• Roman marble sculpture of Homer from the rectangular peristyle of the Villa of the Papyri in Herculaneum, Naples Museum of Archaeology, Italy
  • Roman marble sculpture of Homer from the rectangular peristyle of the Villa of the Papyri in Herculaneum, Naples Museum of Archaeology, Italy
  • Roman marble sculpture of Homer from the rectangular peristyle of the Villa of the Papyri in Herculaneum, Naples Museum of Archaeology, Italy
  • Roman marble sculpture of Homer from the rectangular peristyle of the Villa of the Papyri in Herculaneum, Naples Museum of Archaeology, Italy
  • Roman marble sculpture of Homer from the rectangular peristyle of the Villa of the Papyri in Herculaneum, Naples Museum of Archaeology, Italy
  • Roman marble sculpture of Homer from the rectangular peristyle of the Villa of the Papyri in Herculaneum, Naples Museum of Archaeology, Italy
  • Roman marble sculpture of Homer from the rectangular peristyle of the Villa of the Papyri in Herculaneum, Naples Museum of Archaeology, Italy
  • Roman marble sculpture of Homer from the rectangular peristyle of the Villa of the Papyri in Herculaneum, Naples Museum of Archaeology, Italy
  • Roman marble sculpture of Homer from the rectangular peristyle of the Villa of the Papyri in Herculaneum, Naples Museum of Archaeology, Italy
  • Roman marble sculpture of Homer from the rectangular peristyle of the Villa of the Papyri in Herculaneum, Naples Museum of Archaeology, Italy
  • The beleived tomb of Homer near the ruins of  village on Ios he was reported to hev been born in. Ios, Greece
  • Ramp and entrance of the Scaean Gate Troy II 2600 - 2250 B.C, excavated by Schleimann and described by him  as the entrance to sacred site of Ilios described by Homer . Troy archaeological site, A UNESCO World Heritage Site, Turkey
  • Boar's tusk helmet with cheek guards and double bone hook on top. Tomb 515 Mycenae, Greece. 14th-15th century BC. National Archaeological Museum, Athens.. The Boar's tusk helmet was described in the Iliad as follows "Meriones gave Odysseus a bow, a quiver and a sword, and put a cleverly made leather helmet on his head. On the inside there was a strong lining on interwoven straps, onto which a felt cap had been sewn in. The outside was cleverly adorned all around with rows of white tusks from a shiny-toothed boar, the tusks running in alternate directions in each row.<br />
—Homer, Iliad 10.260–5"
  • Boar's tusk helmet with cheek guards and double bone hook on top. Tomb 515 Mycenae, Greece. 14th-15th century BC. National Archaeological Museum, Athens.. The Boar's tusk helmet was described in the Iliad as follows "Meriones gave Odysseus a bow, a quiver and a sword, and put a cleverly made leather helmet on his head. On the inside there was a strong lining on interwoven straps, onto which a felt cap had been sewn in. The outside was cleverly adorned all around with rows of white tusks from a shiny-toothed boar, the tusks running in alternate directions in each row.<br />
—Homer, Iliad 10.260–5"
  • Boar's tusk helmet with cheek guards and double bone hook on top. Tomb 515 Mycenae, Greece. 14th-15th century BC. National Archaeological Museum, Athens.. The Boar's tusk helmet was described in the Iliad as follows "Meriones gave Odysseus a bow, a quiver and a sword, and put a cleverly made leather helmet on his head. On the inside there was a strong lining on interwoven straps, onto which a felt cap had been sewn in. The outside was cleverly adorned all around with rows of white tusks from a shiny-toothed boar, the tusks running in alternate directions in each row.<br />
—Homer, Iliad 10.260–5"
  • Boar's tusk helmet with cheek guards and double bone hook on top. Tomb 515 Mycenae, Greece. 14th-15th century BC. National Archaeological Museum, Athens.. The Boar's tusk helmet was described in the Iliad as follows "Meriones gave Odysseus a bow, a quiver and a sword, and put a cleverly made leather helmet on his head. On the inside there was a strong lining on interwoven straps, onto which a felt cap had been sewn in. The outside was cleverly adorned all around with rows of white tusks from a shiny-toothed boar, the tusks running in alternate directions in each row.<br />
—Homer, Iliad 10.260–5"
  • Boar's tusk helmet with cheek guards and double bone hook on top. Tomb 515 Mycenae, Greece. 14th-15th century BC. National Archaeological Museum, Athens.. The Boar's tusk helmet was described in the Iliad as follows "Meriones gave Odysseus a bow, a quiver and a sword, and put a cleverly made leather helmet on his head. On the inside there was a strong lining on interwoven straps, onto which a felt cap had been sewn in. The outside was cleverly adorned all around with rows of white tusks from a shiny-toothed boar, the tusks running in alternate directions in each row.<br />
—Homer, Iliad 10.260–5"
  • Ramp and entrance of the Scaean Gate Troy II 2600 - 2250 B.C, excavated by Schleimann and described by him  as the entrance to sacred site of Ilios described by Homer . Troy archaeological site, A UNESCO World Heritage Site, Turkey
  • Boar's tusk helmet with cheek guards and double bone hook on top. Tomb 515 Mycenae, Greece. 14th-15th century BC. National Archaeological Museum, Athens.. The Boar's tusk helmet was described in the Iliad as follows "Meriones gave Odysseus a bow, a quiver and a sword, and put a cleverly made leather helmet on his head. On the inside there was a strong lining on interwoven straps, onto which a felt cap had been sewn in. The outside was cleverly adorned all around with rows of white tusks from a shiny-toothed boar, the tusks running in alternate directions in each row.<br />
—Homer, Iliad 10.260–5"
  • Boar's tusk helmet with cheek guards and double bone hook on top. Tomb 515 Mycenae, Greece. 14th-15th century BC. National Archaeological Museum, Athens.. The Boar's tusk helmet was described in the Iliad as follows "Meriones gave Odysseus a bow, a quiver and a sword, and put a cleverly made leather helmet on his head. On the inside there was a strong lining on interwoven straps, onto which a felt cap had been sewn in. The outside was cleverly adorned all around with rows of white tusks from a shiny-toothed boar, the tusks running in alternate directions in each row.<br />
—Homer, Iliad 10.260–5"
  • Boar's tusk helmet with cheek guards and double bone hook on top. Tomb 515 Mycenae, Greece. 14th-15th century BC. National Archaeological Museum, Athens.. The Boar's tusk helmet was described in the Iliad as follows "Meriones gave Odysseus a bow, a quiver and a sword, and put a cleverly made leather helmet on his head. On the inside there was a strong lining on interwoven straps, onto which a felt cap had been sewn in. The outside was cleverly adorned all around with rows of white tusks from a shiny-toothed boar, the tusks running in alternate directions in each row.<br />
—Homer, Iliad 10.260–5"
  • Boar's tusk helmet with cheek guards and double bone hook on top. Tomb 515 Mycenae, Greece. 14th-15th century BC. National Archaeological Museum, Athens.. The Boar's tusk helmet was described in the Iliad as follows "Meriones gave Odysseus a bow, a quiver and a sword, and put a cleverly made leather helmet on his head. On the inside there was a strong lining on interwoven straps, onto which a felt cap had been sewn in. The outside was cleverly adorned all around with rows of white tusks from a shiny-toothed boar, the tusks running in alternate directions in each row..?Homer, Iliad 10.260-5"
  • Boar's tusk helmet with cheek guards and double bone hook on top. Tomb 515 Mycenae, Greece. 14th-15th century BC. National Archaeological Museum, Athens.. The Boar's tusk helmet was described in the Iliad as follows "Meriones gave Odysseus a bow, a quiver and a sword, and put a cleverly made leather helmet on his head. On the inside there was a strong lining on interwoven straps, onto which a felt cap had been sewn in. The outside was cleverly adorned all around with rows of white tusks from a shiny-toothed boar, the tusks running in alternate directions in each row..?Homer, Iliad 10.260-5"
  • Mycenae Grave Circle A. A 16th century BC royal cemetery containing six shaft graves, where a total of nineteen bodies were buried among the objects found were a series of gold death masks including Agamemnons. Excavated by the archaeologist Heinrich Schliemann in 1876, following the descriptions of Homer and Pausanias.  Mycenae UNESCO World Heritage  Archaeological Site, Peloponnese, Greece
  • Mycenae Grave Circle A. A 16th century BC royal cemetery containing six shaft graves, where a total of nineteen bodies were buried among the objects found were a series of gold death masks including Agamemnons. Excavated by the archaeologist Heinrich Schliemann in 1876, following the descriptions of Homer and Pausanias.  Mycenae UNESCO World Heritage  Archaeological Site, Peloponnese, Greece
  • Mycenae Grave Circle A. A 16th century BC royal cemetery containing six shaft graves, where a total of nineteen bodies were buried among the objects found were a series of gold death masks including Agamemnons. Excavated by the archaeologist Heinrich Schliemann in 1876, following the descriptions of Homer and Pausanias.  Mycenae UNESCO World Heritage  Archaeological Site, Peloponnese, Greece
  • Roman statue of Helios. Marble. Perge. 2nd century AD. Inv no . Antalya Archaeology Museum; Turkey.<br />
<br />
Helios is the god and personification of the Sun in Greek mythology. He is the son of the Titan Hyperion and the Titaness Theia (according to Hesiod), also known as Euryphaessa (in Homeric Hymn 31) and brother of the goddesses Selene, the moon, and Eos, the dawn.
  • Roman statue of Helios. Marble. Perge. 2nd century AD. Inv no . Antalya Archaeology Museum; Turkey.  Against a grey background<br />
<br />
Helios is the god and personification of the Sun in Greek mythology. He is the son of the Titan Hyperion and the Titaness Theia (according to Hesiod), also known as Euryphaessa (in Homeric Hymn 31) and brother of the goddesses Selene, the moon, and Eos, the dawn.
  • Roman statue of Helios. Marble. Perge. 2nd century AD. Inv no . Antalya Archaeology Museum; Turkey. Against a warm art background.<br />
<br />
Helios is the god and personification of the Sun in Greek mythology. He is the son of the Titan Hyperion and the Titaness Theia (according to Hesiod), also known as Euryphaessa (in Homeric Hymn 31) and brother of the goddesses Selene, the moon, and Eos, the dawn.
  • Roman statue of Helios. Marble. Perge. 2nd century AD. Inv no . Antalya Archaeology Museum; Turkey. Against a white background.<br />
<br />
Helios is the god and personification of the Sun in Greek mythology. He is the son of the Titan Hyperion and the Titaness Theia (according to Hesiod), also known as Euryphaessa (in Homeric Hymn 31) and brother of the goddesses Selene, the moon, and Eos, the dawn.
  • Roman statue of Helios. Marble. Perge. 2nd century AD. Inv no . Antalya Archaeology Museum; Turkey. Against a black background.<br />
<br />
Helios is the god and personification of the Sun in Greek mythology. He is the son of the Titan Hyperion and the Titaness Theia (according to Hesiod), also known as Euryphaessa (in Homeric Hymn 31) and brother of the goddesses Selene, the moon, and Eos, the dawn.
  • Roman mosaic depicting Ulysses resisting the songs of the Sirens on his way back from Troy. In Homers Odyssey it is told that when Ulysses returned home by ship he sailed past the island of the Sirens. Fable had it that the rapture induced by the songs of the Sirens forced sailors to jump overboard and drown. From the reign of Emperor Gallienus 260-280 AD. Excavated from The House of Dionysus and Ulysses, Dougga, Inv 2884A.
  • Roman mosaic depicting Ulysses resisting the songs of the Sirens on his way back from Troy. In Homers Odyssey it is told that when Ulysses returned home by ship he sailed past the island of the Sirens. Fable had it that the rapture induced by the songs of the Sirens forced sailors to jump overboard and drown. From the reign of Emperor Gallienus 260-280 AD. Excavated from The House of Dionysus and Ulysses, Dougga, Inv 2884A.
  • Roman mosaic depicting Ulysses resisting the songs of the Sirens on his way back from Troy. In Homers Odyssey it is told that when Ulysses returned home by ship he sailed past the island of the Sirens. Fable had it that the rapture induced by the songs of the Sirens forced sailors to jump overboard and drown. From the reign of Emperor Gallienus 260-280 AD. Excavated from The House of Dionysus and Ulysses, Dougga, Inv 2884A.
  • Roman mosaic depicting Ulysses resisting the songs of the Sirens on his way back from Troy. In Homers Odyssey it is told that when Ulysses returned home by ship he sailed past the island of the Sirens. Fable had it that the rapture induced by the songs of the Sirens forced sailors to jump overboard and drown. From the reign of Emperor Gallienus 260-280 AD. Excavated from The House of Dionysus and Ulysses, Dougga, Inv 2884A.

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