• Roman fresco of the divine lovers Venus and Mars, Naples National Archaeological Museum , one of the best paintings excavated from Pompeii, from the house of Venus and Mars (VII 9 47), inv 9248,
  • Roman fresco  portrait of a baker, Terentius, and his wife in the pose of intellectuals, Naples National Archaeological Museum , their expressions capture the sense of a real moment that connects with the viewer in a direct realistic way , Pompeii VII 2,6 , inv 9058 ,
  • A Roman erotic fresco painting from Pompeii depicting Satyr caressing Hermaphrodite,  Naples National Archaeological  from the tablium of the Casa di Epidio Sabino, inv no 27875 , Secret Museum or Secret Cabinet,
  • Roman Erotic Fresco from Pompeii depicting  sexual activities,  Naples National Archaeological Museum - from a private house venereum, 50-79 AD , , inv no 27696 ,
  • Pompeii Roman Erotic Fresco of Mercury with a massive phalus rom Naples National Archaeological Museum, 1st cent AD , workshop Banner
  • Roman Erotic Fresco from Pompeii depicting  sexual activities,  Naples National Archaeological Museum - 1st cent AD , inv no: 27697
  • Roman Erotic Fresco from Pompeii depicting  a Satyr surprising a maiden,  Naples National Archaeological Museum - 50-79 AD , inv no 27693 ,
  • A Roman erotic fresco painting from Pompeii depicting Pan and  Hermaphrodite,  Naples National Archaeological, 50-79 AD , inv no 27700 , Naples National Secret Museum or Secret Cabinet,
  • A Roman erotic fresco painting from Pompeii depicting Pan and  Hermaphrodite,  Naples National Archaeological, 50-79 AD , inv no 27700 , Naples National Secret Museum or Secret Cabinet,
  • Roman fresco  portrait of a baker, Terentius, and his wife in the pose of intellectuals, Naples National Archaeological Museum , their expressions capture the sense of a real moment that connects with the viewer in a direct realistic way , Pompeii VII 2,6 , inv 9058 ,
  • Roman fresco  portrait of a baker, Terentius, and his wife in the pose of intellectuals, Naples National Archaeological Museum , their expressions capture the sense of a real moment that connects with the viewer in a direct realistic way , Pompeii VII 2,6 , inv 9058 ,
  • A Roman erotic fresco painting from Pompeii,  Naples National Archaeological, 1st cent AD ,  Secret Museum or Secret Cabinet,
  • Roman fresco  portrait of a baker, Terentius, and his wife in the pose of intellectuals, Naples National Archaeological Museum , their expressions capture the sense of a real moment that connects with the viewer in a direct realistic way , Pompeii VII 2,6 , inv 9058 ,
  • A Roman erotic fresco painting from Pompeii depicting satyr caressing a maiden,  Naples National Archaeological, 1st cent AD , from the Casa di L Cecilio Giocondo, inv no 110590 , Secret Museum or Secret Cabinet,
  • A Roman erotic fresco painting from Pompeii depicting Satyr caressing Hermaphrodite,  Naples National Archaeological  from the tablium of the Casa di Epidio Sabino, inv no 27875 , Secret Museum or Secret Cabinet,
  • A Roman erotic fresco painting from Pompeii,  Naples National Archaeological Museum , form the venereum, a room for sexual activities, of Casa di Cecilio Giocondo 50-79 AD  , inv no 10569 , Secret Museum or Secret Cabinet,
  • A Roman erotic fresco painting from Pompeii,  Naples National Archaeological Museum , form the venereum, a room for sexual activities, of Casa di Cecilio Giocondo 50-79 AD  , inv no 10569 , Secret Museum or Secret Cabinet,
  • A Roman erotic fresco painting from Pompeii,  Naples National Archaeological Museum , form the venereum, a room for sexual activities, of Casa di Cecilio Giocondo 50-79 AD  , inv no 10569 , Secret Museum or Secret Cabinet,
  • Roman Erotic Fresco from Pompeii depicting  sexual activities,  Naples National Archaeological Museum - from a private house venereum, 50-79 AD , , inv no 27696 ,
  • Roman Erotic Fresco from Pompeii depicting  sexual activities,  Naples National Archaeological Museum - from a private house venereum, 50-79 AD , , inv no 27696 ,
  • Roman Erotic Fresco from Pompeii depicting  sexual activities,  Naples National Archaeological Museum - from a private house venereum, 50-79 AD , , inv no 27696 ,
  • Roman Erotic Fresco from Pompeii depicting Satyr being rejected by Hermaphrodite, Naples National Archaeological Museum - 50-79 AD , inv no 110878 , Secret Museum or Secret Cabinet
  • Roman Erotic Fresco from Pompeii depicting Satyr being rejected by Hermaphrodite, Naples National Archaeological Museum - 50-79 AD , inv no 110878 , Secret Museum or Secret Cabinet
  • Roman Erotic Fresco from Pompeii depicting Mars caressing Venus, Naples National Archaeological Museum - 1st century AD
  • Pompeii Roman Erotic Fresco of Mercury with a massive phalus rom Naples National Archaeological Museum, 1st cent AD , workshop Banner
  • Pompeii Roman Erotic Fresco of Mercury with a massive phalus rom Naples National Archaeological Museum, 1st cent AD , workshop Banner
  • Roman Erotic Fresco from Pompeii depicting  sexual activities,  Naples National Archaeological Museum - 1st cent AD , inv no: 27697
  • Roman fresco of the divine lovers Venus and Mars, Naples National Archaeological Museum , one of the best paintings excavated from Pompeii, from the house of Venus and Mars (VII 9 47), inv 9248,
  • A Roman erotic fresco painting from Pompeii,  Naples National Archaeological, 1st cent AD ,  Secret Museum or Secret Cabinet,
  • A Roman erotic fresco painting from Pompeii depicting satyr caressing a maiden,  Naples National Archaeological, 1st cent AD , from the Casa di L Cecilio Giocondo, inv no 110590 , Secret Museum or Secret Cabinet,
  • A Roman erotic fresco painting from Pompeii,  Naples National Archaeological Museum , form the venereum, a room for sexual activities, of Casa di Cecilio Giocondo 50-79 AD  , inv no 10569 , Secret Museum or Secret Cabinet,
  • A Roman erotic fresco painting from Pompeii,  Naples National Archaeological Museum , form the venereum, a room for sexual activities, of Casa di Cecilio Giocondo 50-79 AD  , inv no 10569 , Secret Museum or Secret Cabinet,
  • A Roman erotic fresco painting from Pompeii,  Naples National Archaeological Museum , form the venereum, a room for sexual activities, of Casa di Cecilio Giocondo 50-79 AD  , inv no 10569 , Secret Museum or Secret Cabinet,
  • Roman Erotic Fresco from Pompeii depicting  a man & woman having sex Naples National Archaeological Museum - 1st century AD
  • Roman Nero Period fresco wall painting of Perseus and Andromeda, Naples National Archaeological Museum, from a house in the Insula Occidentalis at Pompeii , inv 9058 ,
  • Roman Nero Period fresco wall painting of Perseus and Andromeda, Naples National Archaeological Museum, from a house in the Insula Occidentalis at Pompeii , inv 9058 ,
  • Pompeii Roman Erotic Fresco of Mercury with a massive phalus rom Naples National Archaeological Museum, 1st cent AD , workshop Banner
  • Pompeii Roman Erotic Fresco of Mercury with a massive phalus rom Naples National Archaeological Museum, 1st cent AD , workshop Banner
  • Roman Erotic Fresco from Pompeii depicting Mars caressing Venus, Naples National Archaeological Museum - 1st century AD
  • Roman Erotic Fresco from Pompeii depicting Mars caressing Venus, Naples National Archaeological Museum - 1st century AD
  • Pompeii Roman Erotic Fresco of Mercury with a massive phalus rom Naples National Archaeological Museum, 1st cent AD , workshop Banner
  • Roman Erotic Fresco from Pompeii depicting  a Satyr surprising a maiden,  Naples National Archaeological Museum - 50-79 AD , inv no 27693 ,
  • Roman Erotic Fresco from Pompeii depicting  sexual activities,  Naples National Archaeological Museum - from a private house venereum, 50-79 AD , , inv no 27696 ,
  • Roman Erotic Fresco from Pompeii depicting  sexual activities,  Naples National Archaeological Museum - from a private house venereum, 50-79 AD , , inv no 27696 ,
  • A Roman erotic fresco painting from Pompeii depicting satyr caressing a maiden,  Naples National Archaeological, 1st cent AD , from the Casa di L Cecilio Giocondo, inv no 110590 , Secret Museum or Secret Cabinet,
  • A Roman erotic fresco painting from Pompeii depicting Satyr caressing Hermaphrodite,  Naples National Archaeological  from the tablium of the Casa di Epidio Sabino, inv no 27875 , Secret Museum or Secret Cabinet,
  • Roman Erotic Fresco from Pompeii depicting  a man & woman having sex Naples National Archaeological Museum - 1st century AD
  • Roman Erotic Fresco from Pompeii depicting  sexual activities,  Naples National Archaeological Museum - 1st cent AD , inv no: 27697
  • Roman Erotic Fresco from Pompeii depicting  sexual activities,  Naples National Archaeological Museum - 1st cent AD , inv no: 27697
  • Roman Erotic Fresco from Pompeii depicting Mars caressing Venus, Naples National Archaeological Museum - 1st century AD
  • Roman Erotic Fresco from Pompeii depicting  a man & woman having sex Naples National Archaeological Museum - 1st century AD
  • Cobbled street of Pompeii archaeological site.
  • Cobbled street of Pompeii archaeological site.
  • The Roman Corinthian Porticus, columns & tables of the money changers at the entrance of the Macellum in the Forum of Pompeii archaeological site, Italy.
  • The Roman Corinthian Porticus, columns & tables of the money changers at the entrance of the Macellum in the Forum of Pompeii archaeological site, Italy.
  • The Roman Corinthian Porticus, columns & tables of the money changers at the entrance of the Macellum in the Forum of Pompeii archaeological site, Italy.
  • The Roman Corinthian Porticus, columns & tables of the money changers at the entrance of the Macellum in the Forum of Pompeii archaeological site, Italy.
  • Roman Temple of Apollo  Pompeii archaeological site, Italy
  • Roman Temple of Apollo  Pompeii archaeological site, Italy
  • Well in the street of Pompeii archaeological site.
  • Street of Pompeii archaeological site.
  • Street of Pompeii archaeological site.
  • Cobbled street of Pompeii archaeological site.
  • Cobbled street of Pompeii archaeological site.
  • Roman Frescos of Pompei arhaeological site.
  • Roman Frescos of Pompei arhaeological site.
  • Roman Frescos of Pompei arhaeological site.
  • The Roman Corinthian Porticus, columns & tables of the money changers at the entrance of the Macellum in the Forum of Pompeii archaeological site, Italy.
  • The columns of the 2nd cent. B.C Roman Basilica of Pompeii which was the Roman courts of justice and the core of economic life in Pompeii.
  • The columns of the 2nd cent. B.C Roman Basilica of Pompeii which was the Roman courts of justice and the core of economic life in Pompeii.
  • The columns of the 2nd cent. B.C Roman Basilica of Pompeii which was the Roman courts of justice and the core of economic life in Pompeii.
  • The columns of the 2nd cent. B.C Roman Basilica of Pompeii which was the Roman courts of justice and the core of economic life in Pompeii.
  • Stone dying baths of the Fullery of Stephanus on the Via del Abbondante, Pompeii. Fulleries were an important business in ancient Pompeii.  Fullers processed, dyed, and washed cloth. 
  • Fullery of Stephanus on the Via del Abbondante, Pompeii. Fulleries were an important business in ancient Pompeii.  Fullers processed, dyed, and washed cloth. 
  • Doric & Corinthian columns of the Roman colonade in the Forum of Pompeii.
  • Doric & Corinthian columns of the Roman colonade in the Forum of Pompeii.
  • Doric & Corinthian columns of the Roman colonade in the Forum of Pompeii.
  • Doric & Corinthian columns of the Roman colonade in the Forum of Pompeii.
  • Doric & Corinthian columns of the Roman colonade in the Forum of Pompeii.
  • The Roman Columns of The Building of Eumachia, Pompeii. The inscription on lintel above the columns is to Concordia Augusta, wife of Emperor Augustus, from the priestess Eumachia the patron of the "fullones", an artisan association of dyers. The building was a prototype of medieval hostels were travelling merchant rented accommodation.
  • The Roman Columns of The Building of Eumachia, Pompeii. The inscription on lintel above the columns is to Concordia Augusta, wife of Emperor Augustus, from the priestess Eumachia the patron of the "fullones", an artisan association of dyers. The building was a prototype of medieval hostels were travelling merchant rented accommodation.
  • The Roman Great Theatre of Pompeii. Seating up to 5000 spectators the theatre was originally built in Hellanistic time (200-150 B.C)
  • The Roman Great Theatre of Pompeii. Seating up to 5000 spectators the theatre was originally built in Hellanistic time (200-150 B.C)
  • The Roman tombs & mausoleums on the street of Tombs in the Herculaneum cemetry, Pompeii
  • Graffitti on buildings along the Via del Abbondante, Pompeii.
  • The Arch of Tiberius at the entrance to the Forum of Pompeii.
  • Doric & Corinthian columns of the Roman colonade in the Forum of Pompeii.
  • Doric & Corinthian columns of the Roman colonade in the Forum of Pompeii.
  • The Roman Columns of The Building of Eumachia, Pompeii. The inscription on lintel above the columns is to Concordia Augusta, wife of Emperor Augustus, from the priestess Eumachia the patron of the "fullones", an artisan association of dyers. The building was a prototype of medieval hostels were travelling merchant rented accommodation.
  • The Roman Columns of The Building of Eumachia, Pompeii. The inscription on lintel above the columns is to Concordia Augusta, wife of Emperor Augustus, from the priestess Eumachia the patron of the "fullones", an artisan association of dyers. The building was a prototype of medieval hostels were travelling merchant rented accommodation.
  • The Roman Columns of The Building of Eumachia, Pompeii. The inscription on lintel above the columns is to Concordia Augusta, wife of Emperor Augustus, from the priestess Eumachia the patron of the "fullones", an artisan association of dyers. The building was a prototype of medieval hostels were travelling merchant rented accommodation.
  • Graffitti on buildings along the Via del Abbondante, Pompeii.
  • The Roman tombs & mausoleums on the street of Tombs in the Herculaneum cemetry, Pompeii
  • Roman road of Via Consolare , Pompeii, with a well and a surgeons house.
  • Peristyle of `Roman Villa of Pompeii
  • The Arch of Tiberius at the entrance to the Forum of Pompeii.
  • The Arch of Tiberius at the entrance to the Forum of Pompeii.
  • Doric & Corinthian columns of the Roman colonade in the Forum of Pompeii.
  • Doric & Corinthian columns of the Roman colonade in the Forum of Pompeii.
  • The Roman Columns of The Building of Eumachia, Pompeii. The inscription on lintel above the columns is to Concordia Augusta, wife of Emperor Augustus, from the priestess Eumachia the patron of the "fullones", an artisan association of dyers. The building was a prototype of medieval hostels were travelling merchant rented accommodation.
  • The Roman Columns of The Building of Eumachia, Pompeii. The inscription on lintel above the columns is to Concordia Augusta, wife of Emperor Augustus, from the priestess Eumachia the patron of the "fullones", an artisan association of dyers. The building was a prototype of medieval hostels were travelling merchant rented accommodation.
  • The Roman Columns of The Building of Eumachia, Pompeii. The inscription on lintel above the columns is to Concordia Augusta, wife of Emperor Augustus, from the priestess Eumachia the patron of the "fullones", an artisan association of dyers. The building was a prototype of medieval hostels were travelling merchant rented accommodation.
  • The Roman Great Theatre of Pompeii. Seating up to 5000 spectators the theatre was originally built in Hellanistic time (200-150 B.C)
  • Peristyle of `Roman Villa of Pompeii
  • The columns of the 2nd cent. B.C Roman Basilica of Pompeii which was the Roman courts of justice and the core of economic life in Pompeii.
  • Doric & Corinthian columns of the Roman colonade in the Forum of Pompeii.
  • Graffitti on buildings along the Via del Abbondante, Pompeii.
  • Doric & Corinthian columns of the Roman colonade in the Forum of Pompeii.
  • The Thermopolium of Lucius Vetutius Placidus on the Via del Abbondante, with the serving counter with holes that contained amphora of food for sale. The Thermopolium was an eating & drinking house. The painting depicts at the centre the God of the patron and on either side are the lars or protectors of the house, Mercury , God of Commerce & Dionysus, God of wine.
  • The Thermopolium of Lucius Vetutius Placidus on the Via del Abbondante, with the serving counter with holes that contained amphora of food for sale. The Thermopolium was an eating & drinking house. The painting depicts at the centre the God of the patron and on either side are the lars or protectors of the house, Mercury , God of Commerce & Dionysus, God of wine.
  • The Thermopolium of Lucius Vetutius Placidus on the Via del Abbondante, with the serving counter with holes that contained amphora of food for sale. The Thermopolium was an eating & drinking house. The painting depicts at the centre the God of the patron and on either side are the lars or protectors of the house, Mercury , God of Commerce & Dionysus, God of wine.
  • Doric & Corinthian columns of the Roman colonade in the Forum of Pompeii.
  • Nile Scene Roman Mosaic ( Scena Nileotica )  from Pompei Archaeological Site. Naples Archaeological Museum inv 9990
  • Nile Scene Roman Mosaic ( Scena Nileotica )  from Pompei Archaeological Site. Naples Archaeological Museum inv 9990
  • Roman Mosaic portrait of a women from Pompei Archaeological Site. Naples Archaeological Museum inv 124666
  • Nile Scene Roman Mosaic ( Scena Nileotica )  from Pompei Archaeological Site. Naples Archaeological Museum inv 9990
  • Nile Scene Roman Mosaic ( Scena Nileotica )  from Pompei Archaeological Site. Naples Archaeological Museum inv 9990
  • Roman Mosaic portrait of a Cockerall Fight  from Pompei Archaeological Site. Naples Archaeological Museum

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