• Hittite monumental relief sculpted orthostat stone panel of Royal Buttress. Basalt, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900 - 700 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
This panels scene showing 8 out of 10 children of the King, the hieroglyphs reads as follows: "Malitispas, Astitarhunzas, Tamitispas,Isikaritispas, Sikaras, Halpawaris, Ya hilatispas". Above, there are three figures holding knucklebones (astragalus) and one figure walking by leaning on a stick; below are two each figures playing the knucklebones and turning whirligigs.  <br />
<br />
Against a grey art background.
  • Hittite relief sculpted orthostat stone panel of Royal Buttress Basalt, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C. Warriors. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
Right panel - Three figures each with a long dress, a thick belt and curly hair. The figure in front holds a spear with a broken tip in his left hand and a leafy branch in his right hand. The figure in the middle made his left hand a fist, and he carries a tool with his right hand at the level of his head. They are followed with a figure holding a sceptre in his left hand. All three have each a long sword at their waist. <br />
<br />
Against a grey art background.
  • Picture & image of Hittite relief sculpted orthostat stone panel of Royal Buttress. Basalt, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C.  Warrior.  Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
The figure with a long dress, a thick belt and curly hair has a large egis on his back. The figures carries a spear in his right hand and a long sword at his waist.  <br />
<br />
Against a gray background.
  • Photo of Hittite relief sculpted orthostat stone panel of Royal Buttress. Basalt, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C.  Warrior.  Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
The figure with a long dress, a thick belt and curly hair has a large egis on his back. The figures carries a spear in his right hand and a long sword at his waist.  <br />
<br />
Against a brown art background.
  • "The bedroom of Joachim Murat"  is decorated in the Empire style and comes from the Royal Palace of Portici, the favourite palace of  Joachim Murat and Caroline Bonaparte. The bed is mahogany designed by French Architedt Leconte.   The Bourbon Kings of Naples Royal Palace of Caserta, Italy.
  • Hittite monumental relief sculpted orthostat stone panel of Royal Buttress. Basalt, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
Hieroglyph panel1 (left) - Discourse of Yariris. Yariris presents his predecessor, the eldest son Kamanis, to his people. <br />
Second From left panel 2  -  King Araras holds his son Kamanis from the wrist. King carries a sceptre in his hand and a sword at his waist while the prince leans on a stick and carries a sword on his shoulder. <br />
Hieroglyphs reads; "This is Kamanis and his siblings.) held his hand and despite the fact that he is a child, I located him on the temple. This is Yariris' image".  <br />
<br />
Panel 3 - This panels scene showing 8 out of 10 children of the King, the hieroglyphs reads as follows: "Malitispas, Astitarhunzas, Tamitispas,Isikaritispas, Sikaras, Halpawaris, Ya hilatispas". Above, there are three figures holding knucklebones (astragalus) and one figure walking by leaning on a stick; below are two each figures playing the knucklebones and turning whirligigs.<br />
 <br />
Panel 4 - The queen carries her youngest son. The hieroglyphs located above read; "and this is Tuwarsais; the prince desired by the ruler, whose exclusiveness has been exposed". While the queen carries her son in her lap, she holds the rope of the colt coming behind with her other hand. The muscles of the colt are schematic. <br />
<br />
Against a white background.
  • Hittite monumental relief sculpted orthostat stone panel of Royal Buttress. Basalt, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
Hieroglyph panel1 (left) - Discourse of Yariris. Yariris presents his predecessor, the eldest son Kamanis, to his people. <br />
Second From left panel 2  -  King Araras holds his son Kamanis from the wrist. King carries a sceptre in his hand and a sword at his waist while the prince leans on a stick and carries a sword on his shoulder. <br />
Hieroglyphs reads; "This is Kamanis and his siblings.) held his hand and despite the fact that he is a child, I located him on the temple. This is Yariris' image".  <br />
<br />
Panel 3 - This panels scene showing 8 out of 10 children of the King, the hieroglyphs reads as follows: "Malitispas, Astitarhunzas, Tamitispas,Isikaritispas, Sikaras, Halpawaris, Ya hilatispas". Above, there are three figures holding knucklebones (astragalus) and one figure walking by leaning on a stick; below are two each figures playing the knucklebones and turning whirligigs.<br />
 <br />
Panel 4 - The queen carries her youngest son. The hieroglyphs located above read; "and this is Tuwarsais; the prince desired by the ruler, whose exclusiveness has been exposed". While the queen carries her son in her lap, she holds the rope of the colt coming behind with her other hand. The muscles of the colt are schematic. <br />
<br />
Against a black background.
  • Photo of Hittite monumental relief sculpted orthostat stone panel of Royal Buttress. Basalt, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
Hieroglyph panel1 (left) - Discourse of Yariris. Yariris presents his predecessor, the eldest son Kamanis, to his people. <br />
Second From left panel 2  -  King Araras holds his son Kamanis from the wrist. King carries a sceptre in his hand and a sword at his waist while the prince leans on a stick and carries a sword on his shoulder. <br />
Hieroglyphs reads; "This is Kamanis and his siblings.) held his hand and despite the fact that he is a child, I located him on the temple. This is Yariris' image".  <br />
<br />
Panel 3 - This panels scene showing 8 out of 10 children of the King, the hieroglyphs reads as follows: "Malitispas, Astitarhunzas, Tamitispas,Isikaritispas, Sikaras, Halpawaris, Ya hilatispas". Above, there are three figures holding knucklebones (astragalus) and one figure walking by leaning on a stick; below are two each figures playing the knucklebones and turning whirligigs.<br />
 <br />
Panel 4 - The queen carries her youngest son. The hieroglyphs located above read; "and this is Tuwarsais; the prince desired by the ruler, whose exclusiveness has been exposed". While the queen carries her son in her lap, she holds the rope of the colt coming behind with her other hand. The muscles of the colt are schematic. <br />
<br />
Against a brown art background.
  • Hittite monumental relief sculpted orthostat stone panel of Royal Buttress. Basalt, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey<br />
<br />
The queen carries her youngest son. The hieroglyphs located above read; "and this is Tuwarsais; the prince desired by the ruler, whose exclusiveness has been exposed". While the queen carries her son in her lap, she holds the rope of the colt coming behind with her other hand. The muscles of the colt are schematic. <br />
<br />
Against a grey art background.
  • Hittite monumental relief sculpted orthostat stone panel of Royal Buttress. Basalt, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
Hieroglyph panel1 (left) - Discourse of Yariris. Yariris presents his predecessor, the eldest son Kamanis, to his people. <br />
Second From left panel 2  -  King Araras holds his son Kamanis from the wrist. King carries a sceptre in his hand and a sword at his waist while the prince leans on a stick and carries a sword on his shoulder. <br />
Hieroglyphs reads; "This is Kamanis and his siblings.) held his hand and despite the fact that he is a child, I located him on the temple. This is Yariris' image".  <br />
<br />
Panel 3 - This panels scene showing 8 out of 10 children of the King, the hieroglyphs reads as follows: "Malitispas, Astitarhunzas, Tamitispas,Isikaritispas, Sikaras, Halpawaris, Ya hilatispas". Above, there are three figures holding knucklebones (astragalus) and one figure walking by leaning on a stick; below are two each figures playing the knucklebones and turning whirligigs.<br />
 <br />
Panel 4 - The queen carries her youngest son. The hieroglyphs located above read; "and this is Tuwarsais; the prince desired by the ruler, whose exclusiveness has been exposed". While the queen carries her son in her lap, she holds the rope of the colt coming behind with her other hand. The muscles of the colt are schematic. <br />
<br />
Against a grey art background.
  • Hittite monumental relief sculpted orthostat stone panel of Royal Buttress. Basalt, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey<br />
<br />
The queen carries her youngest son. The hieroglyphs located above read; "and this is Tuwarsais; the prince desired by the ruler, whose exclusiveness has been exposed". While the queen carries her son in her lap, she holds the rope of the colt coming behind with her other hand. The muscles of the colt are schematic. <br />
<br />
Against a white background.
  • Hittite monumental relief sculpted orthostat stone panel of Royal Buttress. Basalt, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey<br />
<br />
The queen carries her youngest son. The hieroglyphs located above read; "and this is Tuwarsais; the prince desired by the ruler, whose exclusiveness has been exposed". While the queen carries her son in her lap, she holds the rope of the colt coming behind with her other hand. The muscles of the colt are schematic. <br />
<br />
Against a black background.
  • Picture & image of Hittite monumental relief sculpted orthostat stone panel of Royal Buttress. Basalt, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey<br />
<br />
The queen carries her youngest son. The hieroglyphs located above read; "and this is Tuwarsais; the prince desired by the ruler, whose exclusiveness has been exposed". While the queen carries her son in her lap, she holds the rope of the colt coming behind with her other hand. The muscles of the colt are schematic. <br />
<br />
Against a gray background.
  • Photo of Hittite monumental relief sculpted orthostat stone panel of Royal Buttress. Basalt, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey<br />
<br />
The queen carries her youngest son. The hieroglyphs located above read; "and this is Tuwarsais; the prince desired by the ruler, whose exclusiveness has been exposed". While the queen carries her son in her lap, she holds the rope of the colt coming behind with her other hand. The muscles of the colt are schematic. <br />
<br />
Against a brown art background.
  • Hittite monumental relief sculpted orthostat stone panel of Royal Buttress. Basalt, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900 - 700 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
This panels scene showing 8 out of 10 children of the King, the hieroglyphs reads as follows: "Malitispas, Astitarhunzas, Tamitispas,Isikaritispas, Sikaras, Halpawaris, Ya hilatispas". Above, there are three figures holding knucklebones (astragalus) and one figure walking by leaning on a stick; below are two each figures playing the knucklebones and turning whirligigs.
  • Hittite monumental relief sculpted orthostat stone panel of Royal Buttress. Basalt, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900 - 700 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
This panels scene showing 8 out of 10 children of the King, the hieroglyphs reads as follows: "Malitispas, Astitarhunzas, Tamitispas,Isikaritispas, Sikaras, Halpawaris, Ya hilatispas". Above, there are three figures holding knucklebones (astragalus) and one figure walking by leaning on a stick; below are two each figures playing the knucklebones and turning whirligigs.  <br />
<br />
Against a white background.
  • Hittite monumental relief sculpted orthostat stone panel of Royal Buttress. Basalt, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
King Araras holds his son Kamanis from the wrist. King carries a sceptre in his hand and a sword at his waist while the prince leans on a stick and carries a sword on his shoulder. <br />
<br />
Hieroglyphs reads; "This is Kamanis and his siblings. I held his hand and despite the fact that he is a child, I located him on the temple. This is Yariris' image".  <br />
<br />
Against a black background.
  • Hittite monumental relief sculpted orthostat stone panel of Royal Buttress. Basalt, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900 - 700 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
This panels scene showing 8 out of 10 children of the King, the hieroglyphs reads as follows: "Malitispas, Astitarhunzas, Tamitispas,Isikaritispas, Sikaras, Halpawaris, Ya hilatispas". Above, there are three figures holding knucklebones (astragalus) and one figure walking by leaning on a stick; below are two each figures playing the knucklebones and turning whirligigs.  <br />
<br />
Against a black background.
  • Picture & image of Hittite monumental relief sculpted orthostat stone panel of Royal Buttress. Basalt, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900 - 700 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
This panels scene showing 8 out of 10 children of the King, the hieroglyphs reads as follows: "Malitispas, Astitarhunzas, Tamitispas,Isikaritispas, Sikaras, Halpawaris, Ya hilatispas". Above, there are three figures holding knucklebones (astragalus) and one figure walking by leaning on a stick; below are two each figures playing the knucklebones and turning whirligigs.  <br />
<br />
Against a gray background.
  • Photo of Hittite monumental relief sculpted orthostat stone panel of Royal Buttress. Basalt, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900 - 700 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
This panels scene showing 8 out of 10 children of the King, the hieroglyphs reads as follows: "Malitispas, Astitarhunzas, Tamitispas,Isikaritispas, Sikaras, Halpawaris, Ya hilatispas". Above, there are three figures holding knucklebones (astragalus) and one figure walking by leaning on a stick; below are two each figures playing the knucklebones and turning whirligigs.  <br />
<br />
Against a brown art background.
  • Hittite monumental relief sculpted orthostat stone panel of Royal Buttress. Basalt, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
King Araras holds his son Kamanis from the wrist. King carries a sceptre in his hand and a sword at his waist while the prince leans on a stick and carries a sword on his shoulder. <br />
<br />
Hieroglyphs reads; "This is Kamanis and his siblings. I held his hand and despite the fact that he is a child, I located him on the temple. This is Yariris' image".  <br />
<br />
Against a white background.
  • Picture & image of Hittite monumental relief sculpted orthostat stone panel of Royal Buttress. Basalt, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
King Araras holds his son Kamanis from the wrist. King carries a sceptre in his hand and a sword at his waist while the prince leans on a stick and carries a sword on his shoulder. <br />
<br />
Hieroglyphs reads; "This is Kamanis and his siblings. I held his hand and despite the fact that he is a child, I located him on the temple. This is Yariris' image".  <br />
<br />
Against a gray background.
  • Photo of Hittite monumental relief sculpted orthostat stone panel of Royal Buttress. Basalt, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
King Araras holds his son Kamanis from the wrist. King carries a sceptre in his hand and a sword at his waist while the prince leans on a stick and carries a sword on his shoulder. <br />
<br />
Hieroglyphs reads; "This is Kamanis and his siblings. I held his hand and despite the fact that he is a child, I located him on the temple. This is Yariris' image".  <br />
<br />
Against a brown art background.
  • Hittite monumental relief sculpted orthostat stone panel of Royal Buttress. Basalt, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
King Araras holds his son Kamanis from the wrist. King carries a sceptre in his hand and a sword at his waist while the prince leans on a stick and carries a sword on his shoulder. <br />
<br />
Hieroglyphs reads; "This is Kamanis and his siblings.) held his hand and despite the fact that he is a child, I located him on the temple. This is Yariris' image".  <br />
<br />
Against a grey art background.
  • Photo of Hittite relief sculpted orthostat stone panel of Royal Buttress Basalt, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C. Warriors. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
Right panel - Three figures each with a long dress, a thick belt and curly hair. The figure in front holds a spear with a broken tip in his left hand and a leafy branch in his right hand. The figure in the middle made his left hand a fist, and he carries a tool with his right hand at the level of his head. They are followed with a figure holding a sceptre in his left hand. All three have each a long sword at their waist. <br />
<br />
Against a brown art background.
  • Hittite monumental relief sculpted orthostat stone panel of Royal Buttress. Basalt, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
Hieroglyph panel (left) - Discourse of Yariris. Yariris presents his predecessor, the eldest son Kamanis, to his people. <br />
Right Panel - King Araras holds his son Kamanis from the wrist. King carries a sceptre in his hand and a sword at his waist while the prince leans on a stick and carries a sword on his shoulder. <br />
<br />
Hieroglyphs reads; "This is Kamanis and his siblings.) held his hand and despite the fact that he is a child, I located him on the temple. This is Yariris' image".  <br />
<br />
Against a white background.
  • Hittite monumental relief sculpted orthostat stone panel of Royal Buttress. Basalt, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
Hieroglyph panel (left) - Discourse of Yariris. Yariris presents his predecessor, the eldest son Kamanis, to his people. <br />
Right Panel - King Araras holds his son Kamanis from the wrist. King carries a sceptre in his hand and a sword at his waist while the prince leans on a stick and carries a sword on his shoulder. <br />
<br />
Hieroglyphs reads; "This is Kamanis and his siblings.) held his hand and despite the fact that he is a child, I located him on the temple. This is Yariris' image".  <br />
<br />
Against a black background.
  • Photo of Hittite monumental relief sculpted orthostat stone panel of Royal Buttress. Basalt, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
Hieroglyph panel (left) - Discourse of Yariris. Yariris presents his predecessor, the eldest son Kamanis, to his people. <br />
Right Panel - King Araras holds his son Kamanis from the wrist. King carries a sceptre in his hand and a sword at his waist while the prince leans on a stick and carries a sword on his shoulder. <br />
<br />
Hieroglyphs reads; "This is Kamanis and his siblings.) held his hand and despite the fact that he is a child, I located him on the temple. This is Yariris' image".  <br />
<br />
Against a brown art background.
  • Picture & image of Hittite monumental relief sculpted orthostat stone panel of Royal Buttress. Basalt, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
Hieroglyph panel (left) - Discourse of Yariris. Yariris presents his predecessor, the eldest son Kamanis, to his people. <br />
Right Panel - King Araras holds his son Kamanis from the wrist. King carries a sceptre in his hand and a sword at his waist while the prince leans on a stick and carries a sword on his shoulder. <br />
<br />
Hieroglyphs reads; "This is Kamanis and his siblings.) held his hand and despite the fact that he is a child, I located him on the temple. This is Yariris' image".<br />
<br />
Against a gray background.
  • Hittite monumental relief sculpted orthostat stone panel of Royal Buttress. Basalt, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
Hieroglyph panel (left) - Discourse of Yariris. Yariris presents his predecessor, the eldest son Kamanis, to his people. <br />
Right Panel - King Araras holds his son Kamanis from the wrist. King carries a sceptre in his hand and a sword at his waist while the prince leans on a stick and carries a sword on his shoulder. <br />
<br />
Hieroglyphs reads; "This is Kamanis and his siblings. held his hand and despite the fact that he is a child, I located him on the temple. This is Yariris' image".  <br />
<br />
Against a grey art background.
  • Hittite relief sculpted orthostat stone panel of Royal Buttress Basalt, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C. Warriors. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
Right panel - Three figures each with a long dress, a thick belt and curly hair. The figure in front holds a spear with a broken tip in his left hand and a leafy branch in his right hand. The figure in the middle made his left hand a fist, and he carries a tool with his right hand at the level of his head. They are followed with a figure holding a sceptre in his left hand. All three have each a long sword at their waist. <br />
<br />
Against a white background.
  • Hittite relief sculpted orthostat stone panel of Royal Buttress Basalt, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C. Warriors. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
Right panel - Three figures each with a long dress, a thick belt and curly hair. The figure in front holds a spear with a broken tip in his left hand and a leafy branch in his right hand. The figure in the middle made his left hand a fist, and he carries a tool with his right hand at the level of his head. They are followed with a figure holding a sceptre in his left hand. All three have each a long sword at their waist. <br />
<br />
Against a black background.
  • Picture & image of Hittite relief sculpted orthostat stone panel of Royal Buttress Basalt, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C. Warriors. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
Right panel - Three figures each with a long dress, a thick belt and curly hair. The figure in front holds a spear with a broken tip in his left hand and a leafy branch in his right hand. The figure in the middle made his left hand a fist, and he carries a tool with his right hand at the level of his head. They are followed with a figure holding a sceptre in his left hand. All three have each a long sword at their waist. <br />
<br />
Against a gray background.
  • Hittite relief sculpted orthostat stone panel of Royal Buttress. Basalt, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B C. Warriors. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
Two figures are seen, each with a long dress, a thick belt and curled hair. The figure in front carries a spear in his left hand and a long sword at his waist, and the figure behind carries an axe in his left hand and a quiver on his back.   <br />
<br />
Against a black background.
  • Picture & image of Hittite relief sculpted orthostat stone panel of Royal Buttress Basalt, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C. Warriors. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
Three figures each with a long dress, a thick belt and curly hair. The figure in front holds a spear with a broken tip in his left hand and a leafy branch in his right hand. The figure in the middle made his left hand a fist, and he carries a tool with his right hand at the level of his head. They are followed with a figure holding a sceptre in his left hand. All three have each a long sword at their waist. <br />
<br />
Against a gray background.
  • Picture & image of Hittite relief sculpted orthostat stone panel of Royal Buttress. Basalt, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B C. Warriors. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
Two figures are seen, each with a long dress, a thick belt and curled hair. The figure in front carries a spear in his left hand and a long sword at his waist, and the figure behind carries an axe in his left hand and a quiver on his back.   <br />
<br />
Against a gray background.
  • Photo of Hittite relief sculpted orthostat stone panel of Royal Buttress. Basalt, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B C. Warriors. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
Two figures are seen, each with a long dress, a thick belt and curled hair. The figure in front carries a spear in his left hand and a long sword at his waist, and the figure behind carries an axe in his left hand and a quiver on his back.   <br />
<br />
Against a brown art background.
  • Hittite relief sculpted orthostat stone panel of Royal Buttress. Basalt, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C.  Warrior.  Anatolian Civilisations Museum, Ankara, Turkey<br />
The figure with a long dress, a thick belt and curly hair has a large egis on his back. The figures carries a spear in his right hand and a long sword at his waist.  Anatolian Civilizations Museum, Ankara, Turkey.<br />
<br />
Against a white background.
  • Hittite relief sculpted orthostat stone panel of Royal Buttress. Basalt, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B C. Warriors. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
Two figures are seen, each with a long dress, a thick belt and curled hair. The figure in front carries a spear in his left hand and a long sword at his waist, and the figure behind carries an axe in his left hand and a quiver on his back.   <br />
<br />
Against a grey art background.
  • Hittite relief sculpted orthostat stone panel of Royal Buttress. Basalt, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C.  Warrior.  Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
The figure with a long dress, a thick belt and curly hair has a large egis on his back. The figures carries a spear in his right hand and a long sword at his waist. <br />
<br />
Against a black background.
  • Hittite relief sculpted orthostat stone panel of Royal Buttress Basalt, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C. Warriors. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
Three figures each with a long dress, a thick belt and curly hair. The figure in front holds a spear with a broken tip in his left hand and a leafy branch in his right hand. The figure in the middle made his left hand a fist, and he carries a tool with his right hand at the level of his head. They are followed with a figure holding a sceptre in his left hand. All three have each a long sword at their waist. <br />
<br />
Against a white background.
  • Hittite relief sculpted orthostat stone panel of Royal Buttress. Basalt, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C.  Warrior.  Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
The figure with a long dress, a thick belt and curly hair has a large egis on his back. The figures carries a spear in his right hand and a long sword at his waist.  <br />
<br />
Against a grey art background.
  • Hittite relief sculpted orthostat stone panel of Royal Buttress Basalt, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C. Warriors. Anatolian Civilisations Museum, Ankara, Turkey.<br />
Three figures each with a long dress, a thick belt and curly hair. The figure in front holds a spear with a broken tip in his left hand and a leafy branch in his right hand. The figure in the middle made his left hand a fist, and he carries a tool with his right hand at the level of his head. They are followed with a figure holding a sceptre in his left hand. All three have each a long sword at their waist.<br />
<br />
Against a black background.
  • Photo of Hittite relief sculpted orthostat stone panel of Royal Buttress Basalt, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C. Warriors. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
Three figures each with a long dress, a thick belt and curly hair. The figure in front holds a spear with a broken tip in his left hand and a leafy branch in his right hand. The figure in the middle made his left hand a fist, and he carries a tool with his right hand at the level of his head. They are followed with a figure holding a sceptre in his left hand. All three have each a long sword at their waist. <br />
<br />
Against a brown art background.
  • Hittite relief sculpted orthostat stone panel of Royal Buttress Basalt, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C. Warriors. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
Three figures each with a long dress, a thick belt and curly hair. The figure in front holds a spear with a broken tip in his left hand and a leafy branch in his right hand. The figure in the middle made his left hand a fist, and he carries a tool with his right hand at the level of his head. They are followed with a figure holding a sceptre in his left hand. All three have each a long sword at their waist. <br />
<br />
Against a grey art background.
  • Royal Park of the Palace of Caserta - Ceres Fountain. The Kings of Naples Royal Palace of Caserta, Italy. A UNESCO World Heritage Site
  • "The bedroom of Joachim Murat"  is decorated in the Empire style and comes from the Royal Palace of Portici, the favourite palace of  Joachim Murat and Caroline Bonaparte. The bed is mahogany designed by French Architedt Leconte.   The Bourbon Kings of Naples Royal Palace of Caserta, Italy. UNESCO World Heritage Site
  • Royal Park of the Palace of Caserta - Ceres Fountain. The Kings of Naples Royal Palace of Caserta, Italy. A UNESCO World Heritage Site
  • Royal Park of the Palace of Caserta - Ceres Fountain. The Kings of Naples Royal Palace of Caserta, Italy. A UNESCO World Heritage Site
  • Royal Park of the Palace of Caserta - Ceres Fountain. The Kings of Naples Royal Palace of Caserta, Italy. A UNESCO World Heritage Site
  • "The bedroom of Joachim Murat"  is decorated in the Empire style and comes from the Royal Palace of Portici, the favourite palace of  Joachim Murat and Caroline Bonaparte. The bed is mahogany designed by French Architedt Leconte.   The Bourbon Kings of Naples Royal Palace of Caserta, Italy.
  • Royal Park of the Palace of Caserta - Aeolus Fountain. Italy. A UNESCO World Heritage Site
  • Royal Park of the Palace of Caserta - Aeolus Fountain. Italy. A UNESCO World Heritage Site
  • Room of The Bourbons of Naples, Spain and France. This room contains portraits of the Bourbon Dynasty. The Kings of Naples Royal Palace of Caserta, Italy. A UNESCO World Heritage Site
  • State Room of the Kings of Naples Royal Palace of Caserta, Italy. A UNESCO World Heritage Site
  • Prince Leopold painted by Giuseppe Cammarano. The Kings of Naples Royal Palace of Caserta, Italy. A UNESCO World Heritage Site
  • The Cabinet of The Stuccos. . The Kings of Naples Royal Palace of Caserta, Italy. A UNESCO World Heritage Site
  • The Cabinet of The Stuccos. . The Kings of Naples Royal Palace of Caserta, Italy. A UNESCO World Heritage Site
  • The Bedroom of Ferdinand II. The Kings of Naples Royal Palace of Caserta, Italy. A UNESCO World Heritage Site
  • The Bedroom of Ferdinand II. The Kings of Naples Royal Palace of Caserta, Italy. A UNESCO World Heritage Site
  • The Autumn Room- Frescoes on the vaulted ceiling depict the meetingbetween Bacchus and Ariadne, by Antonio de Dominici. Over the doors & mirrors are paintings by Gerolamo Starace painted between 1780-81, showing the mythical subjects of : Ceres, Allorgories of Dianna, Vulca, The Allagories of Saturn, Juno and Apollo. The Kings of Naples Royal Palace of Caserta, Italy. A UNESCO World Heritage Site
  • The Autumn Room- Frescoes on the vaulted ceiling depict the meetingbetween Bacchus and Ariadne, by Antonio de Dominici. Over the doors & mirrors are paintings by Gerolamo Starace painted between 1780-81, showing the mythical subjects of : Ceres, Allorgories of Dianna, Vulca, The Allagories of Saturn, Juno and Apollo. The Kings of Naples Royal Palace of Caserta, Italy. A UNESCO World Heritage Site
  • The Room of Spring - Frescoed by Sicilian painter Antonio de Dominici with an allegory of spring .The Kings of Naples Royal Palace of Caserta, Italy. A UNESCO World Heritage Site
  • The Room of Mars - The Neoclassical fresco by Antonia Gallianop painted in 1815, represents the death of Hector and the triumph of Hector. The furniture is in Empire style and the Alabaster vase in the middle of the room was donated by Pius IX  .The Kings of Naples Royal Palace of Caserta, Italy. A UNESCO World Heritage Site
  • "The Bedroom of Francis II". The room furnished with a four poster bed, chest of drawers and table in the Empire Style in mahogany & gilt. The vaulted ceiling is freaked with an allegory of the victory of Napoleon over the Bourbons: the Glory of Thesus slaying the Minataur, by Giuseppe Cammarano  .  The Bourbon Kings of Naples Royal Palace of Caserta, Italy. A UNESCO World Heritage Site
  • Vaulted of the First Antichamber of Joachim Murat with its fresco by Franz Hill of Telemachus being healed by Minerva  from the darts of Cupid. The Kings of Naples Royal Palace of Caserta, Italy. A UNESCO World Heritage Site
  • "The Room of the Bodyguards" - the second antechamber is also called the "Room of Stuccoes" for its rich decoration. The  Kings of Naples Royal Palace of Caserta, Italy. A UNESCO World Heritage Site
  • Front of the Kings of Naples Royal Palace of Caserta, Italy. A UNESCO World Heritage Site
  • Royal Park of the Palace of Caserta - Baroque sculpture from the  Aeolus Fountain. Italy. A UNESCO World Heritage Site
  • The Fountain of the Dolphins (1773-80).  The Kings of Naples Royal Palace of Caserta, Italy. A UNESCO World Heritage Site
  • The garden of the Bourbon Kings of Naples Royal Palace of Caserta, Italy, looking towards the palace. A UNESCO World Heritage Site
  • The Baroque Honour Grand Staircase entrance to the Bourbon Kings of Naples Royal Palace of Caserta, Italy. A UNESCO World Heritage Site
  • The Baroque Honour Grand Staircase entrance to the Bourbon Kings of Naples Royal Palace of Caserta, Italy. A UNESCO World Heritage Site
  • The Baroque Honour Grand Staircase entrance to the Bourbon Kings of Naples Royal Palace of Caserta, Italy. A UNESCO World Heritage Site
  • The Baroque Honour Grand Staircase entrance to the Bourbon Kings of Naples Royal Palace of Caserta, Italy. A UNESCO World Heritage Site
  • The Bedroom of Ferdinand II. The Kings of Naples Royal Palace of Caserta, Italy. A UNESCO World Heritage Site
  • The Autumn Room- Frescoes on the vaulted ceiling depict the meetingbetween Bacchus and Ariadne, by Antonio de Dominici. Over the doors & mirrors are paintings by Gerolamo Starace painted between 1780-81, showing the mythical subjects of : Ceres, Allorgories of Dianna, Vulca, The Allagories of Saturn, Juno and Apollo. The Kings of Naples Royal Palace of Caserta, Italy. A UNESCO World Heritage Site
  • The Room of Summer - Frescoes on the vaulted ceiling depict the myth of Proserpine who, during the summer, rises from the dead to her mother Ceres, painted by Fedele Fischetti. Above the doors paintings by Giovan Battista de Rossi depict the Allegories of the liberal arts alternated with representations of the Rivers of the Kingdom of Naples. The Kings of Naples Royal Palace of Caserta, Italy. A UNESCO World Heritage Site
  • "The Bedroom of Francis II". The room furnished with a four poster bed, chest of drawers and table in the Empire Style in mahogany & gilt. The vaulted ceiling is freaked with an allegory of the victory of Napoleon over the Bourbons: the Glory of Thesus slaying the Minataur, by Giuseppe Cammarano  .  The Bourbon Kings of Naples Royal Palace of Caserta, Italy. A UNESCO World Heritage Site
  • The Baroque Honour Grand Staircase entrance to the Bourbon Kings of Naples Royal Palace of Caserta, Italy. A UNESCO World Heritage Site
  • "The Bedroom of Francis II". The room furnished with a four poster bed, chest of drawers and table in the Empire Style in mahogany & gilt. The vaulted ceiling is freaked with an allegory of the victory of Napoleon over the Bourbons: the Glory of Thesus slaying the Minataur, by Giuseppe Cammarano  .  The Bourbon Kings of Naples Royal Palace of Caserta, Italy.
  • "The second antechamber of Joachim Murat". The walls have frescoes by Giuseppe Cammarano with a reproduction of the abduction of Helen. the portrait on the wall of Joseph Bonaparte is by Costanzo Angelini.  The Bourbon Kings of Naples Royal Palace of Caserta, Italy.
  • "The Throne Room"  is nearly 40 meters long and was completed in 1845. On the back wall is placed a portable guilder throne. The decorations symbolise absolute power. The architrave in the room is decorated with portraits of the sovereigns of Naples stating with Roger the  Norman ending with Ferdinand II of Bourbon.   The Bourbon Kings of Naples Royal Palace of Caserta, Italy.
  • "The Throne Room"  is nearly 40 meters long and was completed in 1845. On the back wall is placed a portable guilder throne. The decorations symbolise absolute power. The architrave in the room is decorated with portraits of the sovereigns of Naples stating with Roger the  Norman ending with Ferdinand II of Bourbon.   The Bourbon Kings of Naples Royal Palace of Caserta, Italy.
  • The Baroque Chapel of the Bourbon Kings of Naples Royal Palace of Caserta, Italy.
  • The Baroque Honour Grand Staircase entrance to the Bourbon Kings of Naples Royal Palace of Caserta, Italy.
  • Baroque statue in the entrance hall to The Bourbon Kings of Naples Royal Palace of Caserta, Italy.
  • "The Throne Room"  is nearly 40 meters long and was completed in 1845. On the back wall is placed a portable guilder throne. The decorations symbolise absolute power. The architrave in the room is decorated with portraits of the sovereigns of Naples stating with Roger the  Norman ending with Ferdinand II of Bourbon.   The Bourbon Kings of Naples Royal Palace of Caserta, Italy.
  • "The Throne Room"  is nearly 40 meters long and was completed in 1845. On the back wall is placed a portable guilder throne. The decorations symbolise absolute power. The architrave in the room is decorated with portraits of the sovereigns of Naples stating with Roger the  Norman ending with Ferdinand II of Bourbon.   The Bourbon Kings of Naples Royal Palace of Caserta, Italy.
  • "The Antichamber to the bedroom of Francis II". The vault of the room is painted with a trompe-l'oeil depicting a Bacchanal by Franz Hill. .  The Bourbon Kings of Naples Royal Palace of Caserta, Italy.
  • Royal Park of the Palace of Caserta - Aeolus Fountain. Italy. A UNESCO World Heritage Site
  • The Diana and Actaeon Fountain at the feet of the Grand Cascade. The Kings of Naples Royal Palace of Caserta, Italy. A UNESCO World Heritage Site
  • Room of The Bourbons of Naples, Spain and France. This room contains portraits of the Bourbon Dynasty. The Kings of Naples Royal Palace of Caserta, Italy. A UNESCO World Heritage Site
  • From Left To Right - Prince Charles, Prince Ferdinand and Prince Leopold painted by Giuseppe Cammarano. The Kings of Naples Royal Palace of Caserta, Italy. A UNESCO World Heritage Site
  • Room of The Bourbons of Naples, Spain and France. This room contains portraits of the Bourbon Dynasty. The Kings of Naples Royal Palace of Caserta, Italy. A UNESCO World Heritage Site
  • Third Room of The Library. Queen Mary Caroline commissioned  German painter Freidrich Heinrich Fuger to decorate the Third Library Room. The paintings on the wall represent classical themes of: The Parnassus with Apollo and the Three Graces, The Envy and the Richness, The School of Athens, The protection of The Arts. The two globes represent the planisphere and the astral map and were donated to Ferdinand IV of Bourbon by King of France Louis XVI, his brother-in-law. The Kings of Naples Royal Palace of Caserta, Italy. A UNESCO World Heritage Site
  • Third Room of The Library. Queen Mary Caroline commissioned  German painter Freidrich Heinrich Fuger to decorate the Third Library Room. The paintings on the wall represent classical themes of: The Parnassus with Apollo and the Three Graces, The Envy and the Richness, The School of Athens, The protection of The Arts. The two globes represent the planisphere and the astral map and were donated to Ferdinand IV of Bourbon by King of France Louis XVI, his brother-in-law. The Kings of Naples Royal Palace of Caserta, Italy. A UNESCO World Heritage Site
  • Portrait of Ferdinand II of Bourbon, King of the Two Sicilies, by F. Martorelli dated 1844. The Kings of Naples Royal Palace of Caserta, Italy. A UNESCO World Heritage Site
  • Princess Anonietta painted by Giuseppe Cammarano. The Kings of Naples Royal Palace of Caserta, Italy. A UNESCO World Heritage Site
  • The audience room of the Queen. The Kings of Naples Royal Palace of Caserta, Italy. A UNESCO World Heritage Site
  • The workroom of the Queen Mary Caroline. Also called "the room of Mirrors" the frescoed ceiling is by Antonio de Dominici with pairs of mythical figures : Jupiter and Juno, Apollo and Minerva, Mars and the War and Mercury and Prosperpine. The Kings of Naples Royal Palace of Caserta, Italy. A UNESCO World Heritage Site
  • The Bedroom of Ferdinand II. The Kings of Naples Royal Palace of Caserta, Italy. A UNESCO World Heritage Site
  • The Room of Summer - Frescoes on the vaulted ceiling depict the myth of Proserpine who, during the summer, rises from the dead to her mother Ceres, painted by Fedele Fischetti. Above the doors paintings by Giovan Battista de Rossi depict the Allegories of the liberal arts alternated with representations of the Rivers of the Kingdom of Naples. The Kings of Naples Royal Palace of Caserta, Italy. A UNESCO World Heritage Site
  • The Room of Summer - Frescoes on the vaulted ceiling depict the myth of Proserpine who, during the summer, rises from the dead to her mother Ceres, painted by Fedele Fischetti. Above the doors paintings by Giovan Battista de Rossi depict the Allegories of the liberal arts alternated with representations of the Rivers of the Kingdom of Naples. The Kings of Naples Royal Palace of Caserta, Italy. A UNESCO World Heritage Site
  • The Room of Mars - The Neoclassical fresco by Antonia Gallianop painted in 1815, represents the death of Hector and the triumph of Hector. The furniture is in Empire style and the Alabaster vase in the middle of the room was donated by Pius IX  .The Kings of Naples Royal Palace of Caserta, Italy. A UNESCO World Heritage Site
  • State room in The Kings of Naples Royal Palace of Caserta, Italy. A UNESCO World Heritage Site
  • The Room of Mars - The Neoclassical fresco by Antonia Gallianop painted in 1815, represents the death of Hector and the triumph of Hector .The Kings of Naples Royal Palace of Caserta, Italy. A UNESCO World Heritage Site
  • The Room of Mars - The Neoclassical fresco by Antonia Gallianop painted in 1815, represents the death of Hector and the triumph of Hector .The Kings of Naples Royal Palace of Caserta, Italy. A UNESCO World Heritage Site
  • The Room of Mars - The Neoclassical fresco by Antonia Gallianop painted in 1815, represents the death of Hector and the triumph of Hector .The Kings of Naples Royal Palace of Caserta, Italy. A UNESCO World Heritage Site
  • "The Bedroom of Francis II". The room furnished with a four poster bed, chest of drawers and table in the Empire Style in mahogany & gilt. The vaulted ceiling is freaked with an allegory of the victory of Napoleon over the Bourbons: the Glory of Thesus slaying the Minataur, by Giuseppe Cammarano  .  The Bourbon Kings of Naples Royal Palace of Caserta, Italy. A UNESCO World Heritage Site
  • "The Bedroom of Francis II". The room furnished with a four poster bed, chest of drawers and table in the Empire Style in mahogany & gilt. The vaulted ceiling is freaked with an allegory of the victory of Napoleon over the Bourbons: the Glory of Thesus slaying the Minataur, by Giuseppe Cammarano  .  The Bourbon Kings of Naples Royal Palace of Caserta, Italy. A UNESCO World Heritage Site
  • "The Room of the Bodyguards" - Bas-reliefs made between 1786 and 1789 depicting scenes from the second Punic War. The  Kings of Naples Royal Palace of Caserta, Italy. A UNESCO World Heritage Site
  • "The Room of the Bodyguards" - the second antechamber is also called the "Room of Stuccoes" for its rich decoration. The  Kings of Naples Royal Palace of Caserta, Italy. A UNESCO World Heritage Site
  • "The Room of the Bodyguards" - Bas-reliefs made between 1786 and 1789 depicting scenes from the second Punic War. The  Kings of Naples Royal Palace of Caserta, Italy. A UNESCO World Heritage Site
  • "The Room of the Bodyguards" - The statue of Alessandro Farnese dressed as a Roman commander being crowned for the victory over the people of Flanders and returning them to Roman Catholisism. The statue is by Simone Moschino.The Kings of Naples Royal Palace of Caserta, Italy. A UNESCO World Heritage Site
  • Front of the Kings of Naples Royal Palace of Caserta, Italy. A UNESCO World Heritage Site
  • Front of the Kings of Naples Royal Palace of Caserta, Italy. A UNESCO World Heritage Site
  • The Diana and Actaeon Fountain at the feet of the Grand Cascade. The Kings of Naples Royal Palace of Caserta, Italy. A UNESCO World Heritage Site
  • The fountain of Venus & Adonis. The theme is hapless love and the figures are sculpted from Carrara marble and are placed on a travertine base. Completed in 1780 by Gaetano Salomone. The Kings of Naples Royal Palace of Caserta, Italy. A UNESCO World Heritage Site
  • Royal Park of the Palace of Caserta - Aeolus Fountain. Italy. A UNESCO World Heritage Site
  • The Fountain of the Dolphins (1773-80).  The Kings of Naples Royal Palace of Caserta, Italy. A UNESCO World Heritage Site
  • Royal Park of the Palace of Caserta - Baroque Figures from the  Aeolus Fountain. Italy. A UNESCO World Heritage Site
  • Royal Park of the Palace of Caserta - Baroque Figures from the  Aeolus Fountain. Italy. A UNESCO World Heritage Site
  • Royal Park of the Palace of Caserta - Aeolus Fountain. Italy. A UNESCO World Heritage Site
  • Royal Park of the Palace of Caserta -  the  Aeolus Fountain. Italy. A UNESCO World Heritage Site
  • The Fountain of the Dolphins (1773-80).  The Kings of Naples Royal Palace of Caserta, Italy. A UNESCO World Heritage Site
  • The fountain of Venus & Adonis. The theme is hapless love and the figures are sculpted from Carrara marble and are placed on a travertine base. Completed in 1780 by Gaetano Salomone. The Kings of Naples Royal Palace of Caserta, Italy. A UNESCO World Heritage Site
  • The Baroque Honour Grand Staircase entrance to the Bourbon Kings of Naples Royal Palace of Caserta, Italy. A UNESCO World Heritage Site
  • The Cabinet of The Stuccos. . The Kings of Naples Royal Palace of Caserta, Italy. A UNESCO World Heritage Site
  • The audience room of the Queen. The Kings of Naples Royal Palace of Caserta, Italy. A UNESCO World Heritage Site
  • The Bedroom of Ferdinand II. The Kings of Naples Royal Palace of Caserta, Italy. A UNESCO World Heritage Site
  • The Room of Spring - Frescoed by Sicilian painter Antonio de Dominici with an allegory of spring .The Kings of Naples Royal Palace of Caserta, Italy. A UNESCO World Heritage Site
  • The Room of Mars - The Neoclassical fresco by Antonia Gallianop painted in 1815, represents the death of Hector and the triumph of Hector. The furniture is in Empire style and the Alabaster vase in the middle of the room was donated by Pius IX  .The Kings of Naples Royal Palace of Caserta, Italy. A UNESCO World Heritage Site
  • The Room of Mars - The Neoclassical fresco by Antonia Gallianop painted in 1815, represents the death of Hector and the triumph of Hector .The Kings of Naples Royal Palace of Caserta, Italy. A UNESCO World Heritage Site
  • The Room of Mars - The Neoclassical fresco by Antonia Gallianop painted in 1815, represents the death of Hector and the triumph of Hector .The Kings of Naples Royal Palace of Caserta, Italy. A UNESCO World Heritage Site
  • "The Room of the Bodyguards" - The statue of Alessandro Farnese dressed as a Roman commander being crowned for the victory over the people of Flanders and returning them to Roman Catholisism. The statue is by Simone Moschino.The Kings of Naples Royal Palace of Caserta, Italy. A UNESCO World Heritage Site
  • "The Room of the Bodyguards" - Bas-reliefs made between 1786 and 1789 depicting scenes from the second Punic War. The  Kings of Naples Royal Palace of Caserta, Italy. A UNESCO World Heritage Site
  • The Diana and Actaeon Fountain at the feet of the Grand Cascade. The Kings of Naples Royal Palace of Caserta, Italy. A UNESCO World Heritage Site
  • The Fountain of the Dolphins (1773-80).  The Kings of Naples Royal Palace of Caserta, Italy. A UNESCO World Heritage Site
  • "The Bedroom of Francis II". The room furnished with a four poster bed, chest of drawers and table in the Empire Style in mahogany & gilt. The vaulted ceiling is freaked with an allegory of the victory of Napoleon over the Bourbons: the Glory of Thesus slaying the Minataur, by Giuseppe Cammarano  .  The Bourbon Kings of Naples Royal Palace of Caserta, Italy.
  • "The second antechamber of Joachim Murat". The walls have frescoes by Giuseppe Cammarano with a reproduction of the abduction of Helen. the portrait on the wall of Joseph Bonaparte is by Costanzo Angelini.  The Bourbon Kings of Naples Royal Palace of Caserta, Italy.
  • "The Throne Room"  is nearly 40 meters long and was completed in 1845. On the back wall is placed a portable guilder throne. The decorations symbolise absolute power. The architrave in the room is decorated with portraits of the sovereigns of Naples stating with Roger the  Norman ending with Ferdinand II of Bourbon.   The Bourbon Kings of Naples Royal Palace of Caserta, Italy.
  • The Baroque Chapel of the Bourbon Kings of Naples Royal Palace of Caserta, Italy.
  • "The Throne Room"  is nearly 40 meters long and was completed in 1845. On the back wall is placed a portable guilder throne. The decorations symbolise absolute power. The architrave in the room is decorated with portraits of the sovereigns of Naples stating with Roger the  Norman ending with Ferdinand II of Bourbon.   The Bourbon Kings of Naples Royal Palace of Caserta, Italy.
  • The Baroque Honour Grand Staircase entrance to the Bourbon Kings of Naples Royal Palace of Caserta, Italy.
  • The Baroque Honour Grand Staircase entrance to the Bourbon Kings of Naples Royal Palace of Caserta, Italy.
  • "The Bedroom of Francis II". The room furnished with a four poster bed, chest of drawers and table in the Empire Style in mahogany & gilt. The vaulted ceiling is freaked with an allegory of the victory of Napoleon over the Bourbons: the Glory of Thesus slaying the Minataur, by Giuseppe Cammarano  .  The Bourbon Kings of Naples Royal Palace of Caserta, Italy.
  • "The Bedroom of Francis II". The room furnished with a four poster bed, chest of drawers and table in the Empire Style in mahogany & gilt. The vaulted ceiling is freaked with an allegory of the victory of Napoleon over the Bourbons: the Glory of Thesus slaying the Minataur, by Giuseppe Cammarano  .  The Bourbon Kings of Naples Royal Palace of Caserta, Italy.
  • "The second antechamber of Joachim Murat". The walls have frescoes by Giuseppe Cammarano with a reproduction of the abduction of Helen. the portrait on the wall of Joseph Bonaparte is by Costanzo Angelini.  The Bourbon Kings of Naples Royal Palace of Caserta, Italy.
  • "The Throne Room"  is nearly 40 meters long and was completed in 1845. On the back wall is placed a portable guilder throne. The decorations symbolise absolute power. The architrave in the room is decorated with portraits of the sovereigns of Naples stating with Roger the  Norman ending with Ferdinand II of Bourbon.   The Bourbon Kings of Naples Royal Palace of Caserta, Italy.
  • "The Throne Room"  is nearly 40 meters long and was completed in 1845. On the back wall is placed a portable guilder throne. The decorations symbolise absolute power. The architrave in the room is decorated with portraits of the sovereigns of Naples stating with Roger the  Norman ending with Ferdinand II of Bourbon.   The Bourbon Kings of Naples Royal Palace of Caserta, Italy.
  • "The Throne Room"  is nearly 40 meters long and was completed in 1845. On the back wall is placed a portable guilder throne. The decorations symbolise absolute power. The architrave in the room is decorated with portraits of the sovereigns of Naples stating with Roger the  Norman ending with Ferdinand II of Bourbon.   The Bourbon Kings of Naples Royal Palace of Caserta, Italy.
  • "The Throne Room"  is nearly 40 meters long and was completed in 1845. On the back wall is placed a portable guilder throne. The decorations symbolise absolute power. The architrave in the room is decorated with portraits of the sovereigns of Naples stating with Roger the  Norman ending with Ferdinand II of Bourbon.   The Bourbon Kings of Naples Royal Palace of Caserta, Italy.
  • "The Room of Astrae" was the waiting foam for Career gentlemen, Ambassadors, Secretaries of State and other privileged persons. The guilder Stucco shows Minerva flanked by Stability and Legislation which was moseyed by Valerio Villareale.  The Bourbon Kings of Naples Royal Palace of Caserta, Italy.
  • "The Room of Mars" also known as "The waiting room for titled persons and the Barons of the Kingdom, High Ranking Officers and foreign Intendants". The neoclassical decoration are designed to be an  exaltation of war.  The Bourbon Kings of Naples Royal Palace of Caserta, Italy.
  • Bas-relief detail from  the Bourbon Kings of Naples Royal Palace of Caserta, Italy.
  • "The Room of the Bodyguards" - the second antechamber is also called the "Room of Stuccoes" for its rich decoration. On the walls are 12 bas-reliefs made between 1786 and 1789 depicting scenes from the second Punic War. To the Right is a statue of Alessandro Farnese dressed as a Roman commander being crowned for the victory over the people of Flanders and returning them to Roman Catholisism. The statue is by Simone Moschino.The Bourbon Kings of Naples Royal Palace of Caserta, Italy.
  • The Baroque Chapel of the Bourbon Kings of Naples Royal Palace of Caserta, Italy.
  • "The Room of the Bodyguards" - the second antechamber is also called the "Room of Stuccoes" for its rich decoration. On the walls are 12 bas-reliefs made between 1786 and 1789 depicting scenes from the second Punic War. To the Right is a statue of Alessandro Farnese dressed as a Roman commander being crowned for the victory over the people of Flanders and returning them to Roman Catholisism. The statue is by Simone Moschino.The Bourbon Kings of Naples Royal Palace of Caserta, Italy.
  • The Baroque Chapel of the Bourbon Kings of Naples Royal Palace of Caserta, Italy.
  • The Baroque Chapel of the Bourbon Kings of Naples Royal Palace of Caserta, Italy.
  • The Baroque Chapel of the Bourbon Kings of Naples Royal Palace of Caserta, Italy.
  • The Baroque Honour Grand Staircase entrance to the Bourbon Kings of Naples Royal Palace of Caserta, Italy.
  • The Baroque Honour Grand Staircase entrance to the Bourbon Kings of Naples Royal Palace of Caserta, Italy.
  • The Baroque Honour Grand Staircase entrance to the Bourbon Kings of Naples Royal Palace of Caserta, Italy.
  • The Baroque Honour Grand Staircase entrance to the Bourbon Kings of Naples Royal Palace of Caserta, Italy.
  • The Baroque Honour Grand Staircase entrance to the Bourbon Kings of Naples Royal Palace of Caserta, Italy.
  • The Baroque Honour Grand Staircase entrance to the Bourbon Kings of Naples Royal Palace of Caserta, Italy.
  • The Baroque Honour Grand Staircase entrance to the Bourbon Kings of Naples Royal Palace of Caserta, Italy.
  • The Baroque Honour Grand Staircase entrance to the Bourbon Kings of Naples Royal Palace of Caserta, Italy.
  • The Baroque Honour Grand Staircase entrance to the Bourbon Kings of Naples Royal Palace of Caserta, Italy.
  • Royal Gala apples photos, pictures & images
  • Royal Gala apples photos, pictures & images
  • Royal Gala apples photos, pictures & images
  • Royal Gala apples photos, pictures & images
  • Statue heads, from right, Herekles & Apollo  in front of the stone pyramid 62 BC Royal Tomb of King Antiochus I Theos of Commagene, east Terrace, Mount Nemrut or Nemrud Dagi summit, near Adıyaman, Turkey
  • Statue head of Commagene in front of the stone pyramid 62 BC Royal Tomb of King Antiochus I Theos of Commagene, east Terrace, Mount Nemrut or Nemrud Dagi summit, near Adıyaman, Turkey
  • Statue head of from left, Apollo, Herekles & Eagle in front of the 62 BC Royal Tomb of King Antiochus I Theos of Commagene, west Terrace, Mount Nemrut or Nemrud Dagi summit, near Adıyaman, Turkey
  • Statue head of  Antiochus, the 62 BC Royal Tomb of King Antiochus I Theos of Commagene, west Terrace, Mount Nemrut or Nemrud Dagi summit, near Adıyaman, Turkey
  • Statue head of Herekles in front of the stone pyramid 62 BC Royal Tomb of King Antiochus I Theos of Commagene, east Terrace, Mount Nemrut or Nemrud Dagi summit, near Adıyaman, Turkey
  • Statue head of Zeus in front of the stone pyramid 62 BC Royal Tomb of King Antiochus I Theos of Commagene, east Terrace, Mount Nemrut or Nemrud Dagi summit, near Adıyaman, Turkey
  • Statue heads at sunset, from right,  Lion, Eagle, Herekles & Apollo,  with headless seated statues in front of the stone pyramid 62 BC Royal Tomb of King Antiochus I Theos of Commagene, east Terrace, Mount Nemrut or Nemrud Dagi summit, near Adıyaman, Turkey
  • Statue heads at sunrise, from right, Eagle, Herekles, Apollo, Zeus, Commagene, Antiochus, & Eagle, 62 BC Royal Tomb of King Antiochus I Theos of Commagene, east Terrace, Mount Nemrut or Nemrud Dagi summit, near Adıyaman, Turkey
  • Statue heads at sunset, from left,  Eagle, Antiochus, Commagene, Zeus, Apollo, & Herekles with headless seated statues in front of the stone pyramid 62 BC Royal Tomb of King Antiochus I Theos of Commagene, east Terrace, Mount Nemrut or Nemrud Dagi summit, near Adıyaman, Turkey
  • Statue head of from left, Zeus, Commagene, Apollo, Herekles & Eagle in front of the 62 BC Royal Tomb of King Antiochus I Theos of Commagene, west Terrace, Mount Nemrut or Nemrud Dagi summit, near Adıyaman, Turkey
  • Statue head at sunset of Zeus & Antiocchus behind, in front of the 62 BC Royal Tomb of King Antiochus I Theos of Commagene, west Terrace, Mount Nemrut or Nemrud Dagi summit, near Adıyaman, Turkey
  • Bronze Age Hattian gold belt buckle from Grave L, possibly a Bronze Age Royal grave (2500 BC to 2250 BC) - Alacahoyuk - Museum of Anatolian Civilisations, Ankara, Turkey. Against a warm art background
  • Bronze Age Hattian gold necklace from Grave E,  possibly a Bronze Age Royal grave (2500 BC to 2250 BC) - Alacahoyuk - Museum of Anatolian Civilisations, Ankara, Turkey. Against a white background
  • Bronze Age Hattian gold necklace from Grave MA,  possibly a Bronze Age Royal grave (2500 BC to 2250 BC) - Alacahoyuk - Museum of Anatolian Civilisations, Ankara, Turkey. Against a white background
  • Bronze Age Hattian gold necklace from Grave MA,  possibly a Bronze Age Royal grave (2500 BC to 2250 BC) - Alacahoyuk - Museum of Anatolian Civilisations, Ankara, Turkey. Against a black background
  • Bronze Age Hattian gold flask from Grave K, possibly a Bronze Age Royal grave (2500 BC to 2250 BC) - Alacahoyuk - Museum of Anatolian Civilisations, Ankara, Turkey. Against a white background
  • Bronze Age Hattian ceremonial bull statuette in bronze from a possible Bronze Age Royal grave (2500 BC to 2250 BC) - Alacahoyuk - Museum of Anatolian Civilisations, Ankara, Turkey. Against a warm art background
  • Bronze Age Hattian ceremonial bull statuette in bronze from a possible Bronze Age Royal grave (2500 BC to 2250 BC) - Alacahoyuk - Museum of Anatolian Civilisations, Ankara, Turkey
  • Bronze Age Hattian ceremonial standard known as "Sun Disks" from possible Royal Bronze Age grave (2500 BC - 2200 BC)- Alacahoyuk - Museum of Anatolian Civilisations, Ankara, Turkey. Against a white background
  • Bronze Age Hattian ceremonial bull statuette in bronze from a possible Bronze Age Royal grave L (2500 BC to 2250 BC) - Alacahoyuk - Museum of Anatolian Civilisations, Ankara, Turkey. Against a warm art background
  • Bronze Age Hattian ceremonial standard known as "Sun Disks" from possible Royal Bronze Age grave (2500 BC - 2200 BC)- Alacahoyuk - Museum of Anatolian Civilisations, Ankara, Turkey. Against a white background
  • Bronze Age Hattian ceremonial standard known as "Sun Disks" from Bronze Age grave BM (2500 BC to 2250 BC), possibly a Royal grave - Alacahoyuk - Museum of Anatolian Civilisations, Ankara, Turkey. Against a gray background
  • Statue heads, from left, Eagle & Antiochus with headless seated statues in front of the stone pyramid 62 BC Royal Tomb of King Antiochus I Theos of Commagene, east Terrace, Mount Nemrut or Nemrud Dagi summit, near Adıyaman, Turkey
  • Statue heads, from right, Herekles, Apollo & Zeus, with headless seated statues in front of the stone pyramid 62 BC Royal Tomb of King Antiochus I Theos of Commagene, east Terrace, Mount Nemrut or Nemrud Dagi summit, near Adıyaman, Turkey
  • Statue heads, from right, Eagle, Herekles, Apollo, Zeus, Commagene, Antiochus, & Eagle, 62 BC Royal Tomb of King Antiochus I Theos of Commagene, east Terrace, Mount Nemrut or Nemrud Dagi summit, near Adıyaman, Turkey
  • Statue heads at sunset, from left,  Eagle, Antiochus, Commagene, Zeus, Apollo, & Herekles with headless seated statues in front of the stone pyramid 62 BC Royal Tomb of King Antiochus I Theos of Commagene, east Terrace, Mount Nemrut or Nemrud Dagi summit, near Adıyaman, Turkey
  • Statue head of from left, Apollo, Herekles & Eagle in front of the 62 BC Royal Tomb of King Antiochus I Theos of Commagene, west Terrace, Mount Nemrut or Nemrud Dagi summit, near Adıyaman, Turkey
  • Statue head, from left, Antiochus, Commenge , Zeus, Apollo, Herekles & Eagle, in front of the 62 BC Royal Tomb of King Antiochus I Theos of Commagene, west Terrace, Mount Nemrut or Nemrud Dagi summit, near Adıyaman, Turkey
  • Statue head, from front, of an eagle, Herakles & Apollo, & Zeus (left), in front of the 62 BC Royal Tomb of King Antiochus I Theos of Commagene, west Terrace, Mount Nemrut or Nemrud Dagi summit, near Adıyaman, Turkey
  • Bronze Age Hattian gold necklace from Grave TM, possibly a Bronze Age Royal grave (2500 BC to 2250 BC) - Alacahoyuk - Museum of Anatolian Civilisations, Ankara, Turkey. Against a white background
  • Bronze Age Hattian gold necklace from Grave TM, possibly a Bronze Age Royal grave (2500 BC to 2250 BC) - Alacahoyuk - Museum of Anatolian Civilisations, Ankara, Turkey. Against a black background
  • Bronze Age Hattian gold necklace from Grave TM, possibly a Bronze Age Royal grave (2500 BC to 2250 BC) - Alacahoyuk - Museum of Anatolian Civilisations, Ankara, Turkey
  • Bronze Age Hattian gold necklace from Grave TM, possibly a Bronze Age Royal grave (2500 BC to 2250 BC) - Alacahoyuk - Museum of Anatolian Civilisations, Ankara, Turkey. Against a gray background
  • Bronze Age Hattian gold necklace from Grave TM, possibly a Bronze Age Royal grave (2500 BC to 2250 BC) - Alacahoyuk - Museum of Anatolian Civilisations, Ankara, Turkey. Against a warm art background
  • Bronze Age Hattian gold necklace from Grave L,  possibly a Bronze Age Royal grave (2500 BC to 2250 BC) - Alacahoyuk - Museum of Anatolian Civilisations, Ankara, Turkey. Against a white background
  • Bronze Age Hattian gold necklace from Grave L,  possibly a Bronze Age Royal grave (2500 BC to 2250 BC) - Alacahoyuk - Museum of Anatolian Civilisations, Ankara, Turkey. Against a black background
  • Bronze Age Hattian gold necklace from Grave L,  possibly a Bronze Age Royal grave (2500 BC to 2250 BC) - Alacahoyuk - Museum of Anatolian Civilisations, Ankara, Turkey. Against a warm art background
  • Bronze Age Hattian gold necklace from Grave L,  possibly a Bronze Age Royal grave (2500 BC to 2250 BC) - Alacahoyuk - Museum of Anatolian Civilisations, Ankara, Turkey. Against a gray background
  • Bronze Age Hattian gold necklace from Grave L,  possibly a Bronze Age Royal grave (2500 BC to 2250 BC) - Alacahoyuk - Museum of Anatolian Civilisations, Ankara, Turkey
  • Bronze Age Hattian gold goblet from a possible Bronze Age Royal grave (2500 BC to 2250 BC) - Alacahoyuk - Museum of Anatolian Civilisations, Ankara, Turkey. Against a white background
  • Bronze Age Hattian gold goblet from a possible Bronze Age Royal grave (2500 BC to 2250 BC) - Alacahoyuk - Museum of Anatolian Civilisations, Ankara, Turkey. Against a gray background
  • Bronze Age Hattian gold goblet from a possible Bronze Age Royal grave (2500 BC to 2250 BC) - Alacahoyuk - Museum of Anatolian Civilisations, Ankara, Turkey. Against a black background
  • Bronze Age Hattian gold goblet from a possible Bronze Age Royal grave (2500 BC to 2250 BC) - Alacahoyuk - Museum of Anatolian Civilisations, Ankara, Turkey. Against a warm art background
  • Bronze Age Hattian gold goblet from a possible Bronze Age Royal grave (2500 BC to 2250 BC) - Alacahoyuk - Museum of Anatolian Civilisations, Ankara, Turkey
  • Bronze Age Hattian gold flask from a possible Bronze Age Royal grave (2500 BC to 2250 BC) - Alacahoyuk - Museum of Anatolian Civilisations, Ankara, Turkey. Against a white background
  • Bronze Age Hattian gold flask from a possible Bronze Age Royal grave (2500 BC to 2250 BC) - Alacahoyuk - Museum of Anatolian Civilisations, Ankara, Turkey. Against a gray background
  • Bronze Age Hattian gold flask from a possible Bronze Age Royal grave (2500 BC to 2250 BC) - Alacahoyuk - Museum of Anatolian Civilisations, Ankara, Turkey. Against a black background
  • Bronze Age Hattian gold flask from a possible Bronze Age Royal grave (2500 BC to 2250 BC) - Alacahoyuk - Museum of Anatolian Civilisations, Ankara, Turkey. Against a warm art background
  • Bronze Age Hattian gold flask from a possible Bronze Age Royal grave (2500 BC to 2250 BC) - Alacahoyuk - Museum of Anatolian Civilisations, Ankara, Turkey
  • Bronze Age Hattian ceremonial standard known as "Sun Disks" in silver from a possible Bronze Age Royal grave (2500 BC to 2250 BC) - Alacahoyuk - Museum of Anatolian Civilisations, Ankara, Turkey. Against a white background
  • Bronze Age Hattian ceremonial standard known as "Sun Disks" in silver from a possible Bronze Age Royal grave (2500 BC to 2250 BC) - Alacahoyuk - Museum of Anatolian Civilisations, Ankara, Turkey. Against a gray background
  • Bronze Age Hattian ceremonial standard known as "Sun Disks" in silver from a possible Bronze Age Royal grave (2500 BC to 2250 BC) - Alacahoyuk - Museum of Anatolian Civilisations, Ankara, Turkey. Against a black background
  • Bronze Age Hattian ceremonial standard known as "Sun Disks" in silver from a possible Bronze Age Royal grave (2500 BC to 2250 BC) - Alacahoyuk - Museum of Anatolian Civilisations, Ankara, Turkey. Against a warm art background
  • Bronze Age Hattian ceremonial standard known as "Sun Disks" in silver from a possible Bronze Age Royal grave (2500 BC to 2250 BC) - Alacahoyuk - Museum of Anatolian Civilisations, Ankara, Turkey
  • Bronze Age Hattian gold decorated mace from Grave K,  possibly a Bronze Age Royal grave (2500 BC to 2250 BC) - Alacahoyuk - Museum of Anatolian Civilisations, Ankara, Turkey. Against a white background
  • Bronze Age Hattian gold decorated mace from Grave K,  possibly a Bronze Age Royal grave (2500 BC to 2250 BC) - Alacahoyuk - Museum of Anatolian Civilisations, Ankara, Turkey. Against a black background
  • Bronze Age Hattian gold decorated mace from Grave K,  possibly a Bronze Age Royal grave (2500 BC to 2250 BC) - Alacahoyuk - Museum of Anatolian Civilisations, Ankara, Turkey. Against a gray background
  • Bronze Age Hattian gold decorated mace from Grave K,  possibly a Bronze Age Royal grave (2500 BC to 2250 BC) - Alacahoyuk - Museum of Anatolian Civilisations, Ankara, Turkey. Against a warm art background
  • Bronze Age Hattian gold decorated mace from Grave K,  possibly a Bronze Age Royal grave (2500 BC to 2250 BC) - Alacahoyuk - Museum of Anatolian Civilisations, Ankara, Turkey
  • Bronze Age Hattian gold furniture covering  from a possible Bronze Age Royal grave (2500 BC to 2250 BC) - Alacahoyuk - Museum of Anatolian Civilisations, Ankara, Turkey. Against a white background
  • Bronze Age Hattian gold furniture covering  from a possible Bronze Age Royal grave (2500 BC to 2250 BC) - Alacahoyuk - Museum of Anatolian Civilisations, Ankara, Turkey. Against a warm art background
  • Bronze Age Hattian gold furniture covering  from a possible Bronze Age Royal grave (2500 BC to 2250 BC) - Alacahoyuk - Museum of Anatolian Civilisations, Ankara, Turkey. Against a black background
  • Bronze Age Hattian gold furniture covering  from a possible Bronze Age Royal grave (2500 BC to 2250 BC) - Alacahoyuk - Museum of Anatolian Civilisations, Ankara, Turkey. Against a gray background
  • Bronze Age Hattian gold furniture covering  from a possible Bronze Age Royal grave (2500 BC to 2250 BC) - Alacahoyuk - Museum of Anatolian Civilisations, Ankara, Turkey
  • Bronze Age Hattian gold belt buckle from Grave L, possibly a Bronze Age Royal grave (2500 BC to 2250 BC) - Alacahoyuk - Museum of Anatolian Civilisations, Ankara, Turkey. Against a white background
  • Bronze Age Hattian gold belt buckle from Grave L, possibly a Bronze Age Royal grave (2500 BC to 2250 BC) - Alacahoyuk - Museum of Anatolian Civilisations, Ankara, Turkey. Against a black background
  • Bronze Age Hattian gold belt buckle from Grave L, possibly a Bronze Age Royal grave (2500 BC to 2250 BC) - Alacahoyuk - Museum of Anatolian Civilisations, Ankara, Turkey. Against a gray background
  • Bronze Age Hattian gold belt buckle from Grave L, possibly a Bronze Age Royal grave (2500 BC to 2250 BC) - Alacahoyuk - Museum of Anatolian Civilisations, Ankara, Turkey
  • Bronze Age Hattian gold necklace from Grave E,  possibly a Bronze Age Royal grave (2500 BC to 2250 BC) - Alacahoyuk - Museum of Anatolian Civilisations, Ankara, Turkey. Against a black background
  • Bronze Age Hattian gold necklace from Grave E,  possibly a Bronze Age Royal grave (2500 BC to 2250 BC) - Alacahoyuk - Museum of Anatolian Civilisations, Ankara, Turkey. Against a gray background
  • Bronze Age Hattian gold necklace from Grave E,  possibly a Bronze Age Royal grave (2500 BC to 2250 BC) - Alacahoyuk - Museum of Anatolian Civilisations, Ankara, Turkey
  • Bronze Age Hattian gold necklace from Grave E,  possibly a Bronze Age Royal grave (2500 BC to 2250 BC) - Alacahoyuk - Museum of Anatolian Civilisations, Ankara, Turkey. Against a warm art background
  • Bronze Age Hattian gold bracelet  from a possible Bronze Age Royal grave (2500 BC to 2250 BC) - Alacahoyuk - Museum of Anatolian Civilisations, Ankara, Turkey. Against a white background
  • Bronze Age Hattian gold bracelet  from a possible Bronze Age Royal grave (2500 BC to 2250 BC) - Alacahoyuk - Museum of Anatolian Civilisations, Ankara, Turkey. Against a warm art background
  • Bronze Age Hattian gold bracelet  from a possible Bronze Age Royal grave (2500 BC to 2250 BC) - Alacahoyuk - Museum of Anatolian Civilisations, Ankara, Turkey. Against a gray background

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