• Greek  statue of a Niobid from the Horti Sallustiani (Gardens of Sallust), a Greek original from the 5th cent BC found near the Via Collina and Piazza Sallustio, Rome. The wounded female figure whose back has been struck by an arrow is one of fourteen children of Amphion of Thebes and Niobe.  According to myth, Niobe insulted Lato, mother of the divine Apollo and Artemis; “why ever should Lato, a women of common birth, with a coarse daughter and an effeminate son, be preferred to me, the niece of Zeus and Atlas, scourge of the Phyrigians and the royal house of Cadmus?.”. The vengeful Lato ordered Apollo and Artemis to kill Niobe’s children who were struck down with arrows. In antiquity the myth of the Niobids was the subject matter of numerous works of art. The statue , a 5th century Greek original, was used as an ornamental piece in the Horti Sallustiani (Gardens of Sallust), where it was found with other figures of Niobids, two of which are now at the Ny Carlsberg Glypotheck in Copenhargen. Originally it was part of a pedimental group which decorated the facade of a Greek Temple. Inv 72274, The National Roman Museum, Rome, Italy
  • Greek  statue of a Niobid from the Horti Sallustiani (Gardens of Sallust), a Greek original from the 5th cent BC found near the Via Collina and Piazza Sallustio, Rome. The wounded female figure whose back has been struck by an arrow is one of fourteen children of Amphion of Thebes and Niobe.  According to myth, Niobe insulted Lato, mother of the divine Apollo and Artemis; “why ever should Lato, a women of common birth, with a coarse daughter and an effeminate son, be preferred to me, the niece of Zeus and Atlas, scourge of the Phyrigians and the royal house of Cadmus?.”. The vengeful Lato ordered Apollo and Artemis to kill Niobe’s children who were struck down with arrows. In antiquity the myth of the Niobids was the subject matter of numerous works of art. The statue , a 5th century Greek original, was used as an ornamental piece in the Horti Sallustiani (Gardens of Sallust), where it was found with other figures of Niobids, two of which are now at the Ny Carlsberg Glypotheck in Copenhargen. Originally it was part of a pedimental group which decorated the facade of a Greek Temple. Inv 72274, The National Roman Museum, Rome, Italy
  • Greek  statue of a Niobid from the Horti Sallustiani (Gardens of Sallust), a Greek original from the 5th cent BC found near the Via Collina and Piazza Sallustio, Rome. The wounded female figure whose back has been struck by an arrow is one of fourteen children of Amphion of Thebes and Niobe.  According to myth, Niobe insulted Lato, mother of the divine Apollo and Artemis; “why ever should Lato, a women of common birth, with a coarse daughter and an effeminate son, be preferred to me, the niece of Zeus and Atlas, scourge of the Phyrigians and the royal house of Cadmus?.”. The vengeful Lato ordered Apollo and Artemis to kill Niobe’s children who were struck down with arrows. In antiquity the myth of the Niobids was the subject matter of numerous works of art. The statue , a 5th century Greek original, was used as an ornamental piece in the Horti Sallustiani (Gardens of Sallust), where it was found with other figures of Niobids, two of which are now at the Ny Carlsberg Glypotheck in Copenhargen. Originally it was part of a pedimental group which decorated the facade of a Greek Temple. Inv 72274, The National Roman Museum, Rome, Italy
  • Greek  statue of a Niobid from the Horti Sallustiani (Gardens of Sallust), a Greek original from the 5th cent BC found near the Via Collina and Piazza Sallustio, Rome. The wounded female figure whose back has been struck by an arrow is one of fourteen children of Amphion of Thebes and Niobe.  According to myth, Niobe insulted Lato, mother of the divine Apollo and Artemis; “why ever should Lato, a women of common birth, with a coarse daughter and an effeminate son, be preferred to me, the niece of Zeus and Atlas, scourge of the Phyrigians and the royal house of Cadmus?.”. The vengeful Lato ordered Apollo and Artemis to kill Niobe’s children who were struck down with arrows. In antiquity the myth of the Niobids was the subject matter of numerous works of art. The statue , a 5th century Greek original, was used as an ornamental piece in the Horti Sallustiani (Gardens of Sallust), where it was found with other figures of Niobids, two of which are now at the Ny Carlsberg Glypotheck in Copenhargen. Originally it was part of a pedimental group which decorated the facade of a Greek Temple. Inv 72274, The National Roman Museum, Rome, Italy
  • Greek  statue of a Niobid from the Horti Sallustiani (Gardens of Sallust), a Greek original from the 5th cent BC found near the Via Collina and Piazza Sallustio, Rome. The wounded female figure whose back has been struck by an arrow is one of fourteen children of Amphion of Thebes and Niobe.  According to myth, Niobe insulted Lato, mother of the divine Apollo and Artemis; “why ever should Lato, a women of common birth, with a coarse daughter and an effeminate son, be preferred to me, the niece of Zeus and Atlas, scourge of the Phyrigians and the royal house of Cadmus?.”. The vengeful Lato ordered Apollo and Artemis to kill Niobe’s children who were struck down with arrows. In antiquity the myth of the Niobids was the subject matter of numerous works of art. The statue , a 5th century Greek original, was used as an ornamental piece in the Horti Sallustiani (Gardens of Sallust), where it was found with other figures of Niobids, two of which are now at the Ny Carlsberg Glypotheck in Copenhargen. Originally it was part of a pedimental group which decorated the facade of a Greek Temple. Inv 72274, The National Roman Museum, Rome, Italy
  • Greek  statue of a Niobid from the Horti Sallustiani (Gardens of Sallust), a Greek original from the 5th cent BC found near the Via Collina and Piazza Sallustio, Rome. The wounded female figure whose back has been struck by an arrow is one of fourteen children of Amphion of Thebes and Niobe.  According to myth, Niobe insulted Lato, mother of the divine Apollo and Artemis; “why ever should Lato, a women of common birth, with a coarse daughter and an effeminate son, be preferred to me, the niece of Zeus and Atlas, scourge of the Phyrigians and the royal house of Cadmus?.”. The vengeful Lato ordered Apollo and Artemis to kill Niobe’s children who were struck down with arrows. In antiquity the myth of the Niobids was the subject matter of numerous works of art. The statue , a 5th century Greek original, was used as an ornamental piece in the Horti Sallustiani (Gardens of Sallust), where it was found with other figures of Niobids, two of which are now at the Ny Carlsberg Glypotheck in Copenhargen. Originally it was part of a pedimental group which decorated the facade of a Greek Temple. Inv 72274, The National Roman Museum, Rome, Italy
  • Greek  statue of a Niobid from the Horti Sallustiani (Gardens of Sallust), a Greek original from the 5th cent BC found near the Via Collina and Piazza Sallustio, Rome. The wounded female figure whose back has been struck by an arrow is one of fourteen children of Amphion of Thebes and Niobe.  According to myth, Niobe insulted Lato, mother of the divine Apollo and Artemis; “why ever should Lato, a women of common birth, with a coarse daughter and an effeminate son, be preferred to me, the niece of Zeus and Atlas, scourge of the Phyrigians and the royal house of Cadmus?.”. The vengeful Lato ordered Apollo and Artemis to kill Niobe’s children who were struck down with arrows. In antiquity the myth of the Niobids was the subject matter of numerous works of art. The statue , a 5th century Greek original, was used as an ornamental piece in the Horti Sallustiani (Gardens of Sallust), where it was found with other figures of Niobids, two of which are now at the Ny Carlsberg Glypotheck in Copenhargen. Originally it was part of a pedimental group which decorated the facade of a Greek Temple. Inv 72274, The National Roman Museum, Rome, Italy
  • Greek  statue of a Niobid from the Horti Sallustiani (Gardens of Sallust), a Greek original from the 5th cent BC found near the Via Collina and Piazza Sallustio, Rome. The wounded female figure whose back has been struck by an arrow is one of fourteen children of Amphion of Thebes and Niobe.  According to myth, Niobe insulted Lato, mother of the divine Apollo and Artemis; “why ever should Lato, a women of common birth, with a coarse daughter and an effeminate son, be preferred to me, the niece of Zeus and Atlas, scourge of the Phyrigians and the royal house of Cadmus?.”. The vengeful Lato ordered Apollo and Artemis to kill Niobe’s children who were struck down with arrows. In antiquity the myth of the Niobids was the subject matter of numerous works of art. The statue , a 5th century Greek original, was used as an ornamental piece in the Horti Sallustiani (Gardens of Sallust), where it was found with other figures of Niobids, two of which are now at the Ny Carlsberg Glypotheck in Copenhargen. Originally it was part of a pedimental group which decorated the facade of a Greek Temple. Inv 72274, The National Roman Museum, Rome, Italy
  • Greek  statue of a Niobid from the Horti Sallustiani (Gardens of Sallust), a Greek original from the 5th cent BC found near the Via Collina and Piazza Sallustio, Rome. The wounded female figure whose back has been struck by an arrow is one of fourteen children of Amphion of Thebes and Niobe.  According to myth, Niobe insulted Lato, mother of the divine Apollo and Artemis; “why ever should Lato, a women of common birth, with a coarse daughter and an effeminate son, be preferred to me, the niece of Zeus and Atlas, scourge of the Phyrigians and the royal house of Cadmus?.”. The vengeful Lato ordered Apollo and Artemis to kill Niobe’s children who were struck down with arrows. In antiquity the myth of the Niobids was the subject matter of numerous works of art. The statue , a 5th century Greek original, was used as an ornamental piece in the Horti Sallustiani (Gardens of Sallust), where it was found with other figures of Niobids, two of which are now at the Ny Carlsberg Glypotheck in Copenhargen. Originally it was part of a pedimental group which decorated the facade of a Greek Temple. Inv 72274, The National Roman Museum, Rome, Italy
  • Greek  statue of a Niobid from the Horti Sallustiani (Gardens of Sallust), a Greek original from the 5th cent BC found near the Via Collina and Piazza Sallustio, Rome. The wounded female figure whose back has been struck by an arrow is one of fourteen children of Amphion of Thebes and Niobe.  According to myth, Niobe insulted Lato, mother of the divine Apollo and Artemis; “why ever should Lato, a women of common birth, with a coarse daughter and an effeminate son, be preferred to me, the niece of Zeus and Atlas, scourge of the Phyrigians and the royal house of Cadmus?.”. The vengeful Lato ordered Apollo and Artemis to kill Niobe’s children who were struck down with arrows. In antiquity the myth of the Niobids was the subject matter of numerous works of art. The statue , a 5th century Greek original, was used as an ornamental piece in the Horti Sallustiani (Gardens of Sallust), where it was found with other figures of Niobids, two of which are now at the Ny Carlsberg Glypotheck in Copenhargen. Originally it was part of a pedimental group which decorated the facade of a Greek Temple. Inv 72274, The National Roman Museum, Rome, Italy
  • Greek  statue of a Niobid from the Horti Sallustiani (Gardens of Sallust), a Greek original from the 5th cent BC found near the Via Collina and Piazza Sallustio, Rome. The wounded female figure whose back has been struck by an arrow is one of fourteen children of Amphion of Thebes and Niobe.  According to myth, Niobe insulted Lato, mother of the divine Apollo and Artemis; “why ever should Lato, a women of common birth, with a coarse daughter and an effeminate son, be preferred to me, the niece of Zeus and Atlas, scourge of the Phyrigians and the royal house of Cadmus?.”. The vengeful Lato ordered Apollo and Artemis to kill Niobe’s children who were struck down with arrows. In antiquity the myth of the Niobids was the subject matter of numerous works of art. The statue , a 5th century Greek original, was used as an ornamental piece in the Horti Sallustiani (Gardens of Sallust), where it was found with other figures of Niobids, two of which are now at the Ny Carlsberg Glypotheck in Copenhargen. Originally it was part of a pedimental group which decorated the facade of a Greek Temple. Inv 72274, The National Roman Museum, Rome, Italy
  • Greek  statue of a Niobid from the Horti Sallustiani (Gardens of Sallust), a Greek original from the 5th cent BC found near the Via Collina and Piazza Sallustio, Rome. The wounded female figure whose back has been struck by an arrow is one of fourteen children of Amphion of Thebes and Niobe.  According to myth, Niobe insulted Lato, mother of the divine Apollo and Artemis; “why ever should Lato, a women of common birth, with a coarse daughter and an effeminate son, be preferred to me, the niece of Zeus and Atlas, scourge of the Phyrigians and the royal house of Cadmus?.”. The vengeful Lato ordered Apollo and Artemis to kill Niobe’s children who were struck down with arrows. In antiquity the myth of the Niobids was the subject matter of numerous works of art. The statue , a 5th century Greek original, was used as an ornamental piece in the Horti Sallustiani (Gardens of Sallust), where it was found with other figures of Niobids, two of which are now at the Ny Carlsberg Glypotheck in Copenhargen. Originally it was part of a pedimental group which decorated the facade of a Greek Temple. Inv 72274, The National Roman Museum, Rome, Italy
  • Greek  statue of a Niobid from the Horti Sallustiani (Gardens of Sallust), a Greek original from the 5th cent BC found near the Via Collina and Piazza Sallustio, Rome. The wounded female figure whose back has been struck by an arrow is one of fourteen children of Amphion of Thebes and Niobe.  According to myth, Niobe insulted Lato, mother of the divine Apollo and Artemis; “why ever should Lato, a women of common birth, with a coarse daughter and an effeminate son, be preferred to me, the niece of Zeus and Atlas, scourge of the Phyrigians and the royal house of Cadmus?.”. The vengeful Lato ordered Apollo and Artemis to kill Niobe’s children who were struck down with arrows. In antiquity the myth of the Niobids was the subject matter of numerous works of art. The statue , a 5th century Greek original, was used as an ornamental piece in the Horti Sallustiani (Gardens of Sallust), where it was found with other figures of Niobids, two of which are now at the Ny Carlsberg Glypotheck in Copenhargen. Originally it was part of a pedimental group which decorated the facade of a Greek Temple. Inv 72274, The National Roman Museum, Rome, Italy
  • Greek  statue of a Niobid from the Horti Sallustiani (Gardens of Sallust), a Greek original from the 5th cent BC found near the Via Collina and Piazza Sallustio, Rome. The wounded female figure whose back has been struck by an arrow is one of fourteen children of Amphion of Thebes and Niobe.  According to myth, Niobe insulted Lato, mother of the divine Apollo and Artemis; “why ever should Lato, a women of common birth, with a coarse daughter and an effeminate son, be preferred to me, the niece of Zeus and Atlas, scourge of the Phyrigians and the royal house of Cadmus?.”. The vengeful Lato ordered Apollo and Artemis to kill Niobe’s children who were struck down with arrows. In antiquity the myth of the Niobids was the subject matter of numerous works of art. The statue , a 5th century Greek original, was used as an ornamental piece in the Horti Sallustiani (Gardens of Sallust), where it was found with other figures of Niobids, two of which are now at the Ny Carlsberg Glypotheck in Copenhargen. Originally it was part of a pedimental group which decorated the facade of a Greek Temple. Inv 72274, The National Roman Museum, Rome, Italy
  • Greek  statue of a Niobid from the Horti Sallustiani (Gardens of Sallust), a Greek original from the 5th cent BC found near the Via Collina and Piazza Sallustio, Rome. The wounded female figure whose back has been struck by an arrow is one of fourteen children of Amphion of Thebes and Niobe.  According to myth, Niobe insulted Lato, mother of the divine Apollo and Artemis; “why ever should Lato, a women of common birth, with a coarse daughter and an effeminate son, be preferred to me, the niece of Zeus and Atlas, scourge of the Phyrigians and the royal house of Cadmus?.”. The vengeful Lato ordered Apollo and Artemis to kill Niobe’s children who were struck down with arrows. In antiquity the myth of the Niobids was the subject matter of numerous works of art. The statue , a 5th century Greek original, was used as an ornamental piece in the Horti Sallustiani (Gardens of Sallust), where it was found with other figures of Niobids, two of which are now at the Ny Carlsberg Glypotheck in Copenhargen. Originally it was part of a pedimental group which decorated the facade of a Greek Temple. Inv 72274, The National Roman Museum, Rome, Italy
  • Greek  statue of a Niobid from the Horti Sallustiani (Gardens of Sallust), a Greek original from the 5th cent BC found near the Via Collina and Piazza Sallustio, Rome. The wounded female figure whose back has been struck by an arrow is one of fourteen children of Amphion of Thebes and Niobe.  According to myth, Niobe insulted Lato, mother of the divine Apollo and Artemis; “why ever should Lato, a women of common birth, with a coarse daughter and an effeminate son, be preferred to me, the niece of Zeus and Atlas, scourge of the Phyrigians and the royal house of Cadmus?.”. The vengeful Lato ordered Apollo and Artemis to kill Niobe’s children who were struck down with arrows. In antiquity the myth of the Niobids was the subject matter of numerous works of art. The statue , a 5th century Greek original, was used as an ornamental piece in the Horti Sallustiani (Gardens of Sallust), where it was found with other figures of Niobids, two of which are now at the Ny Carlsberg Glypotheck in Copenhargen. Originally it was part of a pedimental group which decorated the facade of a Greek Temple. Inv 72274, The National Roman Museum, Rome, Italy
  • Greek  statue of a Niobid from the Horti Sallustiani (Gardens of Sallust), a Greek original from the 5th cent BC found near the Via Collina and Piazza Sallustio, Rome. The wounded female figure whose back has been struck by an arrow is one of fourteen children of Amphion of Thebes and Niobe.  According to myth, Niobe insulted Lato, mother of the divine Apollo and Artemis; “why ever should Lato, a women of common birth, with a coarse daughter and an effeminate son, be preferred to me, the niece of Zeus and Atlas, scourge of the Phyrigians and the royal house of Cadmus?.”. The vengeful Lato ordered Apollo and Artemis to kill Niobe’s children who were struck down with arrows. In antiquity the myth of the Niobids was the subject matter of numerous works of art. The statue , a 5th century Greek original, was used as an ornamental piece in the Horti Sallustiani (Gardens of Sallust), where it was found with other figures of Niobids, two of which are now at the Ny Carlsberg Glypotheck in Copenhargen. Originally it was part of a pedimental group which decorated the facade of a Greek Temple. Inv 72274, The National Roman Museum, Rome, Italy
  • Greek  statue of a Niobid from the Horti Sallustiani (Gardens of Sallust), a Greek original from the 5th cent BC found near the Via Collina and Piazza Sallustio, Rome. The wounded female figure whose back has been struck by an arrow is one of fourteen children of Amphion of Thebes and Niobe.  According to myth, Niobe insulted Lato, mother of the divine Apollo and Artemis; “why ever should Lato, a women of common birth, with a coarse daughter and an effeminate son, be preferred to me, the niece of Zeus and Atlas, scourge of the Phyrigians and the royal house of Cadmus?.”. The vengeful Lato ordered Apollo and Artemis to kill Niobe’s children who were struck down with arrows. In antiquity the myth of the Niobids was the subject matter of numerous works of art. The statue , a 5th century Greek original, was used as an ornamental piece in the Horti Sallustiani (Gardens of Sallust), where it was found with other figures of Niobids, two of which are now at the Ny Carlsberg Glypotheck in Copenhargen. Originally it was part of a pedimental group which decorated the facade of a Greek Temple. Inv 72274, The National Roman Museum, Rome, Italy
  • Greek  statue of a Niobid from the Horti Sallustiani (Gardens of Sallust), a Greek original from the 5th cent BC found near the Via Collina and Piazza Sallustio, Rome. The wounded female figure whose back has been struck by an arrow is one of fourteen children of Amphion of Thebes and Niobe.  According to myth, Niobe insulted Lato, mother of the divine Apollo and Artemis; “why ever should Lato, a women of common birth, with a coarse daughter and an effeminate son, be preferred to me, the niece of Zeus and Atlas, scourge of the Phyrigians and the royal house of Cadmus?.”. The vengeful Lato ordered Apollo and Artemis to kill Niobe’s children who were struck down with arrows. In antiquity the myth of the Niobids was the subject matter of numerous works of art. The statue , a 5th century Greek original, was used as an ornamental piece in the Horti Sallustiani (Gardens of Sallust), where it was found with other figures of Niobids, two of which are now at the Ny Carlsberg Glypotheck in Copenhargen. Originally it was part of a pedimental group which decorated the facade of a Greek Temple. Inv 72274, The National Roman Museum, Rome, Italy
  • Greek  statue of a Niobid from the Horti Sallustiani (Gardens of Sallust), a Greek original from the 5th cent BC found near the Via Collina and Piazza Sallustio, Rome. The wounded female figure whose back has been struck by an arrow is one of fourteen children of Amphion of Thebes and Niobe.  According to myth, Niobe insulted Lato, mother of the divine Apollo and Artemis; “why ever should Lato, a women of common birth, with a coarse daughter and an effeminate son, be preferred to me, the niece of Zeus and Atlas, scourge of the Phyrigians and the royal house of Cadmus?.”. The vengeful Lato ordered Apollo and Artemis to kill Niobe’s children who were struck down with arrows. In antiquity the myth of the Niobids was the subject matter of numerous works of art. The statue , a 5th century Greek original, was used as an ornamental piece in the Horti Sallustiani (Gardens of Sallust), where it was found with other figures of Niobids, two of which are now at the Ny Carlsberg Glypotheck in Copenhargen. Originally it was part of a pedimental group which decorated the facade of a Greek Temple. Inv 72274, The National Roman Museum, Rome, Italy
  • Greek  statue of a Niobid from the Horti Sallustiani (Gardens of Sallust), a Greek original from the 5th cent BC found near the Via Collina and Piazza Sallustio, Rome. The wounded female figure whose back has been struck by an arrow is one of fourteen children of Amphion of Thebes and Niobe.  According to myth, Niobe insulted Lato, mother of the divine Apollo and Artemis; “why ever should Lato, a women of common birth, with a coarse daughter and an effeminate son, be preferred to me, the niece of Zeus and Atlas, scourge of the Phyrigians and the royal house of Cadmus?.”. The vengeful Lato ordered Apollo and Artemis to kill Niobe’s children who were struck down with arrows. In antiquity the myth of the Niobids was the subject matter of numerous works of art. The statue , a 5th century Greek original, was used as an ornamental piece in the Horti Sallustiani (Gardens of Sallust), where it was found with other figures of Niobids, two of which are now at the Ny Carlsberg Glypotheck in Copenhargen. Originally it was part of a pedimental group which decorated the facade of a Greek Temple. Inv 72274, The National Roman Museum, Rome, Italy
  • Greek  statue of a Niobid from the Horti Sallustiani (Gardens of Sallust), a Greek original from the 5th cent BC found near the Via Collina and Piazza Sallustio, Rome. The wounded female figure whose back has been struck by an arrow is one of fourteen children of Amphion of Thebes and Niobe.  According to myth, Niobe insulted Lato, mother of the divine Apollo and Artemis; “why ever should Lato, a women of common birth, with a coarse daughter and an effeminate son, be preferred to me, the niece of Zeus and Atlas, scourge of the Phyrigians and the royal house of Cadmus?.”. The vengeful Lato ordered Apollo and Artemis to kill Niobe’s children who were struck down with arrows. In antiquity the myth of the Niobids was the subject matter of numerous works of art. The statue , a 5th century Greek original, was used as an ornamental piece in the Horti Sallustiani (Gardens of Sallust), where it was found with other figures of Niobids, two of which are now at the Ny Carlsberg Glypotheck in Copenhargen. Originally it was part of a pedimental group which decorated the facade of a Greek Temple. Inv 72274, The National Roman Museum, Rome, Italy
  • Greek  statue of a Niobid from the Horti Sallustiani (Gardens of Sallust), a Greek original from the 5th cent BC found near the Via Collina and Piazza Sallustio, Rome. The wounded female figure whose back has been struck by an arrow is one of fourteen children of Amphion of Thebes and Niobe.  According to myth, Niobe insulted Lato, mother of the divine Apollo and Artemis; “why ever should Lato, a women of common birth, with a coarse daughter and an effeminate son, be preferred to me, the niece of Zeus and Atlas, scourge of the Phyrigians and the royal house of Cadmus?.”. The vengeful Lato ordered Apollo and Artemis to kill Niobe’s children who were struck down with arrows. In antiquity the myth of the Niobids was the subject matter of numerous works of art. The statue , a 5th century Greek original, was used as an ornamental piece in the Horti Sallustiani (Gardens of Sallust), where it was found with other figures of Niobids, two of which are now at the Ny Carlsberg Glypotheck in Copenhargen. Originally it was part of a pedimental group which decorated the facade of a Greek Temple. Inv 72274, The National Roman Museum, Rome, Italy
  • Greek  statue of a Niobid from the Horti Sallustiani (Gardens of Sallust), a Greek original from the 5th cent BC found near the Via Collina and Piazza Sallustio, Rome. The wounded female figure whose back has been struck by an arrow is one of fourteen children of Amphion of Thebes and Niobe.  According to myth, Niobe insulted Lato, mother of the divine Apollo and Artemis; “why ever should Lato, a women of common birth, with a coarse daughter and an effeminate son, be preferred to me, the niece of Zeus and Atlas, scourge of the Phyrigians and the royal house of Cadmus?.”. The vengeful Lato ordered Apollo and Artemis to kill Niobe’s children who were struck down with arrows. In antiquity the myth of the Niobids was the subject matter of numerous works of art. The statue , a 5th century Greek original, was used as an ornamental piece in the Horti Sallustiani (Gardens of Sallust), where it was found with other figures of Niobids, two of which are now at the Ny Carlsberg Glypotheck in Copenhargen. Originally it was part of a pedimental group which decorated the facade of a Greek Temple. Inv 72274, The National Roman Museum, Rome, Italy
  • Greek  statue of a Niobid from the Horti Sallustiani (Gardens of Sallust), a Greek original from the 5th cent BC found near the Via Collina and Piazza Sallustio, Rome. The wounded female figure whose back has been struck by an arrow is one of fourteen children of Amphion of Thebes and Niobe.  According to myth, Niobe insulted Lato, mother of the divine Apollo and Artemis; “why ever should Lato, a women of common birth, with a coarse daughter and an effeminate son, be preferred to me, the niece of Zeus and Atlas, scourge of the Phyrigians and the royal house of Cadmus?.”. The vengeful Lato ordered Apollo and Artemis to kill Niobe’s children who were struck down with arrows. In antiquity the myth of the Niobids was the subject matter of numerous works of art. The statue , a 5th century Greek original, was used as an ornamental piece in the Horti Sallustiani (Gardens of Sallust), where it was found with other figures of Niobids, two of which are now at the Ny Carlsberg Glypotheck in Copenhargen. Originally it was part of a pedimental group which decorated the facade of a Greek Temple. Inv 72274, The National Roman Museum, Rome, Italy
  • Greek  statue of a Niobid from the Horti Sallustiani (Gardens of Sallust), a Greek original from the 5th cent BC found near the Via Collina and Piazza Sallustio, Rome. The wounded female figure whose back has been struck by an arrow is one of fourteen children of Amphion of Thebes and Niobe.  According to myth, Niobe insulted Lato, mother of the divine Apollo and Artemis; “why ever should Lato, a women of common birth, with a coarse daughter and an effeminate son, be preferred to me, the niece of Zeus and Atlas, scourge of the Phyrigians and the royal house of Cadmus?.”. The vengeful Lato ordered Apollo and Artemis to kill Niobe’s children who were struck down with arrows. In antiquity the myth of the Niobids was the subject matter of numerous works of art. The statue , a 5th century Greek original, was used as an ornamental piece in the Horti Sallustiani (Gardens of Sallust), where it was found with other figures of Niobids, two of which are now at the Ny Carlsberg Glypotheck in Copenhargen. Originally it was part of a pedimental group which decorated the facade of a Greek Temple. Inv 72274, The National Roman Museum, Rome, Italy
  • Greek  statue of a Niobid from the Horti Sallustiani (Gardens of Sallust), a Greek original from the 5th cent BC found near the Via Collina and Piazza Sallustio, Rome. The wounded female figure whose back has been struck by an arrow is one of fourteen children of Amphion of Thebes and Niobe.  According to myth, Niobe insulted Lato, mother of the divine Apollo and Artemis; “why ever should Lato, a women of common birth, with a coarse daughter and an effeminate son, be preferred to me, the niece of Zeus and Atlas, scourge of the Phyrigians and the royal house of Cadmus?.”. The vengeful Lato ordered Apollo and Artemis to kill Niobe’s children who were struck down with arrows. In antiquity the myth of the Niobids was the subject matter of numerous works of art. The statue , a 5th century Greek original, was used as an ornamental piece in the Horti Sallustiani (Gardens of Sallust), where it was found with other figures of Niobids, two of which are now at the Ny Carlsberg Glypotheck in Copenhargen. Originally it was part of a pedimental group which decorated the facade of a Greek Temple. Inv 72274, The National Roman Museum, Rome, Italy
  • Greek  statue of a Niobid from the Horti Sallustiani (Gardens of Sallust), a Greek original from the 5th cent BC found near the Via Collina and Piazza Sallustio, Rome. The wounded female figure whose back has been struck by an arrow is one of fourteen children of Amphion of Thebes and Niobe.  According to myth, Niobe insulted Lato, mother of the divine Apollo and Artemis; “why ever should Lato, a women of common birth, with a coarse daughter and an effeminate son, be preferred to me, the niece of Zeus and Atlas, scourge of the Phyrigians and the royal house of Cadmus?.”. The vengeful Lato ordered Apollo and Artemis to kill Niobe’s children who were struck down with arrows. In antiquity the myth of the Niobids was the subject matter of numerous works of art. The statue , a 5th century Greek original, was used as an ornamental piece in the Horti Sallustiani (Gardens of Sallust), where it was found with other figures of Niobids, two of which are now at the Ny Carlsberg Glypotheck in Copenhargen. Originally it was part of a pedimental group which decorated the facade of a Greek Temple. Inv 72274, The National Roman Museum, Rome, Italy
  • Greek  statue of a Niobid from the Horti Sallustiani (Gardens of Sallust), a Greek original from the 5th cent BC found near the Via Collina and Piazza Sallustio, Rome. The wounded female figure whose back has been struck by an arrow is one of fourteen children of Amphion of Thebes and Niobe.  According to myth, Niobe insulted Lato, mother of the divine Apollo and Artemis; “why ever should Lato, a women of common birth, with a coarse daughter and an effeminate son, be preferred to me, the niece of Zeus and Atlas, scourge of the Phyrigians and the royal house of Cadmus?.”. The vengeful Lato ordered Apollo and Artemis to kill Niobe’s children who were struck down with arrows. In antiquity the myth of the Niobids was the subject matter of numerous works of art. The statue , a 5th century Greek original, was used as an ornamental piece in the Horti Sallustiani (Gardens of Sallust), where it was found with other figures of Niobids, two of which are now at the Ny Carlsberg Glypotheck in Copenhargen. Originally it was part of a pedimental group which decorated the facade of a Greek Temple. Inv 72274, The National Roman Museum, Rome, Italy
  • Greek  statue of a Niobid from the Horti Sallustiani (Gardens of Sallust), a Greek original from the 5th cent BC found near the Via Collina and Piazza Sallustio, Rome. The wounded female figure whose back has been struck by an arrow is one of fourteen children of Amphion of Thebes and Niobe.  According to myth, Niobe insulted Lato, mother of the divine Apollo and Artemis; “why ever should Lato, a women of common birth, with a coarse daughter and an effeminate son, be preferred to me, the niece of Zeus and Atlas, scourge of the Phyrigians and the royal house of Cadmus?.”. The vengeful Lato ordered Apollo and Artemis to kill Niobe’s children who were struck down with arrows. In antiquity the myth of the Niobids was the subject matter of numerous works of art. The statue , a 5th century Greek original, was used as an ornamental piece in the Horti Sallustiani (Gardens of Sallust), where it was found with other figures of Niobids, two of which are now at the Ny Carlsberg Glypotheck in Copenhargen. Originally it was part of a pedimental group which decorated the facade of a Greek Temple. Inv 72274, The National Roman Museum, Rome, Italy
  • Reconstruction of  the inside of the Greek Tomb of  the Diver  [La Tomba del Truffatore]. The rear panel is from one of the long sides of the tomb and shows a symposium of men lying on couches facing low tables.  The men on the couches are playing the song of Eros the liar and the flute to distract the deceased from worldly thoughts so he can enter the next world. The fresco on the lid of the tomb and shows a  diving from a column into water. The column represents the border of thye known world and therefore the limit of man's knowledge.  The dive represents the passage form this world to the next. The tomb is painted with the true fresco technique and its importance lies in being "the only example of Greek painting with figured scenes dating from the Orientalizing, Archaic, or Classical periods to survive in its entirety. Paestrum, Andriuolo.  (480-470 BC  )
  • Reconstruction of  the inside of the Greek Tomb of  the Diver  [La Tomba del Truffatore]. The rear panel is from one of the long sides of the tomb and shows a symposium of men lying on couches facing low tables.  The men on the couches are playing the song of Eros the liar and the flute to distract the deceased from worldly thoughts so he can enter the next world. The fresco on the lid of the tomb and shows a  diving from a column into water. The column represents the border of thye known world and therefore the limit of man's knowledge.  The dive represents the passage form this world to the next. The tomb is painted with the true fresco technique and its importance lies in being "the only example of Greek painting with figured scenes dating from the Orientalizing, Archaic, or Classical periods to survive in its entirety. Paestrum, Andriuolo.  (480-470 BC  )
  • Artemis and a deer, known as "Diana of Versailles”, a 1st - 2nd century Roman statue in marble probably from Italy.  Artemis, Diana to the Romans, is goddess of the hunt, is accompanied by a deer.  The Diana of Versailles, similar to other Roman replicas was found in Libya or Turkey and was copied from a lost Greek bronze original attributed to Leochares, c. 325 BC .  First the statue was at Fontainbleau then the Louvre ancient hall and finally it went to Versailles. From the collection of Louis XIV, Pope Paul IV and Henry II (1556) . Inv MR 152 ( or Ma 589), Louvre Museum Paris
  • Reconstruction of  the inside of the Greek Tomb of  the Diver  [La Tomba del Truffatore]. The rear panel is from one of the long sides of the tomb and shows a symposium of men lying on couches facing low tables.  The men on the couches are playing the song of Eros the liar and the flute to distract the deceased from worldly thoughts so he can enter the next world. The fresco on the lid of the tomb and shows a  diving from a column into water. The column represents the border of thye known world and therefore the limit of man's knowledge.  The dive represents the passage form this world to the next. The tomb is painted with the true fresco technique and its importance lies in being "the only example of Greek painting with figured scenes dating from the Orientalizing, Archaic, or Classical periods to survive in its entirety. Paestrum, Andriuolo.  (480-470 BC  )
  • Reconstruction of  the inside of the Greek Tomb of  the Diver  [La Tomba del Truffatore]. The rear panel is from one of the long sides of the tomb and shows a symposium of men lying on couches facing low tables.  The men on the couches are playing the song of Eros the liar and the flute to distract the deceased from worldly thoughts so he can enter the next world. The fresco on the lid of the tomb and shows a  diving from a column into water. The column represents the border of thye known world and therefore the limit of man's knowledge.  The dive represents the passage form this world to the next. The tomb is painted with the true fresco technique and its importance lies in being "the only example of Greek painting with figured scenes dating from the Orientalizing, Archaic, or Classical periods to survive in its entirety. Paestrum, Andriuolo.  (480-470 BC  )
  • Reconstruction of  the inside of the Greek Tomb of  the Diver  [La Tomba del Truffatore]. The rear panel is from one of the long sides of the tomb and shows a symposium of men lying on couches facing low tables.  The men on the couches are playing the song of Eros the liar and the flute to distract the deceased from worldly thoughts so he can enter the next world. The fresco on the lid of the tomb and shows a  diving from a column into water. The column represents the border of thye known world and therefore the limit of man's knowledge.  The dive represents the passage form this world to the next. The tomb is painted with the true fresco technique and its importance lies in being "the only example of Greek painting with figured scenes dating from the Orientalizing, Archaic, or Classical periods to survive in its entirety. Paestrum, Andriuolo.  (480-470 BC  )
  • The Riace bronze Greek statue head cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statue head cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statue head cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statue head cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statue head cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statue head cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statue head cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statue head cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statue head cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statue head cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statue A cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statue A cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statue A cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statue A cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statue A cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statue A cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statue A cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statues cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statues cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statues cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statue A cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statues cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statue A cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statue A cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statue A cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statues cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statue A cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statues cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statues cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statues cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statue A cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statues cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statue A cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statue A cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statues cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statues cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statues cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statues cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statue A cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statues cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statue A cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statue A cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statue A cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statues cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statues cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statues cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statues cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statues cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statue A cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • low full length view of the  Riace bronze Greek statue A cast about 460 BC. statue A was probably sculpted by Myron. The style of the Riace statues straddles the archaic period and heralds the start of the classical period. Both statues depict strong young naked warriors who stand calmly but exuding great power. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • Full length view of the Riace bronze Greek statue A cast about 460 BC. statue A was probably sculpted by Myron. The style of the Riace statues straddles the archaic period and heralds the start of the classical period. Both statues depict strong young naked warriors who stand calmly but exuding great power. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • Torso face on view of the Riace bronze Greek statue A cast about 460 BC. statue A was probably sculpted by Myron. The style of the Riace statues straddles the archaic period and heralds the start of the classical period. Both statues depict strong young naked warriors who stand calmly but exuding great power. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • Full length tree quarter view of the Riace bronze Greek statue B cast about 460 - 450 BC. statue B was probably sculpted by Phidias. There is a sense of movement in the statues their legs being bent as if they are about to take a step. Their heads are turned which accentuates a sense of anticipation as if they are looking for something. The anatomical detail is extraordinary which gives a startling realism to the statue and demonstarte the high level of skill of the Greek sculptors of this peiod. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • Torso three quarter of the Riace bronze Greek statue A cast about 460 BC. statue A was probably sculpted by Myron. The style of the Riace statues straddles the archaic period and heralds the start of the classical period. Both statues depict strong young naked warriors who stand calmly but exuding great power. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • Torso of the Riace bronze Greek statue A cast about 460 BC. statue A was probably sculpted by Myron. The style of the Riace statues straddles the archaic period and heralds the start of the classical period. Both statues depict strong young naked warriors who stand calmly but exuding great power. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • Upper torso of the Riace bronze Greek statue B cast about 460 - 450 BC. statue B was probably sculpted by Phidias. There is a sense of movement in the statues their legs being bent as if they are about to take a step. Their heads are turned which accentuates a sense of anticipation as if they are looking for something. The anatomical detail is extraordinary which gives a startling realism to the statue and demonstarte the high level of skill of the Greek sculptors of this peiod. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • Full length face on view of the Riace bronze Greek statue B cast about 460 - 450 BC. statue B was probably sculpted by Phidias. There is a sense of movement in the statues their legs being bent as if they are about to take a step. Their heads are turned which accentuates a sense of anticipation as if they are looking for something. The anatomical detail is extraordinary which gives a startling realism to the statue and demonstarte the high level of skill of the Greek sculptors of this peiod. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • Full length side view of the Riace bronze Greek statue B cast about 460 - 450 BC. statue B was probably sculpted by Phidias. There is a sense of movement in the statues their legs being bent as if they are about to take a step. Their heads are turned which accentuates a sense of anticipation as if they are looking for something. The anatomical detail is extraordinary which gives a startling realism to the statue and demonstarte the high level of skill of the Greek sculptors of this peiod. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • Torso of the Riace bronze Greek statue B cast about 460 - 450 BC. statue B was probably sculpted by Phidias. There is a sense of movement in the statues their legs being bent as if they are about to take a step. Their heads are turned which accentuates a sense of anticipation as if they are looking for something. The anatomical detail is extraordinary which gives a startling realism to the statue and demonstarte the high level of skill of the Greek sculptors of this period. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • Greek Dorik columns at the  ruins of Temple F at Selinunte, Sicily photography, pictures, photos, images & fotos. Greek Dorik Temple columns of the ruins of the Temple of Hera, Temple E, Selinunte, Sicily Greek Dorik Temple columns of the ruins of the Temple of Hera, Temple E, Selinunte, Sicily
  • Greek Dorik column drums fallen at Temple F at Selinunte, Sicily photography, pictures, photos, images & fotos. 66 Greek Dorik Temple columns of the ruins of the Temple of Hera, Temple E, Selinunte, Sicily Greek Dorik Temple columns of the ruins of the Temple of Hera, Temple E, Selinunte, Sicily
  • Fallen column drums of Greek Dorik Temple ruins  Selinunte, Sicily photography, pictures, photos, images & fotos. 63 Greek Dorik Temple columns of the ruins of the Temple of Hera, Temple E, Selinunte, Sicily Greek Dorik Temple columns of the ruins of the Temple of Hera, Temple E, Selinunte, Sicily
  • Greek Dorik Temple ruins of Temple F at Selinunte, Sicily photography, pictures, photos, images & fotos. 40 Greek Dorik Temple columns of the ruins of the Temple of Hera, Temple E, Selinunte, Sicily Greek Dorik Temple columns of the ruins of the Temple of Hera, Temple E, Selinunte, Sicily
  • Greek Dorik columns at the  ruins of Temple F at Selinunte, Sicily photography, pictures, photos, images & fotos. 39 Greek Dorik Temple columns of the ruins of the Temple of Hera, Temple E, Selinunte, Sicily Greek Dorik Temple columns of the ruins of the Temple of Hera, Temple E, Selinunte, Sicily
  • Greek Dorik columns at the  ruins of Temple F at Selinunte, Sicily photography, pictures, photos, images & fotos. 33 Greek Dorik Temple columns of the ruins of the Temple of Hera, Temple E, Selinunte, Sicily Greek Dorik Temple columns of the ruins of the Temple of Hera, Temple E, Selinunte, Sicily
  • Greek Dorik columns at the  ruins of Temple F at Selinunte, Sicily photography, pictures, photos, images & fotos. 32 Greek Dorik Temple columns of the ruins of the Temple of Hera, Temple E, Selinunte, Sicily Greek Dorik Temple columns of the ruins of the Temple of Hera, Temple E, Selinunte, Sicily
  • Greek Dorik Temple ruins of Temple F at Selinunte, Sicily photography, pictures, photos, images & fotos. 18 Greek Dorik Temple columns of the ruins of the Temple of Hera, Temple E, Selinunte, Sicily Greek Dorik Temple columns of the ruins of the Temple of Hera, Temple E, Selinunte, Sicily
  • Greek Dorik Temple ruins of Temple F at Selinunte, Sicily photography, pictures, photos, images & fotos. 9 Greek Dorik Temple columns of the ruins of the Temple of Hera, Temple E, Selinunte, Sicily Greek Dorik Temple columns of the ruins of the Temple of Hera, Temple E, Selinunte, Sicily
  • Greek Dorik Temple ruins of Temple F at Selinunte, Sicily Greek Dorik Temple columns of the ruins of the Temple of Hera, Temple E, Selinunte, Sicily
  • Greek Dorik Temple ruins of Temple F at Selinunte, Sicily Greek Dorik Temple columns of the ruins of the Temple of Hera, Temple E, Selinunte, Sicily
  • Greek Dorik columns at the  ruins of Temple F at Selinunte, Sicily Greek Dorik Temple columns of the ruins of the Temple of Hera, Temple E, Selinunte, Sicily
  • Greek Dorik columns at the  ruins of Temple F at Selinunte, Sicily Greek Dorik Temple columns of the ruins of the Temple of Hera, Temple E, Selinunte, Sicily
  • Greek Dorik columns at the  ruins of Temple F at Selinunte, Sicily Greek Dorik Temple columns of the ruins of the Temple of Hera, Temple E, Selinunte, Sicily
  • Greek Dorik columns at the  ruins of Temple F at Selinunte, Sicily Greek Dorik Temple columns of the ruins of the Temple of Hera, Temple E, Selinunte, Sicily
  • Greek Dorik columns at the  ruins of Temple F at Selinunte, Sicily Greek Dorik Temple columns of the ruins of the Temple of Hera, Temple E, Selinunte, Sicily
  • Greek Dorik columns at the  ruins of Temple F at Selinunte, Sicily Greek Dorik Temple columns of the ruins of the Temple of Hera, Temple E, Selinunte, Sicily
  • Greek Dorik columns at the  ruins of Temple F at Selinunte, Sicily Greek Dorik Temple columns of the ruins of the Temple of Hera, Temple E, Selinunte, Sicily
  • Greek Dorik Temple ruins of Temple F at Selinunte, Sicily Greek Dorik Temple columns of the ruins of the Temple of Hera, Temple E, Selinunte, Sicily
  • Greek Dorik Temple ruins of Temple F at Selinunte, Sicily Greek Dorik Temple columns of the ruins of the Temple of Hera, Temple E, Selinunte, Sicily
  • Greek Dorik Temple ruins of Temple F at Selinunte, Sicily Greek Dorik Temple columns of the ruins of the Temple of Hera, Temple E, Selinunte, Sicily
  • Greek Dorik Temple ruins of Temple F at Selinunte, Sicily Greek Dorik Temple columns of the ruins of the Temple of Hera, Temple E, Selinunte, Sicily
  • Greek Dorik Temple ruins of Temple F at Selinunte, Sicily Greek Dorik Temple columns of the ruins of the Temple of Hera, Temple E, Selinunte, Sicily
  • Greek Dorik Temple ruins of Temple F at Selinunte, Sicily Greek Dorik Temple columns of the ruins of the Temple of Hera, Temple E, Selinunte, Sicily
  • Greek Dorik Temple ruins of Temple F at Selinunte, Sicily Greek Dorik Temple columns of the ruins of the Temple of Hera, Temple E, Selinunte, Sicily
  • Greek Dorik columns at the  ruins of Temple F at Selinunte, Sicily Greek Dorik Temple columns of the ruins of the Temple of Hera, Temple E, Selinunte, Sicily
  • Greek Dorik column drums fallen at Temple F at Selinunte, Sicily Greek Dorik Temple columns of the ruins of the Temple of Hera, Temple E, Selinunte, Sicily
  • Greek Dorik columns at the  ruins of Temple F at Selinunte, Sicily Greek Dorik Temple columns of the ruins of the Temple of Hera, Temple E, Selinunte, Sicily
  • Greek Dorik columns at the  ruins of Temple F at Selinunte, Sicily Greek Dorik Temple columns of the ruins of the Temple of Hera, Temple E, Selinunte, Sicily
  • Greek Dorik column drums fallen at Temple F at Selinunte, Sicily Greek Dorik Temple columns of the ruins of the Temple of Hera, Temple E, Selinunte, Sicily
  • Greek Dorik column drums fallen at Temple F at Selinunte, Sicily Greek Dorik Temple columns of the ruins of the Temple of Hera, Temple E, Selinunte, Sicily
  • Greek Dorik column drums fallen at Temple F at Selinunte, Sicily Greek Dorik Temple columns of the ruins of the Temple of Hera, Temple E, Selinunte, Sicily
  • Fallen column drums of Greek Dorik Temple ruins  Selinunte, Sicily Greek Dorik Temple columns of the ruins of the Temple of Hera, Temple E, Selinunte, Sicily
  • Fallen column drums of Greek Dorik Temple ruins  Selinunte, Sicily Greek Dorik Temple columns of the ruins of the Temple of Hera, Temple E, Selinunte, Sicily
  • Fallen column drums of Greek Dorik Temple ruins  Selinunte, Sicily Greek Dorik Temple columns of the ruins of the Temple of Hera, Temple E, Selinunte, Sicily
  • Fallen column drums of Greek Dorik Temple ruins  Selinunte, Sicily Greek Dorik Temple columns of the ruins of the Temple of Hera, Temple E, Selinunte, Sicily
  • Fallen column drums of Greek Dorik Temple ruins  Selinunte, Sicily Greek Dorik Temple columns of the ruins of the Temple of Hera, Temple E, Selinunte, Sicily
  • Fallen column drums of Greek Dorik Temple ruins  Selinunte, Sicily Greek Dorik Temple columns of the ruins of the Temple of Hera, Temple E, Selinunte, Sicily
  • Greek Dorik Temple ruins of Temple F at Selinunte, Sicily Greek Dorik Temple columns of the ruins of the Temple of Hera, Temple E, Selinunte, Sicily
  • Greek Dorik columns at the  ruins of Temple F at Selinunte, Sicily Greek Dorik Temple columns of the ruins of the Temple of Hera, Temple E, Selinunte, Sicily
  • Greek Dorik Temple ruins of Temple F at Selinunte, Sicily Greek Dorik Temple columns of the ruins of the Temple of Hera, Temple E, Selinunte, Sicily
  • Greek Dorik Temple ruins of Temple F at Selinunte, Sicily Greek Dorik Temple columns of the ruins of the Temple of Hera, Temple E, Selinunte, Sicily
  • Greek Dorik columns at the  ruins of Temple F at Selinunte, Sicily Greek Dorik Temple columns of the ruins of the Temple of Hera, Temple E, Selinunte, Sicily
  • Greek Dorik columns at the  ruins of Temple F at Selinunte, Sicily Greek Dorik Temple columns of the ruins of the Temple of Hera, Temple E, Selinunte, Sicily
  • Greek Dorik columns at the  ruins of Temple F at Selinunte, Sicily Greek Dorik Temple columns of the ruins of the Temple of Hera, Temple E, Selinunte, Sicily
  • Greek Dorik columns at the  ruins of Temple F at Selinunte, Sicily Greek Dorik Temple columns of the ruins of the Temple of Hera, Temple E, Selinunte, Sicily
  • Greek Dorik columns at the  ruins of Temple F at Selinunte, Sicily Greek Dorik Temple columns of the ruins of the Temple of Hera, Temple E, Selinunte, Sicily
  • Greek Dorik Temple ruins of Temple F at Selinunte, Sicily Greek Dorik Temple columns of the ruins of the Temple of Hera, Temple E, Selinunte, Sicily
  • Greek Dorik Temple ruins of Temple F at Selinunte, Sicily Greek Dorik Temple columns of the ruins of the Temple of Hera, Temple E, Selinunte, Sicily
  • Greek Dorik columns at the  ruins of Temple F at Selinunte, Sicily Greek Dorik Temple columns of the ruins of the Temple of Hera, Temple E, Selinunte, Sicily
  • Greek Dorik Temple ruins of Temple F at Selinunte, Sicily Greek Dorik Temple columns of the ruins of the Temple of Hera, Temple E, Selinunte, Sicily
  • Greek Dorik columns at the  ruins of Temple F at Selinunte, Sicily Greek Dorik Temple columns of the ruins of the Temple of Hera, Temple E, Selinunte, Sicily
  • Greek Dorik Temple ruins of Temple F at Selinunte, Sicily Greek Dorik Temple columns of the ruins of the Temple of Hera, Temple E, Selinunte, Sicily
  • Greek Dorik Temple ruins of Temple F at Selinunte, Sicily Greek Dorik Temple columns of the ruins of the Temple of Hera, Temple E, Selinunte, Sicily
  • Greek Dorik columns at the  ruins of Temple F at Selinunte, Sicily Greek Dorik Temple columns of the ruins of the Temple of Hera, Temple E, Selinunte, Sicily
  • Greek Dorik columns at the  ruins of Temple F at Selinunte, Sicily Greek Dorik Temple columns of the ruins of the Temple of Hera, Temple E, Selinunte, Sicily
  • Greek Dorik columns at the  ruins of Temple F at Selinunte, Sicily Greek Dorik Temple columns of the ruins of the Temple of Hera, Temple E, Selinunte, Sicily
  • Greek Dorik columns at the  ruins of Temple F at Selinunte, Sicily Greek Dorik Temple columns of the ruins of the Temple of Hera, Temple E, Selinunte, Sicily
  • Greek Dorik Temple ruins of Temple F at Selinunte, Sicily Greek Dorik Temple columns of the ruins of the Temple of Hera, Temple E, Selinunte, Sicily
  • Doric column drums - Greek Dorik Temple ruins of Temple F at Selinunte, Sicily Greek Dorik Temple columns of the ruins of the Temple of Hera, Temple E, Selinunte, Sicily
  • Doric column drums - Greek Dorik Temple ruins of Temple F at Selinunte, Sicily Greek Dorik Temple columns of the ruins of the Temple of Hera, Temple E, Selinunte, Sicily
  • Greek Dorik capitals upside down at Temple F at Selinunte, Sicily Greek Dorik Temple columns of the ruins of the Temple of Hera, Temple E, Selinunte, Sicily
  • Greek Dorik column drums Temple ruins of Temple F at Selinunte, Sicily Greek Dorik Temple columns of the ruins of the Temple of Hera, Temple E, Selinunte, Sicily
  • Greek Dorik Temple ruins of Temple F at Selinunte, Sicily Greek Dorik Temple columns of the ruins of the Temple of Hera, Temple E, Selinunte, Sicily
  • Greek Dorik column drums Temple ruins of Temple F at Selinunte, Sicily Greek Dorik Temple columns of the ruins of the Temple of Hera, Temple E, Selinunte, Sicily
  • Greek Dorik column drums Temple ruins of Temple F at Selinunte, Sicily Greek Dorik Temple columns of the ruins of the Temple of Hera, Temple E, Selinunte, Sicily
  • Greek Dorik column drums Temple ruins of Temple F at Selinunte, Sicily Greek Dorik Temple columns of the ruins of the Temple of Hera, Temple E, Selinunte, Sicily
  • Greek Dorik Temple ruins of Temple F at Selinunte, Sicily Greek Dorik Temple columns of the ruins of the Temple of Hera, Temple E, Selinunte, Sicily
  • Greek Dorik Temple ruins of Temple F at Selinunte, Sicily Greek Dorik Temple columns of the ruins of the Temple of Hera, Temple E, Selinunte, Sicily
  • Greek Dorik Temple ruins of Temple F at Selinunte, Sicily Greek Dorik Temple columns of the ruins of the Temple of Hera, Temple E, Selinunte, Sicily
  • Greek Dorik Temple ruins of Temple F at Selinunte, Sicily Greek Dorik Temple columns of the ruins of the Temple of Hera, Temple E, Selinunte, Sicily
  • Greek Dorik Temple ruins of Temple F at Selinunte, Sicily Greek Dorik Temple columns of the ruins of the Temple of Hera, Temple E, Selinunte, Sicily
  • Greek Dorik Temple ruins of Temple F at Selinunte, Sicily Greek Dorik Temple columns of the ruins of the Temple of Hera, Temple E, Selinunte, Sicily
  • Greek Dorik Temple ruins of Temple F at Selinunte, Sicily Greek Dorik Temple columns of the ruins of the Temple of Hera, Temple E, Selinunte, Sicily
  • Greek Dorik Temple ruins of Temple F at Selinunte, Sicily Greek Dorik Temple columns of the ruins of the Temple of Hera, Temple E, Selinunte, Sicily
  • Greek Dorik Temple ruins of Temple F at Selinunte, Sicily Greek Dorik Temple columns of the ruins of the Temple of Hera, Temple E, Selinunte, Sicily
  • Greek Dorik Temple ruins of Temple F at Selinunte, Sicily Greek Dorik Temple columns of the ruins of the Temple of Hera, Temple E, Selinunte, Sicily
  • Greek Dorik Temple ruins of Temple F at Selinunte, Sicily Greek Dorik Temple columns of the ruins of the Temple of Hera, Temple E, Selinunte, Sicily
  • Greek Dorik Temple ruins of Temple F at Selinunte, Sicily Greek Dorik Temple columns of the ruins of the Temple of Hera, Temple E, Selinunte, Sicily
  • Capital of a Greek Dorik Column - Selinunte Sicily . Selinunte, Sicily travel photos & pictures available as stock photos, pictures & images & also to download as photo art prints. Greek Dorik Temple columns of the ruins of the Temple of Hera, Temple E, Selinunte, Sicily
  • Capital of a Greek Dorik Column - Selanute Sicily photography, pictures, photos, images & fotos. Greek Dorik Temple columns of the ruins of the Temple of Hera, Temple E, Selinunte, Sicily
  • Greek Dorik Temple ruins of Temple F at Selinunte, Sicily photography, pictures, photos, images & fotos. Greek Dorik Temple columns of the ruins of the Temple of Hera, Temple E, Selinunte, Sicily
  • Greek Dorik Temple ruins of Temple F at Selinunte, Sicily  photography, pictures, photos, images & fotos. Greek Dorik Temple columns of the ruins of the Temple of Hera, Temple E, Selinunte, Sicily
  • Greek Dorik columns at the  ruins of Temple F at Selinunte, Sicily photography, pictures, photos, images & fotos. Greek Dorik Temple columns of the ruins of the Temple of Hera, Temple E, Selinunte, Sicily
  • Greek Dorik columns at the  ruins of Temple F at Selinunte, Sicily photography, pictures, photos, images & fotos. Greek Dorik Temple columns of the ruins of the Temple of Hera, Temple E, Selinunte, Sicily
  • Greek Dorik Temple ruins of Temple F at Selinunte, Sicily photography, pictures, photos, images & fotos. Greek Dorik Temple columns of the ruins of the Temple of Hera, Temple E, Selinunte, Sicily
  • Greek Dorik Temple ruins of Temple F at Selinunte, Sicily photography, pictures, photos, images & fotos. 74 Greek Dorik Temple columns of the ruins of the Temple of Hera, Temple E, Selinunte, Sicily
  • Greek Dorik columns at the  ruins of Temple F at Selinunte, Sicily photography, pictures, photos, images & fotos. 73 Greek Dorik Temple columns of the ruins of the Temple of Hera, Temple E, Selinunte, Sicily
  • Greek Dorik column drums fallen at Temple F at Selinunte, Sicily photography, pictures, photos, images & fotos. 65 Greek Dorik Temple columns of the ruins of the Temple of Hera, Temple E, Selinunte, Sicily
  • Fallen column drums of Greek Dorik Temple ruins  Selinunte, Sicily photography, pictures, photos, images & fotos. 62 Greek Dorik Temple columns of the ruins of the Temple of Hera, Temple E, Selinunte, Sicily
  • Fallen column drums of Greek Dorik Temple ruins  Selinunte, Sicily photography, pictures, photos, images & fotos. 61 Greek Dorik Temple columns of the ruins of the Temple of Hera, Temple E, Selinunte, Sicily
  • Fallen column drums of Greek Dorik Temple ruins  Selinunte, Sicily photography, pictures, photos, images & fotos. 60 Greek Dorik Temple columns of the ruins of the Temple of Hera, Temple E, Selinunte, Sicily
  • Fallen column drums of Greek Dorik Temple ruins  Selinunte, Sicily photography, pictures, photos, images & fotos. 59 Greek Dorik Temple columns of the ruins of the Temple of Hera, Temple E, Selinunte, Sicily
  • Fallen column drums of Greek Dorik Temple ruins  Selinunte, Sicily photography, pictures, photos, images & fotos. 58 Greek Dorik Temple columns of the ruins of the Temple of Hera, Temple E, Selinunte, Sicily
  • Greek Dorik Temple ruins of Temple F at Selinunte, Sicily photography, pictures, photos, images & fotos. 57 Greek Dorik Temple columns of the ruins of the Temple of Hera, Temple E, Selinunte, Sicily
  • Greek Dorik columns at the  ruins of Temple F at Selinunte, Sicily photography, pictures, photos, images & fotos. 54 Greek Dorik Temple columns of the ruins of the Temple of Hera, Temple E, Selinunte, Sicily
  • Greek Dorik columns at the  ruins of Temple F at Selinunte, Sicily photography, pictures, photos, images & fotos. 53 Greek Dorik Temple columns of the ruins of the Temple of Hera, Temple E, Selinunte, Sicily
  • Greek Dorik columns at the  ruins of Temple F at Selinunte, Sicily photography, pictures, photos, images & fotos. 51 Greek Dorik Temple columns of the ruins of the Temple of Hera, Temple E, Selinunte, Sicily
  • Greek Dorik columns at the  ruins of Temple F at Selinunte, Sicily photography, pictures, photos, images & fotos. 50 Greek Dorik Temple columns of the ruins of the Temple of Hera, Temple E, Selinunte, Sicily
  • Greek Dorik columns at the  ruins of Temple F at Selinunte, Sicily  photography, pictures, photos, images & fotos. 49 Greek Dorik Temple columns of the ruins of the Temple of Hera, Temple E, Selinunte, Sicily
  • Greek Dorik columns at the  ruins of Temple F at Selinunte, Sicily photography, pictures, photos, images & fotos. 48 Greek Dorik Temple columns of the ruins of the Temple of Hera, Temple E, Selinunte, Sicily
  • Greek Dorik columns at the  ruins of Temple F at Selinunte, Sicily photography, pictures, photos, images & fotos. 47 Greek Dorik Temple columns of the ruins of the Temple of Hera, Temple E, Selinunte, Sicily
  • Greek Dorik Temple ruins of Temple F at Selinunte, Sicily photography, pictures, photos, images & fotos. 46 Greek Dorik Temple columns of the ruins of the Temple of Hera, Temple E, Selinunte, Sicily
  • Greek Dorik Temple ruins of Temple F at Selinunte, Sicily photography, pictures, photos, images & fotos. 45 Greek Dorik Temple columns of the ruins of the Temple of Hera, Temple E, Selinunte, Sicily
  • Greek Dorik Temple ruins of Temple F at Selinunte, Sicily photography, pictures, photos, images & fotos. 44 Greek Dorik Temple columns of the ruins of the Temple of Hera, Temple E, Selinunte, Sicily
  • Greek Dorik Temple ruins of Temple F at Selinunte, Sicily photography, pictures, photos, images & fotos. 43 Greek Dorik Temple columns of the ruins of the Temple of Hera, Temple E, Selinunte, Sicily
  • Greek Dorik columns at the  ruins of Temple F at Selinunte, Sicily photography, pictures, photos, images & fotos. 41 Greek Dorik Temple columns of the ruins of the Temple of Hera, Temple E, Selinunte, Sicily
  • Greek Dorik columns at the  ruins of Temple F at Selinunte, Sicily photography, pictures, photos, images & fotos. 37 Greek Dorik Temple columns of the ruins of the Temple of Hera, Temple E, Selinunte, Sicily
  • Greek Dorik columns at the  ruins of Temple F at Selinunte, Sicily photography, pictures, photos, images & fotos. 36 Greek Dorik Temple columns of the ruins of the Temple of Hera, Temple E, Selinunte, Sicily
  • Greek Dorik Temple ruins of Temple F at Selinunte, Sicily photography, pictures, photos, images & fotos. 35 Greek Dorik Temple columns of the ruins of the Temple of Hera, Temple E, Selinunte, Sicily
  • Greek Dorik Temple ruins of Temple F at Selinunte, Sicily photography, pictures, photos, images & fotos. 34 Greek Dorik Temple columns of the ruins of the Temple of Hera, Temple E, Selinunte, Sicily
  • Greek Dorik Temple ruins of Temple F at Selinunte, Sicily photography, pictures, photos, images & fotos. 27 Greek Dorik Temple columns of the ruins of the Temple of Hera, Temple E, Selinunte, Sicily
  • Greek Dorik capitals upside down at Temple F at Selinunte, Sicily photography, pictures, photos, images & fotos. 26 Greek Dorik Temple columns of the ruins of the Temple of Hera, Temple E, Selinunte, Sicily
  • Greek Dorik capitals upside down at Temple F at Selinunte, Sicily photography, pictures, photos, images & fotos. 25 Greek Dorik Temple columns of the ruins of the Temple of Hera, Temple E, Selinunte, Sicily
  • Greek Dorik column drums Temple ruins of Temple F at Selinunte, Sicily photography, pictures, photos, images & fotos. 23 Greek Dorik Temple columns of the ruins of the Temple of Hera, Temple E, Selinunte, Sicily
  • Greek Dorik Temple ruins of Temple F at Selinunte, Sicily photography, pictures, photos, images & fotos. 20 Greek Dorik Temple columns of the ruins of the Temple of Hera, Temple E, Selinunte, Sicily
  • Greek Dorik column drums Temple ruins of Temple F at Selinunte, Sicily photography, pictures, photos, images & fotos. 1 Greek Dorik Temple columns of the ruins of the Temple of Hera, Temple E, Selinunte, Sicily
  • Greek Dorik Temple ruins of Temple F at Selinunte, Sicily photography, pictures, photos, images & fotos. 19 Greek Dorik Temple columns of the ruins of the Temple of Hera, Temple E, Selinunte, Sicily
  • Greek Dorik Temple ruins of Temple F at Selinunte, Sicily photography, pictures, photos, images & fotos. 16 Greek Dorik Temple columns of the ruins of the Temple of Hera, Temple E, Selinunte, Sicily
  • Greek Dorik Temple ruins of Temple F at Selinunte, Sicily photography, pictures, photos, images & fotos. 14 Greek Dorik Temple columns of the ruins of the Temple of Hera, Temple E, Selinunte, Sicily
  • Greek Dorik Temple ruins of Temple F at Selinunte, Sicily photography, pictures, photos, images & fotos.11 Greek Dorik Temple columns of the ruins of the Temple of Hera, Temple E, Selinunte, Sicily
  • Greek Dorik Temple ruins of Temple F at Selinunte, Sicily photography, pictures, photos, images & fotos. 8 Greek Dorik Temple columns of the ruins of the Temple of Hera, Temple E, Selinunte, Sicily
  • Greek Dorik Temple ruins of Temple F at Selinunte, Sicily photography, pictures, photos, images & fotos. 7 Greek Dorik Temple columns of the ruins of the Temple of Hera, Temple E, Selinunte, Sicily
  • Greek Dorik Temple ruins of Temple F at Selinunte, Sicily photography, pictures, photos, images & fotos. 6 Greek Dorik Temple columns of the ruins of the Temple of Hera, Temple E, Selinunte, Sicily
  • Greek Dorik Temple ruins of Temple F at Selinunte, Sicily photography, pictures, photos, images & fotos. 3 Greek Dorik Temple columns of the ruins of the Temple of Hera, Temple E, Selinunte, Sicily
  • Greek Dorik Temple ruins of Temple F at Selinunte, Sicily photography, pictures, photos, images & fotos. 2 Greek Dorik Temple columns of the ruins of the Temple of Hera, Temple E, Selinunte, Sicily
  • Greek Dorik Temple ruins of Temple F at Selinunte, Sicily Greek Dorik Temple columns of the ruins of the Temple of Hera, Temple E, Selinunte, Sicily
  • Greek Dorik columns at the  ruins of Temple F at Selinunte, Sicily Greek Dorik Temple columns of the ruins of the Temple of Hera, Temple E, Selinunte, Sicily
  • Greek Dorik Temple ruins of Temple F at Selinunte, Sicily Greek Dorik Temple columns of the ruins of the Temple of Hera, Temple E, Selinunte, Sicily
  • Greek Dorik columns at the  ruins of Temple F at Selinunte, Sicily Greek Dorik Temple columns of the ruins of the Temple of Hera, Temple E, Selinunte, Sicily
  • Greek Dorik Temple ruins of Temple F at Selinunte, Sicily Greek Dorik Temple columns of the ruins of the Temple of Hera, Temple E, Selinunte, Sicily
  • Greek Dorik columns at the  ruins of Temple F at Selinunte, Sicily Greek Dorik Temple columns of the ruins of the Temple of Hera, Temple E, Selinunte, Sicily
  • Greek Dorik Temple ruins of Temple F at Selinunte, Sicily Greek Dorik Temple columns of the ruins of the Temple of Hera, Temple E, Selinunte, Sicily
  • Doric column drums - Greek Dorik Temple ruins of Temple F at Selinunte, Sicily Greek Dorik Temple columns of the ruins of the Temple of Hera, Temple E, Selinunte, Sicily
  • Greek Dorik Temple ruins of Temple F at Selinunte, Sicily Greek Dorik Temple columns of the ruins of the Temple of Hera, Temple E, Selinunte, Sicily
  • Greek Dorik Temple ruins of Temple F at Selinunte, Sicily Greek Dorik Temple columns of the ruins of the Temple of Hera, Temple E, Selinunte, Sicily
  • Greek Dorik Temple ruins of Temple F at Selinunte, Sicily Greek Dorik Temple columns of the ruins of the Temple of Hera, Temple E, Selinunte, Sicily
  • Greek Dorik Temple ruins of Temple F at Selinunte, Sicily photography, pictures, photos, images & fotos. Greek Dorik Temple columns of the ruins of the Temple of Hera, Temple E, Selinunte, Sicily
  • Greek Dorik columns at the  ruins of Temple F at Selinunte, Sicily photography, pictures, photos, images & fotos. Greek Dorik Temple columns of the ruins of the Temple of Hera, Temple E, Selinunte, Sicily
  • Greek Dorik Temple ruins of Temple F at Selinunte, Sicily photography, pictures, photos, images & fotos. Greek Dorik Temple columns of the ruins of the Temple of Hera, Temple E, Selinunte, Sicily
  • Greek Dorik Temple ruins of Temple F at Selinunte, Sicily photography, pictures, photos, images & fotos. Greek Dorik Temple columns of the ruins of the Temple of Hera, Temple E, Selinunte, Sicily
  • Greek Dorik columns at the  ruins of Temple F at Selinunte, Sicily photography, pictures, photos, images & fotos. 71 Greek Dorik Temple columns of the ruins of the Temple of Hera, Temple E, Selinunte, Sicily
  • Greek Dorik column drums fallen at Temple F at Selinunte, Sicily photography, pictures, photos, images & fotos. 67 Greek Dorik Temple columns of the ruins of the Temple of Hera, Temple E, Selinunte, Sicily
  • Greek Dorik Temple ruins of Temple F at Selinunte, Sicily photography, pictures, photos, images & fotos. 55 Greek Dorik Temple columns of the ruins of the Temple of Hera, Temple E, Selinunte, Sicily
  • Greek Dorik Temple ruins of Temple F at Selinunte, Sicily photography, pictures, photos, images & fotos. 42 Greek Dorik Temple columns of the ruins of the Temple of Hera, Temple E, Selinunte, Sicily
  • Greek Dorik Temple ruins of Temple F at Selinunte, Sicily photography, pictures, photos, images & fotos. 31 Greek Dorik Temple columns of the ruins of the Temple of Hera, Temple E, Selinunte, Sicily
  • Doric column drums - Greek Dorik Temple ruins of Temple F at Selinunte, Sicily photography, pictures, photos, images & fotos. 29 Greek Dorik Temple columns of the ruins of the Temple of Hera, Temple E, Selinunte, Sicily
  • Greek Dorik Temple ruins of Temple F at Selinunte, Sicily photography, pictures, photos, images & fotos. 12 Greek Dorik Temple columns of the ruins of the Temple of Hera, Temple E, Selinunte, Sicily
  • Greek Dorik Temple ruins of Temple F at Selinunte, Sicily photography, pictures, photos, images & fotos. 4 Greek Dorik Temple columns of the ruins of the Temple of Hera, Temple E, Selinunte, Sicily
  • Greek Dorik columns at the  ruins of Temple F at Selinunte, Sicily
  • Greek Dorik columns at the  ruins of Temple F at Selinunte, Sicily
  • Greek Dorik Temple ruins of Temple F at Selinunte, Sicily
  • Greek Dorik Temple ruins of Temple F at Selinunte, Sicily
  • Greek Dorik capitals upside down at Temple F at Selinunte, Sicily
  • Greek Dorik column drums Temple ruins of Temple F at Selinunte, Sicily

FunkyStock Picture Library Resource

Picture The Past

ABOUT

FunkyStock Picture Library free resource for professional editorial picture editors, picture researchers, historical scholars and students and enthusiasts who want to browse some of the best pictures and images of historic countries, historical places, archaeological sites and the very best museum antiquities and artefacts exhibits in Europe and the Middle East.

Pictures and Images can be downloaded or bought as stock photos or photo art prints.

COUNTRIES

Browse travel pictures and images of historic places and archaeological sites of countries in Europe and the Middle East.

VIEW COUNTRIES INDEX....

HISTORICAL

Explore the past through pictures and images of its historic places. See the great palaces, castles and cities of antiquity as well as the great archaeological sites where our ancestors made history.

EXPLORE HISTORICAL PLACES...

MUSEUMS

Browse pictures & images the treasured artefacts and antiquities exhibits from the great Museum of Europe and the Middle East. See the art and objects made by our ancestors.

SEE MUESEUM ANTIQUITIES....