• Main portal lunette sculpture of St George, patron Saint of Farrara,  killing the Dragon, the work of the sculptor Nicholaus,  the 12th century Romanesque Ferrara Duomo, Italy
  • Lions with Atlas on their back holdingup a column that supports the canopy above the main portal of the 12th century Romanesque Ferrara Duomo, Italy
  • Facade of the 12th century Romanesque Ferrara Duomo, Italy
  • Romanesque arches and columns of the 12th century Romanesque Ferrara Duomo, Italy
  • Lion statue from the destoyed south door of the 12th century Romanesque Ferrara Duom, Italy
  • Lions with Atlas on their back holdingup a column that supports the canopy above the main portal of the 12th century Romanesque Ferrara Duomo, Italy
  • Main portal lunette sculpture of St George, patron Saint of Farrara,  killing the Dragon, the work of the sculptor Nicholaus,  the 12th century Romanesque Ferrara Duomo, Italy
  • Late Gothic sculptures and architectural additions to the facade of the 12th century Romanesque Ferrara Duomo, Italy
  • Lions with Atlas on their back holding up a column that supports the canopy above the main portal of the 12th century Romanesque Ferrara Duomo, Italy
  • Scenes from the life of Christ, the work of the sculptor Nicholaus, on the main portal  of the 12th century Romanesque Ferrara Duomo, Italy
  • Sculpture from The Last Judgement of sinners being boiled in a cauldren or fed to a monster in hell on the facade of the 12th century Romanesque Ferrara Duomo, Italy
  • Main portal & facade of the 12th century Romanesque Ferrara Duomo, Italy
  • Medieval shops along the wall of the 12th century Romanesque Ferrara Duomo, Italy
  • Medieval shops along the wall of the 12th century Romanesque Ferrara Duomo, Italy
  • Late Gothic sculptures and architectural additions to the facade of the 12th century Romanesque Ferrara Duomo, Italy
  • Facade of the 12th century Romanesque Ferrara Duomo, Italy
  • Facade of the 12th century Romanesque Ferrara Duomo, Italy
  • Lions with Atlas on their back holding up a column that supports the canopy above the main portal of the 12th century Romanesque Ferrara Duomo, Italy
  • Late Gothic sculptures and architectural additions to the facade of the 12th century Romanesque Ferrara Duomo, Italy
  • Facade of the 12th century Romanesque Ferrara Duomo, Italy
  • Medieval shops along the wall of the 12th century Romanesque Ferrara Duomo, Italy
  • Facade of the 12th century Romanesque Ferrara Duomo, Italy
  • Statue of Savonarola Statue, Ferrara, Italy
  • Lions with Atlas on their back holding up a column that supports the canopy above the main portal of the 12th century Romanesque Ferrara Duomo, Italy
  • Late Gothic sculptures and architectural additions to the facade of the 12th century Romanesque Ferrara Duomo, Italy
  • Medieval shops along the wall of the 12th century Romanesque Ferrara Duomo, Italy
  • Statue of Alberto d'Este on the facade of the 12th century Romanesque Ferrara Duomo, Italy
  • Late Gothic sculptures and architectural additions to the facade of the 12th century Romanesque Ferrara Duomo, Italy
  • Medieval shops along the wall of the 12th century Romanesque Ferrara Duomo, Italy
  • Late Gothic sculptures and architectural additions to the facade of the 12th century Romanesque Ferrara Duomo, Italy
  • Facade of the 12th century Romanesque Ferrara Duomo, Italy
  • Facade of the 12th century Romanesque Ferrara Duomo, Italy
  • Facade of the 12th century Romanesque Ferrara Duomo, Italy
  • Medieval shops along the wall of the 12th century Romanesque Ferrara Duomo, Italy
  • Sculpture from The Last Judgement of sinners being boiled in a cauldren or fed to a monster in hell on the facade of the 12th century Romanesque Ferrara Duomo, Italy
  • Romanesque arches and columns of the 12th century Romanesque Ferrara Duomo, Italy
  • Mythical animal sculpture on the door jams on the main portal of the of the 12th century Romanesque Ferrara Duomo, Italy
  • Romanesque arches and columns of the 12th century Romanesque Ferrara Duomo, Italy
  • Sculptures and pillars of the archivolts on the main portal of the of the 12th century Romanesque Ferrara Duomo, Italy
  • Lions with Atlas on their back holding up a column that supports the canopy above the main portal of the 12th century Romanesque Ferrara Duomo, Italy
  • Atlas  holding up a column that supports the canopy above the main portal of the 12th century Romanesque Ferrara Duomo, Italy
  • Griffin statue from the destoyed south door of the 12th century Romanesque Ferrara Duom, Italy
  • Atlas  holding up a column that supports the canopy above the main portal of the 12th century Romanesque Ferrara Duomo, Italy
  • Mythical creature statue from the destoyed south door of the 12th century Romanesque Ferrara Duom, Italy
  • Sculptures of one of the prophets who fortold the coming of Christ and pillars of the archivolts on the main portal of the of the 12th century Romanesque Ferrara Duomo, Italy
  • Scenes from the life of Christ - The Flight to Egypt - the work of the sculptor Nicholaus, on the main portal  of the 12th century Romanesque Ferrara Duomo, Italy
  • Sculptures and pillars of the archivolts on the main portal of the of the 12th century Romanesque Ferrara Duomo, Italy
  • Scenes from the life of Christ - The Flight to Egypt - the work of the sculptor Nicholaus, on the main portal  of the 12th century Romanesque Ferrara Duomo, Italy
  • Sculptures of one of the prophets who fortold the coming of Christ and pillars of the archivolts on the main portal of the of the 12th century Romanesque Ferrara Duomo, Italy
  • Scenes from the life of Christ, the work of the sculptor Nicholaus, on the main portal  of the 12th century Romanesque Ferrara Duomo, Italy
  • Scenes from the life of Christ, the work of the sculptor Nicholaus, on the main portal  of the 12th century Romanesque Ferrara Duomo, Italy
  • Scenes from the life of Christ - From Left, The Nativity, The shepherds, The coming of the Kings,  - the work of the sculptor Nicholaus, on the main portal  of the 12th century Romanesque Ferrara Duomo, Italy
  • Scenes from the life of Christ - The Coming of the Three Kings - the work of the sculptor Nicholaus, on the main portal  of the 12th century Romanesque Ferrara Duomo, Italy
  • Scenes from the life of Christ, the work of the sculptor Nicholaus, on the main portal  of the 12th century Romanesque Ferrara Duomo, Italy
  • Scenes from the life of Christ - The Nativity - the work of the sculptor Nicholaus, on the main portal  of the 12th century Romanesque Ferrara Duomo, Italy
  • Scenes from the life of Christ, the work of the sculptor Nicholaus, on the main portal  of the 12th century Romanesque Ferrara Duomo, Italy
  • Scenes from the life of Christ, the work of the sculptor Nicholaus, on the main portal  of the 12th century Romanesque Ferrara Duomo, Italy
  • Main portal lunette sculpture of St George, patron Saint of Farrara,  killing the Dragon, the work of the sculptor Nicholaus,  the 12th century Romanesque Ferrara Duomo, Italy
  • Sculpture from The Last Judgement with Gods and the saved sould in his lap on the facade of the 12th century Romanesque Ferrara Duomo, Italy
  • Late Gothic sculptures and architectural additions to the facade of the 12th century Romanesque Ferrara Duomo, Italy
  • Main portal & facade of the 12th century Romanesque Ferrara Duomo, Italy
  • Facade of the 12th century Romanesque Ferrara Duomo, Italy
  • Late Gothic sculptures and architectural additions to the facade of the 12th century Romanesque Ferrara Duomo, Italy
  • Late Gothic sculptures and architectural additions to the facade of the 12th century Romanesque Ferrara Duomo, Italy
  • Late Gothic sculptures and architectural additions to the facade of the 12th century Romanesque Ferrara Duomo, Italy
  • Late Gothic sculptures and architectural additions to the facade of the 12th century Romanesque Ferrara Duomo, Italy
  • Facade of the 12th century Romanesque Ferrara Duomo, Italy
  • Facade of the 12th century Romanesque Ferrara Duomo, Italy
  • Facade of the 12th century Romanesque Ferrara Duomo, Italy
  • Facade of the 12th century Romanesque Ferrara Duomo, Italy
  • Renaissance ceiling paintings by Benevento Tisi also known as il Garofalo, of the Ferrara Renaissance school of art, depicting an upward perspective scene, The Treasure Hall, Palazzo Costabili, National Archaeological Museum, Ferrara, Italy
  • Renaissance ceiling paintings by Benevento Tisi also known as il Garofalo, of the Ferrara Renaissance school of art, depicting an upward perspective scene, The Treasure Hall, Palazzo Costabili, National Archaeological Museum, Ferrara, Italy
  • Renaissance ceiling paintings by Benevento Tisi also known as il Garofalo, of the Ferrara Renaissance school of art, depicting an upward perspective scene, The Treasure Hall, Palazzo Costabili, National Archaeological Museum, Ferrara, Italy
  • Renaissance ceiling paintings by Benevento Tisi also known as il Garofalo, of the Ferrara Renaissance school of art, depicting an upward perspective scene, The Treasure Hall, Palazzo Costabili, National Archaeological Museum, Ferrara, Italy
  • Renaissance ceiling paintings by Benevento Tisi also known as il Garofalo, of the Ferrara Renaissance school of art, depicting an upward perspective scene, The Treasure Hall, Palazzo Costabili, National Archaeological Museum, Ferrara, Italy
  • Renaissance ceiling paintings by Benevento Tisi also known as il Garofalo, of the Ferrara Renaissance school of art, depicting an upward perspective scene, The Treasure Hall, Palazzo Costabili, National Archaeological Museum, Ferrara, Italy
  • Renaissance ceiling paintings by Benevento Tisi also known as il Garofalo, of the Ferrara Renaissance school of art, depicting an upward perspective scene, The Treasure Hall, Palazzo Costabili, National Archaeological Museum, Ferrara, Italy
  • Renaissance ceiling paintings by Benevento Tisi also known as il Garofalo, of the Ferrara Renaissance school of art, depicting an upward perspective scene, The Treasure Hall, Palazzo Costabili, National Archaeological Museum, Ferrara, Italy
  • Renaissance ceiling paintings by Benevento Tisi also known as il Garofalo, of the Ferrara Renaissance school of art, depicting an upward perspective scene, The Treasure Hall, Palazzo Costabili, National Archaeological Museum, Ferrara, Italy
  • Renaissance ceiling paintings by Benevento Tisi also known as il Garofalo, of the Ferrara Renaissance school of art, depicting an upward perspective scene, The Treasure Hall, Palazzo Costabili, National Archaeological Museum, Ferrara, Italy
  • Renaissance ceiling paintings by Benevento Tisi also known as il Garofalo, of the Ferrara Renaissance school of art, depicting an upward perspective scene, The Treasure Hall, Palazzo Costabili, National Archaeological Museum, Ferrara, Italy
  • Renaissance ceiling paintings by Benevento Tisi also known as il Garofalo, of the Ferrara Renaissance school of art, depicting an upward perspective scene, The Treasure Hall, Palazzo Costabili, National Archaeological Museum, Ferrara, Italy
  • Renaissance ceiling paintings by Benevento Tisi also known as il Garofalo, of the Ferrara Renaissance school of art, depicting an upward perspective scene, The Treasure Hall, Palazzo Costabili, National Archaeological Museum, Ferrara, Italy
  • Renaissance ceiling paintings by Benevento Tisi also known as il Garofalo, of the Ferrara Renaissance school of art, depicting an upward perspective scene, The Treasure Hall, Palazzo Costabili, National Archaeological Museum, Ferrara, Italy
  • Renaissance ceiling paintings by Benevento Tisi also known as il Garofalo, of the Ferrara Renaissance school of art, depicting an upward perspective scene, The Treasure Hall, Palazzo Costabili, National Archaeological Museum, Ferrara, Italy
  • Renaissance ceiling paintings by Benevento Tisi also known as il Garofalo, of the Ferrara Renaissance school of art, depicting an upward perspective scene, The Treasure Hall, Palazzo Costabili, National Archaeological Museum, Ferrara, Italy
  • Renaissance ceiling paintings by Benevento Tisi also known as il Garofalo, of the Ferrara Renaissance school of art, depicting an upward perspective scene, The Treasure Hall, Palazzo Costabili, National Archaeological Museum, Ferrara, Italy
  • Renaissance ceiling paintings by Benevento Tisi also known as il Garofalo, of the Ferrara Renaissance school of art, depicting an upward perspective scene, The Treasure Hall, Palazzo Costabili, National Archaeological Museum, Ferrara, Italy
  • Renaissance ceiling paintings by Benevento Tisi also known as il Garofalo, of the Ferrara Renaissance school of art, depicting an upward perspective scene, The Treasure Hall, Palazzo Costabili, National Archaeological Museum, Ferrara, Italy
  • Renaissance ceiling paintings by Benevento Tisi also known as il Garofalo, of the Ferrara Renaissance school of art, depicting an upward perspective scene, The Treasure Hall, Palazzo Costabili, National Archaeological Museum, Ferrara, Italy
  • Renaissance ceiling paintings by Benevento Tisi also known as il Garofalo, of the Ferrara Renaissance school of art, depicting an upward perspective scene, The Treasure Hall, Palazzo Costabili, National Archaeological Museum, Ferrara, Italy
  • Renaissance ceiling paintings by Benevento Tisi also known as il Garofalo, of the Ferrara Renaissance school of art, depicting an upward perspective scene, The Treasure Hall, Palazzo Costabili, National Archaeological Museum, Ferrara, Italy
  • Renaissance ceiling paintings by Benevento Tisi also known as il Garofalo, of the Ferrara Renaissance school of art, depicting an upward perspective scene, The Treasure Hall, Palazzo Costabili, National Archaeological Museum, Ferrara, Italy
  • Renaissance ceiling paintings by Benevento Tisi also known as il Garofalo, of the Ferrara Renaissance school of art, depicting an upward perspective scene, The Treasure Hall, Palazzo Costabili, National Archaeological Museum, Ferrara, Italy
  • Statue of Savonarola Statue, Ferrara, Italy
  • Statue of Savonarola Statue, Ferrara, Italy
  • 11th cetury Romanesque campinal, one of the finest left standing, of the Church of Santa Maria, Benedictine Abbey of Pomposa, Emilia-Romagna, Italy.
  • Roanesque relief sculpture details on the 11th centruy portico of the Church of Santa Maria, Benedictine Abbey of Pomposa, Emilia-Romagna, Italy.
  • Roanesque relief sculpture details on the 11th centruy portico of the Church of Santa Maria, Benedictine Abbey of Pomposa, Emilia-Romagna, Italy.
  • Roanesque relief sculpture details on the 11th centruy portico of the Church of Santa Maria, Benedictine Abbey of Pomposa, Emilia-Romagna, Italy.
  • Early Renaissance frescoes by Vitale da Bologna (1309 — 1369) of Christ Pantocrator (in majesty), pinted in the Byzantine style of Christ appearing in a madorla or eye. Church of Santa Maria, Benedictine Abbey of Pomposa, Emilia-Romagna, Italy.
  • 11th cetury Romanesque campinal, one of the finest left standing, of the Church of Santa Maria, Benedictine Abbey of Pomposa, Emilia-Romagna, Italy.
  • Roanesque relief sculpture details on the 11th centruy portico of the Church of Santa Maria, Benedictine Abbey of Pomposa, Emilia-Romagna, Italy.
  • 11th century Romanesque portico of the Church of Santa Maria, Benedictine Abbey of Pomposa, Emilia-Romagna, Italy.
  • Roanesque relief sculpture details on the 11th centruy portico of the Church of Santa Maria, Benedictine Abbey of Pomposa, Emilia-Romagna, Italy.
  • Roanesque relief sculpture details on the 11th centruy portico of the Church of Santa Maria, Benedictine Abbey of Pomposa, Emilia-Romagna, Italy.
  • Roanesque relief sculpture details on the 11th centruy portico of the Church of Santa Maria, Benedictine Abbey of Pomposa, Emilia-Romagna, Italy.
  • Roanesque relief sculpture details on the 11th centruy portico of the Church of Santa Maria, Benedictine Abbey of Pomposa, Emilia-Romagna, Italy.
  • Roanesque relief sculpture details on the 11th centruy portico of the Church of Santa Maria, Benedictine Abbey of Pomposa, Emilia-Romagna, Italy.
  • Roanesque relief sculpture details on the 11th centruy portico of the Church of Santa Maria, Benedictine Abbey of Pomposa, Emilia-Romagna, Italy.
  • Roanesque relief sculpture details on the 11th centruy portico of the Church of Santa Maria, Benedictine Abbey of Pomposa, Emilia-Romagna, Italy.
  • Roanesque relief sculpture details on the 11th centruy portico of the Church of Santa Maria, Benedictine Abbey of Pomposa, Emilia-Romagna, Italy.
  • Roanesque relief sculpture details on the 11th centruy portico of the Church of Santa Maria, Benedictine Abbey of Pomposa, Emilia-Romagna, Italy.
  • Roanesque relief sculpture details on the 11th centruy portico of the Church of Santa Maria, Benedictine Abbey of Pomposa, Emilia-Romagna, Italy.
  • Roanesque relief sculpture details on the 11th centruy portico of the Church of Santa Maria, Benedictine Abbey of Pomposa, Emilia-Romagna, Italy.
  • Early Renaissance frescoes by Vitale da Bologna (1309 — 1369) of Christ Pantocrator (in majesty), pinted in the Byzantine style of Christ appearing in a madorla or eye. Church of Santa Maria, Benedictine Abbey of Pomposa, Emilia-Romagna, Italy.
  • Early Renaissance frescoes by Vitale da Bologna (1309 — 1369) of Christ Pantocrator (in majesty), pinted in the Byzantine style of Christ appearing in a madorla or eye. Church of Santa Maria, Benedictine Abbey of Pomposa, Emilia-Romagna, Italy.
  • Early Renaissance frescoes by Vitale da Bologna (1309 — 1369) of Christ Pantocrator (in majesty), pinted in the Byzantine style of Christ appearing in a madorla or eye. Church of Santa Maria, Benedictine Abbey of Pomposa, Emilia-Romagna, Italy.
  • Early Renaissance frescoes by Vitale da Bologna (1309 — 1369) of Christ Pantocrator (in majesty), pinted in the Byzantine style of Christ appearing in a madorla or eye. Church of Santa Maria, Benedictine Abbey of Pomposa, Emilia-Romagna, Italy.
  • Early Renaissance frescoes by Vitale da Bologna (1309 — 1369) of Christ Pantocrator (in majesty), pinted in the Byzantine style of Christ appearing in a madorla or eye. Church of Santa Maria, Benedictine Abbey of Pomposa, Emilia-Romagna, Italy.
  • Early Renaissance frescoes by Vitale da Bologna (1309 — 1369) of Christ Pantocrator (in majesty), pinted in the Byzantine style of Christ appearing in a madorla or eye. Church of Santa Maria, Benedictine Abbey of Pomposa, Emilia-Romagna, Italy.
  • Early Renaissance frescoes by Vitale da Bologna (1309 — 1369) of Christ Pantocrator (in majesty), pinted in the Byzantine style of Christ appearing in a madorla or eye. Church of Santa Maria, Benedictine Abbey of Pomposa, Emilia-Romagna, Italy.
  • Early Renaissance frescoes by Vitale da Bologna (1309 — 1369) of Christ Pantocrator (in majesty), pinted in the Byzantine style of Christ appearing in a madorla or eye. Church of Santa Maria, Benedictine Abbey of Pomposa, Emilia-Romagna, Italy.
  • Early Renaissance frescoes by Vitale da Bologna (1309 — 1369) of Christ Pantocrator (in majesty), pinted in the Byzantine style of Christ appearing in a madorla or eye. Church of Santa Maria, Benedictine Abbey of Pomposa, Emilia-Romagna, Italy.
  • Early Renaissance frescoes by Vitale da Bologna (1309 — 1369) of Christ Pantocrator (in majesty), pinted in the Byzantine style of Christ appearing in a madorla or eye. Church of Santa Maria, Benedictine Abbey of Pomposa, Emilia-Romagna, Italy.
  • Early Renaissance frescoes by Vitale da Bologna (1309 — 1369) of Christ Pantocrator (in majesty), pinted in the Byzantine style of Christ appearing in a madorla or eye. Church of Santa Maria, Benedictine Abbey of Pomposa, Emilia-Romagna, Italy.
  • Early Renaissance frescoes by Vitale da Bologna (1309 — 1369) of Christ Pantocrator (in majesty), pinted in the Byzantine style of Christ appearing in a madorla or eye. Church of Santa Maria, Benedictine Abbey of Pomposa, Emilia-Romagna, Italy.
  • Early Renaissance frescoes by Vitale da Bologna (1309 — 1369) of Christ Pantocrator (in majesty), pinted in the Byzantine style of Christ appearing in a madorla or eye. Church of Santa Maria, Benedictine Abbey of Pomposa, Emilia-Romagna, Italy.
  • Early Renaissance frescoes by Vitale da Bologna (1309 — 1369) of Christ Pantocrator (in majesty), pinted in the Byzantine style of Christ appearing in a madorla or eye. Church of Santa Maria, Benedictine Abbey of Pomposa, Emilia-Romagna, Italy.
  • Early Renaissance frescoes by Vitale da Bologna (1309 — 1369) of Christ Pantocrator (in majesty), pinted in the Byzantine style of Christ appearing in a madorla or eye. Church of Santa Maria, Benedictine Abbey of Pomposa, Emilia-Romagna, Italy.
  • Early Renaissance frescoes by Vitale da Bologna (1309 — 1369) of Christ Pantocrator (in majesty), pinted in the Byzantine style of Christ appearing in a madorla or eye. Church of Santa Maria, Benedictine Abbey of Pomposa, Emilia-Romagna, Italy.
  • Gothic altarpiece of Madonna and Child possibly by Francesco del Cossa of Ferrara, circa 1460, tempera and gold leaf on wood.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  64971.
  • Castello Estense or Castello di San Michele, the 16th century Este Marquis fortification, Farrara, Northern Italy
  • Castello Estense or Castello di San Michele, the 16th century Este Marquis fortification, Farrara, Northern Italy
  • Castello Estense or Castello di San Michele, the 16th century Este Marquis fortification, Farrara, Northern Italy
  • Castello Estense or Castello di San Michele, the 16th century Este Marquis fortification, Farrara, Northern Italy
  • Castello Estense or Castello di San Michele, the 16th century Este Marquis fortification, Farrara, Northern Italy
  • Castello Estense or Castello di San Michele, the 16th century Este Marquis fortification, Farrara, Northern Italy
  • Castello Estense or Castello di San Michele, the 16th century Este Marquis fortification, Farrara, Northern Italy
  • Castello Estense or Castello di San Michele, the 16th century Este Marquis fortification, Farrara, Northern Italy

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