• The Minoan  "Procession  Fresco' reconstructed at Knossos  archaeological site, Crete
  • The 'Bull leaper' Minoan fresco, reconstructed at Knossos Archaeological Site, Crete
  • "Prince of lilies" or "Priest-king Relief", plaster relief at the end of the Corridor of Processions, restored by Gilliéron, Knossos Minoan archaeological site
  • "Prince of lilies" or "Priest-king Relief", plaster relief at the end of the Corridor of Processions, restored by Gilliéron, Knossos Minoan archaeological site
  • The 'Blue Monkey' Minoan fresco, reconstructed at Knossos Archaeological Site, Crete
  • Reconstruction of a Minoan Bull relief fresco  of the Nouth Propylaeum,  Knossos  archaeological site, Crete
  • The Minoan  "Procession  Fresco' reconstructed at Knossos  archaeological site, Crete
  • Dolphin Freco of the Queens Megaron, Knossos Palace Archaeological Site, Crete
  • "Prince of lilies" or "Priest-king Relief", plaster relief at the end of the Corridor of Processions, restored by Gilliéron, Knossos Minoan archaeological site
  • Dolphin Freco of the Queens Megaron, Knossos Palace Archaeological Site, Crete
  • Dolphin Freco of the Queens Megaron, Knossos Palace Archaeological Site, Crete
  • The Minoan  "Procession  Fresco' reconstructed at Knossos  archaeological site, Crete
  • The 'Bull leaper' Minoan fresco, reconstructed at Knossos Archaeological Site, Crete
  • Dolphin Freco of the Queens Megaron, Knossos Palace Archaeological Site, Crete
  • The 'Bull leaper' Minoan fresco, reconstructed at Knossos Archaeological Site, Crete
  • Dolphin Freco of the Queens Megaron, Knossos Palace Archaeological Site, Crete
  • "Prince of lilies" or "Priest-king Relief", plaster relief at the end of the Corridor of Processions, restored by Gilliéron, Knossos Minoan archaeological site
  • "Prince of lilies" or "Priest-king Relief", plaster relief at the end of the Corridor of Processions, restored by Gilliéron, Knossos Minoan archaeological site
  • Arthur Evans reconstruction of  the South Propylaeum Knossos Minoan archaeological site, Crete
  • Arthur Evans reconstruction of  the Nouth Propylaeum Knossos Minoan archaeological site, Crete
  • Arthur Evans reconstruction of  the Nouth Propylaeum Knossos Minoan archaeological site, Crete
  • Arthur Evans reconstruction of  the Nouth Propylaeum Knossos Minoan archaeological site, Crete
  • Arthur Evans reconstruction of  the Dolphin Frescos, Knossos Minoan archaeological site, Crete
  • Arthur Evans reconstruction of  Knossos Minoan Palace archaeological site, Crete
  • Arthur Evans reconstruction of  the Dolphin Frescos, Knossos Minoan archaeological site, Crete
  • Arthur Evans reconstruction of  the Nouth Propylaeum Knossos Minoan archaeological site, Crete
  • Arthur Evans reconstruction of  the Nouth Propylaeum Knossos Minoan archaeological site, Crete
  • Arthur Evans reconstruction of  Knossos Minoan Palace archaeological site, Crete
  • Arthur Evans reconstruction of  the Nouth Propylaeum Knossos Minoan archaeological site, Crete
  • Arthur Evans reconstruction of Dancing girls fresco  at Knossos. Knossos Minoan archaeological site, Crete
  • Arthur Evans reconstruction of  the Dolphin Frescos, Knossos Minoan archaeological site, Crete
  • Arthur Evans reconstruction of  the Blue Monkey Knossos Minoan archaeological site, Crete
  • Arthur Evans reconstruction of A Bull relief fresco  of the Nouth Propylaeum,  Knossos Minoan archaeological site, Crete
  • Arthur Evans reconstruction of  the Dolphin Frescos, Knossos Minoan archaeological site, Crete
  • "Prince of lilies" or "Priest-king Relief", plaster relief at the end of the Corridor of Processions, restored by Gilliéron, Knossos Minoan archaeological site
  • Arthur Evans reconstruction of  Knossos Minoan archaeological site, Crete
  • Arthur Evans reconstruction of Procession  Frescos of the  South Propylaeum of Knossos Minoan archaeological site, Crete
  • Arthur Evans reconstruction of A Bull relief fresco  of the Nouth Propylaeum,  Knossos Minoan archaeological site, Crete
  • "Prince of lilies" or "Priest-king Relief", plaster relief at the end of the Corridor of Processions, restored by Gilliéron, Knossos Minoan archaeological site
  • Arthur Evans reconstruction of the the so-called Throne Room or Little Throne Room, Knossos Minoan archaeological site
  • Arthur Evans reconstruction of the the so-called Throne Room or Little Throne Room, Knossos Minoan archaeological site
  • Arthur Evans reconstruction of  the Nouth Propylaeum Knossos Minoan archaeological site, Crete
  • Arthur Evans reconstruction of  the South Propylaeum Knossos Minoan archaeological site, Crete
  • Arthur Evans reconstruction of A Bull relief fresco  of the Nouth Propylaeum,  Knossos Minoan archaeological site, Crete
  • Arthur Evans reconstruction of A Bull relief fresco  of the Nouth Propylaeum,  Knossos Minoan archaeological site, Crete
  • Arthur Evans reconstruction of Procession  Frescos of the  South Propylaeum of Knossos Minoan archaeological site, Crete
  • Arthur Evans reconstruction of Procession  Frescos of the  South Propylaeum of Knossos Minoan archaeological site, Crete
  • Arthur Evans reconstruction of Procession  Frescos of the  South Propylaeum of Knossos Minoan archaeological site, Crete
  • Arthur Evans reconstruction of  the Dolphin Frescos, Knossos Minoan archaeological site, Crete
  • Arthur Evans reconstruction of  the Dolphin Frescos, Knossos Minoan archaeological site, Crete
  • Arthur Evans reconstruction of  the Dolphin Frescos, Knossos Minoan archaeological site, Crete
  • Arthur Evans reconstruction of A Bull relief fresco  of the Nouth Propylaeum,  Knossos Minoan archaeological site, Crete
  • Arthur Evans reconstruction of the the so-called Throne Room or Little Throne Room, Knossos Minoan archaeological site
  • Arthur Evans reconstruction of Dancing girl fresco from the Queen's megaron at Knossos. Knossos Minoan archaeological site, Crete
  • Arthur Evans reconstruction of Procession  Frescos at Knossos Minoan archaeological site, Crete
  • Arthur Evans reconstruction of  the Dolphin Frescos, Knossos Minoan archaeological site, Crete
  • Arthur Evans reconstruction of  the Blue Monkey Knossos Minoan archaeological site, Crete
  • Arthur Evans reconstruction of  the Blue Monkey Knossos Minoan archaeological site, Crete
  • Arthur Evans reconstruction of  the Nouth Propylaeum Knossos Minoan archaeological site, Crete
  • Arthur Evans reconstruction of  the Nouth Propylaeum Knossos Minoan archaeological site, Crete
  • The Minoan 'Cup Bearer' from the 'Procession Fresco', wall art from the South Prpylaeum, Knossos Palace, 1500-1400 BC . Heraklion Archaeological Museum.<br />
<br />
The 'Cup Bearer' depicts a youth with long black hair, a naked torso and a richly decorated kilt carrying a large silver rhuyhon ceremonial vessel. This large Minoan fresco of many figure in procession would have decorated the corridor between the West Porch and the South Propylaeum of Knossos Palace. Both sides of the corridor were painted with hundreds of male and femal;e figures carrying precious utensils and vessels, probably depicting gift bearers to the ruler of the Palace. The composition is much like those found in the Palaces and tombs of Egypt and the near east at the time. Neopalatial final period.
  • Minoan wall art fresco of a 'figure of eight' shield from Knossos Palace, 1450-1300 BC. Heraklion Archaeological Museum.<br />
<br />
<br />
The Final Palatial Period Minoan fresco is from the Grand Staircase of the Palace of Knossos and is a Trompe-l'œil  of minoan warriors shields covered with ox hide.
  • The Minoan 'Cup Bearer' from the 'Procession Fresco', wall art from the South Prpylaeum, Knossos Palace, 1500-1400 BC . Heraklion Archaeological Museum.<br />
<br />
The 'Cup Bearer' depicts a youth with long black hair, a naked torso and a richly decorated kilt carrying a large silver rhuyhon ceremonial vessel. This large Minoan fresco of many figure in procession would have decorated the corridor between the West Porch and the South Propylaeum of Knossos Palace. Both sides of the corridor were painted with hundreds of male and femal;e figures carrying precious utensils and vessels, probably depicting gift bearers to the ruler of the Palace. The composition is much like those found in the Palaces and tombs of Egypt and the near east at the time. Neopalatial final period.
  • The Minoan 'Procession Fresco', wall art from the South Prpylaeum, Knossos Palace, 1500-1400 BC . Heraklion Archaeological Museum. Black Background. <br />
<br />
This latrge Minoan fresco of many figure in procession would have decorated the corridor between the West Porch and the South Propylaeum of Knossos Palace. Both sides of the corridor were painted with hundreds of male and femal;e figures carrying precious utensils and vessels, probably depicting gift bearers to the ruler of the Palace. The composition is much like those found in the Palaces and tombs of Egypt and the near east at the time. Neopalatial final period.
  • Minoan wall art fresco of 'Ladies in Blue' from Knossos Palace 1600-1450 BC. Heraklion Archaeological Museum.<br />
<br />
The 'Ladies in Blue' Minoan fresco depicts richy dressed female figures with opulent jewelery and clothing with flamboyant hairstyles refecting the wealth of the Palace of Knossos
  • The Minoan 'Procession Fresco', wall art from the South Prpylaeum, Knossos Palace, 1500-1400 BC . Heraklion Archaeological Museum.  Grey Background. <br />
<br />
This latrge Minoan fresco of many figure in procession would have decorated the corridor between the West Porch and the South Propylaeum of Knossos Palace. Both sides of the corridor were painted with hundreds of male and femal;e figures carrying precious utensils and vessels, probably depicting gift bearers to the ruler of the Palace. The composition is much like those found in the Palaces and tombs of Egypt and the near east at the time. Neopalatial final period.
  • The Minoan 'Tripartite Shrine' or ;Grandstand Fresco', wall art from  Knossos Palace, 1600-1450 BC. Heraklion Archaeological Museum. Black Background. <br />
<br />
The Minoan fresco depicts females seated on a raised platform and a large crowd in what is thought to be the Central Court of Knossos Palace. .
  • The Minoan 'Tripartite Shrine' or ;Grandstand Fresco', wall art from  Knossos Palace, 1600-1450 BC. Heraklion Archaeological Museum.  Grey Background. <br />
<br />
The Minoan fresco depicts females seated on a raised platform and a large crowd in what is thought to be the Central Court of Knossos Palace. .
  • The Minoan 'Procession Fresco', wall art from the South Prpylaeum, Knossos Palace, 1500-1400 BC . Heraklion Archaeological Museum.  White Background. <br />
<br />
This latrge Minoan fresco of many figure in procession would have decorated the corridor between the West Porch and the South Propylaeum of Knossos Palace. Both sides of the corridor were painted with hundreds of male and femal;e figures carrying precious utensils and vessels, probably depicting gift bearers to the ruler of the Palace. The composition is much like those found in the Palaces and tombs of Egypt and the near east at the time. Neopalatial final period.
  • Minoan high relief wall art fresco of Griffins, Gret East Hall, Knossos. 1600-1450 BC. Heraklion Archaeological Museum.<br />
<br />
This minoan high relief fresco decorated the Great East Hall of Knossos palace. The decoration of the hall included religious scenes depicting boxing, and bull leaping games.
  • The Minoan 'Cup Bearer' from the 'Procession Fresco', wall art from the South Prpylaeum, Knossos Palace, 1500-1400 BC . Heraklion Archaeological Museum.  Grey Background. <br />
<br />
The 'Cup Bearer' depicts a youth with long black hair, a naked torso and a richly decorated kilt carrying a large silver rhuyhon ceremonial vessel. This large Minoan fresco of many figure in procession would have decorated the corridor between the West Porch and the South Propylaeum of Knossos Palace. Both sides of the corridor were painted with hundreds of male and femal;e figures carrying precious utensils and vessels, probably depicting gift bearers to the ruler of the Palace. The composition is much like those found in the Palaces and tombs of Egypt and the near east at the time. Neopalatial final period.
  • The Minoan 'Procession Fresco', wall art from the South Prpylaeum, Knossos Palace, 1500-1400 BC . Heraklion Archaeological Museum.  Grey Background. <br />
<br />
This latrge Minoan fresco of many figure in procession would have decorated the corridor between the West Porch and the South Propylaeum of Knossos Palace. Both sides of the corridor were painted with hundreds of male and femal;e figures carrying precious utensils and vessels, probably depicting gift bearers to the ruler of the Palace. The composition is much like those found in the Palaces and tombs of Egypt and the near east at the time. Neopalatial final period.
  • The Minoan 'Cup Bearer' from the 'Procession Fresco', wall art from the South Prpylaeum, Knossos Palace, 1500-1400 BC . Heraklion Archaeological Museum.  Grey Background. <br />
<br />
The 'Cup Bearer' depicts a youth with long black hair, a naked torso and a richly decorated kilt carrying a large silver rhuyhon ceremonial vessel. This large Minoan fresco of many figure in procession would have decorated the corridor between the West Porch and the South Propylaeum of Knossos Palace. Both sides of the corridor were painted with hundreds of male and femal;e figures carrying precious utensils and vessels, probably depicting gift bearers to the ruler of the Palace. The composition is much like those found in the Palaces and tombs of Egypt and the near east at the time. Neopalatial final period.
  • The Minoan 'Tripartite Shrine' or ;Grandstand Fresco', wall art from  Knossos Palace, 1600-1450 BC. Heraklion Archaeological Museum.  White Background. <br />
<br />
The Minoan fresco depicts females seated on a raised platform and a large crowd in what is thought to be the Central Court of Knossos Palace. .
  • Minoan wall art fresco of 'Ladies in Blue' from Knossos Palace 1600-1450 BC. Heraklion Archaeological Museum.<br />
<br />
The 'Ladies in Blue' Minoan fresco depicts richy dressed female figures with opulent jewelery and clothing with flamboyant hairstyles refecting the wealth of the Palace of Knossos
  • The Minoan 'Procession Fresco', wall art from the South Prpylaeum, Knossos Palace, 1500-1400 BC . Heraklion Archaeological Museum.<br />
<br />
This latrge Minoan fresco of many figure in procession would have decorated the corridor between the West Porch and the South Propylaeum of Knossos Palace. Both sides of the corridor were painted with hundreds of male and femal;e figures carrying precious utensils and vessels, probably depicting gift bearers to the ruler of the Palace. The composition is much like those found in the Palaces and tombs of Egypt and the near east at the time. Neopalatial final period.
  • The Minoan 'Procession Fresco', wall art from the South Prpylaeum, Knossos Palace, 1500-1400 BC . Heraklion Archaeological Museum.<br />
<br />
This latrge Minoan fresco of many figure in procession would have decorated the corridor between the West Porch and the South Propylaeum of Knossos Palace. Both sides of the corridor were painted with hundreds of male and femal;e figures carrying precious utensils and vessels, probably depicting gift bearers to the ruler of the Palace. The composition is much like those found in the Palaces and tombs of Egypt and the near east at the time. Neopalatial final period.
  • The Minoan 'Cup Bearer' from the 'Procession Fresco', wall art from the South Prpylaeum, Knossos Palace, 1500-1400 BC . Heraklion Archaeological Museum.  White Background. <br />
<br />
The 'Cup Bearer' depicts a youth with long black hair, a naked torso and a richly decorated kilt carrying a large silver rhuyhon ceremonial vessel. This large Minoan fresco of many figure in procession would have decorated the corridor between the West Porch and the South Propylaeum of Knossos Palace. Both sides of the corridor were painted with hundreds of male and femal;e figures carrying precious utensils and vessels, probably depicting gift bearers to the ruler of the Palace. The composition is much like those found in the Palaces and tombs of Egypt and the near east at the time. Neopalatial final period.
  • The Minoan 'Procession Fresco', wall art from the South Prpylaeum, Knossos Palace, 1500-1400 BC . Heraklion Archaeological Museum.<br />
<br />
This latrge Minoan fresco of many figure in procession would have decorated the corridor between the West Porch and the South Propylaeum of Knossos Palace. Both sides of the corridor were painted with hundreds of male and femal;e figures carrying precious utensils and vessels, probably depicting gift bearers to the ruler of the Palace. The composition is much like those found in the Palaces and tombs of Egypt and the near east at the time. Neopalatial final period.
  • The Minoan 'Procession Fresco', wall art from the South Prpylaeum, Knossos Palace, 1500-1400 BC . Heraklion Archaeological Museum.<br />
<br />
This latrge Minoan fresco of many figure in procession would have decorated the corridor between the West Porch and the South Propylaeum of Knossos Palace. Both sides of the corridor were painted with hundreds of male and femal;e figures carrying precious utensils and vessels, probably depicting gift bearers to the ruler of the Palace. The composition is much like those found in the Palaces and tombs of Egypt and the near east at the time. Neopalatial final period.
  • Minoan wall art fresco of 'Ladies in Blue' from Knossos Palace 1600-1450 BC. Heraklion Archaeological Museum.<br />
<br />
The 'Ladies in Blue' Minoan fresco depicts richy dressed female figures with opulent jewelery and clothing with flamboyant hairstyles refecting the wealth of the Palace of Knossos
  • The Minoan 'Cup Bearer' from the 'Procession Fresco', wall art from the South Prpylaeum, Knossos Palace, 1500-1400 BC . Heraklion Archaeological Museum. Black Background. <br />
<br />
The 'Cup Bearer' depicts a youth with long black hair, a naked torso and a richly decorated kilt carrying a large silver rhuyhon ceremonial vessel. This large Minoan fresco of many figure in procession would have decorated the corridor between the West Porch and the South Propylaeum of Knossos Palace. Both sides of the corridor were painted with hundreds of male and femal;e figures carrying precious utensils and vessels, probably depicting gift bearers to the ruler of the Palace. The composition is much like those found in the Palaces and tombs of Egypt and the near east at the time. Neopalatial final period.
  • The Minoan 'Procession Fresco', wall art from the South Prpylaeum, Knossos Palace, 1500-1400 BC . Heraklion Archaeological Museum.<br />
<br />
This latrge Minoan fresco of many figure in procession would have decorated the corridor between the West Porch and the South Propylaeum of Knossos Palace. Both sides of the corridor were painted with hundreds of male and femal;e figures carrying precious utensils and vessels, probably depicting gift bearers to the ruler of the Palace. The composition is much like those found in the Palaces and tombs of Egypt and the near east at the time. Neopalatial final period.
  • Minoan wall art fresco of a 'figure of eight' shield from Knossos Palace, 1450-1300 BC. Heraklion Archaeological Museum.<br />
<br />
<br />
The Final Palatial Period Minoan fresco is from the Grand Staircase of the Palace of Knossos and is a Trompe-l'œil  of minoan warriors shields covered with ox hide.
  • The Minoan 'Procession Fresco', wall art from the South Prpylaeum, Knossos Palace, 1500-1400 BC . Heraklion Archaeological Museum.<br />
<br />
This latrge Minoan fresco of many figure in procession would have decorated the corridor between the West Porch and the South Propylaeum of Knossos Palace. Both sides of the corridor were painted with hundreds of male and femal;e figures carrying precious utensils and vessels, probably depicting gift bearers to the ruler of the Palace. The composition is much like those found in the Palaces and tombs of Egypt and the near east at the time. Neopalatial final period.
  • Minoan wall art fresco of a 'figure of eight' shield from Knossos Palace, 1450-1300 BC. Heraklion Archaeological Museum.<br />
<br />
<br />
The Final Palatial Period Minoan fresco is from the Grand Staircase of the Palace of Knossos and is a Trompe-l'œil  of minoan warriors shields covered with ox hide.
  • The Minoan 'Procession Fresco', wall art from the South Prpylaeum, Knossos Palace, 1500-1400 BC . Heraklion Archaeological Museum.<br />
<br />
This latrge Minoan fresco of many figure in procession would have decorated the corridor between the West Porch and the South Propylaeum of Knossos Palace. Both sides of the corridor were painted with hundreds of male and femal;e figures carrying precious utensils and vessels, probably depicting gift bearers to the ruler of the Palace. The composition is much like those found in the Palaces and tombs of Egypt and the near east at the time. Neopalatial final period.
  • The Minoan 'Procession Fresco', wall art from the South Prpylaeum, Knossos Palace, 1500-1400 BC . Heraklion Archaeological Museum.<br />
<br />
This latrge Minoan fresco of many figure in procession would have decorated the corridor between the West Porch and the South Propylaeum of Knossos Palace. Both sides of the corridor were painted with hundreds of male and femal;e figures carrying precious utensils and vessels, probably depicting gift bearers to the ruler of the Palace. The composition is much like those found in the Palaces and tombs of Egypt and the near east at the time. Neopalatial final period.
  • The Minoan 'Procession Fresco', wall art from the South Prpylaeum, Knossos Palace, 1500-1400 BC . Heraklion Archaeological Museum.<br />
<br />
This latrge Minoan fresco of many figure in procession would have decorated the corridor between the West Porch and the South Propylaeum of Knossos Palace. Both sides of the corridor were painted with hundreds of male and femal;e figures carrying precious utensils and vessels, probably depicting gift bearers to the ruler of the Palace. The composition is much like those found in the Palaces and tombs of Egypt and the near east at the time. Neopalatial final period.
  • The Minoan 'Procession Fresco', wall art from the South Prpylaeum, Knossos Palace, 1500-1400 BC . Heraklion Archaeological Museum.<br />
<br />
This latrge Minoan fresco of many figure in procession would have decorated the corridor between the West Porch and the South Propylaeum of Knossos Palace. Both sides of the corridor were painted with hundreds of male and femal;e figures carrying precious utensils and vessels, probably depicting gift bearers to the ruler of the Palace. The composition is much like those found in the Palaces and tombs of Egypt and the near east at the time. Neopalatial final period.
  • The Minoan 'Tripartite Shrine' or ;Grandstand Fresco', wall art from  Knossos Palace, 1600-1450 BC. Heraklion Archaeological Museum.  Grey Background. <br />
<br />
The Minoan fresco depicts females seated on a raised platform and a large crowd in what is thought to be the Central Court of Knossos Palace. .
  • Minoan high relief wall art fresco of Griffins, Gret East Hall, Knossos. 1600-1450 BC. Heraklion Archaeological Museum.<br />
<br />
This minoan high relief fresco decorated the Great East Hall of Knossos palace. The decoration of the hall included religious scenes depicting boxing, and bull leaping games.
  • The Minoan 'Cup Bearer' from the 'Procession Fresco', wall art from the South Prpylaeum, Knossos Palace, 1500-1400 BC . Heraklion Archaeological Museum.  Grey Background. <br />
<br />
The 'Cup Bearer' depicts a youth with long black hair, a naked torso and a richly decorated kilt carrying a large silver rhuyhon ceremonial vessel. This large Minoan fresco of many figure in procession would have decorated the corridor between the West Porch and the South Propylaeum of Knossos Palace. Both sides of the corridor were painted with hundreds of male and femal;e figures carrying precious utensils and vessels, probably depicting gift bearers to the ruler of the Palace. The composition is much like those found in the Palaces and tombs of Egypt and the near east at the time. Neopalatial final period.
  • The Minoan 'Procession Fresco', wall art from the South Prpylaeum, Knossos Palace, 1500-1400 BC . Heraklion Archaeological Museum.<br />
<br />
This latrge Minoan fresco of many figure in procession would have decorated the corridor between the West Porch and the South Propylaeum of Knossos Palace. Both sides of the corridor were painted with hundreds of male and femal;e figures carrying precious utensils and vessels, probably depicting gift bearers to the ruler of the Palace. The composition is much like those found in the Palaces and tombs of Egypt and the near east at the time. Neopalatial final period.
  • Minoan wall art depicting 'Blue Monkeys' from Knossos Palace, 1700-1450 BC. Heraklion Archaeological Museum.
  • Minoan 'Papyrus wall art fresco from the 'House of Frescoes' Knossos Palace, 1600-1500 BC. Heraklion Archaeological Museum.
  • Minoan floral wall art fresco from Knossos Palace, 1600-1300 BC. Heraklion Archaeological Museum.
  • Minoan Bull wall art fresco , West Bastion, Knossos Palace, 1600-1450 BC. Heraklion Archaeological Museum.<br />
<br />
The Minoan Bull fresco was part of a larger composition which probably had a hunter or bull leaper in it. It is a masterpiece of Minoan naturalism and a work of high quality and expresive power.
  • Minoan wall art depicting 'Blue Monkeys' from Knossos Palace, 1700-1450 BC. Heraklion Archaeological Museum.
  • The Minoan 'Dolphin Fresco' wall art from the Queen's Megaron, Knossos Palace, 1600-1450 BC. Heraklion Archaeological Museum.<br />
<br />
Two dolphins are depicted swimming amongst small fish .
  • Minoan 'Prince of the Lilies' wall art freco, Knossos Palace, 1600-1450 BCHeraklion Archaeological Museum.  Grey Background. <br />
<br />
An emblematic image of Minoan Crete this fresco was part of a larger composition in high relief. The fresco depicts a life size figure wearing a coloured kilt with a cod piece and a belt. A majestic crown on his head is adorned with papyrus lilies and peacock feathers. Neopalatial Period.
  • Minoan floral wall art fresco from Knossos Palace, 1600-1300 BC. Heraklion Archaeological Museum.  White Background.
  • Minoan Bull wall art fresco , West Bastion, Knossos Palace, 1600-1450 BC. Heraklion Archaeological Museum.  White Background. <br />
<br />
The Minoan Bull fresco was part of a larger composition which probably had a hunter or bull leaper in it. It is a masterpiece of Minoan naturalism and a work of high quality and expresive power.
  • Minoan Bull wall art fresco , West Bastion, Knossos Palace, 1600-1450 BC. Heraklion Archaeological Museum. Black Background. <br />
<br />
The Minoan Bull fresco was part of a larger composition which probably had a hunter or bull leaper in it. It is a masterpiece of Minoan naturalism and a work of high quality and expresive power.
  • Minoan wall art depicting 'Blue Monkeys' from Knossos Palace, 1700-1450 BC. Heraklion Archaeological Museum.  White Background.
  • Minoan wall art depicting 'Blue Monkeys' from Knossos Palace, 1700-1450 BC. Heraklion Archaeological Museum.
  • Minoan wall art depicting 'Blue Monkeys' from Knossos Palace, 1700-1450 BC. Heraklion Archaeological Museum.  Grey Background.
  • The Minoan 'Dolphin Fresco' wall art from the Queen's Megaron, Knossos Palace, 1600-1450 BC. Heraklion Archaeological Museum.<br />
<br />
Two dolphins are depicted swimming amongst small fish .
  • Minoan floral wall art fresco from Knossos Palace, 1600-1300 BC. Heraklion Archaeological Museum.
  • The Minoan 'Blue Boy' or 'Saffron Gatherer' wall art fresco from Knossos Palace, 1600-1300 BC. Heraklion Archaeological Museum.  Grey Background.
  • Minoan Bull wall art fresco , West Bastion, Knossos Palace, 1600-1450 BC. Heraklion Archaeological Museum.  Grey Background. <br />
<br />
The Minoan Bull fresco was part of a larger composition which probably had a hunter or bull leaper in it. It is a masterpiece of Minoan naturalism and a work of high quality and expresive power.
  • Minoan wall art depicting 'Blue Monkeys' from Knossos Palace, 1700-1450 BC. Heraklion Archaeological Museum.  Grey Background.
  • Minoan Bull wall art fresco , West Bastion, Knossos Palace, 1600-1450 BC. Heraklion Archaeological Museum.  Grey Background. <br />
<br />
The Minoan Bull fresco was part of a larger composition which probably had a hunter or bull leaper in it. It is a masterpiece of Minoan naturalism and a work of high quality and expresive power.
  • Minoan 'Prince of the Lilies' wall art freco, Knossos Palace, 1600-1450 BCHeraklion Archaeological Museum.  Grey Background. <br />
<br />
An emblematic image of Minoan Crete this fresco was part of a larger composition in high relief. The fresco depicts a life size figure wearing a coloured kilt with a cod piece and a belt. A majestic crown on his head is adorned with papyrus lilies and peacock feathers. Neopalatial Period.
  • The Minoan 'Partridge Fresco', wall art from the  'Guset House' Knossos Palace, 1600-140 BC. Heraklion Archaeological Museum.  Grey Background. <br />
<br />
This Minoan fresco was painted in vivid colours using fine brush strokes and colour gradients. It portrays partridges , commonly found in Crete, among rocks and thopical Cretian flora. It decorated the pavillion in the so called 'Guset House' or 'Caravanserai.
  • The Minoan 'Blue Boy' or 'Saffron Gatherer' wall art fresco from Knossos Palace, 1600-1300 BC. Heraklion Archaeological Museum.  White Background.
  • The Minoan 'Blue Boy' or 'Saffron Gatherer' wall art fresco from Knossos Palace, 1600-1300 BC. Heraklion Archaeological Museum.
  • Minoan floral wall art fresco from Knossos Palace, 1600-1300 BC. Heraklion Archaeological Museum.
  • Large Pithos storage jar decorated with wavy lbands and linaear A inscription, Knossos Palace, Crete.  National Archaeological Museum Athens. 17th-16th cent BC.<br />
<br />
From the 1887 excavations of Kalokairinos, Knossos.
  • Minoan floral wall art fresco from Knossos Palace, 1600-1300 BC. Heraklion Archaeological Museum.  Grey Background.
  • The Minoan 'Dolphin Fresco' wall art from the Queen's Megaron, Knossos Palace, 1600-1450 BC. Heraklion Archaeological Museum.<br />
<br />
Two dolphins are depicted swimming amongst small fish .
  • Minoan 'Prince of the Lilies' wall art freco, Knossos Palace, 1600-1450 BCHeraklion Archaeological Museum.<br />
<br />
An emblematic image of Minoan Crete this fresco was part of a larger composition in high relief. The fresco depicts a life size figure wearing a coloured kilt with a cod piece and a belt. A majestic crown on his head is adorned with papyrus lilies and peacock feathers. Neopalatial Period.
  • Minoan floral wall art fresco from Knossos Palace, 1600-1300 BC. Heraklion Archaeological Museum.  Grey Background.
  • Minoan 'Prince of the Lilies' wall art freco, Knossos Palace, 1600-1450 BCHeraklion Archaeological Museum. Black Background. <br />
<br />
An emblematic image of Minoan Crete this fresco was part of a larger composition in high relief. The fresco depicts a life size figure wearing a coloured kilt with a cod piece and a belt. A majestic crown on his head is adorned with papyrus lilies and peacock feathers. Neopalatial Period.
  • Large Pithos storage jar decorated with wavy lbands and linaear A inscription, Knossos Palace, Crete.  National Archaeological Museum Athens. 17th-16th cent BC.<br />
<br />
From the 1887 excavations of Kalokairinos, Knossos.
  • Minoan Bull wall art fresco , West Bastion, Knossos Palace, 1600-1450 BC. Heraklion Archaeological Museum.<br />
<br />
The Minoan Bull fresco was part of a larger composition which probably had a hunter or bull leaper in it. It is a masterpiece of Minoan naturalism and a work of high quality and expresive power.
  • Minoan 'Papyrus wall art fresco from the 'House of Frescoes' Knossos Palace, 1600-1500 BC. Heraklion Archaeological Museum.
  • The Minoan 'Blue Boy' or 'Saffron Gatherer' wall art fresco from Knossos Palace, 1600-1300 BC. Heraklion Archaeological Museum.  Grey Background.
  • The Minoan 'Partridge Fresco', wall art from the  'Guset House' Knossos Palace, 1600-140 BC. Heraklion Archaeological Museum. Black Background. <br />
<br />
This Minoan fresco was painted in vivid colours using fine brush strokes and colour gradients. It portrays partridges , commonly found in Crete, among rocks and thopical Cretian flora. It decorated the pavillion in the so called 'Guset House' or 'Caravanserai.
  • Minoan Bull wall art fresco , West Bastion, Knossos Palace, 1600-1450 BC. Heraklion Archaeological Museum.<br />
<br />
The Minoan Bull fresco was part of a larger composition which probably had a hunter or bull leaper in it. It is a masterpiece of Minoan naturalism and a work of high quality and expresive power.
  • The Minoan 'Blue Boy' or 'Saffron Gatherer' wall art fresco from Knossos Palace, 1600-1300 BC. Heraklion Archaeological Museum.
  • Minoan floral wall art fresco from Knossos Palace, 1600-1300 BC. Heraklion Archaeological Museum. Black Background.
  • Minoan wall art depicting 'Blue Monkeys' from Knossos Palace, 1700-1450 BC. Heraklion Archaeological Museum. Black Background.
  • Minoan 'Prince of the Lilies' wall art freco, Knossos Palace, 1600-1450 BCHeraklion Archaeological Museum.  White Background. <br />
<br />
An emblematic image of Minoan Crete this fresco was part of a larger composition in high relief. The fresco depicts a life size figure wearing a coloured kilt with a cod piece and a belt. A majestic crown on his head is adorned with papyrus lilies and peacock feathers. Neopalatial Period.
  • Large Pithos storage jar decorated with wavy lbands and linaear A inscription, Knossos Palace, Crete.  National Archaeological Museum Athens. 17th-16th cent BC.<br />
<br />
From the 1887 excavations of Kalokairinos, Knossos.
  • Minoan floral wall art fresco from Knossos Palace, 1600-1300 BC. Heraklion Archaeological Museum.  Grey Background.
  • Minoan 'Prince of the Lilies' wall art freco, Knossos Palace, 1600-1450 BCHeraklion Archaeological Museum.<br />
<br />
An emblematic image of Minoan Crete this fresco was part of a larger composition in high relief. The fresco depicts a life size figure wearing a coloured kilt with a cod piece and a belt. A majestic crown on his head is adorned with papyrus lilies and peacock feathers. Neopalatial Period.
  • The Minoan 'Partridge Fresco', wall art from the  'Guset House' Knossos Palace, 1600-140 BC. Heraklion Archaeological Museum.  Grey Background. <br />
<br />
This Minoan fresco was painted in vivid colours using fine brush strokes and colour gradients. It portrays partridges , commonly found in Crete, among rocks and thopical Cretian flora. It decorated the pavillion in the so called 'Guset House' or 'Caravanserai.
  • The Minoan 'Blue Boy' or 'Saffron Gatherer' wall art fresco from Knossos Palace, 1600-1300 BC. Heraklion Archaeological Museum.
  • Minoan Bull wall art fresco , West Bastion, Knossos Palace, 1600-1450 BC. Heraklion Archaeological Museum.<br />
<br />
The Minoan Bull fresco was part of a larger composition which probably had a hunter or bull leaper in it. It is a masterpiece of Minoan naturalism and a work of high quality and expresive power.
  • Minoan floral wall art fresco from Knossos Palace, 1600-1300 BC. Heraklion Archaeological Museum.  White Background.
  • Minoan Bull wall art fresco , West Bastion, Knossos Palace, 1600-1450 BC. Heraklion Archaeological Museum.<br />
<br />
The Minoan Bull fresco was part of a larger composition which probably had a hunter or bull leaper in it. It is a masterpiece of Minoan naturalism and a work of high quality and expresive power.
  • Minoan floral wall art fresco from Knossos Palace, 1600-1300 BC. Heraklion Archaeological Museum.  Grey Background.
  • Minoan 'Prince of the Lilies' wall art freco, Knossos Palace, 1600-1450 BCHeraklion Archaeological Museum.<br />
<br />
An emblematic image of Minoan Crete this fresco was part of a larger composition in high relief. The fresco depicts a life size figure wearing a coloured kilt with a cod piece and a belt. A majestic crown on his head is adorned with papyrus lilies and peacock feathers. Neopalatial Period.
  • The Minoan 'Partridge Fresco', wall art from the  'Guset House' Knossos Palace, 1600-140 BC. Heraklion Archaeological Museum.  White Background. <br />
<br />
This Minoan fresco was painted in vivid colours using fine brush strokes and colour gradients. It portrays partridges , commonly found in Crete, among rocks and thopical Cretian flora. It decorated the pavillion in the so called 'Guset House' or 'Caravanserai.
  • Minoan 'Prince of the Lilies' wall art freco, Knossos Palace, 1600-1450 BCHeraklion Archaeological Museum.<br />
<br />
An emblematic image of Minoan Crete this fresco was part of a larger composition in high relief. The fresco depicts a life size figure wearing a coloured kilt with a cod piece and a belt. A majestic crown on his head is adorned with papyrus lilies and peacock feathers. Neopalatial Period.
  • The Minoan 'Blue Boy' or 'Saffron Gatherer' wall art fresco from Knossos Palace, 1600-1300 BC. Heraklion Archaeological Museum.
  • Large Pithos storage jar decorated with wavy lbands and linaear A inscription, Knossos Palace, Crete.  National Archaeological Museum Athens. 17th-16th cent BC.<br />
<br />
From the 1887 excavations of Kalokairinos, Knossos.
  • Large Pithos storage jar decorated with wavy lbands and linaear A inscription, Knossos Palace, Crete.  National Archaeological Museum Athens. 17th-16th cent BC.<br />
<br />
From the 1887 excavations of Kalokairinos, Knossos.
  • The Minoan 'Bull leaping' fresco depicting an athlete leaping over a bulls back,  Knossos-Palace, 1600-1400 BC . Heraklion Archaeological Museum.,grey background<br />
<br />
there are 3 participants, two white skinned women and one brown skinned man. One female athele is restraining the bull ny the horns to slow it down as the male athlete performs a backward summersault ober the bulls back. The second female athlete waits to catch the leaper.<br />
<br />
The fresco was found on the east side of the palace of Knossos together with fragments depicting different stages of bull leaping.
  • The Minoan 'Bull leaping' fresco depicting an athlete leaping over a bulls back,  Knossos-Palace, 1600-1400 BC . Heraklion Archaeological Museum., black background<br />
<br />
there are 3 participants, two white skinned women and one brown skinned man. One female athele is restraining the bull ny the horns to slow it down as the male athlete performs a backward summersault ober the bulls back. The second female athlete waits to catch the leaper.<br />
<br />
The fresco was found on the east side of the palace of Knossos together with fragments depicting different stages of bull leaping.
  • The Minoan 'Bull leaping' fresco depicting an athlete leaping over a bulls back,  Knossos-Palace, 1600-1400 BC . Heraklion Archaeological Museum.<br />
<br />
there are 3 participants, two white skinned women and one brown skinned man. One female athele is restraining the bull ny the horns to slow it down as the male athlete performs a backward summersault ober the bulls back. The second female athlete waits to catch the leaper.<br />
<br />
The fresco was found on the east side of the palace of Knossos together with fragments depicting different stages of bull leaping.
  • The Minoan 'Bull leaping' fresco depicting an athlete leaping over a bulls back,  Knossos-Palace, 1600-1400 BC . Heraklion Archaeological Museum.<br />
<br />
there are 3 participants, two white skinned women and one brown skinned man. One female athele is restraining the bull ny the horns to slow it down as the male athlete performs a backward summersault ober the bulls back. The second female athlete waits to catch the leaper.<br />
<br />
The fresco was found on the east side of the palace of Knossos together with fragments depicting different stages of bull leaping.
  • The Minoan 'Bull leaping' fresco depicting an athlete leaping over a bulls back,  Knossos-Palace, 1600-1400 BC . Heraklion Archaeological Museum.,grey background<br />
<br />
there are 3 participants, two white skinned women and one brown skinned man. One female athele is restraining the bull ny the horns to slow it down as the male athlete performs a backward summersault ober the bulls back. The second female athlete waits to catch the leaper.<br />
<br />
The fresco was found on the east side of the palace of Knossos together with fragments depicting different stages of bull leaping.
  • The Minoan 'Bull leaping' fresco depicting an athlete leaping over a bulls back,  Knossos-Palace, 1600-1400 BC . Heraklion Archaeological Museum.<br />
<br />
there are 3 participants, two white skinned women and one brown skinned man. One female athele is restraining the bull ny the horns to slow it down as the male athlete performs a backward summersault ober the bulls back. The second female athlete waits to catch the leaper.<br />
<br />
The fresco was found on the east side of the palace of Knossos together with fragments depicting different stages of bull leaping.
  • The Minoan 'Bull leaping' fresco depicting an athlete leaping over a bulls back,  Knossos-Palace, 1600-1400 BC . Heraklion Archaeological Museum.,white background<br />
<br />
<br />
there are 3 participants, two white skinned women and one brown skinned man. One female athele is restraining the bull ny the horns to slow it down as the male athlete performs a backward summersault ober the bulls back. The second female athlete waits to catch the leaper.<br />
<br />
The fresco was found on the east side of the palace of Knossos together with fragments depicting different stages of bull leaping.
  • The Minoan 'Black Captain' fresco wall art from the House of Frescoes, Knossos Palace, 1350-1300 BC . Heraklion Archaeological Museum.<br />
<br />
The fresco probably depicts a running military detachment, the leader is wearing a Minoan loin cloth and holds two spears, he has been named "Captain of the Blacks" as those follwing him are probably black African soldiers in sercice of the palace<br />
<br />
This scene may be depicting an excersise or sport similar to the Greek Hoplite race
  • The Minoan runner fresco fragment wall art from the House of Frescoes, Knossos Palace, 1350-1300 BC . Heraklion Archaeological Museum.,grey background
  • The Minoan runner fresco fragment wall art from the House of Frescoes, Knossos Palace, 1350-1300 BC . Heraklion Archaeological Museum.
  • The Minoan 'Black Captain' fresco wall art from the House of Frescoes, Knossos Palace, 1350-1300 BC . Heraklion Archaeological Museum.,grey background<br />
<br />
The fresco probably depicts a running military detachment, the leader is wearing a Minoan loin cloth and holds two spears, he has been named "Captain of the Blacks" as those follwing him are probably black African soldiers in sercice of the palace<br />
<br />
This scene may be depicting an excersise or sport similar to the Greek Hoplite race
  • The Minoan 'Dancer' fresco deicting a doddess descending from the heavens, Knossos Palace, 1600-1450 BC . Heraklion Archaeological Museum., black background<br />
<br />
The Dancer fresco depits a goddess descending from the heavens as indicated by her locks of hair streaming in the wind. This is a familiar convention in Minoan iconogragraphy of a goddess hovering in the air, her right arm extended in a gesture of authority. This fragment is psrt of a larger epiphony scene
  • The Minoan 'Black Captain' fresco wall art from the House of Frescoes, Knossos Palace, 1350-1300 BC . Heraklion Archaeological Museum.,grey background<br />
<br />
The fresco probably depicts a running military detachment, the leader is wearing a Minoan loin cloth and holds two spears, he has been named "Captain of the Blacks" as those follwing him are probably black African soldiers in sercice of the palace<br />
<br />
This scene may be depicting an excersise or sport similar to the Greek Hoplite race
  • The Minoan 'Dancer' fresco deicting a doddess descending from the heavens, Knossos Palace, 1600-1450 BC . Heraklion Archaeological Museum.<br />
<br />
The Dancer fresco depits a goddess descending from the heavens as indicated by her locks of hair streaming in the wind. This is a familiar convention in Minoan iconogragraphy of a goddess hovering in the air, her right arm extended in a gesture of authority. This fragment is psrt of a larger epiphony scene
  • The Minoan 'Dancer' fresco deicting a doddess descending from the heavens, Knossos Palace, 1600-1450 BC . Heraklion Archaeological Museum.,grey background<br />
<br />
The Dancer fresco depits a goddess descending from the heavens as indicated by her locks of hair streaming in the wind. This is a familiar convention in Minoan iconogragraphy of a goddess hovering in the air, her right arm extended in a gesture of authority. This fragment is psrt of a larger epiphony scene
  • The Minoan 'Dancer' fresco deicting a doddess descending from the heavens, Knossos Palace, 1600-1450 BC . Heraklion Archaeological Museum.,grey background<br />
<br />
The Dancer fresco depits a goddess descending from the heavens as indicated by her locks of hair streaming in the wind. This is a familiar convention in Minoan iconogragraphy of a goddess hovering in the air, her right arm extended in a gesture of authority. This fragment is psrt of a larger epiphony scene
  • The Minoan 'Black Captain' fresco wall art from the House of Frescoes, Knossos Palace, 1350-1300 BC . Heraklion Archaeological Museum.<br />
<br />
The fresco probably depicts a running military detachment, the leader is wearing a Minoan loin cloth and holds two spears, he has been named "Captain of the Blacks" as those follwing him are probably black African soldiers in sercice of the palace<br />
<br />
This scene may be depicting an excersise or sport similar to the Greek Hoplite race
  • The Minoan 'Black Captain' fresco wall art from the House of Frescoes, Knossos Palace, 1350-1300 BC . Heraklion Archaeological Museum.<br />
<br />
The fresco probably depicts a running military detachment, the leader is wearing a Minoan loin cloth and holds two spears, he has been named "Captain of the Blacks" as those follwing him are probably black African soldiers in sercice of the palace<br />
<br />
This scene may be depicting an excersise or sport similar to the Greek Hoplite race
  • The Minoan 'Black Captain' fresco wall art from the House of Frescoes, Knossos Palace, 1350-1300 BC . Heraklion Archaeological Museum.,white background<br />
<br />
<br />
The fresco probably depicts a running military detachment, the leader is wearing a Minoan loin cloth and holds two spears, he has been named "Captain of the Blacks" as those follwing him are probably black African soldiers in sercice of the palace<br />
<br />
This scene may be depicting an excersise or sport similar to the Greek Hoplite race
  • Minoan 'Blue Monkey' wall art fresco from the 'House of Frescoes' Knossos Palace, 1600-1500 BC. Heraklion Archaeological Museum.
  • The Minoan 'Black Captain' fresco wall art from the House of Frescoes, Knossos Palace, 1350-1300 BC . Heraklion Archaeological Museum., black background<br />
<br />
The fresco probably depicts a running military detachment, the leader is wearing a Minoan loin cloth and holds two spears, he has been named "Captain of the Blacks" as those follwing him are probably black African soldiers in sercice of the palace<br />
<br />
This scene may be depicting an excersise or sport similar to the Greek Hoplite race
  • Minoan 'Blue Monkey' wall art fresco from the 'House of Frescoes' Knossos Palace, 1600-1500 BC. Heraklion Archaeological Museum.
  • Minoan decorted   clay 2 handled pot , Knossos Palace 1500-1450 BC BC, Heraklion Archaeological  Museum.black background Cat No: 15047
  • Minoan clay pot decorted with a floral design , Knossos Palace 1500-1450 BC BC, Heraklion Archaeological  Museum, grey background.
  • Minoan clay pot decorted with a floral design , Knossos Palace 1500-1450 BC BC, Heraklion Archaeological  Museum.
  • Minoan stone ewer jug  with relief pattern from the  Knossos  Palace 1600-1450 BC, Heraklion Archaeological  Museum, grey background.
  • Minoan conical fluted stone rhython from the  Knossos  Palace 1600-1450 BC, Heraklion Archaeological  Museum, black background.
  • Minoan clay vessel from "West Court House"  Knossos 2600-2400 BC BC, Heraklion Archaeological  Museum.
  • Minoan decorted   clay 2 handled pot , Knossos Palace 1500-1450 BC BC, Heraklion Archaeological  Museum, grey background.Cat No: 15047
  • Minoan claydecorated spouted Pseudostomos jug, Knossos Palace 1500-1450 BC BC, Heraklion Archaeological  Museum, grey background.
  • Minoan clay pot decorted with a floral design , Knossos Palace 1500-1450 BC BC, Heraklion Archaeological  Museum.
  • Minoan stone cult vessel from the  Knossos Palace Repositories 1650-1550 BC, Heraklion Archaeological  Museum.
  • Minoan stone cult vessel from the  Knossos Palace Repositories 1650-1550 BC, Heraklion Archaeological  Museum, black background.
  • Minoan clay vessel from "West Court House"  Knossos 2600-2400 BC BC, Heraklion Archaeological  Museum.
  • Minoan clay spouted Pseudostomos jug with a  figure of eight design , Knossos Palace 1500-1450 BC BC, Heraklion Archaeological  Museum, grey background.Cat No: 15045
  • Minoan clay spouted Pseudostomos jug with a  figure of eight design , Knossos Palace 1500-1450 BC BC, Heraklion Archaeological  Museum.Cat No: 15045
  • Minoan claydecorated spouted Pseudostomos jug, Knossos Palace 1500-1450 BC BC, Heraklion Archaeological  Museum, black background.
  • Minoan stone ewer jug  with relief pattern from the  Knossos  Palace 1600-1450 BC, Heraklion Archaeological  Museum.
  • Minoan stone ewer jug  with relief pattern from the  Knossos  Palace 1600-1450 BC, Heraklion Archaeological  Museum, black background.
  • Minoan conical fluted stone rhython from the  Knossos  Palace 1600-1450 BC, Heraklion Archaeological  Museum, grey background.
  • Minoan stone cult vessel from the  Knossos Palace Repositories 1650-1550 BC, Heraklion Archaeological  Museum, grey background.
  • Minoan decorted   clay 2 handled pot , Knossos Palace 1500-1450 BC BC, Heraklion Archaeological  Museum, grey background.Cat No: 15047
  • Minoan clay spouted Pseudostomos jug with a  figure of eight design , Knossos Palace 1500-1450 BC BC, Heraklion Archaeological  Museum, grey background.Cat No: 15045
  • Minoan clay pot decorted with a floral design , Knossos Palace 1500-1450 BC BC, Heraklion Archaeological  Museum, black background.
  • Minoan conical fluted stone rhython from the  Knossos  Palace 1600-1450 BC, Heraklion Archaeological  Museum.
  • Minoan conical fluted stone rhython from the  Knossos  Palace 1600-1450 BC, Heraklion Archaeological  Museum, grey background.
  • Minoan stone cult vessel from the  Knossos Palace Repositories 1650-1550 BC, Heraklion Archaeological  Museum, grey background.
  • Minoan stone cult vessel from the  Knossos Palace Repositories 1650-1550 BC, Heraklion Archaeological  Museum.
  • Minoan clay vessel from "West Court House"  Knossos 2600-2400 BC BC, Heraklion Archaeological  Museum, black background.
  • Minoan decorted   clay 2 handled pot , Knossos Palace 1500-1450 BC BC, Heraklion Archaeological  Museum.Cat No: 15047
  • Minoan claydecorated spouted Pseudostomos jug, Knossos Palace 1500-1450 BC BC, Heraklion Archaeological  Museum.
  • Minoan claydecorated spouted Pseudostomos jug, Knossos Palace 1500-1450 BC BC, Heraklion Archaeological  Museum.
  • Minoan claydecorated spouted Pseudostomos jug, Knossos Palace 1500-1450 BC BC, Heraklion Archaeological  Museum.
  • Minoan clay pot decorted with a floral design , Knossos Palace 1500-1450 BC BC, Heraklion Archaeological  Museum, grey background.
  • Minoan stone ewer jug  with relief pattern from the  Knossos  Palace 1600-1450 BC, Heraklion Archaeological  Museum.
  • Minoan stone ewer jug  with relief pattern from the  Knossos  Palace 1600-1450 BC, Heraklion Archaeological  Museum, grey background.
  • Minoan conical fluted stone rhython from the  Knossos  Palace 1600-1450 BC, Heraklion Archaeological  Museum.
  • Minoan clay vessel from "West Court House"  Knossos 2600-2400 BC BC, Heraklion Archaeological  Museum, grey background.
  • Minoan clay vessel from "West Court House"  Knossos 2600-2400 BC BC, Heraklion Archaeological  Museum, grey background.
  • Minoan decorted   clay 2 handled pot , Knossos Palace 1500-1450 BC BC, Heraklion Archaeological  Museum, black background.Cat No: 15047
  • Minoan clay spouted Pseudostomos jug with a  figure of eight design , Knossos Palace 1500-1450 BC BC, Heraklion Archaeological  Museum. balck background Cat No: 15045
  • Minoan clay spouted Pseudostomos jug with a  figure of eight design , Knossos Palace 1500-1450 BC BC, Heraklion Archaeological  Museum, black background. Cat No: 15045
  • Cycladic  clay jug with fish design from the  Knossos-Temple Repositories 1650-1550 BC, Heraklion Archaeological  Museum.<br />
<br />
Cycladic vessels found iun Knossos Temple Repositories show the trading links with the rest of ancient Greece
  • Cycladic  clay jug with fish design from the  Knossos-Temple Repositories 1650-1550 BC, Heraklion Archaeological  Museum, grey background..<br />
<br />
Cycladic vessels found iun Knossos Temple Repositories show the trading links with the rest of ancient Greece
  • Cycladic  clay jug with fish design from the  Knossos-Temple Repositories 1650-1550 BC, Heraklion Archaeological  Museum, grey background..<br />
<br />
Cycladic vessels found iun Knossos Temple Repositories show the trading links with the rest of ancient Greece
  • Cycladic  clay jug with fish design from the  Knossos-Temple Repositories 1650-1550 BC, Heraklion Archaeological  Museum, black background.<br />
<br />
Cycladic vessels found iun Knossos Temple Repositories show the trading links with the rest of ancient Greece
  • Cycladic  clay jug with fish design from the  Knossos-Temple Repositories 1650-1550 BC, Heraklion Archaeological  Museum.<br />
<br />
Cycladic vessels found iun Knossos Temple Repositories show the trading links with the rest of ancient Greece
  • Minoan Snake Goddess statue arms raised holding 2 snakes from the  Knossos-Temple Repositories 1650-1550 BC, Heraklion Archaeological  Museum, grey background.<br />
<br />
The snake goddess stauettes are the most important cult objects found in the Knossos Temple Repositories. Dressed in fine garmets with a close fitting bodice with large breats these goddesses represent fertility and the natural world.
  • Minoan Snake Goddess statue arms raised holding 2 snakes from the  Knossos-Temple Repositories 1650-1550 BC, Heraklion Archaeological  Museum, black background.<br />
<br />
The snake goddess stauettes are the most important cult objects found in the Knossos Temple Repositories. Dressed in fine garmets with a close fitting bodice with large breats these goddesses represent fertility and the natural world.
  • Minoan Snake Goddess statue arms raised holding 2 snakes from the  Knossos-Temple Repositories 1650-1550 BC, Heraklion Archaeological  Museum, grey background.<br />
<br />
The snake goddess stauettes are the most important cult objects found in the Knossos Temple Repositories. Dressed in fine garmets with a close fitting bodice with large breats these goddesses represent fertility and the natural world.
  • Minoan Snake Goddess statue with snakes entwined around her from the  Knossos-Temple Repositories 1650-1550 BC, Heraklion Archaeological  Museum.<br />
<br />
The snake goddess stauettes are the most important cult objects found in the Knossos Temple Repositories. Dressed in fine garmets with a close fitting bodice with large breats these goddesses represent fertility and the natural world.
  • Minoan Snake Goddess statue with snakes entwined around her from the  Knossos-Temple Repositories 1650-1550 BC, Heraklion Archaeological  Museum, grey background.<br />
<br />
The snake goddess stauettes are the most important cult objects found in the Knossos Temple Repositories. Dressed in fine garmets with a close fitting bodice with large breats these goddesses represent fertility and the natural world.
  • Minoan Snake Goddess statue arms raised holding 2 snakes from the  Knossos-Temple Repositories 1650-1550 BC, Heraklion Archaeological  Museum.<br />
<br />
The snake goddess stauettes are the most important cult objects found in the Knossos Temple Repositories. Dressed in fine garmets with a close fitting bodice with large breats these goddesses represent fertility and the natural world.
  • Minoan Snake Goddess statue arms raised holding 2 snakes from the  Knossos-Temple Repositories 1650-1550 BC, Heraklion Archaeological  Museum.<br />
<br />
The snake goddess stauettes are the most important cult objects found in the Knossos Temple Repositories. Dressed in fine garmets with a close fitting bodice with large breats these goddesses represent fertility and the natural world.
  • Minoan Snake Goddess statue with snakes entwined around her from the  Knossos-Temple Repositories 1650-1550 BC, Heraklion Archaeological  Museum, grey background.<br />
<br />
The snake goddess stauettes are the most important cult objects found in the Knossos Temple Repositories. Dressed in fine garmets with a close fitting bodice with large breats these goddesses represent fertility and the natural world.
  • Minoan Snake Goddess statue with snakes entwined around her from the  Knossos-Temple Repositories 1650-1550 BC, Heraklion Archaeological  Museum, black background.<br />
<br />
The snake goddess stauettes are the most important cult objects found in the Knossos Temple Repositories. Dressed in fine garmets with a close fitting bodice with large breats these goddesses represent fertility and the natural world.
  • Minoan Snake Goddess statue with snakes entwined around her from the  Knossos-Temple Repositories 1650-1550 BC, Heraklion Archaeological  Museum.<br />
<br />
The snake goddess stauettes are the most important cult objects found in the Knossos Temple Repositories. Dressed in fine garmets with a close fitting bodice with large breats these goddesses represent fertility and the natural world.
  • Minoan fresco panel from the 'Lily Frescoes' from the 'Villa of the Lilies' Amnisos, 1600-1500 BC. Heraklion Archaeological Museum.<br />
<br />
Ths freco depicts white lilies against a red background and red lilies against w white backgoround with long stems in front of a fence. The wall art uses fresco and 'in cavo' technique. Neopalatial Period.
  • Minoan wall art fresco depicting a female figure, Neopalatial Period, C.1450 BC. Pseira, Crete. Heraklion Archaeological Museum.  Grey Background.
  • Minoan fresco panel from the 'Lily Frescoes' from the 'Villa of the Lilies' Amnisos, 1600-1500 BC. Heraklion Archaeological Museum.  White Background. <br />
<br />
Ths freco depicts white lilies against a red background and red lilies against w white backgoround with long stems in front of a fence. The wall art uses fresco and 'in cavo' technique. Neopalatial Period.
  • Minoan wall art fresco depicting a female figure, Neopalatial Period, C.1450 BC. Pseira, Crete. Heraklion Archaeological Museum.  White Background.
  • Minoan wall art fresco depicting a female figure, Neopalatial Period, C.1450 BC. Pseira, Crete. Heraklion Archaeological Museum.
  • Minoan wall art fresco depicting a female figure, Neopalatial Period, C.1450 BC. Pseira, Crete. Heraklion Archaeological Museum.
  • Minoan fresco panel from the 'Lily Frescoes' from the 'Villa of the Lilies' Amnisos, 1600-1500 BC. Heraklion Archaeological Museum.  Grey Background. <br />
<br />
Ths freco depicts white lilies against a red background and red lilies against w white backgoround with long stems in front of a fence. The wall art uses fresco and 'in cavo' technique. Neopalatial Period.
  • Minoan fresco panel from the 'Lily Frescoes' from the 'Villa of the Lilies' Amnisos, 1600-1500 BC. Heraklion Archaeological Museum.  Grey Background. <br />
<br />
Ths freco depicts white lilies against a red background and red lilies against w white backgoround with long stems in front of a fence. The wall art uses fresco and 'in cavo' technique. Neopalatial Period.
  • Minoan fresco panel from the 'Lily Frescoes' from the 'Villa of the Lilies' Amnisos, 1600-1500 BC. Heraklion Archaeological Museum. Black Background. <br />
<br />
Ths freco depicts white lilies against a red background and red lilies against w white backgoround with long stems in front of a fence. The wall art uses fresco and 'in cavo' technique. Neopalatial Period.
  • Minoan fresco panel from the 'Lily Frescoes' from the 'Villa of the Lilies' Amnisos, 1600-1500 BC. Heraklion Archaeological Museum. Black Background. <br />
<br />
Ths freco depicts white lilies against a red background and red lilies against w white backgoround with long stems in front of a fence. The wall art uses fresco and 'in cavo' technique. Neopalatial Period.
  • Minoan wall art fresco depicting a female figure, Neopalatial Period, C.1450 BC. Pseira, Crete. Heraklion Archaeological Museum.  Grey Background.
  • Minoan wall art fresco depicting a female figure, Neopalatial Period, C.1450 BC. Pseira, Crete. Heraklion Archaeological Museum.
  • Minoan wall art fresco depicting a female figure, Neopalatial Period, C.1450 BC. Pseira, Crete. Heraklion Archaeological Museum.
  • Minoan fresco panel from the 'Lily Frescoes' from the 'Villa of the Lilies' Amnisos, 1600-1500 BC. Heraklion Archaeological Museum.<br />
<br />
Ths freco depicts white lilies against a red background and red lilies against w white backgoround with long stems in front of a fence. The wall art uses fresco and 'in cavo' technique. Neopalatial Period.
  • Minoan wall art fresco depicting a female figure, Neopalatial Period, C.1450 BC. Pseira, Crete. Heraklion Archaeological Museum. Black Background.
  • Minoan wall art fresco depicting a female figure, Neopalatial Period, C.1450 BC. Pseira, Crete. Heraklion Archaeological Museum.
  • Minoan wall art fresco depicting a female figure, Neopalatial Period, C.1450 BC. Pseira, Crete. Heraklion Archaeological Museum.
  • Minoan fresco panel from the 'Lily Frescoes' from the 'Villa of the Lilies' Amnisos, 1600-1500 BC. Heraklion Archaeological Museum.  White Background. <br />
<br />
Ths freco depicts white lilies against a red background and red lilies against w white backgoround with long stems in front of a fence. The wall art uses fresco and 'in cavo' technique. Neopalatial Period.
  • Minoan wall art fresco depicting a female figure, Neopalatial Period, C.1450 BC. Pseira, Crete. Heraklion Archaeological Museum.  White Background.
  • Minoan fresco panel from the 'Lily Frescoes' from the 'Villa of the Lilies' Amnisos, 1600-1500 BC. Heraklion Archaeological Museum.  Grey Background. <br />
<br />
Ths freco depicts white lilies against a red background and red lilies against w white backgoround with long stems in front of a fence. The wall art uses fresco and 'in cavo' technique. Neopalatial Period.
  • Minoan wall art fresco depicting a female figure, Neopalatial Period, C.1450 BC. Pseira, Crete. Heraklion Archaeological Museum.
  • Minoan wall art fresco depicting a female figure, Neopalatial Period, C.1450 BC. Pseira, Crete. Heraklion Archaeological Museum. Black Background.
  • Minoan fresco panel from the 'Lily Frescoes' from the 'Villa of the Lilies' Amnisos, 1600-1500 BC. Heraklion Archaeological Museum.  Grey Background. <br />
<br />
Ths freco depicts white lilies against a red background and red lilies against w white backgoround with long stems in front of a fence. The wall art uses fresco and 'in cavo' technique. Neopalatial Period.
  • The Minoan domestic vessels, a bowl on stand, Early Protopalatial period, Knossos,  2100-1900 BC; Heraklion Archaeological  Museum, grey background

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