• The Riace bronze Greek statue head cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statues cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statue A cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statue A cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statues cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statues cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statues cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statue A cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • Torso of the Riace bronze Greek statue B cast about 460 - 450 BC. statue B was probably sculpted by Phidias. There is a sense of movement in the statues their legs being bent as if they are about to take a step. Their heads are turned which accentuates a sense of anticipation as if they are looking for something. The anatomical detail is extraordinary which gives a startling realism to the statue and demonstarte the high level of skill of the Greek sculptors of this period. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statue head cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statue head cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statue head cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statue head cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statue head cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statue head cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statue A cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statue A cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statue A cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statue A cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statue A cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statue A cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statues cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statues cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statue A cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statue A cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statues cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statues cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statues cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statues cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • low full length view of the  Riace bronze Greek statue A cast about 460 BC. statue A was probably sculpted by Myron. The style of the Riace statues straddles the archaic period and heralds the start of the classical period. Both statues depict strong young naked warriors who stand calmly but exuding great power. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • Full length tree quarter view of the Riace bronze Greek statue B cast about 460 - 450 BC. statue B was probably sculpted by Phidias. There is a sense of movement in the statues their legs being bent as if they are about to take a step. Their heads are turned which accentuates a sense of anticipation as if they are looking for something. The anatomical detail is extraordinary which gives a startling realism to the statue and demonstarte the high level of skill of the Greek sculptors of this peiod. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • Torso of the Riace bronze Greek statue A cast about 460 BC. statue A was probably sculpted by Myron. The style of the Riace statues straddles the archaic period and heralds the start of the classical period. Both statues depict strong young naked warriors who stand calmly but exuding great power. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • Upper torso of the Riace bronze Greek statue B cast about 460 - 450 BC. statue B was probably sculpted by Phidias. There is a sense of movement in the statues their legs being bent as if they are about to take a step. Their heads are turned which accentuates a sense of anticipation as if they are looking for something. The anatomical detail is extraordinary which gives a startling realism to the statue and demonstarte the high level of skill of the Greek sculptors of this peiod. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • Full length face on view of the Riace bronze Greek statue B cast about 460 - 450 BC. statue B was probably sculpted by Phidias. There is a sense of movement in the statues their legs being bent as if they are about to take a step. Their heads are turned which accentuates a sense of anticipation as if they are looking for something. The anatomical detail is extraordinary which gives a startling realism to the statue and demonstarte the high level of skill of the Greek sculptors of this peiod. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statue head cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statue A cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statue A cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statues cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statues cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statues cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statues cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statue A cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statues cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statue A cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • Full length view of the Riace bronze Greek statue A cast about 460 BC. statue A was probably sculpted by Myron. The style of the Riace statues straddles the archaic period and heralds the start of the classical period. Both statues depict strong young naked warriors who stand calmly but exuding great power. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • Torso face on view of the Riace bronze Greek statue A cast about 460 BC. statue A was probably sculpted by Myron. The style of the Riace statues straddles the archaic period and heralds the start of the classical period. Both statues depict strong young naked warriors who stand calmly but exuding great power. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • Torso three quarter of the Riace bronze Greek statue A cast about 460 BC. statue A was probably sculpted by Myron. The style of the Riace statues straddles the archaic period and heralds the start of the classical period. Both statues depict strong young naked warriors who stand calmly but exuding great power. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • Full length side view of the Riace bronze Greek statue B cast about 460 - 450 BC. statue B was probably sculpted by Phidias. There is a sense of movement in the statues their legs being bent as if they are about to take a step. Their heads are turned which accentuates a sense of anticipation as if they are looking for something. The anatomical detail is extraordinary which gives a startling realism to the statue and demonstarte the high level of skill of the Greek sculptors of this peiod. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statue head cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statue head cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statues cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statues cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statue A cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statues cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statue A cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statue A cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statue A cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statues cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statue A cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • Severe Style Ancient Greek bronze sculpture of a charioteer, 480-460 BC, Delphi National Archaeological Museum.   Against grey.<br />
<br />
The Charioteer is a rare example of Severe Style bronze statue that only servived ancient looters  because it was buried by an earthquake. Plain and austere it mirrors the preveiling aestheics expected from ancient greek atheletes. The statue was probably sculpted following the teachings of Pythagoras of Samos due to its exact symetrical proportions
  • Severe Style Ancient Greek bronze sculpture of a charioteer, 480-460 BC, Delphi National Archaeological Museum. <br />
<br />
The Charioteer is a rare example of Severe Style bronze statue that only servived ancient looters  because it was buried by an earthquake. Plain and austere it mirrors the preveiling aestheics expected from ancient greek atheletes. The statue was probably sculpted following the teachings of Pythagoras of Samos due to its exact symetrical proportions
  • Severe Style Ancient Greek bronze sculpture of a charioteer, 480-460 BC, Delphi National Archaeological Museum.   Against grey.<br />
<br />
The Charioteer is a rare example of Severe Style bronze statue that only servived ancient looters  because it was buried by an earthquake. Plain and austere it mirrors the preveiling aestheics expected from ancient greek atheletes. The statue was probably sculpted following the teachings of Pythagoras of Samos due to its exact symetrical proportions
  • Severe Style Ancient Greek bronze sculpture of a charioteer, 480-460 BC, Delphi National Archaeological Museum.  Against white.<br />
<br />
The Charioteer is a rare example of Severe Style bronze statue that only servived ancient looters  because it was buried by an earthquake. Plain and austere it mirrors the preveiling aestheics expected from ancient greek atheletes. The statue was probably sculpted following the teachings of Pythagoras of Samos due to its exact symetrical proportions
  • 'Jockey of Artrmision' a Hellenistic bronze statue of a boy riding a horse. National Archaeological Museum Athens. Circa 140 BC. Cat No X 15177. Against grey<br />
<br />
Retrieved in pieces from a shipwreck of Cape Artemision in Euboea. The young jockey holds a rein in his left hand and a whip in his right. His face has a passionate expression with furrowas on his face. The pieces of the Bronze sculpture were reassembled in 1971.
  • 'Jockey of Artrmision' a Hellenistic bronze statue of a boy riding a horse. National Archaeological Museum Athens. Circa 140 BC. Cat No X 15177. Against grey<br />
<br />
Retrieved in pieces from a shipwreck of Cape Artemision in Euboea. The young jockey holds a rein in his left hand and a whip in his right. His face has a passionate expression with furrowas on his face. The pieces of the Bronze sculpture were reassembled in 1971.
  • 'Jockey of Artrmision' a Hellenistic bronze statue of a boy riding a horse. National Archaeological Museum Athens. Circa 140 BC. Cat No X 15177<br />
<br />
Retrieved in pieces from a shipwreck of Cape Artemision in Euboea. The young jockey holds a rein in his left hand and a whip in his right. His face has a passionate expression with furrowas on his face. The pieces of the Bronze sculpture were reassembled in 1971.
  • 'Jockey of Artrmision' a Hellenistic bronze statue of a boy riding a horse. National Archaeological Museum Athens. Circa 140 BC. Cat No X 15177, Against white, <br />
<br />
Retrieved in pieces from a shipwreck of Cape Artemision in Euboea. The young jockey holds a rein in his left hand and a whip in his right. His face has a passionate expression with furrowas on his face. The pieces of the Bronze sculpture were reassembled in 1971.
  • 'Jockey of Artrmision' a Hellenistic bronze statue of a boy riding a horse. National Archaeological Museum Athens. Circa 140 BC. Cat No X 15177. Against grey<br />
<br />
Retrieved in pieces from a shipwreck of Cape Artemision in Euboea. The young jockey holds a rein in his left hand and a whip in his right. His face has a passionate expression with furrowas on his face. The pieces of the Bronze sculpture were reassembled in 1971.
  • 'Jockey of Artrmision' a Hellenistic bronze statue of a boy riding a horse. National Archaeological Museum Athens. Circa 140 BC. Cat No X 15177<br />
<br />
Retrieved in pieces from a shipwreck of Cape Artemision in Euboea. The young jockey holds a rein in his left hand and a whip in his right. His face has a passionate expression with furrowas on his face. The pieces of the Bronze sculpture were reassembled in 1971.
  • 'Jockey of Artrmision' a Hellenistic bronze statue of a boy riding a horse. National Archaeological Museum Athens. Circa 140 BC. Cat No X 15177. Against grey<br />
<br />
Retrieved in pieces from a shipwreck of Cape Artemision in Euboea. The young jockey holds a rein in his left hand and a whip in his right. His face has a passionate expression with furrowas on his face. The pieces of the Bronze sculpture were reassembled in 1971.
  • 'Jockey of Artrmision' a Hellenistic bronze statue of a boy riding a horse. National Archaeological Museum Athens. Circa 140 BC. Cat No X 15177. Against grey<br />
<br />
Retrieved in pieces from a shipwreck of Cape Artemision in Euboea. The young jockey holds a rein in his left hand and a whip in his right. His face has a passionate expression with furrowas on his face. The pieces of the Bronze sculpture were reassembled in 1971.
  • 'Jockey of Artrmision' a Hellenistic bronze statue of a boy riding a horse. National Archaeological Museum Athens. Circa 140 BC. Cat No X 15177. Against white, <br />
<br />
Retrieved in pieces from a shipwreck of Cape Artemision in Euboea. The young jockey holds a rein in his left hand and a whip in his right. His face has a passionate expression with furrowas on his face. The pieces of the Bronze sculpture were reassembled in 1971.
  • 'Jockey of Artrmision' a Hellenistic bronze statue of a boy riding a horse. National Archaeological Museum Athens. Circa 140 BC. Cat No X 15177<br />
<br />
Retrieved in pieces from a shipwreck of Cape Artemision in Euboea. The young jockey holds a rein in his left hand and a whip in his right. His face has a passionate expression with furrowas on his face. The pieces of the Bronze sculpture were reassembled in 1971.
  • Severe Style Ancient Greek bronze sculpture of a charioteer, 480-460 BC, Delphi National Archaeological Museum.   Against black<br />
<br />
The Charioteer is a rare example of Severe Style bronze statue that only servived ancient looters  because it was buried by an earthquake. Plain and austere it mirrors the preveiling aestheics expected from ancient greek atheletes. The statue was probably sculpted following the teachings of Pythagoras of Samos due to its exact symetrical proportions
  • Severe Style Ancient Greek bronze sculpture of a charioteer, 480-460 BC, Delphi National Archaeological Museum.   Against white.<br />
<br />
The Charioteer is a rare example of Severe Style bronze statue that only servived ancient looters  because it was buried by an earthquake. Plain and austere it mirrors the preveiling aestheics expected from ancient greek atheletes. The statue was probably sculpted following the teachings of Pythagoras of Samos due to its exact symetrical proportions
  • Severe Style Ancient Greek bronze sculpture of a charioteer, 480-460 BC, Delphi National Archaeological Museum.   Against grey.<br />
<br />
The Charioteer is a rare example of Severe Style bronze statue that only servived ancient looters  because it was buried by an earthquake. Plain and austere it mirrors the preveiling aestheics expected from ancient greek atheletes. The statue was probably sculpted following the teachings of Pythagoras of Samos due to its exact symetrical proportions
  • Severe Style Ancient Greek bronze sculpture of a charioteer, 480-460 BC, Delphi National Archaeological Museum.   Against black<br />
<br />
The Charioteer is a rare example of Severe Style bronze statue that only servived ancient looters  because it was buried by an earthquake. Plain and austere it mirrors the preveiling aestheics expected from ancient greek atheletes. The statue was probably sculpted following the teachings of Pythagoras of Samos due to its exact symetrical proportions
  • Severe Style Ancient Greek bronze sculpture of a charioteer, 480-460 BC, Delphi National Archaeological Museum.   Against grey.<br />
<br />
The Charioteer is a rare example of Severe Style bronze statue that only servived ancient looters  because it was buried by an earthquake. Plain and austere it mirrors the preveiling aestheics expected from ancient greek atheletes. The statue was probably sculpted following the teachings of Pythagoras of Samos due to its exact symetrical proportions
  • Severe Style Ancient Greek bronze sculpture of a charioteer, 480-460 BC, Delphi National Archaeological Museum. <br />
<br />
The Charioteer is a rare example of Severe Style bronze statue that only servived ancient looters  because it was buried by an earthquake. Plain and austere it mirrors the preveiling aestheics expected from ancient greek atheletes. The statue was probably sculpted following the teachings of Pythagoras of Samos due to its exact symetrical proportions
  • Severe Style Ancient Greek bronze sculpture of a charioteer, 480-460 BC, Delphi National Archaeological Museum.   Against grey.<br />
<br />
The Charioteer is a rare example of Severe Style bronze statue that only servived ancient looters  because it was buried by an earthquake. Plain and austere it mirrors the preveiling aestheics expected from ancient greek atheletes. The statue was probably sculpted following the teachings of Pythagoras of Samos due to its exact symetrical proportions
  • Severe Style Ancient Greek bronze sculpture of a charioteer, 480-460 BC, Delphi National Archaeological Museum. <br />
<br />
The Charioteer is a rare example of Severe Style bronze statue that only servived ancient looters  because it was buried by an earthquake. Plain and austere it mirrors the preveiling aestheics expected from ancient greek atheletes. The statue was probably sculpted following the teachings of Pythagoras of Samos due to its exact symetrical proportions
  • Severe Style Ancient Greek bronze sculpture of a charioteer, 480-460 BC, Delphi National Archaeological Museum.   Against black<br />
<br />
The Charioteer is a rare example of Severe Style bronze statue that only servived ancient looters  because it was buried by an earthquake. Plain and austere it mirrors the preveiling aestheics expected from ancient greek atheletes. The statue was probably sculpted following the teachings of Pythagoras of Samos due to its exact symetrical proportions
  • Severe Style Ancient Greek bronze sculpture of a charioteer, 480-460 BC, Delphi National Archaeological Museum. <br />
<br />
The Charioteer is a rare example of Severe Style bronze statue that only servived ancient looters  because it was buried by an earthquake. Plain and austere it mirrors the preveiling aestheics expected from ancient greek atheletes. The statue was probably sculpted following the teachings of Pythagoras of Samos due to its exact symetrical proportions
  • Severe Style Ancient Greek bronze sculpture of a charioteer, 480-460 BC, Delphi National Archaeological Museum.   Against grey.<br />
<br />
The Charioteer is a rare example of Severe Style bronze statue that only servived ancient looters  because it was buried by an earthquake. Plain and austere it mirrors the preveiling aestheics expected from ancient greek atheletes. The statue was probably sculpted following the teachings of Pythagoras of Samos due to its exact symetrical proportions
  • Severe Style Ancient Greek bronze sculpture of a charioteer, 480-460 BC, Delphi National Archaeological Museum.  Against white.<br />
<br />
The Charioteer is a rare example of Severe Style bronze statue that only servived ancient looters  because it was buried by an earthquake. Plain and austere it mirrors the preveiling aestheics expected from ancient greek atheletes. The statue was probably sculpted following the teachings of Pythagoras of Samos due to its exact symetrical proportions
  • Severe Style Ancient Greek bronze sculpture of a charioteer, 480-460 BC, Delphi National Archaeological Museum.   Against black<br />
<br />
The Charioteer is a rare example of Severe Style bronze statue that only servived ancient looters  because it was buried by an earthquake. Plain and austere it mirrors the preveiling aestheics expected from ancient greek atheletes. The statue was probably sculpted following the teachings of Pythagoras of Samos due to its exact symetrical proportions
  • Severe Style Ancient Greek bronze sculpture of a charioteer, 480-460 BC, Delphi National Archaeological Museum.   Against grey.<br />
<br />
The Charioteer is a rare example of Severe Style bronze statue that only servived ancient looters  because it was buried by an earthquake. Plain and austere it mirrors the preveiling aestheics expected from ancient greek atheletes. The statue was probably sculpted following the teachings of Pythagoras of Samos due to its exact symetrical proportions
  • Severe Style Ancient Greek bronze sculpture of a charioteer, 480-460 BC, Delphi National Archaeological Museum.   Against grey.<br />
<br />
The Charioteer is a rare example of Severe Style bronze statue that only servived ancient looters  because it was buried by an earthquake. Plain and austere it mirrors the preveiling aestheics expected from ancient greek atheletes. The statue was probably sculpted following the teachings of Pythagoras of Samos due to its exact symetrical proportions
  • Severe Style Ancient Greek bronze sculpture of a charioteer, 480-460 BC, Delphi National Archaeological Museum. <br />
<br />
The Charioteer is a rare example of Severe Style bronze statue that only servived ancient looters  because it was buried by an earthquake. Plain and austere it mirrors the preveiling aestheics expected from ancient greek atheletes. The statue was probably sculpted following the teachings of Pythagoras of Samos due to its exact symetrical proportions
  • Statue of Artemis, found at the 'House of Diadoumenos' on Delos. Pariam marble, Circa 100 BC. Athens Archaeological Museum, Cat No 1829. Against white, <br />
<br />
Artemis wears a chiton, a girt and himation. The diagonal strap ocross her breast will have held the quiver full of arrows. The Goddess's beauty is stressed by her elaborate coiffure.
  • Statue of Artemis, found at the 'House of Diadoumenos' on Delos. Pariam marble, Circa 100 BC. Athens Archaeological Museum, Cat No 1829.<br />
<br />
Artemis wears a chiton, a girt and himation. The diagonal strap ocross her breast will have held the quiver full of arrows. The Goddess's beauty is stressed by her elaborate coiffure.
  • Statue of Artemis, found at the 'House of Diadoumenos' on Delos. Pariam marble, Circa 100 BC. Athens Archaeological Museum, Cat No 1829. Against grey<br />
<br />
Artemis wears a chiton, a girt and himation. The diagonal strap ocross her breast will have held the quiver full of arrows. The Goddess's beauty is stressed by her elaborate coiffure.
  • Ancient Greek funerary statue of a women, type Small Herculaneum Woman style. From Delos circa 2nd Cent BC. Athens National Archaeological Museum. Cat No 1827. against black<br />
<br />
This marble statue from Delos shopws a women wearing a full length chiton and a himation that covers her entire body and arms. This style of statue is known os 'Small Herculaneum Woman' and is a copy of a famous original dating from 300 BC.
  • Ancient Greek funerary statue of a women, type Small Herculaneum Woman style. From Delos circa 2nd Cent BC. Athens National Archaeological Museum. Cat No 1827. Against grey<br />
<br />
This marble statue from Delos shopws a women wearing a full length chiton and a himation that covers her entire body and arms. This style of statue is known os 'Small Herculaneum Woman' and is a copy of a famous original dating from 300 BC.
  • Ancient Greek funerary statue of a women, type Small Herculaneum Woman style. From Delos circa 2nd Cent BC. Athens National Archaeological Museum. Cat No 1827, Against white, <br />
<br />
This marble statue from Delos shopws a women wearing a full length chiton and a himation that covers her entire body and arms. This style of statue is known os 'Small Herculaneum Woman' and is a copy of a famous original dating from 300 BC.
  • Ancient Greek funerary statue of a women, type Small Herculaneum Woman style. From Delos circa 2nd Cent BC. Athens National Archaeological Museum. Cat No 1827<br />
<br />
This marble statue from Delos shopws a women wearing a full length chiton and a himation that covers her entire body and arms. This style of statue is known os 'Small Herculaneum Woman' and is a copy of a famous original dating from 300 BC.
  • Ancient Greek funerary statue of a women, type Small Herculaneum Woman style. From Delos circa 2nd Cent BC. Athens National Archaeological Museum. Cat No 1827. Against grey<br />
<br />
This marble statue from Delos shopws a women wearing a full length chiton and a himation that covers her entire body and arms. This style of statue is known os 'Small Herculaneum Woman' and is a copy of a famous original dating from 300 BC.
  • 'Jockey of Artrmision' a Hellenistic bronze statue of a boy riding a horse. National Archaeological Museum Athens. Circa 140 BC. Cat No X 15177, Against white, <br />
<br />
Retrieved in pieces from a shipwreck of Cape Artemision in Euboea. The young jockey holds a rein in his left hand and a whip in his right. His face has a passionate expression with furrowas on his face. The pieces of the Bronze sculpture were reassembled in 1971.
  • 'Jockey of Artrmision' a Hellenistic bronze statue of a boy riding a horse. National Archaeological Museum Athens. Circa 140 BC. Cat No X 15177<br />
<br />
Retrieved in pieces from a shipwreck of Cape Artemision in Euboea. The young jockey holds a rein in his left hand and a whip in his right. His face has a passionate expression with furrowas on his face. The pieces of the Bronze sculpture were reassembled in 1971.
  • 'Jockey of Artrmision' a Hellenistic bronze statue of a boy riding a horse. National Archaeological Museum Athens. Circa 140 BC. Cat No X 15177. Against grey<br />
<br />
Retrieved in pieces from a shipwreck of Cape Artemision in Euboea. The young jockey holds a rein in his left hand and a whip in his right. His face has a passionate expression with furrowas on his face. The pieces of the Bronze sculpture were reassembled in 1971.
  • 'Jockey of Artrmision' a Hellenistic bronze statue of a boy riding a horse. National Archaeological Museum Athens. Circa 140 BC. Cat No X 15177. Against grey<br />
<br />
Retrieved in pieces from a shipwreck of Cape Artemision in Euboea. The young jockey holds a rein in his left hand and a whip in his right. His face has a passionate expression with furrowas on his face. The pieces of the Bronze sculpture were reassembled in 1971.
  • 'Jockey of Artrmision' a Hellenistic bronze statue of a boy riding a horse. National Archaeological Museum Athens. Circa 140 BC. Cat No X 15177<br />
<br />
Retrieved in pieces from a shipwreck of Cape Artemision in Euboea. The young jockey holds a rein in his left hand and a whip in his right. His face has a passionate expression with furrowas on his face. The pieces of the Bronze sculpture were reassembled in 1971.
  • 'Jockey of Artrmision' a Hellenistic bronze statue of a boy riding a horse. National Archaeological Museum Athens. Circa 140 BC. Cat No X 15177<br />
<br />
Retrieved in pieces from a shipwreck of Cape Artemision in Euboea. The young jockey holds a rein in his left hand and a whip in his right. His face has a passionate expression with furrowas on his face. The pieces of the Bronze sculpture were reassembled in 1971.
  • 'Jockey of Artrmision' a Hellenistic bronze statue of a boy riding a horse. National Archaeological Museum Athens. Circa 140 BC. Cat No X 15177. Against grey<br />
<br />
Retrieved in pieces from a shipwreck of Cape Artemision in Euboea. The young jockey holds a rein in his left hand and a whip in his right. His face has a passionate expression with furrowas on his face. The pieces of the Bronze sculpture were reassembled in 1971.
  • 'Jockey of Artrmision' a Hellenistic bronze statue of a boy riding a horse. National Archaeological Museum Athens. Circa 140 BC. Cat No X 15177, Against white, <br />
<br />
Retrieved in pieces from a shipwreck of Cape Artemision in Euboea. The young jockey holds a rein in his left hand and a whip in his right. His face has a passionate expression with furrowas on his face. The pieces of the Bronze sculpture were reassembled in 1971.
  • 'Jockey of Artrmision' a Hellenistic bronze statue of a boy riding a horse. National Archaeological Museum Athens. Circa 140 BC. Cat No X 15177<br />
<br />
Retrieved in pieces from a shipwreck of Cape Artemision in Euboea. The young jockey holds a rein in his left hand and a whip in his right. His face has a passionate expression with furrowas on his face. The pieces of the Bronze sculpture were reassembled in 1971.
  • 'Jockey of Artrmision' a Hellenistic bronze statue of a boy riding a horse. National Archaeological Museum Athens. Circa 140 BC. Cat No X 15177. Against grey<br />
<br />
Retrieved in pieces from a shipwreck of Cape Artemision in Euboea. The young jockey holds a rein in his left hand and a whip in his right. His face has a passionate expression with furrowas on his face. The pieces of the Bronze sculpture were reassembled in 1971.
  • Severe Style Ancient Greek bronze sculpture of a charioteer, 480-460 BC, Delphi National Archaeological Museum.   Against black<br />
<br />
The Charioteer is a rare example of Severe Style bronze statue that only servived ancient looters  because it was buried by an earthquake. Plain and austere it mirrors the preveiling aestheics expected from ancient greek atheletes. The statue was probably sculpted following the teachings of Pythagoras of Samos due to its exact symetrical proportions
  • Severe Style Ancient Greek bronze sculpture of a charioteer, 480-460 BC, Delphi National Archaeological Museum.   Against grey.<br />
<br />
The Charioteer is a rare example of Severe Style bronze statue that only servived ancient looters  because it was buried by an earthquake. Plain and austere it mirrors the preveiling aestheics expected from ancient greek atheletes. The statue was probably sculpted following the teachings of Pythagoras of Samos due to its exact symetrical proportions
  • Severe Style Ancient Greek bronze sculpture of a charioteer, 480-460 BC, Delphi National Archaeological Museum.  Against white.<br />
<br />
The Charioteer is a rare example of Severe Style bronze statue that only servived ancient looters  because it was buried by an earthquake. Plain and austere it mirrors the preveiling aestheics expected from ancient greek atheletes. The statue was probably sculpted following the teachings of Pythagoras of Samos due to its exact symetrical proportions
  • Statue of Artemis, found at the 'House of Diadoumenos' on Delos. Pariam marble, Circa 100 BC. Athens Archaeological Museum, Cat No 1829. against black<br />
Artemis wears a chiton, a girt and himation. The diagonal strap ocross her breast will have held the quiver full of arrows. The Goddess's beauty is stressed by her elaborate coiffure.
  • 'Jockey of Artrmision' a Hellenistic bronze statue of a boy riding a horse. National Archaeological Museum Athens. Circa 140 BC. Cat No X 15177<br />
<br />
Retrieved in pieces from a shipwreck of Cape Artemision in Euboea. The young jockey holds a rein in his left hand and a whip in his right. His face has a passionate expression with furrowas on his face. The pieces of the Bronze sculpture were reassembled in 1971.
  • 'Jockey of Artrmision' a Hellenistic bronze statue of a boy riding a horse. National Archaeological Museum Athens. Circa 140 BC. Cat No X 15177, Against white, <br />
<br />
Retrieved in pieces from a shipwreck of Cape Artemision in Euboea. The young jockey holds a rein in his left hand and a whip in his right. His face has a passionate expression with furrowas on his face. The pieces of the Bronze sculpture were reassembled in 1971.
  • 'Jockey of Artrmision' a Hellenistic bronze statue of a boy riding a horse. National Archaeological Museum Athens. Circa 140 BC. Cat No X 15177<br />
<br />
Retrieved in pieces from a shipwreck of Cape Artemision in Euboea. The young jockey holds a rein in his left hand and a whip in his right. His face has a passionate expression with furrowas on his face. The pieces of the Bronze sculpture were reassembled in 1971.
  • Severe Style Ancient Greek bronze sculpture of a charioteer, 480-460 BC, Delphi National Archaeological Museum.  Against white.<br />
<br />
The Charioteer is a rare example of Severe Style bronze statue that only servived ancient looters  because it was buried by an earthquake. Plain and austere it mirrors the preveiling aestheics expected from ancient greek atheletes. The statue was probably sculpted following the teachings of Pythagoras of Samos due to its exact symetrical proportions
  • Severe Style Ancient Greek bronze sculpture of a charioteer, 480-460 BC, Delphi National Archaeological Museum.   Against grey.<br />
<br />
The Charioteer is a rare example of Severe Style bronze statue that only servived ancient looters  because it was buried by an earthquake. Plain and austere it mirrors the preveiling aestheics expected from ancient greek atheletes. The statue was probably sculpted following the teachings of Pythagoras of Samos due to its exact symetrical proportions
  • Statue of Artemis, found at the 'House of Diadoumenos' on Delos. Pariam marble, Circa 100 BC. Athens Archaeological Museum, Cat No 1829.<br />
<br />
Artemis wears a chiton, a girt and himation. The diagonal strap ocross her breast will have held the quiver full of arrows. The Goddess's beauty is stressed by her elaborate coiffure.
  • 'Jockey of Artrmision' a Hellenistic bronze statue of a boy riding a horse. National Archaeological Museum Athens. Circa 140 BC. Cat No X 15177, Against white, <br />
<br />
Retrieved in pieces from a shipwreck of Cape Artemision in Euboea. The young jockey holds a rein in his left hand and a whip in his right. His face has a passionate expression with furrowas on his face. The pieces of the Bronze sculpture were reassembled in 1971.
  • 'Jockey of Artrmision' a Hellenistic bronze statue of a boy riding a horse. National Archaeological Museum Athens. Circa 140 BC. Cat No X 15177. Against grey<br />
<br />
Retrieved in pieces from a shipwreck of Cape Artemision in Euboea. The young jockey holds a rein in his left hand and a whip in his right. His face has a passionate expression with furrowas on his face. The pieces of the Bronze sculpture were reassembled in 1971.

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