• Egyptian funerary Stele from the New Kingdom Period, 1550-1070 B.C, from Thebes (Luxor). The stele is from a carpenters grave a shows at the top left sitting with his wife Amon-Mose holding a chisel between 2 wheat heads. Opposite them their son Honsu is offering a present to both. On the right Neferonpet is making an offering to his parents. At the bottom a sitting couple are offered presents by their sons & daughters. Istanbul Archaeological Museum Inv. no 10865
  • Egyptian funerary Stele from the New Kingdom Period, 1550-1070 B.C, from Thebes (Luxor). The stele is from a carpenters grave a shows at the top left sitting with his wife Amon-Mose holding a chisel between 2 wheat heads. Opposite them their son Honsu is offering a present to both. On the right Neferonpet is making an offering to his parents. At the bottom a sitting couple are offered presents by their sons & daughters. Istanbul Archaeological Museum Inv. no 10865
  • Egyptian funerary Stele from the New Kingdom Period, 1550-1070 B.C, from Thebes (Luxor). Istanbul Archaeological Museum Inv. no 10865
  • Ancient Egyptian relief portrait fragment of King Akhenaten from Amarna. 18th Dynasty 1345 BC . Neues Museum Berlin 1985.328.3: Gift from New York Metropolitan Museum, Norbert Schimmel.
  • Ancient Egyptian relief portrait fragment of King Akhenaten from Amarna. 18th Dynasty 1345 BC . Neues Museum Berlin 1985.328.3: Gift from New York Metropolitan Museum, Norbert Schimmel.
  • Ancient Egyptian relief portrait fragment of King Akhenaten from Amarna. 18th Dynasty 1345 BC . Neues Museum Berlin 1985.328.3: Gift from New York Metropolitan Museum, Norbert Schimmel.
  • Ancient Egyptian relief portrait fragment of King Akhenaten from Amarna. 18th Dynasty 1345 BC . Neues Museum Berlin 1985.328.3: Gift from New York Metropolitan Museum, Norbert Schimmel.
  • Ancient Egyptian relief portrait fragment of King Akhenaten from Amarna. 18th Dynasty 1345 BC . Neues Museum Berlin 1985.328.3: Gift from New York Metropolitan Museum, Norbert Schimmel.
  • Ancient Egyptian shabtis doll, lwood, New Kingdom, 18th Dynasty, (1538-1040 BC), Deir el Medina. Egyptian Museum, Turin.Grey background. <br />
<br />
shabti figures began to occur in Middle Kingdom tombs with a twofold nature: on <br />
the one hand, they were meant to be images of their owners, representatives of the deceased in the realm of the Lord of Eternity. <br />
On the other hand, they were also considered to be servants of the deceased, taking the role of the servant statues. The complex <br />
nature of the shabti figure as a substitute of both the owner and his or her servants remains unaltered during the New Kingdom
  • Ancient Egyptian shabtis doll, lwood, New Kingdom, 18th Dynasty, (1538-1040 BC), Deir el Medina. Egyptian Museum, Turin. white background. <br />
<br />
shabti figures began to occur in Middle Kingdom tombs with a twofold nature: on <br />
the one hand, they were meant to be images of their owners, representatives of the deceased in the realm of the Lord of Eternity. <br />
On the other hand, they were also considered to be servants of the deceased, taking the role of the servant statues. The complex <br />
nature of the shabti figure as a substitute of both the owner and his or her servants remains unaltered during the New Kingdom
  • Ancient Egyptian shabtis doll, lwood, New Kingdom, 18th Dynasty, (1538-1040 BC), Deir el Medina. Egyptian Museum, Turin. <br />
<br />
shabti figures began to occur in Middle Kingdom tombs with a twofold nature: on <br />
the one hand, they were meant to be images of their owners, representatives of the deceased in the realm of the Lord of Eternity. <br />
On the other hand, they were also considered to be servants of the deceased, taking the role of the servant statues. The complex <br />
nature of the shabti figure as a substitute of both the owner and his or her servants remains unaltered during the New Kingdom
  • Ancient Egyptian shabtis doll, lwood, New Kingdom, 18th Dynasty, (1538-1040 BC), Deir el Medina. Egyptian Museum, Turin. black background <br />
<br />
shabti figures began to occur in Middle Kingdom tombs with a twofold nature: on <br />
the one hand, they were meant to be images of their owners, representatives of the deceased in the realm of the Lord of Eternity. <br />
On the other hand, they were also considered to be servants of the deceased, taking the role of the servant statues. The complex <br />
nature of the shabti figure as a substitute of both the owner and his or her servants remains unaltered during the New Kingdom
  • Ancient Egyptian shabtis doll, lwood, New Kingdom, 18th Dynasty, (1538-1040 BC), Deir el Medina. Egyptian Museum, Turin. Grey background. <br />
<br />
shabti figures began to occur in Middle Kingdom tombs with a twofold nature: on <br />
the one hand, they were meant to be images of their owners, representatives of the deceased in the realm of the Lord of Eternity. <br />
On the other hand, they were also considered to be servants of the deceased, taking the role of the servant statues. The complex <br />
nature of the shabti figure as a substitute of both the owner and his or her servants remains unaltered during the New Kingdom
  • Ancient Egyptian shabtis doll, lwood, New Kingdom, 18th Dynasty, (1538-1040 BC), Deir el Medina. Egyptian Museum, Turin. Grey background. <br />
<br />
shabti figures began to occur in Middle Kingdom tombs with a twofold nature: on <br />
the one hand, they were meant to be images of their owners, representatives of the deceased in the realm of the Lord of Eternity. <br />
On the other hand, they were also considered to be servants of the deceased, taking the role of the servant statues. The complex <br />
nature of the shabti figure as a substitute of both the owner and his or her servants remains unaltered during the New Kingdom
  • Ancient Egyptian head of a Thutmosid Thutmose king, New Kingdom, 18th Dynasty (1550-1292 BC), Thebes. Egyptian Museum, Turin. White background<br />
The Eighteenth Dynasty of Egypt  is classified as the first dynasty of the New Kingdom of Egypt, the era in which ancient Egypt achieved the peak of its power. This dynasty is also known as the Thutmosid Dynasty for the four pharaohs named Thutmose. Founded by Ahmose I who was suceeded by Thutmose I, Thutmose II, Thutmose III
  • Ancient Egyptian head of a Thutmosid Thutmose king, New Kingdom, 18th Dynasty (1550-1292 BC), Thebes. Egyptian Museum, Turin. Grey background.<br />
<br />
The Eighteenth Dynasty of Egypt  is classified as the first dynasty of the New Kingdom of Egypt, the era in which ancient Egypt achieved the peak of its power. This dynasty is also known as the Thutmosid Dynasty for the four pharaohs named Thutmose. Founded by Ahmose I who was suceeded by Thutmose I, Thutmose II, Thutmose III
  • Ancient Egyptian head of a Thutmosid Thutmose king, New Kingdom, 18th Dynasty (1550-1292 BC), Thebes. Egyptian Museum, Turin. Grey background.<br />
<br />
The Eighteenth Dynasty of Egypt  is classified as the first dynasty of the New Kingdom of Egypt, the era in which ancient Egypt achieved the peak of its power. This dynasty is also known as the Thutmosid Dynasty for the four pharaohs named Thutmose. Founded by Ahmose I who was suceeded by Thutmose I, Thutmose II, Thutmose III
  • Ancient Egyptian shabti box, wood, Intermediate Period, 21st-22nd Dynasty (1076-746 BC), Thebes, Egyptian Museum, Turin. Grey background.<br />
<br />
Floor 1 room 10 of Museum - Essential items of funerary equipment from the New Kingdom on, shabti figures, of which there could be from 1 to over 400 examples in a single tomb, were meant to substitute for the deceased whenever he or she was called upon to perform manual labor in the afterlife. the shabti box is a decorated wooden box to hold the figures<br />
<br />
Essential items of funerary equipment from the New Kingdom on, shabti figures, of which there could be from 1 to over 400 examples in a single tomb, were meant to substitute for the deceased whenever he or she was called upon to perform manual labor in the afterlife. the shabti box is a decorated wooden box to hold the figures
  • Ancient Egyptian shabti box, wood, Intermediate Period, 21st-22nd Dynasty (1076-746 BC), Thebes, Egyptian Museum, Turin. Grey background.<br />
<br />
Floor 1 room 10 of Museum - Essential items of funerary equipment from the New Kingdom on, shabti figures, of which there could be from 1 to over 400 examples in a single tomb, were meant to substitute for the deceased whenever he or she was called upon to perform manual labor in the afterlife. the shabti box is a decorated wooden box to hold the figures<br />
<br />
Essential items of funerary equipment from the New Kingdom on, shabti figures, of which there could be from 1 to over 400 examples in a single tomb, were meant to substitute for the deceased whenever he or she was called upon to perform manual labor in the afterlife. the shabti box is a decorated wooden box to hold the figures
  • Ancient Egyptian head of a Thutmosid Thutmose king, New Kingdom, 18th Dynasty (1550-1292 BC), Thebes. Egyptian Museum, Turin. Black background.<br />
<br />
The Eighteenth Dynasty of Egypt  is classified as the first dynasty of the New Kingdom of Egypt, the era in which ancient Egypt achieved the peak of its power. This dynasty is also known as the Thutmosid Dynasty for the four pharaohs named Thutmose. Founded by Ahmose I who was suceeded by Thutmose I, Thutmose II, Thutmose III
  • Ancient Egyptian head of a Thutmosid Thutmose king, New Kingdom, 18th Dynasty (1550-1292 BC), Thebes. Egyptian Museum, Turin. Grey background.<br />
<br />
The Eighteenth Dynasty of Egypt  is classified as the first dynasty of the New Kingdom of Egypt, the era in which ancient Egypt achieved the peak of its power. This dynasty is also known as the Thutmosid Dynasty for the four pharaohs named Thutmose. Founded by Ahmose I who was suceeded by Thutmose I, Thutmose II, Thutmose III
  • Ancient Egyptian head of a Thutmosid Thutmose king, New Kingdom, 18th Dynasty (1550-1292 BC), Thebes. Egyptian Museum, Turin. <br />
<br />
The Eighteenth Dynasty of Egypt  is classified as the first dynasty of the New Kingdom of Egypt, the era in which ancient Egypt achieved the peak of its power. This dynasty is also known as the Thutmosid Dynasty for the four pharaohs named Thutmose. Founded by Ahmose I who was suceeded by Thutmose I, Thutmose II, Thutmose III
  • Ancient Egyptian head of a Thutmosid Thutmose king, New Kingdom, 18th Dynasty (1550-1292 BC), Thebes. Egyptian Museum, Turin. White background<br />
The Eighteenth Dynasty of Egypt  is classified as the first dynasty of the New Kingdom of Egypt, the era in which ancient Egypt achieved the peak of its power. This dynasty is also known as the Thutmosid Dynasty for the four pharaohs named Thutmose. Founded by Ahmose I who was suceeded by Thutmose I, Thutmose II, Thutmose III
  • Ancient Egyptian head of a Thutmosid Thutmose king, New Kingdom, 18th Dynasty (1550-1292 BC), Thebes. Egyptian Museum, Turin. Black background.<br />
<br />
The Eighteenth Dynasty of Egypt  is classified as the first dynasty of the New Kingdom of Egypt, the era in which ancient Egypt achieved the peak of its power. This dynasty is also known as the Thutmosid Dynasty for the four pharaohs named Thutmose. Founded by Ahmose I who was suceeded by Thutmose I, Thutmose II, Thutmose III
  • Ancient Egyptian head of a Thutmosid Thutmose king, New Kingdom, 18th Dynasty (1550-1292 BC), Thebes. Egyptian Museum, Turin. Grey background.<br />
<br />
The Eighteenth Dynasty of Egypt  is classified as the first dynasty of the New Kingdom of Egypt, the era in which ancient Egypt achieved the peak of its power. This dynasty is also known as the Thutmosid Dynasty for the four pharaohs named Thutmose. Founded by Ahmose I who was suceeded by Thutmose I, Thutmose II, Thutmose III
  • Ancient Egyptian head of a Thutmosid Thutmose king, New Kingdom, 18th Dynasty (1550-1292 BC), Thebes. Egyptian Museum, Turin. <br />
<br />
The Eighteenth Dynasty of Egypt  is classified as the first dynasty of the New Kingdom of Egypt, the era in which ancient Egypt achieved the peak of its power. This dynasty is also known as the Thutmosid Dynasty for the four pharaohs named Thutmose. Founded by Ahmose I who was suceeded by Thutmose I, Thutmose II, Thutmose III
  • Ancient Egyptian shabti box, wood, Intermediate Period, 21st-22nd Dynasty (1076-746 BC), Thebes, Egyptian Museum, Turin. Grey background.<br />
<br />
Floor 1 room 10 of Museum - Essential items of funerary equipment from the New Kingdom on, shabti figures, of which there could be from 1 to over 400 examples in a single tomb, were meant to substitute for the deceased whenever he or she was called upon to perform manual labor in the afterlife. the shabti box is a decorated wooden box to hold the figures<br />
<br />
Essential items of funerary equipment from the New Kingdom on, shabti figures, of which there could be from 1 to over 400 examples in a single tomb, were meant to substitute for the deceased whenever he or she was called upon to perform manual labor in the afterlife. the shabti box is a decorated wooden box to hold the figures
  • Ancient Egyptian shabti box of the steward of Djehutyhotep, wood, New Kingdom, 18th Dynasty (1450-1350 BC), Egyptian Museum, Turin. Old Fund Cat 2443. white background, <br />
Essential items of funerary equipment from the New Kingdom on, shabti figures, of which there could be from 1 to over 400 examples in a single tomb, were meant to substitute for the deceased whenever he or she was called upon to perform manual labor in the afterlife. the shabti box is a decorated wooden box to hold the figures
  • Ancient Egyptian shabti box of the steward of Djehutyhotep, wood, New Kingdom, 18th Dynasty (1450-1350 BC), Egyptian Museum, Turin. Old Fund Cat 2443. <br />
Essential items of funerary equipment from the New Kingdom on, shabti figures, of which there could be from 1 to over 400 examples in a single tomb, were meant to substitute for the deceased whenever he or she was called upon to perform manual labor in the afterlife. the shabti box is a decorated wooden box to hold the figures
  • Ancient Egyptian shabti box of the steward of Djehutyhotep, wood, New Kingdom, 18th Dynasty (1450-1350 BC), Egyptian Museum, Turin. Old Fund Cat 2443. black background<br />
<br />
Essential items of funerary equipment from the New Kingdom on, shabti figures, of which there could be from 1 to over 400 examples in a single tomb, were meant to substitute for the deceased whenever he or she was called upon to perform manual labor in the afterlife. the shabti box is a decorated wooden box to hold the figures
  • Ancient Egyptian shabti box of the steward of Djehutyhotep, wood, New Kingdom, 18th Dynasty (1450-1350 BC), Egyptian Museum, Turin.Old Fund Cat 2443. Grey background.<br />
<br />
Essential items of funerary equipment from the New Kingdom on, shabti figures, of which there could be from 1 to over 400 examples in a single tomb, were meant to substitute for the deceased whenever he or she was called upon to perform manual labor in the afterlife. the shabti box is a decorated wooden box to hold the figures
  • Ancient Egyptian shabti box of the steward of Djehutyhotep, wood, New Kingdom, 18th Dynasty (1450-1350 BC), Egyptian Museum, Turin. Old Fund Cat 2443. Grey background.<br />
<br />
Essential items of funerary equipment from the New Kingdom on, shabti figures, of which there could be from 1 to over 400 examples in a single tomb, were meant to substitute for the deceased whenever he or she was called upon to perform manual labor in the afterlife. the shabti box is a decorated wooden box to hold the figures
  • Ancient Egyptian shabtis doll, New Kingdom,. Egyptian Museum, Turin. Grey background.
  • Ancient Egyptian shabtis doll, New Kingdom,. Egyptian Museum, Turin. Grey background.
  • Ancient Egyptian shabtis doll, New Kingdom,. Egyptian Museum, Turin. Grey background.
  • Ancient Egyptian shabtis doll, New Kingdom,. Egyptian Museum, Turin. Grey background.
  • Ancient Egyptian shabtis doll, New Kingdom,. Egyptian Museum, Turin. Grey background.
  • Ancient Egyptian shabtis doll, New Kingdom,. Egyptian Museum, Turin. Grey background.
  • Ancient Egyptian shabtis doll, New Kingdom,. Egyptian Museum, Turin. Grey background.
  • Ancient Egyptian Imesty or Amset Canopic Jar,  New Kingdom,  Egyptian Museum, Turin. White background<br />
<br />
The canopic jars were four in number, each for the safekeeping of particular human organs: the stomach, intestines, lungs, and liver, all of which, it was believed, would be needed in the afterlife. Imsety, the human-headed god representing the South, whose jar contained the liver and was protected by the goddess Isis.
  • Ancient Egyptian Imesty or Amset Canopic Jar,  New Kingdom,  Egyptian Museum, Turin. Black background<br />
<br />
The canopic jars were four in number, each for the safekeeping of particular human organs: the stomach, intestines, lungs, and liver, all of which, it was believed, would be needed in the afterlife. Imsety, the human-headed god representing the South, whose jar contained the liver and was protected by the goddess Isis.
  • Ancient Egyptian Imesty or Amset Canopic Jar,  New Kingdom,  Egyptian Museum, Turin. Grey background.<br />
<br />
The canopic jars were four in number, each for the safekeeping of particular human organs: the stomach, intestines, lungs, and liver, all of which, it was believed, would be needed in the afterlife. Imsety, the human-headed god representing the South, whose jar contained the liver and was protected by the goddess Isis.
  • Ancient Egyptian Imesty or Amset Canopic Jar,  New Kingdom,  Egyptian Museum, Turin.<br />
<br />
The canopic jars were four in number, each for the safekeeping of particular human organs: the stomach, intestines, lungs, and liver, all of which, it was believed, would be needed in the afterlife. Imsety, the human-headed god representing the South, whose jar contained the liver and was protected by the goddess Isis.
  • Ancient Egyptian Imesty or Amset Canopic Jar,  New Kingdom,  Egyptian Museum, Turin. Grey background.<br />
<br />
The canopic jars were four in number, each for the safekeeping of particular human organs: the stomach, intestines, lungs, and liver, all of which, it was believed, would be needed in the afterlife. Imsety, the human-headed god representing the South, whose jar contained the liver and was protected by the goddess Isis.
  • Female ancient Egyptian statue, New Kingdom, 18th Dynasty, (1480-1390 BC), Thebes Necropolis. Egyptian Museum, Turin. white background. Drovetti collection.
  • Female ancient Egyptian statue, New Kingdom, 18th Dynasty, (1480-1390 BC), Thebes Necropolis. Egyptian Museum, Turin. black background. Drovetti collection.
  • Female ancient Egyptian statue, New Kingdom, 18th Dynasty, (1480-1390 BC), Thebes Necropolis. Egyptian Museum, Turin.  Drovetti collection.
  • Female ancient Egyptian statue, New Kingdom, 18th Dynasty, (1480-1390 BC), Thebes Necropolis. Egyptian Museum, Turin. Grey background. Drovetti collection.
  • Ancient Egyptian shabtis doll, New Kingdom,. Egyptian Museum, Turin. Grey background.
  • Ancient Egyptian shabtis doll, New Kingdom,. Egyptian Museum, Turin. Grey background.
  • Ancient Egyptian shabtis doll, New Kingdom,. Egyptian Museum, Turin. Grey background.
  • Female ancient Egyptian statue, New Kingdom, 18th Dynasty, (1480-1390 BC), Thebes Necropolis. Egyptian Museum, Turin. Grey background. Drovetti collection.
  • Ancient Egyptian Talatat block with a female worhiper of tambourine player relief, sandstone, New Kingdom, 18th Dynasty (1353-1336 BC), Thebes, Karnac. Egyptian Museum, Turin. White background.<br />
<br />
The talatat was introduced to increase the speed new monuments to Aten could be built. The talatat were smaller, about 52x26x24 cm, than the usual building blocks used and therfore were easier to handle and build with. They were first used on the new buildings of Akhenaten at Thebes during his reign, the, after his capital was moved , for the monumenta of Amarna. When Amon was restored all the Aten temples were taken down and their blocks used in other buildings. Over 100,000 talatat have been excavated so far in Thebes and they represent a massive jigsaw puzzle as archaeologist try to piece them together into their original reliefs.
  • Ancient Egyptian Talatat block with a female worhiper of tambourine player relief, sandstone, New Kingdom, 18th Dynasty (1353-1336 BC), Thebes, Karnac. Egyptian Museum, Turin. Grey background.<br />
<br />
The talatat was introduced to increase the speed new monuments to Aten could be built. The talatat were smaller, about 52x26x24 cm, than the usual building blocks used and therfore were easier to handle and build with. They were first used on the new buildings of Akhenaten at Thebes during his reign, the, after his capital was moved , for the monumenta of Amarna. When Amon was restored all the Aten temples were taken down and their blocks used in other buildings. Over 100,000 talatat have been excavated so far in Thebes and they represent a massive jigsaw puzzle as archaeologist try to piece them together into their original reliefs.
  • Ancient Egyptian Talatat block with a female worhiper of tambourine player relief, sandstone, New Kingdom, 18th Dynasty (1353-1336 BC), Thebes, Karnac. Egyptian Museum, Turin. <br />
<br />
The talatat was introduced to increase the speed new monuments to Aten could be built. The talatat were smaller, about 52x26x24 cm, than the usual building blocks used and therfore were easier to handle and build with. They were first used on the new buildings of Akhenaten at Thebes during his reign, the, after his capital was moved , for the monumenta of Amarna. When Amon was restored all the Aten temples were taken down and their blocks used in other buildings. Over 100,000 talatat have been excavated so far in Thebes and they represent a massive jigsaw puzzle as archaeologist try to piece them together into their original reliefs.
  • Ancient Egyptian Talatat block with a female worhiper of tambourine player relief, sandstone, New Kingdom, 18th Dynasty (1353-1336 BC), Thebes, Karnac. Egyptian Museum, Turin. Black background<br />
<br />
The talatat was introduced to increase the speed new monuments to Aten could be built. The talatat were smaller, about 52x26x24 cm, than the usual building blocks used and therfore were easier to handle and build with. They were first used on the new buildings of Akhenaten at Thebes during his reign, the, after his capital was moved , for the monumenta of Amarna. When Amon was restored all the Aten temples were taken down and their blocks used in other buildings. Over 100,000 talatat have been excavated so far in Thebes and they represent a massive jigsaw puzzle as archaeologist try to piece them together into their original reliefs.
  • Ancient Egyptian Talatat block with a female worhiper of tambourine player relief, sandstone, New Kingdom, 18th Dynasty (1353-1336 BC), Thebes, Karnac. Egyptian Museum, Turin. Grey background.<br />
<br />
The talatat was introduced to increase the speed new monuments to Aten could be built. The talatat were smaller, about 52x26x24 cm, than the usual building blocks used and therfore were easier to handle and build with. They were first used on the new buildings of Akhenaten at Thebes during his reign, the, after his capital was moved , for the monumenta of Amarna. When Amon was restored all the Aten temples were taken down and their blocks used in other buildings. Over 100,000 talatat have been excavated so far in Thebes and they represent a massive jigsaw puzzle as archaeologist try to piece them together into their original reliefs.
  • Ancient Egyptian wooden model of a man cooking a duck, New Kingdom, 11-13th Dynasty, (1980-1700 BC), Asyut. Egyptian Museum, Turin. Cat 8944. white background. <br />
<br />
Wooden tomb models were an Egyptian funerary custom throughout the Middle Kingdom in which wooden figurines and sets were constructed to be placed in the tombs of Egyptian royalty. These wooden models represented the work of servants, farmers, other skilled craftsman, armies, and religious rituals
  • Ancient Egyptian wooden model of a man cooking a duck, New Kingdom, 11-13th Dynasty, (1980-1700 BC), Asyut. Egyptian Museum, Turin. Cat 8944. Grey background. <br />
<br />
Wooden tomb models were an Egyptian funerary custom throughout the Middle Kingdom in which wooden figurines and sets were constructed to be placed in the tombs of Egyptian royalty. These wooden models represented the work of servants, farmers, other skilled craftsman, armies, and religious rituals
  • Ancient Egyptian sculpture of the head of a criosphinx, sandstone, New Kigdom, 18th Dynasty, (1390-1353 BC), Karnak, Temple of Khonsu. Egyptian Museum, Turin. Grey background,<br />
<br />
From the New kingdom onwards a particular image of the god Amon was adopted, the criosphinx, which was a sphinx whose human head was replaced by the head of a ram, the animal form of Amon. A large number of criosphinx are still standing in Karnak today. Drovetti collection. C 846.
  • Ancient Egyptian wooden model of a man cooking a duck, New Kingdom, 11-13th Dynasty, (1980-1700 BC), Asyut. Egyptian Museum, Turin. Cat 8944. black background. <br />
<br />
Wooden tomb models were an Egyptian funerary custom throughout the Middle Kingdom in which wooden figurines and sets were constructed to be placed in the tombs of Egyptian royalty. These wooden models represented the work of servants, farmers, other skilled craftsman, armies, and religious rituals
  • Ancient Egyptian wooden model of a man cooking a duck, New Kingdom, 11-13th Dynasty, (1980-1700 BC), Asyut. Egyptian Museum, Turin. Cat 8944. <br />
<br />
Wooden tomb models were an Egyptian funerary custom throughout the Middle Kingdom in which wooden figurines and sets were constructed to be placed in the tombs of Egyptian royalty. These wooden models represented the work of servants, farmers, other skilled craftsman, armies, and religious rituals
  • Ancient Egyptian sculpture of the head of a criosphinx, sandstone, New Kigdom, 18th Dynasty, (1390-1353 BC), Karnak, Temple of Khonsu. Egyptian Museum, Turin. black background,<br />
<br />
From the New kingdom onwards a particular image of the god Amon was adopted, the criosphinx, which was a sphinx whose human head was replaced by the head of a ram, the animal form of Amon. A large number of criosphinx are still standing in Karnak today. Drovetti collection. C 846.
  • Ancient Egyptian sculpture of the head of a criosphinx, sandstone, New Kigdom, 18th Dynasty, (1390-1353 BC), Karnak, Temple of Khonsu. Egyptian Museum, Turin. white background,<br />
<br />
From the New kingdom onwards a particular image of the god Amon was adopted, the criosphinx, which was a sphinx whose human head was replaced by the head of a ram, the animal form of Amon. A large number of criosphinx are still standing in Karnak today. Drovetti collection. C 846.
  • Ancient Egyptian sculpture of the head of a criosphinx, sandstone, New Kigdom, 18th Dynasty, (1390-1353 BC), Karnak, Temple of Khonsu. Egyptian Museum, Turin. <br />
<br />
From the New kingdom onwards a particular image of the god Amon was adopted, the criosphinx, which was a sphinx whose human head was replaced by the head of a ram, the animal form of Amon. A large number of criosphinx are still standing in Karnak today. Drovetti collection. C 846.
  • Ancient Egyptian sculpture of the head of a criosphinx, sandstone, New Kigdom, 18th Dynasty, (1390-1353 BC), Karnak, Temple of Khonsu. Egyptian Museum, Turin. Grey background,<br />
<br />
From the New kingdom onwards a particular image of the god Amon was adopted, the criosphinx, which was a sphinx whose human head was replaced by the head of a ram, the animal form of Amon. A large number of criosphinx are still standing in Karnak today. Drovetti collection. C 846.
  • Ancient Egyptian shabti box, wood, Intermediate Period, 21st-22nd Dynasty (1076-746 BC), Thebes, Egyptian Museum, Turin. Grey background.<br />
<br />
Floor 1 room 10 of Museum - Among the 401 shabti found in this tomb were 36 overseerers, one for every 10 servants. These were maent to serve the deceased in the afterlife<br />
<br />
Essential items of funerary equipment from the New Kingdom on, shabti figures, of which there could be from 1 to over 400 examples in a single tomb, were meant to substitute for the deceased whenever he or she was called upon to perform manual labor in the afterlife. the shabti box is a decorated wooden box to hold the figures
  • Ancient Egyptian Ra stele , limestone, New Kingdom, 19th Dynasty, (1279-1190 BC), Deir el-Medina,  Egyptian Museum, Turin. Grey background.<br />
<br />
On this round-topped stele, the deceased Pashed, <br />
"excellent spirit of Ra", akh-ikr, is pictured left, <br />
seated on a chair with lion's paws, smelling the lotus <br />
flower. The offering table holds a basket containing <br />
various offerings. A large open pomegranate, containing <br />
a great quantity of seeds, appears under the chair. The <br />
colours on this stele are well preserved.<br />
<br />
Akh iqer en Ra " the excellent spirit of Ra' stele. The individual is smelling a lotus flower. One of three stele forund in different rooms of houses in Deir el-Medina where they stood in niches.
  • Ancient Egyptian stele odedicated to Amon Re the "good Ram" by foreman Baki, limestone, New Kingdom, 19th Dynasty, (1290-1213 BC), Deir el-Medina, Drovetti cat 1549. Egyptian Museum, Turin. black background. Reign of Ramesses II.<br />
<br />
This round-topped stele is carved in low relief and painted <br />
in several colours. The pictorial plane is divided into two <br />
registers, the upper one containing two rams facing each <br />
other. The animals, with cobras rising on their foreheads, <br />
wear tall headdresses composed of two tall plumes with a <br />
solar disk at the centre. Between them is a small offering <br />
table with lotus flowers. The mirror image hieroglyphic <br />
inscription refers to the rams and reveals their divine <br />
nature as that of Amun-Ra. In the register below, <br />
foreman Baki is shown in the pose of adoration.
  • Ancient Egyptian stele dedicated to the god Khonsu by draftsman Pay, limestone, New Kingdom, 19th Dynasty, (1279-1213 BC), Deir el-Medina, Drovetti cat 1553. Egyptian Museum, Turin. Grey background
  • Ancient Egyptian stele of scraftsman Minhotep in adoration of Osiris, limestone, New Kingdom, 18th Dynasty, (1336-1292 BC), Deir el-Medina, Drovetti cat 1619. Egyptian Museum, Turin. white background<br />
<br />
The stele is dedicated to Osiris, Anubis and Hathor "Mistress of the World".
  • Ancient Egyptian funerary stele of painter Maya, limestone, New Kingdom, 18th Dynasty, (1336-1292 BC), Deir el-Medina,  Egyptian Museum, Turin. Grey background. Drovetti cat 1579.<br />
<br />
<br />
In the upper portion Maya and his wife Tamit pay homage to Osiris and Hathor, the gods of the necropolis. In the lower register is a similar scene in which his wife recieves food offerings from their many children, as was traditional at the time.
  • Ancient Egyptian funerary stele of painter Maya, limestone, New Kingdom, 18th Dynasty, (1336-1292 BC), Deir el-Medina,  Egyptian Museum, Turin.  Drovetti cat 1579.<br />
<br />
<br />
In the upper portion Maya and his wife Tamit pay homage to Osiris and Hathor, the gods of the necropolis. In the lower register is a similar scene in which his wife recieves food offerings from their many children, as was traditional at the time.
  • Ancient Egyptian ostracon dedicated by Amenkhau to Mereteseger, limestone, New Kingdom, 20th Dynasty, (1187-1150 BC), Deir el-Medina, ODrovetti cat 1564. Egyptian Museum, Turin. Grey background
  • Ancient Egyptian stele of sculptor Qen, limestone, New Kingdom, 19th Dynasty, (1279-1213 BC), Deir el-Medina, Old Fund cat 1635. Egyptian Museum, Turin. Grey background<br />
<br />
This stele belongs to the "painter of outlines' and sculptor Qen who lived in the reign of Ramesses II. It depicrs a funeral celebration for him infront of funerary chapel with his sond Meryre and Huy, who are performing the "ceremony of Opening of the Mouth". His daughter Taqri is depicted grieving over the loss of her father. The chapel is summounted by a Pyramidion.
  • South face of Ancient Egyptian Pyramidion of Ramose with depictionof Horus, Limestone, New Kingdom, 19th Dtnasty (1292-1190 BC), Dier el-Medina. Egyptian Museum, Turin. Old Fund cat 1603. white background<br />
<br />
<br />
The South face of the Ramose Pyramidion shows Horus standing in a dipole magnetic field supporting the strong coronal electric field of the Sun. The hieroglyphs read:<br />
 "The Stellar dipole magnetic field is supported by many negative charges or electrons."<br />
The limestone Pyramidion of Ramose, from the top of the tomb of the 'Necropolis Scribe'. Scenes on all four sides depict the worship of the sun.
  • Ancient Egyptian statuette of Taweret decicated to draughtsman Parahotep, wood, New Kingdom, 19 Dynasty, (14292-1190 BC), deir el Medina. Egyptian Museum, Turin. Grey background. Cat 526.<br />
<br />
 Taweret is the protective ancient Egyptian goddess of childbirth and fertility. The deity is typically depicted as a bipedal female hippopotamus with feline attributes, pendulous female human breasts, the limbs and paws of a lion, and the back and tail of a Nile crocodile.
  • Ancient Egyptian shabtis doll of Nuneb , wood, New Kingdom, 18th Dynasty, (1538-1292 BC), Deir el Medina. Egyptian Museum, Turin. Cat 2676. Grey background. <br />
<br />
Mummiform holding agricultural implements (hoes); good modelling; polychrome <br />
decoration painted on white gesso: Wig painted black, face and hands dark red; hoes <br />
painted red; large usekh collar painted red and black. Hieroglyphs painted black. Text: Painted hieroglyphs, 7 rows around body. Chapter VI of the Book of the Dead. Tomb TT291
  • Ancient Egyptian voitive statue of Nefratari, New Kingdom, 19th -20th Dynasty, (1292-1076 BC, Deir el-Medina. Egyptian Museum, Turin. Cat 1349. black background.<br />
<br />
Queen Ahmose Neferatari, wife and mother of Amenhoptec I show the great devotion she was held in by ancient Egyptians. The inscription on the base name the dedicators of the statue
  • Ancient Egyptian statue of Pawer and his wife Mut, New Kingdom, 18th Dynasty, (1480-1390 BC), Thebes Necropolis. Egyptian Museum, Turin. Drovetti collection. Cat 3057.<br />
<br />
Between the two adults is their son Samut in childhood nudity. The text specifies that the statue was commissioned by Mut.
  • Ancient Egyptian stelophorus statue of Ubenre, New Kingdom, 19th-20th Dynasty, (1292-1076 BC), Deir el-Medina, Egyptian Museum, Turin. Cat 3040. Grey background.<br />
<br />
This type of stele is so called stelophorous statue. It consists of kneeling figure holding or offering stele. They were produced from the 18th dynasty onwards. Such stelae were usually inscribed with hymns to the sun-god.
  • Ancient Egyptian statue of a Ram protecting King Amenhotep III, granite, New Kingdom, early 18th Dynasty (1390-1353), Karnak, Temple of Mut. Egyptian Museum, Turin. Grey background<br />
<br />
a figure of Amenhotep III as Osiris stands between the legs of the Ram. there is a hole in the top of the rams head for the insertion of a solar disk associating it to the god Amon, whose animal form is the ram, and with the sun god Re. The statue may have stood in the Soleb of Nubia. Drovetti Collection. C 836
  • Ancient Egyptian Sphinx statue, sandstone, New Kingdom, early 19th Dynasty (1292-1250), Karnak, Temple of Amon. Egyptian Museum, Turin. white background.<br />
<br />
The Phatoah and queen could be represented by Sphinx statues and by associating human faces with the body of a lion the Egyptians combined the strength of the animal that was connected to the sun god with human inetelligence. In this guardian rols sphinxes were generally placed facing each other on either side of temple gates, processional ways or dooways inside the temple. . Drovetti Collection. C1408
  • Ancient Egyptian Sphinx statue, sandstone, New Kingdom, early 19th Dynasty (1292-1250), Karnak, Temple of Amon. Egyptian Museum, Turin. black background<br />
<br />
The Phatoah and queen could be represented by Sphinx statues and by associating human faces with the body of a lion the Egyptians combined the strength of the animal that was connected to the sun god with human inetelligence. In this guardian rols sphinxes were generally placed facing each other on either side of temple gates, processional ways or dooways inside the temple. . Drovetti Collection. C1408
  • Ancient Egyptian Sphinx statue, sandstone, New Kingdom, early 19th Dynasty (1292-1250), Karnak, Temple of Amon. Egyptian Museum, Turin. Grey background<br />
<br />
The Phatoah and queen could be represented by Sphinx statues and by associating human faces with the body of a lion the Egyptians combined the strength of the animal that was connected to the sun god with human inetelligence. In this guardian rols sphinxes were generally placed facing each other on either side of temple gates, processional ways or dooways inside the temple. . Drovetti Collection. C1408
  • Ancient Egyptian statue of Hel, limestone, New Kingdom, late 18th Dynasty, (1320-1280 BC), Saqqara. Egyptian Museum, Turin. <br />
<br />
The women is seated on a cushioned stool. On her head is a lotus flower. In her left hand she holds a cloth in her right a counterweight for a meant necklace, a ritual instrument used in the cult of the goddess Hathor. the statue probably stood in a tomb in Saqqara necropolis of Memphis, where the Egyptian eletes of the time had splendid tombs with statues of s similar style. The inscription evokes the deceased "everything that comes forth in the presence of the gods of Memphis for Osiris, the lady of Hel..."
  • Ancient Egyptian statue of pharaoh Horemheb with god Amun, limestone, New Kingdom, 18th Dynasty, (1319-1292 BC). Egyptian Museum, Turin. black background.<br />
<br />
Horemheb stands beside the taller depiction of the god Amun. The statue is typical of the period following the religious and artistic revolution of King Akhenaten. The muscles are not emphasised and the contours are soft, with rounded hips and juvenile faces, the eyes are almond shaped and the cheeks and lips sensual. Some scholars believe this may have been a statue of Tutenkhamon remodelled by Horemheb. Dorvetti collection. C 768
  • Ancient Egyptian statue of goddess Sekhmet, grandodiorite, New Kingdom, 18th & 20thDynasty (1390-1150 BC), Thebes. Egyptian Museum, Turin. Grey Background.<br />
<br />
Sekhmet, "the Powerful One" was a fearsome goddess symbolised by her lioness head. Daughter of the sun she personifies the disk of the world during the day. Sekhmet is the angry manifestation of Hathor inflicting the scourges of summer heat, famine and illness which is why the goddess needed to be exorcised every day. Drovetti Collection. C 255
  • Ancient Egyptian statue of goddess Sekhmet, grandodiorite, New Kingdom, 18th & 20thDynasty (1390-1150 BC), Thebes. Egyptian Museum, Turin. Grey Background.<br />
<br />
Sekhmet, "the Powerful One" was a fearsome goddess symbolised by her lioness head. Daughter of the sun she personifies the disk of the world during the day. Sekhmet is the angry manifestation of Hathor inflicting the scourges of summer heat, famine and illness which is why the goddess needed to be exorcised every day. Drovetti Collection. C 255
  • Ancient Egyptian statue of goddess Sekhmet, grandodiorite, New Kingdom, 18th & 20thDynasty (1390-1150 BC), Thebes. Egyptian Museum, Turin. Grey Background.<br />
<br />
In this statue of Sekhmet the goddess is called "mistress of Shenut" possibly linking her to the lioness goddess Repyt of Anthribis.  Sekhmet, "the Powerful One" was a fearsome goddess symbolised by her lioness head. Daughter of the sun she personifies the disk of the world during the day. Sekhmet is the angry manifestation of Hathor inflicting the scourges of summer heat, famine and illness which is why the goddess needed to be exorcised every day. Drovetti Collection. C 248
  • Ancient Egyptian statue of goddess Sekhmet, grandodiorite, New Kingdom, 18th & 20thDynasty (1390-1150 BC), Thebes. Egyptian Museum, Turin. Grey Background.<br />
<br />
Sekhmet, "the Powerful One" was a fearsome goddess symbolised by her lioness head. Daughter of the sun she personifies the disk of the world during the day. Sekhmet is the angry manifestation of Hathor inflicting the scourges of summer heat, famine and illness which is why the goddess needed to be exorcised every day. Drovetti Collection. C 249
  • Ancient Egyptian statue of goddess Sekhmet, grandodiorite, New Kingdom, 18th & 20thDynasty (1390-1150 BC), Thebes. Egyptian Museum, Turin. Grey Background.<br />
<br />
This statue is unfinished and is in the stage before polishing. Sekhmet, "the Powerful One" was a fearsome goddess symbolised by her lioness head. Daughter of the sun she personifies the disk of the world during the day. Sekhmet is the angry manifestation of Hathor inflicting the scourges of summer heat, famine and illness which is why the goddess needed to be exorcised every day. Drovetti Collection. C 264
  • Ancient Egyptian statue of Tuthmosis II, granodorite, New Kingdom, 18th Dynasty, (1479-1425 BC), Karnak, Temple of Amun. Egyptian Museum, Turin. Grey background.<br />
<br />
Tuthmosis II is shown wearing Royal regalia including the shendyt kilt, the nemes headdress and the uraeus cobra on his forehead. Between his legs in a bulls tail, the symbol of power. On the sides of the throne is the sema-tawy, a sign composed of a lotus and papyrus, the symbols od Upper and Lower Egypt. Under the feet of the king are the Nine Bows, the enemies of Egypt. Together these symbolise that the pharaoh keeps the two halves of Egypt together and protects them against her enemies. Drovetti Collection. C 1376
  • Ancient Egyptian statue of Tuthmosis II, granodorite, New Kingdom, 18th Dynasty, (1479-1425 BC), Karnak, Temple of Amun. Egyptian Museum, Turin. Grey background.<br />
<br />
Tuthmosis II is shown wearing Royal regalia including the shendyt kilt, the nemes headdress and the uraeus cobra on his forehead. Between his legs in a bulls tail, the symbol of power. On the sides of the throne is the sema-tawy, a sign composed of a lotus and papyrus, the symbols od Upper and Lower Egypt. Under the feet of the king are the Nine Bows, the enemies of Egypt. Together these symbolise that the pharaoh keeps the two halves of Egypt together and protects them against her enemies. Drovetti Collection. C 1376
  • Colossal ancient Egyptian statue of Sethy II, sandstone, New Kingdom, 19th Dynasty, (1202-1198 BC), Karnak Temple of Amon. Egyptian Museum, Turin. black background.<br />
<br />
A striking monumental sculpture expresses the strength of Sethy II who is depicted with his muscular left leg forward to express jis capability. He holds the standard of Amon depicted on it. It stood in the courtyard of the temple at Karnak along with a sister statue, now in the Louvre.Drovetti Collection. C 1383
  • Ancient Egyptian statue of Ramesses II , granite, New Kingdom, 18th Dynasty, (1500-1400 BC, Karnak, Temple of Mut. Egyptian Museum, Turin. Grey background.<br />
<br />
The statue depicting Ramesses II  was reworked over a statue of an earlier pharaoh. This can be seen around the corners of the mouth which show reworking. The roundness of the face and short apron also point to an earlier style.  Ramesses II is depicted praying with his arms out straight and his hands resting flat on the apron of his kilt.
  • Ancient Egyptian statue of king Horemheb & his wife Mutnedjemet, granodiorite, New Kingdom, 18th Dynasty, (1319-1292 BC), Karnak, Temple of Amon. Egyptian Museum, Turin. white background.<br />
<br />
Queen Mutnedjemet is depicted in the role of Hathor, the sun god, embracing her husband. The statue is unfinished with details missing including the stripes in the Royal kilt, the wings of a vulture on the queens headdress and bound enemies on one side of the throne. On the back of the throne is a long inscription recording the coronation of Horemheb who was the general of Tutenkhamun before ascending to the throne. Drovetto collection. C 1379.
  • Ancient Egyptian statue of king Horemheb & his wife Mutnedjemet, granodiorite, New Kingdom, 18th Dynasty, (1319-1292 BC), Karnak, Temple of Amon. Egyptian Museum, Turin. Grey Background.<br />
<br />
Queen Mutnedjemet is depicted in the role of Hathor, the sun god, embracing her husband. The statue is unfinished with details missing including the stripes in the Royal kilt, the wings of a vulture on the queens headdress and bound enemies on one side of the throne. On the back of the throne is a long inscription recording the coronation of Horemheb who was the general of Tutenkhamun before ascending to the throne. Drovetto collection. C 1379.
  • Ancient Egyptian statue of Ptah - limestone - New Kingdom. 18th Dynasty, reign of Amenhotep III (1390 - 1353 BC), Karnac. Egyptian Museum, Turin.  Grey background<br />
<br />
Large statue of Egyptian gods are rare and most of them are part of building designs. This imposing statue of Ptah was probably made for the "Temple of Millions of Years", on the west bank of Thebes, promoted by Amenhotep III . When the temple was eventually abandoned its statues were reused in other temples in the region. Drovetti collection C. 87
  • Ancient Egyptian sarcophagus of Royal scribe Butehamon, Thebes, 21st Dynasty, reign of Ramese XI, (1078 or 1077 BC ). Egyptian Museum, Turin. white background<br />
Butehamon was a key figure between the end of the New Kingdom (Twentieth Dynasty, reign of Ramesse XI) and the beginning of the Third Intermediate Period (Twenty-First Dynasty, reign of Smendes). Born into an illustious family he became a man of letters
  • Ancient Egyptian sarcophagus of Royal scribe Butehamon, Thebes, 21st Dynasty, reign of Ramese XI, (1078 or 1077 BC ). Egyptian Museum, Turin. Grey background<br />
<br />
<br />
Butehamon was a key figure between the end of the New Kingdom (Twentieth Dynasty, reign of Ramesse XI) and the beginning of the Third Intermediate Period (Twenty-First Dynasty, reign of Smendes). Born into an illustious family he became a man of letters
  • Ancient Egyptian sarcophagus of Royal scribe Butehamon, Thebes, 21st Dynasty, reign of Ramese XI, (1078 or 1077 BC ). Egyptian Museum, Turin. Grey background<br />
<br />
<br />
Butehamon was a key figure between the end of the New Kingdom (Twentieth Dynasty, reign of Ramesse XI) and the beginning of the Third Intermediate Period (Twenty-First Dynasty, reign of Smendes). Born into an illustious family he became a man of letters
  • Ancient Egyptian , sandstone, New Kingdom, 18th Dynasty (1353-1336 BC, Thebes, Karnac. Egyptian Museum, Turin. White background,
  • Ancient Egyptian , sandstone, New Kingdom, 18th Dynasty (1353-1336 BC, Thebes, Karnac. Egyptian Museum, Turin. Black background,
  • Ancient Egyptian Human headed canopic jar for Amenemheb, clay, New Kingdom, 19th Dynasty (1292-1190 BC), Deir el-Medina. Egyptian Museum, Turin. Old Fund cat 3471. White background.<br />
<br />
The canopic jars were four in number, each for the safekeeping of particular human organs: the stomach, intestines, lungs, and liver, all of which, it was believed, would be needed in the afterlife. By the First Intermediate Period jars with human heads (assumed to represent the dead) began to appear
  • Ancient Egyptian Human headed canopic jar for Amenemheb, clay, New Kingdom, 19th Dynasty (1292-1190 BC), Deir el-Medina. Egyptian Museum, Turin. Old Fund cat 3471.<br />
<br />
The canopic jars were four in number, each for the safekeeping of particular human organs: the stomach, intestines, lungs, and liver, all of which, it was believed, would be needed in the afterlife. By the First Intermediate Period jars with human heads (assumed to represent the dead) began to appear
  • Ancient Egyptian shabti box, wood, Intermediate Period, 21st-22nd Dynasty (1076-746 BC), Thebes, Egyptian Museum, Turin. Grey background.<br />
<br />
Floor 1 room 10 of Museum - Among the 401 shabti found in this tomb were 36 overseerers, one for every 10 servants. These were maent to serve the deceased in the afterlife<br />
<br />
Essential items of funerary equipment from the New Kingdom on, shabti figures, of which there could be from 1 to over 400 examples in a single tomb, were meant to substitute for the deceased whenever he or she was called upon to perform manual labor in the afterlife. the shabti box is a decorated wooden box to hold the figures
  • Ancient Egyptian shabti box, wood, Intermediate Period, 21st-22nd Dynasty (1076-746 BC), Thebes, Egyptian Museum, Turin. Grey background.<br />
<br />
Floor 1 room 10 of Museum - Among the 401 shabti found in this tomb were 36 overseerers, one for every 10 servants. These were maent to serve the deceased in the afterlife<br />
<br />
Essential items of funerary equipment from the New Kingdom on, shabti figures, of which there could be from 1 to over 400 examples in a single tomb, were meant to substitute for the deceased whenever he or she was called upon to perform manual labor in the afterlife. the shabti box is a decorated wooden box to hold the figures
  • Ancient Egyptian shabti box, wood, Intermediate Period, 21st-22nd Dynasty (1076-746 BC), Thebes, Egyptian Museum, Turin. Grey background.<br />
<br />
Floor 1 room 10 of Museum - Among the 401 shabti found in this tomb were 36 overseerers, one for every 10 servants. These were maent to serve the deceased in the afterlife<br />
<br />
Essential items of funerary equipment from the New Kingdom on, shabti figures, of which there could be from 1 to over 400 examples in a single tomb, were meant to substitute for the deceased whenever he or she was called upon to perform manual labor in the afterlife. the shabti box is a decorated wooden box to hold the figures
  • Ancient Egyptian shabti box, wood, Intermediate Period, 21st-22nd Dynasty (1076-746 BC), Thebes, Egyptian Museum, Turin. Grey background.<br />
<br />
Floor 1 room 10 of Museum - Among the 401 shabti found in this tomb were 36 overseerers, one for every 10 servants. These were maent to serve the deceased in the afterlife<br />
<br />
Essential items of funerary equipment from the New Kingdom on, shabti figures, of which there could be from 1 to over 400 examples in a single tomb, were meant to substitute for the deceased whenever he or she was called upon to perform manual labor in the afterlife. the shabti box is a decorated wooden box to hold the figures
  • Ancient Egyptian stele depicting Sethy I adoring Amenhotep I and Nefertari, limestone, New Kingdom, 19th Dynasty, (1279-1213 BC), Deir el-Medina,  Egyptian Museum, Turin. White background. Schiaparelli Cat 6189.
  • Ancient Egyptian stele depicting Sethy I adoring Amenhotep I and Nefertari, limestone, New Kingdom, 19th Dynasty, (1279-1213 BC), Deir el-Medina,  Egyptian Museum, Turin. Black background. Schiaparelli Cat 6189.
  • Ancient Egyptian stele depicting Sethy I adoring Amenhotep I and Nefertari, limestone, New Kingdom, 19th Dynasty, (1279-1213 BC), Deir el-Medina,  Egyptian Museum, Turin.  Schiaparelli Cat 6189.
  • Ancient Egyptian stele depicting Sethy I adoring Amenhotep I and Nefertari, limestone, New Kingdom, 19th Dynasty, (1279-1213 BC), Deir el-Medina,  Egyptian Museum, Turin. Grey background. Schiaparelli Cat 6189.
  • Ancient Egyptian stele depicting Sethy I adoring Amenhotep I and Nefertari, limestone, New Kingdom, 19th Dynasty, (1279-1213 BC), Deir el-Medina,  Egyptian Museum, Turin. Grey background. Schiaparelli Cat 6189.
  • Ancient Egyptian stele didicated to the swallow and cat by Nebra, limestone, New Kingdom, 19th Dynasty, (1292-1190 BC), Deir el-Medina, Egyptian Museum, Turin. white background. Drovetti Cat No 1591.<br />
<br />
In the top register of this votive stele a swallow  (Hirundinidae) is shown perched on top of a shrine. An offering table is placed in front of it on the right side. The bird is called "the good swallow". In the lower register Nakhamun and Khay, Nebre's two sons, kneel in adoration in front of a large cat. They both hold a bouquet in their right hand, the left hand is raised in adoration before the good cat" (Houlihan,1996,87). The swallow and the cat both represent two minor deities, Menet and Tamit, who are  closely connected with the region of the Theban necropolis. It is unusual that this stele has been dedicated by Nebre, the royal craftsman, without him being depicted.
  • Ancient Egyptian stele didicated to the swallow and cat by Nebra, limestone, New Kingdom, 19th Dynasty, (1292-1190 BC), Deir el-Medina, Egyptian Museum, Turin. Grey background. Drovetti Cat No 1591.<br />
<br />
In the top register of this votive stele a swallow  (Hirundinidae) is shown perched on top of a shrine. An offering table is placed in front of it on the right side. The bird is called "the good swallow". In the lower register Nakhamun and Khay, Nebre's two sons, kneel in adoration in front of a large cat. They both hold a bouquet in their right hand, the left hand is raised in adoration before the good cat" (Houlihan,1996,87). The swallow and the cat both represent two minor deities, Menet and Tamit, who are  closely connected with the region of the Theban necropolis. It is unusual that this stele has been dedicated by Nebre, the royal craftsman, without him being depicted.
  • Ancient Egyptian stele didicated to the swallow and cat by Nebra, limestone, New Kingdom, 19th Dynasty, (1292-1190 BC), Deir el-Medina, Egyptian Museum, Turin. black background. Drovetti Cat No 1591.<br />
<br />
In the top register of this votive stele a swallow  (Hirundinidae) is shown perched on top of a shrine. An offering table is placed in front of it on the right side. The bird is called "the good swallow". In the lower register Nakhamun and Khay, Nebre's two sons, kneel in adoration in front of a large cat. They both hold a bouquet in their right hand, the left hand is raised in adoration before the good cat" (Houlihan,1996,87). The swallow and the cat both represent two minor deities, Menet and Tamit, who are  closely connected with the region of the Theban necropolis. It is unusual that this stele has been dedicated by Nebre, the royal craftsman, without him being depicted.
  • Ancient Egyptian stele didicated to the swallow and cat by Nebra, limestone, New Kingdom, 19th Dynasty, (1292-1190 BC), Deir el-Medina, Egyptian Museum, Turin. . Drovetti Cat No 1591.<br />
<br />
In the top register of this votive stele a swallow  (Hirundinidae) is shown perched on top of a shrine. An offering table is placed in front of it on the right side. The bird is called "the good swallow". In the lower register Nakhamun and Khay, Nebre's two sons, kneel in adoration in front of a large cat. They both hold a bouquet in their right hand, the left hand is raised in adoration before the good cat" (Houlihan,1996,87). The swallow and the cat both represent two minor deities, Menet and Tamit, who are  closely connected with the region of the Theban necropolis. It is unusual that this stele has been dedicated by Nebre, the royal craftsman, without him being depicted.
  • Ancient Egyptian stele didicated to the swallow and cat by Nebra, limestone, New Kingdom, 19th Dynasty, (1292-1190 BC), Deir el-Medina, Egyptian Museum, Turin. Grey background. Drovetti Cat No 1591.<br />
<br />
In the top register of this votive stele a swallow  (Hirundinidae) is shown perched on top of a shrine. An offering table is placed in front of it on the right side. The bird is called "the good swallow". In the lower register Nakhamun and Khay, Nebre's two sons, kneel in adoration in front of a large cat. They both hold a bouquet in their right hand, the left hand is raised in adoration before the good cat" (Houlihan,1996,87). The swallow and the cat both represent two minor deities, Menet and Tamit, who are  closely connected with the region of the Theban necropolis. It is unusual that this stele has been dedicated by Nebre, the royal craftsman, without him being depicted.
  • Ancient Egyptian stele of Djehutynefer, treasury Scribe, limestone, New Kingdom, 18th Dynasty, (1480-1400 BC), Thebes,  Egyptian Museum, Turin. white background,  Old Fund cat 1456.<br />
<br />
The detail of the stele depicts the brothers and sisters of Djehutynefer. The inscription palces the deceased under the protection of Amon in the great temple of Karnak underlining that he is entitled to share offerings brought to the god.
  • Ancient Egyptian stele of Djehutynefer, treasury Scribe, limestone, New Kingdom, 18th Dynasty, (1480-1400 BC), Thebes,  Egyptian Museum, Turin. black background,Old Fund cat 1456.<br />
<br />
The detail of the stele depicts the brothers and sisters of Djehutynefer. The inscription palces the deceased under the protection of Amon in the great temple of Karnak underlining that he is entitled to share offerings brought to the god.
  • Ancient Egyptian stele of Djehutynefer, treasury Scribe, limestone, New Kingdom, 18th Dynasty, (1480-1400 BC), Thebes,  Egyptian Museum, Turin. Grey background. Old Fund cat 1456.<br />
<br />
The detail of the stele depicts the brothers and sisters of Djehutynefer. The inscription palces the deceased under the protection of Amon in the great temple of Karnak underlining that he is entitled to share offerings brought to the god.
  • Ancient Egyptian stele of Djehutynefer, treasury Scribe, limestone, New Kingdom, 18th Dynasty, (1480-1400 BC), Thebes,  Egyptian Museum, Turin.  Old Fund cat 1456.<br />
<br />
The detail of the stele depicts the brothers and sisters of Djehutynefer. The inscription palces the deceased under the protection of Amon in the great temple of Karnak underlining that he is entitled to share offerings brought to the god.
  • Ancient Egyptian stele of Djehutynefer, treasury Scribe, limestone, New Kingdom, 18th Dynasty, (1480-1400 BC), Thebes,  Egyptian Museum, Turin. Grey background. Old Fund cat 1456.<br />
<br />
The detail of the stele depicts the brothers and sisters of Djehutynefer. The inscription palces the deceased under the protection of Amon in the great temple of Karnak underlining that he is entitled to share offerings brought to the god.
  • Ancient Egyptian stele of s standard bearer Maienhekau, limestone, New Kingdom, 18th Dynasty, (1458-1425 BC), DAbydos,  Egyptian Museum, Turin. white background,<br />
<br />
In the top registerMaienhekau makes offerings to Ptah, Osiris and Horus. In the middle he is shown with his wife reveiving offerings from his 2 sons. In the lower register another son with 3 gaughters is offering a formula to Maienhekau, also listing his titles. He was standard bearer (captain) on several warships and the "bearer of arms " of Thutmosis II. The current depictions are over an earlier relief which can be seen in places where the later stucco has come away.
  • Ancient Egyptian stele of s standard bearer Maienhekau, limestone, New Kingdom, 18th Dynasty, (1458-1425 BC), DAbydos,  Egyptian Museum, Turin. black background,<br />
<br />
In the top registerMaienhekau makes offerings to Ptah, Osiris and Horus. In the middle he is shown with his wife reveiving offerings from his 2 sons. In the lower register another son with 3 gaughters is offering a formula to Maienhekau, also listing his titles. He was standard bearer (captain) on several warships and the "bearer of arms " of Thutmosis II. The current depictions are over an earlier relief which can be seen in places where the later stucco has come away.
  • Ancient Egyptian stele of s standard bearer Maienhekau, limestone, New Kingdom, 18th Dynasty, (1458-1425 BC), DAbydos,  Egyptian Museum, Turin. Grey background.<br />
<br />
In the top registerMaienhekau makes offerings to Ptah, Osiris and Horus. In the middle he is shown with his wife reveiving offerings from his 2 sons. In the lower register another son with 3 gaughters is offering a formula to Maienhekau, also listing his titles. He was standard bearer (captain) on several warships and the "bearer of arms " of Thutmosis II. The current depictions are over an earlier relief which can be seen in places where the later stucco has come away.
  • Ancient Egyptian stele of s standard bearer Maienhekau, limestone, New Kingdom, 18th Dynasty, (1458-1425 BC), DAbydos,  Egyptian Museum, Turin. <br />
<br />
In the top registerMaienhekau makes offerings to Ptah, Osiris and Horus. In the middle he is shown with his wife reveiving offerings from his 2 sons. In the lower register another son with 3 gaughters is offering a formula to Maienhekau, also listing his titles. He was standard bearer (captain) on several warships and the "bearer of arms " of Thutmosis II. The current depictions are over an earlier relief which can be seen in places where the later stucco has come away.
  • Ancient Egyptian stele of s standard bearer Maienhekau, limestone, New Kingdom, 18th Dynasty, (1458-1425 BC), DAbydos,  Egyptian Museum, Turin. Grey background.<br />
<br />
In the top registerMaienhekau makes offerings to Ptah, Osiris and Horus. In the middle he is shown with his wife reveiving offerings from his 2 sons. In the lower register another son with 3 gaughters is offering a formula to Maienhekau, also listing his titles. He was standard bearer (captain) on several warships and the "bearer of arms " of Thutmosis II. The current depictions are over an earlier relief which can be seen in places where the later stucco has come away.
  • Ancient Egyptian stele of Djehutynefer called Seshu, Scribe, limestone, New Kingdom, 18th Dynasty, (1500-14253 BC), Thebes, Old Fund cat 1638. Egyptian Museum, Turin. white background,<br />
<br />
Djehutynefer called Seshu was the accountant scribe of cattle and fowl in the temple of Amon, and his wife the house mistress Benbu
  • Ancient Egyptian stele of Djehutynefer called Seshu, Scribe, limestone, New Kingdom, 18th Dynasty, (1500-14253 BC), Thebes, Old Fund cat 1638. Egyptian Museum, Turin. black background,<br />
<br />
Djehutynefer called Seshu was the accountant scribe of cattle and fowl in the temple of Amon, and his wife the house mistress Benbu
  • Ancient Egyptian stele of Djehutynefer called Seshu, Scribe, limestone, New Kingdom, 18th Dynasty, (1500-14253 BC), Thebes, Old Fund cat 1638. Egyptian Museum, Turin. Grey background.<br />
<br />
Djehutynefer called Seshu was the accountant scribe of cattle and fowl in the temple of Amon, and his wife the house mistress Benbu
  • Ancient Egyptian stele of Djehutynefer called Seshu, Scribe, limestone, New Kingdom, 18th Dynasty, (1500-14253 BC), Thebes, Old Fund cat 1638. Egyptian Museum, Turin. <br />
<br />
Djehutynefer called Seshu was the accountant scribe of cattle and fowl in the temple of Amon, and his wife the house mistress Benbu
  • Ancient Egyptian Stele of Amenemope dedicated to Amenhotep I and Ahmose-Nefertari, limestone, New Kingdom, 19th Dynasty, (1279-1213 BC), Deir el-Medina, Drovetti cat 1454. Egyptian Museum, Turin. white background<br />
<br />
The stele is dedicated to Amenhotep I and Ahmose-Nefertari by the 'Servant in the Place of Truth' Amenemope and Amennakht. The king and the queen are shown sitting on their thrones. Above the sovereign there is a solar disc flanked by two sacred cobras and their cartouches are shown to the right of each of them. In the bottom register Amenemope is shown with his son  Amennakht, who also was a "Servant in the Place of Truth", in the pose of adoration.
  • Ancient Egyptian Stele of Amenemope dedicated to Amenhotep I and Ahmose-Nefertari, limestone, New Kingdom, 19th Dynasty, (1279-1213 BC), Deir el-Medina, Drovetti cat 1454. Egyptian Museum, Turin. black background.<br />
<br />
The stele is dedicated to Amenhotep I and Ahmose-Nefertari by the 'Servant in the Place of Truth' Amenemope and Amennakht. The king and the queen are shown sitting on their thrones. Above the sovereign there is a solar disc flanked by two sacred cobras and their cartouches are shown to the right of each of them. In the bottom register Amenemope is shown with his son  Amennakht, who also was a "Servant in the Place of Truth", in the pose of adoration.
  • Ancient Egyptian Stele of Amenemope dedicated to Amenhotep I and Ahmose-Nefertari, limestone, New Kingdom, 19th Dynasty, (1279-1213 BC), Deir el-Medina, Drovetti cat 1454. Egyptian Museum, Turin. Grey background.<br />
<br />
The stele is dedicated to Amenhotep I and Ahmose-Nefertari by the 'Servant in the Place of Truth' Amenemope and Amennakht. The king and the queen are shown sitting on their thrones. Above the sovereign there is a solar disc flanked by two sacred cobras and their cartouches are shown to the right of each of them. In the bottom register Amenemope is shown with his son  Amennakht, who also was a "Servant in the Place of Truth", in the pose of adoration.
  • Ancient Egyptian Stele of Amenemope dedicated to Amenhotep I and Ahmose-Nefertari, limestone, New Kingdom, 19th Dynasty, (1279-1213 BC), Deir el-Medina, Drovetti cat 1454. Egyptian Museum, Turin. <br />
<br />
The stele is dedicated to Amenhotep I and Ahmose-Nefertari by the 'Servant in the Place of Truth' Amenemope and Amennakht. The king and the queen are shown sitting on their thrones. Above the sovereign there is a solar disc flanked by two sacred cobras and their cartouches are shown to the right of each of them. In the bottom register Amenemope is shown with his son  Amennakht, who also was a "Servant in the Place of Truth", in the pose of adoration.
  • Ancient Egyptian Stele of Amenemope dedicated to Amenhotep I and Ahmose-Nefertari, limestone, New Kingdom, 19th Dynasty, (1279-1213 BC), Deir el-Medina, Drovetti cat 1454. Egyptian Museum, Turin. Grey background.<br />
<br />
The stele is dedicated to Amenhotep I and Ahmose-Nefertari by the 'Servant in the Place of Truth' Amenemope and Amennakht. The king and the queen are shown sitting on their thrones. Above the sovereign there is a solar disc flanked by two sacred cobras and their cartouches are shown to the right of each of them. In the bottom register Amenemope is shown with his son  Amennakht, who also was a "Servant in the Place of Truth", in the pose of adoration.
  • Ancient Egyptian Stele of Amenemope dedicated to Amenhotep I and Ahmose-Nefertari, limestone, New Kingdom, 19th Dynasty, (1279-1213 BC), Deir el-Medina, Drovetti cat 1452. Egyptian Museum, Turin. white background
  • Ancient Egyptian Stele of Amenemope dedicated to Amenhotep I and Ahmose-Nefertari, limestone, New Kingdom, 19th Dynasty, (1279-1213 BC), Deir el-Medina, Drovetti cat 1452. Egyptian Museum, Turin. black background.
  • Ancient Egyptian Stele of Amenemope dedicated to Amenhotep I and Ahmose-Nefertari, limestone, New Kingdom, 19th Dynasty, (1279-1213 BC), Deir el-Medina, Drovetti cat 1452. Egyptian Museum, Turin. Grey background.
  • Ancient Egyptian Stele of Amenemope dedicated to Amenhotep I and Ahmose-Nefertari, limestone, New Kingdom, 19th Dynasty, (1279-1213 BC), Deir el-Medina, Drovetti cat 1452. Egyptian Museum, Turin.
  • Ancient Egyptian Stele of Amenemope dedicated to Amenhotep I and Ahmose-Nefertari, limestone, New Kingdom, 19th Dynasty, (1279-1213 BC), Deir el-Medina, Drovetti cat 1452. Egyptian Museum, Turin. Grey background.
  • Ancient Egyptian Ra stele , limestone, New Kingdom, 19th Dynasty, (1279-1190 BC), Deir el-Medina,  Egyptian Museum, Turin. black background<br />
<br />
Akh iqer en Ra " the excellent spirit of Ra' stele. The individual is smelling a lotus flower. One of three stele forund in different rooms of houses in Deir el-Medina where they stood in niches.
  • Ancient Egyptian Ra stele , limestone, New Kingdom, 19th Dynasty, (1279-1190 BC), Deir el-Medina,  Egyptian Museum, Turin. Grey background.<br />
<br />
Akh iqer en Ra " the excellent spirit of Ra' stele. The individual is smelling a lotus flower. One of three stele forund in different rooms of houses in Deir el-Medina where they stood in niches.
  • Ancient Egyptian Ra stele , limestone, New Kingdom, 19th Dynasty, (1279-1190 BC), Deir el-Medina,  Egyptian Museum, Turin. Grey background.<br />
<br />
Akh iqer en Ra " the excellent spirit of Ra' stele. The individual is smelling a lotus flower. One of three stele forund in different rooms of houses in Deir el-Medina where they stood in niches.
  • Ancient Egyptian Ra stele , limestone, New Kingdom, 19th Dynasty, (1279-1190 BC), Deir el-Medina,  Egyptian Museum, Turin. white background, <br />
<br />
On this round-topped stele, the deceased Pashed, <br />
"excellent spirit of Ra", akh-ikr, is pictured left, <br />
seated on a chair with lion's paws, smelling the lotus <br />
flower. The offering table holds a basket containing <br />
various offerings. A large open pomegranate, containing <br />
a great quantity of seeds, appears under the chair. The <br />
colours on this stele are well preserved.<br />
<br />
Akh iqer en Ra " the excellent spirit of Ra' stele. The individual is smelling a lotus flower. One of three stele forund in different rooms of houses in Deir el-Medina where they stood in niches.
  • Ancient Egyptian Ra stele , limestone, New Kingdom, 19th Dynasty, (1279-1190 BC), Deir el-Medina,  Egyptian Museum, Turin. black background.<br />
<br />
On this round-topped stele, the deceased Pashed, <br />
"excellent spirit of Ra", akh-ikr, is pictured left, <br />
seated on a chair with lion's paws, smelling the lotus <br />
flower. The offering table holds a basket containing <br />
various offerings. A large open pomegranate, containing <br />
a great quantity of seeds, appears under the chair. The <br />
colours on this stele are well preserved.<br />
<br />
Akh iqer en Ra " the excellent spirit of Ra' stele. The individual is smelling a lotus flower. One of three stele forund in different rooms of houses in Deir el-Medina where they stood in niches.
  • Ancient Egyptian Ra stele , limestone, New Kingdom, 19th Dynasty, (1279-1190 BC), Deir el-Medina,  Egyptian Museum, Turin. <br />
<br />
On this round-topped stele, the deceased Pashed, <br />
"excellent spirit of Ra", akh-ikr, is pictured left, <br />
seated on a chair with lion's paws, smelling the lotus <br />
flower. The offering table holds a basket containing <br />
various offerings. A large open pomegranate, containing <br />
a great quantity of seeds, appears under the chair. The <br />
colours on this stele are well preserved.<br />
<br />
Akh iqer en Ra " the excellent spirit of Ra' stele. The individual is smelling a lotus flower. One of three stele forund in different rooms of houses in Deir el-Medina where they stood in niches.
  • Ancient Egyptian Ra stele , limestone, New Kingdom, 19th Dynasty, (1279-1190 BC), Deir el-Medina,  Egyptian Museum, Turin. white background, <br />
<br />
Akh iqer en Ra " the excellent spirit of Ra' stele. One of three stele forund in different rooms of houses in Deir el-Medina where they stood in niches
  • Ancient Egyptian Ra stele , limestone, New Kingdom, 19th Dynasty, (1279-1190 BC), Deir el-Medina,  Egyptian Museum, Turin. Grey background.<br />
<br />
Akh iqer en Ra " the excellent spirit of Ra' stele. One of three stele forund in different rooms of houses in Deir el-Medina where they stood in niches
  • Ancient Egyptian Ra stele , limestone, New Kingdom, 19th Dynasty, (1279-1190 BC), Deir el-Medina,  Egyptian Museum, Turin. <br />
<br />
Akh iqer en Ra " the excellent spirit of Ra' stele. One of three stele forund in different rooms of houses in Deir el-Medina where they stood in niches
  • Ancient Egyptian Ra stele , limestone, New Kingdom, 19th Dynasty, (1279-1190 BC), Deir el-Medina,  Egyptian Museum, Turin. Grey background.<br />
<br />
Akh iqer en Ra " the excellent spirit of Ra' stele. One of three stele forund in different rooms of houses in Deir el-Medina where they stood in niches
  • Ancient Egyptian Ra stele , limestone, New Kingdom, 19th Dynasty, (1279-1190 BC), Deir el-Medina,  Egyptian Museum, Turin. white background, <br />
<br />
Khonsu sits on a cube-like throne and wears the solar disc and half-moon on his head. He faces an offering table piled with food and flowers. The hieroglyphic inscription reads: "Khonsu-in-Thebes, Neferhotep. Protection, life, stability and power surround him, like Ra. Libation for your ka with bread, beer, oxen and fowl."Lower register depicts two men kneeling in adoration. They face to the left: Nebre, whose title is kedw sesh "draughtsman" and his son, Amenemope."Give praise to Khonsu-in-Thebes by the scribe of Amun in the Place of Truth Nebra, justified in peace, he loved his son, Amenemope, justified".In the bottom register are the "Draughtsman-scribe of Amun in the Place of Truth", Nebre, and his son, Amenemope"<br />
<br />
Akh iqer en Ra " the excellent spirit of Ra' stele.One of three stele forund in different rooms of houses in Deir el-Medina where they stood in niches
  • Ancient Egyptian Ra stele , limestone, New Kingdom, 19th Dynasty, (1279-1190 BC), Deir el-Medina,  Egyptian Museum, Turin. black background.<br />
<br />
Khonsu sits on a cube-like throne and wears the solar disc and half-moon on his head. He faces an offering table piled with food and flowers. The hieroglyphic inscription reads: "Khonsu-in-Thebes, Neferhotep. Protection, life, stability and power surround him, like Ra. Libation for your ka with bread, beer, oxen and fowl."Lower register depicts two men kneeling in adoration. They face to the left: Nebre, whose title is kedw sesh "draughtsman" and his son, Amenemope."Give praise to Khonsu-in-Thebes by the scribe of Amun in the Place of Truth Nebra, justified in peace, he loved his son, Amenemope, justified".In the bottom register are the "Draughtsman-scribe of Amun in the Place of Truth", Nebre, and his son, Amenemope"<br />
<br />
Akh iqer en Ra " the excellent spirit of Ra' stele.One of three stele forund in different rooms of houses in Deir el-Medina where they stood in niches
  • Ancient Egyptian Ra stele , limestone, New Kingdom, 19th Dynasty, (1279-1190 BC), Deir el-Medina,  Egyptian Museum, Turin. .<br />
<br />
Khonsu sits on a cube-like throne and wears the solar disc and half-moon on his head. He faces an offering table piled with food and flowers. The hieroglyphic inscription reads: "Khonsu-in-Thebes, Neferhotep. Protection, life, stability and power surround him, like Ra. Libation for your ka with bread, beer, oxen and fowl."Lower register depicts two men kneeling in adoration. They face to the left: Nebre, whose title is kedw sesh "draughtsman" and his son, Amenemope."Give praise to Khonsu-in-Thebes by the scribe of Amun in the Place of Truth Nebra, justified in peace, he loved his son, Amenemope, justified".In the bottom register are the "Draughtsman-scribe of Amun in the Place of Truth", Nebre, and his son, Amenemope"
  • Ancient Egyptian Ra stele , limestone, New Kingdom, 19th Dynasty, (1279-1190 BC), Deir el-Medina,  Egyptian Museum, Turin. Grey background.<br />
<br />
Khonsu sits on a cube-like throne and wears the solar disc and half-moon on his head. He faces an offering table piled with food and flowers. The hieroglyphic inscription reads: "Khonsu-in-Thebes, Neferhotep. Protection, life, stability and power surround him, like Ra. Libation for your ka with bread, beer, oxen and fowl."Lower register depicts two men kneeling in adoration. They face to the left: Nebre, whose title is kedw sesh "draughtsman" and his son, Amenemope."Give praise to Khonsu-in-Thebes by the scribe of Amun in the Place of Truth Nebra, justified in peace, he loved his son, Amenemope, justified".In the bottom register are the "Draughtsman-scribe of Amun in the Place of Truth", Nebre, and his son, Amenemope" Akh iqer en Ra " the excellent spirit of Ra' stele.<br />
<br />
One of three stele forund in different rooms of houses in Deir el-Medina where they stood in niches
  • Ancient Egyptian stele dedicated to Re-Harakhty by draftsman Pay, limestone, New Kingdom, 19th Dynasty, (1292-1190 BC), Deir el-Medina, Schiaprelli cat 6144. Egyptian Museum, Turin. white background,
  • Ancient Egyptian stele dedicated to Re-Harakhty by draftsman Pay, limestone, New Kingdom, 19th Dynasty, (1292-1190 BC), Deir el-Medina, Schiaprelli cat 6144. Egyptian Museum, Turin. Grey background
  • Ancient Egyptian stele dedicated to Re-Harakhty by draftsman Pay, limestone, New Kingdom, 19th Dynasty, (1292-1190 BC), Deir el-Medina, Schiaprelli cat 6144. Egyptian Museum, Turin.
  • Ancient Egyptian stele dedicated to Re-Harakhty by draftsman Pay, limestone, New Kingdom, 19th Dynasty, (1292-1190 BC), Deir el-Medina, Schiaprelli cat 6144. Egyptian Museum, Turin. Grey background
  • Ancient Egyptian stele odedicated to Amon Re the "good Ram" by foreman Baki, limestone, New Kingdom, 19th Dynasty, (1290-1213 BC), Deir el-Medina, Drovetti cat 1549. Egyptian Museum, Turin. Grey background. Reign of Ramesses II.<br />
<br />
This round-topped stele is carved in low relief and painted <br />
in several colours. The pictorial plane is divided into two <br />
registers, the upper one containing two rams facing each <br />
other. The animals, with cobras rising on their foreheads, <br />
wear tall headdresses composed of two tall plumes with a <br />
solar disk at the centre. Between them is a small offering <br />
table with lotus flowers. The mirror image hieroglyphic <br />
inscription refers to the rams and reveals their divine <br />
nature as that of Amun-Ra. In the register below, <br />
foreman Baki is shown in the pose of adoration.
  • Ancient Egyptian stele odedicated to Amon Re the "good Ram" by foreman Baki, limestone, New Kingdom, 19th Dynasty, (1290-1213 BC), Deir el-Medina, Drovetti cat 1549. Egyptian Museum, Turin. Reign of Ramesses II.<br />
<br />
This round-topped stele is carved in low relief and painted <br />
in several colours. The pictorial plane is divided into two <br />
registers, the upper one containing two rams facing each <br />
other. The animals, with cobras rising on their foreheads, <br />
wear tall headdresses composed of two tall plumes with a <br />
solar disk at the centre. Between them is a small offering <br />
table with lotus flowers. The mirror image hieroglyphic <br />
inscription refers to the rams and reveals their divine <br />
nature as that of Amun-Ra. In the register below, <br />
foreman Baki is shown in the pose of adoration.
  • Ancient Egyptian stele odedicated to Amon Re the "good Ram" by foreman Baki, limestone, New Kingdom, 19th Dynasty, (1290-1213 BC), Deir el-Medina, Drovetti cat 1549. Egyptian Museum, Turin. Grey background. Reign of Ramesses II.<br />
<br />
This round-topped stele is carved in low relief and painted <br />
in several colours. The pictorial plane is divided into two <br />
registers, the upper one containing two rams facing each <br />
other. The animals, with cobras rising on their foreheads, <br />
wear tall headdresses composed of two tall plumes with a <br />
solar disk at the centre. Between them is a small offering <br />
table with lotus flowers. The mirror image hieroglyphic <br />
inscription refers to the rams and reveals their divine <br />
nature as that of Amun-Ra. In the register below, <br />
foreman Baki is shown in the pose of adoration.
  • Ancient Egyptian stele dedicated to the god Re-Harakhty by sculptor Ipy, limestone, New Kingdom, 19th Dynasty, (1279-1213 BC), Deir el-Medina, Drovetti cat 7357. Egyptian Museum, Turin. Grey background
  • Ancient Egyptian stele dedicated to the god Re-Harakhty by sculptor Ipy, limestone, New Kingdom, 19th Dynasty, (1279-1213 BC), Deir el-Medina, Drovetti cat 7357. Egyptian Museum, Turin.
  • Ancient Egyptian stele dedicated to the god Khonsu by draftsman Pay, limestone, New Kingdom, 19th Dynasty, (1279-1213 BC), Deir el-Medina, ODrovetti cat 1553. Egyptian Museum, Turin. white background,
  • Ancient Egyptian stele dedicated to the god Khonsu by draftsman Pay, limestone, New Kingdom, 19th Dynasty, (1279-1213 BC), Deir el-Medina, ODrovetti cat 1553. Egyptian Museum, Turin. black background,
  • Ancient Egyptian stele dedicated to the god Khonsu by draftsman Pay, limestone, New Kingdom, 19th Dynasty, (1279-1213 BC), Deir el-Medina, ODrovetti cat 1553. Egyptian Museum, Turin.
  • Ancient Egyptian stele dedicated to the god Khonsu by draftsman Pay, limestone, New Kingdom, 19th Dynasty, (1279-1213 BC), Deir el-Medina, ODrovetti cat 1553. Egyptian Museum, Turin. Grey background
  • Ancient Egyptian stele of scraftsman Minhotep in adoration of Osiris, limestone, New Kingdom, 18th Dynasty, (1336-1292 BC), Deir el-Medina, Drovetti cat 1619. Egyptian Museum, Turin. <br />
<br />
The stele is dedicated to Osiris, Anubis and Hathor "Mistress of the World".
  • Ancient Egyptian stele of scraftsman Minhotep in adoration of Osiris, limestone, New Kingdom, 18th Dynasty, (1336-1292 BC), Deir el-Medina, Drovetti cat 1619. Egyptian Museum, Turin. Grey background.<br />
<br />
The stele is dedicated to Osiris, Anubis and Hathor "Mistress of the World".
  • Ancient Egyptian stele of scraftsman Minhotep in adoration of Osiris, limestone, New Kingdom, 18th Dynasty, (1336-1292 BC), Deir el-Medina, Drovetti cat 1619. Egyptian Museum, Turin. black background,<br />
<br />
The stele is dedicated to Osiris, Anubis and Hathor "Mistress of the World".
  • Ancient Egyptian stele of scraftsman Minhotep in adoration of Osiris, limestone, New Kingdom, 18th Dynasty, (1336-1292 BC), Deir el-Medina, Drovetti cat 1619. Egyptian Museum, Turin. white background<br />
<br />
The stele is dedicated to Osiris, Anubis and Hathor "Mistress of the World".
  • Ancient Egyptian stele of scraftsman Minhotep in adoration of Osiris, limestone, New Kingdom, 18th Dynasty, (1336-1292 BC), Deir el-Medina, Drovetti cat 1619. Egyptian Museum, Turin. black background,<br />
<br />
The stele is dedicated to Osiris, Anubis and Hathor "Mistress of the World".
  • Ancient Egyptian stele of scraftsman Minhotep in adoration of Osiris, limestone, New Kingdom, 18th Dynasty, (1336-1292 BC), Deir el-Medina, Drovetti cat 1619. Egyptian Museum, Turin. Grey background.<br />
<br />
The stele is dedicated to Osiris, Anubis and Hathor "Mistress of the World".
  • Ancient Egyptian funerary stele of painter Maya, limestone, New Kingdom, 18th Dynasty, (1336-1292 BC), Deir el-Medina,  Egyptian Museum, Turin. Drovetti cat 1579.<br />
<br />
<br />
In the upper portion Maya and his wife Tamit pay homage to Osiris and Hathor, the gods of the necropolis. In the lower register is a similar scene in which his wife recieves food offerings from their many children, as was traditional at the time.
  • Ancient Egyptian funerary stele of painter Maya, limestone, New Kingdom, 18th Dynasty, (1336-1292 BC), Deir el-Medina,  Egyptian Museum, Turin. Drovetti cat 1579.<br />
<br />
<br />
In the upper portion Maya and his wife Tamit pay homage to Osiris and Hathor, the gods of the necropolis. In the lower register is a similar scene in which his wife recieves food offerings from their many children, as was traditional at the time.
  • Ancient Egyptian funerary stele of painter Maya, limestone, New Kingdom, 18th Dynasty, (1336-1292 BC), Deir el-Medina,  Egyptian Museum, Turin. Grey background. Drovetti cat 1579.<br />
<br />
<br />
In the upper portion Maya and his wife Tamit pay homage to Osiris and Hathor, the gods of the necropolis. In the lower register is a similar scene in which his wife recieves food offerings from their many children, as was traditional at the time.
  • Ancient Egyptian funerary stele of painter Maya, limestone, New Kingdom, 18th Dynasty, (1336-1292 BC), Deir el-Medina,  Egyptian Museum, Turin.  Drovetti cat 1579.<br />
<br />
<br />
In the upper portion Maya and his wife Tamit pay homage to Osiris and Hathor, the gods of the necropolis. In the lower register is a similar scene in which his wife recieves food offerings from their many children, as was traditional at the time.
  • Ancient Egyptian funerary stele of painter Maya, limestone, New Kingdom, 18th Dynasty, (1336-1292 BC), Deir el-Medina,  Egyptian Museum, Turin.  Drovetti cat 1579. Black background<br />
<br />
<br />
In the upper portion Maya and his wife Tamit pay homage to Osiris and Hathor, the gods of the necropolis. In the lower register is a similar scene in which his wife recieves food offerings from their many children, as was traditional at the time.
  • Ancient Egyptian funerary stele of painter Maya, limestone, New Kingdom, 18th Dynasty, (1336-1292 BC), Deir el-Medina,  Egyptian Museum, Turin.  Drovetti cat 1579.<br />
<br />
<br />
In the upper portion Maya and his wife Tamit pay homage to Osiris and Hathor, the gods of the necropolis. In the lower register is a similar scene in which his wife recieves food offerings from their many children, as was traditional at the time.
  • Ancient Egyptian funerary stele of painter Maya, limestone, New Kingdom, 18th Dynasty, (1336-1292 BC), Deir el-Medina,  Egyptian Museum, Turin. . Drovetti cat 1579. white background<br />
<br />
<br />
In the upper portion Maya and his wife Tamit pay homage to Osiris and Hathor, the gods of the necropolis. In the lower register is a similar scene in which his wife recieves food offerings from their many children, as was traditional at the time.
  • Ancient Egyptian funerary stele of painter Maya, limestone, New Kingdom, 18th Dynasty, (1336-1292 BC), Deir el-Medina,  Egyptian Museum, Turin. Grey background. Drovetti cat 1579.<br />
<br />
<br />
In the upper portion Maya and his wife Tamit pay homage to Osiris and Hathor, the gods of the necropolis. In the lower register is a similar scene in which his wife recieves food offerings from their many children, as was traditional at the time.
  • Ancient Egyptian funerary stele of painter Maya, limestone, New Kingdom, 18th Dynasty, (1336-1292 BC), Deir el-Medina,  Egyptian Museum, Turin.  Drovetti cat 1579. Black background<br />
<br />
<br />
In the upper portion Maya and his wife Tamit pay homage to Osiris and Hathor, the gods of the necropolis. In the lower register is a similar scene in which his wife recieves food offerings from their many children, as was traditional at the time.
  • Ancient Egyptian funerary stele of painter Maya, limestone, New Kingdom, 18th Dynasty, (1336-1292 BC), Deir el-Medina,  Egyptian Museum, Turin. Grey background. Drovetti cat 1579.<br />
<br />
<br />
In the upper portion Maya and his wife Tamit pay homage to Osiris and Hathor, the gods of the necropolis. In the lower register is a similar scene in which his wife recieves food offerings from their many children, as was traditional at the time.
  • Ancient Egyptian funerary stele of painter Maya, limestone, New Kingdom, 18th Dynasty, (1336-1292 BC), Deir el-Medina,  Egyptian Museum, Turin.  Drovetti cat 1579.<br />
<br />
<br />
In the upper portion Maya and his wife Tamit pay homage to Osiris and Hathor, the gods of the necropolis. In the lower register is a similar scene in which his wife recieves food offerings from their many children, as was traditional at the time.
  • Ancient Egyptian funerary stele of painter Maya, limestone, New Kingdom, 18th Dynasty, (1336-1292 BC), Deir el-Medina,  Egyptian Museum, Turin. . Drovetti cat 1579. white background<br />
<br />
<br />
In the upper portion Maya and his wife Tamit pay homage to Osiris and Hathor, the gods of the necropolis. In the lower register is a similar scene in which his wife recieves food offerings from their many children, as was traditional at the time.
  • Ancient Egyptian funerary stele of painter Maya, limestone, New Kingdom, 18th Dynasty, (1336-1292 BC), Deir el-Medina,  Egyptian Museum, Turin. . Drovetti cat 1579. white background<br />
<br />
<br />
In the upper portion Maya and his wife Tamit pay homage to Osiris and Hathor, the gods of the necropolis. In the lower register is a similar scene in which his wife recieves food offerings from their many children, as was traditional at the time.
  • Ancient Egyptian funerary stele of painter Maya, limestone, New Kingdom, 18th Dynasty, (1336-1292 BC), Deir el-Medina,  Egyptian Museum, Turin.  Drovetti cat 1579. Black background<br />
<br />
<br />
In the upper portion Maya and his wife Tamit pay homage to Osiris and Hathor, the gods of the necropolis. In the lower register is a similar scene in which his wife recieves food offerings from their many children, as was traditional at the time.
  • Ancient Egyptian funerary stele of painter Maya, limestone, New Kingdom, 18th Dynasty, (1336-1292 BC), Deir el-Medina,  Egyptian Museum, Turin. Grey background. Drovetti cat 1579.<br />
<br />
<br />
In the upper portion Maya and his wife Tamit pay homage to Osiris and Hathor, the gods of the necropolis. In the lower register is a similar scene in which his wife recieves food offerings from their many children, as was traditional at the time.
  • Ancient Egyptian stele dedicated to Meretsesger, limestone, New Kingdom, 19th Dynasty, (1279-1213 BC), Deir el-Medina, Egyptian Museum, Turin. black background.<br />
<br />
The stele is divided into 3 registers. In the top section 2 wedjat eyes with shen sign above 3 zigzag lines indicating water are depicted. The second, largest register, is divided into 12 horizontal strips. Each is occupied by a coloured snake facing to the right.In the bottom register 3 columns of hieroglyphic text worship the goddess Meretseger: "life, strength and health to the ka and the lady of the house Wab, the justified." To the right of the text the deceased woman is kneeling with her hands raised in adoration. She  wears a white robe. A lotus flower is placed on top of her wig. Behind her head there are 4 hieroglyphic signs that form the phrase "at peace". To the right of the scene there is an offering table with a vessel flanked by a bunch of lotus flowers. Below the table there are 2 vessels on pedestals.
  • Ancient Egyptian stele dedicated to Meretsesger, limestone, New Kingdom, 19th Dynasty, (1279-1213 BC), Deir el-Medina, Egyptian Museum, Turin. Grey background.<br />
<br />
The stele is divided into 3 registers. In the top section 2 wedjat eyes with shen sign above 3 zigzag lines indicating water are depicted. The second, largest register, is divided into 12 horizontal strips. Each is occupied by a coloured snake facing to the right.In the bottom register 3 columns of hieroglyphic text worship the goddess Meretseger: "life, strength and health to the ka and the lady of the house Wab, the justified." To the right of the text the deceased woman is kneeling with her hands raised in adoration. She  wears a white robe. A lotus flower is placed on top of her wig. Behind her head there are 4 hieroglyphic signs that form the phrase "at peace". To the right of the scene there is an offering table with a vessel flanked by a bunch of lotus flowers. Below the table there are 2 vessels on pedestals.
  • Ancient Egyptian stele dedicated to Meretsesger, limestone, New Kingdom, 19th Dynasty, (1279-1213 BC), Deir el-Medina, Egyptian Museum, Turin. <br />
<br />
The stele is divided into 3 registers. In the top section 2 wedjat eyes with shen sign above 3 zigzag lines indicating water are depicted. The second, largest register, is divided into 12 horizontal strips. Each is occupied by a coloured snake facing to the right.In the bottom register 3 columns of hieroglyphic text worship the goddess Meretseger: "life, strength and health to the ka and the lady of the house Wab, the justified." To the right of the text the deceased woman is kneeling with her hands raised in adoration. She  wears a white robe. A lotus flower is placed on top of her wig. Behind her head there are 4 hieroglyphic signs that form the phrase "at peace". To the right of the scene there is an offering table with a vessel flanked by a bunch of lotus flowers. Below the table there are 2 vessels on pedestals.
  • Ancient Egyptian stele dedicated to Meretsesger, limestone, New Kingdom, 19th Dynasty, (1279-1213 BC), Deir el-Medina, Egyptian Museum, Turin. Grey background.<br />
<br />
The stele is divided into 3 registers. In the top section 2 wedjat eyes with shen sign above 3 zigzag lines indicating water are depicted. The second, largest register, is divided into 12 horizontal strips. Each is occupied by a coloured snake facing to the right.In the bottom register 3 columns of hieroglyphic text worship the goddess Meretseger: "life, strength and health to the ka and the lady of the house Wab, the justified." To the right of the text the deceased woman is kneeling with her hands raised in adoration. She  wears a white robe. A lotus flower is placed on top of her wig. Behind her head there are 4 hieroglyphic signs that form the phrase "at peace". To the right of the scene there is an offering table with a vessel flanked by a bunch of lotus flowers. Below the table there are 2 vessels on pedestals.
  • Ancient Egyptian stele dedicated by Pendua to Meretsesger, limestone, New Kingdom, 19th Dynasty, (1279-1213 BC), Deir el-Medina, Old Fund cat 1564. Egyptian Museum, Turin. white background
  • Ancient Egyptian stele dedicated by Pendua to Meretsesger, limestone, New Kingdom, 19th Dynasty, (1279-1213 BC), Deir el-Medina, Old Fund cat 1564. Egyptian Museum, Turin. black background
  • Ancient Egyptian stele dedicated by Pendua to Meretsesger, limestone, New Kingdom, 19th Dynasty, (1279-1213 BC), Deir el-Medina, Old Fund cat 1564. Egyptian Museum, Turin. Grey background
  • Ancient Egyptian stele dedicated by Pendua to Meretsesger, limestone, New Kingdom, 19th Dynasty, (1279-1213 BC), Deir el-Medina, Old Fund cat 1564. Egyptian Museum, Turin.
  • Ancient Egyptian stele dedicated by Pendua to Meretsesger, limestone, New Kingdom, 19th Dynasty, (1279-1213 BC), Deir el-Medina, Old Fund cat 1564. Egyptian Museum, Turin. Grey background
  • Ancient Egyptian ostracon dedicated by Amenkhau to Mereteseger, limestone, New Kingdom, 20th Dynasty, (1187-1150 BC), Deir el-Medina, ODrovetti cat 1564. Egyptian Museum, Turin. black background
  • Ancient Egyptian ostracon dedicated by Amenkhau to Mereteseger, limestone, New Kingdom, 20th Dynasty, (1187-1150 BC), Deir el-Medina, ODrovetti cat 1564. Egyptian Museum, Turin.
  • Ancient Egyptian stele of sculptor Qen, limestone, New Kingdom, 19th Dynasty, (1279-1213 BC), Deir el-Medina, Old Fund cat 1635. Egyptian Museum, Turin. black background<br />
<br />
This stele belongs to the "painter of outlines' and sculptor Qen who lived in the reign of Ramesses II. It depicrs a funeral celebration for him infront of funerary chapel with his sond Meryre and Huy, who are performing the "ceremony of Opening of the Mouth". His daughter Taqri is depicted grieving over the loss of her father. The chapel is summounted by a Pyramidion.
  • South face of Ancient Egyptian Pyramidion of Ramose with depictionof Horus, Limestone, New Kingdom, 19th Dtnasty (1292-1190 BC), Dier el-Medina. Egyptian Museum, Turin. Old Fund cat 1603. black background.<br />
<br />
<br />
The South face of the Ramose Pyramidion shows Horus standing in a dipole magnetic field supporting the strong coronal electric field of the Sun. The hieroglyphs read:<br />
 "The Stellar dipole magnetic field is supported by many negative charges or electrons."<br />
The limestone Pyramidion of Ramose, from the top of the tomb of the 'Necropolis Scribe'. Scenes on all four sides depict the worship of the sun.
  • South face of Ancient Egyptian Pyramidion of Ramose with depictionof Horus, Limestone, New Kingdom, 19th Dtnasty (1292-1190 BC), Dier el-Medina. Egyptian Museum, Turin. Old Fund cat 1603. Grey background.<br />
<br />
<br />
The South face of the Ramose Pyramidion shows Horus standing in a dipole magnetic field supporting the strong coronal electric field of the Sun. The hieroglyphs read:<br />
 "The Stellar dipole magnetic field is supported by many negative charges or electrons."<br />
The limestone Pyramidion of Ramose, from the top of the tomb of the 'Necropolis Scribe'. Scenes on all four sides depict the worship of the sun.
  • South face of Ancient Egyptian Pyramidion of Ramose with depictionof Horus, Limestone, New Kingdom, 19th Dtnasty (1292-1190 BC), Dier el-Medina. Egyptian Museum, Turin. Old Fund cat 1603. <br />
<br />
<br />
The South face of the Ramose Pyramidion shows Horus standing in a dipole magnetic field supporting the strong coronal electric field of the Sun. The hieroglyphs read:<br />
 "The Stellar dipole magnetic field is supported by many negative charges or electrons."<br />
The limestone Pyramidion of Ramose, from the top of the tomb of the 'Necropolis Scribe'. Scenes on all four sides depict the worship of the sun.
  • Ancient Egyptian Pyramidion of Ramose North & East sides, Limestone, New Kingdom, 19th Dtnasty (1292-1190 BC), Dier el-Medina. Egyptian Museum, Turin. Old Fund cat 1603. white background.<br />
<br />
The north face of the Ramose Pyramidion explains the attribute of Horus as the strong coronal electric field of the Sun gifting the Ankh as a support to Life. It reads "Strong coronal electric field supporting the Sun, negative charge induction."" Weak electric field is an attribute of the anode Sun.""Electricity supporting life to core charge store God".<br />
<br />
The east face of the Ramose Pyramidion shows the support for the structured plasma, her hands are held up representing the electric force on the perpendicular face to the North South axis of Horus, the strong coronal electric field. It reads" Structured plasma watched, attribute supporting life projecting power (negative charge) to support charge store (celestial body) electrostatic resonance."" Seek home structured plasma to land negative charge projection by God as lightning attribute support celestial body via connection giving movement and [light]."<br />
<br />
The limestone Pyramidion of Ramose, from the top of the tomb of the 'Necropolis Scribe'. Scenes on all four sides depict the worship of the sun.
  • Ancient Egyptian Pyramidion of Ramose North & East sides, Limestone, New Kingdom, 19th Dtnasty (1292-1190 BC), Dier el-Medina. Egyptian Museum, Turin. Old Fund cat 1603. black background.<br />
<br />
The north face of the Ramose Pyramidion explains the attribute of Horus as the strong coronal electric field of the Sun gifting the Ankh as a support to Life. It reads "Strong coronal electric field supporting the Sun, negative charge induction."" Weak electric field is an attribute of the anode Sun.""Electricity supporting life to core charge store God".<br />
<br />
The east face of the Ramose Pyramidion shows the support for the structured plasma, her hands are held up representing the electric force on the perpendicular face to the North South axis of Horus, the strong coronal electric field. It reads" Structured plasma watched, attribute supporting life projecting power (negative charge) to support charge store (celestial body) electrostatic resonance."" Seek home structured plasma to land negative charge projection by God as lightning attribute support celestial body via connection giving movement and [light]."<br />
<br />
The limestone Pyramidion of Ramose, from the top of the tomb of the 'Necropolis Scribe'. Scenes on all four sides depict the worship of the sun.
  • Ancient Egyptian Pyramidion of Ramose North & East sides, Limestone, New Kingdom, 19th Dtnasty (1292-1190 BC), Dier el-Medina. Egyptian Museum, Turin. Old Fund cat 1603. Grey background.<br />
<br />
The north face of the Ramose Pyramidion explains the attribute of Horus as the strong coronal electric field of the Sun gifting the Ankh as a support to Life. It reads "Strong coronal electric field supporting the Sun, negative charge induction."" Weak electric field is an attribute of the anode Sun.""Electricity supporting life to core charge store God".<br />
<br />
The east face of the Ramose Pyramidion shows the support for the structured plasma, her hands are held up representing the electric force on the perpendicular face to the North South axis of Horus, the strong coronal electric field. It reads" Structured plasma watched, attribute supporting life projecting power (negative charge) to support charge store (celestial body) electrostatic resonance."" Seek home structured plasma to land negative charge projection by God as lightning attribute support celestial body via connection giving movement and [light]."<br />
<br />
The limestone Pyramidion of Ramose, from the top of the tomb of the 'Necropolis Scribe'. Scenes on all four sides depict the worship of the sun.
  • Ancient Egyptian Pyramidion of Ramose North & East sides, Limestone, New Kingdom, 19th Dtnasty (1292-1190 BC), Dier el-Medina. Egyptian Museum, Turin. Old Fund cat 1603. <br />
<br />
The north face of the Ramose Pyramidion explains the attribute of Horus as the strong coronal electric field of the Sun gifting the Ankh as a support to Life. It reads "Strong coronal electric field supporting the Sun, negative charge induction."" Weak electric field is an attribute of the anode Sun.""Electricity supporting life to core charge store God".<br />
<br />
The east face of the Ramose Pyramidion shows the support for the structured plasma, her hands are held up representing the electric force on the perpendicular face to the North South axis of Horus, the strong coronal electric field. It reads" Structured plasma watched, attribute supporting life projecting power (negative charge) to support charge store (celestial body) electrostatic resonance."" Seek home structured plasma to land negative charge projection by God as lightning attribute support celestial body via connection giving movement and [light]."<br />
<br />
The limestone Pyramidion of Ramose, from the top of the tomb of the 'Necropolis Scribe'. Scenes on all four sides depict the worship of the sun.
  • Ancient Egyptian Pyramidion of Ramose North & East sides, Limestone, New Kingdom, 19th Dtnasty (1292-1190 BC), Dier el-Medina. Egyptian Museum, Turin. Old Fund cat 1603. white background.<br />
<br />
The north face of the Ramose Pyramidion explains the attribute of Horus as the strong coronal electric field of the Sun gifting the Ankh as a support to Life. It reads "Strong coronal electric field supporting the Sun, negative charge induction."" Weak electric field is an attribute of the anode Sun.""Electricity supporting life to core charge store God".<br />
<br />
The east face of the Ramose Pyramidion shows the support for the structured plasma, her hands are held up representing the electric force on the perpendicular face to the North South axis of Horus, the strong coronal electric field. It reads" Structured plasma watched, attribute supporting life projecting power (negative charge) to support charge store (celestial body) electrostatic resonance."" Seek home structured plasma to land negative charge projection by God as lightning attribute support celestial body via connection giving movement and [light]."<br />
<br />
The limestone Pyramidion of Ramose, from the top of the tomb of the 'Necropolis Scribe'. Scenes on all four sides depict the worship of the sun.
  • Ancient Egyptian Pyramidion of Ramose North & East sides, Limestone, New Kingdom, 19th Dtnasty (1292-1190 BC), Dier el-Medina. Egyptian Museum, Turin. Old Fund cat 1603. black background.<br />
<br />
The north face of the Ramose Pyramidion explains the attribute of Horus as the strong coronal electric field of the Sun gifting the Ankh as a support to Life. It reads "Strong coronal electric field supporting the Sun, negative charge induction."" Weak electric field is an attribute of the anode Sun.""Electricity supporting life to core charge store God".<br />
<br />
The east face of the Ramose Pyramidion shows the support for the structured plasma, her hands are held up representing the electric force on the perpendicular face to the North South axis of Horus, the strong coronal electric field. It reads" Structured plasma watched, attribute supporting life projecting power (negative charge) to support charge store (celestial body) electrostatic resonance."" Seek home structured plasma to land negative charge projection by God as lightning attribute support celestial body via connection giving movement and [light]."<br />
<br />
The limestone Pyramidion of Ramose, from the top of the tomb of the 'Necropolis Scribe'. Scenes on all four sides depict the worship of the sun.
  • Ancient Egyptian Pyramidion of Ramose North & East sides, Limestone, New Kingdom, 19th Dtnasty (1292-1190 BC), Dier el-Medina. Egyptian Museum, Turin. Old Fund cat 1603. <br />
<br />
The north face of the Ramose Pyramidion explains the attribute of Horus as the strong coronal electric field of the Sun gifting the Ankh as a support to Life. It reads "Strong coronal electric field supporting the Sun, negative charge induction."" Weak electric field is an attribute of the anode Sun.""Electricity supporting life to core charge store God".<br />
<br />
The east face of the Ramose Pyramidion shows the support for the structured plasma, her hands are held up representing the electric force on the perpendicular face to the North South axis of Horus, the strong coronal electric field. It reads" Structured plasma watched, attribute supporting life projecting power (negative charge) to support charge store (celestial body) electrostatic resonance."" Seek home structured plasma to land negative charge projection by God as lightning attribute support celestial body via connection giving movement and [light]."<br />
<br />
The limestone Pyramidion of Ramose, from the top of the tomb of the 'Necropolis Scribe'. Scenes on all four sides depict the worship of the sun.
  • Ancient Egyptian Pyramidion of Ramose North & East sides, Limestone, New Kingdom, 19th Dtnasty (1292-1190 BC), Dier el-Medina. Egyptian Museum, Turin. Old Fund cat 1603. Grey background.<br />
<br />
The north face of the Ramose Pyramidion explains the attribute of Horus as the strong coronal electric field of the Sun gifting the Ankh as a support to Life. It reads "Strong coronal electric field supporting the Sun, negative charge induction."" Weak electric field is an attribute of the anode Sun.""Electricity supporting life to core charge store God".<br />
<br />
The east face of the Ramose Pyramidion shows the support for the structured plasma, her hands are held up representing the electric force on the perpendicular face to the North South axis of Horus, the strong coronal electric field. It reads" Structured plasma watched, attribute supporting life projecting power (negative charge) to support charge store (celestial body) electrostatic resonance."" Seek home structured plasma to land negative charge projection by God as lightning attribute support celestial body via connection giving movement and [light]."<br />
<br />
The limestone Pyramidion of Ramose, from the top of the tomb of the 'Necropolis Scribe'. Scenes on all four sides depict the worship of the sun.
  • Ancient Egyptian statuette of Taweret decicated to draughtsman Parahotep, wood, New Kingdom, 19 Dynasty, (14292-1190 BC), deir el Medina. Egyptian Museum, Turin. black background. Cat 526.<br />
<br />
 Taweret is the protective ancient Egyptian goddess of childbirth and fertility. The deity is typically depicted as a bipedal female hippopotamus with feline attributes, pendulous female human breasts, the limbs and paws of a lion, and the back and tail of a Nile crocodile.
  • Ancient Egyptian statuette of Taweret decicated to draughtsman Parahotep, wood, New Kingdom, 19 Dynasty, (14292-1190 BC), deir el Medina. Egyptian Museum, Turin. white background. Cat 526.<br />
<br />
 Taweret is the protective ancient Egyptian goddess of childbirth and fertility. The deity is typically depicted as a bipedal female hippopotamus with feline attributes, pendulous female human breasts, the limbs and paws of a lion, and the back and tail of a Nile crocodile.
  • Ancient Egyptian statuette of Taweret decicated to draughtsman Parahotep, wood, New Kingdom, 19 Dynasty, (14292-1190 BC), deir el Medina. Egyptian Museum, Turin. Grey background. Cat 526.<br />
<br />
 Taweret is the protective ancient Egyptian goddess of childbirth and fertility. The deity is typically depicted as a bipedal female hippopotamus with feline attributes, pendulous female human breasts, the limbs and paws of a lion, and the back and tail of a Nile crocodile.
  • Ancient Egyptian statuette of Taweret decicated to draughtsman Parahotep, wood, New Kingdom, 19 Dynasty, (14292-1190 BC), deir el Medina. Egyptian Museum, Turin. Grey background. Cat 526.<br />
<br />
 Taweret is the protective ancient Egyptian goddess of childbirth and fertility. The deity is typically depicted as a bipedal female hippopotamus with feline attributes, pendulous female human breasts, the limbs and paws of a lion, and the back and tail of a Nile crocodile.
  • Ancient Egyptian shabtis doll, lwood, New Kingdom, 18th Dynasty, (1538-1040 BC), Deir el Medina. Egyptian Museum, Turin. white background,
  • Ancient Egyptian shabtis doll, lwood, New Kingdom, 18th Dynasty, (1538-1040 BC), Deir el Medina. Egyptian Museum, Turin. Grey background.
  • Ancient Egyptian shabtis doll, lwood, New Kingdom, 18th Dynasty, (1538-1040 BC), Deir el Medina. Egyptian Museum, Turin.
  • Ancient Egyptian shabtis doll, lwood, New Kingdom, 18th Dynasty, (1538-1040 BC), Deir el Medina. Egyptian Museum, Turin. Grey background.
  • Ancient Egyptian shabtis doll, lwood, New Kingdom, 18th Dynasty, (1538-1040 BC), Deir el Medina. Egyptian Museum, Turin. Grey background.
  • Ancient Egyptian shabtis doll of Nuneb , wood, New Kingdom, 18th Dynasty, (1538-1292 BC), Deir el Medina. Egyptian Museum, Turin. Cat 2676. Grey background. <br />
<br />
Mummiform holding agricultural implements (hoes); good modelling; polychrome <br />
decoration painted on white gesso: Wig painted black, face and hands dark red; hoes <br />
painted red; large usekh collar painted red and black. Hieroglyphs painted black. Text: Painted hieroglyphs, 7 rows around body. Chapter VI of the Book of the Dead. Tomb TT291
  • Ancient Egyptian shabtis doll of Nuneb , wood, New Kingdom, 18th Dynasty, (1538-1292 BC), Deir el Medina. Egyptian Museum, Turin. Cat 2676. Grey background. <br />
<br />
Mummiform holding agricultural implements (hoes); good modelling; polychrome <br />
decoration painted on white gesso: Wig painted black, face and hands dark red; hoes <br />
painted red; large usekh collar painted red and black. Hieroglyphs painted black. Text: Painted hieroglyphs, 7 rows around body. Chapter VI of the Book of the Dead. Tomb TT291
  • Ancient Egyptian shabtis doll of Nuneb , wood, New Kingdom, 18th Dynasty, (1538-1292 BC), Deir el Medina. Egyptian Museum, Turin. Cat 2676. Grey background. <br />
<br />
Mummiform holding agricultural implements (hoes); good modelling; polychrome <br />
decoration painted on white gesso: Wig painted black, face and hands dark red; hoes <br />
painted red; large usekh collar painted red and black. Hieroglyphs painted black. Text: Painted hieroglyphs, 7 rows around body. Chapter VI of the Book of the Dead. Tomb TT291
  • Ancient Egyptian statue of the goddess Meretseger, limestone, New Kingdom, 19-20th Dynasty, (1480-1390 BC), deir el Medina. Egyptian Museum, Turin. Cat 957.
  • Ancient Egyptian statue of the goddess Meretseger, limestone, New Kingdom, 19-20th Dynasty, (1480-1390 BC), deir el Medina. Egyptian Museum, Turin. Grey background. Cat 957.
  • Ancient Egyptian statue of the goddess Meretseger, limestone, New Kingdom, 19-20th Dynasty, (1480-1390 BC), deir el Medina. Egyptian Museum, Turin. Grey background. Cat 957.
  • Ancient Egyptian voitive statue of Nefratari, New Kingdom, 19th -20th Dynasty, (1292-1076 BC, Deir el-Medina. Egyptian Museum, Turin. Cat 1349. white background.<br />
<br />
Queen Ahmose Neferatari, wife and mother of Amenhoptec I show the great devotion she was held in by ancient Egyptians. The inscription on the base name the dedicators of the statue
  • Ancient Egyptian voitive statue of Nefratari, New Kingdom, 19th -20th Dynasty, (1292-1076 BC, Deir el-Medina. Egyptian Museum, Turin. Cat 1349. <br />
<br />
Queen Ahmose Neferatari, wife and mother of Amenhoptec I show the great devotion she was held in by ancient Egyptians. The inscription on the base name the dedicators of the statue
  • Ancient Egyptian voitive statue of Nefratari, New Kingdom, 19th -20th Dynasty, (1292-1076 BC, Deir el-Medina. Egyptian Museum, Turin. Cat 1349. Grey background.<br />
<br />
Queen Ahmose Neferatari, wife and mother of Amenhoptec I show the great devotion she was held in by ancient Egyptians. The inscription on the base name the dedicators of the statue
  • Ancient Egyptian voitive statue of Nefratari, New Kingdom, 19th -20th Dynasty, (1292-1076 BC, Deir el-Medina. Egyptian Museum, Turin. Cat 1349. Grey background.<br />
<br />
Queen Ahmose Neferatari, wife and mother of Amenhoptec I show the great devotion she was held in by ancient Egyptians. The inscription on the base name the dedicators of the statue
  • Ancient Egyptian statue of Maa, limestone, New Kingdom, 18th Dynasty, (1480-1390 BC), Thebes Necropolis. Egyptian Museum, Turin. black background. Drovetti collection. Cat 3089
  • Ancient Egyptian statue of Maa, limestone, New Kingdom, 18th Dynasty, (1480-1390 BC), Thebes Necropolis. Egyptian Museum, Turin. Grey background. Drovetti collection. Cat 3089
  • Ancient Egyptian statue of Pawer and his wife Mut, New Kingdom, 18th Dynasty, (1480-1390 BC), Thebes Necropolis. Egyptian Museum, Turin. black background. Drovetti collection. Cat 3057.<br />
<br />
Between the two adults is their son Samut in childhood nudity. The text specifies that the statue was commissioned by Mut.
  • Ancient Egyptian statue of Pawer and his wife Mut, New Kingdom, 18th Dynasty, (1480-1390 BC), Thebes Necropolis. Egyptian Museum, Turin. Grey background. Drovetti collection. Cat 3057.<br />
<br />
Between the two adults is their son Samut in childhood nudity. The text specifies that the statue was commissioned by Mut.
  • Ancient Egyptian statue of Pawer and his wife Mut, New Kingdom, 18th Dynasty, (1480-1390 BC), Thebes Necropolis. Egyptian Museum, Turin. Drovetti collection. Cat 3057.<br />
<br />
Between the two adults is their son Samut in childhood nudity. The text specifies that the statue was commissioned by Mut.
  • Ancient Egyptian statue of Pawer and his wife Mut, New Kingdom, 18th Dynasty, (1480-1390 BC), Thebes Necropolis. Egyptian Museum, Turin. Grey background. Drovetti collection. Cat 3057.<br />
<br />
Between the two adults is their son Samut in childhood nudity. The text specifies that the statue was commissioned by Mut.
  • Ancient Egyptian statue of Pawer and his wife Mut, New Kingdom, 18th Dynasty, (1480-1390 BC), Thebes Necropolis. Egyptian Museum, Turin. black background. Drovetti collection. Cat 3057.<br />
<br />
Between the two adults is their son Samut in childhood nudity. The text specifies that the statue was commissioned by Mut.
  • Ancient Egyptian statue of Pawer and his wife Mut, New Kingdom, 18th Dynasty, (1480-1390 BC), Thebes Necropolis. Egyptian Museum, Turin. white background. Drovetti collection. Cat 3057.<br />
<br />
Between the two adults is their son Samut in childhood nudity. The text specifies that the statue was commissioned by Mut.
  • Ancient Egyptian statue of Pawer and his wife Mut, New Kingdom, 18th Dynasty, (1480-1390 BC), Thebes Necropolis. Egyptian Museum, Turin. Grey background. Drovetti collection. Cat 3057.<br />
<br />
Between the two adults is their son Samut in childhood nudity. The text specifies that the statue was commissioned by Mut.
  • Ancient Egyptian statue of Pawer and his wife Mut, New Kingdom, 18th Dynasty, (1480-1390 BC), Thebes Necropolis. Egyptian Museum, Turin. Grey background. Drovetti collection. Cat 3057.<br />
<br />
Between the two adults is their son Samut in childhood nudity. The text specifies that the statue was commissioned by Mut.
  • Ancient Egyptian statue of Amenmes and his wife Taka, New Kingdom, 18th Dynasty, (1480-1390 BC), Thebes Necropolis. Egyptian Museum, Turin. Grey background. Drovetti collection. Cat 3059
  • Ancient Egyptian statue of Amenmes and his wife Taka, New Kingdom, 18th Dynasty, (1480-1390 BC), Thebes Necropolis. Egyptian Museum, Turin. black background. Drovetti collection. Cat 3059
  • Ancient Egyptian statue of Amenmes and his wife Taka, New Kingdom, 18th Dynasty, (1480-1390 BC), Thebes Necropolis. Egyptian Museum, Turin.  Drovetti collection. Cat 3059
  • Ancient Egyptian statue of Amenmes and his wife Taka, New Kingdom, 18th Dynasty, (1480-1390 BC), Thebes Necropolis. Egyptian Museum, Turin. Grey background. Drovetti collection. Cat 3059
  • Ancient Egyptian architectonic element of the temple of Aten, Karnak, limestone, New Kingdom 18th Dynasty (1353-1336 BC). Egyptian Museum, Turin. black background<br />
<br />
This crystaline block from the riugn of Amenhoptep IV was part of the railing of the temple of Aten in Karnak. It is os a double form cartouche, which usually enclose the name of the king. Here insted, it contains the names of the sun disk Aten, the one god of King Akhenaten : "Ra-Harakhty rising in the Horizon" "in the name as the light which is in Aten". The name of the king is carved on the sides. The objects is therefore a links god with the pharoah. Drovetti collection Cat 1378
  • Ancient Egyptian architectonic element of the temple of Aten, Karnak, limestone, New Kingdom 18th Dynasty (1353-1336 BC). Egyptian Museum, Turin. <br />
This crystaline block from the riugn of Amenhoptep IV was part of the railing of the temple of Aten in Karnak. It is os a double form cartouche, which usually enclose the name of the king. Here insted, it contains the names of the sun disk Aten, the one god of King Akhenaten : "Ra-Harakhty rising in the Horizon" "in the name as the light which is in Aten". The name of the king is carved on the sides. The objects is therefore a links god with the pharoah. Drovetti collection Cat 1378

FunkyStock Picture Library Resource

Picture The Past

ABOUT

FunkyStock Picture Library free resource for professional editorial picture editors, picture researchers, historical scholars and students and enthusiasts who want to browse some of the best pictures and images of historic countries, historical places, archaeological sites and the very best museum antiquities and artefacts exhibits in Europe and the Middle East.

Pictures and Images can be downloaded or bought as stock photos or photo art prints.

COUNTRIES

Browse travel pictures and images of historic places and archaeological sites of countries in Europe and the Middle East.

VIEW COUNTRIES INDEX....

HISTORICAL

Explore the past through pictures and images of its historic places. See the great palaces, castles and cities of antiquity as well as the great archaeological sites where our ancestors made history.

EXPLORE HISTORICAL PLACES...

MUSEUMS

Browse pictures & images the treasured artefacts and antiquities exhibits from the great Museum of Europe and the Middle East. See the art and objects made by our ancestors.

SEE MUESEUM ANTIQUITIES....