• Bayeux Tapestry  Scene 14 and 15 - Harold arrives at the gates of Duke Williams castle then Harold and Duke Williams hold negotiations.
  • Bayeux Tapestry Scene 19 - After the Norman attacjk of Dinan the Duke of Brittany surrenders and hands over the city keys to Duke William
  • Bayeux Tapestry Scene 12 and 13  - Duke William gives orders to messengers  and Harold is handed over by Guy count of Ponthieu to Duke Williams
  • Bayeux Tapestry Scene 18 - Normans attack Dol and make the Duke of Brittany flee then they attack Dinan and finaly the Duke of Britany surrenders
  • Bayeux Tapestry scene 22:  Duke William and Harold ride to Bayeux after defeating Duke of Britany.
  • Bayeux Tapestry scene 20: Conan Duke of Britany surrender Dinan, city keys on end of his lance, to Duke William.
  • Bayeux Tapestry scene 23 :  In front of Duke William, Harold touches 2 reliqueries and swears fealty to Duke William.
  • Bayeux Tapestry scene 21 : Duke William knights Harold for fighting against Duke of Britany. BYX21
  • Bayeux Tapestry scene 18: The Norman army of Duke Willam enters Dol and the Rennes, Duke Conan of Brittany flees.   BYX18
  • Bayeux Tapestry scene 16: Harold rides with Duke William to fight Conan, Duke of Britany.  BYX16
  • Bayeux Tapestry scene 21 : Duke William knights Harold for fighting against Duke of Britany.
  • Bayeux Tapestry scene 23 :  In front of Duke William, Harold touches 2 reliqueries and swears fealty to Duke William.
  • Bayeux Tapestry scene 16: Harold rides with Duke William to fight Conan, Duke of Britany.
  • Bayeux Tapestry scene 18: The Norman army of Duke Willam enters Dol and the Rennes, Duke Conan of Brittany flees.   BYX18
  • Bayeux Tapestry scene 23 :  In front of Duke William, Harold touches 2 reliqueries and swears fealty to Duke William. BYX23
  • Bayeux Tapestry scene 22:  Duke William and Harold ride to Bayeux after defeating Duke of Britany. BYX22
  • Bayeux Tapestry scene 20: Conan Duke of Britany surrender Dinan, city keys on end of his lance, to Duke William. BYX20
  • Bayeux Tapestry Scene 22 and 23 - Harold and William go to Bayeux where holding two relics Harold swears fealty to Duke William
  • Bayeux Tapestry Scene 21 - Harold id Knighted by Duke William
  • Bayeux Tapestry Scene 18 - Normans attack Dol and make the Duke of Brittany flee
  • Bayeux Tapestry  Scene 15 - Duke Williams daughter is promised in marriage to Harold.
  • Bayeux Tapestry  Scene 15 - Harold and Duke Williams hold negotiations.
  • Bayeux Tapestry  Scene 13 - Harold is handed over by Guy count of Ponthieu to Duke Williams.
  • Bayeux Tapestry Scene  23 - At  Bayeux Harold,  holding two relics, swears fealty to Duke William
  • Bayeux Tapestry Scene 22 - Harold and  Duke William return to Bayeux together
  • Bayeux Tapestry  Scene 16 and 17  - Williams asks Harold to joint him in war against Conan Duke of Britany on the way Soldiers get caught in Quicksand near Mont St Michele.
  • Bayeux Tapestry  Scene 16 - Williams asks Harold to joint him in war against Conan Duke of Britany.
  • Bayeux Tapestry  Scene 14 - Harold arrives at the gates of Duke Williams castle,
  • Bayeux Tapestry scene 34:  Messengers sail from England to tell Duke William of Harold's corination.
  • Bayeux Tapestry scene 55:  Duke William raises his visor to show that a rumour he was killed is un-true.
  • Bayeux Tapestry scene 55:  Duke William raises his visor to show that a rumour he was killed is un-true.
  • Bayeux Tapestry scene 48 :  Duke Williams Norman cavalry advance on Harols Saxons.
  • Bayeux Tapestry scene 48 :  Duke Williams Norman cavalry advance on Harols Saxons.
  • Bayeux Tapestry scene 52:  Harpld brother, Duke of Lewine and Byrd is killed in the Battle of Hastings. BYX52
  • Bayeux Tapestry scene 49:  As he advances Duke William is told where the Saxon army is. BYX49
  • Bayeux Tapestry scene 46:  Duke William id told of Harolds army arrival and a house is burnt to clear the way. BYX46
  • Bayeux Tapestry scene 38:  Duke Williams invasion fleet  ships cross the channel to England. BYX38
  • Bayeux Tapestry scene 43 - 44:  Duke William, his barons and Bishop Odo hold a banquet to celebrate their safe arrival in England. BYX43 BYX44
  • Bayeux Tapestry scene 37:  weapons, wine and horses are loaded on Duke Williams's invasion fleet. BYX37
  • Bayeux Tapestry scene 19 :  Duke Willam and his army attack Dinan in Britany. BYX19
  • Bayeux Tapestry scene 17 : Crossing the Couesnon River near Mont St Michele, Duke Williams Soldiers sink in quicksand. BYX17
  • Bayeux Tapestry scene 14: Harold arives at Duke William of Normandy Castle. BYX14
  • The neo-classic south front with Corinthian columns of the Duke of Buckingham's  Stowe House designed by Robert Adam in 1771,  Buckingham, England
  • Corinthian coloumns of  the neo-classic south front with Corinthian columns of the Duke of Buckingham's  Stowe House designed by Robert Adam in 1771,  Buckingham, England
  • The neo-classic Temple of Concorde in Capability Browns English Lanscape Gardens at the Duke of Buckingham's  Stowe House,  Buckingham, England
  • The neo-classic Corinthian Arch looking towards the south side of the Duke of Buckingham's Stowe House, Stowe, Buckingham, England
  • The neo-classic Corinthian Arch looking towards the south side of the Duke of Buckingham's Stowe House, Stowe, Buckingham, England
  • Bayeux Tapestry scene 58 :  Duke William wins the Battle of Hastings and is proclaimed King of England.
  • Bayeux Tapestry scene 55:  Duke William raises his visor to show that a rumour he was killed is un-true.
  • Bayeux Tapestry scene 52:  Harpld brother, Duke of Lewine and Byrd is killed in the Battle of Hastings.
  • Bayeux Tapestry scene 51a : Duke William talks to his soldiers ordering them into battle.
  • Bayeux Tapestry scene 38:  Duke Williams invasion fleet  ships cross the channel to England.
  • Bayeux Tapestry scene 48 :  Duke Williams Norman cavalry advance on Harols Saxons.
  • Bayeux Tapestry scene 49:  As he advances Duke William is told where the Saxon army is.
  • Bayeux Tapestry scene 47:  A house is burnt to clear the way for Williams Army and Duke William gets ready from battle.
  • Bayeux Tapestry scene 43 - 44:  Duke William, his barons and Bishop Odo hold a banquet to celebrate their safe arrival in England.
  • Bayeux Tapestry scene 39:  Horses are disembarked in England from Duke Williams invasion fleet.
  • Bayeux Tapestry scene 37:  weapons, wine and horses are loaded on Duke Williams's invasion fleet.
  • Bayeux Tapestry scene 35:  Duke William reacts to Harold's Corination by ordering an invasion fleet to be built.
  • Bayeux Tapestry scene 23 : Having sworn fealty to Duke William Harold sails back to England.
  • Bayeux Tapestry scene 19 :  Duke Willam and his army attack Dinan in Britany.
  • Bayeux Tapestry scene 17 : Crossing the Couesnon River near Mont St Michele, Duke Williams Soldiers sink in quicksand.
  • Bayeux Tapestry scene 14: Harold arives at Duke William of Normandy Castle.
  • Bayeux Tapestry scene 46:  Duke William id told of Harolds army arrival and a house is burnt to clear the way.
  • Bayeux Tapestry scene 48 :  Duke Williams Norman cavalry advance on Harols Saxons.
  • Bayeux Tapestry scene 46:  Duke William id told of Harolds army arrival and a house is burnt to clear the way.
  • Bayeux Tapestry scene 48 :  Duke Williams Norman cavalry advance on Harols Saxons.
  • Bayeux Tapestry scene 48 :  Duke Williams Norman cavalry advance on Harols Saxons.
  • Bayeux Tapestry scene 46:  Duke William id told of Harolds army arrival and a house is burnt to clear the way.
  • Bayeux Tapestry scene 58 :  Duke William wins the Battle of Hastings and is proclaimed King of England. BYX58
  • Bayeux Tapestry scene 55:  Duke William raises his visor to show that a rumour he was killed is un-true. BYX55
  • Bayeux Tapestry scene 51a : Duke William talks to his soldiers ordering them into battle.  BYX51a
  • Bayeux Tapestry scene 47:  A house is burnt to clear the way for Williams Army and Duke William gets ready from battle. BYX47
  • Bayeux Tapestry scene 48 :  Duke Williams Norman cavalry advance on Harols Saxons. BYX48
  • Bayeux Tapestry scene 39:  Horses are disembarked in England from Duke Williams invasion fleet. BYX39
  • Bayeux Tapestry scene 35:  Duke William reacts to Harold's Corination by ordering an invasion fleet to be built. BYX35
  • Bayeux Tapestry scene 34:  Messengers sail from England to tell Duke William of Harold's corination. BYX34
  • Bayeux Tapestry scene 23 : Having sworn fealty to Duke William Harold sails back to England. BYX23
  • The neo-classic south front with Corinthian columns of the Duke of Buckingham's  Stowe House designed by Robert Adam in 1771,  Buckingham, England
  • The neo-classic south front with Corinthian columns of the Duke of Buckingham's  Stowe House designed by Robert Adam in 1771,  Buckingham, England
  • Corinthian coloumns of  the neo-classic south front with Corinthian columns of the Duke of Buckingham's  Stowe House designed by Robert Adam in 1771,  Buckingham, England
  • The neo-classic south front with Corinthian columns of the Duke of Buckingham's  Stowe House designed by Robert Adam in 1771,  Buckingham, England
  • The neo-classic south front with Corinthian columns of the Duke of Buckingham's  Stowe House designed by Robert Adam in 1771,  Buckingham, England
  • The neo-classic Temple of Concorde in Capability Browns English Lanscape Gardens at the Duke of Buckingham's  Stowe House,  Buckingham, England
  • The neo-classic Corinthian Arch ldesigned by Giovanni Battista Borra in the 1750's ooking towards the south side of the Duke of Buckingham's Stowe House, Stowe, Buckingham, England
  • The neo-classic south front with Corinthian columns of the Duke of Buckingham's  Stowe House designed by Robert Adam in 1771. The landscape English garden was designed by Capability Brown.  Buckingham, England
  • Lion statue in front of the neo-classic south front with Corinthian columns of the Duke of Buckingham's  Stowe House designed by Robert Adam in 1771,  Buckingham, England
  • The neo-classic Corinthian columns  of the south front of the Duke of Buckingham's  Stowe House designed by Robert Adam in 1771,  Buckingham, England
  • The neo-classic south front with Corinthian columns of the Duke of Buckingham's  Stowe House designed by Robert Adam in 1771,  Buckingham, England
  • The neo-classic south front with Corinthian columns of the Duke of Buckingham's  Stowe House designed by Robert Adam in 1771,  Buckingham, England
  • The neo-classic Corinthian Arch looking towards the south side of the Duke of Buckingham's Stowe House, Stowe, Buckingham, England
  • The neo-classic south front with Corinthian columns of the Duke of Buckingham's  Stowe House designed by Robert Adam in 1771. The landscape English garden was designed by Capability Brown.  Buckingham, England
  • Bayeux Tapestry scene 56: Norman caalry breaks through Saxon lines and Harolds army is slaughtered.
  • Bayeux Tapestry scene 57: King Harold is killed by an arrow in his eye as he looses the Battle of Hastings.
  • Bayeux Tapestry scene 54: Bishop Odo, holding club, urges Norman cavalry against the Saon soldiers on a hill at the Battle of Hastings.
  • Bayeux Tapestry scene 51b: The Norman cavalry charge the Saxon foot solders.
  • Bayeux Tapestry scene 50:  A saxon watchman warns of the approaching Norman army.
  • Bayeux Tapestry scene 45:  Norman soldiers train and built a fortified camp.
  • Bayeux Tapestry scene 41 - 42:  Cooks are supervised by Wadar, one of Williams servants.
  • Bayeux Tapestry scene 31-32-33 : Astrologers see a comet in the sky and predict an evil omen for Harold.
  • Bayeux Tapestry scene 13 :  Guy de Ponthieu, left,  hands Harold over to William the Conqueror, right.
  • Bayeux Tapestry scene 11 :  Two messengers rush from William to Guy de Ponthieu with orders fro Harolds release.
  • Bayeux Tapestry scene 8 : Guy de Ponthieu, holding falcon, escorts his prisoner, Harold, to Beaurain.
  • Bayeux Tapestry scene 9:  Guy de Ponthieu, on throne, discussed his with Harold his ransom demands.
  • Bayeux Tapestry scene 4: Harold boards his ship to sail across the Channel to Normandy.
  • Bayeux Tapestry scene 3 - 4: Harold stops on way to Normandy to recieve blessing at Bosham church and then feasts.
  • Bayeux Tapestry scene 1 : Edward The confessor send Harold to inform William he will succeed to English Throne.
  • Bayeux Tapestry scene 57: King Harold is killed by an arrow in his eye as he looses the Battle of Hastings.
  • Bayeux Tapestry scene 9:  Guy de Ponthieu, on throne, discussed his with Harold his ransom demands.
  • Bayeux Tapestry scene 1 : Edward The confessor send Harold to inform William he will succeed to English Throne.
  • Bayeux Tapestry scene 1 : Edward The confessor send Harold to inform William he will succeed to English Throne.
  • Bayeux Tapestry scene 51c:  The Norman cavalry charge the Saxon foot solders. BYX51c
  • Bayeux Tapestry scene 53a : Fierce fighting between Norman and Saxon soldiers at The Battle of Hastings.  BYX53a
  • Bayeux Tapestry scene 53b: Norman cavalry attack Saxon soldiers ontop of a hill at the Battle of Hastings.   BYX53b
  • Bayeux Tapestry scene 51b: The Norman cavalry charge the Saxon foot solders.  BYX51b
  • Bayeux Tapestry scene 50:  A saxon watchman warns of the approaching Norman army. BYX50
  • Bayeux Tapestry scene 40:  Norman soldiers ride to Hastings to make camp. BYX40
  • Bayeux Tapestry scene 29 - 30: Harold is proclaimed King then crowned.  BYX29 & BYX30
  • Bayeux Tapestry scene 27-28 :  A dying Edward the Confessor makes his last requests' BYX27 BYX 28
  • Bayeux Tapestry scene 26 :  Edward The Confessor's Corpes is carried to St Peters Church. BYX26
  • Bayeux Tapestry scene 25: Harold reports to Edward thr Confessor about his mission to see Williams in Normandy. BYX25
  • Bayeux Tapestry scene 15:  Dule William of Normandy hold discussions with Harold and, right, Williams daughter Aelgyve is detroved to him. BYX15
  • Bayeux Tapestry scene 13 :  Guy de Ponthieu, left,  hands Harold over to William the Conqueror, right. BYX13
  • Bayeux Tapestry scene 12 : William gives orders to his messengers for Harolds release, BYX12
  • Bayeux Tapestry scene  6 - 7:  Harold is areested by Guy de Ponthieu for landing without permission. BYX6 BYX7
  • Bayeux Tapestry scene 3 - 4: Harold stops on way to Normandy to recieve blessing at Bosham church and then feasts.  BYX3
  • Bayeux Tapestry scene 2 : Harlod leaves for Normandy to inform William he will eucceed to English Throne.  BYX2
  • Bayeux Tapestry Scene 19 - Normans attack Dinan
  • Bayeux Tapestry Scene 18 - Normans attack Dol Rennes
  • The Gothic Temple ( 1740's ) designed by James Gibbs in the English landscape gardens of Stowe, designed by Capability Brown. Buckingham, England
  • The Palladian Bridge, 1774 , designed by James Gibbs over the lake  in the English landscape gardens of Stowe, designed by Capability Brown. Buckingham, England
  • The Palladian  Style Temple of Ancient Virtue designed by William Kent in 1731 , Stowe, Buckingham, England
  • The late Baroque "Pepper Pots" at the west entrance to Stowe House, Buckingham, England
  • The Palladian Bridge 1774 designed by James Gibbs over the lake  in the English landscape gardens of Stowe, designed by Capability Brown. Buckingham, England
  • The Gothic Temple ( 1740's ) designed by James Gibbs in the English landscape gardens of Stowe, designed by Capability Brown. Buckingham, England
  • The Gothic Temple ( 1740's ) designed by James Gibbs in the English landscape gardens of Stowe, designed by Capability Brown. Buckingham, England
  • Neo-Classic Doric arch folly in the English landscape gardens of Stowe, designed by Capability Brown. Buckingham, England
  • The Neo-classic Eleven Acre Rotinda folly, Stowe, Buckingham, England
  • Blenheim Palace  Italian Garden with topiary maize - England
  • Blenheim Palace  Italian Garden with topiary maize - England
  • Blenheim Palace  Italian Garden with topiary maize - England
  • Blenheim Palace  Italian Garden with topiary maize - England
  • Blenheim Palace  Italian Garden with topiary maize - England
  • Blenheim Palace  Italian Garden with topiary maize - England
  • Blenheim Palace  Italian Garden with topiary maize - England
  • Blenheim Palace  Italian Garden with topiary maize - England
  • Blenheim Palace  Italian Garden and Fountain - England
  • Blenheim Palace  Italian Garden and Fountain - England
  • Blenheim Palace  Italian Garden and Fountain - England
  • Blenheim Palace  Italian Garden and Fountain - England
  • Blenheim Palace  Italian Garden and Fountain - England
  • Blenheim Palace  Italian Garden and Fountain - England
  • Blenheim Palace - Italian Garden fountain
  • Blenheim Palace - Italian Garden fountain
  • Blenheim Palace - Italian Garden fountain
  • Blenheim Palace - Italian Garden fountain
  • Blenheim Palace - Italian Garden fountain
  • Blenheim Palace - Italian Garden  and Palace
  • Blenheim Palace - Italian Garden  and Palace
  • Blenheim Palace - Italian Garden  and Palace
  • Blenheim Palace - Italian Garden  and Palace
  • Blenheim Palace - Italian Garden fountain
  • Blenheim Palace - Italian Garden fountain
  • Bayeux Tapestry scene 51c:  The Norman cavalry charge the Saxon foot solders.
  • Bayeux Tapestry scene 53a : Fierce fighting between Norman and Saxon soldiers at The Battle of Hastings.
  • Bayeux Tapestry scene 53b: Norman cavalry attack Saxon soldiers ontop of a hill at the Battle of Hastings.
  • Bayeux Tapestry scene 40:  Norman soldiers ride to Hastings to make camp.
  • Bayeux Tapestry scene 36: The Normans launch an invasion fleet
  • Bayeux Tapestry scene 27-28 :  A dying Edward the Confessor makes
  • Bayeux Tapestry scene 29 - 30: Harold is proclaimed King then crowned.
  • Bayeux Tapestry scene 26 :  Edward The Confessor's Corpes is carried to St Peters Church.
  • Bayeux Tapestry scene 25: Harold reports to Edward thr Confessor about his mission to see Williams in Normandy.
  • Bayeux Tapestry scene 15:  Dule William of Normandy hold discussions with Harold and, right, Williams daughter Aelgyve is detroved to him.
  • Bayeux Tapestry scene 12 : William gives orders to his messengers for Harolds release,
  • Bayeux Tapestry scene 10:  William sends messengers to Guy de Ponthieu ordering Harolds release.
  • Bayeux Tapestry scene 5 : Strong winds blow Harold ships off course to the lands of Guy de Ponthieu.
  • Bayeux Tapestry scene  6 - 7:  Harold is areested by Guy de Ponthieu for landing without permission.
  • Bayeux Tapestry scene 2 : Harlod leaves for Normandy to inform William he will eucceed to English Throne.
  • Bayeux Tapestry scene 57: King Harold is killed by an arrow in his eye as he looses the Battle of Hastings.
  • Bayeux Tapestry scene 51b: The Norman cavalry charge the Saxon foot solders.
  • Bayeux Tapestry scene 51b: The Norman cavalry charge the Saxon foot solders.
  • Bayeux Tapestry scene 51b: The Norman cavalry charge the Saxon foot solders.
  • Bayeux Tapestry scene 57: King Harold is killed by an arrow in his eye as he looses the Battle of Hastings.  BYX57
  • Bayeux Tapestry scene 1 : Edward The confessor send Harold to inform William he will succeed to English Throne.
  • Bayeux Tapestry scene 56: Norman caalry breaks through Saxon lines and Harolds army is slaughtered. BYX56
  • Bayeux Tapestry scene 54: Bishop Odo, holding club, urges Norman cavalry against the Saon soldiers on a hill at the Battle of Hastings. BYX54
  • Bayeux Tapestry scene 45:  Norman soldiers train and built a fortified camp. BYX45
  • Bayeux Tapestry scene 41 - 42:  Cooks are supervised by Wadar, one of Williams servants. BYX41 - 42
  • Bayeux Tapestry scene 36: The Normans launch an invasion fleet BYX36
  • Bayeux Tapestry scene 31-32-33 : Astrologers see a comet in the sky and predict an evil omen for Harold. BYX31
  • Bayeux Tapestry scene 8 : Guy de Ponthieu, holding falcon, escorts his prisoner, Harold, to Beaurain. BYX8
  • Bayeux Tapestry scene 11 :  Two messengers rush from William to Guy de Ponthieu with orders fro Harolds release.  BYX11
  • Bayeux Tapestry scene 10:  William sends messengers to Guy de Ponthieu ordering Harolds release. BYX10
  • Bayeux Tapestry scene 9:  Guy de Ponthieu, on throne, discussed his with Harold his ransom demands. BYX9
  • Bayeux Tapestry scene 5 : Strong winds blow Harold ships off course to the lands of Guy de Ponthieu. BYX5
  • Bayeux Tapestry scene 1 : Edward The confessor send Harold to inform William he will succeed to English Throne.  BYX1
  • Bayeux Tapestry scene 4: Harold boards his ship to sail across the Channel to Normandy.  BYX4
  • Bayeux Tapestry  Scene 17 - Soldiers get caught in Quicksand near Mont St Michele.
  • Scene 11-12 of the Bayeux Tapestry  - Armoured soldiers are sent to Beaurain and William gives orders to messengers.
  • The Gothic Temple ( 1740's ) designed by James Gibbs in the English landscape gardens of Stowe, designed by Capability Brown. Buckingham, England
  • The Gothic Temple ( 1740's ) designed by James Gibbs in the English landscape gardens of Stowe, designed by Capability Brown. Buckingham, England
  • The Gothic Temple ( 1740's ) designed by James Gibbs in the English landscape gardens of Stowe, designed by Capability Brown. Buckingham, England
  • The Palladian  Style Temple of Ancient Virtue designed by William Kent in 1731 , Stowe, Buckingham, England
  • The Palladian  Style Temple of Ancient Virtue designed by William Kent in 1731 , Stowe, Buckingham, England
  • The rotunda of Venus (Aphrodite) in the English landscape gardens of Stowe, designed by Capability Brown. Buckingham, England
  • The Palladian Bridge 1774 designed by James Gibbs over the lake  in the English landscape gardens of Stowe, designed by Capability Brown. Buckingham, England
  • The Gothic Temple ( 1740's ) designed by James Gibbs in the English landscape gardens of Stowe, designed by Capability Brown. Buckingham, England
  • A Neo Classic column in the  English gardens  designed by Capability Brown.  Buckingham, England
  • A Neo Classic column in the  English gardens  designed by Capability Brown.  Buckingham, England
  • Blenheim Palace  Italian Garden with topiary maize - England
  • Blenheim Palace  Italian Garden with topiary maize - England
  • Blenheim Palace  Italian Garden with topiary maize - England
  • Blenheim Palace  Italian Garden and Fountain - England
  • Blenheim Palace  Italian Garden and Fountain - England
  • Blenheim Palace  Italian Garden and Fountain - England
  • Blenheim Palace - Italian Garden fountain
  • Blenheim Palace - Italian Garden  and Palace
  • Blenheim Palace - Italian Garden fountain
  • Blenheim Palace - Italian Garden fountain
  • Blenheim Palace - Italian Garden fountain
  • 11th Century Medieval Bayeux Tapestry - Scene 55 - Duke William takes off his helmet to show he has not been wounded.
  • Bayeux Tapestry - Scene 54 -  Williams brother Bishop Odon encourages the Norman soldiers to fight. Scene 55 - Duke William takes off his helmet to show he has not been wounded. Battle of Hastings 1066.
  • Medieval gilded manuscript cover depicting the Crucifixion. 11th century from the treasury of the Cathedral of Maastricht. AD.  <br />
This gilded with relief panel with inlaid stones was originally a manuscript cover. Since 1677, it contained the 'documents of the oath of the Dukes of Brabant'. The back of the panel is covered with precious fabrics. On the front, in the central part, is depicted a crucifixion the style of which is reminiscent of the works of the goldsmiths of the Emperor Henry II. On the borders are small icons and emblems including those of the Carolingians. The main interest of this work lies in the four enamelled on gold symbols of the evangelists in the four corners, two being 'Enforced’ on a background of gold, the others being painted.<br />
<br />
One of Latin inscriptions states that 'Beatrice  ordered the execution ( of this work) in honour of Almighty God and his saints“. It could be Beatrice wife of Hermann II of Swabia and daughter Emperor's sister-Conrad II or, more likely, Beatrice of Tuscany who in 1036 was wife of Boniface III, Marquis of Tuscany, and second wife of Geoffrey the Bearded, Duke of Lower Lorraine and Brabant.<br />
 The Louvre Museum, Paris.
  • Medieval gilded manuscript cover depicting the Crucifixion. 11th century from the treasury of the Cathedral of Maastricht. AD.  <br />
This gilded with relief panel with inlaid stones was originally a manuscript cover. Since 1677, it contained the 'documents of the oath of the Dukes of Brabant'. The back of the panel is covered with precious fabrics. On the front, in the central part, is depicted a crucifixion the style of which is reminiscent of the works of the goldsmiths of the Emperor Henry II. On the borders are small icons and emblems including those of the Carolingians. The main interest of this work lies in the four enamelled on gold symbols of the evangelists in the four corners, two being 'Enforced’ on a background of gold, the others being painted.<br />
<br />
One of Latin inscriptions states that 'Beatrice  ordered the execution ( of this work) in honour of Almighty God and his saints“. It could be Beatrice wife of Hermann II of Swabia and daughter Emperor's sister-Conrad II or, more likely, Beatrice of Tuscany who in 1036 was wife of Boniface III, Marquis of Tuscany, and second wife of Geoffrey the Bearded, Duke of Lower Lorraine and Brabant.<br />
 The Louvre Museum, Paris.
  • Medieval gilded manuscript cover depicting the Crucifixion. 11th century from the treasury of the Cathedral of Maastricht. AD.  <br />
This gilded with relief panel with inlaid stones was originally a manuscript cover. Since 1677, it contained the 'documents of the oath of the Dukes of Brabant'. The back of the panel is covered with precious fabrics. On the front, in the central part, is depicted a crucifixion the style of which is reminiscent of the works of the goldsmiths of the Emperor Henry II. On the borders are small icons and emblems including those of the Carolingians. The main interest of this work lies in the four enamelled on gold symbols of the evangelists in the four corners, two being 'Enforced’ on a background of gold, the others being painted.<br />
<br />
One of Latin inscriptions states that 'Beatrice  ordered the execution ( of this work) in honour of Almighty God and his saints“. It could be Beatrice wife of Hermann II of Swabia and daughter Emperor's sister-Conrad II or, more likely, Beatrice of Tuscany who in 1036 was wife of Boniface III, Marquis of Tuscany, and second wife of Geoffrey the Bearded, Duke of Lower Lorraine and Brabant.<br />
 The Louvre Museum, Paris.
  • Medieval gilded manuscript cover depicting the Crucifixion. 11th century from the treasury of the Cathedral of Maastricht. AD.  <br />
This gilded with relief panel with inlaid stones was originally a manuscript cover. Since 1677, it contained the 'documents of the oath of the Dukes of Brabant'. The back of the panel is covered with precious fabrics. On the front, in the central part, is depicted a crucifixion the style of which is reminiscent of the works of the goldsmiths of the Emperor Henry II. On the borders are small icons and emblems including those of the Carolingians. The main interest of this work lies in the four enamelled on gold symbols of the evangelists in the four corners, two being 'Enforced’ on a background of gold, the others being painted.<br />
<br />
One of Latin inscriptions states that 'Beatrice  ordered the execution ( of this work) in honour of Almighty God and his saints“. It could be Beatrice wife of Hermann II of Swabia and daughter Emperor's sister-Conrad II or, more likely, Beatrice of Tuscany who in 1036 was wife of Boniface III, Marquis of Tuscany, and second wife of Geoffrey the Bearded, Duke of Lower Lorraine and Brabant.<br />
 The Louvre Museum, Paris.
  • Medieval gilded manuscript cover depicting the Crucifixion. 11th century from the treasury of the Cathedral of Maastricht. AD.  <br />
This gilded with relief panel with inlaid stones was originally a manuscript cover. Since 1677, it contained the 'documents of the oath of the Dukes of Brabant'. The back of the panel is covered with precious fabrics. On the front, in the central part, is depicted a crucifixion the style of which is reminiscent of the works of the goldsmiths of the Emperor Henry II. On the borders are small icons and emblems including those of the Carolingians. The main interest of this work lies in the four enamelled on gold symbols of the evangelists in the four corners, two being 'Enforced’ on a background of gold, the others being painted.<br />
<br />
One of Latin inscriptions states that 'Beatrice  ordered the execution ( of this work) in honour of Almighty God and his saints“. It could be Beatrice wife of Hermann II of Swabia and daughter Emperor's sister-Conrad II or, more likely, Beatrice of Tuscany who in 1036 was wife of Boniface III, Marquis of Tuscany, and second wife of Geoffrey the Bearded, Duke of Lower Lorraine and Brabant.<br />
 The Louvre Museum, Paris.
  • Medieval gilded manuscript cover depicting the Crucifixion. 11th century from the treasury of the Cathedral of Maastricht. AD.  <br />
This gilded with relief panel with inlaid stones was originally a manuscript cover. Since 1677, it contained the 'documents of the oath of the Dukes of Brabant'. The back of the panel is covered with precious fabrics. On the front, in the central part, is depicted a crucifixion the style of which is reminiscent of the works of the goldsmiths of the Emperor Henry II. On the borders are small icons and emblems including those of the Carolingians. The main interest of this work lies in the four enamelled on gold symbols of the evangelists in the four corners, two being 'Enforced’ on a background of gold, the others being painted.<br />
<br />
One of Latin inscriptions states that 'Beatrice  ordered the execution ( of this work) in honour of Almighty God and his saints“. It could be Beatrice wife of Hermann II of Swabia and daughter Emperor's sister-Conrad II or, more likely, Beatrice of Tuscany who in 1036 was wife of Boniface III, Marquis of Tuscany, and second wife of Geoffrey the Bearded, Duke of Lower Lorraine and Brabant.<br />
 The Louvre Museum, Paris.
  • Medieval gilded manuscript cover depicting the Crucifixion. 11th century from the treasury of the Cathedral of Maastricht. AD.  <br />
This gilded with relief panel with inlaid stones was originally a manuscript cover. Since 1677, it contained the 'documents of the oath of the Dukes of Brabant'. The back of the panel is covered with precious fabrics. On the front, in the central part, is depicted a crucifixion the style of which is reminiscent of the works of the goldsmiths of the Emperor Henry II. On the borders are small icons and emblems including those of the Carolingians. The main interest of this work lies in the four enamelled on gold symbols of the evangelists in the four corners, two being 'Enforced’ on a background of gold, the others being painted.<br />
<br />
One of Latin inscriptions states that 'Beatrice  ordered the execution ( of this work) in honour of Almighty God and his saints“. It could be Beatrice wife of Hermann II of Swabia and daughter Emperor's sister-Conrad II or, more likely, Beatrice of Tuscany who in 1036 was wife of Boniface III, Marquis of Tuscany, and second wife of Geoffrey the Bearded, Duke of Lower Lorraine and Brabant.<br />
 The Louvre Museum, Paris.
  • Medieval gilded manuscript cover depicting the Crucifixion. 11th century from the treasury of the Cathedral of Maastricht. AD.  <br />
This gilded with relief panel with inlaid stones was originally a manuscript cover. Since 1677, it contained the 'documents of the oath of the Dukes of Brabant'. The back of the panel is covered with precious fabrics. On the front, in the central part, is depicted a crucifixion the style of which is reminiscent of the works of the goldsmiths of the Emperor Henry II. On the borders are small icons and emblems including those of the Carolingians. The main interest of this work lies in the four enamelled on gold symbols of the evangelists in the four corners, two being 'Enforced’ on a background of gold, the others being painted.<br />
<br />
One of Latin inscriptions states that 'Beatrice  ordered the execution ( of this work) in honour of Almighty God and his saints“. It could be Beatrice wife of Hermann II of Swabia and daughter Emperor's sister-Conrad II or, more likely, Beatrice of Tuscany who in 1036 was wife of Boniface III, Marquis of Tuscany, and second wife of Geoffrey the Bearded, Duke of Lower Lorraine and Brabant.<br />
 The Louvre Museum, Paris.
  • Medieval gilded manuscript cover depicting the Crucifixion. 11th century from the treasury of the Cathedral of Maastricht. AD.  <br />
This gilded with relief panel with inlaid stones was originally a manuscript cover. Since 1677, it contained the 'documents of the oath of the Dukes of Brabant'. The back of the panel is covered with precious fabrics. On the front, in the central part, is depicted a crucifixion the style of which is reminiscent of the works of the goldsmiths of the Emperor Henry II. On the borders are small icons and emblems including those of the Carolingians. The main interest of this work lies in the four enamelled on gold symbols of the evangelists in the four corners, two being 'Enforced’ on a background of gold, the others being painted.<br />
<br />
One of Latin inscriptions states that 'Beatrice  ordered the execution ( of this work) in honour of Almighty God and his saints“. It could be Beatrice wife of Hermann II of Swabia and daughter Emperor's sister-Conrad II or, more likely, Beatrice of Tuscany who in 1036 was wife of Boniface III, Marquis of Tuscany, and second wife of Geoffrey the Bearded, Duke of Lower Lorraine and Brabant.<br />
 The Louvre Museum, Paris.
  • Medieval gilded manuscript cover depicting the Crucifixion. 11th century from the treasury of the Cathedral of Maastricht. AD.  <br />
This gilded with relief panel with inlaid stones was originally a manuscript cover. Since 1677, it contained the 'documents of the oath of the Dukes of Brabant'. The back of the panel is covered with precious fabrics. On the front, in the central part, is depicted a crucifixion the style of which is reminiscent of the works of the goldsmiths of the Emperor Henry II. On the borders are small icons and emblems including those of the Carolingians. The main interest of this work lies in the four enamelled on gold symbols of the evangelists in the four corners, two being 'Enforced’ on a background of gold, the others being painted.<br />
<br />
One of Latin inscriptions states that 'Beatrice  ordered the execution ( of this work) in honour of Almighty God and his saints“. It could be Beatrice wife of Hermann II of Swabia and daughter Emperor's sister-Conrad II or, more likely, Beatrice of Tuscany who in 1036 was wife of Boniface III, Marquis of Tuscany, and second wife of Geoffrey the Bearded, Duke of Lower Lorraine and Brabant.<br />
 The Louvre Museum, Paris.
  • Temple built to the memory of Giulia Farnese by her husband Pier Francesco Orsini, Duke of Babarzo c. 1513-84, The Renaissance Mannerist style Park of Monsters or The Sacred Wood of Bamarzo, Italy
  • Temple built to the memory of Giulia Farnese by her husband Pier Francesco Orsini, Duke of Babarzo c. 1513-84, The Renaissance Mannerist style Park of Monsters or The Sacred Wood of Bamarzo, Italy
  • Enamelled terracotta panel depicting Saint Anne, the Virgin Mary and Child with Saint Anthony made in the 2nd half of the 16th century by Santi Bugloni of Florence. This is a typical Tuscan theme of the period. Saint Anne was particularly venerated during the expulsion of the tyrant Gaultier de Brienne, Duke of Athens. .  Inv Camp 38,  The Louvre Museum, Paris.
  • Enamelled terracotta panel depicting Saint Anne, the Virgin Mary and Child with Saint Anthony made in the 2nd half of the 16th century by Santi Bugloni of Florence. This is a typical Tuscan theme of the period. Saint Anne was particularly venerated during the expulsion of the tyrant Gaultier de Brienne, Duke of Athens. .  Inv Camp 38,  The Louvre Museum, Paris.
  • Temple built to the memory of Giulia Farnese by her husband Pier Francesco Orsini, Duke of Babarzo c. 1513-84, The Renaissance Mannerist style Park of Monsters or The Sacred Wood of Bamarzo, Italy
  • Temple built to the memory of Giulia Farnese by her husband Pier Francesco Orsini, Duke of Babarzo c. 1513-84, The Renaissance Mannerist style Park of Monsters or The Sacred Wood of Bamarzo, Italy
  • Temple built to the memory of Giulia Farnese by her husband Pier Francesco Orsini, Duke of Babarzo c. 1513-84, The Renaissance Mannerist style Park of Monsters or The Sacred Wood of Bamarzo, Italy
  • Temple built to the memory of Giulia Farnese by her husband Pier Francesco Orsini, Duke of Babarzo c. 1513-84, The Renaissance Mannerist style Park of Monsters or The Sacred Wood of Bamarzo, Italy
  • Temple built to the memory of Giulia Farnese by her husband Pier Francesco Orsini, Duke of Babarzo c. 1513-84, The Renaissance Mannerist style Park of Monsters or The Sacred Wood of Bamarzo, Italy
  • Temple built to the memory of Giulia Farnese by her husband Pier Francesco Orsini, Duke of Babarzo c. 1513-84, The Renaissance Mannerist style Park of Monsters or The Sacred Wood of Bamarzo, Italy
  • Enamelled terracotta panel depicting Saint Anne, the Virgin Mary and Child with Saint Anthony made in the 2nd half of the 16th century by Santi Bugloni of Florence. This is a typical Tuscan theme of the period. Saint Anne was particularly venerated during the expulsion of the tyrant Gaultier de Brienne, Duke of Athens. .  Inv Camp 38,  The Louvre Museum, Paris.
  • Enamelled terracotta panel depicting Saint Anne, the Virgin Mary and Child with Saint Anthony made in the 2nd half of the 16th century by Santi Bugloni of Florence. This is a typical Tuscan theme of the period. Saint Anne was particularly venerated during the expulsion of the tyrant Gaultier de Brienne, Duke of Athens. .  Inv Camp 38,  The Louvre Museum, Paris.
  • Enamelled terracotta panel depicting Saint Anne, the Virgin Mary and Child with Saint Anthony made in the 2nd half of the 16th century by Santi Bugloni of Florence. This is a typical Tuscan theme of the period. Saint Anne was particularly venerated during the expulsion of the tyrant Gaultier de Brienne, Duke of Athens. .  Inv Camp 38,  The Louvre Museum, Paris.
  • Enamelled terracotta panel depicting Saint Anne, the Virgin Mary and Child with Saint Anthony made in the 2nd half of the 16th century by Santi Bugloni of Florence. This is a typical Tuscan theme of the period. Saint Anne was particularly venerated during the expulsion of the tyrant Gaultier de Brienne, Duke of Athens. .  Inv Camp 38,  The Louvre Museum, Paris.
  • Enamelled terracotta panel depicting Saint Anne, the Virgin Mary and Child with Saint Anthony made in the 2nd half of the 16th century by Santi Bugloni of Florence. This is a typical Tuscan theme of the period. Saint Anne was particularly venerated during the expulsion of the tyrant Gaultier de Brienne, Duke of Athens. .  Inv Camp 38,  The Louvre Museum, Paris.
  • Enamelled terracotta panel depicting Saint Anne, the Virgin Mary and Child with Saint Anthony made in the 2nd half of the 16th century by Santi Bugloni of Florence. This is a typical Tuscan theme of the period. Saint Anne was particularly venerated during the expulsion of the tyrant Gaultier de Brienne, Duke of Athens. .  Inv Camp 38,  The Louvre Museum, Paris.
  • Enamelled terracotta panel depicting Saint Anne, the Virgin Mary and Child with Saint Anthony made in the 2nd half of the 16th century by Santi Bugloni of Florence. This is a typical Tuscan theme of the period. Saint Anne was particularly venerated during the expulsion of the tyrant Gaultier de Brienne, Duke of Athens. .  Inv Camp 38,  The Louvre Museum, Paris.

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