• Late medieval relief sculpture depicting the labours for December with an animal being killed and astrological signs on the Facade of the Cattedrale di San Martino,  Duomo of Lucca, Tunscany, Italy,
  • Late medieval relief sculpture of a scene of the life of St Martin on the Facade of the Cattedrale di San Martino,  Duomo of Lucca, Tunscany, Italy,
  • Late medieval relief sculpture of St Martin becoming a monk on the Facade of the Cattedrale di San Martino,  Duomo of Lucca, Tunscany, Italy,
  • Late medieval relief sculpture depicting the labours for August and July and astrological signs on the Facade of the Cattedrale di San Martino,  Duomo of Lucca, Tunscany, Italy,
  • Late medieval relief sculpture depicting the labours for October and september and astrological signs on the Facade of the Cattedrale di San Martino,  Duomo of Lucca, Tunscany, Italy,
  • Late medieval relief sculpture of St Martin expelling an evil demon from a robber on the Facade of the Cattedrale di San Martino,  Duomo of Lucca, Tunscany, Italy,
  • Late medieval relief sculpture depicting St Martin giving his sacred literny on the Facade of the Cattedrale di San Martino,  Duomo of Lucca, Tunscany, Italy,
  • Late medieval relief sculpture depicting the labours for January and Feburary and astrological signs on the Facade of the Cattedrale di San Martino,  Duomo of Lucca, Tunscany, Italy,
  • Late medieval inlay sculpture depicting a Griffin killing a mythical animal on the Facade of the Cattedrale di San Martino,  Duomo of Lucca, Tunscany, Italy,
  • Late medieval relief sculpture depicting the labours for June and May and astrological signs on the Facade of the Cattedrale di San Martino,  Duomo of Lucca, Tunscany, Italy,
  • Late medieval relief sculptures of the typanuim of the main door depicting St Mary and the Apostles , the Cattedrale di San Martino,  Duomo of Lucca, Tunscany, Italy,
  • Late medieval relief sculptures around the main door depicting the life of St Martin and the seasonal labours of the year on the Facade of the Cattedrale di San Martino,  Duomo of Lucca, Tunscany, Italy,
  • Late medieval relief sculptures of the typanuim of the main door depicting the Christ Pantocrator above the Apostles , the Cattedrale di San Martino,  Duomo of Lucca, Tunscany, Italy,
  • Late medieval relief sculptures of a Lombard style column, the Cattedrale di San Martino,  Duomo of Lucca, Tunscany, Italy,
  • Late medieval relief sculptures of a Labyrinth , the Cattedrale di San Martino,  Duomo of Lucca, Tunscany, Italy,
  • Late medieval relief sculptures of the typanuim of the main door depicting the Christ Pantocrator above the Apostles , the Cattedrale di San Martino,  Duomo of Lucca, Tunscany, Italy,
  • Late medieval relief sculptures  depicting the life of St Martin and the labours of the year on the Facade of the Cattedrale di San Martino,  Duomo of Lucca, Tunscany, Italy,
  • Close up of a medieval sculpted decotative panel on the14th century Tuscan Gothic style facade of the Cathedral of Orvieto, designed by Maitani, Umbria, Italy
  • Bas-relief sculpture panel scene from the Last Judgment by Maitani around 1310 on the14th century Tuscan Gothic style facade of the Cathedral of Orvieto, Umbria, Italy
  • Bas-relief sculpture panel scene of Eve giving Adam an apple by Maitani around 1310 on the14th century Tuscan Gothic style facade of the Cathedral of Orvieto, Umbria, Italy
  • Bas-relief sculpture panel scene of the Annunciation to the Virgin Mary by Maitani around 1310 on the14th century Tuscan Gothic style facade of the Cathedral of Orvieto, Umbria, Italy
  • Bas-relief sculpture panel scene from the Bible by Maitani around 1310 on the14th century Tuscan Gothic style facade of the Cathedral of Orvieto, Umbria, Italy
  • Bas-relief sculpture panel scene from the Last Judgment by Maitani around 1310 on the14th century Tuscan Gothic style facade of the Cathedral of Orvieto, Umbria, Italy
  • Bas-relief sculpture panel scene from the Last Judgment by Maitani around 1310 on the14th century Tuscan Gothic style facade of the Cathedral of Orvieto, Umbria, Italy
  • Bas-relief sculpture panel with scenes from the Bible by Maitani around 1310 on the14th century Tuscan Gothic style facade of the Cathedral of Orvieto, Umbria, Italy
  • Bas-relief sculpture panel fo the Last Judgement made by Maitani around 1310 on the14th century Tuscan Gothic style facade of the Cathedral of Orvieto, Umbria, Italy
  • Bas-relief sculpture panel scene of Eve giving Adam an apple by Maitani around 1310 on the14th century Tuscan Gothic style facade of the Cathedral of Orvieto, Umbria, Italy
  • Bas-relief sculpture panel scene of the Nativity by Maitani around 1310 on the14th century Tuscan Gothic style facade of the Cathedral of Orvieto, Umbria, Italy
  • Bas-relief sculpture panel scene from the Bible by Maitani around 1310 on the14th century Tuscan Gothic style facade of the Cathedral of Orvieto, Umbria, Italy
  • Bas-relief sculpture panel scene of Eve and Adam being driven out of the Garden of Eden made by Maitani around 1310 on the14th century Tuscan Gothic style facade of the Cathedral of Orvieto, Umbria, Italy
  • Bas-relief sculpture panel scene of Christ being presented at the Temple by Maitani around 1310 on the14th century Tuscan Gothic style facade of the Cathedral of Orvieto, Umbria, Italy
  • Bas-relief sculpture panel scene of Eve and Adam 's fall being discovered by Maitani around 1310 on the14th century Tuscan Gothic style facade of the Cathedral of Orvieto, Umbria, Italy
  • Bas-relief sculpture panel scene of the Tree Kings bringing gifts to the baby Christ by Maitani around 1310 on the14th century Tuscan Gothic style facade of the Cathedral of Orvieto, Umbria, Italy
  • Bas-relief sculpture panel scene from the Last Judgment by Maitani around 1310 on the14th century Tuscan Gothic style facade of the Cathedral of Orvieto, Umbria, Italy
  • Bas-relief sculpture panel with scenes from the Bible by Maitani around 1310 on the14th century Tuscan Gothic style facade of the Cathedral of Orvieto, Umbria, Italy
  • Bas-relief sculpture panel scene from the Last Judgment by Maitani around 1310 on the14th century Tuscan Gothic style facade of the Cathedral of Orvieto, Umbria, Italy
  • Bas-relief sculpture panel with scenes from the Bible by Maitani around 1310 on the14th century Tuscan Gothic style facade of the Cathedral of Orvieto, Umbria, Italy
  • Bas-relief sculpture panel with scenes from the Bible by Maitani around 1310 on the14th century Tuscan Gothic style facade of the Cathedral of Orvieto, Umbria, Italy
  • Bas-relief sculpture panel with scenes from the Bible by Maitani around 1310 on the14th century Tuscan Gothic style facade of the Cathedral of Orvieto, Umbria, Italy
  • Bas-relief sculpture panel with scenes of the life of the Virgin Mary made by Maitani around 1310 on the14th century Tuscan Gothic style facade of the Cathedral of Orvieto, Umbria, Italy
  • Close up of a13th century Romaesque sculpture of a Lion of the Cattedrale di San Martino,  Duomo of Lucca, Tunscany, Italy,
  • Medieval Fresco of The Baptism of Christ in Santi Giovanni e Reparata, Lucca, Tunscany, Italy
  • Late Medieval Fresco of The Madonna and Child in the Giovanni e Reparata, Lucca, Tunscany, Italy
  • Walk in Early Medieval Baptismal font in the Baptistry of St John excavations, Santi Giovanni e Reparata, Lucca, Tunscany, Italy
  • Medieval Fresco of the Madonna and Child in Santi Giovanni e Reparata, Lucca, Tunscany, Italy
  • Close up of a medieval sculpted decotative twisting pillar on the14th century Tuscan Gothic style facade of the Cathedral of Orvieto, designed by Maitani, Umbria, Italy
  • Close up of a medieval sculpted pillar on the14th century Tuscan Gothic style facade of the Cathedral of Orvieto, designed by Maitani, Umbria, Italy
  • Medieval sculpted decorative columns on the14th century Tuscan Gothic style facade of the Cathedral of Orvieto, designed by Maitani, Umbria, Italy
  • Close up of a medieval sculpted decotative twisting pillar on the14th century Tuscan Gothic style facade of the Cathedral of Orvieto, designed by Maitani, Umbria, Italy
  • Medieval sculpted decorative columns on the14th century Tuscan Gothic style facade of the Cathedral of Orvieto, designed by Maitani, Umbria, Italy
  • Medieval sculpted decorative columns on the14th century Tuscan Gothic style facade of the Cathedral of Orvieto, designed by Maitani, Umbria, Italy
  • Medieval sculpted decorative columns on the14th century Tuscan Gothic style facade of the Cathedral of Orvieto, designed by Maitani, Umbria, Italy
  • Medieval sculpted decorative columns on the14th century Tuscan Gothic style facade of the Cathedral of Orvieto, designed by Maitani, Umbria, Italy
  • the medieval bas relief sculptures on the semi-circular arch over the central portal is a relief with the Christ enthroned between the sun and the moon and flanked by the Virgin, also enthroned and nursing Jesus, and St. Rufinus. Assisi Cathedral, Italy
  • Close up of the main door with mosaics depicting the the Virgin Mary created between 1350 and 1390 after designs by artist Cesare Nebbia and sculpture of the Madonna and Child created by Andrea Pisano in 1347  on the14th century Tuscan Gothic style facade of the Cathedral of Orvieto, designed by Maitani, Umbria, Italy
  • Close up of the main door with mosaics depicting the the Virgin Mary created between 1350 and 1390 after designs by artist Cesare Nebbia and sculpture of the Madonna and Child created by Andrea Pisano in 1347  on the14th century Tuscan Gothic style facade of the Cathedral of Orvieto, designed by Maitani, Umbria, Italy
  • Medieval Gothic ivory diptych depicting the Virgin and child,  made in Paris in the first quarter of the 14th century.  inv 11097, The Louvre Museum, Paris.
  • Medieval Gothic ivory diptych with scenes from the life of Christ and the Virgin made in Paris around 1370-1380.  inv 4089, The Louvre Museum, Paris.
  • Medieval Gothic ivory diptych with scenes from the Passion made in Paris in the second quarter of the 14th century.  inv 10006, The Louvre Museum, Paris.
  • Medieval Gothic ivory tabernacle depicting the Virgin and Child with scenes from the Annunciation, Nativity, the adoration of the Magi and the presentation at the Temple  made in Paris in second quarter of the 14th century and is a typical example of tabernacles made in Paris at that period.  inv 2587, The Louvre Museum, Paris.
  • Close up of the main door sculptures made in 1970 by the Sicilian sculptor Emilio Greco (1913–1995) depicting mercies from the life of Christ, 14th century Gothic facade of the Cathedral of Orvieto, Umbria, Italy
  • Wooden Gothic sculpture of the Virgin and Child attributeed to Martin Hoffman from the city of Basle, 1507, Switzerland. From the Commandry of Isenheim, Haut Rhin. This sculpture is probably the "big and ancient wooden statue of the Virgin” cited in 1793 in the inventory of the property of the Commandry of Isenheim.  The vervatious deep folds in the Virgins dress, the laughing child Jesus  and the style of Mary were repeatedly imitated in Basel at the beginning of the sixteenth century. This masterpiece of the German late Gothic sculpture was executed in a Basel workshop and can be attributed to Martin Hoffman. Expressive and enigmatic, the style of this masterpiece is the heir of the sculpture schools of Stragbourg and Veit Stoss Franconian art.  Inv RF 1833 The Louvre Museum, Paris.
  • Wooden Gothic sculpture of the Virgin and Child attributeed to Martin Hoffman from the city of Basle, 1507, Switzerland. From the Commandry of Isenheim, Haut Rhin. This sculpture is probably the "big and ancient wooden statue of the Virgin” cited in 1793 in the inventory of the property of the Commandry of Isenheim.  The vervatious deep folds in the Virgins dress, the laughing child Jesus  and the style of Mary were repeatedly imitated in Basel at the beginning of the sixteenth century. This masterpiece of the German late Gothic sculpture was executed in a Basel workshop and can be attributed to Martin Hoffman. Expressive and enigmatic, the style of this masterpiece is the heir of the sculpture schools of Stragbourg and Veit Stoss Franconian art.  Inv RF 1833 The Louvre Museum, Paris.
  • Wooden Gothic sculpture of the Virgin and Child attributeed to Martin Hoffman from the city of Basle, 1507, Switzerland. From the Commandry of Isenheim, Haut Rhin. This sculpture is probably the "big and ancient wooden statue of the Virgin” cited in 1793 in the inventory of the property of the Commandry of Isenheim.  The vervatious deep folds in the Virgins dress, the laughing child Jesus  and the style of Mary were repeatedly imitated in Basel at the beginning of the sixteenth century. This masterpiece of the German late Gothic sculpture was executed in a Basel workshop and can be attributed to Martin Hoffman. Expressive and enigmatic, the style of this masterpiece is the heir of the sculpture schools of Stragbourg and Veit Stoss Franconian art.  Inv RF 1833 The Louvre Museum, Paris.
  • Wooden Gothic sculpture of the Virgin and Child attributeed to Martin Hoffman from the city of Basle, 1507, Switzerland. From the Commandry of Isenheim, Haut Rhin. This sculpture is probably the "big and ancient wooden statue of the Virgin” cited in 1793 in the inventory of the property of the Commandry of Isenheim.  The vervatious deep folds in the Virgins dress, the laughing child Jesus  and the style of Mary were repeatedly imitated in Basel at the beginning of the sixteenth century. This masterpiece of the German late Gothic sculpture was executed in a Basel workshop and can be attributed to Martin Hoffman. Expressive and enigmatic, the style of this masterpiece is the heir of the sculpture schools of Stragbourg and Veit Stoss Franconian art.  Inv RF 1833 The Louvre Museum, Paris.
  • Wooden Gothic sculpture of the Virgin and Child attributeed to Martin Hoffman from the city of Basle, 1507, Switzerland. From the Commandry of Isenheim, Haut Rhin. This sculpture is probably the "big and ancient wooden statue of the Virgin” cited in 1793 in the inventory of the property of the Commandry of Isenheim.  The vervatious deep folds in the Virgins dress, the laughing child Jesus  and the style of Mary were repeatedly imitated in Basel at the beginning of the sixteenth century. This masterpiece of the German late Gothic sculpture was executed in a Basel workshop and can be attributed to Martin Hoffman. Expressive and enigmatic, the style of this masterpiece is the heir of the sculpture schools of Stragbourg and Veit Stoss Franconian art.  Inv RF 1833 The Louvre Museum, Paris.
  • Wooden Gothic sculpture of the Virgin and Child attributeed to Martin Hoffman from the city of Basle, 1507, Switzerland. From the Commandry of Isenheim, Haut Rhin. This sculpture is probably the "big and ancient wooden statue of the Virgin” cited in 1793 in the inventory of the property of the Commandry of Isenheim.  The vervatious deep folds in the Virgins dress, the laughing child Jesus  and the style of Mary were repeatedly imitated in Basel at the beginning of the sixteenth century. This masterpiece of the German late Gothic sculpture was executed in a Basel workshop and can be attributed to Martin Hoffman. Expressive and enigmatic, the style of this masterpiece is the heir of the sculpture schools of Stragbourg and Veit Stoss Franconian art.  Inv RF 1833 The Louvre Museum, Paris.
  • Wooden Gothic sculpture of the Virgin and Child attributeed to Martin Hoffman from the city of Basle, 1507, Switzerland. From the Commandry of Isenheim, Haut Rhin. This sculpture is probably the "big and ancient wooden statue of the Virgin” cited in 1793 in the inventory of the property of the Commandry of Isenheim.  The vervatious deep folds in the Virgins dress, the laughing child Jesus  and the style of Mary were repeatedly imitated in Basel at the beginning of the sixteenth century. This masterpiece of the German late Gothic sculpture was executed in a Basel workshop and can be attributed to Martin Hoffman. Expressive and enigmatic, the style of this masterpiece is the heir of the sculpture schools of Stragbourg and Veit Stoss Franconian art.  Inv RF 1833 The Louvre Museum, Paris.
  • Wooden Gothic sculpture of the Virgin and Child attributeed to Martin Hoffman from the city of Basle, 1507, Switzerland. From the Commandry of Isenheim, Haut Rhin. This sculpture is probably the "big and ancient wooden statue of the Virgin” cited in 1793 in the inventory of the property of the Commandry of Isenheim.  The vervatious deep folds in the Virgins dress, the laughing child Jesus  and the style of Mary were repeatedly imitated in Basel at the beginning of the sixteenth century. This masterpiece of the German late Gothic sculpture was executed in a Basel workshop and can be attributed to Martin Hoffman. Expressive and enigmatic, the style of this masterpiece is the heir of the sculpture schools of Stragbourg and Veit Stoss Franconian art.  Inv RF 1833 The Louvre Museum, Paris.
  • Wooden Gothic sculpture of the Virgin and Child attributeed to Martin Hoffman from the city of Basle, 1507, Switzerland. From the Commandry of Isenheim, Haut Rhin. This sculpture is probably the "big and ancient wooden statue of the Virgin” cited in 1793 in the inventory of the property of the Commandry of Isenheim.  The vervatious deep folds in the Virgins dress, the laughing child Jesus  and the style of Mary were repeatedly imitated in Basel at the beginning of the sixteenth century. This masterpiece of the German late Gothic sculpture was executed in a Basel workshop and can be attributed to Martin Hoffman. Expressive and enigmatic, the style of this masterpiece is the heir of the sculpture schools of Stragbourg and Veit Stoss Franconian art.  Inv RF 1833 The Louvre Museum, Paris.
  • Painted wood sculpture of Saint Roch, circa 1510-1515  from Carinthie, Austria. Inv RF  4514,  The Louvre Museum, Paris.
  • Painted wood sculpture of Saint Roch, circa 1510-1515  from Carinthie, Austria. Inv RF  4514,  The Louvre Museum, Paris.
  • Painted walnut sculpture of the decent from the Cross, circa 1470-1490 possibly from Antwerp or the Brabant region of Belgium.  Inv RF 4696,  The Louvre Museum, Paris.
  • Painted wood sculpture of Saint Roch, circa 1510-1515  from Carinthie, Austria. Inv RF  4514,  The Louvre Museum, Paris.
  • Painted wood sculpture of Saint Roch, circa 1510-1515  from Carinthie, Austria. Inv RF  4514,  The Louvre Museum, Paris.
  • Painted walnut sculpture of the decent from the Cross, circa 1470-1490 possibly from Antwerp or the Brabant region of Belgium.  Inv RF 4696,  The Louvre Museum, Paris.
  • Painted wood sculpture of Saint Roch, circa 1510-1515  from Carinthie, Austria. Inv RF  4514,  The Louvre Museum, Paris.
  • Painted wood sculpture of Saint Roch, circa 1510-1515  from Carinthie, Austria. Inv RF  4514,  The Louvre Museum, Paris.
  • Painted wood sculpture of Saint Roch, circa 1510-1515  from Carinthie, Austria. Inv RF  4514,  The Louvre Museum, Paris.
  • Painted wood sculpture of Saint Roch, circa 1510-1515  from Carinthie, Austria. Inv RF  4514,  The Louvre Museum, Paris.
  • Painted walnut sculpture of the decent from the Cross, circa 1470-1490 possibly from Antwerp or the Brabant region of Belgium.  Inv RF 4696,  The Louvre Museum, Paris.
  • Painted walnut sculpture of the decent from the Cross, circa 1470-1490 possibly from Antwerp or the Brabant region of Belgium.  Inv RF 4696,  The Louvre Museum, Paris.
  • Painted wood sculpture of Saint Roch, circa 1510-1515  from Carinthie, Austria. Inv RF  4514,  The Louvre Museum, Paris.
  • 13th century Romaesque arcade pillars, sculptures and inlaid depictions of animals of the Cattedrale di San Martino,  Duomo of Lucca, Tunscany, Italy,
  • Detail of the 13th century Romaesque arcade pillars, sculptures and inlaid depictions of animals of the Cattedrale di San Martino,  Duomo of Lucca, Tunscany, Italy,
  • 13th century Romaesque arcade pillars, sculptures and inlaid depictions of animals of the Cattedrale di San Martino,  Duomo of Lucca, Tunscany, Italy,
  • 13th century Romaesque arcade pillars, sculptures and inlaid depictions of animals of the Cattedrale di San Martino,  Duomo of Lucca, Tunscany, Italy,
  • 13th century Romaesque arcade pillars, sculptures and inlaid depictions of animals of the Cattedrale di San Martino,  Duomo of Lucca, Tunscany, Italy,
  • 13th century Romaesque arcade pillars, sculptures and inlaid depictions of animals of the Cattedrale di San Martino,  Duomo of Lucca, Tunscany, Italy,
  • 13th century Romaesque arcade pillars, sculptures and inlaid depictions of animals of the Cattedrale di San Martino,  Duomo of Lucca, Tunscany, Italy,
  • close of the doors and Gothic sculptures of  the14th century Tuscan Gothic style facade of the Cathedral of Orvieto, designed by Maitani, Umbria, Italy
  • Close up of the doorway column sculptures on the14th century Tuscan Gothic style facade of the Cathedral of Orvieto, designed by Maitani, Umbria, Italy
  • Close up of the doorway sculptures and mosaics on the14th century Tuscan Gothic style facade of the Cathedral of Orvieto, designed by Maitani, Umbria, Italy
  • Medieval sculptures from the facade of the Gothic Cathedral Basilica of Saint Denis ( Basilique Saint-Denis ) Paris, France. A UNESCO World Heritage Site. Gothic Cathedral Basilica of Saint Denis ( Basilique Saint-Denis ) Paris, France. A UNESCO World Heritage Site.
  • Medieval sculptures from the facade of the Gothic Cathedral Basilica of Saint Denis ( Basilique Saint-Denis ) Paris, France. A UNESCO World Heritage Site. Gothic Cathedral Basilica of Saint Denis ( Basilique Saint-Denis ) Paris, France. A UNESCO World Heritage Site.
  • Medieval sculptures from the facade of the Gothic Cathedral Basilica of Saint Denis ( Basilique Saint-Denis ) Paris, France. A UNESCO World Heritage Site. Gothic Cathedral Basilica of Saint Denis ( Basilique Saint-Denis ) Paris, France. A UNESCO World Heritage Site.
  • Medieval sculptures from the facade of the Gothic Cathedral Basilica of Saint Denis ( Basilique Saint-Denis ) Paris, France. A UNESCO World Heritage Site. Gothic Cathedral Basilica of Saint Denis ( Basilique Saint-Denis ) Paris, France. A UNESCO World Heritage Site.
  • Medieval sculptures from the facade of the Gothic Cathedral Basilica of Saint Denis ( Basilique Saint-Denis ) Paris, France. A UNESCO World Heritage Site. Gothic Cathedral Basilica of Saint Denis ( Basilique Saint-Denis ) Paris, France. A UNESCO World Heritage Site.
  • Medieval sculptures from the south portal of the Gothic Cathedral Basilica of Saint Denis ( Basilique Saint-Denis ) Paris, France. A UNESCO World Heritage Site.
  • Medieval sculptures from the south portal of the Gothic Cathedral Basilica of Saint Denis ( Basilique Saint-Denis ) Paris, France. A UNESCO World Heritage Site.
  • Medieval sculptures from the south portal of the Gothic Cathedral Basilica of Saint Denis ( Basilique Saint-Denis ) Paris, France. A UNESCO World Heritage Site.
  • Medieval sculptures from the south portal of the Gothic Cathedral Basilica of Saint Denis ( Basilique Saint-Denis ) Paris, France. A UNESCO World Heritage Site.
  • Medieval sculptures from the south portal of the Gothic Cathedral Basilica of Saint Denis ( Basilique Saint-Denis ) Paris, France. A UNESCO World Heritage Site.
  • Medieval sculptures from the facade of the Gothic Cathedral Basilica of Saint Denis ( Basilique Saint-Denis ) Paris, France. A UNESCO World Heritage Site. Gothic Cathedral Basilica of Saint Denis ( Basilique Saint-Denis ) Paris, France. A UNESCO World Heritage Site.
  • Medieval sculptures from the facade of the Gothic Cathedral Basilica of Saint Denis ( Basilique Saint-Denis ) Paris, France. A UNESCO World Heritage Site. Gothic Cathedral Basilica of Saint Denis ( Basilique Saint-Denis ) Paris, France. A UNESCO World Heritage Site.
  • Medieval sculptures from the central portal of the Gothic Cathedral Basilica of Saint Denis ( Basilique Saint-Denis ) Paris, France. A UNESCO World Heritage Site.
  • Medieval sculptures from the central portal of the Gothic Cathedral Basilica of Saint Denis ( Basilique Saint-Denis ) Paris, France. A UNESCO World Heritage Site.
  • Medieval sculptures from the central portal of the Gothic Cathedral Basilica of Saint Denis ( Basilique Saint-Denis ) Paris, France. A UNESCO World Heritage Site.
  • Medieval sculptures from the central portal of the Gothic Cathedral Basilica of Saint Denis ( Basilique Saint-Denis ) Paris, France. A UNESCO World Heritage Site.
  • Medieval sculptures from the central portal of the Gothic Cathedral Basilica of Saint Denis ( Basilique Saint-Denis ) Paris, France. A UNESCO World Heritage Site.
  • Medieval sculptures from the central portal of the Gothic Cathedral Basilica of Saint Denis ( Basilique Saint-Denis ) Paris, France. A UNESCO World Heritage Site.
  • Medieval sculptures from the central portal of the Gothic Cathedral Basilica of Saint Denis ( Basilique Saint-Denis ) Paris, France. A UNESCO World Heritage Site.
  • Medieval sculptures from the central portal of the Gothic Cathedral Basilica of Saint Denis ( Basilique Saint-Denis ) Paris, France. A UNESCO World Heritage Site.
  • Medieval sculptures from the central portal of the Gothic Cathedral Basilica of Saint Denis ( Basilique Saint-Denis ) Paris, France. A UNESCO World Heritage Site.
  • Medieval sculptures from the south portal of the Gothic Cathedral Basilica of Saint Denis ( Basilique Saint-Denis ) Paris, France. A UNESCO World Heritage Site.
  • Medieval sculptures from the central portal of the Gothic Cathedral Basilica of Saint Denis ( Basilique Saint-Denis ) Paris, France. A UNESCO World Heritage Site.
  • Medieval Gothic Sculptures of the South portal  of the Cathedral of Chartres, France. The portal shaows the Last Judgement and the small figures represent "The blessed". A UNESCO World Heritage Site.
  • Medieval Gothic Sculptures of the South portal  of the Cathedral of Chartres, France. The portal shaows the Last Judgement and the small figures represent "The blessed". A UNESCO World Heritage Site.
  • Medieval Gothic Sculptures of the South portal  Tympanum and lintel depicting Christ and the Last Judgement. Cathedral of Chartres, France. A UNESCO World Heritage Site.
  • Medieval Gothic Sculptures of the South portal  of the Cathedral of Chartres, France. The portal shaows the Last Judgement and the small figures represent "The blessed". A UNESCO World Heritage Site.
  • Medieval Gothic Sculptures of the South portal  of the Cathedral of Chartres, France. The portal shaows the Last Judgement and the small figures represent "The blessed". A UNESCO World Heritage Site.
  • Medieval Gothic Sculptures of the South portal  of the Cathedral of Chartres, France. The portal shaows the Last Judgement and the small figures represent "The blessed". A UNESCO World Heritage Site.
  • Medieval Gothic Sculptures of the South portal  lintel depicting The Damned of  the Last Judgement. Cathedral of Chartres, France. A UNESCO World Heritage Site.
  • Medieval Gothic Sculptures of the South portal  Tympanum and lintel depicting Christ and the Last Judgement. Cathedral of Chartres, France. A UNESCO World Heritage Site.
  • Medieval Gothic Sculptures of the South portal  of the Cathedral of Chartres, France. The portal shaows the Last Judgement and the small figures represent "The Damned". A UNESCO World Heritage Site.
  • Medieval Gothic Sculptures of the South portal  of the Cathedral of Chartres, France. A UNESCO World Heritage Site. .
  • Medieval Gothic Sculptures of the South portal  of the Cathedral of Chartres, France. A UNESCO World Heritage Site. .
  • Medieval Gothic Sculptures of the South portal  of the Cathedral of Chartres, France. The portal shaows the Last Judgement and the small figures represent "The blessed". A UNESCO World Heritage Site.
  • Medieval Gothic Sculptures of the South portal  of the Cathedral of Chartres, France. The portal shaows the Last Judgement and the small figures represent "The blessed". A UNESCO World Heritage Site.
  • Medieval Gothic Sculptures of the South portal  of the Cathedral of Chartres, France. The portal shaows the Last Judgement and the small figures represent "The blessed". A UNESCO World Heritage Site.
  • Medieval Gothic Sculptures of the South portal  of the Cathedral of Chartres, France. A UNESCO World Heritage Site. .
  • Medieval Sculptures from the facade of St Mark's Basilica, Venice
  • Medieval Sculptures from the facade of St Mark's Basilica, Venice
  • Fresco on the Interior  of the Romanesque Cattedrale di San Martino,  Duomo of Lucca, Tunscany, Italy
  • 13th century Romanesque facade & Campinale of the Romanesque Cattedrale di San Martino,  Duomo of Lucca, Tunscany, Italy
  • Romaesque Apse exterior of the Cattedrale di San Martino,  Duomo of Lucca, Tunscany, Italy,
  • Romaesque Apse exterior of the Cattedrale di San Martino,  Duomo of Lucca, Tunscany, Italy,
  • Close up of a13th century Romaesque arcade pillar of the Cattedrale di San Martino,  Duomo of Lucca, Tunscany, Italy,
  • Close up of a13th century Romaesque arcade pillar of the Cattedrale di San Martino,  Duomo of Lucca, Tunscany, Italy,
  • Painted vaulted ceiling of the Cattedrale di San Martino,  Duomo of Lucca, Tunscany, Italy,
  • Painted vaulted ceiling of the Cattedrale di San Martino,  Duomo of Lucca, Tunscany, Italy,
  • Fresco on the Interior  of the Romanesque Cattedrale di San Martino,  Duomo of Lucca, Tunscany, Italy
  • Close up of a13th century Romaesque arcade pillar of the Cattedrale di San Martino,  Duomo of Lucca, Tunscany, Italy,
  • Painted vaulted ceiling of the Cattedrale di San Martino,  Duomo of Lucca, Tunscany, Italy,
  • Fresco on the Interior  of the Romanesque Cattedrale di San Martino,  Duomo of Lucca, Tunscany, Italy
  • 13th century Romanesque facade & Campinale of the Romanesque Cattedrale di San Martino,  Duomo of Lucca, Tunscany, Italy
  • Medieval sculptures of the south porch of the 12the century early transitional Norman architecture of the parish church of St Peter & St Paul part of Malmesbury Abbey, Wiltshire, England
  • Medieval sculptures of the south porch of the 12the century early transitional Norman architecture of the parish church of St Peter & St Paul part of Malmesbury Abbey, Wiltshire, England
  • Medieval sculptures of the south porch of the 12the century early transitional Norman architecture of the parish church of St Peter & St Paul part of Malmesbury Abbey, Wiltshire, England
  • Medieval sculptures of the south porch of the 12the century early transitional Norman architecture of the parish church of St Peter & St Paul part of Malmesbury Abbey, Wiltshire, England
  • Medieval sculptures of the south porch of the 12the century early transitional Norman architecture of the parish church of St Peter & St Paul part of Malmesbury Abbey, Wiltshire, England
  • Medieval sculptures of the south porch of the 12the century early transitional Norman architecture of the parish church of St Peter & St Paul part of Malmesbury Abbey, Wiltshire, England
  • Medieval sculptures of the south porch of the 12the century early transitional Norman architecture of the parish church of St Peter & St Paul part of Malmesbury Abbey, Wiltshire, England
  • Medieval sculptures of the south porch of the 12the century early transitional Norman architecture of the parish church of St Peter & St Paul part of Malmesbury Abbey, Wiltshire, England
  • Medieval sculptures of the south porch of the 12the century early transitional Norman architecture of the parish church of St Peter & St Paul part of Malmesbury Abbey, Wiltshire, England
  • Medieval sculptures of the south porch of the 12the century early transitional Norman architecture of the parish church of St Peter & St Paul part of Malmesbury Abbey, Wiltshire, England
  • Norman Romanesque exterior corbel no 28 (similar style to No 44) - sculpture of a female exhibitionist known as a Sheela-na-gig. The sculpture shows a female with a huge round head and puny body with her hand holding open a grossly enlarged vulva. It seems unlikely that this image is of a pornographic nature because it is on a church, and is more likely a warning against the temptations of women. The Norman Romanesque Church of St Mary and St David, Kilpeck Herefordshire, England. Built around 1140
  • Norman Romanesque exterior corbel no 28 (similar style to No 44) - sculpture of a female exhibitionist known as a Sheela-na-gig. The sculpture shows a female with a huge round head and puny body with her hand holding open a grossly enlarged vulva. It seems unlikely that this image is of a pornographic nature because it is on a church, and is more likely a warning against the temptations of women. The Norman Romanesque Church of St Mary and St David, Kilpeck Herefordshire, England. Built around 1140
  • Norman Romanesque exterior corbel no 39  -  sculpture of.an Angus Dei, the symbol of Jesus Christ as the Lamb of God. Strangely the creature holding the cross is a horse not a sheep. The sculpture is place in the centre of the Eastern Apse, symbolically the most important part of the church. The Norman Romanesque Church of St Mary and St David, Kilpeck Herefordshire, England. Built around 1140
  • Norman Romanesque exterior corbel no 8  -  sculpture of.an Angus Dei directly above the south door, the symbol of Jesus Christ as the Lamb of God. Strangely the creature holding the cross is a horse not a sheep. The sculpture is placed at the entrance of the church showing the importance of its iconography. The Norman Romanesque Church of St Mary and St David, Kilpeck Herefordshire, England. Built around 1140
  • Norman Romanesque exterior corbel no 39  -  sculpture of.an Angus Dei, the symbol of Jesus Christ as the Lamb of God. Strangely the creature holding the cross is a horse not a sheep. The sculpture is place in the centre of the Eastern Apse, symbolically the most important part of the church. The Norman Romanesque Church of St Mary and St David, Kilpeck Herefordshire, England. Built around 1140
  • Norman Romanesque exterior corbel no 28 (similar style to No 44) - sculpture of a female exhibitionist known as a Sheela-na-gig. The sculpture shows a female with a huge round head and puny body with her hand holding open a grossly enlarged vulva. It seems unlikely that this image is of a pornographic nature because it is on a church, and is more likely a warning against the temptations of women. The Norman Romanesque Church of St Mary and St David, Kilpeck Herefordshire, England. Built around 1140
  • Norman Romanesque exterior corbel no 28 (similar style to No 44) - sculpture of a female exhibitionist known as a Sheela-na-gig. The sculpture shows a female with a huge round head and puny body with her hand holding open a grossly enlarged vulva. It seems unlikely that this image is of a pornographic nature because it is on a church, and is more likely a warning against the temptations of women. The Norman Romanesque Church of St Mary and St David, Kilpeck Herefordshire, England. Built around 1140
  • Norman Romanesque exterior corbel no 39  -  sculpture of.an Angus Dei, the symbol of Jesus Christ as the Lamb of God. Strangely the creature holding the cross is a horse not a sheep. The sculpture is place in the centre of the Eastern Apse, symbolically the most important part of the church. The Norman Romanesque Church of St Mary and St David, Kilpeck Herefordshire, England. Built around 1140
  • Gothic medieval sculpture from the Cathedral of Notre-Dame, Amiens, France
  • Norman Romanesque exterior corbel no 82 - sculpture of mans head with a moustache and beard similar to no 79. The Norman Romanesque Church of St Mary and St David, Kilpeck Herefordshire, England. Built around 1140
  • Norman Romanesque exterior corbel no 3 - sculpture of a head, half man half lion. The wide mouth is the same style as theatrical masks. The Norman Romanesque Church of St Mary and St David, Kilpeck Herefordshire, England. Built around 1140
  • Norman Romanesque exterior corbel no 70 - sculpture of two fish swimming upwards. A fish was used by early Christians to symbolise Jesus Christ . The Norman Romanesque Church of St Mary and St David, Kilpeck Herefordshire, England. Built around 1140
  • Norman Romanesque exterior corbel no 50  -  sculpture of.a curious scene. A beaked headed creature holds down a man below its body and is pushing its beak into the mans mouth, The beaked creature seems to be holding something in its right hand which it is eating The Norman Romanesque Church of St Mary and St David, Kilpeck Herefordshire, England. Built around 1140
  • Norman Romanesque exterior corbel no 44 - sculpture of a fiddle or rebeck player, similar style to corbel no 28. Its style is also associated with a corbel on the apse at Courpiac ( Gironde). The Norman Romanesque Church of St Mary and St David, Kilpeck Herefordshire, England. Built around 1140
  • Norman Romanesque exterior corbel no 47  - sculpture of a a bald dancing female dressed in a tight filling tunic. The image is probably a warning against the sexual senses that can be aroused by dancing. The figure has her legs crossed and appears to be recoiling from an impending violation. The Norman Romanesque Church of St Mary and St David, Kilpeck Herefordshire, England. Built around 1140
  • Norman Romanesque exterior corbel no 30 - sculpture of of a muzzled bears head with two humans in its mouth, their heads poking out either side of its head.  The Norman Romanesque Church of St Mary and St David, Kilpeck Herefordshire, England. Built around 1140
  • Norman Romanesque exterior corbel no 12 - sculpture of the head of an animal with a lions mane and big fanged teeth. The Norman Romanesque Church of St Mary and St David, Kilpeck Herefordshire, England. Built around 1140
  • Norman Romanesque exterior corbel no 23 - sculpture of a grotesque head with either a huge swollen tongue of something in its mouth. The Norman Romanesque Church of St Mary and St David, Kilpeck Herefordshire, England. Built around 1140
  • Norman Romanesque exterior corbel no 43 - sculpture of an animal head, maybe a cat. The Norman Romanesque Church of St Mary and St David, Kilpeck Herefordshire, England. Built around 1140
  • Norman Romanesque exterior corbel no 37 - sculpture of a grotesque head with interlocking teeth. The Norman Romanesque Church of St Mary and St David, Kilpeck Herefordshire, England. Built around 1140
  • Norman Romanesque exterior corbel no 78 - sculpture of mans head with elongated face from the outside of the west knave. The Norman Romanesque Church of St Mary and St David, Kilpeck Herefordshire, England. Built around 1140
  • Norman Romanesque exterior corbel no 27 - sculpture of a pigs head. Pigs signify sinners, the unclean and heretics as well as carnal feelings, it is therefore a morality figure. The Norman Romanesque Church of St Mary and St David, Kilpeck Herefordshire, England. Built around 1140
  • Norman Romanesque exterior corbel no 89 - sculpture of a male with curly hair and theatrical style mouth. The Norman Romanesque Church of St Mary and St David, Kilpeck Herefordshire, England. Built around 1140
  • Norman Romanesque exterior corbel no 38 - sculpture of a head, half man half lion with a mouth like a theatrical mask. The Norman Romanesque Church of St Mary and St David, Kilpeck Herefordshire, England. Built around 1140
  • Norman Romanesque exterior corbel no 4 - sculpture of four intertwined serpents forming a geometric panel. The Norman Romanesque Church of St Mary and St David, Kilpeck Herefordshire, England. Built around 1140
  • Norman Romanesque exterior corbel no 16 - sculpture of a rams head that symbolise the Apostles of the church. Apostles are like rams because they have strong foreheads which toss = evil out of the way. .  The Norman Romanesque Church of St Mary and St David, Kilpeck Herefordshire, England. Built around 1140
  • Norman Romanesque exterior corbel no 56 - sculpture of a stylised head of a human. The Norman Romanesque Church of St Mary and St David, Kilpeck Herefordshire, England. Built around 1140
  • Norman Romanesque exterior corbel no 56 - sculpture of a stylised head of a human. The Norman Romanesque Church of St Mary and St David, Kilpeck Herefordshire, England. Built around 1140
  • Norman Romanesque exterior corbel no 29  -  sculpture of.a creature with a rounded head, pointed ears and a beaked nose. In its huge mouth it is biting on a rod . The Norman Romanesque Church of St Mary and St David, Kilpeck Herefordshire, England. Built around 1140
  • Norman Romanesque exterior corbel no 45  - sculpture of what is probably a morality tale. A man and women are grasping each other. The women seems to be clutching the mans buttocks and he has clasped her hand as if resisting. He also seems to be resisting an embrace. The Norman Romanesque Church of St Mary and St David, Kilpeck Herefordshire, England. Built around 1140
  • Norman Romanesque exterior corbel no 56 - sculpture of a stylised head of a human. The Norman Romanesque Church of St Mary and St David, Kilpeck Herefordshire, England. Built around 1140
  • Norman Romanesque exterior corbel no 56 - sculpture of a stylised head of a human. The Norman Romanesque Church of St Mary and St David, Kilpeck Herefordshire, England. Built around 1140
  • Norman Romanesque exterior corbel no 62 - sculpture of a large bird of prey. The Norman Romanesque Church of St Mary and St David, Kilpeck Herefordshire, England. Built around 1140
  • Norman Romanesque exterior corbel no 35  -  sculpture of.a curious scene. A beaked headed creature holds down a man below its body and is pushing its beak into the mans mouth, The beaked creature seems to be holding something in its right hand which it is eating The Norman Romanesque Church of St Mary and St David, Kilpeck Herefordshire, England. Built around 1140
  • Norman Romanesque exterior corbel no 49  - sculpture of  an alien like chinless bald headed figure. Its perfectly round mouth is filled with a ball like object and may be a moral warning about talking too much. The Norman Romanesque Church of St Mary and St David, Kilpeck Herefordshire, England. Built around 1140
  • Norman Romanesque exterior corbel no 47  - sculpture of a a bald dancing female dressed in a tight filling tunic. The image is probably a warning against the sexual senses that can be aroused by dancing. The figure has her legs crossed and appears to be recoiling from an impending violation. The Norman Romanesque Church of St Mary and St David, Kilpeck Herefordshire, England. Built around 1140
  • Norman Romanesque exterior corbel no 37 - sculpture of a grotesque head with interlocking teeth. The Norman Romanesque Church of St Mary and St David, Kilpeck Herefordshire, England. Built around 1140
  • Norman Romanesque exterior corbel no 44 - sculpture of a fiddle or rebeck player, similar style to corbel no 28. Its style is also associated with a corbel on the apse at Courpiac ( Gironde). The Norman Romanesque Church of St Mary and St David, Kilpeck Herefordshire, England. Built around 1140
  • Norman Romanesque exterior corbel no 50  -  sculpture of.a curious scene. A beaked headed creature holds down a man below its body and is pushing its beak into the mans mouth, The beaked creature seems to be holding something in its right hand which it is eating The Norman Romanesque Church of St Mary and St David, Kilpeck Herefordshire, England. Built around 1140
  • Norman Romanesque exterior corbel no 61 - sculpture of  a human head with curly hair and beard. The Norman Romanesque Church of St Mary and St David, Kilpeck Herefordshire, England. Built around 1140
  • Norman Romanesque exterior corbel no 46 - sculpture of head, half man half pig. The Norman Romanesque Church of St Mary and St David, Kilpeck Herefordshire, England. Built around 1140
  • Norman Romanesque exterior corbel  sculpture from the Norman Romanesque Church of St Mary and St David, Kilpeck Herefordshire, England. Built around 1140
  • Norman Romanesque exterior corbel  sculpture from the Norman Romanesque Church of St Mary and St David, Kilpeck Herefordshire, England. Built around 1140
  • Norman Romanesque exterior corbel no 14 - sculpture of a head, half man half lion. The Norman Romanesque Church of St Mary and St David, Kilpeck Herefordshire, England. Built around 1140
  • Norman Romanesque exterior corbel  sculpture from the Norman Romanesque Church of St Mary and St David, Kilpeck Herefordshire, England. Built around 1140
  • Norman Romanesque exterior corbel no 64 - sculpture of  an animal with a cat like head biting the underside of a bowl. The Norman Romanesque Church of St Mary and St David, Kilpeck Herefordshire, England. Built around 1140
  • Norman Romanesque exterior corbel no 54 - sculpture of a male stylised simple round head. The Norman Romanesque Church of St Mary and St David, Kilpeck Herefordshire, England. Built around 1140
  • Norman Romanesque exterior corbel no 27 - sculpture of a pigs head. Pigs signify sinners, the unclean and heretics as well as carnal feelings, it is therefore a morality figure. The Norman Romanesque Church of St Mary and St David, Kilpeck Herefordshire, England. Built around 1140
  • Norman Romanesque exterior corbel no 38 - sculpture of a head, half man half lion with a mouth like a theatrical mask. The Norman Romanesque Church of St Mary and St David, Kilpeck Herefordshire, England. Built around 1140
  • Norman Romanesque exterior corbel no 88 - sculpture of a male with curly hair and theatrical style mouth. The Norman Romanesque Church of St Mary and St David, Kilpeck Herefordshire, England. Built around 1140
  • Norman Romanesque exterior corbel no 52 - sculpture of a featureless human. The Norman Romanesque Church of St Mary and St David, Kilpeck Herefordshire, England. Built around 1140
  • Norman Romanesque exterior corbel no 61 - sculpture of  a human head with curly hair and beard. The Norman Romanesque Church of St Mary and St David, Kilpeck Herefordshire, England. Built around 1140
  • Norman Romanesque exterior corbel no 30 - sculpture of of a muzzled bears head with two humans in its mouth, their heads poking out either side of its head.  The Norman Romanesque Church of St Mary and St David, Kilpeck Herefordshire, England. Built around 1140
  • Norman Romanesque exterior corbel no 14 - sculpture of head, half man half lion. The Norman Romanesque Church of St Mary and St David, Kilpeck Herefordshire, England. Built around 1140
  • Norman Romanesque exterior corbel  sculpture from the Norman Romanesque Church of St Mary and St David, Kilpeck Herefordshire, England. Built around 1140
  • Norman Romanesque exterior corbel no 23 - sculpture of a grotesque head with either a huge swollen tongue of something in its mouth. The Norman Romanesque Church of St Mary and St David, Kilpeck Herefordshire, England. Built around 1140
  • Norman Romanesque exterior corbel no 31 - sculpture of a man with a goatee beard. The Norman Romanesque Church of St Mary and St David, Kilpeck Herefordshire, England. Built around 1140
  • Norman Romanesque exterior corbel no 40 - sculpture of a mans head.  The Norman Romanesque Church of St Mary and St David, Kilpeck Herefordshire, England. Built around 1140
  • Norman Romanesque exterior corbel no 17 - sculpture of the head of an animal with a lions mane and beak shaped wide mouth. The Norman Romanesque Church of St Mary and St David, Kilpeck Herefordshire, England. Built around 1140
  • Norman Romanesque exterior corbel no 31 - sculpture of a man with a goatee beard. The Norman Romanesque Church of St Mary and St David, Kilpeck Herefordshire, England. Built around 1140
  • Norman Romanesque exterior corbel no 41 - sculpture of a grotesque stylised creatures head with bulging eyes. The Norman Romanesque Church of St Mary and St David, Kilpeck Herefordshire, England. Built around 1140
  • Norman Romanesque exterior corbel no 40 - sculpture of a mans head.  The Norman Romanesque Church of St Mary and St David, Kilpeck Herefordshire, England. Built around 1140
  • Norman Romanesque exterior corbel no 16 - sculpture of a rams head that symbolise the Apostles of the church. Apostles are like rams because they have strong foreheads which toss = evil out of the way. .  The Norman Romanesque Church of St Mary and St David, Kilpeck Herefordshire, England. Built around 1140
  • Norman Romanesque exterior corbel no 30 - sculpture of of a muzzled bears head with two humans in its mouth, their heads poking out either side of its head.  The Norman Romanesque Church of St Mary and St David, Kilpeck Herefordshire, England. Built around 1140
  • Norman Romanesque exterior corbel no 41 - sculpture of a grotesque stylised creatures head with bulging eyes. The Norman Romanesque Church of St Mary and St David, Kilpeck Herefordshire, England. Built around 1140
  • Norman Romanesque exterior corbel no 30 - sculpture of of a muzzled bears head with two humans in its mouth, their heads poking out either side of its head.  The Norman Romanesque Church of St Mary and St David, Kilpeck Herefordshire, England. Built around 1140
  • Norman Romanesque exterior corbel no 36 - sculpture of two fledgling birds both biting a serpent. Possibly an allegory of the original sin man is born with due to Adam taking the apple from a serpent in the garden of Eden.  The Norman Romanesque Church of St Mary and St David, Kilpeck Herefordshire, England. Built around 1140
  • Norman Romanesque exterior corbel no 32 - sculpture of an inverted head of a creature that is a cross between the ibex with a pigs snout. In the bestiary the strength of the Ibex horns will save it if it falls from a mountain and lands on them. This is an allegory of learned men who understand the harmony of the New and Old Testaments which are the two horns that give them strength if they fall.  The Norman Romanesque Church of St Mary and St David, Kilpeck Herefordshire, England. Built around 1140
  • Norman Romanesque exterior corbel no 58 - sculpture of a stylised head of a human. The Norman Romanesque Church of St Mary and St David, Kilpeck Herefordshire, England. Built around 1140
  • Norman Romanesque exterior corbel no 62 - sculpture of a large bird of prey. The Norman Romanesque Church of St Mary and St David, Kilpeck Herefordshire, England. Built around 1140
  • Norman Romanesque exterior corbel no 62 - sculpture of a large bird of prey. The Norman Romanesque Church of St Mary and St David, Kilpeck Herefordshire, England. Built around 1140
  • Norman Romanesque exterior corbel no 48  -  sculpture of.a grotesque creature with a long snout and fierce teeth. The Norman Romanesque Church of St Mary and St David, Kilpeck Herefordshire, England. Built around 1140
  • Norman Romanesque exterior corbel no 48  -  sculpture of.a grotesque creature with a long snout and fierce teeth. The Norman Romanesque Church of St Mary and St David, Kilpeck Herefordshire, England. Built around 1140
  • Norman Romanesque exterior corbel no 33  -  sculpture of.very modern cartoon like hound and a hare. In the Bestiary dogs are like preachers who put men back on the right course of righteousness and the hare represents men who fear God and put their trust in the creator . The Norman Romanesque Church of St Mary and St David, Kilpeck Herefordshire, England. Built around 1140
  • Norman Romanesque exterior corbel no 29  -  sculpture of.a creature with a rounded head, pointed ears and a beaked nose. In its huge mouth it is biting on a rod . The Norman Romanesque Church of St Mary and St David, Kilpeck Herefordshire, England. Built around 1140
  • Norman Romanesque exterior corbel no 35  -  sculpture of.a curious scene. A beaked headed creature holds down a man below its body and is pushing its beak into the mans mouth, The beaked creature seems to be holding something in its right hand which it is eating The Norman Romanesque Church of St Mary and St David, Kilpeck Herefordshire, England. Built around 1140
  • Norman Romanesque exterior corbel no 49  - sculpture of  an alien like chinless bald headed figure. Its perfectly round mouth is filled with a ball like object and may be a moral warning about talking too much. The Norman Romanesque Church of St Mary and St David, Kilpeck Herefordshire, England. Built around 1140
  • Norman Romanesque exterior corbel no 47  - sculpture of a a bald dancing female dressed in a tight filling tunic. The image is probably a warning against the sexual senses that can be aroused by dancing. The figure has her legs crossed and appears to be recoiling from an impending violation. The Norman Romanesque Church of St Mary and St David, Kilpeck Herefordshire, England. Built around 1140
  • Norman Romanesque exterior corbel no 1 - sculpture of a quail that it has just killed its young. This is based on a  bestiary story that tells of a Pelican that kills its young. It then pecks its breast to draw blood and sits on its dead offspring and the blood brings the young bird back to life. This is an allegory of Christ giving his blood on the cross for mankind. The Norman Romanesque Church of St Mary and St David, Kilpeck Herefordshire, England. Built around 1140
  • Norman Romanesque exterior corbel no 49  - sculpture of  an alien like chinless bald headed figure. Its perfectly round mouth is filled with a ball like object and may be a moral warning about talking too much. The Norman Romanesque Church of St Mary and St David, Kilpeck Herefordshire, England. Built around 1140
  • Norman Romanesque exterior corbel no 41 - sculpture of a grotesque stylised creatures head with bulging eyes. The Norman Romanesque Church of St Mary and St David, Kilpeck Herefordshire, England. Built around 1140
  • Norman Romanesque exterior corbel no 36 - sculpture of two fledgling birds both biting a serpent. Possibly an allegory of the original sin man is born with due to Adam taking the apple from a serpent in the garden of Eden.  The Norman Romanesque Church of St Mary and St David, Kilpeck Herefordshire, England. Built around 1140
  • Norman Romanesque exterior corbel no 48  -  sculpture of.a grotesque creature with a long snout and fierce teeth. The Norman Romanesque Church of St Mary and St David, Kilpeck Herefordshire, England. Built around 1140
  • Norman Romanesque exterior corbel no 29  -  sculpture of.a creature with a rounded head, pointed ears and a beaked nose. In its huge mouth it is biting on a rod . The Norman Romanesque Church of St Mary and St David, Kilpeck Herefordshire, England. Built around 1140
  • Norman Romanesque exterior corbel no 35  -  sculpture of.a curious scene. A beaked headed creature holds down a man below its body and is pushing its beak into the mans mouth, The beaked creature seems to be holding something in its right hand which it is eating The Norman Romanesque Church of St Mary and St David, Kilpeck Herefordshire, England. Built around 1140
  • Norman Romanesque exterior corbel no 45  - sculpture of what is probably a morality tale. A man and women are grasping each other. The women seems to be clutching the mans buttocks and he has clasped her hand as if resisting. He also seems to be resisting an embrace. The Norman Romanesque Church of St Mary and St David, Kilpeck Herefordshire, England. Built around 1140
  • Norman Romanesque exterior corbel no 21 - sculpture of an animal with a long snout and pointed ears. The Norman Romanesque Church of St Mary and St David, Kilpeck Herefordshire, England. Built around 1140
  • Norman Romanesque exterior corbel no 21 - sculpture of an animal with a long snout and pointed ears. The Norman Romanesque Church of St Mary and St David, Kilpeck Herefordshire, England. Built around 1140
  • Norman Romanesque exterior corbel no 33  -  sculpture of.very modern cartoon like hound and a hare. In the Bestiary dogs are like preachers who put men back on the right course of righteousness and the hare represents men who fear God and put their trust in the creator . The Norman Romanesque Church of St Mary and St David, Kilpeck Herefordshire, England. Built around 1140
  • Norman Romanesque exterior corbel no 50  -  sculpture of.a curious scene. A beaked headed creature holds down a man below its body and is pushing its beak into the mans mouth, The beaked creature seems to be holding something in its right hand which it is eating The Norman Romanesque Church of St Mary and St David, Kilpeck Herefordshire, England. Built around 1140
  • Norman Romanesque exterior corbel no 33  -  sculpture of.very modern cartoon like hound and a hare. In the Bestiary dogs are like preachers who put men back on the right course of righteousness and the hare represents men who fear God and put their trust in the creator . The Norman Romanesque Church of St Mary and St David, Kilpeck Herefordshire, England. Built around 1140
  • Norman Romanesque exterior corbel no 36 - sculpture of two fledgling birds both biting a serpent. Possibly an allegory of the original sin man is born with due to Adam taking the apple from a serpent in the garden of Eden.  The Norman Romanesque Church of St Mary and St David, Kilpeck Herefordshire, England. Built around 1140
  • Norman Romanesque exterior corbel no 45  - sculpture of what is probably a morality tale. A man and women are grasping each other. The women seems to be clutching the mans buttocks and he has clasped her hand as if resisting. He also seems to be resisting an embrace. The Norman Romanesque Church of St Mary and St David, Kilpeck Herefordshire, England. Built around 1140
  • Norman Romanesque exterior corbel no 35  -  sculpture of.a curious scene. A beaked headed creature holds down a man below its body and is pushing its beak into the mans mouth, The beaked creature seems to be holding something in its right hand which it is eating The Norman Romanesque Church of St Mary and St David, Kilpeck Herefordshire, England. Built around 1140

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