• Large wine krater known as "House of the Warrior Vase", showing men in full armour ( helmet, cuirass, greaves, shield and spear ) as they depart fro war with a sack of supplies hanging from their spears. A fine example of Mycenaean Pictoral Style. Mycenae acropolis, Greece. 12th century BC, cat no: 1426 ,  National Archaeological Museum, Athens.
  • Large wine krater known as "House of the Warrior Vase", showing men in full armour ( helmet, cuirass, greaves, shield and spear ) as they depart fro war with a sack of supplies hanging from their spears. A fine example of Mycenaean Pictoral Style. Mycenae acropolis, Greece. 12th century BC, cat no: 1426 ,  National Archaeological Museum, Athens.
  • Egyptian painting on stucco of the defied Pharaoh Amenhotep I . 11152-1145BC, Thebes, Grab Nr 359. Neues  Museum, Berlin. Cat No AM2061
  • Egyptian painting on stucco of the defied Pharaoh Amenhotep I . 11152-1145BC, Thebes, Grab Nr 359. Neues  Museum, Berlin. Cat No AM2061
  • Egyptian painting on stucco of Pharaoh Amenhotep I. 11152-1145BC, Thebes. Neues  Museum, Berlin. Cat No AM2061
  • Egyptian painting on stucco of Pharaoh Amenhotep I. 11152-1145BC, Thebes. Neues  Museum, Berlin. Cat No AM2061
  • Egyptian painting on stucco of the defied Pharaoh Amenhotep I . 11152-1145BC, Thebes, Grab Nr 359. Neues  Museum, Berlin. Cat No AM2061
  • Ancient Egyptian limestone funerary stele of Ipepi with his wife, mother and sister in front of Osiris. Middle Kingdom, 11th Dynasty, 2120-1980 BC. Neues Museum Berlin Cat No: AM 24031.
  • Ancient Egyptian limestone funerary stele of Ipepi with his wife, mother and sister in front of Osiris. Middle Kingdom, 11th Dynasty, 2120-1980 BC. Neues Museum Berlin Cat No: AM 24031.
  • Ancient Egyptian limestone funerary stele of Ipepi with his wife, mother and sister in front of Osiris. Middle Kingdom, 11th Dynasty, 2120-1980 BC. Neues Museum Berlin Cat No: AM 24031.
  • Ancient Egyptian limestone funerary stele of Ipepi with his wife, mother and sister in front of Osiris. Middle Kingdom, 11th Dynasty, 2120-1980 BC. Neues Museum Berlin Cat No: AM 24031.
  • Neolithic Marble Female Figurine grave offering of the early Cycladic II period from the Chalandriani, from Syros. 2800-2300BC. Athens Archaeological Museum Ref No 6169.
  • Neolithic Marble Female Figurine grave offering of the early Cycladic II period from the Chalandriani, from Syros. 2800-2300BC. Athens Archaeological Museum Ref No 6169.
  • Neolithic Marble Female Figurine grave offering of the early Cycladic II period from the Chalandriani, from Syros. 2800-2300BC. Athens Archaeological Museum Ref No 6169.
  • Neolithic Marble Female Figurine grave offering of the early Cycladic II period from the Chalandriani, from Syros. 2800-2300BC. Athens Archaeological Museum Ref No 6169.
  • Neolithic Marble Female Figurine grave offering of the early Cycladic II period from the Chalandriani, from Syros. 2800-2300BC. Athens Archaeological Museum Ref No 6169.
  • Gold Death Mask Known from Grave IV, Grave Circle A, Mycenae. 16th Century BC. The mask is made of a thin sheet of beaten gold . 16th century BC. Cat No 253 Athens Archaeological Museum.
  • Gold Death Mask Known from Grave IV, Grave Circle A, Mycenae. 16th Century BC. The mask is made of a thin sheet of beaten gold . 16th century BC. Cat No 253 Athens Archaeological Museum.
  • Gold Death Mask Known from Grave IV, Grave Circle A, Mycenae. 16th Century BC. The mask is made of a thin sheet of beaten gold . 16th century BC. Cat No 253 Athens Archaeological Museum.
  • Gold Death Mask Known as the "mask of Agamemnon"  from Grave V, Grave Circle A, Mycenae. The mask is made of a thin sheet of beaten gold & shows a man with a beard. 16th century BC. Cat No 624 Athens Archaeological Museum.
  • Gold Death Mask Known as the "mask of Agamemnon"  from Grave V, Grave Circle A, Mycenae. The mask is made of a thin sheet of beaten gold & shows a man with a beard. 16th century BC. Cat No 624 Athens Archaeological Museum.
  • Gold Death Mask Known as the "mask of Agamemnon"  from Grave V, Grave Circle A, Mycenae. The mask is made of a thin sheet of beaten gold & shows a man with a beard. 16th century BC. Cat No 624 Athens Archaeological Museum.
  • Gold Death Mask  from Grave V, Grave Circle A, Mycenae. The mask is made of a thin sheet of beaten gold and is the only mask from grave circle A with eyes open. 16th century BC. Cat No 259 Athens Archaeological Museum.
  • Gold Death Mask  from Grave V, Grave Circle A, Mycenae. The mask is made of a thin sheet of beaten gold and is the only mask from grave circle A with eyes open. 16th century BC. Cat No 259 Athens Archaeological Museum.
  • Gold Death Mask  from Grave V, Grave Circle A, Mycenae. The mask is made of a thin sheet of beaten gold and is the only mask from grave circle A with eyes open. 16th century BC. Cat No 259 Athens Archaeological Museum.
  • Three handled Mycenaean  Palace Style amphora with large palm trees symmetrically placed on the sides and smaller palm trees with floral motifs in between. This Mycenaean  vase is distinguished by the high quality of clay and paint, and by the naturalistic rendering of the decoration. From the Mycenaean cemetery at Argive Deiras, Greece. 15th Century BC. Cat No 6725 Athens Archaeological Museum.
  • Photo of a Three handles "Palace Style" amphora with three large octopuses within a marines cape of rocks and seaweed. A mycenaean copy of a Minoan Marine Style.   Mycenae tomb 2, Greece. 15th century BC,  cat no: 6725, National Archaeological Museum, Athens.
  • Photo of a Three handles "Palace Style" amphora with three large octopuses within a marines cape of rocks and seaweed. A mycenaean copy of a Minoan Marine Style.   Mycenae tomb 2, Greece. 15th century BC,  cat no: 6725, National Archaeological Museum, Athens.
  • Photo of a Three handles "Palace Style" amphora with three large octopuses within a marines cape of rocks and seaweed. A mycenaean copy of a Minoan Marine Style.   Mycenae tomb 2, Greece. 15th century BC,  cat no: 6725, National Archaeological Museum, Athens.
  • Three handled Mycenaean  Palace Style amphora with three large octopuses within a marinescape of rocks and seaweed. A Mycenaean imitation of Minoan Marine Style. From the Mycenaean cemetery of Argive Prosymna, tomb 2, Greece. 15th Century BC. Cat No 6725 Athens Archaeological Museum.
  • Three handled Mycenaean  Palace Style amphora with three large octopuses within a marinescape of rocks and seaweed. A Mycenaean imitation of Minoan Marine Style. From the Mycenaean cemetery of Argive Prosymna, tomb 2, Greece. 15th Century BC. Cat No 6725 Athens Archaeological Museum.
  • Three handled Mycenaean  Palace Style amphora with three large octopuses within a marinescape of rocks and seaweed. A Mycenaean imitation of Minoan Marine Style. From the Mycenaean cemetery of Argive Prosymna, tomb 2, Greece. 15th Century BC. Cat No 6725 Athens Archaeological Museum.
  • Three handled Mycenaean  Palace Style amphora with three large octopuses within a marinescape of rocks and seaweed. A Mycenaean imitation of Minoan Marine Style. From the Mycenaean cemetery of Argive Prosymna, tomb 2, Greece. 15th Century BC. Cat No 6725 Athens Archaeological Museum.
  • Three handled Mycenaean  Palace Style amphora with three large octopuses within a marinescape of rocks and seaweed. A Mycenaean imitation of Minoan Marine Style. From the Mycenaean cemetery of Argive Prosymna, tomb 2, Greece. 15th Century BC. Cat No 6725 Athens Archaeological Museum.
  • Ancient Egyptian limestone funerary stele of Ipepi with his wife, mother and sister in front of Osiris. Middle Kingdom, 11th Dynasty, 2120-1980 BC. Neues Museum Berlin Cat No: AM 24031.
  • Gold Death Mask Known from Grave IV, Grave Circle A, Mycenae. 16th Century BC. The mask is made of a thin sheet of beaten gold . 16th century BC. Cat No 253 Athens Archaeological Museum.
  • Gold Death Mask Known from Grave IV, Grave Circle A, Mycenae. 16th Century BC. The mask is made of a thin sheet of beaten gold . 16th century BC. Cat No 253 Athens Archaeological Museum.
  • Gold Death Mask Known as the "mask of Agamemnon"  from Grave V, Grave Circle A, Mycenae. The mask is made of a thin sheet of beaten gold & shows a man with a beard. 16th century BC. Cat No 624 Athens Archaeological Museum.
  • Gold Death Mask Known as the "mask of Agamemnon"  from Grave V, Grave Circle A, Mycenae. The mask is made of a thin sheet of beaten gold & shows a man with a beard. 16th century BC. Cat No 624 Athens Archaeological Museum.
  • Gold Death Mask  from Grave V, Grave Circle A, Mycenae. The mask is made of a thin sheet of beaten gold and is the only mask from grave circle A with eyes open. 16th century BC. Cat No 259 Athens Archaeological Museum.
  • Gold Death Mask  from Grave V, Grave Circle A, Mycenae. The mask is made of a thin sheet of beaten gold and is the only mask from grave circle A with eyes open. 16th century BC. Cat No 259 Athens Archaeological Museum.
  • Three handled Mycenaean  Palace Style amphora with large palm trees symmetrically placed on the sides and smaller palm trees with floral motifs in between. This Mycenaean  vase is distinguished by the high quality of clay and paint, and by the naturalistic rendering of the decoration. From the Mycenaean cemetery at Argive Deiras, Greece. 15th Century BC. Cat No 6725 Athens Archaeological Museum.
  • Three handled Mycenaean  Palace Style amphora with large palm trees symmetrically placed on the sides and smaller palm trees with floral motifs in between. This Mycenaean  vase is distinguished by the high quality of clay and paint, and by the naturalistic rendering of the decoration. From the Mycenaean cemetery at Argive Deiras, Greece. 15th Century BC. Cat No 6725 Athens Archaeological Museum.
  • Three handled Mycenaean  Palace Style amphora with large palm trees symmetrically placed on the sides and smaller palm trees with floral motifs in between. This Mycenaean  vase is distinguished by the high quality of clay and paint, and by the naturalistic rendering of the decoration. From the Mycenaean cemetery at Argive Deiras, Greece. 15th Century BC. Cat No 6725 Athens Archaeological Museum.
  • Photo of a Three handles "Palace Style" amphora with three large octopuses within a marines cape of rocks and seaweed. A mycenaean copy of a Minoan Marine Style.   Mycenae tomb 2, Greece. 15th century BC,  cat no: 6725, National Archaeological Museum, Athens.
  • Photo of a Three handles "Palace Style" amphora with three large octopuses within a marines cape of rocks and seaweed. A mycenaean copy of a Minoan Marine Style.   Mycenae tomb 2, Greece. 15th century BC,  cat no: 6725, National Archaeological Museum, Athens.
  • Three handled Mycenaean  Palace Style amphora with large palm trees symmetrically placed on the sides and smaller palm trees with floral motifs in between. This Mycenaean  vase is distinguished by the high quality of clay and paint, and by the naturalistic rendering of the decoration. From the Mycenaean cemetery at Argive Deiras, Greece. 15th Century BC. Cat No 6725 Athens Archaeological Museum.
  • Ushabti box of Sched-es-en-mut. Egyptian painted wooden box panel of the deceased in front of a tree goddess, 1540-1075 BC . Neues Reiche Museum, Berlin. Cat No AM630
  • Ushabti box of Sched-es-en-mut. Egyptian painted wooden box panel of the deceased in front of a tree goddess, 1540-1075 BC . Neues Reiche Museum, Berlin. Cat No AM630
  • Ancient Egyptian Greywacke statue head . 27 th Dynasty 500 BC . Neues Museum Berlin Cat No: AM 31196.
  • Quartz Ancient Egyptian Statue head of King Amenhotep II from Wad Ban Naga, Sudan . 18 th Dynasty 1425 BC . Neues Reich Museum Berlin Cat No: AM 2057.
  • Ancient Egyptian Statue the " Berlin Green Man ". / Berliner Grüner Kopf. / Egypt 30.  Dynasty  (350 BC) Berlin Neues Museum Cat No: AM 12500.
  • Ancient Egyptian granite statue of Sobekhotep V kneeling with ointment vessels. Egypt 13-14 Dynastie (1750-1700 BC) Berlin Neues Museum Cat No: AM 10645
  • 25th dynasty Egyptian granite Sphinx of Shepenepet II, god's wife of Amon. 660 BC, Karnak. Neues Reiche Museum, Berlin. Cat No AM7972
  • 25th dynasty Egyptian granite Sphinx of Shepenepet II, god's wife of Amon. 660 BC, Karnak. Neues Reiche Museum, Berlin. Cat No AM7972
  • Egyptian painting on stucco of the defied Pharaoh Amenhotep I . 11152-1145BC, Thebes, Grab Nr 359. Neues Reiche Museum, Berlin. Cat No AM2061
  • 12 dynasty Egyptian statue of king Amenemhet III praying. 1840-1800 BC, Memphis. Neues  Museum, Berlin. Cat No AM1121
  • Early Roman mummy mask of a women from  Egypt 1st century BC . Neues Museum Berlin Cat No: AM 34434.
  • Ancient Egyptian quartz statue head of princess from Amarna. 18th Dynasty Ancient Egypt, 1345 BC . Neues Museum Berlin Cat No: AM 21223.
  • Ushabti. Ptolemaic Dynasty  Egyptian textile & gold mummy mask depicting various gods, 306-30 BC. Neues Reiche Museum, Berlin. Cat No AM813
  • Ushabti. Ptolemaic Dynasty  Egyptian textile & gold mummy mask depicting various gods, 306-30 BC. Neues Reiche Museum, Berlin. Cat No AM813
  • Picture of  A18 of the Tomb North Necropolis. Hierapolis archaeological site near Pamukkale in Turkey.<br />
<br />
Tomb A 18 ( 1st century AD) <br />
<br />
The building, one of the most representative and best conserved of the North Necropolis, has the shape of a small temple, built to a square plan with regular walls. The facade is framed by projecting pilasters; the roofing slabs rest on the, two frontons and the lateral cornices.- Beneath the base is a subterranean chamber partially carved into of the rock. The two chambers have sepulchral beds along the walls.
  • Picture of  A18 of the Tomb North Necropolis. Hierapolis archaeological site near Pamukkale in Turkey.<br />
<br />
Tomb A 18 ( 1st century AD) <br />
<br />
The building, one of the most representative and best conserved of the North Necropolis, has the shape of a small temple, built to a square plan with regular walls. The facade is framed by projecting pilasters; the roofing slabs rest on the, two frontons and the lateral cornices.- Beneath the base is a subterranean chamber partially carved into of the rock. The two chambers have sepulchral beds along the walls.
  • 25th dynasty Egyptian granite Sphinx of Shepenepet II, god's wife of Amon. 660 BC, Karnak. Neues Reiche Museum, Berlin. Cat No AM7972
  • 25th dynasty Egyptian granite Sphinx of Shepenepet II, god's wife of Amon. 660 BC, Karnak. Neues Reiche Museum, Berlin. Cat No AM7972
  • 25th dynasty Egyptian granite Sphinx of Shepenepet II, god's wife of Amon. 660 BC, Karnak. Neues Reiche Museum, Berlin. Cat No AM7972
  • 25th dynasty Egyptian granite Sphinx of Shepenepet II, god's wife of Amon. 660 BC, Karnak. Neues Reiche Museum, Berlin. Cat No AM7972
  • Ushabti box of Sched-es-en-mut. Egyptian painted wooden box panel of the deceased in front of a tree goddess, 1540-1075 BC . Neues Reiche Museum, Berlin. Cat No AM630
  • Ushabti box of Sched-es-en-mut. Egyptian painted wooden box panel of the deceased in front of a tree goddess, 1540-1075 BC . Neues Reiche Museum, Berlin. Cat No AM630
  • Ancient Egyptian quartz statue head of princess from Amarna. 18th Dynasty Ancient Egypt, 1345 BC . Neues Museum Berlin Cat No: AM 21223.
  • Ancient Egyptian quartz statue head of princess from Amarna. 18th Dynasty Ancient Egypt, 1345 BC . Neues Museum Berlin Cat No: AM 21223.
  • Ancient Egyptian quartz statue head of princess from Amarna. 18th Dynasty Ancient Egypt, 1345 BC . Neues Museum Berlin Cat No: AM 21223.
  • Ancient Egyptian quartz statue head of princess from Amarna. 18th Dynasty Ancient Egypt, 1345 BC . Neues Museum Berlin Cat No: AM 21223.
  • Ancient Egyptian quartz statue head of princess from Amarna. 18th Dynasty Ancient Egypt, 1345 BC . Neues Museum Berlin Cat No: AM 21223.
  • Quartz ancient Egyptian relief sculpture of Queen Tiy from the funerary temple of Amenohis III, West Thebes. 18th Dynasty Ancient Egypt, 1375 BC . Neues Museum Berlin Cat No: AM 23270.
  • Quartz ancient Egyptian relief sculpture of Queen Tiy from the funerary temple of Amenohis III, West Thebes. 18th Dynasty Ancient Egypt, 1375 BC . Neues Museum Berlin Cat No: AM 23270.
  • Quartz ancient Egyptian relief sculpture of Queen Tiy from the funerary temple of Amenohis III, West Thebes. 18th Dynasty Ancient Egypt, 1375 BC . Neues Museum Berlin Cat No: AM 23270.
  • Quartz ancient Egyptian relief sculpture of Queen Tiy from the funerary temple of Amenohis III, West Thebes. 18th Dynasty Ancient Egypt, 1375 BC . Neues Museum Berlin Cat No: AM 23270.
  • Quartz ancient Egyptian relief sculpture of Queen Tiy from the funerary temple of Amenohis III, West Thebes. 18th Dynasty Ancient Egypt, 1375 BC . Neues Museum Berlin Cat No: AM 23270.
  • Ushabti. 18 dynasty Egyptian kneeling sculpture of queen Hatshepsut with a cultic vessel, 1475BC Deir el-Bahari . Neues Reiche Museum, Berlin. Cat No AM22883
  • Ushabti. 18 dynasty Egyptian kneeling sculpture of queen Hatshepsut with a cultic vessel, 1475BC Deir el-Bahari . Neues Reiche Museum, Berlin. Cat No AM22883
  • Ushabti. 18 dynasty Egyptian kneeling sculpture of queen Hatshepsut with a cultic vessel, 1475BC Deir el-Bahari . Neues Reiche Museum, Berlin. Cat No AM22883
  • Ushabti. 18 dynasty Egyptian kneeling sculpture of queen Hatshepsut with a cultic vessel, 1475BC Deir el-Bahari . Neues Reiche Museum, Berlin. Cat No AM22883
  • Ushabti. 18 dynasty Egyptian kneeling sculpture of queen Hatshepsut with a cultic vessel, 1475BC Deir el-Bahari . Neues Reiche Museum, Berlin. Cat No AM22883
  • 12 dynasty Egyptian statue of king Amenemhet III praying. 1840-1800 BC, Memphis. Neues  Museum, Berlin. Cat No AM1121
  • Ancient Egyptian relief portrait of King Akhenaten from Amarna. 18th Dynasty 1340 BC . Neues Museum Berlin Cat No: AM 14512.
  • Ancient Egyptian relief portrait of King Akhenaten from Amarna. 18th Dynasty 1340 BC . Neues Museum Berlin Cat No: AM 14512.
  • Ancient Egyptian relief portrait of King Akhenaten from Amarna. 18th Dynasty 1340 BC . Neues Museum Berlin Cat No: AM 14512.
  • Ancient Egyptian relief portrait of King Akhenaten from Amarna. 18th Dynasty 1340 BC . Neues Museum Berlin Cat No: AM 14512.
  • Ancient Egyptian relief portrait of King Akhenaten from Amarna. 18th Dynasty 1340 BC . Neues Museum Berlin Cat No: AM 14512.
  • Ancient Egyptian relief portrait of King Akhenaten from Amarna. 18th Dynasty 1340 BC . Neues Museum Berlin Cat No: AM 21683.
  • Ancient Egyptian relief portrait of King Akhenaten from Amarna. 18th Dynasty 1340 BC . Neues Museum Berlin Cat No: AM 21683.
  • Ancient Egyptian relief portrait of King Akhenaten from Amarna. 18th Dynasty 1340 BC . Neues Museum Berlin Cat No: AM 21683.
  • Ancient Egyptian relief portrait of King Akhenaten from Amarna. 18th Dynasty 1340 BC . Neues Museum Berlin Cat No: AM 21683.
  • Ancient Egyptian relief portrait of King Akhenaten from Amarna. 18th Dynasty 1340 BC . Neues Museum Berlin Cat No: AM 21683.
  • Ancient Egyptian tomb relief sculpture depicting the scribe and judge Ankhirptah. Middle Kingdom Egypt, 2170 BC. Neues Museum Berlin Cat No: AM 7337.
  • Ancient Egyptian tomb relief sculpture depicting the scribe and judge Ankhirptah. Middle Kingdom Egypt, 2170 BC. Neues Museum Berlin Cat No: AM 7337.
  • Ancient Egyptian tomb relief sculpture depicting the scribe and judge Ankhirptah. Middle Kingdom Egypt, 2170 BC. Neues Museum Berlin Cat No: AM 7337.
  • Ancient Egyptian tomb relief sculpture depicting the scribe and judge Ankhirptah. Middle Kingdom Egypt, 2170 BC. Neues Museum Berlin Cat No: AM 7337.
  • Ancient Egyptian tomb relief sculpture depicting the scribe and judge Ankhirptah. Middle Kingdom Egypt, 2170 BC. Neues Museum Berlin Cat No: AM 7337.
  • Ancient Egyptian quartz statue head of prince Khaemwase, son of Pharaoh  Rameses II. 19th Dynasty Ancient Egypt, 1260 BC . Neues Museum Berlin Cat No: AM 13460.
  • Ancient Egyptian quartz statue head of prince Khaemwase, son of Pharaoh  Rameses II. 19th Dynasty Ancient Egypt, 1260 BC . Neues Museum Berlin Cat No: AM 13460.
  • Ancient Egyptian quartz statue head of prince Khaemwase, son of Pharaoh  Rameses II. 19th Dynasty Ancient Egypt, 1260 BC . Neues Museum Berlin Cat No: AM 13460.
  • Ancient Egyptian quartz statue head of prince Khaemwase, son of Pharaoh  Rameses II. 19th Dynasty Ancient Egypt, 1260 BC . Neues Museum Berlin Cat No: AM 13460.
  • Ancient Egyptian Greywacke statue head . 27 th Dynasty 500 BC . Neues Museum Berlin Cat No: AM 31196.
  • Ancient Egyptian Greywacke statue head . 27 th Dynasty 500 BC . Neues Museum Berlin Cat No: AM 31196.
  • Ancient Egyptian Greywacke statue head . 27 th Dynasty 500 BC . Neues Museum Berlin Cat No: AM 31196.
  • Ancient Egyptian Greywacke statue head . 27 th Dynasty 500 BC . Neues Museum Berlin Cat No: AM 31196.
  • Granite ancient Egyptian statue head of a man from Thebes. 2000 BC . Neues Reich Museum Berlin Cat No: AM 1254.
  • Granite ancient Egyptian statue head of a man from Thebes. 2000 BC . Neues Reich Museum Berlin Cat No: AM 1254.
  • Granite ancient Egyptian statue head of a man from Thebes. 2000 BC . Neues Reich Museum Berlin Cat No: AM 1254.
  • Granite ancient Egyptian statue head of a man from Thebes. 2000 BC . Neues Reich Museum Berlin Cat No: AM 1254.
  • Quartz Ancient Egyptian Statue head of King Amenhotep II from Wad Ban Naga, Sudan . 18 th Dynasty 1425 BC . Neues Reich Museum Berlin Cat No: AM 2057.
  • Quartz Ancient Egyptian Statue head of King Amenhotep II from Wad Ban Naga, Sudan . 18 th Dynasty 1425 BC . Neues Reich Museum Berlin Cat No: AM 2057.
  • Ancient Egyptian head of a statue  of king Amenhotep III. / Kopf eider statue des Königs Amenophis III. / Egypt 18. Dynasty  (1360BC) Berlin Neues Museum Cat No: VAGM 1997/118.
  • Ancient Egyptian head of a statue  of king Amenhotep III. / Kopf eider statue des Königs Amenophis III. / Egypt 18. Dynasty  (1360BC) Berlin Neues Museum Cat No: VAGM 1997/118.
  • Ancient Egyptian head of a statue  of king Amenhotep III. / Kopf eider statue des Königs Amenophis III. / Egypt 18. Dynasty  (1360BC) Berlin Neues Museum Cat No: VAGM 1997/118.
  • Ancient Egyptian head of a statue  of king Amenhotep III. / Kopf eider statue des Königs Amenophis III. / Egypt 18. Dynasty  (1360BC) Berlin Neues Museum Cat No: VAGM 1997/118.
  • Ancient Egyptian Statue the " Berlin Green Man ". / Berliner Grüner Kopf. / Egypt 30.  Dynasty  (350 BC) Berlin Neues Museum Cat No: AM 12500.
  • Ancient Egyptian Statue the " Berlin Green Man ". / Berliner Grüner Kopf. / Egypt 30.  Dynasty  (350 BC) Berlin Neues Museum Cat No: AM 12500.
  • Ancient Egyptian Statue the " Berlin Green Man ". / Berliner Grüner Kopf. / Egypt 30.  Dynasty  (350 BC) Berlin Neues Museum Cat No: AM 12500.
  • Statue Portrait head of Nefertiti. / Portratkopfe des Konigspaares Nofretete. / Egypt 18. Dynasty  (1340 BC) Berlin Neues Museum Cat No: AM 21348.
  • Statue Portrait head of Nefertiti. / Portratkopfe des Konigspaares Nofretete. / Egypt 18. Dynasty  (1340 BC) Berlin Neues Museum Cat No: AM 21348.
  • Statue Portrait head of Nefertiti. / Portratkopfe des Konigspaares Nofretete. / Egypt 18. Dynasty  (1340 BC) Berlin Neues Museum Cat No: AM 21348.
  • Statue Portrait head of Nefertiti. / Portratkopfe des Konigspaares Nofretete. / Egypt 18. Dynasty  (1340 BC) Berlin Neues Museum Cat No: AM 21348.
  • Ancient Egyptian granite statue of Sobekhotep V kneeling with ointment vessels. Egypt 13-14 Dynastie (1750-1700 BC) Berlin Neues Museum Cat No: AM 10645
  • Ancient Egyptian granite statue of Sobekhotep V kneeling with ointment vessels. Egypt 13-14 Dynastie (1750-1700 BC) Berlin Neues Museum Cat No: AM 10645
  • Ancient Egyptian granite statue of Sobekhotep V kneeling with ointment vessels. Egypt 13-14 Dynastie (1750-1700 BC) Berlin Neues Museum Cat No: AM 10645
  • Ancient Ptolemaic Egyptian basalt statue of Ptolemy III, 220 BC . Neues Museum Berlin. Cat No: 14764
  • Ancient Ptolemaic Egyptian basalt statue of Ptolemy III, 220 BC . Neues Museum Berlin. Cat No: 14764
  • Ancient Ptolemaic Egyptian basalt statue of Ptolemy III, 220 BC . Neues Museum Berlin. Cat No: 14764
  • Ancient Ptolemaic Egyptian basalt statue of Ptolemy III, 220 BC . Neues Museum Berlin. Cat No: 14764
  • 25th dynasty Egyptian granite Sphinx of Shepenepet II, god's wife of Amon. 660 BC, Karnak. Neues Reiche Museum, Berlin. Cat No AM7972
  • 25th dynasty Egyptian granite Sphinx of Shepenepet II, god's wife of Amon. 660 BC, Karnak. Neues Reiche Museum, Berlin. Cat No AM7972
  • 25th dynasty Egyptian granite Sphinx of Shepenepet II, god's wife of Amon. 660 BC, Karnak. Neues Reiche Museum, Berlin. Cat No AM7972
  • Egyptian painting on stucco of the defied Pharaoh Amenhotep I . 11152-1145BC, Thebes, Grab Nr 359. Neues Reiche Museum, Berlin. Cat No AM2061
  • Egyptian painting on stucco of the defied Pharaoh Amenhotep I . 11152-1145BC, Thebes, Grab Nr 359. Neues Reiche Museum, Berlin. Cat No AM2061
  • Egyptian painting on stucco of the defied Pharaoh Amenhotep I . 11152-1145BC, Thebes, Grab Nr 359. Neues Reiche Museum, Berlin. Cat No AM2061
  • Egyptian painting on stucco of the defied Pharaoh Amenhotep I . 11152-1145BC, Thebes, Grab Nr 359. Neues Reiche Museum, Berlin. Cat No AM2061
  • Egyptian painting on stucco of Pharaoh Amenhotep I. 11152-1145BC, Thebes. Neues Reiche Museum, Berlin. Cat No AM2061
  • Egyptian painting on stucco of Pharaoh Amenhotep I. 11152-1145BC, Thebes. Neues Reiche Museum, Berlin. Cat No AM2061
  • Egyptian painting on stucco of Pharaoh Amenhotep I. 11152-1145BC, Thebes. Neues Reiche Museum, Berlin. Cat No AM2061
  • Egyptian painting on stucco of Pharaoh Amenhotep I. 11152-1145BC, Thebes. Neues Reiche Museum, Berlin. Cat No AM2061
  • Egyptian painting on stucco of Pharaoh Amenhotep I. 11152-1145BC, Thebes. Neues Reiche Museum, Berlin. Cat No AM2061
  • Egyptian painting on stucco of the defied queen Ahmose-Nofretari. 11152-1145BC, Thebes, Grab Nr 359. Neues Reiche Museum, Berlin. Cat No AM2060
  • Egyptian painting on stucco of the defied queen Ahmose-Nofretari. 11152-1145BC, Thebes, Grab Nr 359. Neues Reiche Museum, Berlin. Cat No AM2060
  • Egyptian painting on stucco of the defied queen Ahmose-Nofretari. 11152-1145BC, Thebes, Grab Nr 359. Neues Reiche Museum, Berlin. Cat No AM2060
  • Egyptian painting on stucco of the defied queen Ahmose-Nofretari. 11152-1145BC, Thebes, Grab Nr 359. Neues Reiche Museum, Berlin. Cat No AM2060
  • 12 dynasty Egyptian statue of king Amenemhet III praying. 1840-1800 BC, Memphis. Neues  Museum, Berlin. Cat No AM1121
  • 12 dynasty Egyptian statue of king Amenemhet III praying. 1840-1800 BC, Memphis. Neues  Museum, Berlin. Cat No AM1121
  • 12 dynasty Egyptian statue of king Amenemhet III praying. 1840-1800 BC, Memphis. Neues  Museum, Berlin. Cat No AM1121
  • 12 dynasty Egyptian statue of king Amenemhet III praying. 1840-1800 BC, Memphis. Neues  Museum, Berlin. Cat No AM1121
  • 12 dynasty Egyptian statue of king Amenemhet III praying. 1840-1800 BC, Memphis. Neues  Museum, Berlin. Cat No AM1121
  • 12 dynasty Egyptian statue of king Amenemhet III praying. 1840-1800 BC, Memphis. Neues  Museum, Berlin. Cat No AM1121
  • 12 dynasty Egyptian statue of king Amenemhet III praying. 1840-1800 BC, Memphis. Neues  Museum, Berlin. Cat No AM1121
  • Early Roman mummy mask of a women from  Egypt 1st century BC . Neues Museum Berlin Cat No: AM 34434.
  • Early Roman mummy mask of a women from  Egypt 1st century BC . Neues Museum Berlin Cat No: AM 34434.
  • Early Roman mummy mask of a women from  Egypt 1st century BC . Neues Museum Berlin Cat No: AM 34434.
  • Early Roman mummy mask of a women from  Egypt 1st century BC . Neues Museum Berlin Cat No: AM 34434.
  • Ancient Egyptian voitive stele of Takasu for the Gods Harmakhis and Atun from Thebes. Ancient Egypt 25/26 Dynaty, 630 BC. Neues Museum Berlin Cat No: AM 935.
  • Ancient Egyptian voitive stele of Takasu for the Gods Harmakhis and Atun from Thebes. Ancient Egypt 25/26 Dynaty, 630 BC. Neues Museum Berlin Cat No: AM 935.
  • Ancient Egyptian voitive stele of Takasu for the Gods Harmakhis and Atun from Thebes. Ancient Egypt 25/26 Dynaty, 630 BC. Neues Museum Berlin Cat No: AM 935.
  • Ancient Egyptian voitive stele of Takasu for the Gods Harmakhis and Atun from Thebes. Ancient Egypt 25/26 Dynaty, 630 BC. Neues Museum Berlin Cat No: AM 935.
  • Ancient Egyptian voitive stele of Takasu for the Gods Harmakhis and Atun from Thebes. Ancient Egypt 25/26 Dynaty, 630 BC. Neues Museum Berlin Cat No: AM 935.
  • Ancient Egyptian bronze statue of Meres-Amun. Ancient Egypt 22nd Dynaty, 850 BC. Neues Museum Berlin Cat No: AM 32321.
  • Ancient Egyptian bronze statue of Meres-Amun. Ancient Egypt 22nd Dynaty, 850 BC. Neues Museum Berlin Cat No: AM 32321.
  • Ancient Egyptian bronze statue of Meres-Amun. Ancient Egypt 22nd Dynaty, 850 BC. Neues Museum Berlin Cat No: AM 32321.
  • Ancient Egyptian bronze statue of Meres-Amun. Ancient Egypt 22nd Dynaty, 850 BC. Neues Museum Berlin Cat No: AM 32321.
  • Ancient Egyptian quartz statue head of princess from Amarna. 18th Dynasty Ancient Egypt, 1345 BC . Neues Museum Berlin Cat No: AM 21223.
  • Ancient Egyptian quartz statue head of princess from Amarna. 18th Dynasty Ancient Egypt, 1345 BC . Neues Museum Berlin Cat No: AM 21223.
  • Ancient Egyptian quartz statue head of princess from Amarna. 18th Dynasty Ancient Egypt, 1345 BC . Neues Museum Berlin Cat No: AM 21223.
  • Ancient Egyptian statue head of Queen Hatshepsut or King Thutmose III. Ancient Egypt 18th Dynaty, 1460-1450 BC. Neues Museum Berlin Cat No: AM 34431.
  • Ancient Egyptian statue head of Queen Hatshepsut or King Thutmose III. Ancient Egypt 18th Dynaty, 1460-1450 BC. Neues Museum Berlin Cat No: AM 34431.
  • Ancient Egyptian statue head of Queen Hatshepsut or King Thutmose III. Ancient Egypt 18th Dynaty, 1460-1450 BC. Neues Museum Berlin Cat No: AM 34431.
  • Ancient Egyptian statue head of Queen Hatshepsut or King Thutmose III. Ancient Egypt 18th Dynaty, 1460-1450 BC. Neues Museum Berlin Cat No: AM 34431.
  • Ancient Egyptian statue head of Queen Hatshepsut or King Thutmose III. Ancient Egypt 18th Dynaty, 1460-1450 BC. Neues Museum Berlin Cat No: AM 34431.
  • Ushabti. Ptolemaic Dynasty  Egyptian textile & gold mummy mask depicting various gods, 306-30 BC. Neues Reiche Museum, Berlin. Cat No AM813
  • Ushabti. Ptolemaic Dynasty  Egyptian textile & gold mummy mask depicting various gods, 306-30 BC. Neues Reiche Museum, Berlin. Cat No AM813
  • Ushabti. Ptolemaic Dynasty  Egyptian textile & gold mummy mask depicting various gods, 306-30 BC. Neues Reiche Museum, Berlin. Cat No AM813
  • Egyptian painting on stucco of the defied queen Ahmose-Nofretari. 11152-1145BC, Thebes, Grab Nr 359. Neues  Museum, Berlin. Cat No AM2060
  • 25th dynasty Egyptian granite Sphinx of Shepenepet II, god's wife of Amon. 660 BC, Karnak. Neues Reiche Museum, Berlin. Cat No AM7972
  • Ushabti box of Sched-es-en-mut. Egyptian painted wooden box panel of the deceased in front of a tree goddess, 1540-1075 BC . Neues Reiche Museum, Berlin. Cat No AM630
  • Ancient Egyptian quartz statue head of prince Khaemwase, son of Pharaoh  Rameses II. 19th Dynasty Ancient Egypt, 1260 BC . Neues Museum Berlin Cat No: AM 13460.
  • Ancient Ptolemaic Egyptian basalt statue of Ptolemy III, 220 BC . Neues Museum Berlin. Cat No: 14764
  • Egyptian painting on stucco of the defied queen Ahmose-Nofretari. 11152-1145BC, Thebes, Grab Nr 359. Neues Reiche Museum, Berlin. Cat No AM2060
  • 12 dynasty Egyptian statue of king Amenemhet III praying. 1840-1800 BC, Memphis. Neues  Museum, Berlin. Cat No AM1121
  • Ancient Egyptian bronze statue of Meres-Amun. Ancient Egypt 22nd Dynaty, 850 BC. Neues Museum Berlin Cat No: AM 32321.
  • Ancient Egyptian quartz statue head of princess from Amarna. 18th Dynasty Ancient Egypt, 1345 BC . Neues Museum Berlin Cat No: AM 21223.
  • Quartz ancient Egyptian relief sculpture of Queen Tiy from the funerary temple of Amenohis III, West Thebes. 18th Dynasty Ancient Egypt, 1375 BC . Neues Museum Berlin Cat No: AM 23270.
  • "Charioteer of Delphi" 470 BC. The "Charioteer of Delphi" is one of the best known ancient Greek statues, and one of the best preserved examples of classical bronze casts. It is considered a fine example of the "Severe" style. Delphi Archaeological Museum.
  • "Charioteer of Delphi" 470 BC. The "Charioteer of Delphi" is one of the best known ancient Greek statues, and one of the best preserved examples of classical bronze casts. It is considered a fine example of the "Severe" style. Delphi Archaeological Museum.
  • "Charioteer of Delphi" 470 BC. The "Charioteer of Delphi" is one of the best known ancient Greek statues, and one of the best preserved examples of classical bronze casts. It is considered a fine example of the "Severe" style. Delphi Archaeological Museum.
  • "Charioteer of Delphi" 470 BC. The "Charioteer of Delphi" is one of the best known ancient Greek statues, and one of the best preserved examples of classical bronze casts. It is considered a fine example of the "Severe" style. Delphi Archaeological Museum.
  • "Charioteer of Delphi" 470 BC. The "Charioteer of Delphi" is one of the best known ancient Greek statues, and one of the best preserved examples of classical bronze casts. It is considered a fine example of the "Severe" style. Delphi Archaeological Museum.
  • "Charioteer of Delphi" 470 BC. The "Charioteer of Delphi" is one of the best known ancient Greek statues, and one of the best preserved examples of classical bronze casts. It is considered a fine example of the "Severe" style. Delphi Archaeological Museum.
  • "Charioteer of Delphi" 470 BC. The "Charioteer of Delphi" is one of the best known ancient Greek statues, and one of the best preserved examples of classical bronze casts. It is considered a fine example of the "Severe" style. Delphi Archaeological Museum.
  • "Charioteer of Delphi" 470 BC. The "Charioteer of Delphi" is one of the best known ancient Greek statues, and one of the best preserved examples of classical bronze casts. It is considered a fine example of the "Severe" style. Delphi Archaeological Museum.
  • "Charioteer of Delphi" 470 BC. The "Charioteer of Delphi" is one of the best known ancient Greek statues, and one of the best preserved examples of classical bronze casts. It is considered a fine example of the "Severe" style. Delphi Archaeological Museum.
  • "Charioteer of Delphi" 470 BC. The "Charioteer of Delphi" is one of the best known ancient Greek statues, and one of the best preserved examples of classical bronze casts. It is considered a fine example of the "Severe" style. Delphi Archaeological Museum.
  • Photo of Hittite relief sculpted orthostat stone panel of Herald's Wall. Basalt, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
Protective mixed creatures. One each hand of the lion-headed men is in the form of a fist. The mace on the left is over the head of the weapon on the right. The two bull-men in the middle carry one spear each in their hands. Bull-man is known as Kusarikku, and the lion-man is known as Ugallu. <br />
<br />
Against a black background.
  • Hittite relief sculpted orthostat stone panel of Herald's Wall. Basalt, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
Protective mixed creatures. One each hand of the lion-headed men is in the form of a fist. The mace on the left is over the head of the weapon on the right. The two bull-men in the middle carry one spear each in their hands. Bull-man is known as Kusarikku, and the lion-man is known as Ugallu. <br />
<br />
Against a brown art background.
  • Sculptures of one of the prophets who fortold the coming of Christ and pillars of the archivolts on the main portal of the of the 12th century Romanesque Ferrara Duomo, Italy
  • Hittite relief sculpted orthostat stone panel of Herald's Wall. Basalt, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
Protective mixed creatures. One each hand of the lion-headed men is in the form of a fist. The mace on the left is over the head of the weapon on the right. The two bull-men in the middle carry one spear each in their hands. Bull-man is known as Kusarikku, and the lion-man is known as Ugallu.
  • Hittite relief sculpted orthostat stone panel of Herald's Wall. Basalt, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
Protective mixed creatures. One each hand of the lion-headed men is in the form of a fist. The mace on the left is over the head of the weapon on the right. The two bull-men in the middle carry one spear each in their hands. Bull-man is known as Kusarikku, and the lion-man is known as Ugallu.
  • Picture & image of Hittite relief sculpted orthostat stone panel of Herald's Wall. Basalt, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
Protective mixed creatures. One each hand of the lion-headed men is in the form of a fist. The mace on the left is over the head of the weapon on the right. The two bull-men in the middle carry one spear each in their hands. Bull-man is known as Kusarikku, and the lion-man is known as Ugallu. <br />
<br />
Against a white background.
  • Hittite relief sculpted orthostat stone panel of Herald's Wall. Basalt, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
Protective mixed creatures. One each hand of the lion-headed men is in the form of a fist. The mace on the left is over the head of the weapon on the right. The two bull-men in the middle carry one spear each in their hands. Bull-man is known as Kusarikku, and the lion-man is known as Ugallu.
  • Hittite relief sculpted orthostat stone panel of Herald's Wall. Basalt, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
Protective mixed creatures. One each hand of the lion-headed men is in the form of a fist. The mace on the left is over the head of the weapon on the right. The two bull-men in the middle carry one spear each in their hands. Bull-man is known as Kusarikku, and the lion-man is known as Ugallu. <br />
<br />
Against a grey art background.
  • Sculptures of one of the prophets who fortold the coming of Christ and pillars of the archivolts on the main portal of the of the 12th century Romanesque Ferrara Duomo, Italy
  • Painted Gothic gilded wooden statue altarpiece of Saint Catherine, circa 1520-1525 by Niklaus Weckmann from Ulm, Germany. The young Christian martyr is represented with his usual attributes, crown, book, wheel, sword, which make reference to her legendary life and her martyrdom. The bas-relief of Saint Catherine was originally part of an altarpiece. The treatment  and refined painted facial highlights executed the prettiness of the saint. The style is typical of  Niklaus Weckmann, one great masters of late Gothic Swabian art . Inv RF 2207.6,  The Louvre Museum, Paris.
  • Greek Classical Period Bronze Statue of Zeus or Poseidon found in the sea of Cape Artemision of the north Eastern Euboea Island, Greece.  The God is shown in a great stride about to throw either a trident of a thunderbolt that is now missing from his right hand. The statue is one of the only preserved statues of the preserved style with exquisite rendering of motion & anatomy. The identity of the statue is controversial and is probably more likely to be Zeus rather than Poseidon. 460 BC Ref No X15161 Athens Archaeological Museum
  • Toprak Bagis Belgesi  cuneiform donation document of winter  pasture to the shepherds of Uhhiva city. Hittite Period 1600 - 1450 BC.  Hattusa Boğazkale. Çorum Archaeological Museum, Corum, Turkey. Against a grey bacground.<br />
<br />
The document reads "The Big King donates the summery and winter pastures with shepherds of Uhhiva city to his servant Hassuli, head of the guardians. No one shall have the right to claim against Hassuli or his grandchildren in the future. The Big King's word is made of iron, which can never be changed or broken. Whoever changes his word shall be beheaded. This tablet was written by Hanukkuli, Sarpa, head of Hittite palace guardians before Iskanussu, commander-in-chief."
  • Greek Classical Period Bronze Statue of Zeus or Poseidon found in the sea of Cape Artemision of the north Eastern Euboea Island, Greece.  The God is shown in a great stride about to throw either a trident of a thunderbolt that is now missing from his right hand. The statue is one of the only preserved statues of the preserved style with exquisite rendering of motion & anatomy. The identity of the statue is controversial and is probably more likely to be Zeus rather than Poseidon. 460 BC Ref No X15161 Athens Archaeological Museum
  • Greek Classical Period Bronze Statue of Zeus or Poseidon found in the sea of Cape Artemision of the north Eastern Euboea Island, Greece.  The God is shown in a great stride about to throw either a trident of a thunderbolt that is now missing from his right hand. The statue is one of the only preserved statues of the preserved style with exquisite rendering of motion & anatomy. The identity of the statue is controversial and is probably more likely to be Zeus rather than Poseidon. 460 BC Ref No X15161 Athens Archaeological Museum
  • Greek Classical Period Bronze Statue of Zeus or Poseidon found in the sea of Cape Artemision of the north Eastern Euboea Island, Greece.  The God is shown in a great stride about to throw either a trident of a thunderbolt that is now missing from his right hand. The statue is one of the only preserved statues of the preserved style with exquisite rendering of motion & anatomy. The identity of the statue is controversial and is probably more likely to be Zeus rather than Poseidon. 460 BC Ref No X15161 Athens Archaeological Museum
  • Greek Classical Period Bronze Statue of Zeus or Poseidon found in the sea of Cape Artemision of the north Eastern Euboea Island, Greece.  The God is shown in a great stride about to throw either a trident of a thunderbolt that is now missing from his right hand. The statue is one of the only preserved statues of the preserved style with exquisite rendering of motion & anatomy. The identity of the statue is controversial and is probably more likely to be Zeus rather than Poseidon. 460 BC Ref No X15161 Athens Archaeological Museum
  • Roman statue of Asclepius. Marble. Perge. 2nd century AD. Inv no .Antalya Archaeology Museum; Turkey.<br />
<br />
Asclepius was a hero and god of medicine in ancient Greek religion and mythology. Asclepius represents the healing aspect of the medical arts, one of his his daughters is Hygieia
  • Roman statue of Asclepius. Marble. Perge. 2nd century AD. Inv no .Antalya Archaeology Museum; Turkey. Against a white background.<br />
<br />
Asclepius was a hero and god of medicine in ancient Greek religion and mythology. Asclepius represents the healing aspect of the medical arts, one of his his daughters is Hygieia
  • Roman statue of Asclepius. Marble. Perge. 2nd century AD. Inv no .Antalya Archaeology Museum; Turkey. Against a warm art background.<br />
<br />
Asclepius was a hero and god of medicine in ancient Greek religion and mythology. Asclepius represents the healing aspect of the medical arts, one of his his daughters is Hygieia
  • Roman statue of Asclepius. Marble. Perge. 2nd century AD. Inv no .Antalya Archaeology Museum; Turkey. Against a black background.<br />
<br />
Asclepius was a hero and god of medicine in ancient Greek religion and mythology. Asclepius represents the healing aspect of the medical arts, one of his his daughters is Hygieia
  • Roman statue of Asclepius. Marble. Perge. 2nd century AD. Inv no .Antalya Archaeology Museum; Turkey.  Against a grey background<br />
<br />
Asclepius was a hero and god of medicine in ancient Greek religion and mythology. Asclepius represents the healing aspect of the medical arts, one of his his daughters is Hygieia
  • Roman statue of Hygieia. Marble. Perge. 2nd century AD. Inv no .Antalya Archaeology Museum; Turkey.<br />
<br />
 Hygieia was one of the Aeclepiadae; the sons and daughters of the god of medicine; Asclepius; and the goddess of healing; Epione. She was the goddess of health; cleanliness and hygiene.
  • Roman statue of Hygieia. Marble. Perge. 2nd century AD. Inv no .Antalya Archaeology Museum; Turkey.  Against a grey background<br />
<br />
 Hygieia was one of the Aeclepiadae; the sons and daughters of the god of medicine; Asclepius; and the goddess of healing; Epione. She was the goddess of health; cleanliness and hygiene.
  • Roman statue of Hygieia. Marble. Perge. 2nd century AD. Inv no .Antalya Archaeology Museum; Turkey. Against a warm art background.<br />
<br />
 Hygieia was one of the Aeclepiadae; the sons and daughters of the god of medicine; Asclepius; and the goddess of healing; Epione. She was the goddess of health; cleanliness and hygiene.
  • Roman statue of Hygieia. Marble. Perge. 2nd century AD. Inv no .Antalya Archaeology Museum; Turkey. Against a white background.<br />
<br />
 Hygieia was one of the Aeclepiadae; the sons and daughters of the god of medicine; Asclepius; and the goddess of healing; Epione. She was the goddess of health; cleanliness and hygiene.
  • Roman statue of Hygieia. Marble. Perge. 2nd century AD. Inv no .Antalya Archaeology Museum; Turkey. Against a black background.<br />
<br />
 Hygieia was one of the Aeclepiadae; the sons and daughters of the god of medicine; Asclepius; and the goddess of healing; Epione. She was the goddess of health; cleanliness and hygiene.
  • Toprak Bagis Belgesi  cuneiform donation document of winter  pasture to the shepherds of Uhhiva city. Hittite Period 1600 - 1450 BC.  Hattusa Boğazkale. Çorum Archaeological Museum, Corum, Turkey.. Against a white bacground.<br />
<br />
The document reads "The Big King donates the summery and winter pastures with shepherds of Uhhiva city to his servant Hassuli, head of the guardians. No one shall have the right to claim against Hassuli or his grandchildren in the future. The Big King's word is made of iron, which can never be changed or broken. Whoever changes his word shall be beheaded. This tablet was written by Hanukkuli, Sarpa, head of Hittite palace guardians before Iskanussu, commander-in-chief."
  • Toprak Bagis Belgesi  cuneiform donation document of winter  pasture to the shepherds of Uhhiva city. Hittite Period 1600 - 1450 BC.  Hattusa Boğazkale. Çorum Archaeological Museum, Corum, Turkey.. Against a warm art bacground.<br />
<br />
The document reads "The Big King donates the summery and winter pastures with shepherds of Uhhiva city to his servant Hassuli, head of the guardians. No one shall have the right to claim against Hassuli or his grandchildren in the future. The Big King's word is made of iron, which can never be changed or broken. Whoever changes his word shall be beheaded. This tablet was written by Hanukkuli, Sarpa, head of Hittite palace guardians before Iskanussu, commander-in-chief."
  • Toprak Bagis Belgesi  cuneiform donation document of winter  pasture to the shepherds of Uhhiva city. Hittite Period 1600 - 1450 BC.  Hattusa Boğazkale. Çorum Archaeological Museum, Corum, Turkey.<br />
<br />
The document reads "The Big King donates the summery and winter pastures with shepherds of Uhhiva city to his servant Hassuli, head of the guardians. No one shall have the right to claim against Hassuli or his grandchildren in the future. The Big King's word is made of iron, which can never be changed or broken. Whoever changes his word shall be beheaded. This tablet was written by Hanukkuli, Sarpa, head of Hittite palace guardians before Iskanussu, commander-in-chief."
  • Toprak Bagis Belgesi  cuneiform donation document of winter  pasture to the shepherds of Uhhiva city. Hittite Period 1600 - 1450 BC.  Hattusa Boğazkale. Çorum Archaeological Museum, Corum, Turkey.. Against a black bacground.<br />
<br />
The document reads "The Big King donates the summery and winter pastures with shepherds of Uhhiva city to his servant Hassuli, head of the guardians. No one shall have the right to claim against Hassuli or his grandchildren in the future. The Big King's word is made of iron, which can never be changed or broken. Whoever changes his word shall be beheaded. This tablet was written by Hanukkuli, Sarpa, head of Hittite palace guardians before Iskanussu, commander-in-chief."
  • Limestone Sculpted relief Stele with inscription to King Sennacherib. The relief shows Assyrian King Sennacherib  praying in front of divine symbols. 705 - 681 B.C Nineveh ( Kuyunjik ) . The inscription tells of King Sennacherib's great feats of war and the building works in Nineveh. It starts " Sennacheribs, the great king, mighty king, king of the universe, king of the Assyria, king of the four regions of the wold, favourite of the great gods". It continues " I led my armies from one end of the earth to the other and brought in submission at my feet all princes, dwelling in palaces, of the four quarters of the world". of his great worked " I enlarged the site of Nineveh, my royal city, I made its market streets wider". further " The wall and outer wall I caused skilfully constructed and raised them mountain high. I widened them to 100 cubits ( 50m )". Istanbul Archaeological Exhibit no. 1.
  • Roman statue of Dioscur. Marble. Perge. 2nd century AD. Antalya Archaeology Museum; Turkey.<br />
<br />
The statue is one of the twin brothers that together are called the Dioscuri which means sons of the God Zeus. Their names are Castor and Pollux.
  • Roman statue of Dioscur. Marble. Perge. 2nd century AD. Antalya Archaeology Museum; Turkey. Against a white background.<br />
<br />
The statue is one of the twin brothers that together are called the Dioscuri which means sons of the God Zeus. Their names are Castor and Pollux.
  • Roman statue of Dioscur. Marble. Perge. 2nd century AD. Antalya Archaeology Museum; Turkey. Against a warm art background.<br />
<br />
The statue is one of the twin brothers that together are called the Dioscuri which means sons of the God Zeus. Their names are Castor and Pollux.
  • Roman statue of Dioscur. Marble. Perge. 2nd century AD. Antalya Archaeology Museum; Turkey. Against a black background.<br />
<br />
The statue is one of the twin brothers that together are called the Dioscuri which means sons of the God Zeus. Their names are Castor and Pollux.
  • Roman statue of Dioscur. Marble. Perge. 2nd century AD. Antalya Archaeology Museum; Turkey.  Against a grey background<br />
<br />
The statue is one of the twin brothers that together are called the Dioscuri which means sons of the God Zeus. Their names are Castor and Pollux.
  • Picture of St Philip Gate ruins.  Hierapolis archaeological site near Pamukkale in Turkey.<br />
<br />
The St. Philip Gate <br />
The gate is situated on the north-eastern side of the defensive walls built under the Emperor Theodosius in the late 4th century. Its importance is indicated by the presence of the two towers that flank the opening The gate was used by pilgrims heading for the summit of the hill on which stood the sanctuary of St. Philip, one of the twelve apostles of Christ. According to tradition the Saint was martyred in Hierapolis.
  • Picture of St Philip Gate ruins.  Hierapolis archaeological site near Pamukkale in Turkey.<br />
<br />
The St. Philip Gate <br />
The gate is situated on the north-eastern side of the defensive walls built under the Emperor Theodosius in the late 4th century. Its importance is indicated by the presence of the two towers that flank the opening The gate was used by pilgrims heading for the summit of the hill on which stood the sanctuary of St. Philip, one of the twelve apostles of Christ. According to tradition the Saint was martyred in Hierapolis.
  • Hittite monumental relief sculpture of a man with an axe in one hand about to use it to kill a lion he is holding updide down in his other hand. Late Hittite Period - 900-700 BC. Adana Archaeology Museum, Turkey. Against a white background
  • Hittite monumental relief sculpture of a man with an axe in one hand about to use it to kill a lion he is holding updide down in his other hand. Late Hittite Period - 900-700 BC. Adana Archaeology Museum, Turkey. Against a black background
  • Hittite monumental relief sculpture of a man with an axe in one hand about to use it to kill a lion he is holding updide down in his other hand. Late Hittite Period - 900-700 BC. Adana Archaeology Museum, Turkey. Against a grey background
  • Hittite monumental relief sculpture of a man with an axe in one hand about to use it to kill a lion he is holding updide down in his other hand. Late Hittite Period - 900-700 BC. Adana Archaeology Museum, Turkey.
  • Hittite monumental relief sculpture of a man with an axe in one hand about to use it to kill a lion he is holding updide down in his other hand. Late Hittite Period - 900-700 BC. Adana Archaeology Museum, Turkey. Against a grey art background
  • Hittite monumental relief sculpted orthostat stone panel. Limestone, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C. Hunting carriage. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
Two human figures; one handling the carriage, the other throwing arrows. Both figures are wearing a headdress shaped like a skullcap. The dagger at the waist of the figure throwing arrow draws attention. There is an animal between the legs of the horse having an aigrette over its head.  <br />
<br />
Against a grey art background.
  • Hittite monumental relief sculpted orthostat stone panel. Limestone, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C. Hunting carriage. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
Two human figures; one handling the carriage, the other throwing arrows. Both figures are wearing a headdress shaped like a skullcap. The dagger at the waist of the figure throwing arrow draws attention. There is an animal between the legs of the horse having an aigrette over its head.  <br />
<br />
Against a white background.
  • Hittite monumental relief sculpted orthostat stone panel. Limestone, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C. Hunting carriage. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
Two human figures; one handling the carriage, the other throwing arrows. Both figures are wearing a headdress shaped like a skullcap. The dagger at the waist of the figure throwing arrow draws attention. There is an animal between the legs of the horse having an aigrette over its head.  <br />
<br />
Against a black background.
  • Picture & image of Hittite monumental relief sculpted orthostat stone panel. Limestone, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C. Hunting carriage. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
Two human figures; one handling the carriage, the other throwing arrows. Both figures are wearing a headdress shaped like a skullcap. The dagger at the waist of the figure throwing arrow draws attention. There is an animal between the legs of the horse having an aigrette over its head.  <br />
<br />
Against a gray background.
  • Photo of Hittite monumental relief sculpted orthostat stone panel. Limestone, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C. Hunting carriage. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
Two human figures; one handling the carriage, the other throwing arrows. Both figures are wearing a headdress shaped like a skullcap. The dagger at the waist of the figure throwing arrow draws attention. There is an animal between the legs of the horse having an aigrette over its head.  <br />
<br />
Against a brown art background.
  • Hittite monumental relief sculpted orthostat stone panel. Limestone, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C. Hunting carriage.  Anatolian Civilisations Museum, Ankara, Turkey.<br />
Two human figures; one handling the carriage, the other throwing arrows. Both figures are wearing a headdress shaped like a skullcap. The dagger at the waist of the figure throwing arrow draws attention. There is an animal between the legs of the horse having an aigrette over its head. Anatolian Civilizations Museum, Ankara, Turkey
  • Picture & image of Hittite monumental relief sculpted orthostat stone panel. Limestone, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C. Hunting carriage.  Anatolian Civilisations Museum, Ankara, Turkey.<br />
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Two human figures; one handling the carriage, the other throwing arrows. Both figures are wearing a headdress shaped like a skullcap. The dagger at the waist of the figure throwing arrow draws attention. There is an animal between the legs of the horse having an aigrette over its head. <br />
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Against a gray background.
  • Picture & image of Hittite monumental relief sculpted orthostat stone panel of Procession. Limestone, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
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Musicians. Two musicians with short arms, wearing long dresses and wide belts; one plays a Saz (a stringed musical instrument) with tassels on the handle while the other plays the flute. The third small figure holds castanets (?) in his hands. The figure on the right wears a short skirt, contrary to the others. She dances over her finger tips with her hands over her head. <br />
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Against a gray background.

FunkyStock Picture Library Resource

Picture The Past

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FunkyStock Picture Library free resource for professional editorial picture editors, picture researchers, historical scholars and students and enthusiasts who want to browse some of the best pictures and images of historic countries, historical places, archaeological sites and the very best museum antiquities and artefacts exhibits in Europe and the Middle East.

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Browse travel pictures and images of historic places and archaeological sites of countries in Europe and the Middle East.

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HISTORICAL

Explore the past through pictures and images of its historic places. See the great palaces, castles and cities of antiquity as well as the great archaeological sites where our ancestors made history.

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MUSEUMS

Browse pictures & images the treasured artefacts and antiquities exhibits from the great Museum of Europe and the Middle East. See the art and objects made by our ancestors.

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