• Fresh Whole Jerusalem Artichokes
  • 6th century Eastern Roman Byzantine  Christian mosaic of the mosaic of the Most Holy Sepulchre and the memorial of Golgotha in Jerusalem .<br />
<br />
In the foreground is the dome of Golgotha, erected at the site of the crucifixion ofJesus Christ, from where  the four rivers of Paradise flow: the Geon = Gihon, the Fison = Pishon, the Tigris and Euphrates, symbolically referring to the Word (the four gospels). Sheep, representing the faithfuls, are drinking from the rivers. In the background are depictions of the the Holy Sepulchre with its door ajar, and two other buildings, symbolising Bethlehem and Jerusalem. <br />
<br />
From the threshold of the martyrdom erected in honour of Jesus Christ at the church of Iunca - Younga (in present the day region of Mahres in Tunisia). The Bardo National Museum, Tunis, Tunisia.  Against a black background.
  • 6th century Eastern Roman Byzantine  Christian mosaic of the mosaic of the Most Holy Sepulchre and the memorial of Golgotha in Jerusalem .<br />
<br />
In the foreground is the dome of Golgotha, erected at the site of the crucifixion ofJesus Christ, from where  the four rivers of Paradise flow: the Geon = Gihon, the Fison = Pishon, the Tigris and Euphrates, symbolically referring to the Word (the four gospels). Sheep, representing the faithfuls, are drinking from the rivers. In the background are depictions of the the Holy Sepulchre with its door ajar, and two other buildings, symbolising Bethlehem and Jerusalem. <br />
<br />
From the threshold of the martyrdom erected in honour of Jesus Christ at the church of Iunca - Younga (in present the day region of Mahres in Tunisia). The Bardo National Museum, Tunis, Tunisia.  Against a white background.
  • 6th century Eastern Roman Byzantine  Christian mosaic of the mosaic of the Most Holy Sepulchre and the memorial of Golgotha in Jerusalem .<br />
<br />
In the foreground is the dome of Golgotha, erected at the site of the crucifixion ofJesus Christ, from where  the four rivers of Paradise flow: the Geon = Gihon, the Fison = Pishon, the Tigris and Euphrates, symbolically referring to the Word (the four gospels). Sheep, representing the faithfuls, are drinking from the rivers. In the background are depictions of the the Holy Sepulchre with its door ajar, and two other buildings, symbolising Bethlehem and Jerusalem. <br />
<br />
From the threshold of the martyrdom erected in honour of Jesus Christ at the church of Iunca - Younga (in present the day region of Mahres in Tunisia). The Bardo National Museum, Tunis, Tunisia.   Against a grey background.
  • 6th century Eastern Roman Byzantine  Christian mosaic of the mosaic of the Most Holy Sepulchre and the memorial of Golgotha in Jerusalem .<br />
<br />
In the foreground is the dome of Golgotha, erected at the site of the crucifixion ofJesus Christ, from where  the four rivers of Paradise flow: the Geon = Gihon, the Fison = Pishon, the Tigris and Euphrates, symbolically referring to the Word (the four gospels). Sheep, representing the faithfuls, are drinking from the rivers. In the background are depictions of the the Holy Sepulchre with its door ajar, and two other buildings, symbolising Bethlehem and Jerusalem. <br />
<br />
From the threshold of the martyrdom erected in honour of Jesus Christ at the church of Iunca - Younga (in present the day region of Mahres in Tunisia). The Bardo National Museum, Tunis, Tunisia.
  • 6th century Eastern Roman Byzantine  Christian mosaic of the mosaic of the Most Holy Sepulchre and the memorial of Golgotha in Jerusalem .<br />
<br />
In the foreground is the dome of Golgotha, erected at the site of the crucifixion ofJesus Christ, from where  the four rivers of Paradise flow: the Geon = Gihon, the Fison = Pishon, the Tigris and Euphrates, symbolically referring to the Word (the four gospels). Sheep, representing the faithfuls, are drinking from the rivers. In the background are depictions of the the Holy Sepulchre with its door ajar, and two other buildings, symbolising Bethlehem and Jerusalem. <br />
<br />
From the threshold of the martyrdom erected in honour of Jesus Christ at the church of Iunca - Younga (in present the day region of Mahres in Tunisia). The Bardo National Museum, Tunis, Tunisia. Against a grey art background.
  • Painted oak relief of three soldiers and two men in a rocky landscape below the walls of Jerusalem, from Antwerp circa 1510-1515. This is a panel from the Passion.  Inv RF  297,  The Louvre Museum, Paris.
  • Painted oak relief of three soldiers and two men in a rocky landscape below the walls of Jerusalem, from Antwerp circa 1510-1515. This is a panel from the Passion.  Inv RF  297,  The Louvre Museum, Paris.
  • 1st -2nd century AD gold death mask from the Roman levant.  Jerusalem, Israel. British Museum no 139535
  • 1st -2nd century AD gold death mask from the Roman levant.  Jerusalem, Israel. British Museum no 139535
  • 1st -2nd century AD gold death mask from the Roman levant.  Jerusalem, Israel. British Museum no 139535
  • 1st -2nd century AD gold death mask from the Roman levant.  Jerusalem, Israel. British Museum no 139535
  • 1st -2nd century AD gold death mask from the Roman levant.  Jerusalem, Israel. British Museum no 139535
  • Painted oak relief of three soldiers and two men in a rocky landscape below the walls of Jerusalem, from Antwerp circa 1510-1515. This is a panel from the Passion.  Inv RF  297,  The Louvre Museum, Paris.
  • Painted oak relief of three soldiers and two men in a rocky landscape below the walls of Jerusalem, from Antwerp circa 1510-1515. This is a panel from the Passion.  Inv RF  297,  The Louvre Museum, Paris.
  • Painted oak relief of three soldiers and two men in a rocky landscape below the walls of Jerusalem, from Antwerp circa 1510-1515. This is a panel from the Passion.  Inv RF  297,  The Louvre Museum, Paris.
  • Painted oak relief of three soldiers and two men in a rocky landscape below the walls of Jerusalem, from Antwerp circa 1510-1515. This is a panel from the Passion.  Inv RF  297,  The Louvre Museum, Paris.
  • Christ's Entry into Jerusalem by Lope Marin in 1548 on the Gothic Puerta de Campanilla entrance door of the Cathedral of Seville, Spain
  • Christ's Entry into Jerusalem by Lope Marin in 1548 on the Gothic Puerta de Campanilla entrance door of the Cathedral of Seville, Spain
  • Christ's Entry into Jerusalem by Lope Marin in 1548 on the Gothic Puerta de Campanilla entrance door of the Cathedral of Seville, Spain
  • Christ's Entry into Jerusalem by Lope Marin in 1548 on the Gothic Puerta de Campanilla entrance door of the Cathedral of Seville, Spain
  • Christ's Entry into Jerusalem by Lope Marin in 1548 on the Gothic Puerta de Campanilla entrance door of the Cathedral of Seville, Spain
  • Christ's Entry into Jerusalem by Lope Marin in 1548 on the Gothic Puerta de Campanilla entrance door of the Cathedral of Seville, Spain
  • Christ's Entry into Jerusalem by Lope Marin in 1548 on the Gothic Puerta de Campanilla entrance door of the Cathedral of Seville, Spain
  • Christ's Entry into Jerusalem by Lope Marin in 1548 on the Gothic Puerta de Campanilla entrance door of the Cathedral of Seville, Spain
  • Christ's Entry into Jerusalem by Lope Marin in 1548 on the Gothic Puerta de Campanilla entrance door of the Cathedral of Seville, Spain
  • Christ's Entry into Jerusalem by Lope Marin in 1548 on the Gothic Puerta de Campanilla entrance door of the Cathedral of Seville, Spain
  • Christ's Entry into Jerusalem by Lope Marin in 1548 on the Gothic Puerta de Campanilla entrance door of the Cathedral of Seville, Spain
  • Christ's Entry into Jerusalem by Lope Marin in 1548 on the Gothic Puerta de Campanilla entrance door of the Cathedral of Seville, Spain
  • Christ's Entry into Jerusalem by Lope Marin in 1548 on the Gothic Puerta de Campanilla entrance door of the Cathedral of Seville, Spain
  • Christ's Entry into Jerusalem by Lope Marin in 1548 on the Gothic Puerta de Campanilla entrance door of the Cathedral of Seville, Spain
  • Christ's Entry into Jerusalem by Lope Marin in 1548 on the Gothic Puerta de Campanilla entrance door of the Cathedral of Seville, Spain
  • Medieval stained glass Window of the Gothic Cathedral of Chartres, France - dedicated to the Good Samaritan .  Bottom central panel shows A bandit prepares to attack the pilgrim , below left -The pilgrim leaving Jerusalem, right -  The pilgrim is beaten, robbed and stripped , above - A Priest and a Levite see the injured man but walk on past. Central oval panel - The Samaritan leading the Pilgrim to an inn, left of this - A Samaritan binds the injured man's wounds, right of centre - An innkeeper welcoming the Samaritan. Top central panel shows Adam dwelling in Paradise, below - At the inn, the Samaritan nurses the injured man back to health, left - God breathing life into Adam, above - God warning Adam and Eve not to eat from the tree of knowledge, right - God creates Eve out of Adam's rib . A UNESCO World Heritage Site.
  • Medieval stained glass Window of the Gothic Cathedral of Chartres, France - dedicated to the Good Samaritan .  Bottom central panel shows A bandit prepares to attack the pilgrim , below left -The pilgrim leaving Jerusalem, right -  The pilgrim is beaten, robbed and stripped , above - A Priest and a Levite see the injured man but walk on past. Central oval panel - The Samaritan leading the Pilgrim to an inn, left of this - A Samaritan binds the injured man's wounds, right of centre - An innkeeper welcoming the Samaritan. Top central panel shows Adam dwelling in Paradise, below - At the inn, the Samaritan nurses the injured man back to health, left - God breathing life into Adam, above - God warning Adam and Eve not to eat from the tree of knowledge, right - God creates Eve out of Adam's rib . A UNESCO World Heritage Site.
  • Medieval stained glass Window of the Gothic Cathedral of Chartres, France - dedicated to the Good Samaritan .  Bottom central panel shows A bandit prepares to attack the pilgrim , below left -The pilgrim leaving Jerusalem, right -  The pilgrim is beaten, robbed and stripped , above - A Priest and a Levite see the injured man but walk on past. Central oval panel - The Samaritan leading the Pilgrim to an inn, left of this - A Samaritan binds the injured man's wounds, right of centre - An innkeeper welcoming the Samaritan. Top central panel shows Adam dwelling in Paradise, below - At the inn, the Samaritan nurses the injured man back to health, left - God breathing life into Adam, above - God warning Adam and Eve not to eat from the tree of knowledge, right - God creates Eve out of Adam's rib . A UNESCO World Heritage Site.
  • Medieval stained glass Window of the Gothic Cathedral of Chartres, France - dedicated to the Good Samaritan .  Bottom central panel shows A bandit prepares to attack the pilgrim , below left -The pilgrim leaving Jerusalem, right -  The pilgrim is beaten, robbed and stripped , above - A Priest and a Levite see the injured man but walk on past. Central oval panel - The Samaritan leading the Pilgrim to an inn, left of this - A Samaritan binds the injured man's wounds, right of centre - An innkeeper welcoming the Samaritan. Top central panel shows Adam dwelling in Paradise, below - At the inn, the Samaritan nurses the injured man back to health, left - God breathing life into Adam, above - God warning Adam and Eve not to eat from the tree of knowledge, right - God creates Eve out of Adam's rib . A UNESCO World Heritage Site.
  • Medieval stained glass Window of the Gothic Cathedral of Chartres, France - dedicated to the lGood Samaritan . Central panel shows A bandit prepares to attack the pilgrim , below  - Christ telling the parable to a couple of Pharisees, left -The pilgrim leaving Jerusalem, right -  The pilgrim is beaten, robbed and stripped , above - A Priest and a Levite see the injured man but walk on past. A UNESCO World Heritage Site.
  • Medieval stained glass Window of the Gothic Cathedral of Chartres, France - dedicated to the lGood Samaritan . Central panel shows A bandit prepares to attack the pilgrim , below  - Christ telling the parable to a couple of Pharisees, left -The pilgrim leaving Jerusalem, right -  The pilgrim is beaten, robbed and stripped , above - A Priest and a Levite see the injured man but walk on past. A UNESCO World Heritage Site.
  • Medieval stained glass Window of the Gothic Cathedral of Chartres, France - dedicated to the lGood Samaritan . Central panel shows A bandit prepares to attack the pilgrim , below  - Christ telling the parable to a couple of Pharisees, left -The pilgrim leaving Jerusalem, right -  The pilgrim is beaten, robbed and stripped , above - A Priest and a Levite see the injured man but walk on past. A UNESCO World Heritage Site.
  • Medieval stained glass Window of the Gothic Cathedral of Chartres, France - dedicated to the lGood Samaritan . Central panel shows A bandit prepares to attack the pilgrim , below  - Christ telling the parable to a couple of Pharisees, left -The pilgrim leaving Jerusalem, right -  The pilgrim is beaten, robbed and stripped , above - A Priest and a Levite see the injured man but walk on past. A UNESCO World Heritage Site.
  • Medieval stained glass Window of the Gothic Cathedral of Chartres, France - dedicated to the lGood Samaritan . Central panel shows A bandit prepares to attack the pilgrim , below  - Christ telling the parable to a couple of Pharisees, left -The pilgrim leaving Jerusalem, right -  The pilgrim is beaten, robbed and stripped , above - A Priest and a Levite see the injured man but walk on past. A UNESCO World Heritage Site.

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