• Restaurants in the old medieval city of Rhodes, Greece.
  • Mosque in the Turkish area of Rhodes, Greece. UNESCO World Heritage Site
  • Medieval poem in the walls of the Grand Masters Palace, Rhodes Greece
  • Medieval poem in the walls of the Grand Masters Palace, Rhodes Greece
  • Narrow medieval lanes of Rhodes, Greece. UNESCO World Heritage Site
  • Narrow medieval lanes of Rhodes, Greece. UNESCO World Heritage Site
  • Medieval doorway in Rhodes, Greece. UNESCO World Heritage Site
  • Columns with deer at the entrance to Madraki, the archaic naval docks. Rhodes, Greece. UNESCO World Heritage Site
  • Fountain in Hippocrates Square, Rhodes, Greece, UNESCO World Heritage Site
  • The Medieval buildings of the Avenue of the Knights where there were 7 dfferent lodges for Knights speaking different languages. Rhodes, Greece, UNESCO World Heritage Site
  • Gate of St Paul, Rhodes, Greece. UNESCO World Heritage Site
  • Gate of St Paul, Rhodes, Greece. UNESCO World Heritage Site
  • Fortifications of the 14th century medieval palace of the Grand Master of the Kinights of St John, Rhodes, Greece. UNESCO World Heritage Site
  • Windmills and walls of Rhodes, Greece. UNESCO World Heritage Site
  • Columns with deer at the entrance to Madraki, the archaic naval docks. Rhodes, Greece. UNESCO World Heritage Site
  • Columns with deer at the entrance to Madraki, the archaic naval docks. Rhodes, Greece. UNESCO World Heritage Site
  • The 14th century medieval palace of the Grand Master of the Kinights of St John with the archaic harbour below, Rhodes, Greece. UNESCO World Heritage Site
  • Mosque in the Turkish area of Rhodes, Greece. UNESCO World Heritage Site
  • Restaurants in the old medieval city of Rhodes, Greece.
  • Columns with deer at the entrance to Madraki, the archaic naval docks. Rhodes, Greece. UNESCO World Heritage Site
  • Fortifications of the 14th century medieval palace of the Grand Master of the Kinights of St John, Rhodes, Greece. UNESCO World Heritage Site
  • The Medieval buildings of the Avenue of the Knights where there were 7 dfferent lodges for Knights speaking different languages. Rhodes, Greece, UNESCO World Heritage Site
  • The Medieval buildings of the Avenue of the Knights where there were 7 dfferent lodges for Knights speaking different languages. Rhodes, Greece, UNESCO World Heritage Site
  • The Medieval buildings of the Avenue of the Knights where there were 7 dfferent lodges for Knights speaking different languages. Rhodes, Greece, UNESCO World Heritage Site
  • The Medieval buildings of the Avenue of the Knights where there were 7 dfferent lodges for Knights speaking different languages. Rhodes, Greece, UNESCO World Heritage Site
  • Interior rooms with hellanistic mosaic floors of the 14th century medieval palace of the Grand Master of the Kinights of St John, Rhodes, Greece. UNESCO World Heritage Site
  • Windmills and walls of Rhodes, Greece. UNESCO World Heritage Site
  • Inner courtyard of the 14th century medieval palace of the Grand Master of the Kinights of St John, Rhodes, Greece. UNESCO World Heritage Site
  • Inner courtyard of the 14th century medieval palace of the Grand Master of the Kinights of St John, Rhodes, Greece. UNESCO World Heritage Site
  • Fortifications of the 14th century medieval palace of the Grand Master of the Kinights of St John, Rhodes, Greece. UNESCO World Heritage Site
  • Columns with deer at the entrance to Madraki, the archaic naval docks. Rhodes, Greece. UNESCO World Heritage Site
  • Painted colour verion of a Statue group identified as as the Laocoon described by Pliny as a masterpiece made by the sculptors of Rhodes. The Laocoon depicts a scene from the Trojan War in which Athena and Poseidon sent two great serpants to wrap themselves around Laocoon and his two sons to kill them. Circa 40-30BC, Pope Clement XIV coillection, Vatican Museum Rome, Italy,  grey art background
  • Painted colour verion of a Statue group identified as as the Laocoon described by Pliny as a masterpiece made by the sculptors of Rhodes. The Laocoon depicts a scene from the Trojan War in which Athena and Poseidon sent two great serpants to wrap themselves around Laocoon and his two sons to kill them. Circa 40-30BC, Pope Clement XIV coillection, Vatican Museum Rome, Italy,  grey art background
  • Painted colour verion of a Statue group identified as as the Laocoon described by Pliny as a masterpiece made by the sculptors of Rhodes. The Laocoon depicts a scene from the Trojan War in which Athena and Poseidon sent two great serpants to wrap themselves around Laocoon and his two sons to kill them. Circa 40-30BC, Pope Clement XIV coillection, Vatican Museum Rome, Italy,  grey art background
  • Painted colour verion of a Statue group identified as as the Laocoon described by Pliny as a masterpiece made by the sculptors of Rhodes. The Laocoon depicts a scene from the Trojan War in which Athena and Poseidon sent two great serpants to wrap themselves around Laocoon and his two sons to kill them. Circa 40-30BC, Pope Clement XIV coillection, Vatican Museum Rome, Italy,  grey art background
  • Painted colour verion of a Statue group identified as as the Laocoon described by Pliny as a masterpiece made by the sculptors of Rhodes. The Laocoon depicts a scene from the Trojan War in which Athena and Poseidon sent two great serpants to wrap themselves around Laocoon and his two sons to kill them. Circa 40-30BC, Pope Clement XIV coillection, Vatican Museum Rome, Italy,  grey art background
  • Statue group identified as as the Laocoon described by Pliny as a masterpiece made by the sculptors of Rhodes. The Laocoon depicts a scene from the Trojan War in which Athena and Poseidon sent two great serpants to wrap themselves around Laocoon and his two sons to kill them. Circa 40-30BC, Pope Clement XIV coillection, Vatican Museum Rome, Italy,  white background
  • Statue group identified as as the Laocoon described by Pliny as a masterpiece made by the sculptors of Rhodes. The Laocoon depicts a scene from the Trojan War in which Athena and Poseidon sent two great serpants to wrap themselves around Laocoon and his two sons to kill them. Circa 40-30BC, Pope Clement XIV coillection, Vatican Museum Rome, Italy,  black background
  • Statue group identified as as the Laocoon described by Pliny as a masterpiece made by the sculptors of Rhodes. The Laocoon depicts a scene from the Trojan War in which Athena and Poseidon sent two great serpants to wrap themselves around Laocoon and his two sons to kill them. Circa 40-30BC, Pope Clement XIV coillection, Vatican Museum Rome, Italy,  grey background
  • Statue group identified as as the Laocoon described by Pliny as a masterpiece made by the sculptors of Rhodes. The Laocoon depicts a scene from the Trojan War in which Athena and Poseidon sent two great serpants to wrap themselves around Laocoon and his two sons to kill them. Circa 40-30BC, Pope Clement XIV coillection, Vatican Museum Rome, Italy,  grey art background
  • Statue group identified as as the Laocoon described by Pliny as a masterpiece made by the sculptors of Rhodes. The Laocoon depicts a scene from the Trojan War in which Athena and Poseidon sent two great serpants to wrap themselves around Laocoon and his two sons to kill them. Circa 40-30BC, Pope Clement XIV coillection, Vatican Museum Rome, Italy,  art background
  • Statue group identified as as the Laocoon described by Pliny as a masterpiece made by the sculptors of Rhodes. The Laocoon depicts a scene from the Trojan War in which Athena and Poseidon sent two great serpants to wrap themselves around Laocoon and his two sons to kill them. Circa 40-30BC, Pope Clement XIV coillection, Vatican Museum Rome, Italy,  black background
  • Statue group identified as as the Laocoon described by Pliny as a masterpiece made by the sculptors of Rhodes. The Laocoon depicts a scene from the Trojan War in which Athena and Poseidon sent two great serpants to wrap themselves around Laocoon and his two sons to kill them. Circa 40-30BC, Pope Clement XIV coillection, Vatican Museum Rome, Italy,  white background
  • Statue group identified as as the Laocoon described by Pliny as a masterpiece made by the sculptors of Rhodes. The Laocoon depicts a scene from the Trojan War in which Athena and Poseidon sent two great serpants to wrap themselves around Laocoon and his two sons to kill them. Circa 40-30BC, Pope Clement XIV coillection, Vatican Museum Rome, Italy,  art background
  • Statue group identified as as the Laocoon described by Pliny as a masterpiece made by the sculptors of Rhodes. The Laocoon depicts a scene from the Trojan War in which Athena and Poseidon sent two great serpants to wrap themselves around Laocoon and his two sons to kill them. Circa 40-30BC, Pope Clement XIV coillection, Vatican Museum Rome, Italy,  grey art background
  • Bacchante or Ariadne, a Roman marble statue of circa 150 - 200 AD. The bunch of grapes wrapped in the folds of her garment suggest that the statue depicts either Bacchante or Ariadne both  companions of Dionysus. The statue belongs to a very limited series of replicas (Florence, Venice, Rome, Cyrene) reproducing a Greek original lost year circa 300 BC made by the school from Rhodes. The Borghese collection inv MR 102 ( or Ma 676), Louvre Museum Paris
  • Bacchante or Ariadne, a Roman marble statue of circa 150 - 200 AD. The bunch of grapes wrapped in the folds of her garment suggest that the statue depicts either Bacchante or Ariadne both  companions of Dionysus. The statue belongs to a very limited series of replicas (Florence, Venice, Rome, Cyrene) reproducing a Greek original lost year circa 300 BC made by the school from Rhodes. The Borghese collection inv MR 102 ( or Ma 676), Louvre Museum Paris
  • Bacchante or Ariadne, a Roman marble statue of circa 150 - 200 AD. The bunch of grapes wrapped in the folds of her garment suggest that the statue depicts either Bacchante or Ariadne both  companions of Dionysus. The statue belongs to a very limited series of replicas (Florence, Venice, Rome, Cyrene) reproducing a Greek original lost year circa 300 BC made by the school from Rhodes. The Borghese collection inv MR 102 ( or Ma 676), Louvre Museum Paris
  • Bacchante or Ariadne, a Roman marble statue of circa 150 - 200 AD. The bunch of grapes wrapped in the folds of her garment suggest that the statue depicts either Bacchante or Ariadne both  companions of Dionysus. The statue belongs to a very limited series of replicas (Florence, Venice, Rome, Cyrene) reproducing a Greek original lost year circa 300 BC made by the school from Rhodes. The Borghese collection inv MR 102 ( or Ma 676), Louvre Museum Paris
  • Bacchante or Ariadne, a Roman marble statue of circa 150 - 200 AD. The bunch of grapes wrapped in the folds of her garment suggest that the statue depicts either Bacchante or Ariadne both  companions of Dionysus. The statue belongs to a very limited series of replicas (Florence, Venice, Rome, Cyrene) reproducing a Greek original lost year circa 300 BC made by the school from Rhodes. The Borghese collection inv MR 102 ( or Ma 676), Louvre Museum Paris
  • Bacchante or Ariadne, a Roman marble statue of circa 150 - 200 AD. The bunch of grapes wrapped in the folds of her garment suggest that the statue depicts either Bacchante or Ariadne both  companions of Dionysus. The statue belongs to a very limited series of replicas (Florence, Venice, Rome, Cyrene) reproducing a Greek original lost year circa 300 BC made by the school from Rhodes. The Borghese collection inv MR 102 ( or Ma 676), Louvre Museum Paris
  • Bacchante or Ariadne, a Roman marble statue of circa 150 - 200 AD. The bunch of grapes wrapped in the folds of her garment suggest that the statue depicts either Bacchante or Ariadne both  companions of Dionysus. The statue belongs to a very limited series of replicas (Florence, Venice, Rome, Cyrene) reproducing a Greek original lost year circa 300 BC made by the school from Rhodes. The Borghese collection inv MR 102 ( or Ma 676), Louvre Museum Paris
  • Bacchante or Ariadne, a Roman marble statue of circa 150 - 200 AD. The bunch of grapes wrapped in the folds of her garment suggest that the statue depicts either Bacchante or Ariadne both  companions of Dionysus. The statue belongs to a very limited series of replicas (Florence, Venice, Rome, Cyrene) reproducing a Greek original lost year circa 300 BC made by the school from Rhodes. The Borghese collection inv MR 102 ( or Ma 676), Louvre Museum Paris
  • Bacchante or Ariadne, a Roman marble statue of circa 150 - 200 AD. The bunch of grapes wrapped in the folds of her garment suggest that the statue depicts either Bacchante or Ariadne both  companions of Dionysus. The statue belongs to a very limited series of replicas (Florence, Venice, Rome, Cyrene) reproducing a Greek original lost year circa 300 BC made by the school from Rhodes. The Borghese collection inv MR 102 ( or Ma 676), Louvre Museum Paris
  • Bacchante or Ariadne, a Roman marble statue of circa 150 - 200 AD. The bunch of grapes wrapped in the folds of her garment suggest that the statue depicts either Bacchante or Ariadne both  companions of Dionysus. The statue belongs to a very limited series of replicas (Florence, Venice, Rome, Cyrene) reproducing a Greek original lost year circa 300 BC made by the school from Rhodes. The Borghese collection inv MR 102 ( or Ma 676), Louvre Museum Paris

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