• Grindelwald First- Family Walking  - Grindelwald First- Swiss Alps, Switzerland
  • Grindelwald First Lake- Picnic- Grindelwald First- Swiss Alps, Switzerland
  • Grindelwald First Lake- Picnic- Grindelwald First- Swiss Alps, Switzerland
  • Grindelwald First - Group of hikers - Bernese Alps - Switzerland
  • Relief sculpture panels depicting men bearing gifts in the New Year festival, . From the reign of Darius 1st or Xerxes (485-465 BC) of the First Persian or Achaemenid Empire excavated from the Palace of Darius 1st Persepolis, present day Iran. Persepolis was one of the residential cities of the Achaemenid Kings. The panels depict the festival of New Year (Noruz) in which representatives of all the peoples of the realm participated. This panel comes from the stairways of the palace and show men bearing gifts. The clothing of this man with a lamb identifies him as a Mede. Persepolis was one of the residential cities of the Achaemenid Kings. The panels depict the festival of New Year (Noruz) in which representatives of all the peoples of the realm participated. This panel comes from the stairways of the palace and show men bearing gifts. The clothing of this man identifies him as a Persian. The Vorderasiatisches Museum, part of the Pergamon Museum, Berlin
  • Relief sculpture panels depicting men bearing gifts in the New Year festival, . From the reign of Darius 1st or Xerxes (485-465 BC) of the First Persian or Achaemenid Empire excavated from the Palace of Darius 1st Persepolis, present day Iran. Persepolis was one of the residential cities of the Achaemenid Kings. The panels depict the festival of New Year (Noruz) in which representatives of all the peoples of the realm participated. This panel comes from the stairways of the palace and show men bearing gifts. The clothing of this man with a lamb identifies him as a Mede. Persepolis was one of the residential cities of the Achaemenid Kings. The panels depict the festival of New Year (Noruz) in which representatives of all the peoples of the realm participated. This panel comes from the stairways of the palace and show men bearing gifts. The clothing of this man with a lamb identifies him as a Mede.. The Vorderasiatisches Museum, part of the Pergamon Museum, Berlin
  • Coloured glazed terracotta brick panels depicting Achaemenid Persian royal bodyguards or archers. From the reign of Darius 1st and the First Persian or Achaemenid Empire around 510 BC excavated from the Palace of Daius 1st. Susa was one of the residential cities of the Achaemenid Kings. The Palaces are noteworthy for their elaborate decorations which can be considered exemplary of art at a royal court. The walls of Darius’s palace at Susa were embellished with colourful reliefs made from glazed bricks on the Babylonian model. It is not certain which rooms of the palace was decorated with representations of a procession of royal bodyguards or archers, dressed in richly decorative costumes.  The Vorderasiatisches Museum, part of the Pergamon Museum, Berlin
  • Coloured glazed terracotta brick panels depicting Achaemenid Persian royal bodyguards or archers. From the reign of Darius 1st and the First Persian or Achaemenid Empire around 510 BC excavated from the Palace of Daius 1st. Susa was one of the residential cities of the Achaemenid Kings. The Palaces are noteworthy for their elaborate decorations which can be considered exemplary of art at a royal court. The walls of Darius’s palace at Susa were embellished with colourful reliefs made from glazed bricks on the Babylonian model. It is not certain which rooms of the palace was decorated with representations of a procession of royal bodyguards or archers, dressed in richly decorative costumes.  The Vorderasiatisches Museum, part of the Pergamon Museum, Berlin
  • Coloured glazed terracotta brick panels depicting Achaemenid Persian royal bodyguards or archers. From the reign of Darius 1st and the First Persian or Achaemenid Empire around 510 BC excavated from the Palace of Daius 1st. Susa was one of the residential cities of the Achaemenid Kings. The Palaces are noteworthy for their elaborate decorations which can be considered exemplary of art at a royal court. The walls of Darius’s palace at Susa were embellished with colourful reliefs made from glazed bricks on the Babylonian model. It is not certain which rooms of the palace was decorated with representations of a procession of royal bodyguards or archers, dressed in richly decorative costumes.  The Vorderasiatisches Museum, part of the Pergamon Museum, Berlin
  • Coloured glazed terracotta brick panels depicting Achaemenid Persian royal bodyguards or archers. From the reign of Darius 1st and the First Persian or Achaemenid Empire around 510 BC excavated from the Palace of Daius 1st. Susa was one of the residential cities of the Achaemenid Kings. The Palaces are noteworthy for their elaborate decorations which can be considered exemplary of art at a royal court. The walls of Darius’s palace at Susa were embellished with colourful reliefs made from glazed bricks on the Babylonian model. It is not certain which rooms of the palace was decorated with representations of a procession of royal bodyguards or archers, dressed in richly decorative costumes.  The Vorderasiatisches Museum, part of the Pergamon Museum, Berlin
  • Coloured glazed terracotta brick panels depicting Achaemenid Persian royal bodyguards or archers. From the reign of Darius 1st and the First Persian or Achaemenid Empire around 510 BC excavated from the Palace of Daius 1st. Susa was one of the residential cities of the Achaemenid Kings. The Palaces are noteworthy for their elaborate decorations which can be considered exemplary of art at a royal court. The walls of Darius’s palace at Susa were embellished with colourful reliefs made from glazed bricks on the Babylonian model. It is not certain which rooms of the palace was decorated with representations of a procession of royal bodyguards or archers, dressed in richly decorative costumes.  The Vorderasiatisches Museum, part of the Pergamon Museum, Berlin
  • Coloured glazed terracotta brick panels depicting Achaemenid Persian royal bodyguards or archers. From the reign of Darius 1st and the First Persian or Achaemenid Empire around 510 BC excavated from the Palace of Daius 1st. Susa was one of the residential cities of the Achaemenid Kings. The Palaces are noteworthy for their elaborate decorations which can be considered exemplary of art at a royal court. The walls of Darius’s palace at Susa were embellished with colourful reliefs made from glazed bricks on the Babylonian model. It is not certain which rooms of the palace was decorated with representations of a procession of royal bodyguards or archers, dressed in richly decorative costumes.  The Vorderasiatisches Museum, part of the Pergamon Museum, Berlin
  • Coloured glazed terracotta brick panels depicting Achaemenid Persian royal bodyguards or archers. From the reign of Darius 1st and the First Persian or Achaemenid Empire around 510 BC excavated from the Palace of Daius 1st. Susa was one of the residential cities of the Achaemenid Kings. The Palaces are noteworthy for their elaborate decorations which can be considered exemplary of art at a royal court. The walls of Darius’s palace at Susa were embellished with colourful reliefs made from glazed bricks on the Babylonian model. It is not certain which rooms of the palace was decorated with representations of a procession of royal bodyguards or archers, dressed in richly decorative costumes.  The Vorderasiatisches Museum, part of the Pergamon Museum, Berlin
  • Coloured glazed terracotta brick panels depicting Achaemenid Persian royal bodyguards or archers. From the reign of Darius 1st and the First Persian or Achaemenid Empire around 510 BC excavated from the Palace of Daius 1st. Susa was one of the residential cities of the Achaemenid Kings. The Palaces are noteworthy for their elaborate decorations which can be considered exemplary of art at a royal court. The walls of Darius’s palace at Susa were embellished with colourful reliefs made from glazed bricks on the Babylonian model. It is not certain which rooms of the palace was decorated with representations of a procession of royal bodyguards or archers, dressed in richly decorative costumes.  The Vorderasiatisches Museum, part of the Pergamon Museum, Berlin
  • Coloured glazed terracotta brick panels depicting Achaemenid Persian royal bodyguards or archers. From the reign of Darius 1st and the First Persian or Achaemenid Empire around 510 BC excavated from the Palace of Daius 1st. Susa was one of the residential cities of the Achaemenid Kings. The Palaces are noteworthy for their elaborate decorations which can be considered exemplary of art at a royal court. The walls of Darius’s palace at Susa were embellished with colourful reliefs made from glazed bricks on the Babylonian model. It is not certain which rooms of the palace was decorated with representations of a procession of royal bodyguards or archers, dressed in richly decorative costumes.  The Vorderasiatisches Museum, part of the Pergamon Museum, Berlin
  • Coloured glazed terracotta brick panels depicting Achaemenid Persian royal bodyguards or archers. From the reign of Darius 1st and the First Persian or Achaemenid Empire around 510 BC excavated from the Palace of Daius 1st. Susa was one of the residential cities of the Achaemenid Kings. The Palaces are noteworthy for their elaborate decorations which can be considered exemplary of art at a royal court. The walls of Darius’s palace at Susa were embellished with colourful reliefs made from glazed bricks on the Babylonian model. It is not certain which rooms of the palace was decorated with representations of a procession of royal bodyguards or archers, dressed in richly decorative costumes.  The Vorderasiatisches Museum, part of the Pergamon Museum, Berlin
  • Coloured glazed terracotta brick panels depicting Achaemenid Persian royal bodyguards or archers. From the reign of Darius 1st and the First Persian or Achaemenid Empire around 510 BC excavated from the Palace of Daius 1st. Susa was one of the residential cities of the Achaemenid Kings. The Palaces are noteworthy for their elaborate decorations which can be considered exemplary of art at a royal court. The walls of Darius’s palace at Susa were embellished with colourful reliefs made from glazed bricks on the Babylonian model. It is not certain which rooms of the palace was decorated with representations of a procession of royal bodyguards or archers, dressed in richly decorative costumes.  The Vorderasiatisches Museum, part of the Pergamon Museum, Berlin
  • Coloured glazed terracotta brick panels depicting Achaemenid Persian royal bodyguards or archers. From the reign of Darius 1st and the First Persian or Achaemenid Empire around 510 BC excavated from the Palace of Daius 1st. Susa was one of the residential cities of the Achaemenid Kings. The Palaces are noteworthy for their elaborate decorations which can be considered exemplary of art at a royal court. The walls of Darius’s palace at Susa were embellished with colourful reliefs made from glazed bricks on the Babylonian model. It is not certain which rooms of the palace was decorated with representations of a procession of royal bodyguards or archers, dressed in richly decorative costumes.  The Vorderasiatisches Museum, part of the Pergamon Museum, Berlin
  • Coloured glazed terracotta brick panels depicting Achaemenid Persian royal bodyguards or archers. From the reign of Darius 1st and the First Persian or Achaemenid Empire around 510 BC excavated from the Palace of Daius 1st. Susa was one of the residential cities of the Achaemenid Kings. The Palaces are noteworthy for their elaborate decorations which can be considered exemplary of art at a royal court. The walls of Darius’s palace at Susa were embellished with colourful reliefs made from glazed bricks on the Babylonian model. It is not certain which rooms of the palace was decorated with representations of a procession of royal bodyguards or archers, dressed in richly decorative costumes.  The Vorderasiatisches Museum, part of the Pergamon Museum, Berlin
  • Coloured glazed terracotta brick panels depicting Achaemenid Persian royal bodyguards or archers. From the reign of Darius 1st and the First Persian or Achaemenid Empire around 510 BC excavated from the Palace of Daius 1st. Susa was one of the residential cities of the Achaemenid Kings. The Palaces are noteworthy for their elaborate decorations which can be considered exemplary of art at a royal court. The walls of Darius’s palace at Susa were embellished with colourful reliefs made from glazed bricks on the Babylonian model. It is not certain which rooms of the palace was decorated with representations of a procession of royal bodyguards or archers, dressed in richly decorative costumes.  The Vorderasiatisches Museum, part of the Pergamon Museum, Berlin
  • Coloured glazed terracotta brick panels depicting Achaemenid Persian royal bodyguards or archers. From the reign of Darius 1st and the First Persian or Achaemenid Empire around 510 BC excavated from the Palace of Daius 1st. Susa was one of the residential cities of the Achaemenid Kings. The Palaces are noteworthy for their elaborate decorations which can be considered exemplary of art at a royal court. The walls of Darius’s palace at Susa were embellished with colourful reliefs made from glazed bricks on the Babylonian model. It is not certain which rooms of the palace was decorated with representations of a procession of royal bodyguards or archers, dressed in richly decorative costumes.  The Vorderasiatisches Museum, part of the Pergamon Museum, Berlin
  • Coloured glazed terracotta brick panels depicting Achaemenid Persian royal bodyguards or archers. From the reign of Darius 1st and the First Persian or Achaemenid Empire around 510 BC excavated from the Palace of Daius 1st. Susa was one of the residential cities of the Achaemenid Kings. The Palaces are noteworthy for their elaborate decorations which can be considered exemplary of art at a royal court. The walls of Darius’s palace at Susa were embellished with colourful reliefs made from glazed bricks on the Babylonian model. It is not certain which rooms of the palace was decorated with representations of a procession of royal bodyguards or archers, dressed in richly decorative costumes.  The Vorderasiatisches Museum, part of the Pergamon Museum, Berlin
  • Coloured glazed terracotta brick panels depicting Achaemenid Persian royal bodyguards or archers. From the reign of Darius 1st and the First Persian or Achaemenid Empire around 510 BC excavated from the Palace of Daius 1st. Susa was one of the residential cities of the Achaemenid Kings. The Palaces are noteworthy for their elaborate decorations which can be considered exemplary of art at a royal court. The walls of Darius’s palace at Susa were embellished with colourful reliefs made from glazed bricks on the Babylonian model. It is not certain which rooms of the palace was decorated with representations of a procession of royal bodyguards or archers, dressed in richly decorative costumes.  The Vorderasiatisches Museum, part of the Pergamon Museum, Berlin
  • Coloured glazed terracotta brick panels depicting Achaemenid Persian royal bodyguards or archers. From the reign of Darius 1st and the First Persian or Achaemenid Empire around 510 BC excavated from the Palace of Daius 1st. Susa was one of the residential cities of the Achaemenid Kings. The Palaces are noteworthy for their elaborate decorations which can be considered exemplary of art at a royal court. The walls of Darius’s palace at Susa were embellished with colourful reliefs made from glazed bricks on the Babylonian model. It is not certain which rooms of the palace was decorated with representations of a procession of royal bodyguards or archers, dressed in richly decorative costumes.  The Vorderasiatisches Museum, part of the Pergamon Museum, Berlin
  • Bronze statuette of a Lion from the First Persian or Achaemenid Empire 6th to 5th cent. BC excavated from the Acropolis Susa, present day Iran.. The Louvre Museum, Paris.
  • Bronze statuette of a Lion from the First Persian or Achaemenid Empire 6th to 5th cent. BC excavated from the Acropolis Susa, present day Iran.. The Louvre Museum, Paris.
  • Bronze statuette of a Lion from the First Persian or Achaemenid Empire 6th to 5th cent. BC excavated from the Acropolis Susa, present day Iran.. The Louvre Museum, Paris.
  • Bronze statuette of a Lion from the First Persian or Achaemenid Empire 6th to 5th cent. BC excavated from the Acropolis Susa, present day Iran.. The Louvre Museum, Paris.
  • Bronze statuette of a Lion from the First Persian or Achaemenid Empire 6th to 5th cent. BC excavated from the Acropolis Susa, present day Iran.. The Louvre Museum, Paris.
  • Coloured glazed terracotta brick panels from the staircase walls excavated from the Palace of Daius 1st Susa, present day Iran. From the reign of Darius 1st and the First Persian or Achaemenid Empire around 510 BC. Inv AOD 490-491, The Louvre Museum, Paris.
  • Coloured glazed terracotta brick panels from the staircase walls excavated from the Palace of Daius 1st Susa, present day Iran. From the reign of Darius 1st and the First Persian or Achaemenid Empire around 510 BC. Inv AOD 490-491, The Louvre Museum, Paris.
  • Coloured glazed terracotta brick panels from the staircase walls excavated from the Palace of Daius 1st Susa, present day Iran. From the reign of Darius 1st and the First Persian or Achaemenid Empire around 510 BC. Inv AOD 490-491, The Louvre Museum, Paris.
  • Coloured glazed terracotta tiled panels depicting mythical Griffins. From the reign of Darius 1st and the First Persian or Achaemenid Empire around 510 BC excavated from the Palace of Daius 1st Susa, present day Iran.. Inv AS 332607, The Louvre Museum, Paris.
  • Coloured glazed terracotta tiled panels depicting mythical Griffins. From the reign of Darius 1st and the First Persian or Achaemenid Empire around 510 BC excavated from the Palace of Daius 1st Susa, present day Iran.. Inv AS 332607, The Louvre Museum, Paris.
  • Coloured glazed terracotta tiled panels depicting mythical Griffins. From the reign of Darius 1st and the First Persian or Achaemenid Empire around 510 BC excavated from the Palace of Daius 1st Susa, present day Iran.. Inv AS 332607, The Louvre Museum, Paris.
  • Coloured glazed terracotta tiled panels depicting mythical Griffins. From the reign of Darius 1st and the First Persian or Achaemenid Empire around 510 BC excavated from the Palace of Daius 1st Susa, present day Iran.. Inv AS 332607, The Louvre Museum, Paris.
  • Coloured glazed terracotta tiled panels depicting mythical Griffins. From the reign of Darius 1st and the First Persian or Achaemenid Empire around 510 BC excavated from the Palace of Daius 1st Susa, present day Iran.. Inv AS 332607, The Louvre Museum, Paris.
  • Coloured glazed terracotta tiled panels depicting mythical Griffins. From the reign of Darius 1st and the First Persian or Achaemenid Empire around 510 BC excavated from the Palace of Daius 1st Susa, present day Iran.. Inv AS 332607, The Louvre Museum, Paris.
  • Coloured glazed terracotta tiled panels depicting mythical Griffins. From the reign of Darius 1st and the First Persian or Achaemenid Empire around 510 BC excavated from the Palace of Daius 1st Susa, present day Iran.. Inv AS 332607, The Louvre Museum, Paris.
  • Coloured glazed terracotta tiled panels depicting mythical Griffins. From the reign of Darius 1st and the First Persian or Achaemenid Empire around 510 BC excavated from the Palace of Daius 1st Susa, present day Iran.. Inv AS 332607, The Louvre Museum, Paris.
  • Coloured glazed terracotta tiled panels depicting mythical Griffins. From the reign of Darius 1st and the First Persian or Achaemenid Empire around 510 BC excavated from the Palace of Daius 1st Susa, present day Iran.. Inv AS 332607, The Louvre Museum, Paris.
  • Coloured glazed terracotta tiled panels depicting mythical Griffins. From the reign of Darius 1st and the First Persian or Achaemenid Empire around 510 BC excavated from the Palace of Daius 1st Susa, present day Iran.. Inv AS 332607, The Louvre Museum, Paris.
  • Coloured glazed terracotta tiled panels depicting mythical Griffins. From the reign of Darius 1st and the First Persian or Achaemenid Empire around 510 BC excavated from the Palace of Daius 1st Susa, present day Iran.. Inv AS 332607, The Louvre Museum, Paris.
  • Coloured glazed terracotta tiled panels depicting mythical Griffins. From the reign of Darius 1st and the First Persian or Achaemenid Empire around 510 BC excavated from the Palace of Daius 1st Susa, present day Iran.. Inv AS 332607, The Louvre Museum, Paris.
  • Coloured glazed terracotta tiled panels depicting mythical Griffins. From the reign of Darius 1st and the First Persian or Achaemenid Empire around 510 BC excavated from the Palace of Daius 1st Susa, present day Iran.. Inv AS 332607, The Louvre Museum, Paris.
  • Coloured glazed terracotta tiled panels depicting mythical Griffins. From the reign of Darius 1st and the First Persian or Achaemenid Empire around 510 BC excavated from the Palace of Daius 1st Susa, present day Iran.. Inv AS 332607, The Louvre Museum, Paris.
  • Coloured glazed terracotta tiled panels depicting mythical Griffins. From the reign of Darius 1st and the First Persian or Achaemenid Empire around 510 BC excavated from the Palace of Daius 1st Susa, present day Iran.. Inv AS 332607, The Louvre Museum, Paris.
  • Coloured glazed terracotta tiled panels depicting mythical Griffins. From the reign of Darius 1st and the First Persian or Achaemenid Empire around 510 BC excavated from the Palace of Daius 1st Susa, present day Iran.. Inv AS 332607, The Louvre Museum, Paris.
  • Coloured glazed terracotta tiled panels depicting mythical Griffins. From the reign of Darius 1st and the First Persian or Achaemenid Empire around 510 BC excavated from the Palace of Daius 1st Susa, present day Iran.. Inv AS 332607, The Louvre Museum, Paris.
  • Coloured glazed terracotta tiled panels depicting mythical Griffins. From the reign of Darius 1st and the First Persian or Achaemenid Empire around 510 BC excavated from the Palace of Daius 1st Susa, present day Iran.. Inv AS 332607, The Louvre Museum, Paris.
  • Coloured glazed terracotta tiled panels depicting mythical Griffins. From the reign of Darius 1st and the First Persian or Achaemenid Empire around 510 BC excavated from the Palace of Daius 1st Susa, present day Iran.. Inv AS 332607, The Louvre Museum, Paris.
  • Coloured glazed terracotta tiled panels depicting mythical Griffins. From the reign of Darius 1st and the First Persian or Achaemenid Empire around 510 BC excavated from the Palace of Daius 1st Susa, present day Iran.. Inv AS 332607, The Louvre Museum, Paris.
  • Coloured glazed terracotta brick panels depicting Achaemenid Persian royal bodyguards or archers. From the reign of Darius 1st and the First Persian or Achaemenid Empire around 510 BC excavated from the Palace of Daius 1st Susa, present day Iran. Susa was one of the residential cityes of the Achaemenid Kings. The Palaces are noteworthy for their elaborate decorations which can be considered exemplary of art at a royal court. The walls of Darius’s palace at Susa were embellished with colourful reliefs made from glazed bricks on the Babylonian model. It is not certain which rooms of the palace was decorated with representations of a procession of royal bodyguards or archers, dressed in richly decorative costumes. Inv Ab3312-21, The Louvre Museum, Paris.
  • Coloured glazed terracotta brick panels depicting Achaemenid Persian royal bodyguards or archers. From the reign of Darius 1st and the First Persian or Achaemenid Empire around 510 BC excavated from the Palace of Daius 1st Susa, present day Iran. Susa was one of the residential cityes of the Achaemenid Kings. The Palaces are noteworthy for their elaborate decorations which can be considered exemplary of art at a royal court. The walls of Darius’s palace at Susa were embellished with colourful reliefs made from glazed bricks on the Babylonian model. It is not certain which rooms of the palace was decorated with representations of a procession of royal bodyguards or archers, dressed in richly decorative costumes. Inv Ab3312-21, The Louvre Museum, Paris.
  • Coloured glazed terracotta brick panels depicting Achaemenid Persian royal bodyguards or archers. From the reign of Darius 1st and the First Persian or Achaemenid Empire around 510 BC excavated from the Palace of Daius 1st Susa, present day Iran. Susa was one of the residential cityes of the Achaemenid Kings. The Palaces are noteworthy for their elaborate decorations which can be considered exemplary of art at a royal court. The walls of Darius’s palace at Susa were embellished with colourful reliefs made from glazed bricks on the Babylonian model. It is not certain which rooms of the palace was decorated with representations of a procession of royal bodyguards or archers, dressed in richly decorative costumes. Inv Ab3312-21, The Louvre Museum, Paris.
  • Coloured glazed terracotta brick panels depicting Achaemenid Persian royal bodyguards or archers. From the reign of Darius 1st and the First Persian or Achaemenid Empire around 510 BC excavated from the Palace of Daius 1st Susa, present day Iran. Susa was one of the residential cityes of the Achaemenid Kings. The Palaces are noteworthy for their elaborate decorations which can be considered exemplary of art at a royal court. The walls of Darius’s palace at Susa were embellished with colourful reliefs made from glazed bricks on the Babylonian model. It is not certain which rooms of the palace was decorated with representations of a procession of royal bodyguards or archers, dressed in richly decorative costumes. Inv Ab3312-21, The Louvre Museum, Paris.
  • Coloured glazed terracotta brick panels depicting Achaemenid Persian royal bodyguards or archers. From the reign of Darius 1st and the First Persian or Achaemenid Empire around 510 BC excavated from the Palace of Daius 1st Susa, present day Iran. Susa was one of the residential cityes of the Achaemenid Kings. The Palaces are noteworthy for their elaborate decorations which can be considered exemplary of art at a royal court. The walls of Darius’s palace at Susa were embellished with colourful reliefs made from glazed bricks on the Babylonian model. It is not certain which rooms of the palace was decorated with representations of a procession of royal bodyguards or archers, dressed in richly decorative costumes. Inv Ab3312-21, The Louvre Museum, Paris.
  • Coloured glazed terracotta brick panels depicting Achaemenid Persian royal bodyguards or archers. From the reign of Darius 1st and the First Persian or Achaemenid Empire around 510 BC excavated from the Palace of Daius 1st Susa, present day Iran. Susa was one of the residential cityes of the Achaemenid Kings. The Palaces are noteworthy for their elaborate decorations which can be considered exemplary of art at a royal court. The walls of Darius’s palace at Susa were embellished with colourful reliefs made from glazed bricks on the Babylonian model. It is not certain which rooms of the palace was decorated with representations of a procession of royal bodyguards or archers, dressed in richly decorative costumes. Inv Ab3312-21, The Louvre Museum, Paris.
  • Coloured glazed terracotta brick panels depicting Achaemenid Persian royal bodyguards or archers. From the reign of Darius 1st and the First Persian or Achaemenid Empire around 510 BC excavated from the Palace of Daius 1st Susa, present day Iran. Susa was one of the residential cityes of the Achaemenid Kings. The Palaces are noteworthy for their elaborate decorations which can be considered exemplary of art at a royal court. The walls of Darius’s palace at Susa were embellished with colourful reliefs made from glazed bricks on the Babylonian model. It is not certain which rooms of the palace was decorated with representations of a procession of royal bodyguards or archers, dressed in richly decorative costumes. Inv Ab3312-21, The Louvre Museum, Paris.
  • Coloured glazed terracotta brick panels depicting Achaemenid Persian royal bodyguards or archers. From the reign of Darius 1st and the First Persian or Achaemenid Empire around 510 BC excavated from the Palace of Daius 1st Susa, present day Iran. Susa was one of the residential cityes of the Achaemenid Kings. The Palaces are noteworthy for their elaborate decorations which can be considered exemplary of art at a royal court. The walls of Darius’s palace at Susa were embellished with colourful reliefs made from glazed bricks on the Babylonian model. It is not certain which rooms of the palace was decorated with representations of a procession of royal bodyguards or archers, dressed in richly decorative costumes. Inv Ab3312-21, The Louvre Museum, Paris.
  • Coloured glazed terracotta brick panels depicting Achaemenid Persian royal bodyguards or archers. From the reign of Darius 1st and the First Persian or Achaemenid Empire around 510 BC excavated from the Palace of Daius 1st Susa, present day Iran. Susa was one of the residential cityes of the Achaemenid Kings. The Palaces are noteworthy for their elaborate decorations which can be considered exemplary of art at a royal court. The walls of Darius’s palace at Susa were embellished with colourful reliefs made from glazed bricks on the Babylonian model. It is not certain which rooms of the palace was decorated with representations of a procession of royal bodyguards or archers, dressed in richly decorative costumes. Inv Ab3312-21, The Louvre Museum, Paris.
  • Coloured glazed terracotta brick panels depicting Achaemenid Persian royal bodyguards or archers. From the reign of Darius 1st and the First Persian or Achaemenid Empire around 510 BC excavated from the Palace of Daius 1st Susa, present day Iran. Susa was one of the residential cityes of the Achaemenid Kings. The Palaces are noteworthy for their elaborate decorations which can be considered exemplary of art at a royal court. The walls of Darius’s palace at Susa were embellished with colourful reliefs made from glazed bricks on the Babylonian model. It is not certain which rooms of the palace was decorated with representations of a procession of royal bodyguards or archers, dressed in richly decorative costumes. Inv Ab3312-21, The Louvre Museum, Paris.
  • Coloured glazed terracotta brick panels depicting Achaemenid Persian royal bodyguards or archers. From the reign of Darius 1st and the First Persian or Achaemenid Empire around 510 BC excavated from the Palace of Daius 1st Susa, present day Iran. Susa was one of the residential cityes of the Achaemenid Kings. The Palaces are noteworthy for their elaborate decorations which can be considered exemplary of art at a royal court. The walls of Darius’s palace at Susa were embellished with colourful reliefs made from glazed bricks on the Babylonian model. It is not certain which rooms of the palace was decorated with representations of a procession of royal bodyguards or archers, dressed in richly decorative costumes. Inv Ab3312-21, The Louvre Museum, Paris.
  • Coloured glazed terracotta brick panels depicting Achaemenid Persian royal bodyguards or archers. From the reign of Darius 1st and the First Persian or Achaemenid Empire around 510 BC excavated from the Palace of Daius 1st Susa, present day Iran. Susa was one of the residential cityes of the Achaemenid Kings. The Palaces are noteworthy for their elaborate decorations which can be considered exemplary of art at a royal court. The walls of Darius’s palace at Susa were embellished with colourful reliefs made from glazed bricks on the Babylonian model. It is not certain which rooms of the palace was decorated with representations of a procession of royal bodyguards or archers, dressed in richly decorative costumes. Inv Ab3312-21, The Louvre Museum, Paris.
  • Coloured glazed terracotta brick panels depicting Achaemenid Persian royal bodyguards or archers. From the reign of Darius 1st and the First Persian or Achaemenid Empire around 510 BC excavated from the Palace of Daius 1st Susa, present day Iran. Susa was one of the residential cityes of the Achaemenid Kings. The Palaces are noteworthy for their elaborate decorations which can be considered exemplary of art at a royal court. The walls of Darius’s palace at Susa were embellished with colourful reliefs made from glazed bricks on the Babylonian model. It is not certain which rooms of the palace was decorated with representations of a procession of royal bodyguards or archers, dressed in richly decorative costumes. Inv Ab3312-21, The Louvre Museum, Paris.
  • The First or Lombard Romanesque style Abbey of Saint Martin-du-Canigou in the Pyrenees, Orientales department, France.
  • The First or Lombard Romanesque style Abbey of Saint Martin-du-Canigou in the Pyrenees, Orientales department, France.
  • The First or Lombard Romanesque style Abbey of Saint Martin-du-Canigou in the Pyrenees, Orientales department, France.
  • The First or Lombard Romanesque style Abbey of Saint Martin-du-Canigou in the Pyrenees, Orientales department, France.
  • The First or Lombard Romanesque style Abbey of Saint Martin-du-Canigou in the Pyrenees, Orientales department, France.
  • The First or Lombard Romanesque style Abbey of Saint Martin-du-Canigou in the Pyrenees, Orientales department, France.
  • The First or Lombard Romanesque style Abbey of Saint Martin-du-Canigou in the Pyrenees, Orientales department, France.
  • The First or Lombard Romanesque style Abbey of Saint Martin-du-Canigou in the Pyrenees, Orientales department, France.
  • The First or Lombard Romanesque style Abbey of Saint Martin-du-Canigou in the Pyrenees, Orientales department, France.
  • The First or Lombard Romanesque style Abbey of Saint Martin-du-Canigou in the Pyrenees, Orientales department, France.
  • The First or Lombard Romanesque style Abbey of Saint Martin-du-Canigou in the Pyrenees, Orientales department, France.
  • The First or Lombard Romanesque style Abbey of Saint Martin-du-Canigou in the Pyrenees, Orientales department, France.
  • The First or Lombard Romanesque style Abbey of Saint Martin-du-Canigou in the Pyrenees, Orientales department, France.
  • The First or Lombard Romanesque style Abbey of Saint Martin-du-Canigou in the Pyrenees, Orientales department, France.
  • The First or Lombard Romanesque style Abbey of Saint Martin-du-Canigou in the Pyrenees, Orientales department, France.
  • The First or Lombard Romanesque style Abbey of Saint Martin-du-Canigou in the Pyrenees, Orientales department, France.
  • The First or Lombard Romanesque style Abbey of Saint Martin-du-Canigou in the Pyrenees, Orientales department, France.
  • The First or Lombard Romanesque style Abbey of Saint Martin-du-Canigou in the Pyrenees, Orientales department, France.
  • The First or Lombard Romanesque style Abbey of Saint Martin-du-Canigou in the Pyrenees, Orientales department, France.
  • The First or Lombard Romanesque style Abbey of Saint Martin-du-Canigou in the Pyrenees, Orientales department, France.
  • The First or Lombard Romanesque style Abbey of Saint Martin-du-Canigou in the Pyrenees, Orientales department, France.
  • The First or Lombard Romanesque style Abbey of Saint Martin-du-Canigou in the Pyrenees, Orientales department, France.
  • The First or Lombard Romanesque style Abbey of Saint Martin-du-Canigou in the Pyrenees, Orientales department, France.
  • The First or Lombard Romanesque style Abbey of Saint Martin-du-Canigou in the Pyrenees, Orientales department, France.
  • The First or Lombard Romanesque style Abbey of Saint Martin-du-Canigou in the Pyrenees, Orientales department, France.
  • The First or Lombard Romanesque style Abbey of Saint Martin-du-Canigou in the Pyrenees, Orientales department, France.
  • The First or Lombard Romanesque style Abbey of Saint Martin-du-Canigou in the Pyrenees, Orientales department, France.
  • The First or Lombard Romanesque style Abbey of Saint Martin-du-Canigou in the Pyrenees, Orientales department, France.
  • The First or Lombard Romanesque style Abbey of Saint Martin-du-Canigou in the Pyrenees, Orientales department, France.
  • The First or Lombard Romanesque style Abbey of Saint Martin-du-Canigou in the Pyrenees, Orientales department, France.
  • The First or Lombard Romanesque style Abbey of Saint Martin-du-Canigou in the Pyrenees, Orientales department, France.
  • The First or Lombard Romanesque style Abbey of Saint Martin-du-Canigou in the Pyrenees, Orientales department, France.
  • The First or Lombard Romanesque style Abbey of Saint Martin-du-Canigou in the Pyrenees, Orientales department, France.
  • The First or Lombard Romanesque style Abbey of Saint Martin-du-Canigou in the Pyrenees, Orientales department, France.
  • The First or Lombard Romanesque style Abbey of Saint Martin-du-Canigou in the Pyrenees, Orientales department, France.
  • The First or Lombard Romanesque style Abbey of Saint Martin-du-Canigou in the Pyrenees, Orientales department, France.
  • The First or Lombard Romanesque style Abbey of Saint Martin-du-Canigou in the Pyrenees, Orientales department, France.
  • The First or Lombard Romanesque style Abbey of Saint Martin-du-Canigou in the Pyrenees, Orientales department, France.
  • The First or Lombard Romanesque style Abbey of Saint Martin-du-Canigou in the Pyrenees, Orientales department, France.
  • The First or Lombard Romanesque style Abbey of Saint Martin-du-Canigou in the Pyrenees, Orientales department, France.
  • The First or Lombard Romanesque style Abbey of Saint Martin-du-Canigou in the Pyrenees, Orientales department, France.
  • The First or Lombard Romanesque style Abbey of Saint Martin-du-Canigou in the Pyrenees, Orientales department, France.
  • The First or Lombard Romanesque style Abbey of Saint Martin-du-Canigou in the Pyrenees, Orientales department, France.
  • The First or Lombard Romanesque style Abbey of Saint Martin-du-Canigou in the Pyrenees, Orientales department, France.
  • The First or Lombard Romanesque style Abbey of Saint Martin-du-Canigou in the Pyrenees, Orientales department, France.
  • The First or Lombard Romanesque style Abbey of Saint Martin-du-Canigou in the Pyrenees, Orientales department, France.
  • Grindelwald First Lake- Picnic- Bernese Alps - Switzerland
  • Grindelwald First Lake at sunset- Swiss Alps - Switzerland
  • Grindelwald First Lake- Swiss Alps - Switzerland
  • Grindelwald First Lake-  Bernese Alps - Switzerland
  • Walkers  - Grindelwald First- Swiss Alps, Switzerland
  • Grindelwald First Lake-  Bernese Alps - Switzerland
  • Grindelwald First Lake- Picnic- Bernese Alps - Switzerland
  • Grindelwald First Lake- Picnic- Bernese Alps - Switzerland
  • Grindelwald First- Walkers - Bernese Alps - Switzerland
  • Grindelwald First cable car station
  • Church & old village of Grindelwald in summer, Bernese Alps, Switzerland
  • Paris - France - Seine Bank with Book Stalls Near Notre Dame
  • Paris - France - Seine Bank with Book Stalls Near Notre Dame
  • Paris - France - Seine Bank with Book Stalls Near Notre Dame
  • Adult couple. Man opening womens shirt to reveal her breast
  • Adult couple. Man opening womens shirt to reveal her breast
  • Adult couple. Man opening womens shirt to reveal her breast
  • Adult naked couple hugging. Man's arms across women's breasts. Artistic sepia.
  • Paris - France - Seine Bank with Book Stalls Near Notre Dame
  • Adult naked couple hugging. Man's arms across women's breasts. Artistic sepia.
  • Adult naked couple hugging. Man's arms across women's breasts. Artistic sepia.
  • Roman portrait head of a women wearing a priestess crown. Found in Aphrodisias Theatre. First Century AD. Aphrodisias Archaeology Museum Turkey
  • Roman portrait head of a women wearing a priestess crown. Found in Aphrodisias Theatre. First Century AD. Aphrodisias Archaeology Museum Turkey
  • Pictures & images of the interior of the cupola with remnants of a cross fresco from a tetraconch cupola church from the first quarter of the seventh century. Dzveli (Old) Shuamta Monastery  founded by one of the 13 Syrian Fathers in the sixth century, Kakheti , Georgia (country).
  • Pictures & images of the interior of a tetraconch cupola church from the first quarter of the seventh century. Dzveli (Old) Shuamta Monastery  founded by one of the 13 Syrian Fathers in the sixth century, Kakheti , Georgia (country).
  • Pictures & images of the interior of a tetraconch cupola church from the first quarter of the seventh century. Dzveli (Old) Shuamta Monastery  founded by one of the 13 Syrian Fathers in the sixth century, Kakheti , Georgia (country).
  • Pictures & images of a tetraconch cupola church from the first quarter of the seventh century. Dzveli (Old) Shuamta Monastery  founded by one of the 13 Syrian Fathers in the sixth century, Kakheti , Georgia (country).
  • Pictures & images of a tetraconch cupola church from the first quarter of the seventh century. Dzveli (Old) Shuamta Monastery  founded by one of the 13 Syrian Fathers in the sixth century, Kakheti , Georgia (country).
  • Pictures & images of a tetraconch cupola church from the first quarter of the seventh century. Dzveli (Old) Shuamta Monastery  founded by one of the 13 Syrian Fathers in the sixth century, Kakheti , Georgia (country).
  • Pictures & images of a tetraconch cupola church from the first quarter of the seventh century. Dzveli (Old) Shuamta Monastery  founded by one of the 13 Syrian Fathers in the sixth century, Kakheti , Georgia (country).
  • Pictures & images of two tetraconch cupola churches from the first quarter of the seventh century. Dzveli (Old) Shuamta Monastery  founded by one of the 13 Syrian Fathers in the sixth century, Kakheti , Georgia (country).
  • Pictures & images of two tetraconch cupola churches from the first quarter of the seventh century. Dzveli (Old) Shuamta Monastery  founded by one of the 13 Syrian Fathers in the sixth century, Kakheti , Georgia (country).
  • Pictures & images of the cupola of a tetraconch church from the first quarter of the seventh century. Dzveli (Old) Shuamta Monastery  founded by one of the 13 Syrian Fathers in the sixth century, Kakheti , Georgia (country).
  • Pictures & images of two tetraconch cupola churches from the first quarter of the seventh century. Dzveli (Old) Shuamta Monastery  founded by one of the 13 Syrian Fathers in the sixth century, Kakheti , Georgia (country).
  • Pictures & images of two tetraconch cupola churches from the first quarter of the seventh century. Dzveli (Old) Shuamta Monastery  founded by one of the 13 Syrian Fathers in the sixth century, Kakheti , Georgia (country).
  • Pictures & images of (foreground) sixth century triple naive basilica behind which is a  a tetraconch cupola church from the first quarter of the seventh century. Dzveli (Old) Shuamta Monastery  founded by one of the 13 Syrian Fathers in the sixth century, Kakheti , Georgia (country).
  • Pictures & images of (foreground) sixth century triple naive basilica behind which is a  a tetraconch cupola church from the first quarter of the seventh century. Dzveli (Old) Shuamta Monastery  founded by one of the 13 Syrian Fathers in the sixth century, Kakheti , Georgia (country).
  • Pictures & images of (foreground) sixth century triple naive basilica behind which is a  a tetraconch cupola church from the first quarter of the seventh century. Dzveli (Old) Shuamta Monastery  founded by one of the 13 Syrian Fathers in the sixth century, Kakheti , Georgia (country).
  • Pictures & images of (foreground) sixth century triple naive basilica behind which is a  a tetraconch cupola church from the first quarter of the seventh century. Dzveli (Old) Shuamta Monastery  founded by one of the 13 Syrian Fathers in the sixth century, Kakheti , Georgia (country).
  • Pictures & images of (foreground) sixth century triple naive basilica behind which is a  a tetraconch cupola church from the first quarter of the seventh century. Dzveli (Old) Shuamta Monastery  founded by one of the 13 Syrian Fathers in the sixth century, Kakheti , Georgia (country).
  • Pictures & images of (foreground) sixth century triple naive basilica behind which is a  a tetraconch cupola church from the first quarter of the seventh century. Dzveli (Old) Shuamta Monastery  founded by one of the 13 Syrian Fathers in the sixth century, Kakheti , Georgia (country).
  • Pictures & images of (foreground) sixth century triple naive basilica behind which is a  a tetraconch cupola church from the first quarter of the seventh century. Dzveli (Old) Shuamta Monastery  founded by one of the 13 Syrian Fathers in the sixth century, Kakheti , Georgia (country).
  • Wide picture of the Roman mosaics of Circus Maximus from the Palaestra depicting a chariot race at the Circus Maximus, room no 15 at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.<br />
<br />
The Small Hunt room was used as a living room for guests of the Villa Romana del Casale. The Small hunt mosaic design has 4 registers running across the mosaic depicting hunting scenes. In the first register two servants are handling hunting dogs. In the second register figures are depicted burning incense at an altar to Diana, the goddess of hunting, before the hunt starts. The offering is being made by Constantius Clorus , the Caesar of Emperor Maximianus who owned the Villa Romana del Casale. Behind him is his son the future Emperor Constantine. To the right of the altar is a figure holding the reins of a horse dressed in a clavi decorated with ivy leaves indicating that he belongs to the family of Maximianus.
  • Wide picture of the Roman mosaics of the small hunt, room no 24 at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.<br />
<br />
The Small Hunt room was used as a living room for guests of the Villa Romana del Casale. The Small hunt mosaic design has 4 registers running across the mosaic depicting hunting scenes. In the first register two servants are handling hunting dogs. In the second register figures are depicted burning incense at an altar to Diana, the goddess of hunting, before the hunt starts. The offering is being made by Constantius Clorus , the Caesar of Emperor Maximianus who owned the Villa Romana del Casale. Behind him is his son the future Emperor Constantine. To the right of the altar is a figure holding the reins of a horse dressed in a clavi decorated with ivy leaves indicating that he belongs to the family of Maximianus.
  • Wide picture of the Roman mosaics of the small hunt, room no 24 at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.<br />
<br />
The Small Hunt room was used as a living room for guests of the Villa Romana del Casale. The Small hunt mosaic design has 4 registers running across the mosaic depicting hunting scenes. In the first register two servants are handling hunting dogs. In the second register figures are depicted burning incense at an altar to Diana, the goddess of hunting, before the hunt starts. The offering is being made by Constantius Clorus , the Caesar of Emperor Maximianus who owned the Villa Romana del Casale. Behind him is his son the future Emperor Constantine. To the right of the altar is a figure holding the reins of a horse dressed in a clavi decorated with ivy leaves indicating that he belongs to the family of Maximianus.
  • Wide picture of the Roman mosaics of the small hunt, room no 24 at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.<br />
<br />
The Small Hunt room was used as a living room for guests of the Villa Romana del Casale. The Small hunt mosaic design has 4 registers running across the mosaic depicting hunting scenes. In the first register two servants are handling hunting dogs. In the second register figures are depicted burning incense at an altar to Diana, the goddess of hunting, before the hunt starts. The offering is being made by Constantius Clorus , the Caesar of Emperor Maximianus who owned the Villa Romana del Casale. Behind him is his son the future Emperor Constantine. To the right of the altar is a figure holding the reins of a horse dressed in a clavi decorated with ivy leaves indicating that he belongs to the family of Maximianus.
  • Close up detail picture of the Roman mosaics of the small hunt depicting hunters with a dead boar and hunters making an offering at an altar, room no 24 at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.<br />
<br />
The Small Hunt room was used as a living room for guests of the Villa Romana del Casale. The Small hunt mosaic design has 4 registers running across the mosaic depicting hunting scenes. In the first register two servants are handling hunting dogs. In the second register figures are depicted burning incense at an altar to Diana, the goddess of hunting, before the hunt starts. The offering is being made by Constantius Clorus , the Caesar of Emperor Maximianus who owned the Villa Romana del Casale. Behind him is his son the future Emperor Constantine. To the right of the altar is a figure holding the reins of a horse dressed in a clavi decorated with ivy leaves indicating that he belongs to the family of Maximianus.
  • Wide picture of the Roman mosaics of the small hunt, room no 24 at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.<br />
<br />
The Small Hunt room was used as a living room for guests of the Villa Romana del Casale. The Small hunt mosaic design has 4 registers running across the mosaic depicting hunting scenes. In the first register two servants are handling hunting dogs. In the second register figures are depicted burning incense at an altar to Diana, the goddess of hunting, before the hunt starts. The offering is being made by Constantius Clorus , the Caesar of Emperor Maximianus who owned the Villa Romana del Casale. Behind him is his son the future Emperor Constantine. To the right of the altar is a figure holding the reins of a horse dressed in a clavi decorated with ivy leaves indicating that he belongs to the family of Maximianus.
  • Close up detail picture of the Roman mosaics of the small hunt depicting deer being caught in a net trap, room no 24 at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.<br />
<br />
The Small Hunt room was used as a living room for guests of the Villa Romana del Casale. The Small hunt mosaic design has 4 registers running across the mosaic depicting hunting scenes. In the first register two servants are handling hunting dogs. In the second register figures are depicted burning incense at an altar to Diana, the goddess of hunting, before the hunt starts. The offering is being made by Constantius Clorus , the Caesar of Emperor Maximianus who owned the Villa Romana del Casale. Behind him is his son the future Emperor Constantine. To the right of the altar is a figure holding the reins of a horse dressed in a clavi decorated with ivy leaves indicating that he belongs to the family of Maximianus.
  • Close up detail picture of the Roman mosaics of the small hunt depicting boys hunting a song bird in a tree, room no 24 at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.<br />
<br />
The Small Hunt room was used as a living room for guests of the Villa Romana del Casale. The Small hunt mosaic design has 4 registers running across the mosaic depicting hunting scenes. In the first register two servants are handling hunting dogs. In the second register figures are depicted burning incense at an altar to Diana, the goddess of hunting, before the hunt starts. The offering is being made by Constantius Clorus , the Caesar of Emperor Maximianus who owned the Villa Romana del Casale. Behind him is his son the future Emperor Constantine. To the right of the altar is a figure holding the reins of a horse dressed in a clavi decorated with ivy leaves indicating that he belongs to the family of Maximianus.
  • Close up detail picture of the Roman mosaics of the small hunt depicting a dead boar being carried by hunters, room no 24 at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.<br />
<br />
The Small Hunt room was used as a living room for guests of the Villa Romana del Casale. The Small hunt mosaic design has 4 registers running across the mosaic depicting hunting scenes. In the first register two servants are handling hunting dogs. In the second register figures are depicted burning incense at an altar to Diana, the goddess of hunting, before the hunt starts. The offering is being made by Constantius Clorus , the Caesar of Emperor Maximianus who owned the Villa Romana del Casale. Behind him is his son the future Emperor Constantine. To the right of the altar is a figure holding the reins of a horse dressed in a clavi decorated with ivy leaves indicating that he belongs to the family of Maximianus.
  • Close up detail picture of the Roman mosaics of the small hunt depicting dogs chasing a fox, room no 24 at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.<br />
<br />
The Small Hunt room was used as a living room for guests of the Villa Romana del Casale. The Small hunt mosaic design has 4 registers running across the mosaic depicting hunting scenes. In the first register two servants are handling hunting dogs. In the second register figures are depicted burning incense at an altar to Diana, the goddess of hunting, before the hunt starts. The offering is being made by Constantius Clorus , the Caesar of Emperor Maximianus who owned the Villa Romana del Casale. Behind him is his son the future Emperor Constantine. To the right of the altar is a figure holding the reins of a horse dressed in a clavi decorated with ivy leaves indicating that he belongs to the family of Maximianus.
  • Close up detail picture of the Roman mosaics of the small hunt depicting offerings being made at an altar, room no 24 at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.<br />
<br />
The Small Hunt room was used as a living room for guests of the Villa Romana del Casale. The Small hunt mosaic design has 4 registers running across the mosaic depicting hunting scenes. In the first register two servants are handling hunting dogs. In the second register figures are depicted burning incense at an altar to Diana, the goddess of hunting, before the hunt starts. The offering is being made by Constantius Clorus , the Caesar of Emperor Maximianus who owned the Villa Romana del Casale. Behind him is his son the future Emperor Constantine. To the right of the altar is a figure holding the reins of a horse dressed in a clavi decorated with ivy leaves indicating that he belongs to the family of Maximianus.
  • Close up detail picture of the Roman mosaics of the small hunt depicting offerings being made at an altar, room no 24 at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.<br />
<br />
The Small Hunt room was used as a living room for guests of the Villa Romana del Casale. The Small hunt mosaic design has 4 registers running across the mosaic depicting hunting scenes. In the first register two servants are handling hunting dogs. In the second register figures are depicted burning incense at an altar to Diana, the goddess of hunting, before the hunt starts. The offering is being made by Constantius Clorus , the Caesar of Emperor Maximianus who owned the Villa Romana del Casale. Behind him is his son the future Emperor Constantine. To the right of the altar is a figure holding the reins of a horse dressed in a clavi decorated with ivy leaves indicating that he belongs to the family of Maximianus.
  • Close up detail picture of the Roman mosaics of the small hunt depicting a hare about to be speared,  room no 24 at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.<br />
<br />
The Small Hunt room was used as a living room for guests of the Villa Romana del Casale. The Small hunt mosaic design has 4 registers running across the mosaic depicting hunting scenes. In the first register two servants are handling hunting dogs. In the second register figures are depicted burning incense at an altar to Diana, the goddess of hunting, before the hunt starts. The offering is being made by Constantius Clorus , the Caesar of Emperor Maximianus who owned the Villa Romana del Casale. Behind him is his son the future Emperor Constantine. To the right of the altar is a figure holding the reins of a horse dressed in a clavi decorated with ivy leaves indicating that he belongs to the family of Maximianus.
  • Close up detail picture of the Roman mosaics of the small hunt depicting food being cooked, room no 24 at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.<br />
The Small Hunt room was used as a living room for guests of the Villa Romana del Casale. The Small hunt mosaic design has 4 registers running across the mosaic depicting hunting scenes. In the first register two servants are handling hunting dogs. In the second register figures are depicted burning incense at an altar to Diana, the goddess of hunting, before the hunt starts. The offering is being made by Constantius Clorus , the Caesar of Emperor Maximianus who owned the Villa Romana del Casale. Behind him is his son the future Emperor Constantine. To the right of the altar is a figure holding the reins of a horse dressed in a clavi decorated with ivy leaves indicating that he belongs to the family of Maximianus.
  • Close up detail picture of the Roman mosaics of the small hunt, room no 24 at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.<br />
<br />
The Small Hunt room was used as a living room for guests of the Villa Romana del Casale. The Small hunt mosaic design has 4 registers running across the mosaic depicting hunting scenes. In the first register two servants are handling hunting dogs. In the second register figures are depicted burning incense at an altar to Diana, the goddess of hunting, before the hunt starts. The offering is being made by Constantius Clorus , the Caesar of Emperor Maximianus who owned the Villa Romana del Casale. Behind him is his son the future Emperor Constantine. To the right of the altar is a figure holding the reins of a horse dressed in a clavi decorated with ivy leaves indicating that he belongs to the family of Maximianus.
  • Wide picture of the Roman mosaics of the Room of the Chidrens's Hunt depicting children hunting animals, room no 44 at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.<br />
<br />
The Roman mosaic on the floor of the cubicle of the Child Hunt in the Villa Romana del Casale is divided into three registers with a floral theme.<br />
<br />
In the first register boys are spearing a hare with a venabulum ( spear) while to their right another boy has trapped a duckling. <br />
<br />
In the second register tree young hunters are portrayed being attacked by animals, one boy has fallen down having been bitten on the calf by a weasel. The boy in the middle has his hands raised calling for help and to his right a boy is about to be attacked bu a cockerel.<br />
<br />
In the lower register a boy is holding a raised club about to hit a peacock while another boy is spearing a goat and another is using a shield to protect himself from a Great Bustard.
  • Close up detail picture of the Roman mosaics of the Room of the Chidrens's Hunt depicting children hunting animals, room no 44 at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.<br />
<br />
The Roman mosaic on the floor of the cubicle of the Child Hunt in the Villa Romana del Casale is divided into three registers with a floral theme.<br />
<br />
In the first register boys are spearing a hare with a venabulum ( spear) while to their right another boy has trapped a duckling. <br />
<br />
In the second register tree young hunters are portrayed being attacked by animals, one boy has fallen down having been bitten on the calf by a weasel. The boy in the middle has his hands raised calling for help and to his right a boy is about to be attacked bu a cockerel.<br />
<br />
In the lower register a boy is holding a raised club about to hit a peacock while another boy is spearing a goat and another is using a shield to protect himself from a Great Bustard.
  • Close up detail picture of the Roman mosaics of the Room of the Chidrens's Hunt depicting children hunting animals, room no 44 at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.<br />
<br />
The Roman mosaic on the floor of the cubicle of the Child Hunt in the Villa Romana del Casale is divided into three registers with a floral theme.<br />
<br />
In the first register boys are spearing a hare with a venabulum ( spear) while to their right another boy has trapped a duckling. <br />
<br />
In the second register tree young hunters are portrayed being attacked by animals, one boy has fallen down having been bitten on the calf by a weasel. The boy in the middle has his hands raised calling for help and to his right a boy is about to be attacked bu a cockerel.<br />
<br />
In the lower register a boy is holding a raised club about to hit a peacock while another boy is spearing a goat and another is using a shield to protect himself from a Great Bustard.
  • Close up detail picture of the Roman mosaics of the Room of the Chidrens's Hunt depicting children hunting animals, room no 44 at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.<br />
<br />
The Roman mosaic on the floor of the cubicle of the Child Hunt in the Villa Romana del Casale is divided into three registers with a floral theme.<br />
<br />
In the first register boys are spearing a hare with a venabulum ( spear) while to their right another boy has trapped a duckling. <br />
<br />
In the second register tree young hunters are portrayed being attacked by animals, one boy has fallen down having been bitten on the calf by a weasel. The boy in the middle has his hands raised calling for help and to his right a boy is about to be attacked bu a cockerel.<br />
<br />
In the lower register a boy is holding a raised club about to hit a peacock while another boy is spearing a goat and another is using a shield to protect himself from a Great Bustard.
  • Close up detail picture of the Roman mosaics of the Room of the Chidrens's Hunt depicting children hunting animals, room no 44 at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.<br />
<br />
The Roman mosaic on the floor of the cubicle of the Child Hunt in the Villa Romana del Casale is divided into three registers with a floral theme.<br />
<br />
In the first register boys are spearing a hare with a venabulum ( spear) while to their right another boy has trapped a duckling. <br />
<br />
In the second register tree young hunters are portrayed being attacked by animals, one boy has fallen down having been bitten on the calf by a weasel. The boy in the middle has his hands raised calling for help and to his right a boy is about to be attacked bu a cockerel.<br />
<br />
In the lower register a boy is holding a raised club about to hit a peacock while another boy is spearing a goat and another is using a shield to protect himself from a Great Bustard.
  • Close up detail picture of the Roman mosaics of the Room of the Chidrens's Hunt depicting children hunting animals, room no 44 at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.<br />
<br />
The Roman mosaic on the floor of the cubicle of the Child Hunt in the Villa Romana del Casale is divided into three registers with a floral theme.<br />
<br />
In the first register boys are spearing a hare with a venabulum ( spear) while to their right another boy has trapped a duckling. <br />
<br />
In the second register tree young hunters are portrayed being attacked by animals, one boy has fallen down having been bitten on the calf by a weasel. The boy in the middle has his hands raised calling for help and to his right a boy is about to be attacked bu a cockerel.<br />
<br />
In the lower register a boy is holding a raised club about to hit a peacock while another boy is spearing a goat and another is using a shield to protect himself from a Great Bustard.
  • Close up detail picture of the Roman mosaics of the Room of the Chidrens's Hunt depicting children hunting animals, room no 44 at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.<br />
<br />
The Roman mosaic on the floor of the cubicle of the Child Hunt in the Villa Romana del Casale is divided into three registers with a floral theme.<br />
<br />
In the first register boys are spearing a hare with a venabulum ( spear) while to their right another boy has trapped a duckling. <br />
<br />
In the second register tree young hunters are portrayed being attacked by animals, one boy has fallen down having been bitten on the calf by a weasel. The boy in the middle has his hands raised calling for help and to his right a boy is about to be attacked bu a cockerel.<br />
<br />
In the lower register a boy is holding a raised club about to hit a peacock while another boy is spearing a goat and another is using a shield to protect himself from a Great Bustard.
  • Etruscan Terracotta sarcophagus lid with a female figure reclining, first half of 2nd century BC, inv 15428, The Vatican Museums Rome, White Background. For use in non editorial advertising apply to the Vatican Museums for a license.
  • Etruscan Terracotta sarcophagus lid with a female figure reclining, first half of 2nd century BC, inv 15428, The Vatican Museums Rome, Grey Background. For use in non editorial advertising apply to the Vatican Museums for a license.
  • Etruscan Terracotta sarcophagus lid with a female figure reclining, first half of 2nd century BC, inv 15428, The Vatican Museums Rome, Black Background. For use in non editorial advertising apply to the Vatican Museums for a license.
  • Etruscan Terracotta sarcophagus lid with a female figure reclining, first half of 2nd century BC, inv 15428, The Vatican Museums Rome, Art Background. For use in non editorial advertising apply to the Vatican Museums for a license.
  • Etruscan Terracotta sarcophagus lid with a female figure reclining, first half of 2nd century BC, inv 15428, The Vatican Museums Rome, Grey Art Background. For use in non editorial advertising apply to the Vatican Museums for a license.
  • First half of the 6th century B.C Etruscan clay head of a young man made in Chiusi, inv 94612, National Archaeological Museum Florence, Italy , white background
  • First half of the 6th century B.C Etruscan clay head of a young man made in Chiusi, inv 94612, National Archaeological Museum Florence, Italy , black background
  • First half of the 6th century B.C Etruscan clay head of a young man made in Chiusi, inv 94612, National Archaeological Museum Florence, Italy , against grey
  • First half of the 6th century B.C Etruscan clay head of a young man made in Chiusi, inv 94612, National Archaeological Museum Florence, Italy , grey art background
  • First half of the 6th century B.C Etruscan clay head of a young man made in Chiusi, inv 94612, National Archaeological Museum Florence, Italy
  • Roman bronze staue of Augustus Ceasar as Pontifex Maximus, late first century B.C, Naples National Archaeological Museum, white background
  • Roman bronze staue of Augustus Ceasar as Pontifex Maximus, late first century B.C, Naples National Archaeological Museum, black background
  • Roman bronze staue of Augustus Ceasar as Pontifex Maximus, late first century B.C, Naples National Archaeological Museum, grey background
  • Full length frontal view of Roman bronze staue of Augustus Ceasar as Pontifex Maximus, late first century B.C, Naples National Archaeological Museum
  • Roman bronze staue of Augustus Ceasar as Pontifex Maximus, late first century B.C, Naples National Archaeological Museum, grey art background
  • Roman colossal seated staue of Augustus Caesar, white marble, late first century B.C, inv 6040, Naples National Archaeological Museum, grey art background
  • Roman colossal seated staue of Augustus Caesar, white marble, late first century B.C, inv 6040, Naples National Archaeological Museum, white background
  • Roman colossal seated staue of Augustus Caesar, white marble, late first century B.C, inv 6040, Naples National Archaeological Museum, grey background
  • Roman colossal seated staue of Augustus Caesar, white marble, late first century B.C, inv 6040, Naples National Archaeological Museum, black background
  • Roman colossal seated staue of Augustus Caesar, white marble, late first century B.C, inv 6040, Naples National Archaeological Museum
  • Roma children's chariot race from The Vestibule of The Smnall Circus, room no 41 - Roman mosaics at the Villa Romana del Casale which containis the richest, largest and most complex collection of Roman mosaics in the world, circa the first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.
  • captured wild animal from the Ambulatory of The Great Hunt, room no 28,  at the Villa Romana del Casale which containis the richest, largest and most complex collection of Roman mosaics in the world. Constructed in the first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.
  • Roma children's chariot race from The Vestibule of The Smnall Circus, room no 41 - Roman mosaics at the Villa Romana del Casale which containis the richest, largest and most complex collection of Roman mosaics in the world, circa the first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.
  • Detail of a Roman Mosaic from the Room of The Fishing Cupids, room 24, at the Villa Romana del Casale which containis the richest, largest and most complex collection of Roman mosaics in the world. Constructed in the first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.
  • Roma children's chariot race from The Vestibule of The Smnall Circus, room no 41 - Roman mosaics at the Villa Romana del Casale which containis the richest, largest and most complex collection of Roman mosaics in the world, circa the first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.
  • Mosiac of Emperor Maximianus from the Ambulatory of The Great Hunt, room no 28,  at the Villa Romana del Casale which containis the richest, largest and most complex collection of Roman mosaics in the world. Constructed in the first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.
  • Roman Mosaic from the Cubilcle with Erotic Scene, room 24, at the Villa Romana del Casale which containis the richest, largest and most complex collection of Roman mosaics in the world. Constructed in the first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.
  • Roman Mosaic from the Cubilcle with Erotic Scene, room 24, at the Villa Romana del Casale which containis the richest, largest and most complex collection of Roman mosaics in the world. Constructed in the first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.
  • Roman Mosaic from the Cubilcle with Erotic Scene, room 24, at the Villa Romana del Casale which containis the richest, largest and most complex collection of Roman mosaics in the world. Constructed in the first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.
  • Roman Mosaic from the Cubilcle with Erotic Scene, room 24, at the Villa Romana del Casale which containis the richest, largest and most complex collection of Roman mosaics in the world. Constructed in the first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.
  • Detail of a Roman mosaic of the Peristyle no 13  at the Villa Romana del Casale which containis the richest, largest and most complex collection of Roman mosaics in the world. Constructed in the first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.
  • Chariot racing at the Circus Maximus. Roman mosaics at the Villa Romana del Casale which containis the richest, largest and most complex collection of Roman mosaics in the world. Constructed in the first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.
  • Hunters making a sacrifice to the goddess Diana from the Room of The Small Nunt, no 25 - Roman mosaics at the Villa Romana del Casale which containis the richest, largest and most complex collection of Roman mosaics in the world, circa the first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.
  • Bulls pulling a wagon from the Ambulatory of The Great Hunt, room no 28,  at the Villa Romana del Casale which containis the richest, largest and most complex collection of Roman mosaics in the world. Constructed in the first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.
  • Hunter with a hare from the Room of The Small Hunt, no 25 - Roman mosaics at the Villa Romana del Casale which containis the richest, largest and most complex collection of Roman mosaics in the world, circa the first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.
  • Hunters making a sacrifice to the goddess Diana from the Room of The Small Nunt, no 25 - Roman mosaics at the Villa Romana del Casale which containis the richest, largest and most complex collection of Roman mosaics in the world, circa the first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.
  • Hunter after a wild boar hunt from the Room of The Small Hunt, no 25 - Roman mosaics at the Villa Romana del Casale which containis the richest, largest and most complex collection of Roman mosaics in the world, circa the first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.
  • Mosaics of The Small Hunt, no 25 - Roman mosaics at the Villa Romana del Casale which containis the richest, largest and most complex collection of Roman mosaics in the world, circa the first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.
  • Mosaics of The Small Hunt, no 25 - Roman mosaics at the Villa Romana del Casale which containis the richest, largest and most complex collection of Roman mosaics in the world, circa the first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.
  • Mosaics of The Small Hunt, no 25 - Roman mosaics at the Villa Romana del Casale which containis the richest, largest and most complex collection of Roman mosaics in the world, circa the first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.
  • Mosaics of The Small Hunt, no 25 - Roman mosaics at the Villa Romana del Casale which containis the richest, largest and most complex collection of Roman mosaics in the world, circa the first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.
  • Hunter with dogs chasing a fox from the Room of The Small Hunt, no 25 - Roman mosaics at the Villa Romana del Casale which containis the richest, largest and most complex collection of Roman mosaics in the world, circa the first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.
  • Hunters about to spear a hare an spearing a wild boar from the Room of The Small Hunt, no 25 - Roman mosaics at the Villa Romana del Casale which containis the richest, largest and most complex collection of Roman mosaics in the world, circa the first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.
  • Hunter about to spearing a wild boar from the Room of The Small Hunt, no 25 - Roman mosaics at the Villa Romana del Casale which containis the richest, largest and most complex collection of Roman mosaics in the world, circa the first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.
  • Injured hunters with one about to speara wild boar from the Room of The Small Hunt, no 25 - Roman mosaics at the Villa Romana del Casale which containis the richest, largest and most complex collection of Roman mosaics in the world, circa the first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.
  • Hunters making a sacrifice to the goddess Diana after a hunt from the Room of The Small Nunt, no 25 - Roman mosaics at the Villa Romana del Casale which containis the richest, largest and most complex collection of Roman mosaics in the world, circa the first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.
  • Hunter with dogs chasing a fox from the Room of The Small Hunt, no 25 - Roman mosaics at the Villa Romana del Casale which containis the richest, largest and most complex collection of Roman mosaics in the world, circa the first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.
  • Hunter about to spear a hare From the Room of The Small Hunt, no 25 - Roman mosaics at the Villa Romana del Casale which containis the richest, largest and most complex collection of Roman mosaics in the world, circa the first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.
  • Hunter on horseback  about to spear a crouching hare From the Room of The Small Hunt, no 25 - Roman mosaics at the Villa Romana del Casale which containis the richest, largest and most complex collection of Roman mosaics in the world, circa the first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.
  • Cupid and a dolphin Roman mosaic from the Room of the Fishing Cupids no 24, at the Villa Romana del Casale which containis the richest, largest and most complex collection of Roman mosaics in the world, circa the first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.
  • Hunter with a hare from the Room of The Small Hunt, no 25 - Roman mosaics at the Villa Romana del Casale which containis the richest, largest and most complex collection of Roman mosaics in the world, circa the first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.
  • Hunter from the Room of The Small Hunt, no 25 - Roman mosaics at the Villa Romana del Casale which containis the richest, largest and most complex collection of Roman mosaics in the world, circa the first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.
  • Hunters looking for birds in a tree from the Room of The Small Hunt, no 25 - Roman mosaics at the Villa Romana del Casale which containis the richest, largest and most complex collection of Roman mosaics in the world, circa the first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.
  • Hunter with a wild boar slung in a net from the Room of The Small Hunt, no 25 - Roman mosaics at the Villa Romana del Casale which containis the richest, largest and most complex collection of Roman mosaics in the world, circa the first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.
  • Hunters after the hunt from the Room of The Small Hunt, no 25 - Roman mosaics at the Villa Romana del Casale which containis the richest, largest and most complex collection of Roman mosaics in the world, circa the first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.
  • Detail of the geometric  Roman mosaics at the Villa Romana del Casale which containis the richest, largest and most complex collection of Roman mosaics in the world, circa the first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.
  • Figures one holding a lighted nadle from the Vestibule of the Adventus, room no 11 - Roman mosaics at the Villa Romana del Casale which containis the richest, largest and most complex collection of Roman mosaics in the world, circa the first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.
  • Deer being hunted from the Room of The Small Hunt, no 25 - Roman mosaics at the Villa Romana del Casale which containis the richest, largest and most complex collection of Roman mosaics in the world, circa the first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.
  • Hunter awith dogs chasing a fox from the Room of The Small Hunt, no 25 - Roman mosaics at the Villa Romana del Casale which containis the richest, largest and most complex collection of Roman mosaics in the world, circa the first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.
  • Hunter driving deer into a net from the Room of The Small Hunt, no 25 - Roman mosaics at the Villa Romana del Casale which containis the richest, largest and most complex collection of Roman mosaics in the world, circa the first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.
  • Detail of cupids fishing from a boat, a Roman Mosaic from the Room of The Fishing Cupids, room 24, at the Villa Romana del Casale which containis the richest, largest and most complex collection of Roman mosaics in the world. Constructed in the first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.
  • Mosiac of Emperor Maximianus from the Ambulatory of The Great Hunt, room no 28,  at the Villa Romana del Casale which containis the richest, largest and most complex collection of Roman mosaics in the world. Constructed in the first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.
  • First half of the 3rd century AD Roman mosaic depiction  a wild boar and hare hunt. From Hadrumetum (Sousse), Tunisia.  The Bardo Museum, Tunis, Tunisia. White Background.
  • First half of the 3rd century AD Roman mosaic depiction  a wild boar and hare hunt. From Hadrumetum (Sousse), Tunisia.  The Bardo Museum, Tunis, Tunisia. black background
  • First half of the 3rd century AD Roman mosaic depiction  a wild boar and hare hunt. From Hadrumetum (Sousse), Tunisia.  The Bardo Museum, Tunis, Tunisia. Grey background
  • First half of the 3rd century AD Roman mosaic depiction  a wild boar and hare hunt. From Hadrumetum (Sousse), Tunisia.  The Bardo Museum, Tunis, Tunisia.
  • Photo of Roman releif sculpture of Aineas Fleeing Troy with his wife & children from the Oda first room, Aphrodisias, Turkey, Images of Roman art bas releifs. Buy as stock or photo art prints
  • Photo of Roman releif sculpture of Aineas Fleeing Troy with his wife & children from the Oda first room, Aphrodisias, Turkey, Images of Roman art bas releifs. Buy as stock or photo art prints
  • Photo of Roman releif sculpture of Aineas Fleeing Troy with his wife & children from the Oda first room, Aphrodisias, Turkey, Images of Roman art bas releifs. Buy as stock or photo art prints
  • Photo of Roman releif sculpture of Aphrodite & Anchises from the Oda first room, Aphrodisias, Turkey, Images of Roman art bas releifs. Buy as stock or photo art prints. The trojan shepherd Anchises gazes at a seated Aphrodite, his lover for one night on Mount Ida. She hold a smalkl Eros in her lap : this is an erotic encounter. The head of Seine [ moon ] appears above the mountain in the top left of the scene. Aineas was the result of this union.
  • Photo of Roman releif sculpture of Aphrodite & Anchises from the Oda first room, Aphrodisias, Turkey, Images of Roman art bas releifs. Buy as stock or photo art prints. The trojan shepherd Anchises gazes at a seated Aphrodite, his lover for one night on Mount Ida. She hold a smalkl Eros in her lap : this is an erotic encounter. The head of Seine [ moon ] appears above the mountain in the top left of the scene. Aineas was the result of this union.
  • Photo of Roman releif sculpture of Aphrodite & Anchises from the Oda first room, Aphrodisias, Turkey, Images of Roman art bas releifs. Buy as stock or photo art prints. The trojan shepherd Anchises gazes at a seated Aphrodite, his lover for one night on Mount Ida. She hold a smalkl Eros in her lap : this is an erotic encounter. The head of Seine [ moon ] appears above the mountain in the top left of the scene. Aineas was the result of this union.
  • Gothic painted Altarpiece of Saint Peter Martyr by an anonymous Aragon artist. Tempera and varnished metal plate on wood. First third of 14th century. 196.5 x 121.5 x 10 cm. From Barbastre or the monastery of Santa María de Sigena (Villanueva de Sigena, Huesca).. National Museum of Catalan Art, inv no: 015820-000
  • Gothic painted Altarpiece of Saint Peter Martyr by an anonymous Aragon artist. Tempera and varnished metal plate on wood. First third of 14th century. 196.5 x 121.5 x 10 cm. From Barbastre or the monastery of Santa María de Sigena (Villanueva de Sigena, Huesca).. National Museum of Catalan Art, inv no: 015820-000
  • Gothic painted Altarpiece of Saint Peter Martyr by an anonymous Aragon artist. Tempera and varnished metal plate on wood. First third of 14th century. 196.5 x 121.5 x 10 cm. From Barbastre or the monastery of Santa María de Sigena (Villanueva de Sigena, Huesca).. National Museum of Catalan Art, inv no: 015820-000

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