• Fresh Globe Artichokes (Cynara  cardunculus)
  • Fresh Globe Artichokes (Cynara  cardunculus)
  • Fresh Globe Artichokes (Cynara  cardunculus)
  • Fresh Globe Artichokes (Cynara  cardunculus)
  • Fresh Globe Artichokes (Cynara  cardunculus)
  • Fresh Globe Artichokes (Cynara  cardunculus)
  • Fresh Globe Artichokes (Cynara  cardunculus)
  • Fresh Globe Artichokes (Cynara  cardunculus)
  • Paris - France - Montmatre - Antiquw shop window
  • Second century AD Roman statue of Urania holding, the muse of atronomy holding  a globe, the statue was restored from two separte staues of the period, inv 293, Vatican Museum Rome, Italy,  black background
  • Second century AD Roman statue of Urania holding, the muse of atronomy holding  a globe, the statue was restored from two separte staues of the period, inv 293, Vatican Museum Rome, Italy,  grey art background
  • Second century AD Roman statue of Urania holding, the muse of atronomy holding  a globe, the statue was restored from two separte staues of the period, inv 293, Vatican Museum Rome, Italy,  art background
  • Second century AD Roman statue of Urania holding, the muse of atronomy holding  a globe, the statue was restored from two separte staues of the period, inv 293, Vatican Museum Rome, Italy,  grey background
  • Second century AD Roman statue of Urania holding, the muse of atronomy holding  a globe, the statue was restored from two separte staues of the period, inv 293, Vatican Museum Rome, Italy,  white background
  • Pictures & images of Koc Church frescoes, 10th century,  the Vadisi Monastery Valley, "Manastır Vadisi”,  of the Ihlara Valley, Guzelyurt , Aksaray Province, Turkey.<br />
<br />
The frescoes of Koc church depict two standing figures. One of them is an angel with a staff and a globe in eah hand. The other figure is a saint with an aura around the head. Both are richly clothed with ornaments decorated with pearls.
  • Pictures & images of Koc Church frescoes, 10th century,  the Vadisi Monastery Valley, "Manastır Vadisi”,  of the Ihlara Valley, Guzelyurt , Aksaray Province, Turkey.<br />
<br />
The frescoes of Koc church depict two standing figures. One of them is an angel with a staff and a globe in eah hand. The other figure is a saint with an aura around the head. Both are richly clothed with ornaments decorated with pearls.
  • Pictures & images of Koc Church frescoes, 10th century,  the Vadisi Monastery Valley, "Manastır Vadisi”,  of the Ihlara Valley, Guzelyurt , Aksaray Province, Turkey.<br />
<br />
The frescoes of Koc church depict two standing figures. One of them is an angel with a staff and a globe in eah hand. The other figure is a saint with an aura around the head. Both are richly clothed with ornaments decorated with pearls.
  • Picture and image of the stone sculpture of a women on the tomb of ship builder Giovanni Battista Piaggio by  Sculptor G. Benetti 1873. Giovanni Battista Piaggio, who is buried here, was a rich ship-owner, whose important role in society is expressed by the professional symbols -the anchor, the ropes, the sand-glass, the globe, the chart that the sculptor Giuseppe Benetti put on the sides of the deceased's bust hosted in the lunette, which surmounts the architecture in Renaissance style of the monument. As a representative of the upper middle class he couldn't die without leaving memories of his social role: Benetti, in order to meet this requirement, represented the widow coming out of the chapel with a prayer-book in her hand. Bringing the mourning in an everyday-life dimension Benetti created a work in accordance with the dictates of the Realism bourgeois. Section A, no 47, The monumental tombs of the Staglieno Monumental Cemetery, Genoa, Italy
  • Picture and image of the stone sculpture of a women on the tomb of ship builder Giovanni Battista Piaggio by  Sculptor G. Benetti 1873. Giovanni Battista Piaggio, who is buried here, was a rich ship-owner, whose important role in society is expressed by the professional symbols -the anchor, the ropes, the sand-glass, the globe, the chart that the sculptor Giuseppe Benetti put on the sides of the deceased's bust hosted in the lunette, which surmounts the architecture in Renaissance style of the monument. As a representative of the upper middle class he couldn't die without leaving memories of his social role: Benetti, in order to meet this requirement, represented the widow coming out of the chapel with a prayer-book in her hand. Bringing the mourning in an everyday-life dimension Benetti created a work in accordance with the dictates of the Realism bourgeois. Section A, no 47, The monumental tombs of the Staglieno Monumental Cemetery, Genoa, Italy
  • Statue of the head of Proteus, son of Neptune, the globe and castle on its head symolises the castle of Orsini and its rule over the world, commissioned by Piaer Francesco Orsini c. 1513-84, The Renaissance Mannerist statues of the Park of Monsters or The Sacred Wood of Bamarzo, Italy
  • Statue of the head of Proteus, son of Neptune, the globe and castle on its head symolises the castle of Orsini and its rule over the world, commissioned by Piaer Francesco Orsini c. 1513-84, The Renaissance Mannerist statues of the Park of Monsters or The Sacred Wood of Bamarzo, Italy
  • Statue of the head of Proteus, son of Neptune, the globe and castle on its head symolises the castle of Orsini and its rule over the world, commissioned by Piaer Francesco Orsini c. 1513-84, The Renaissance Mannerist statues of the Park of Monsters or The Sacred Wood of Bamarzo, Italy
  • Statue of the head of Proteus, son of Neptune, the globe and castle on its head symolises the castle of Orsini and its rule over the world, commissioned by Piaer Francesco Orsini c. 1513-84, The Renaissance Mannerist statues of the Park of Monsters or The Sacred Wood of Bamarzo, Italy
  • Statue of the head of Proteus, son of Neptune, the globe and castle on its head symolises the castle of Orsini and its rule over the world, commissioned by Piaer Francesco Orsini c. 1513-84, The Renaissance Mannerist statues of the Park of Monsters or The Sacred Wood of Bamarzo, Italy
  • Statue of the head of Proteus, son of Neptune, the globe and castle on its head symolises the castle of Orsini and its rule over the world, commissioned by Piaer Francesco Orsini c. 1513-84, The Renaissance Mannerist statues of the Park of Monsters or The Sacred Wood of Bamarzo, Italy
  • Statue of the head of Proteus, son of Neptune, the globe and castle on its head symolises the castle of Orsini and its rule over the world, commissioned by Piaer Francesco Orsini c. 1513-84, The Renaissance Mannerist statues of the Park of Monsters or The Sacred Wood of Bamarzo, Italy
  • Statue of the head of Proteus, son of Neptune, the globe and castle on its head symolises the castle of Orsini and its rule over the world, commissioned by Piaer Francesco Orsini c. 1513-84, The Renaissance Mannerist statues of the Park of Monsters or The Sacred Wood of Bamarzo, Italy
  • Pictures & images of Koc Church frescoes, 10th century,  the Vadisi Monastery Valley, "Manastır Vadisi”,  of the Ihlara Valley, Guzelyurt , Aksaray Province, Turkey.<br />
<br />
The frescoes of Koc church depict two standing figures. One of them is an angel with a staff and a globe in eah hand. The other figure is a saint with an aura around the head. Both are richly clothed with ornaments decorated with pearls.
  • Picture and image of the stone sculpture of a women on the tomb of ship builder Giovanni Battista Piaggio by  Sculptor G. Benetti 1873. Giovanni Battista Piaggio, who is buried here, was a rich ship-owner, whose important role in society is expressed by the professional symbols -the anchor, the ropes, the sand-glass, the globe, the chart that the sculptor Giuseppe Benetti put on the sides of the deceased's bust hosted in the lunette, which surmounts the architecture in Renaissance style of the monument. As a representative of the upper middle class he couldn't die without leaving memories of his social role: Benetti, in order to meet this requirement, represented the widow coming out of the chapel with a prayer-book in her hand. Bringing the mourning in an everyday-life dimension Benetti created a work in accordance with the dictates of the Realism bourgeois. Section A, no 47, The monumental tombs of the Staglieno Monumental Cemetery, Genoa, Italy
  • Statue of the head of Proteus, son of Neptune, the globe and castle on its head symolises the castle of Orsini and its rule over the world, commissioned by Piaer Francesco Orsini c. 1513-84, The Renaissance Mannerist statues of the Park of Monsters or The Sacred Wood of Bamarzo, Italy
  • Statue of the head of Proteus, son of Neptune, the globe and castle on its head symolises the castle of Orsini and its rule over the world, commissioned by Piaer Francesco Orsini c. 1513-84, The Renaissance Mannerist statues of the Park of Monsters or The Sacred Wood of Bamarzo, Italy
  • Statue of the head of Proteus, son of Neptune, the globe and castle on its head symolises the castle of Orsini and its rule over the world, commissioned by Piaer Francesco Orsini c. 1513-84, The Renaissance Mannerist statues of the Park of Monsters or The Sacred Wood of Bamarzo, Italy
  • Statue of the head of Proteus, son of Neptune, the globe and castle on its head symolises the castle of Orsini and its rule over the world, commissioned by Piaer Francesco Orsini c. 1513-84, The Renaissance Mannerist statues of the Park of Monsters or The Sacred Wood of Bamarzo, Italy
  • Third Room of The Library. Queen Mary Caroline commissioned  German painter Freidrich Heinrich Fuger to decorate the Third Library Room. The paintings on the wall represent classical themes of: The Parnassus with Apollo and the Three Graces, The Envy and the Richness, The School of Athens, The protection of The Arts. The two globes represent the planisphere and the astral map and were donated to Ferdinand IV of Bourbon by King of France Louis XVI, his brother-in-law. The Kings of Naples Royal Palace of Caserta, Italy. A UNESCO World Heritage Site
  • Third Room of The Library. Queen Mary Caroline commissioned  German painter Freidrich Heinrich Fuger to decorate the Third Library Room. The paintings on the wall represent classical themes of: The Parnassus with Apollo and the Three Graces, The Envy and the Richness, The School of Athens, The protection of The Arts. The two globes represent the planisphere and the astral map and were donated to Ferdinand IV of Bourbon by King of France Louis XVI, his brother-in-law. The Kings of Naples Royal Palace of Caserta, Italy. A UNESCO World Heritage Site
  • Third Room of The Library. Queen Mary Caroline commissioned  German painter Freidrich Heinrich Fuger to decorate the Third Library Room. The paintings on the wall represent classical themes of: The Parnassus with Apollo and the Three Graces, The Envy and the Richness, The School of Athens, The protection of The Arts. The two globes represent the planisphere and the astral map and were donated to Ferdinand IV of Bourbon by King of France Louis XVI, his brother-in-law. The Kings of Naples Royal Palace of Caserta, Italy. A UNESCO World Heritage Site
  • Third Room of The Library. Queen Mary Caroline commissioned  German painter Freidrich Heinrich Fuger to decorate the Third Library Room. The paintings on the wall represent classical themes of: The Parnassus with Apollo and the Three Graces, The Envy and the Richness, The School of Athens, The protection of The Arts. The two globes represent the planisphere and the astral map and were donated to Ferdinand IV of Bourbon by King of France Louis XVI, his brother-in-law. The Kings of Naples Royal Palace of Caserta, Italy. A UNESCO World Heritage Site

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