender fields of Provence near Gordes, France.
  • The 12th century Romanesque Cistercian Abbey of Notre Dame of Senanque ( 1148 ) set amongst the flowering lavender fields of Provence near Gordes, France.
  • The 12th century Romanesque Cistercian Abbey of Notre Dame of Senanque ( 1148 ) set amongst the flowering lavender fields of Provence near Gordes, France.
  • The 12th century Romanesque Cistercian Abbey of Notre Dame of Senanque ( 1148 ) set amongst the flowering lavender fields of Provence near Gordes, France.
  • The 12th century Romanesque Cistercian Abbey of Notre Dame of Senanque ( 1148 ) set amongst the flowering lavender fields of Provence near Gordes, France.
  • The 12th century Romanesque Cistercian Abbey of Notre Dame of Senanque ( 1148 ) set amongst the flowering lavender fields of Provence near Gordes, France.
  • The 12th century Romanesque Cistercian Abbey of Notre Dame of Senanque ( 1148 ) set amongst the flowering lavender fields of Provence near Gordes, France.
  • The 12th century Romanesque Cistercian Abbey of Notre Dame of Senanque ( 1148 ) set amongst the flowering lavender fields of Provence near Gordes, France.
  • The 12th century Romanesque Cistercian Abbey of Notre Dame of Senanque ( 1148 ) set amongst the flowering lavender fields of Provence near Gordes, France.
  • The 12th century Romanesque Cistercian Abbey of Notre Dame of Senanque ( 1148 ) set amongst the flowering lavender fields of Provence near Gordes, France.
  • The 12th century Romanesque Cistercian Abbey of Notre Dame of Senanque ( 1148 ) set amongst the flowering lavender fields of Provence near Gordes, France.
  • The 12th century Romanesque Cistercian Abbey of Notre Dame of Senanque ( 1148 ) set amongst the flowering lavender fields of Provence near Gordes, France.
  • The 12th century Romanesque Cistercian Abbey of Notre Dame of Senanque ( 1148 ) set amongst the flowering lavender fields of Provence near Gordes, France.
  • The 12th century Romanesque Cistercian Abbey of Notre Dame of Senanque ( 1148 ) set amongst the flowering lavender fields of Provence near Gordes, France.
  • The 12th century Romanesque Cistercian Abbey of Notre Dame of Senanque ( 1148 ) set amongst the flowering lavender fields of Provence near Gordes, France.
  • The 12th century Romanesque Cistercian Abbey of Notre Dame of Senanque ( 1148 ) set amongst the flowering lavender fields of Provence near Gordes, France.
  • The 12th century Romanesque Cistercian Abbey of Notre Dame of Senanque ( 1148 ) set amongst the flowering lavender fields of Provence near Gordes, France.
  • The 12th century Romanesque Cistercian Abbey of Notre Dame of Senanque ( 1148 ) set amongst the flowering lavender fields of Provence near Gordes, France.
  • The 12th century Romanesque Cistercian Abbey of Notre Dame of Senanque ( 1148 ) set amongst the flowering lavender fields of Provence near Gordes, France.
  • The 12th century Romanesque Cistercian Abbey of Notre Dame of Senanque ( 1148 ) set amongst the flowering lavender fields of Provence near Gordes, France.
  • The 12th century Romanesque Cistercian Abbey of Notre Dame of Senanque ( 1148 ) set amongst the flowering lavender fields of Provence near Gordes, France.
  • The 12th century Romanesque Cistercian Abbey of Notre Dame of Senanque ( 1148 ) set amongst the flowering lavender fields of Provence near Gordes, France.
  • The 12th century Romanesque Cistercian Abbey of Notre Dame of Senanque ( 1148 ) set amongst the flowering lavender fields of Provence near Gordes, France.
  • The 12th century Romanesque Cistercian Abbey of Notre Dame of Senanque ( 1148 ) set amongst the flowering lavender fields of Provence near Gordes, France.
  • The 12th century Romanesque Cistercian Abbey of Notre Dame of Senanque ( 1148 ) set amongst the flowering lavender fields of Provence near Gordes, France.
  • The 12th century Romanesque Cistercian Abbey of Notre Dame of Senanque ( 1148 ) set amongst the flowering lavender fields of Provence near Gordes, France.
  • The 12th century Romanesque Cistercian Abbey of Notre Dame of Senanque ( 1148 ) set amongst the flowering lavender fields of Provence near Gordes, France.
  • The 12th century Romanesque Cistercian Abbey of Notre Dame of Senanque ( 1148 ) set amongst the flowering lavender fields of Provence near Gordes, France.
  • The 12th century Romanesque Cistercian Abbey of Notre Dame of Senanque ( 1148 ) set amongst the flowering lavender fields of Provence near Gordes, France.
  • Large wine krater known as "House of the Warrior Vase", showing men in full armour ( helmet, cuirass, greaves, shield and spear ) as they depart fro war with a sack of supplies hanging from their spears. A fine example of Mycenaean Pictoral Style. Mycenae acropolis, Greece. 12th century BC, cat no: 1426 ,  National Archaeological Museum, Athens.
  • Large wine krater known as "House of the Warrior Vase", showing men in full armour ( helmet, cuirass, greaves, shield and spear ) as they depart fro war with a sack of supplies hanging from their spears. A fine example of Mycenaean Pictoral Style. Mycenae acropolis, Greece. 12th century BC, cat no: 1426 ,  National Archaeological Museum, Athens.
  • Boar's tusk helmet with cheek guards and double bone hook on top. Tomb 515 Mycenae, Greece. 14th-15th century BC. National Archaeological Museum, Athens.. The Boar's tusk helmet was described in the Iliad as follows "Meriones gave Odysseus a bow, a quiver and a sword, and put a cleverly made leather helmet on his head. On the inside there was a strong lining on interwoven straps, onto which a felt cap had been sewn in. The outside was cleverly adorned all around with rows of white tusks from a shiny-toothed boar, the tusks running in alternate directions in each row..?Homer, Iliad 10.260-5"
  • Boar's tusk helmet with cheek guards and double bone hook on top. Tomb 515 Mycenae, Greece. 14th-15th century BC. National Archaeological Museum, Athens.. The Boar's tusk helmet was described in the Iliad as follows "Meriones gave Odysseus a bow, a quiver and a sword, and put a cleverly made leather helmet on his head. On the inside there was a strong lining on interwoven straps, onto which a felt cap had been sewn in. The outside was cleverly adorned all around with rows of white tusks from a shiny-toothed boar, the tusks running in alternate directions in each row..?Homer, Iliad 10.260-5"
  • A unique plaster head of a women, possibly a goddess of sphinx, one of the few examples of Mycenaean plaster art. The severe expression is excentualted by red and black paint and the small hair curls fall from below a polos 9 a cylindrical cap). From one of the cult areas of the acropolis of  Mycenae, Greece. 13th century BC, cat no: 4575,  National Archaeological Museum, Athens.
  • Alabaster jug possibly imported from Minoan Crete.   Mycenae graves, Greece. 15th century BC,  National Archaeological Museum, Athens.
  • Alabaster jug possibly imported from Minoan Crete.   Mycenae graves, Greece. 15th century BC,  National Archaeological Museum, Athens.
  • Photo of a Three handles "Palace Style" amphora with three large octopuses within a marines cape of rocks and seaweed. A mycenaean copy of a Minoan Marine Style.   Mycenae tomb 2, Greece. 15th century BC,  cat no: 6725, National Archaeological Museum, Athens.
  • Photo of a  jug decorated with stylised birds bands showing Cycladic and Minoan influences.   Mycenae Grave find, Greece. 15th century BC,  ,  National Archaeological Museum, Athens.
  • Photo of a late Helladic jug decorated with serpentine bands showing Cycladic and Minoan influences.   Mycenae Shaft Grave V, Greece. 16th to early 15th century BC,  cat no: 950,  National Archaeological Museum, Athens.
  • Photo of a late Helladic jug decorated with serpentine bands showing Cycladic and Minoan influences.   Mycenae Shaft Grave V, Greece. 16th to early 15th century BC,  cat no: 950,  National Archaeological Museum, Athens.
  • Side chapel & bell tower of Fountains Abbey , founded in 1132, is one of the largest and best preserved ruined Cistercian monasteries in England. The ruined monastery is a focal point of England's most important 18th century Water, the Studley Royal Water Garden which is a UNESCO World Heritage Site. Near Ripon, North Yorkshire, England
  • Cloisters of Fountains Abbey , founded in 1132, is one of the largest and best preserved ruined Cistercian monasteries in England. The ruined monastery is a focal point of England's most important 18th century Water, the Studley Royal Water Garden which is a UNESCO World Heritage Site. Near Ripon, North Yorkshire, England
  • Gothic arch & bell tower of Fountains Abbey , founded in 1132, is one of the largest and best preserved ruined Cistercian monasteries in England. The ruined monastery is a focal point of England's most important 18th century Water, the Studley Royal Water Garden which is a UNESCO World Heritage Site. Near Ripon, North Yorkshire, England
  • Bell Tower of Fountains Abbey , founded in 1132, is one of the largest and best preserved ruined Cistercian monasteries in England. The ruined monastery is a focal point of England's most important 18th century Water, the Studley Royal Water Garden which is a UNESCO World Heritage Site. Near Ripon, North Yorkshire, England
  • Altar area of Fountains Abbey , founded in 1132, is one of the largest and best preserved ruined Cistercian monasteries in England. The ruined monastery is a focal point of England's most important 18th century Water, the Studley Royal Water Garden which is a UNESCO World Heritage Site. Near Ripon, North Yorkshire, England
  • Main & side aisle of Fountains Abbey , founded in 1132, is one of the largest and best preserved ruined Cistercian monasteries in England. The ruined monastery is a focal point of England's most important 18th century Water, the Studley Royal Water Garden which is a UNESCO World Heritage Site. Near Ripon, North Yorkshire, England
  • Gothic pillars of Fountains Abbey , founded in 1132, is one of the largest and best preserved ruined Cistercian monasteries in England. The ruined monastery is a focal point of England's most important 18th century Water, the Studley Royal Water Garden which is a UNESCO World Heritage Site. Near Ripon, North Yorkshire, England
  • Entrance at sunrise  of the ruins of Fountains Abbey , founded in 1132, is one of the largest and best preserved ruined Cistercian monasteries in England. The ruined monastery is a focal point of England's most important 18th century Water, the Studley Royal Water Garden which is a UNESCO World Heritage Site. Near Ripon, North Yorkshire, England
  • Exterior at sunrise  of the ruins of Fountains Abbey , founded in 1132, is one of the largest and best preserved ruined Cistercian monasteries in England. The ruined monastery is a focal point of England's most important 18th century Water, the Studley Royal Water Garden which is a UNESCO World Heritage Site. Near Ripon, North Yorkshire, England
  • Exterior at sunrise  of Fountains Abbey , founded in 1132, is one of the largest and best preserved ruined Cistercian monasteries in England. The ruined monastery is a focal point of England's most important 18th century Water, the Studley Royal Water Garden which is a UNESCO World Heritage Site. Near Ripon, North Yorkshire, England
  • Side chapel & bell tower of Fountains Abbey , founded in 1132, is one of the largest and best preserved ruined Cistercian monasteries in England. The ruined monastery is a focal point of England's most important 18th century Water, the Studley Royal Water Garden which is a UNESCO World Heritage Site. Near Ripon, North Yorkshire, England
  • Main Altar of Fountains Abbey , founded in 1132, is one of the largest and best preserved ruined Cistercian monasteries in England. The ruined monastery is a focal point of England's most important 18th century Water, the Studley Royal Water Garden which is a UNESCO World Heritage Site. Near Ripon, North Yorkshire, England
  • Bell tower at sunrise  of Fountains Abbey , founded in 1132, is one of the largest and best preserved ruined Cistercian monasteries in England. The ruined monastery is a focal point of England's most important 18th century Water, the Studley Royal Water Garden which is a UNESCO World Heritage Site. Near Ripon, North Yorkshire, England
  • Fountains Abbey & Studley Royal water gardens, founded in 1132, is one of the largest and best preserved ruined Cistercian monasteries in England. The ruined monastery is a focal point of England's most important 18th century Water, the Studley Royal Water Garden which is a UNESCO World Heritage Site. Near Ripon, North Yorkshire, England
  • Central Aisle of Fountains Abbey , founded in 1132, is one of the largest and best preserved ruined Cistercian monasteries in England. The ruined monastery is a focal point of England's most important 18th century Water, the Studley Royal Water Garden which is a UNESCO World Heritage Site. Near Ripon, North Yorkshire, England
  • Autumn view of Fountains Abbey & Studley Royal water gardens, founded in 1132, is one of the largest and best preserved ruined Cistercian monasteries in England. The ruined monastery is a focal point of England's most important 18th century Water, the Studley Royal Water Garden which is a UNESCO World Heritage Site. Near Ripon, North Yorkshire, England
  • arched doorway into Fountains Abbey , founded in 1132, is one of the largest and best preserved ruined Cistercian monasteries in England. The ruined monastery is a focal point of England's most important 18th century Water, the Studley Royal Water Garden which is a UNESCO World Heritage Site. Near Ripon, North Yorkshire, England
  • Gothic arches of the great hall of Fountains Abbey , founded in 1132, is one of the largest and best preserved ruined Cistercian monasteries in England. The ruined monastery is a focal point of England's most important 18th century Water, the Studley Royal Water Garden which is a UNESCO World Heritage Site. Near Ripon, North Yorkshire, England
  • Gothic arches of the great hall of Fountains Abbey , founded in 1132, is one of the largest and best preserved ruined Cistercian monasteries in England. The ruined monastery is a focal point of England's most important 18th century Water, the Studley Royal Water Garden which is a UNESCO World Heritage Site. Near Ripon, North Yorkshire, England
  • Gothic arches of the great hall of Fountains Abbey , founded in 1132, is one of the largest and best preserved ruined Cistercian monasteries in England. The ruined monastery is a focal point of England's most important 18th century Water, the Studley Royal Water Garden which is a UNESCO World Heritage Site. Near Ripon, North Yorkshire, England
  • Gothic arches of the great hall of Fountains Abbey , founded in 1132, is one of the largest and best preserved ruined Cistercian monasteries in England. The ruined monastery is a focal point of England's most important 18th century Water, the Studley Royal Water Garden which is a UNESCO World Heritage Site. Near Ripon, North Yorkshire, England
  • Side chapel wall & bell tower of Fountains Abbey , founded in 1132, is one of the largest and best preserved ruined Cistercian monasteries in England. The ruined monastery is a focal point of England's most important 18th century Water, the Studley Royal Water Garden which is a UNESCO World Heritage Site. Near Ripon, North Yorkshire, England
  • Entrance to central courtyard of Fountains Abbey , founded in 1132, is one of the largest and best preserved ruined Cistercian monasteries in England. The ruined monastery is a focal point of England's most important 18th century Water, the Studley Royal Water Garden which is a UNESCO World Heritage Site. Near Ripon, North Yorkshire, England
  • Romanesque arch of Fountains Abbey , founded in 1132, is one of the largest and best preserved ruined Cistercian monasteries in England. The ruined monastery is a focal point of England's most important 18th century Water, the Studley Royal Water Garden which is a UNESCO World Heritage Site. Near Ripon, North Yorkshire, England
  • Ruins of Fountains Abbey , founded in 1132, is one of the largest and best preserved ruined Cistercian monasteries in England. The ruined monastery is a focal point of England's most important 18th century Water, the Studley Royal Water Garden which is a UNESCO World Heritage Site. Near Ripon, North Yorkshire, England
  • Gold Death Mask Known as the "mask of Agamemnon"  from Grave V, Grave Circle A, Mycenae. The mask is made of a thin sheet of beaten gold & shows a man with a beard. 16th century BC Cat No 624 Athens Archaeological Museum.
  • Gold Death Mask  from Grave V, Grave Circle A, Mycenae. The mask is made of a thin sheet of beaten gold and is the only mask from grave circle A with eyes open. 16th century BC. Cat No 259 Athens Archaeological Museum.
  • Gold Death Mask  from Grave V, Grave Circle A, Mycenae. The mask is made of a thin sheet of beaten gold and is the only mask from grave circle A with eyes open. 16th century BC. Cat No 259 Athens Archaeological Museum.

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