• Gothic painted panel of the Nativity scene by Taddeo Gabbi of Florence, circa 1325, tempera and gold leaf on wood. National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC 212807. <br />
Taddeo Gabbi, one of Giotto's most brilliant disciples, painted this Nativity when he was still part of Giotto's workshop. The painting has many of Giotto's hallmarks such as  spatial illusionism or the reality of figures that can be seen in the nativity of the Peruzzi Chapel.<br />
<br />
SPANISH<br />
<br />
Taddeo Gabbi, uno de los discipulos mas brillantes de Giotto, debio pintar esta Natividad cuando aun formaba parte del taller del maestro. En ella se ven las conquistas de la "revolucion giottesca", como el illusioismo espacial o el realismo de las figuras. Maria arropa a Jesus dentro del establo, mientras los sobrevuela un grupo de angeles. La posicion de uno de ellos y la presencia de una oveja indican que la composicion se completaba a la izquierda con el Anuncio a los pastores. En primer termino aparecen un pensativo Jose y las dos parteras que susurran, un recurso ya utilizado pr Giotto en los frescos de la Capilla Peruzzi.
  • Gothic painted panel of the Nativity scene by Taddeo Gabbi of Florence, circa 1325, tempera and gold leaf on wood. National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC 212807. Against a black background. <br />
Taddeo Gabbi, one of Giotto's most brilliant disciples, painted this Nativity when he was still part of Giotto's workshop. The painting has many of Giotto's hallmarks such as  spatial illusionism or the reality of figures that can be seen in the nativity of the Peruzzi Chapel.<br />
<br />
SPANISH<br />
<br />
Taddeo Gabbi, uno de los discipulos mas brillantes de Giotto, debio pintar esta Natividad cuando aun formaba parte del taller del maestro. En ella se ven las conquistas de la "revolucion giottesca", como el illusioismo espacial o el realismo de las figuras. Maria arropa a Jesus dentro del establo, mientras los sobrevuela un grupo de angeles. La posicion de uno de ellos y la presencia de una oveja indican que la composicion se completaba a la izquierda con el Anuncio a los pastores. En primer termino aparecen un pensativo Jose y las dos parteras que susurran, un recurso ya utilizado pr Giotto en los frescos de la Capilla Peruzzi.
  • Gothic painted panel of the Nativity scene by Taddeo Gabbi of Florence, circa 1325, tempera and gold leaf on wood. National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC 212807. Against a art background. <br />
Taddeo Gabbi, one of Giotto's most brilliant disciples, painted this Nativity when he was still part of Giotto's workshop. The painting has many of Giotto's hallmarks such as  spatial illusionism or the reality of figures that can be seen in the nativity of the Peruzzi Chapel.<br />
<br />
SPANISH<br />
<br />
Taddeo Gabbi, uno de los discipulos mas brillantes de Giotto, debio pintar esta Natividad cuando aun formaba parte del taller del maestro. En ella se ven las conquistas de la "revolucion giottesca", como el illusioismo espacial o el realismo de las figuras. Maria arropa a Jesus dentro del establo, mientras los sobrevuela un grupo de angeles. La posicion de uno de ellos y la presencia de una oveja indican que la composicion se completaba a la izquierda con el Anuncio a los pastores. En primer termino aparecen un pensativo Jose y las dos parteras que susurran, un recurso ya utilizado pr Giotto en los frescos de la Capilla Peruzzi.
  • Gothic painted panel of the Nativity scene by Taddeo Gabbi of Florence, circa 1325, tempera and gold leaf on wood. National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC 212807. <br />
Taddeo Gabbi, one of Giotto's most brilliant disciples, painted this Nativity when he was still part of Giotto's workshop. The painting has many of Giotto's hallmarks such as  spatial illusionism or the reality of figures that can be seen in the nativity of the Peruzzi Chapel.<br />
<br />
SPANISH<br />
<br />
Taddeo Gabbi, uno de los discipulos mas brillantes de Giotto, debio pintar esta Natividad cuando aun formaba parte del taller del maestro. En ella se ven las conquistas de la "revolucion giottesca", como el illusioismo espacial o el realismo de las figuras. Maria arropa a Jesus dentro del establo, mientras los sobrevuela un grupo de angeles. La posicion de uno de ellos y la presencia de una oveja indican que la composicion se completaba a la izquierda con el Anuncio a los pastores. En primer termino aparecen un pensativo Jose y las dos parteras que susurran, un recurso ya utilizado pr Giotto en los frescos de la Capilla Peruzzi.
  • Gothic painted panel of the Nativity scene by Taddeo Gabbi of Florence, circa 1325, tempera and gold leaf on wood. National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC 212807. Against a grey art background. <br />
Taddeo Gabbi, one of Giotto's most brilliant disciples, painted this Nativity when he was still part of Giotto's workshop. The painting has many of Giotto's hallmarks such as  spatial illusionism or the reality of figures that can be seen in the nativity of the Peruzzi Chapel.<br />
<br />
SPANISH<br />
<br />
Taddeo Gabbi, uno de los discipulos mas brillantes de Giotto, debio pintar esta Natividad cuando aun formaba parte del taller del maestro. En ella se ven las conquistas de la "revolucion giottesca", como el illusioismo espacial o el realismo de las figuras. Maria arropa a Jesus dentro del establo, mientras los sobrevuela un grupo de angeles. La posicion de uno de ellos y la presencia de una oveja indican que la composicion se completaba a la izquierda con el Anuncio a los pastores. En primer termino aparecen un pensativo Jose y las dos parteras que susurran, un recurso ya utilizado pr Giotto en los frescos de la Capilla Peruzzi.
  • The Chateau de Chenonceau designed by French Renaissance architect Philibert de l'Orme 1555 by  to span the River Char. Loire Valley. Chenonceaux,  Indre-et-Loire département France.
  • The Chateau de Chenonceau designed by French Renaissance architect Philibert de l'Orme 1555 by  to span the River Char. Loire Valley. Chenonceaux,  Indre-et-Loire département France.
  • The Chateau de Chenonceau designed by French Renaissance architect Philibert de l'Orme 1555 by  to span the River Char. Loire Valley. Chenonceaux,  Indre-et-Loire département France.
  • The Chateau de Chenonceau designed by French Renaissance architect Philibert de l'Orme 1555 by  to span the River Char. Loire Valley. Chenonceaux,  Indre-et-Loire département France.
  • The Chateau de Chenonceau designed by French Renaissance architect Philibert de l'Orme 1555 by  to span the River Char. Loire Valley. Chenonceaux,  Indre-et-Loire département France.
  • Gothic wooden statue of Madonna and Child by Seguidor de Diego de Siloe of Burgos, circa 1530-1540, tempera and gold leaf on wood, from the church of San Miguel de Medina del Campo, Valladolid..  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  131050. Against a white background.
  • Gothic wooden statue of Madonna and Child by Seguidor de Diego de Siloe of Burgos, circa 1530-1540, tempera and gold leaf on wood, from the church of San Miguel de Medina del Campo, Valladolid..  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  131050. Against a black background.
  • Gothic wooden statue of Madonna and Child by Seguidor de Diego de Siloe of Burgos, circa 1530-1540, tempera and gold leaf on wood, from the church of San Miguel de Medina del Campo, Valladolid..  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  131050.
  • Gothic wooden statue of Madonna and Child by Seguidor de Diego de Siloe of Burgos, circa 1530-1540, tempera and gold leaf on wood, from the church of San Miguel de Medina del Campo, Valladolid..  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  131050. Against a grey art background.
  • Gothic wooden statue of Madonna and Child by Seguidor de Diego de Siloe of Burgos, circa 1530-1540, tempera and gold leaf on wood, from the church of San Miguel de Medina del Campo, Valladolid..  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  131050. Against a art background.
  • Pictures of Copper age Domus de Janas Sas Concas prhistoric chambered rock burial chambers cared into trachyte ,  Abealzu-Filigosa culture 3000 BC, Oniferi,  province of Nuoro, Sardinia.
  • Pictures of Copper age Domus de Janas Sas Concas prhistoric chambered rock burial chambers cared into trachyte ,  Abealzu-Filigosa culture 3000 BC, Oniferi,  province of Nuoro, Sardinia.
  • Pictures of Copper age Domus de Janas Sas Concas prhistoric chambered rock burial chambers cared into trachyte ,  Abealzu-Filigosa culture 3000 BC, Oniferi,  province of Nuoro, Sardinia.
  • Pictures of Copper age Domus de Janas Sas Concas prhistoric chambered rock burial chambers cared into trachyte ,  Abealzu-Filigosa culture 3000 BC, Oniferi,  province of Nuoro, Sardinia.
  • Pictures of Copper age Domus de Janas Sas Concas prhistoric chambered rock burial chambers cared into trachyte ,  Abealzu-Filigosa culture 3000 BC, Oniferi,  province of Nuoro, Sardinia.
  • Pictures of Copper age Domus de Janas Sas Concas prhistoric chambered rock burial chambers cared into trachyte ,  Abealzu-Filigosa culture 3000 BC, Oniferi,  province of Nuoro, Sardinia.
  • Pictures of Copper age Domus de Janas Sas Concas prhistoric chambered rock burial chambers cared into trachyte ,  Abealzu-Filigosa culture 3000 BC, Oniferi,  province of Nuoro, Sardinia.
  • Pictures of Copper age Domus de Janas Sas Concas prhistoric chambered rock burial chambers cared into trachyte ,  Abealzu-Filigosa culture 3000 BC, Oniferi,  province of Nuoro, Sardinia.
  • Pictures of Copper age Domus de Janas Sas Concas prhistoric chambered rock burial chambers cared into trachyte ,  Abealzu-Filigosa culture 3000 BC, Oniferi,  province of Nuoro, Sardinia.
  • Pictures of Copper age Domus de Janas Sas Concas prhistoric chambered rock burial chambers cared into trachyte ,  Abealzu-Filigosa culture 3000 BC, Oniferi,  province of Nuoro, Sardinia.
  • Pictures of Copper age Domus de Janas Sas Concas prhistoric chambered rock burial chambers cared into trachyte ,  Abealzu-Filigosa culture 3000 BC, Oniferi,  province of Nuoro, Sardinia.
  • Pictures of Copper age Domus de Janas Sas Concas prhistoric chambered rock burial chambers cared into trachyte ,  Abealzu-Filigosa culture 3000 BC, Oniferi,  province of Nuoro, Sardinia.
  • Pictures of Copper age Domus de Janas Sas Concas prhistoric chambered rock burial chambers cared into trachyte ,  Abealzu-Filigosa culture 3000 BC, Oniferi,  province of Nuoro, Sardinia.
  • Pictures of Copper age Domus de Janas Sas Concas prhistoric chambered rock burial chambers cared into trachyte ,  Abealzu-Filigosa culture 3000 BC, Oniferi,  province of Nuoro, Sardinia.
  • Pictures of Copper age Domus de Janas Sas Concas prhistoric chambered rock burial chambers cared into trachyte ,  Abealzu-Filigosa culture 3000 BC, Oniferi,  province of Nuoro, Sardinia.
  • Pictures of Copper age Domus de Janas Sas Concas prhistoric chambered rock burial chambers cared into trachyte ,  Abealzu-Filigosa culture 3000 BC, Oniferi,  province of Nuoro, Sardinia.
  • Pictures of Copper age Domus de Janas Sas Concas prhistoric chambered rock burial chambers cared into trachyte ,  Abealzu-Filigosa culture 3000 BC, Oniferi,  province of Nuoro, Sardinia.
  • Pictures of Copper age Domus de Janas Sas Concas prhistoric chambered rock burial chambers cared into trachyte ,  Abealzu-Filigosa culture 3000 BC, Oniferi,  province of Nuoro, Sardinia.
  • Pictures of Copper age Domus de Janas Sas Concas prhistoric chambered rock burial chambers cared into trachyte ,  Abealzu-Filigosa culture 3000 BC, Oniferi,  province of Nuoro, Sardinia.
  • Pictures of Copper age Domus de Janas Sas Concas prhistoric chambered rock burial chambers cared into trachyte ,  Abealzu-Filigosa culture 3000 BC, Oniferi,  province of Nuoro, Sardinia.
  • Pictures of Copper age Domus de Janas Sas Concas prhistoric chambered rock burial chambers cared into trachyte ,  Abealzu-Filigosa culture 3000 BC, Oniferi,  province of Nuoro, Sardinia.
  • Pictures of Copper age Domus de Janas Sas Concas prhistoric chambered rock burial chambers cared into trachyte ,  Abealzu-Filigosa culture 3000 BC, Oniferi,  province of Nuoro, Sardinia.
  • Pictures of Copper age Domus de Janas Sas Concas prhistoric chambered rock burial chambers cared into trachyte ,  Abealzu-Filigosa culture 3000 BC, Oniferi,  province of Nuoro, Sardinia.
  • Pictures of Copper age Domus de Janas Sas Concas prhistoric chambered rock burial chambers cared into trachyte ,  Abealzu-Filigosa culture 3000 BC, Oniferi,  province of Nuoro, Sardinia.
  • Pictures of Copper age Domus de Janas Sas Concas prhistoric chambered rock burial chambers cared into trachyte ,  Abealzu-Filigosa culture 3000 BC, Oniferi,  province of Nuoro, Sardinia.
  • Pictures of Copper age Domus de Janas Sas Concas prhistoric chambered rock burial chambers cared into trachyte ,  Abealzu-Filigosa culture 3000 BC, Oniferi,  province of Nuoro, Sardinia.
  • Pictures of Copper age Domus de Janas Sas Concas prhistoric chambered rock burial chambers cared into trachyte ,  Abealzu-Filigosa culture 3000 BC, Oniferi,  province of Nuoro, Sardinia.
  • Pictures of Copper age Domus de Janas Sas Concas prhistoric chambered rock burial chambers cared into trachyte ,  Abealzu-Filigosa culture 3000 BC, Oniferi,  province of Nuoro, Sardinia.
  • Pictures of Copper age Domus de Janas Sas Concas prhistoric chambered rock burial chambers cared into trachyte ,  Abealzu-Filigosa culture 3000 BC, Oniferi,  province of Nuoro, Sardinia.
  • Pictures of Copper age Domus de Janas Sas Concas prhistoric chambered rock burial chambers cared into trachyte ,  Abealzu-Filigosa culture 3000 BC, Oniferi,  province of Nuoro, Sardinia.
  • Gothic Altarpiece of the Madonna Nursing or Madonna Lactans, by Ramon de Mur, active around Tarrega and Montblanc circa 1412-1435, tempera and gold leaf on for wood, from the parish church of Santa Maria de Cervera (Segarra),  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  15818. Against a white background.
  • Gothic Altarpiece of the Madonna Nursing or Madonna Lactans, by Ramon de Mur, active around Tarrega and Montblanc circa 1412-1435, tempera and gold leaf on for wood, from the parish church of Santa Maria de Cervera (Segarra),  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  15818. Against a black background.
  • Gothic Altarpiece of the Madonna Nursing or Madonna Lactans, by Ramon de Mur, active around Tarrega and Montblanc circa 1412-1435, tempera and gold leaf on for wood, from the parish church of Santa Maria de Cervera (Segarra),  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  15818.
  • Gothic Altarpiece of the Madonna Nursing or Madonna Lactans, by Ramon de Mur, active around Tarrega and Montblanc circa 1412-1435, tempera and gold leaf on for wood, from the parish church of Santa Maria de Cervera (Segarra),  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  15818. Against a grey art background.
  • Gothic Altarpiece of the Madonna Nursing or Madonna Lactans, by Ramon de Mur, active around Tarrega and Montblanc circa 1412-1435, tempera and gold leaf on for wood, from the parish church of Santa Maria de Cervera (Segarra),  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  15818. Against a art background.
  • Gothic Altarpiece of the Madonna Nursing or Madonna Lactans, by Ramon de Mur, active around Tarrega and Montblanc circa 1412-1435, tempera and gold leaf on for wood, from the parish church of Santa Maria de Cervera (Segarra),  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  15818.
  • Gothic Altarpiece of the Madonna Nursing or Madonna Lactans, by Ramon de Mur, active around Tarrega and Montblanc circa 1412-1435, tempera and gold leaf on for wood, from the parish church of Santa Maria de Cervera (Segarra),  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  15818.
  • 15th century castle Château de Chaumont, rebuilt by Charles I d'Amboise, acquired by Catherine de Medici in 1560. Chaumont-sur-Loire, Loir-et-Cher, France
  • 15th century castle Château de Chaumont, rebuilt by Charles I d'Amboise, acquired by Catherine de Medici in 1560. Chaumont-sur-Loire, Loir-et-Cher, France
  • 15th century castle Château de Chaumont, rebuilt by Charles I d'Amboise, acquired by Catherine de Medici in 1560. Chaumont-sur-Loire, Loir-et-Cher, France
  • The Chateau de Chenonceau at sunset designed by French Renaissance architect Philibert de l'Orme 1555 by  to span the River Char. Loire Valley. Chenonceaux,  Indre-et-Loire département France.
  • The Chateau de Chenonceau designed by French Renaissance architect Philibert de l'Orme 1555 by  to span the River Char. Loire Valley. Chenonceaux,  Indre-et-Loire département France.
  • 15th century castle Château de Chaumont, rebuilt by Charles I d'Amboise, acquired by Catherine de Medici in 1560. Chaumont-sur-Loire, Loir-et-Cher, France
  • The Chateau de Chenonceau designed by French Renaissance architect Philibert de l'Orme 1555 by  to span the River Char. Loire Valley. Chenonceaux,  Indre-et-Loire département France.
  • The Chateau de Chenonceau designed by French Renaissance architect Philibert de l'Orme 1555 by  to span the River Char. Loire Valley. Chenonceaux,  Indre-et-Loire département France.
  • 15th century castle Château de Chaumont, rebuilt by Charles I d'Amboise, acquired by Catherine de Medici in 1560. Chaumont-sur-Loire, Loir-et-Cher, France
  • 15th century castle Château de Chaumont, rebuilt by Charles I d'Amboise, acquired by Catherine de Medici in 1560. Chaumont-sur-Loire, Loir-et-Cher, France
  • 15th century castle Château de Chaumont, rebuilt by Charles I d'Amboise, acquired by Catherine de Medici in 1560. Chaumont-sur-Loire, Loir-et-Cher, France
  • The Chateau de Chenonceau designed by French Renaissance architect Philibert de l'Orme 1555 by  to span the River Char. Loire Valley. Chenonceaux,  Indre-et-Loire département France.
  • 15th century castle Château de Chaumont, rebuilt by Charles I d'Amboise, acquired by Catherine de Medici in 1560. Chaumont-sur-Loire, Loir-et-Cher, France
  • The Chateau de Chenonceau designed by French Renaissance architect Philibert de l'Orme 1555 by  to span the River Char. Loire Valley. Chenonceaux,  Indre-et-Loire département France.
  • 15th century castle Château de Chaumont, rebuilt by Charles I d'Amboise, acquired by Catherine de Medici in 1560. Chaumont-sur-Loire, Loir-et-Cher, France
  • The Chateau de Chenonceau at sunset designed by French Renaissance architect Philibert de l'Orme 1555 by  to span the River Char. Loire Valley. Chenonceaux,  Indre-et-Loire département France.
  • The Chateau de Chenonceau designed by French Renaissance architect Philibert de l'Orme 1555 by  to span the River Char. Loire Valley. Chenonceaux,  Indre-et-Loire département France.
  • 15th century castle Château de Chaumont, rebuilt by Charles I d'Amboise, acquired by Catherine de Medici in 1560. Chaumont-sur-Loire, Loir-et-Cher, France
  • 15th century castle Château de Chaumont, rebuilt by Charles I d'Amboise, acquired by Catherine de Medici in 1560. Chaumont-sur-Loire, Loir-et-Cher, France
  • 15th century castle Château de Chaumont, rebuilt by Charles I d'Amboise, acquired by Catherine de Medici in 1560. Chaumont-sur-Loire, Loir-et-Cher, France
  • 15th century castle Château de Chaumont, rebuilt by Charles I d'Amboise, acquired by Catherine de Medici in 1560. Chaumont-sur-Loire, Loir-et-Cher, France
  • 15th century castle Château de Chaumont, rebuilt by Charles I d'Amboise, acquired by Catherine de Medici in 1560. Chaumont-sur-Loire, Loir-et-Cher, France
  • 15th century castle Château de Chaumont, rebuilt by Charles I d'Amboise, acquired by Catherine de Medici in 1560. Chaumont-sur-Loire, Loir-et-Cher, France
  • 15th century castle Château de Chaumont, rebuilt by Charles I d'Amboise, acquired by Catherine de Medici in 1560. Chaumont-sur-Loire, Loir-et-Cher, France
  • The Chateau de Chenonceau designed by French Renaissance architect Philibert de l'Orme 1555 by  to span the River Char. Loire Valley. Chenonceaux,  Indre-et-Loire département France.
  • The Chateau de Chenonceau designed by French Renaissance architect Philibert de l'Orme 1555 by  to span the River Char. Loire Valley. Chenonceaux,  Indre-et-Loire département France.
  • The Chateau de Chenonceau designed by French Renaissance architect Philibert de l'Orme 1555 by  to span the River Char. Loire Valley. Chenonceaux,  Indre-et-Loire département France.
  • 15th century castle Château de Chaumont, rebuilt by Charles I d'Amboise, acquired by Catherine de Medici in 1560. Chaumont-sur-Loire, Loir-et-Cher, France
  • 15th century castle Château de Chaumont, rebuilt by Charles I d'Amboise, acquired by Catherine de Medici in 1560. Chaumont-sur-Loire, Loir-et-Cher, France
  • 15th century castle Château de Chaumont, rebuilt by Charles I d'Amboise, acquired by Catherine de Medici in 1560. Chaumont-sur-Loire, Loir-et-Cher, France
  • 15th century castle Château de Chaumont, rebuilt by Charles I d'Amboise, acquired by Catherine de Medici in 1560. Chaumont-sur-Loire, Loir-et-Cher, France
  • 15th century castle Château de Chaumont, rebuilt by Charles I d'Amboise, acquired by Catherine de Medici in 1560. Chaumont-sur-Loire, Loir-et-Cher, France
  • 15th century castle Château de Chaumont, rebuilt by Charles I d'Amboise, acquired by Catherine de Medici in 1560. Chaumont-sur-Loire, Loir-et-Cher, France
  • 15th century castle Château de Chaumont, rebuilt by Charles I d'Amboise, acquired by Catherine de Medici in 1560. Chaumont-sur-Loire, Loir-et-Cher, France
  • 15th century castle Château de Chaumont, rebuilt by Charles I d'Amboise, acquired by Catherine de Medici in 1560. Chaumont-sur-Loire, Loir-et-Cher, France
  • 15th century castle Château de Chaumont, rebuilt by Charles I d'Amboise, acquired by Catherine de Medici in 1560. Chaumont-sur-Loire, Loir-et-Cher, France
  • 15th century castle Château de Chaumont, rebuilt by Charles I d'Amboise, acquired by Catherine de Medici in 1560. Chaumont-sur-Loire, Loir-et-Cher, France
  • 15th century castle Château de Chaumont, rebuilt by Charles I d'Amboise, acquired by Catherine de Medici in 1560. Chaumont-sur-Loire, Loir-et-Cher, France
  • 15th century castle Château de Chaumont, rebuilt by Charles I d'Amboise, acquired by Catherine de Medici in 1560. Chaumont-sur-Loire, Loir-et-Cher, France
  • 15th century castle Château de Chaumont, rebuilt by Charles I d'Amboise, acquired by Catherine de Medici in 1560. Chaumont-sur-Loire, Loir-et-Cher, France
  • 15th century castle Château de Chaumont, rebuilt by Charles I d'Amboise, acquired by Catherine de Medici in 1560. Chaumont-sur-Loire, Loir-et-Cher, France
  • 15th century castle Château de Chaumont, rebuilt by Charles I d'Amboise, acquired by Catherine de Medici in 1560. Chaumont-sur-Loire, Loir-et-Cher, France
  • 15th century castle Château de Chaumont, rebuilt by Charles I d'Amboise, acquired by Catherine de Medici in 1560. Chaumont-sur-Loire, Loir-et-Cher, France
  • 15th century castle Château de Chaumont, rebuilt by Charles I d'Amboise, acquired by Catherine de Medici in 1560. Chaumont-sur-Loire, Loir-et-Cher, France
  • 15th century castle Château de Chaumont, rebuilt by Charles I d'Amboise, acquired by Catherine de Medici in 1560. Chaumont-sur-Loire, Loir-et-Cher, France
  • 15th century castle Château de Chaumont, rebuilt by Charles I d'Amboise, acquired by Catherine de Medici in 1560. Chaumont-sur-Loire, Loir-et-Cher, France
  • 15th century castle Château de Chaumont, rebuilt by Charles I d'Amboise, acquired by Catherine de Medici in 1560. Chaumont-sur-Loire, Loir-et-Cher, France
  • 15th century castle Château de Chaumont, rebuilt by Charles I d'Amboise, acquired by Catherine de Medici in 1560. Chaumont-sur-Loire, Loir-et-Cher, France
  • 15th century castle Château de Chaumont, rebuilt by Charles I d'Amboise, acquired by Catherine de Medici in 1560. Chaumont-sur-Loire, Loir-et-Cher, France
  • 15th century castle Château de Chaumont, rebuilt by Charles I d'Amboise, acquired by Catherine de Medici in 1560. Chaumont-sur-Loire, Loir-et-Cher, France
  • The Chateau de Chenonceau designed by French Renaissance architect Philibert de l'Orme 1555 by  to span the River Char. Loire Valley. Chenonceaux,  Indre-et-Loire département France.
  • 15th century castle Château de Chaumont, rebuilt by Charles I d'Amboise, acquired by Catherine de Medici in 1560. Chaumont-sur-Loire, Loir-et-Cher, France
  • 15th century castle Château de Chaumont, rebuilt by Charles I d'Amboise, acquired by Catherine de Medici in 1560. Chaumont-sur-Loire, Loir-et-Cher, France
  • 15th century castle Château de Chaumont, rebuilt by Charles I d'Amboise, acquired by Catherine de Medici in 1560. Chaumont-sur-Loire, Loir-et-Cher, France
  • The Chateau de Chenonceau designed by French Renaissance architect Philibert de l'Orme 1555 by  to span the River Char. Loire Valley. Chenonceaux,  Indre-et-Loire département France.
  • The Chateau de Chenonceau designed by French Renaissance architect Philibert de l'Orme 1555 by  to span the River Char. Loire Valley. Chenonceaux,  Indre-et-Loire département France.
  • The Chateau de Chenonceau designed by French Renaissance architect Philibert de l'Orme 1555 by  to span the River Char. Loire Valley. Chenonceaux,  Indre-et-Loire département France.
  • The Chateau de Chenonceau designed by French Renaissance architect Philibert de l'Orme 1555 by  to span the River Char. Loire Valley. Chenonceaux,  Indre-et-Loire département France.
  • The Chateau de Chenonceau designed by French Renaissance architect Philibert de l'Orme 1555 by  to span the River Char. Loire Valley. Chenonceaux,  Indre-et-Loire département France.
  • The Chateau de Chenonceau designed by French Renaissance architect Philibert de l'Orme 1555 by  to span the River Char. Loire Valley. Chenonceaux,  Indre-et-Loire département France.
  • The Chateau de Chenonceau at sunset designed by French Renaissance architect Philibert de l'Orme 1555 by  to span the River Char. Loire Valley. Chenonceaux,  Indre-et-Loire département France.
  • The Chateau de Chenonceau designed by French Renaissance architect Philibert de l'Orme 1555 by  to span the River Char. Loire Valley. Chenonceaux,  Indre-et-Loire département France.
  • The Chateau de Chenonceau designed by French Renaissance architect Philibert de l'Orme 1555 by  to span the River Char. Loire Valley. Chenonceaux,  Indre-et-Loire département France.
  • The Chateau de Chenonceau designed by French Renaissance architect Philibert de l'Orme 1555 by  to span the River Char. Loire Valley. Chenonceaux,  Indre-et-Loire département France.
  • The Chateau de Chenonceau at sunset designed by French Renaissance architect Philibert de l'Orme 1555 by  to span the River Char. Loire Valley. Chenonceaux,  Indre-et-Loire département France.
  • The Chateau de Chenonceau designed by French Renaissance architect Philibert de l'Orme 1555 by  to span the River Char. Loire Valley. Chenonceaux,  Indre-et-Loire département France.
  • The Chateau de Chenonceau designed by French Renaissance architect Philibert de l'Orme 1555 by  to span the River Char. Loire Valley. Chenonceaux,  Indre-et-Loire département France.
  • Wiild  chanterelle or girolle (Cantharellus cibarius), Pied de Mouton Mushrooms (hydnum repandum) or hedgehog mushrooms, Pied Bleu of blue foot mushrooms (Clitocybe nuda) with spaghetti
  • Wiild  chanterelle or girolle (Cantharellus cibarius), Pied de Mouton Mushrooms (hydnum repandum) or hedgehog mushrooms, Pied Bleu of blue foot mushrooms (Clitocybe nuda) risotto
  • Fresh picked wiild  chanterelle or girolle (Cantharellus cibarius), Pied de Mouton Mushrooms (hydnum repandum) or hedgehog mushrooms, Pied Bleu, blewitt or blue foot mushrooms (Clitocybe nuda)
  • Fresh picked wiild  chanterelle or girolle (Cantharellus cibarius), Pied de Mouton Mushrooms (hydnum repandum) or hedgehog mushrooms, Pied Bleu, blewitt or blue foot mushrooms (Clitocybe nuda)
  • Gothic altarpiece of Madonna and Child and 4 angels, by Pere Garcia de Benavarri, circa 1445-1485, tempera and gold leaf on wood.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  15817. Against a white background.
  • Gothic altarpiece of Madonna and Child and 4 angels, by Pere Garcia de Benavarri, circa 1445-1485, tempera and gold leaf on wood.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  15817. Against a black background.
  • Gothic altarpiece of Madonna and Child and 4 angels, by Pere Garcia de Benavarri, circa 1445-1485, tempera and gold leaf on wood.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  15817.
  • Gothic altarpiece of Madonna and Child and 4 angels, by Pere Garcia de Benavarri, circa 1445-1485, tempera and gold leaf on wood.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  15817. Against a art background.
  • Gothic altarpiece of Madonna and Child and 4 angels, by Pere Garcia de Benavarri, circa 1445-1485, tempera and gold leaf on wood.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  15817. Against a grey art background.
  • Gothic Altarpiece of Madonna and Child by Giovanni de Bologna, circa 1380-1389, tempera and gold leaf on wood.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  212802.
  • Fresh picked wiild  chanterelle or girolle (Cantharellus cibarius), Pied de Mouton Mushrooms (hydnum repandum) or hedgehog mushrooms, Pied Bleu, blewitt or blue foot mushrooms (Clitocybe nuda)
  • Fresh picked wiild  chanterelle or girolle (Cantharellus cibarius), Pied de Mouton Mushrooms (hydnum repandum) or hedgehog mushrooms, Pied Bleu, blewitt or blue foot mushrooms (Clitocybe nuda)
  • Fresh picked wiild  chanterelle or girolle (Cantharellus cibarius), Pied de Mouton Mushrooms (hydnum repandum) or hedgehog mushrooms, Pied Bleu, blewitt or blue foot mushrooms (Clitocybe nuda)
  • Fresh picked wiild  chanterelle or girolle (Cantharellus cibarius), Pied de Mouton Mushrooms (hydnum repandum) or hedgehog mushrooms, Pied Bleu, blewitt or blue foot mushrooms (Clitocybe nuda)
  • Fresh picked wiild  chanterelle or girolle (Cantharellus cibarius), Pied de Mouton Mushrooms (hydnum repandum) or hedgehog mushrooms, Pied Bleu, blewitt or blue foot mushrooms (Clitocybe nuda)
  • Fresh picked wiild  chanterelle or girolle (Cantharellus cibarius), Pied de Mouton Mushrooms (hydnum repandum) or hedgehog mushrooms, Pied Bleu, blewitt or blue foot mushrooms (Clitocybe nuda)
  • Fresh picked wiild  chanterelle or girolle (Cantharellus cibarius), Pied de Mouton Mushrooms (hydnum repandum) or hedgehog mushrooms, Pied Bleu, blewitt or blue foot mushrooms (Clitocybe nuda)
  • Fresh picked wiild  chanterelle or girolle (Cantharellus cibarius), Pied de Mouton Mushrooms (hydnum repandum) or hedgehog mushrooms, Pied Bleu, blewitt or blue foot mushrooms (Clitocybe nuda)
  • Fresh picked wiild  chanterelle or girolle (Cantharellus cibarius), Pied de Mouton Mushrooms (hydnum repandum) or hedgehog mushrooms, Pied Bleu, blewitt or blue foot mushrooms (Clitocybe nuda)
  • Fresh picked wiild  chanterelle or girolle (Cantharellus cibarius), Pied de Mouton Mushrooms (hydnum repandum) or hedgehog mushrooms, Pied Bleu, blewitt or blue foot mushrooms (Clitocybe nuda)
  • Fresh picked wiild  chanterelle or girolle (Cantharellus cibarius), Pied de Mouton Mushrooms (hydnum repandum) or hedgehog mushrooms, Pied Bleu, blewitt or blue foot mushrooms (Clitocybe nuda)
  • Fresh picked wiild  chanterelle or girolle (Cantharellus cibarius), Pied de Mouton Mushrooms (hydnum repandum) or hedgehog mushrooms, Pied Bleu, blewitt or blue foot mushrooms (Clitocybe nuda)
  • Fresh picked wiild  chanterelle or girolle (Cantharellus cibarius), Pied de Mouton Mushrooms (hydnum repandum) or hedgehog mushrooms, Pied Bleu, blewitt or blue foot mushrooms (Clitocybe nuda)
  • Fresh picked wiild  chanterelle or girolle (Cantharellus cibarius), Pied de Mouton Mushrooms (hydnum repandum) or hedgehog mushrooms, Pied Bleu, blewitt or blue foot mushrooms (Clitocybe nuda)
  • Fresh picked wiild  chanterelle or girolle (Cantharellus cibarius), Pied de Mouton Mushrooms (hydnum repandum) or hedgehog mushrooms, Pied Bleu, blewitt or blue foot mushrooms (Clitocybe nuda)
  • Fresh picked wiild  chanterelle or girolle (Cantharellus cibarius), Pied de Mouton Mushrooms (hydnum repandum) or hedgehog mushrooms, Pied Bleu, blewitt or blue foot mushrooms (Clitocybe nuda)
  • Fresh picked wiild  chanterelle or girolle (Cantharellus cibarius), Pied de Mouton Mushrooms (hydnum repandum) or hedgehog mushrooms, Pied Bleu, blewitt or blue foot mushrooms (Clitocybe nuda)
  • Wiild  chanterelle or girolle (Cantharellus cibarius), Pied de Mouton Mushrooms (hydnum repandum) or hedgehog mushrooms, Pied Bleu of blue foot mushrooms (Clitocybe nuda) with Casarecce Pasta
  • Wiild  chanterelle or girolle (Cantharellus cibarius), Pied de Mouton Mushrooms (hydnum repandum) or hedgehog mushrooms, Pied Bleu of blue foot mushrooms (Clitocybe nuda) with Casarecce Pasta
  • Wiild  chanterelle or girolle (Cantharellus cibarius), Pied de Mouton Mushrooms (hydnum repandum) or hedgehog mushrooms, Pied Bleu of blue foot mushrooms (Clitocybe nuda) with spaghetti
  • Wiild  chanterelle or girolle (Cantharellus cibarius), Pied de Mouton Mushrooms (hydnum repandum) or hedgehog mushrooms, Pied Bleu of blue foot mushrooms (Clitocybe nuda) with spaghetti
  • Wiild  chanterelle or girolle (Cantharellus cibarius), Pied de Mouton Mushrooms (hydnum repandum) or hedgehog mushrooms, Pied Bleu of blue foot mushrooms (Clitocybe nuda) risotto
  • Wiild  chanterelle or girolle (Cantharellus cibarius), Pied de Mouton Mushrooms (hydnum repandum) or hedgehog mushrooms, Pied Bleu of blue foot mushrooms (Clitocybe nuda) risotto
  • Wiild  chanterelle or girolle (Cantharellus cibarius), Pied de Mouton Mushrooms (hydnum repandum) or hedgehog mushrooms, Pied Bleu of blue foot mushrooms (Clitocybe nuda) risotto
  • Wiild  chanterelle or girolle (Cantharellus cibarius), Pied de Mouton Mushrooms (hydnum repandum) or hedgehog mushrooms, Pied Bleu of blue foot mushrooms (Clitocybe nuda) risotto
  • Wiild  chanterelle or girolle (Cantharellus cibarius), Pied de Mouton Mushrooms (hydnum repandum) or hedgehog mushrooms, Pied Bleu of blue foot mushrooms (Clitocybe nuda) with Casarecce Pasta
  • Wiild  chanterelle or girolle (Cantharellus cibarius), Pied de Mouton Mushrooms (hydnum repandum) or hedgehog mushrooms, Pied Bleu of blue foot mushrooms (Clitocybe nuda) with spaghetti
  • Wiild  chanterelle or girolle (Cantharellus cibarius), Pied de Mouton Mushrooms (hydnum repandum) or hedgehog mushrooms, Pied Bleu of blue foot mushrooms (Clitocybe nuda) with Casarecce Pasta
  • Wiild  chanterelle or girolle (Cantharellus cibarius), Pied de Mouton Mushrooms (hydnum repandum) or hedgehog mushrooms, Pied Bleu of blue foot mushrooms (Clitocybe nuda) risotto
  • Wiild  chanterelle or girolle (Cantharellus cibarius), Pied de Mouton Mushrooms (hydnum repandum) or hedgehog mushrooms, Pied Bleu of blue foot mushrooms (Clitocybe nuda) risotto
  • Enamelled terracotta relief panel of the Ascension of Christ made around 1490 for the Cordoni chapel in the church of Saint Agostino in the Citta de Castello, Umbria, Italy by Andrea  della Robbia of Florence.  The Louvre Museum, Paris.
  • Enamelled terracotta relief panel of the Ascension of Christ made around 1490 for the Cordoni chapel in the church of Saint Agostino in the Citta de Castello, Umbria, Italy by Andrea  della Robbia of Florence.  The Louvre Museum, Paris.
  • Enamelled terracotta relief panel of the Ascension of Christ made around 1490 for the Cordoni chapel in the church of Saint Agostino in the Citta de Castello, Umbria, Italy by Andrea  della Robbia of Florence.  The Louvre Museum, Paris.
  • Enamelled terracotta relief panel of the Ascension of Christ made around 1490 for the Cordoni chapel in the church of Saint Agostino in the Citta de Castello, Umbria, Italy by Andrea  della Robbia of Florence.  The Louvre Museum, Paris.
  • Enamelled terracotta relief panel of the Ascension of Christ made around 1490 for the Cordoni chapel in the church of Saint Agostino in the Citta de Castello, Umbria, Italy by Andrea  della Robbia of Florence.  The Louvre Museum, Paris.
  • Enamelled terracotta relief panel of the Virgin and Child with two cherubs a copy of the “Madonna de l’Impuuneta” by Luca della Robbia, Florence 1399-1482).  Inv Campana 32,  The Louvre Museum, Paris.
  • Enamelled terracotta relief panel of the Virgin and Child with two cherubs a copy of the “Madonna de l’Impuuneta” by Luca della Robbia, Florence 1399-1482).  Inv Campana 32,  The Louvre Museum, Paris.
  • Enamelled terracotta relief panel of the Virgin and Child with two cherubs a copy of the “Madonna de l’Impuuneta” by Luca della Robbia, Florence 1399-1482).  Inv Campana 32,  The Louvre Museum, Paris.
  • Enamelled terracotta relief panel of the Virgin and Child with two cherubs a copy of the “Madonna de l’Impuuneta” by Luca della Robbia, Florence 1399-1482).  Inv Campana 32,  The Louvre Museum, Paris.
  • Enamelled terracotta relief panel of the Virgin and Child with two cherubs a copy of the “Madonna de l’Impuuneta” by Luca della Robbia, Florence 1399-1482).  Inv Campana 32,  The Louvre Museum, Paris.
  • Patio de las Doncellas (Courtyard of the Maidens) an Italian Renaissance courtyard (1540-72) with Arabesque Mudéjar style plaster work, Alcazar of Seville, Seville, Spain
  • Patio de las Doncellas (Courtyard of the Maidens) an Italian Renaissance courtyard (1540-72) with Arabesque Mudéjar style plaster work, Alcazar of Seville, Seville, Spain
  • Patio de las Doncellas (Courtyard of the Maidens) an Italian Renaissance courtyard (1540-72) with Arabesque Mudéjar style plaster work, Alcazar of Seville, Seville, Spain
  • Patio de las Doncellas (Courtyard of the Maidens) an Italian Renaissance courtyard (1540-72) with Arabesque Mudéjar style plaster work, Alcazar of Seville, Seville, Spain
  • Detail of the Arabesque Mudéjar style plaster work of the Patio de las Doncellas (Courtyard of the Maidens) an Italian Renaissance courtyard (1540-72) , Alcazar of Seville, Seville, Spain
  • Detail of the Arabesque Mudéjar style plaster work of the Patio de las Doncellas (Courtyard of the Maidens) an Italian Renaissance courtyard (1540-72) , Alcazar of Seville, Seville, Spain
  • Detail of the Arabesque Mudéjar style plaster work of the Patio de las Doncellas (Courtyard of the Maidens) an Italian Renaissance courtyard (1540-72) , Alcazar of Seville, Seville, Spain
  • Detail of the Arabesque Mudéjar style plaster work of the Patio de las Doncellas (Courtyard of the Maidens) an Italian Renaissance courtyard (1540-72) , Alcazar of Seville, Seville, Spain
  • Detail of the Arabesque Mudéjar style plaster work of the Patio de las Doncellas (Courtyard of the Maidens) an Italian Renaissance courtyard (1540-72) , Alcazar of Seville, Seville, Spain
  • Detail of the Arabesque Mudéjar style plaster work of the Patio de las Doncellas (Courtyard of the Maidens) an Italian Renaissance courtyard (1540-72) , Alcazar of Seville, Seville, Spain
  • Detail of the Arabesque Mudéjar style plaster work of the Patio de las Doncellas (Courtyard of the Maidens) an Italian Renaissance courtyard (1540-72) , Alcazar of Seville, Seville, Spain
  • Detail of the Arabesque Mudéjar style plaster work of the Patio de las Doncellas (Courtyard of the Maidens) an Italian Renaissance courtyard (1540-72) , Alcazar of Seville, Seville, Spain
  • Detail of the Arabesque Mudéjar style plaster work of the Patio de las Doncellas (Courtyard of the Maidens) an Italian Renaissance courtyard (1540-72) , Alcazar of Seville, Seville, Spain
  • Detail of the Arabesque Mudéjar style plaster work of the Patio de las Doncellas (Courtyard of the Maidens) an Italian Renaissance courtyard (1540-72) , Alcazar of Seville, Seville, Spain
  • Patio de las Doncellas (Courtyard of the Maidens) an Italian Renaissance courtyard (1540-72) with Arabesque Mudéjar style plaster work, Alcazar of Seville, Seville, Spain
  • Patio de las Doncellas (Courtyard of the Maidens) an Italian Renaissance courtyard (1540-72) with Arabesque Mudéjar style plaster work, Alcazar of Seville, Seville, Spain
  • Patio de las Doncellas (Courtyard of the Maidens) an Italian Renaissance courtyard (1540-72) with Arabesque Mudéjar style plaster work, Alcazar of Seville, Seville, Spain
  • Patio de las Doncellas (Courtyard of the Maidens) an Italian Renaissance courtyard (1540-72) with Arabesque Mudéjar style plaster work, Alcazar of Seville, Seville, Spain
  • Patio de las Doncellas (Courtyard of the Maidens) an Italian Renaissance courtyard (1540-72) with Arabesque Mudéjar style plaster work, Alcazar of Seville, Seville, Spain
  • Patio de las Doncellas (Courtyard of the Maidens) an Italian Renaissance courtyard (1540-72) with Arabesque Mudéjar style plaster work, Alcazar of Seville, Seville, Spain
  • Patio de las Doncellas (Courtyard of the Maidens) an Italian Renaissance courtyard (1540-72) with Arabesque Mudéjar style plaster work, Alcazar of Seville, Seville, Spain
  • Patio de las Doncellas (Courtyard of the Maidens) an Italian Renaissance courtyard (1540-72) with Arabesque Mudéjar style plaster work, Alcazar of Seville, Seville, Spain
  • Patio de las Doncellas (Courtyard of the Maidens) an Italian Renaissance courtyard (1540-72) with Arabesque Mudéjar style plaster work, Alcazar of Seville, Seville, Spain
  • Patio de las Doncellas (Courtyard of the Maidens) an Italian Renaissance courtyard (1540-72) with Arabesque Mudéjar style plaster work, Alcazar of Seville, Seville, Spain
  • Patio de las Doncellas (Courtyard of the Maidens) an Italian Renaissance courtyard (1540-72) with Arabesque Mudéjar style plaster work, Alcazar of Seville, Seville, Spain
  • Patio de las Doncellas (Courtyard of the Maidens) an Italian Renaissance courtyard (1540-72) with Arabesque Mudéjar style plaster work, Alcazar of Seville, Seville, Spain
  • Patio de las Doncellas (Courtyard of the Maidens) an Italian Renaissance courtyard (1540-72) with Arabesque Mudéjar style plaster work, Alcazar of Seville, Seville, Spain
  • Patio de las Doncellas (Courtyard of the Maidens) an Italian Renaissance courtyard (1540-72) with Arabesque Mudéjar style plaster work, Alcazar of Seville, Seville, Spain
  • Tiled commemoration plague in the Plaza de Espana in Seville built in 1928 for the Ibero-American Exposition of 1929, Seville Spain
  • Tiled  lamp column of the Plaza de Espana in Seville built in 1928 for the Ibero-American Exposition of 1929, Seville Spain
  • Tiled  lamp column of the Plaza de Espana in Seville built in 1928 for the Ibero-American Exposition of 1929, Seville Spain
  • Tiled architectural details of the Plaza de Espana in Seville built in 1928 for the Ibero-American Exposition of 1929, Seville Spain
  • Tiled stair balistrades of the Plaza de Espana in Seville built in 1928 for the Ibero-American Exposition of 1929, Seville Spain
  • Tiled architectural details of the Plaza de Espana in Seville built in 1928 for the Ibero-American Exposition of 1929, Seville Spain
  • Tiled stair balistrades of the Plaza de Espana in Seville built in 1928 for the Ibero-American Exposition of 1929, Seville Spain
  • The tiled 'Province Alcoves' along the walls of the Plaza de Espana in Seville built in 1928 for the Ibero-American Exposition of 1929, Seville Spain
  • Tiled stair balistrades of the Plaza de Espana in Seville built in 1928 for the Ibero-American Exposition of 1929, Seville Spain
  • The tiled Albacette Alcove along the walls of the Plaza de Espana in Seville built in 1928 for the Ibero-American Exposition of 1929, Seville Spain
  • The tiled Albacette Alcove along the walls of the Plaza de Espana in Seville built in 1928 for the Ibero-American Exposition of 1929, Seville Spain
  • The tiled Albacette Alcove along the walls of the Plaza de Espana in Seville built in 1928 for the Ibero-American Exposition of 1929, Seville Spain
  • The tiled Albacette Alcove along the walls of the Plaza de Espana in Seville built in 1928 for the Ibero-American Exposition of 1929, Seville Spain
  • The tiled Alicante Alcove along the walls of the Plaza de Espana in Seville built in 1928 for the Ibero-American Exposition of 1929, Seville Spain
  • The tiled Alicante Alcove along the walls of the Plaza de Espana in Seville built in 1928 for the Ibero-American Exposition of 1929, Seville Spain
  • The tiled Alicante Alcove along the walls of the Plaza de Espana in Seville built in 1928 for the Ibero-American Exposition of 1929, Seville Spain
  • The tiled Alicante Alcove along the walls of the Plaza de Espana in Seville built in 1928 for the Ibero-American Exposition of 1929, Seville Spain
  • The Almera tiled Alcove along the walls of the Plaza de Espana in Seville built in 1928 for the Ibero-American Exposition of 1929, Seville Spain
  • The Almera tiled Alcove along the walls of the Plaza de Espana in Seville built in 1928 for the Ibero-American Exposition of 1929, Seville Spain
  • The Almera tiled Alcove along the walls of the Plaza de Espana in Seville built in 1928 for the Ibero-American Exposition of 1929, Seville Spain
  • The Almera tiled Alcove along the walls of the Plaza de Espana in Seville built in 1928 for the Ibero-American Exposition of 1929, Seville Spain
  • The Avilla alcove along the walls of the Plaza de Espana in Seville built in 1928 for the Ibero-American Exposition of 1929, Seville Spain
  • The Avilla alcove along the walls of the Plaza de Espana in Seville built in 1928 for the Ibero-American Exposition of 1929, Seville Spain
  • The Avilla alcove along the walls of the Plaza de Espana in Seville built in 1928 for the Ibero-American Exposition of 1929, Seville Spain
  • The Badajoz alcove along the walls of the Plaza de Espana in Seville built in 1928 for the Ibero-American Exposition of 1929, Seville Spain
  • The Badajoz alcove along the walls of the Plaza de Espana in Seville built in 1928 for the Ibero-American Exposition of 1929, Seville Spain
  • The Badajoz alcove along the walls of the Plaza de Espana in Seville built in 1928 for the Ibero-American Exposition of 1929, Seville Spain
  • The Almera tiled Alcove along the walls of the Plaza de Espana in Seville built in 1928 for the Ibero-American Exposition of 1929, Seville Spain
  • The Almera tiled Alcove along the walls of the Plaza de Espana in Seville built in 1928 for the Ibero-American Exposition of 1929, Seville Spain
  • The Almera tiled Alcove along the walls of the Plaza de Espana in Seville built in 1928 for the Ibero-American Exposition of 1929, Seville Spain
  • The Seville tiled Alcove along the walls of the Plaza de Espana in Seville built in 1928 for the Ibero-American Exposition of 1929, Seville Spain
  • The Seville tiled Alcove along the walls of the Plaza de Espana in Seville built in 1928 for the Ibero-American Exposition of 1929, Seville Spain
  • The Seville tiled Alcove along the walls of the Plaza de Espana in Seville built in 1928 for the Ibero-American Exposition of 1929, Seville Spain
  • The Seville tiled Alcove along the walls of the Plaza de Espana in Seville built in 1928 for the Ibero-American Exposition of 1929, Seville Spain
  • The Seville tiled Alcove along the walls of the Plaza de Espana in Seville built in 1928 for the Ibero-American Exposition of 1929, Seville Spain
  • The North Tower of the Plaza de Espana in Seville built in 1928 for the Ibero-American Exposition of 1929, Seville Spain
  • The North Tower of the Plaza de Espana in Seville built in 1928 for the Ibero-American Exposition of 1929, Seville Spain
  • The North Tower of the Plaza de Espana in Seville built in 1928 for the Ibero-American Exposition of 1929, Seville Spain
  • Medieval stained glass Window of the Gothic Cathedral of Chartres, France - dedicated to St Margret and St Catherine. Bottom left panel -  Margaret of Lèves praying before statue of the Virgin & Child, bottom right - Donors of the window  Geffroy de Meslay and Guerin de Fraize. Top left panel - St Margaret vanquishing a demon, top right panel - St Margaret bursting out of the belly of a dragon . A UNESCO World Heritage Site.
  • 4th Century AD Roman Opus Sectile Mosaic of a chariot & 4 horses from the basilica de Giunio Basso.  Museo Nazionale Romano ( National Roman Museum), Rome, Italy. Against a white background.
  • 4th Century AD Roman Opus Sectile Mosaic of a chariot & 4 horses from the basilica de Giunio Basso.  Museo Nazionale Romano ( National Roman Museum), Rome, Italy. Against a black background.
  • 4th Century AD Roman Opus Sectile Mosaic of a chariot & 4 horses from the basilica de Giunio Basso.  Museo Nazionale Romano ( National Roman Museum), Rome, Italy. Against a grey background.
  • 4th Century AD Roman Opus Sectile Mosaic of a chariot & 4 horses from the basilica de Giunio Basso.  Museo Nazionale Romano ( National Roman Museum), Rome, Italy. Against an art background.
  • 4th Century AD Roman Opus Sectile Mosaic of a chariot & 4 horses from the basilica de Giunio Basso.  Museo Nazionale Romano ( National Roman Museum), Rome, Italy.
  • 4th Century AD Roman Opus Sectile Mosaic depicting nymphs from the basilica de Giunio Basso .  Museo Nazionale Romano ( National Roman Museum), Rome, Italy. Against a white background.
  • 4th Century AD Roman Opus Sectile Mosaic depicting nymphs from the basilica de Giunio Basso .  Museo Nazionale Romano ( National Roman Museum), Rome, Italy. Against a black background.
  • 4th Century AD Roman Opus Sectile Mosaic depicting nymphs from the basilica de Giunio Basso .  Museo Nazionale Romano ( National Roman Museum), Rome, Italy.
  • 4th Century AD Roman Opus Sectile Mosaic depicting nymphs from the basilica de Giunio Basso .  Museo Nazionale Romano ( National Roman Museum), Rome, Italy.
  • 4th Century AD Roman Opus Sectile Mosaic depicting nymphs from the basilica de Giunio Basso .  Museo Nazionale Romano ( National Roman Museum), Rome, Italy. Against an art background.
  • 4th Century AD Roman Opus Sectile Mosaic depicting nymphs from the basilica de Giunio Basso .  Museo Nazionale Romano ( National Roman Museum), Rome, Italy.
  • 4th Century AD Roman Opus Sectile Mosaic of a chariot & 4 horses from the basilica de Giunio Basso.  Museo Nazionale Romano ( National Roman Museum), Rome, Italy.
  • Gothic statue of The Virgin Mary (Madonna) holding the baby Jesus. Polychrome and gold leaf on wood by the Circle of Gil de Siloe around 1500, probably from Castella. Inv MNAC 64028. National Museum of Catalan Art (MNAC), Barcelona, Spain. Against a white background.
  • Gothic statue of The Virgin Mary (Madonna) holding the baby Jesus. Polychrome and gold leaf on wood by the Circle of Gil de Siloe around 1500, probably from Castella. Inv MNAC 64028. National Museum of Catalan Art (MNAC), Barcelona, Spain. Against a black background.

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