• Traditional Christmas tree santa decoration
  • Traditional Christmas tree santa decoration
  • Wooden Christmas santa decorations
  • Wooden Christmas santa decorations
  • Wooden Christmas santa decorations
  • Wooden Christmas santa decorations
  • Wooden Christmas santa decorations
  • Traditional Christmas tree santa decoration
  • Wooden Christmas santa decorations
  • Wooden Christmas santa decorations
  • Wooden Christmas santa decorations
  • Wooden Christmas santa decorations
  • Wooden Christmas santa decorations
  • Roman mosaic of drinking birds from Santa Maria Capua Vetere, ancient Capua, inv no 9992, Naples Archaeological Musum, Italy
  • Roman mosaic of drinking birds from Santa Maria Capua Vetere, ancient Capua, inv no 9992, Naples Archaeological Musum, Italy
  • Roman mosaic of drinking birds from Santa Maria Capua Vetere, ancient Capua, inv no 9992, Naples Archaeological Musum, Italy
  • Roman mosaic of drinking birds from Santa Maria Capua Vetere, ancient Capua, inv no 9992, Naples Archaeological Musum, Italy
  • Roman mosaic of drinking birds from Santa Maria Capua Vetere, ancient Capua, inv no 9992, Naples Archaeological Musum, Italy
  • Panorama of The punta della doganaand  Santa Maria della Salute on the Giudecca Canal, Venice Italy
  • Fresco of the Last Judgement on the inside of the Dome by Vasari, begun in 1568, and completed by Federico Zuccaro in 1579. Duomo of Florence,  Basilica of Saint Mary of the Flower; Firenza ( Basilica di Santa Maria del Fiore ).  Built between 1293 & 1436. Italy
  • Bronze doors of the Porta Maggiore, by Amalia Dupre.  Duomo of Florence,  Basilica of Saint Mary of the Flower; Firenza ( Basilica di Santa Maria del Fiore ).  Built between 1293 & 1436. Italy
  • The right door mosaic and the fine Gothic architectural detail  of  the  of the Gothic-Renaissance Duomo of Florence,  Basilica of Saint Mary of the Flower; Firenza ( Basilica di Santa Maria del Fiore ).  Built between 1293 & 1436. Italy
  • The main central door ( Porta Maggiore ) mosaic and the fine Gothic architectural detail of  the  of the Gothic-Renaissance Duomo of Florence,  Basilica of Saint Mary of the Flower; Firenza ( Basilica di Santa Maria del Fiore ).  Built between 1293 & 1436. Italy
  • Campinale  of the the Gothic-Renaissance Duomo of Florence,  Basilica of Saint Mary of the Flower; Firenza ( Basilica di Santa Maria del Fiore ) from the top of the Dome.  Built between 1293 & 1436. Italy
  • Campinale  of the the Gothic-Renaissance Duomo of Florence,  Basilica of Saint Mary of the Flower; Firenza ( Basilica di Santa Maria del Fiore ) from the top of the Dome.  Built between 1293 & 1436. Italy
  • Facade of the the Gothic-Renaissance Duomo of Florence,  Basilica of Saint Mary of the Flower; Firenza ( Basilica di Santa Maria del Fiore ) built between 1293 & 1436. Italy
  • View of the Dome of the the Gothic-Renaissance Duomo of Florence,  Basilica of Saint Mary of the Flower; Firenza ( Basilica di Santa Maria del Fiore ), from the campinale.  Built between 1293 & 1436. Italy
  • View of the Facade of the the Gothic-Renaissance Duomo of Florence,  Basilica of Saint Mary of the Flower; Firenza ( Basilica di Santa Maria del Fiore ), and its campinale & Baptistry  from Piazza del Duomo.  Built between 1293 & 1436. Italy
  • Rooftop view of the Gothic-Renaissance Duomo of Florence,  Basilica of Saint Mary of the Flower; Firenza ( Basilica di Santa Maria del Fiore ) built between 1293 & 1436. Italy
  • Rooftop view of the Gothic-Renaissance Duomo of Florence,  Basilica of Saint Mary of the Flower; Firenza ( Basilica di Santa Maria del Fiore ) built between 1293 & 1436. Italy
  • Rooftop view of the Gothic-Renaissance Duomo of Florence,  Basilica of Saint Mary of the Flower; Firenza ( Basilica di Santa Maria del Fiore ) built between 1293 & 1436. Italy
  • Bronze doors of the Porta Maggiore, by Amalia Dupre.  Duomo of Florence,  Basilica of Saint Mary of the Flower; Firenza ( Basilica di Santa Maria del Fiore ).  Built between 1293 & 1436. Italy
  • Statues of the Apostles and the  the fine Gothic architectural detail of  the  of the Gothic-Renaissance Duomo of Florence,  Basilica of Saint Mary of the Flower; Firenza ( Basilica di Santa Maria del Fiore ).  Built between 1293 & 1436. Italy
  • Statues of the Virgin Mary flanked by the Apostles and the  the fine Gothic architectural detail of  the  of the Gothic-Renaissance Duomo of Florence,  Basilica of Saint Mary of the Flower; Firenza ( Basilica di Santa Maria del Fiore ).  Built between 1293 & 1436. Italy
  • The main central door ( Porta Maggiore ) mosaic and the fine Gothic architectural detail of  the  of the Gothic-Renaissance Duomo of Florence,  Basilica of Saint Mary of the Flower; Firenza ( Basilica di Santa Maria del Fiore ).  Built between 1293 & 1436. Italy
  • Bishop Agostino Tinacci (Tinaccius Episc.), who blessed the first pilaster in 1357  on  the facade of  the Gothic-Renaissance Duomo of Florence,  Basilica of Saint Mary of the Flower; Firenza ( Basilica di Santa Maria del Fiore ).  Built between 1293 & 1436. Italy
  • Campinale  of the the Gothic-Renaissance Duomo of Florence,  Basilica of Saint Mary of the Flower; Firenza ( Basilica di Santa Maria del Fiore ) from the top of the Dome.  Built between 1293 & 1436. Italy
  • Campinale  of the the Gothic-Renaissance Duomo of Florence,  Basilica of Saint Mary of the Flower; Firenza ( Basilica di Santa Maria del Fiore ) from the top of the Dome.  Built between 1293 & 1436. Italy
  • Campinale  of the the Gothic-Renaissance Duomo of Florence,  Basilica of Saint Mary of the Flower; Firenza ( Basilica di Santa Maria del Fiore ) from the top of the Dome.  Built between 1293 & 1436. Italy
  • Facade of the the Gothic-Renaissance Duomo of Florence,  Basilica of Saint Mary of the Flower; Firenza ( Basilica di Santa Maria del Fiore ) built between 1293 & 1436. Italy
  • Panoramic view of the Gothic-Renaissance Duomo of Florence,  Basilica of Saint Mary of the Flower; Firenza ( Basilica di Santa Maria del Fiore ) built between 1293 & 1436. Italy
  • View of the Facade of the the Gothic-Renaissance Duomo of Florence,  Basilica of Saint Mary of the Flower; Firenza ( Basilica di Santa Maria del Fiore ), and its campinale & Baptistry  from Piazza del Duomo.  Built between 1293 & 1436. Italy
  • View of the Facade of the the Gothic-Renaissance Duomo of Florence,  Basilica of Saint Mary of the Flower; Firenza ( Basilica di Santa Maria del Fiore ), and its campinale & Baptistry  from Piazza del Duomo.  Built between 1293 & 1436. Italy
  • Facade of the the Gothic-Renaissance Duomo of Florence,  Basilica of Saint Mary of the Flower; Firenza ( Basilica di Santa Maria del Fiore ) built between 1293 & 1436. Italy
  • Bronze doors of the Porta Maggiore, by Amalia Dupre.  Duomo of Florence,  Basilica of Saint Mary of the Flower; Firenza ( Basilica di Santa Maria del Fiore ).  Built between 1293 & 1436. Italy
  • Fresco of the Last Judgement on the inside of the Dome by Vasari, begun in 1568, and completed by Federico Zuccaro in 1579. Duomo of Florence,  Basilica of Saint Mary of the Flower; Firenza ( Basilica di Santa Maria del Fiore ).  Built between 1293 & 1436. Italy
  • Roase window and facade of the Gothic-Renaissance Duomo of Florence,  Basilica of Saint Mary of the Flower; Firenza ( Basilica di Santa Maria del Fiore ).  Built between 1293 & 1436. Italy
  • Roase window and facade of the Gothic-Renaissance Duomo of Florence,  Basilica of Saint Mary of the Flower; Firenza ( Basilica di Santa Maria del Fiore ).  Built between 1293 & 1436. Italy
  • A detail crop of the lunette, pediment and tondo and the 14th c. sculptures. Note the file size. The lunette sculpture set is a ?Virgin and Child with Two Angels? by Lorenzo di Giovanni d'Ambroglio. In the tondo are two figures wrapping Christ in his shroud, supported by two angels in the lower spaces. The Gothic-Renaissance Duomo of Florence,  Basilica of Saint Mary of the Flower; Firenza ( Basilica di Santa Maria del Fiore ).  Built between 1293 & 1436. Italy
  • Statues of the Apostles and the  the fine Gothic architectural detail of  the  of the Gothic-Renaissance Duomo of Florence,  Basilica of Saint Mary of the Flower; Firenza ( Basilica di Santa Maria del Fiore ).  Built between 1293 & 1436. Italy
  • Statues of the Virgin Mary flanked by the Apostles and the  the fine Gothic architectural detail of  the  of the Gothic-Renaissance Duomo of Florence,  Basilica of Saint Mary of the Flower; Firenza ( Basilica di Santa Maria del Fiore ).  Built between 1293 & 1436. Italy
  • Theright door mosaic and the fine Gothic architectural detail and Rose window of  the  of the Gothic-Renaissance Duomo of Florence,  Basilica of Saint Mary of the Flower; Firenza ( Basilica di Santa Maria del Fiore ).  Built between 1293 & 1436. Italy
  • Bishop Agostino Tinacci (Tinaccius Episc.), who blessed the first pilaster in 1357  on  the facade of  the Gothic-Renaissance Duomo of Florence,  Basilica of Saint Mary of the Flower; Firenza ( Basilica di Santa Maria del Fiore ).  Built between 1293 & 1436. Italy
  • Statue of  of Saint Reparata on the facade of  the Gothic-Renaissance Duomo of Florence,  Basilica of Saint Mary of the Flower; Firenza ( Basilica di Santa Maria del Fiore ).  Built between 1293 & 1436. Italy
  • Central doors  of the the Gothic-Renaissance Duomo of Florence,  Basilica of Saint Mary of the Flower; Firenza ( Basilica di Santa Maria del Fiore ).  Built between 1293 & 1436. Italy
  • Campinale  of the the Gothic-Renaissance Duomo of Florence,  Basilica of Saint Mary of the Flower; Firenza ( Basilica di Santa Maria del Fiore ) from the top of the Dome.  Built between 1293 & 1436. Italy
  • Facade of the the Gothic-Renaissance Duomo of Florence,  Basilica of Saint Mary of the Flower; Firenza ( Basilica di Santa Maria del Fiore ) built between 1293 & 1436. Italy
  • Panoramic view of the Gothic-Renaissance Duomo of Florence,  Basilica of Saint Mary of the Flower; Firenza ( Basilica di Santa Maria del Fiore ) built between 1293 & 1436. Italy
  • View of the Dome of the the Gothic-Renaissance Duomo of Florence,  Basilica of Saint Mary of the Flower; Firenza ( Basilica di Santa Maria del Fiore ), from the campinale.  Built between 1293 & 1436. Italy
  • Rooftop view of the Gothic-Renaissance Duomo of Florence,  Basilica of Saint Mary of the Flower; Firenza ( Basilica di Santa Maria del Fiore ) built between 1293 & 1436. Italy
  • Fresco of the Last Judgement on the inside of the Dome by Vasari, begun in 1568, and completed by Federico Zuccaro in 1579. Duomo of Florence,  Basilica of Saint Mary of the Flower; Firenza ( Basilica di Santa Maria del Fiore ).  Built between 1293 & 1436. Italy
  • Fresco of the Last Judgement on the inside of the Dome by Vasari, begun in 1568, and completed by Federico Zuccaro in 1579. Duomo of Florence,  Basilica of Saint Mary of the Flower; Firenza ( Basilica di Santa Maria del Fiore ).  Built between 1293 & 1436. Italy
  • Gothic windows and architectural detail  of  the  of the Gothic-Renaissance Duomo of Florence,  Basilica of Saint Mary of the Flower; Firenza ( Basilica di Santa Maria del Fiore ).  Built between 1293 & 1436. Italy
  • The right door mosaic and the fine Gothic architectural detail and Rose window of  the  of the Gothic-Renaissance Duomo of Florence,  Basilica of Saint Mary of the Flower; Firenza ( Basilica di Santa Maria del Fiore ).  Built between 1293 & 1436. Italy
  • The right door mosaic and the fine Gothic architectural detail and Rose window of  the  of the Gothic-Renaissance Duomo of Florence,  Basilica of Saint Mary of the Flower; Firenza ( Basilica di Santa Maria del Fiore ).  Built between 1293 & 1436. Italy
  • close up of Gothic bas-relief sculptures on the facade of  the Gothic-Renaissance Duomo of Florence,  Basilica of Saint Mary of the Flower; Firenza ( Basilica di Santa Maria del Fiore ).  Built between 1293 & 1436. Italy
  • close up of Gothic bas-relief sculptures on the facade of  the Gothic-Renaissance Duomo of Florence,  Basilica of Saint Mary of the Flower; Firenza ( Basilica di Santa Maria del Fiore ).  Built between 1293 & 1436. Italy
  • close up of Gothic bas-relief sculptures on the facade of  the Gothic-Renaissance Duomo of Florence,  Basilica of Saint Mary of the Flower; Firenza ( Basilica di Santa Maria del Fiore ).  Built between 1293 & 1436. Italy
  • Campinale  of the the Gothic-Renaissance Duomo of Florence,  Basilica of Saint Mary of the Flower; Firenza ( Basilica di Santa Maria del Fiore ) from the top of the Dome.  Built between 1293 & 1436. Italy
  • Rooftop view of the Gothic-Renaissance Duomo of Florence,  Basilica of Saint Mary of the Flower; Firenza ( Basilica di Santa Maria del Fiore ) built between 1293 & 1436. Italy
  • Basilica Santa Croce - Facade - Florence Italy.
  • Basilica Santa Croce - Facade - Florence Italy.
  • Basilica Santa Croce - Facade - Florence Italy.
  • Basilica Santa Croce - Facade - Florence Italy.
  • Santa Maria delli'Idria in the foreground and  Ragusa Ibla Sicily behind
  • Santa Maria delli'Idria in the foreground and  Ragusa Ibla Sicily behind
  • Santa Maria delli'Idria in the foreground and  Ragusa Ibla Sicily behind
  • Santa Maria delli'Idria in the foreground and  Ragusa Ibla Sicily behind
  • Basilica Santa Croce - Facade - Florence Italy.
  • Basilica Santa Croce - Facade - Florence Italy.
  • Basilica Santa Croce - Facade - Florence Italy.
  • Basilica Santa Croce - Facade - Florence Italy.
  • Basilica Santa Croce - Detail Of Door - Florence Italy.
  • Basilica Santa Croce - Detail Of Door - Florence Italy.
  • The punta della doganaand  Santa Maria della Salute on the Giudecca Canal, Venice Italy
  • Panorama of The punta della doganaand  Santa Maria della Salute on the Giudecca Canal, Venice Italy
  • The punta della doganaand  Santa Maria della Salute on the Giudecca Canal, Venice Italy
  • Statue of  of Saint Reparata on the facade of  the Gothic-Renaissance Duomo of Florence,  Basilica of Saint Mary of the Flower; Firenza ( Basilica di Santa Maria del Fiore ).  Built between 1293 & 1436. Italy
  • Roase window and facade of the Gothic-Renaissance Duomo of Florence,  Basilica of Saint Mary of the Flower; Firenza ( Basilica di Santa Maria del Fiore ).  Built between 1293 & 1436. Italy
  • Statues of the Apostles and the  the fine Gothic architectural detail of  the  of the Gothic-Renaissance Duomo of Florence,  Basilica of Saint Mary of the Flower; Firenza ( Basilica di Santa Maria del Fiore ).  Built between 1293 & 1436. Italy
  • Statues of the Virgin Mary flanked by the Apostles and the  the fine Gothic architectural detail of  the  of the Gothic-Renaissance Duomo of Florence,  Basilica of Saint Mary of the Flower; Firenza ( Basilica di Santa Maria del Fiore ).  Built between 1293 & 1436. Italy
  • The right door mosaic and the fine Gothic architectural detail and Rose window of  the  of the Gothic-Renaissance Duomo of Florence,  Basilica of Saint Mary of the Flower; Firenza ( Basilica di Santa Maria del Fiore ).  Built between 1293 & 1436. Italy
  • Statue of  of Saint Reparata on the facade of  the Gothic-Renaissance Duomo of Florence,  Basilica of Saint Mary of the Flower; Firenza ( Basilica di Santa Maria del Fiore ).  Built between 1293 & 1436. Italy
  • Campinale  of the the Gothic-Renaissance Duomo of Florence,  Basilica of Saint Mary of the Flower; Firenza ( Basilica di Santa Maria del Fiore ) from the top of the Dome.  Built between 1293 & 1436. Italy
  • Panoramic view of the Gothic-Renaissance Duomo of Florence,  Basilica of Saint Mary of the Flower; Firenza ( Basilica di Santa Maria del Fiore ) built between 1293 & 1436. Italy
  • View of the Facade of the the Gothic-Renaissance Duomo of Florence,  Basilica of Saint Mary of the Flower; Firenza ( Basilica di Santa Maria del Fiore ), and its campinale & Baptistry  from Piazza del Duomo.  Built between 1293 & 1436. Italy
  • Facade of the the Gothic-Renaissance Duomo of Florence,  Basilica of Saint Mary of the Flower; Firenza ( Basilica di Santa Maria del Fiore ) built between 1293 & 1436. Italy
  • Rooftop view of the Gothic-Renaissance Duomo of Florence,  Basilica of Saint Mary of the Flower; Firenza ( Basilica di Santa Maria del Fiore ) built between 1293 & 1436. Italy
  • Rooftop view of the Gothic-Renaissance Duomo of Florence,  Basilica of Saint Mary of the Flower; Firenza ( Basilica di Santa Maria del Fiore ) built between 1293 & 1436. Italy
  • Rooftop view of the Gothic-Renaissance Duomo of Florence,  Basilica of Saint Mary of the Flower; Firenza ( Basilica di Santa Maria del Fiore ) built between 1293 & 1436. Italy
  • Roase window and facade of the Gothic-Renaissance Duomo of Florence,  Basilica of Saint Mary of the Flower; Firenza ( Basilica di Santa Maria del Fiore ).  Built between 1293 & 1436. Italy
  • Statues of the Virgin Mary flanked by the Apostles and the  the fine Gothic architectural detail of  the  of the Gothic-Renaissance Duomo of Florence,  Basilica of Saint Mary of the Flower; Firenza ( Basilica di Santa Maria del Fiore ).  Built between 1293 & 1436. Italy
  • The main central door ( Porta Maggiore ) mosaic and the fine Gothic architectural detail of  the  of the Gothic-Renaissance Duomo of Florence,  Basilica of Saint Mary of the Flower; Firenza ( Basilica di Santa Maria del Fiore ).  Built between 1293 & 1436. Italy
  • Sculpture of  Cardinal Pietro Valeriani (Valerianus Legatus), who blessed the Duomo's foundations in 1296.on the facade of  the Gothic-Renaissance Duomo of Florence,  Basilica of Saint Mary of the Flower; Firenza ( Basilica di Santa Maria del Fiore ).  Built between 1293 & 1436. Italy
  • Statue of Pope Eugene IV (1383 - 25 February 1447), born Gabriele Condulmer, was pope from 3 March 1431 until his death on the facade of  the Gothic-Renaissance Duomo of Florence,  Basilica of Saint Mary of the Flower; Firenza ( Basilica di Santa Maria del Fiore ).  Built between 1293 & 1436. Italy
  • Statue of  of Saint Reparata on the facade of  the Gothic-Renaissance Duomo of Florence,  Basilica of Saint Mary of the Flower; Firenza ( Basilica di Santa Maria del Fiore ).  Built between 1293 & 1436. Italy
  • View of the Dome of the the Gothic-Renaissance Duomo of Florence,  Basilica of Saint Mary of the Flower; Firenza ( Basilica di Santa Maria del Fiore ), from the campinale.  Built between 1293 & 1436. Italy
  • View of the Dome of the the Gothic-Renaissance Duomo of Florence,  Basilica of Saint Mary of the Flower; Firenza ( Basilica di Santa Maria del Fiore ), from the campinale.  Built between 1293 & 1436. Italy
  • Bronze doors of the Porta Maggiore, by Amalia Dupre.  Duomo of Florence,  Basilica of Saint Mary of the Flower; Firenza ( Basilica di Santa Maria del Fiore ).  Built between 1293 & 1436. Italy
  • Statues of the Virgin Mary flanked by the Apostles and the  the fine Gothic architectural detail of  the  of the Gothic-Renaissance Duomo of Florence,  Basilica of Saint Mary of the Flower; Firenza ( Basilica di Santa Maria del Fiore ).  Built between 1293 & 1436. Italy
  • The main central door ( Porta Maggiore ) mosaic and the fine Gothic architectural detail of  the  of the Gothic-Renaissance Duomo of Florence,  Basilica of Saint Mary of the Flower; Firenza ( Basilica di Santa Maria del Fiore ).  Built between 1293 & 1436. Italy
  • Sculpture of  Cardinal Pietro Valeriani (Valerianus Legatus), who blessed the Duomo's foundations in 1296.on the facade of  the Gothic-Renaissance Duomo of Florence,  Basilica of Saint Mary of the Flower; Firenza ( Basilica di Santa Maria del Fiore ).  Built between 1293 & 1436. Italy
  • Statue of Pope Eugene IV (1383 - 25 February 1447), born Gabriele Condulmer, was pope from 3 March 1431 until his death on the facade of  the Gothic-Renaissance Duomo of Florence,  Basilica of Saint Mary of the Flower; Firenza ( Basilica di Santa Maria del Fiore ).  Built between 1293 & 1436. Italy
  • Statue of  of Saint Reparata on the facade of  the Gothic-Renaissance Duomo of Florence,  Basilica of Saint Mary of the Flower; Firenza ( Basilica di Santa Maria del Fiore ).  Built between 1293 & 1436. Italy
  • Campinale  of the the Gothic-Renaissance Duomo of Florence,  Basilica of Saint Mary of the Flower; Firenza ( Basilica di Santa Maria del Fiore ) from the top of the Dome.  Built between 1293 & 1436. Italy
  • View of the Dome of the the Gothic-Renaissance Duomo of Florence,  Basilica of Saint Mary of the Flower; Firenza ( Basilica di Santa Maria del Fiore ), from the campinale.  Built between 1293 & 1436. Italy
  • View of the Facade of the the Gothic-Renaissance Duomo of Florence,  Basilica of Saint Mary of the Flower; Firenza ( Basilica di Santa Maria del Fiore ), and its campinale & Baptistry  from Piazza del Duomo.  Built between 1293 & 1436. Italy
  • View of the Facade of the the Gothic-Renaissance Duomo of Florence,  Basilica of Saint Mary of the Flower; Firenza ( Basilica di Santa Maria del Fiore ), and its campinale & Baptistry  from Piazza del Duomo.  Built between 1293 & 1436. Italy
  • Facade of the the Gothic-Renaissance Duomo of Florence,  Basilica of Saint Mary of the Flower; Firenza ( Basilica di Santa Maria del Fiore ) built between 1293 & 1436. Italy
  • Rooftop view of the Gothic-Renaissance Duomo of Florence,  Basilica of Saint Mary of the Flower; Firenza ( Basilica di Santa Maria del Fiore ) built between 1293 & 1436. Italy
  • Rooftop view of the Gothic-Renaissance Duomo of Florence,  Basilica of Saint Mary of the Flower; Firenza ( Basilica di Santa Maria del Fiore ) built between 1293 & 1436. Italy
  • Fresco of the Last Judgement on the inside of the Dome by Vasari, begun in 1568, and completed by Federico Zuccaro in 1579. Duomo of Florence,  Basilica of Saint Mary of the Flower; Firenza ( Basilica di Santa Maria del Fiore ).  Built between 1293 & 1436. Italy
  • Bronze doors of the Porta Maggiore, by Amalia Dupre.  Duomo of Florence,  Basilica of Saint Mary of the Flower; Firenza ( Basilica di Santa Maria del Fiore ).  Built between 1293 & 1436. Italy
  • Gothic windows and architectural detail  of  the  of the Gothic-Renaissance Duomo of Florence,  Basilica of Saint Mary of the Flower; Firenza ( Basilica di Santa Maria del Fiore ).  Built between 1293 & 1436. Italy
  • The tondo relief of Christ with his hands tied on central door of the fine Gothic architectural detail  of  the  of the Gothic-Renaissance Duomo of Florence,  Basilica of Saint Mary of the Flower; Firenza ( Basilica di Santa Maria del Fiore ).  Built between 1293 & 1436. Italy
  • Statues of the Apostles and the  the fine Gothic architectural detail of  the  of the Gothic-Renaissance Duomo of Florence,  Basilica of Saint Mary of the Flower; Firenza ( Basilica di Santa Maria del Fiore ).  Built between 1293 & 1436. Italy
  • Statues of the Apostles and the  the fine Gothic architectural detail of  the  of the Gothic-Renaissance Duomo of Florence,  Basilica of Saint Mary of the Flower; Firenza ( Basilica di Santa Maria del Fiore ).  Built between 1293 & 1436. Italy
  • close up of Gothic bas-relief sculptures on the facade of  the Gothic-Renaissance Duomo of Florence,  Basilica of Saint Mary of the Flower; Firenza ( Basilica di Santa Maria del Fiore ).  Built between 1293 & 1436. Italy
  • close up of Gothic bas-relief sculptures on the facade of  the Gothic-Renaissance Duomo of Florence,  Basilica of Saint Mary of the Flower; Firenza ( Basilica di Santa Maria del Fiore ).  Built between 1293 & 1436. Italy
  • Statue of  of Saint Reparata on the facade of  the Gothic-Renaissance Duomo of Florence,  Basilica of Saint Mary of the Flower; Firenza ( Basilica di Santa Maria del Fiore ).  Built between 1293 & 1436. Italy
  • Campinale  of the the Gothic-Renaissance Duomo of Florence,  Basilica of Saint Mary of the Flower; Firenza ( Basilica di Santa Maria del Fiore ) from the top of the Dome.  Built between 1293 & 1436. Italy
  • Campinale  of the the Gothic-Renaissance Duomo of Florence,  Basilica of Saint Mary of the Flower; Firenza ( Basilica di Santa Maria del Fiore ) from the top of the Dome.  Built between 1293 & 1436. Italy
  • Facade of the the Gothic-Renaissance Duomo of Florence,  Basilica of Saint Mary of the Flower; Firenza ( Basilica di Santa Maria del Fiore ) built between 1293 & 1436. Italy
  • Rooftop view of the Gothic-Renaissance Duomo of Florence,  Basilica of Saint Mary of the Flower; Firenza ( Basilica di Santa Maria del Fiore ) built between 1293 & 1436. Italy
  • Basilica Santa Croce - Facade - Florence Italy.
  • Basilica Santa Croce - Detail of statues over door- Florence Italy.
  • Basilica Santa Croce - Detail of statues over door- Florence Italy.
  • Basilica Santa Croce - Facade - Florence Italy.
  • Basilica Santa Croce - Facade - Florence Italy.
  • Basilica Santa Croce - Detail of statues over door- Florence Italy.
  • Basilica Santa Croce - Facade - Florence Italy.
  • Santa Maria delli'Idria in the foreground and  Ragusa Ibla Sicily behind
  • The cathedral of Santa Astuna, Positano, Amalfi coast, Italy
  • The cathedral of Santa Astuna, Positano, Amalfi coast, Italy
  • The cathedral of Santa Astuna, Positano, Amalfi coast, Italy
  • The cathedral of Santa Astuna, Positano, Amalfi coast, Italy
  • Basilica Santa Croce - Facade - Florence Italy.
  • Basilica Santa Croce - Facade - Florence Italy.
  • Basilica Santa Croce - Facade - Florence Italy.
  • Basilica Santa Croce - Detail of statues over door- Florence Italy.
  • Basilica Santa Croce - Facade - Florence Italy.
  • Basilica Santa Croce - Facade - Florence Italy.
  • Basilica Santa Croce - Facade - Florence Italy.
  • Basilica Santa Croce - Detail Of Door - Florence Italy.
  • Basilica Santa Croce - Detail Of Door - Florence Italy.
  • Basilica Santa Croce - Detail Of Door - Florence Italy.
  • Basilica Santa Croce - Detail Of Door - Florence Italy.
  • Christmas tree made up of festive christmas gifts and santas
  • Christmas tree made up of festive christmas gifts and santas
  • Close up of the Renaissance statues and architecture of the Florence Duomo, Italy
  • The Renaissance Bell Tower of the Florence Duomo, Italy. A UNESCO World Heritage Site
  • Pantheon. the 2nd century Roman temple to all Roman Gods built by the Emperor Trajan. Now the Roman Catholic  church of St. Mary and the Martyrs. Rome
  • Pantheon. the 2nd century Roman temple to all Roman Gods built by the Emperor Trajan. Now the Roman Catholic  church of St. Mary and the Martyrs. Rome
  • Pantheon. the 2nd century Roman temple to all Roman Gods built by the Emperor Trajan. Now the Roman Catholic  church of St. Mary and the Martyrs. Rome
  • Pantheon. the 2nd century Roman temple to all Roman Gods built by the Emperor Trajan. Now the Roman Catholic  church of St. Mary and the Martyrs. Rome
  • Pantheon. the 2nd century Roman temple to all Roman Gods built by the Emperor Trajan. Now the Roman Catholic  church of St. Mary and the Martyrs. Rome
  • Pantheon. the 2nd century Roman temple to all Roman Gods built by the Emperor Trajan. Now the Roman Catholic  church of St. Mary and the Martyrs. Rome
  • Pantheon. the 2nd century Roman temple to all Roman Gods built by the Emperor Trajan. Now the Roman Catholic  church of St. Mary and the Martyrs. Rome
  • Pantheon. the 2nd century Roman temple to all Roman Gods built by the Emperor Trajan. Now the Roman Catholic  church of St. Mary and the Martyrs. Rome
  • Cappella di San Cataldo, Norman style Medievalo Church, Palermo, Sicily
  • Christmas star made up of father christmas and snowmen.
  • Cathederal - Detail of the facade. Piazza del Duomo, Sienna Italy
  • Byzantine Mosaics of the Virgin Mary and Child above the altar of the Cathedral of Santa Maria Assunta (Cattedrale di Santa Maria Assunta) is a basilica church on the island of Torcello, Venice, northern Italy. It is a notable example of Venetian-Byzantine architecture, one of the most ancient religious edifices in the Veneto.
  • Picture and image of the Byzantine Romanesque church of Santa Sabina and the prehistoric Nuragic ruins of Nuraghe Santa Sabina, archaeological site, Middle Bronze age , Silanus ,  Sardinia.
  • Picture and image of the Byzantine Romanesque church of Santa Sabina and the prehistoric Nuragic ruins of Nuraghe Santa Sabina, archaeological site, Middle Bronze age , Silanus ,  Sardinia.
  • Picture and image of the Byzantine Romanesque church of Santa Sabina and the prehistoric Nuragic ruins of Nuraghe Santa Sabina, archaeological site, Middle Bronze age , Silanus ,  Sardinia.
  • Picture and image of the Byzantine Romanesque church of Santa Sabina and the prehistoric Nuragic ruins of Nuraghe Santa Sabina, archaeological site, Middle Bronze age , Silanus ,  Sardinia.
  • Picture and image of the Byzantine Romanesque church of Santa Sabina and the prehistoric Nuragic ruins of Nuraghe Santa Sabina, archaeological site, Middle Bronze age , Silanus ,  Sardinia.
  • Picture and image of the interior of the Byzantine Romanesque church of Santa Sabina at Santa Sabina Nuragic archaeological site, Middle Bronze age , Silanus ,  Sardinia.
  • Picture and image of the Byzantine Romanesque church of Santa Sabina at Santa Sabina Nuragic archaeological site, Middle Bronze age , Silanus ,  Sardinia.
  • Picture and image of the Byzantine Romanesque church of Santa Sabina at Santa Sabina Nuragic archaeological site, Middle Bronze age , Silanus ,  Sardinia.
  • Picture and image of the Byzantine Romanesque church of Santa Sabina at Santa Sabina Nuragic archaeological site, Middle Bronze age , Silanus ,  Sardinia.
  • Picture and image of the Byzantine Romanesque church of Santa Sabina at Santa Sabina Nuragic archaeological site, Middle Bronze age , Silanus ,  Sardinia.
  • Picture and image of the Byzantine Romanesque church of Santa Sabina at Santa Sabina Nuragic archaeological site, Middle Bronze age , Silanus ,  Sardinia.
  • Picture and image of the Byzantine Romanesque church of Santa Sabina at Santa Sabina Nuragic archaeological site, Middle Bronze age , Silanus ,  Sardinia.
  • Picture and image of the Byzantine Romanesque church of Santa Sabina at Santa Sabina Nuragic archaeological site, Middle Bronze age , Silanus ,  Sardinia.
  • Picture and image of the prehistoric Nuragic ruins of Nuraghe Santa Sabina, archaeological site, Middle Bronze age , Silanus ,  Sardinia.
  • Apse of Santa Maria d’Aneu<br />
<br />
Late eleventh century - the beginning of the twelfth century<br />
Fresco transferred to canvas from the Church of Santa Maria d’Aneu, La Guingueta d’Aneu, Pollars Sobira, Spain.<br />
<br />
Acquisition of Museums Board of the 1919-23 campaign. MNAC 15874<br />
<br />
The iconography of the Romanesque frescoes of the Apse of Santa Maria d’Aneu shows the strong intellectualization of Romanesque art, which often waves the narrative in favor of symbolic concepts. Images of the Old Testament prophecy occupy the central part of the apse: the Seraphim of Isaiah's vision, burning embers that purify the words of Isaiah and of Elijah and four-wheel chariot of fire of Yahweh according to the vision of Ezekiel.
  • Apse of Santa Maria d’Aneu<br />
<br />
Late eleventh century - the beginning of the twelfth century<br />
Fresco transferred to canvas from the Church of Santa Maria d’Aneu, La Guingueta d’Aneu, Pollars Sobira, Spain.<br />
<br />
Acquisition of Museums Board of the 1919-23 campaign. MNAC 15874<br />
<br />
The iconography of the Romanesque frescoes of the Apse of Santa Maria d’Aneu shows the strong intellectualization of Romanesque art, which often waves the narrative in favor of symbolic concepts. Images of the Old Testament prophecy occupy the central part of the apse: the Seraphim of Isaiah's vision, burning embers that purify the words of Isaiah and of Elijah and four-wheel chariot of fire of Yahweh according to the vision of Ezekiel.
  • Romanesque painted Gia altar front<br />
<br />
Second quarter of the thirteenth century from the church of Santa Maria Gia and Xia, High Ribagorca, Huesca, Spain<br />
<br />
Acquired by the National Art Museum of Catalonia, Barcelona 1932. Ref: 3902 MNAC.<br />
<br />
Romanesque painted altar front from Santa Maria Gia, Spain, showing Christ Pantocrator. The  exceptionally the bottom frame remains the signature of the author, a painter named John (Johannes). This work is typical of the Ribagorca style and incorporates early gothic compositional styles and narrative that subtly illuminates the faces. Also typical of the Ribagorca workshop are the  decorated plaster reliefs on the entire surface of the front, which is covered with the characteristic gold leaf.
  • Romanesque painted Gia altar front<br />
<br />
Second quarter of the thirteenth century from the church of Santa Maria Gia and Xia, High Ribagorca, Huesca, Spain<br />
<br />
Acquired by the National Art Museum of Catalonia, Barcelona 1932. Ref: 3902 MNAC.<br />
<br />
Romanesque painted altar front from Santa Maria Gia, Spain, showing Scenes from the life of Saint Martin. The  exceptionally the bottom frame remains the signature of the author, a painter named John (Johannes). This work is typical of the Ribagorca style and incorporates early gothic compositional styles and narrative that subtly illuminates the faces. Also typical of the Ribagorca workshop are the  decorated plaster reliefs on the entire surface of the front, which is covered with the characteristic gold leaf.
  • Apse of Santa Maria d’Aneu<br />
<br />
Late eleventh century - the beginning of the twelfth century<br />
Fresco transferred to canvas from the Church of Santa Maria d’Aneu, La Guingueta d’Aneu, Pollars Sobira, Spain.<br />
<br />
Acquisition of Museums Board of the 1919-23 campaign. MNAC 15874<br />
<br />
The iconography of the Romanesque frescoes of the Apse of Santa Maria d’Aneu shows the strong intellectualization of Romanesque art, which often waves the narrative in favor of symbolic concepts. Images of the Old Testament prophecy occupy the central part of the apse: the Seraphim of Isaiah's vision, burning embers that purify the words of Isaiah and of Elijah and four-wheel chariot of fire of Yahweh according to the vision of Ezekiel.
  • Romanesque painted Gia altar front<br />
<br />
Second quarter of the thirteenth century from the church of Santa Maria Gia and Xia, High Ribagorca, Huesca, Spain<br />
<br />
Acquired by the National Art Museum of Catalonia, Barcelona 1932. Ref: 3902 MNAC.<br />
<br />
Romanesque painted altar front from Santa Maria Gia, Spain, showing Scenes from the life of Saint Martin. The  exceptionally the bottom frame remains the signature of the author, a painter named John (Johannes). This work is typical of the Ribagorca style and incorporates early gothic compositional styles and narrative that subtly illuminates the faces. Also typical of the Ribagorca workshop are the  decorated plaster reliefs on the entire surface of the front, which is covered with the characteristic gold leaf.
  • Detail of the 13th century pulpit with earlier Lombard panels of the Basilica Church of Santa Maria Maggiore, Tuscania, Basilica Church of Santa Maria Maggiore, Tuscania
  • Detail of the 13th century pulpit with earlier Lombard panels of the Basilica Church of Santa Maria Maggiore, Tuscania, Basilica Church of Santa Maria Maggiore, Tuscania
  • Apse of Santa Maria d’Aneu<br />
<br />
Late eleventh century - the beginning of the twelfth century<br />
Fresco transferred to canvas from the Church of Santa Maria d’Aneu, La Guingueta d’Aneu, Pollars Sobira, Spain.<br />
<br />
Acquisition of Museums Board of the 1919-23 campaign. MNAC 15874<br />
<br />
The iconography of the Romanesque frescoes of the Apse of Santa Maria d’Aneu shows the strong intellectualization of Romanesque art, which often waves the narrative in favor of symbolic concepts. Images of the Old Testament prophecy occupy the central part of the apse: the Seraphim of Isaiah's vision, burning embers that purify the words of Isaiah and of Elijah and four-wheel chariot of fire of Yahweh according to the vision of Ezekiel.
  • Apse of Santa Maria d’Aneu<br />
<br />
Late eleventh century - the beginning of the twelfth century<br />
Fresco transferred to canvas from the Church of Santa Maria d’Aneu, La Guingueta d’Aneu, Pollars Sobira, Spain.<br />
<br />
Acquisition of Museums Board of the 1919-23 campaign. MNAC 15874<br />
<br />
The iconography of the Romanesque frescoes of the Apse of Santa Maria d’Aneu shows the strong intellectualization of Romanesque art, which often waves the narrative in favor of symbolic concepts. Images of the Old Testament prophecy occupy the central part of the apse: the Seraphim of Isaiah's vision, burning embers that purify the words of Isaiah and of Elijah and four-wheel chariot of fire of Yahweh according to the vision of Ezekiel.
  • Apse of Santa Maria d’Aneu<br />
<br />
Late eleventh century - the beginning of the twelfth century<br />
Fresco transferred to canvas from the Church of Santa Maria d’Aneu, La Guingueta d’Aneu, Pollars Sobira, Spain.<br />
<br />
Acquisition of Museums Board of the 1919-23 campaign. MNAC 15874<br />
<br />
The iconography of the Romanesque frescoes of the Apse of Santa Maria d’Aneu shows the strong intellectualization of Romanesque art, which often waves the narrative in favor of symbolic concepts. Images of the Old Testament prophecy occupy the central part of the apse: the Seraphim of Isaiah's vision, burning embers that purify the words of Isaiah and of Elijah and four-wheel chariot of fire of Yahweh according to the vision of Ezekiel.
  • Apse of Santa Maria d’Aneu<br />
<br />
Late eleventh century - the beginning of the twelfth century<br />
Fresco transferred to canvas from the Church of Santa Maria d’Aneu, La Guingueta d’Aneu, Pollars Sobira, Spain.<br />
<br />
Acquisition of Museums Board of the 1919-23 campaign. MNAC 15874<br />
<br />
The iconography of the Romanesque frescoes of the Apse of Santa Maria d’Aneu shows the strong intellectualization of Romanesque art, which often waves the narrative in favor of symbolic concepts. Images of the Old Testament prophecy occupy the central part of the apse: the Seraphim of Isaiah's vision, burning embers that purify the words of Isaiah and of Elijah and four-wheel chariot of fire of Yahweh according to the vision of Ezekiel.
  • Romanesque painted Gia altar front<br />
<br />
Second quarter of the thirteenth century from the church of Santa Maria Gia and Xia, High Ribagorca, Huesca, Spain<br />
<br />
Acquired by the National Art Museum of Catalonia, Barcelona 1932. Ref: 3902 MNAC.<br />
<br />
Romanesque painted altar front from Santa Maria Gia, Spain, showing Scenes from the life of Saint Martin. The  exceptionally the bottom frame remains the signature of the author, a painter named John (Johannes). This work is typical of the Ribagorca style and incorporates early gothic compositional styles and narrative that subtly illuminates the faces. Also typical of the Ribagorca workshop are the  decorated plaster reliefs on the entire surface of the front, which is covered with the characteristic gold leaf.
  • Romanesque painted Gia altar front<br />
<br />
Second quarter of the thirteenth century from the church of Santa Maria Gia and Xia, High Ribagorca, Huesca, Spain<br />
<br />
Acquired by the National Art Museum of Catalonia, Barcelona 1932. Ref: 3902 MNAC.<br />
<br />
Romanesque painted altar front from Santa Maria Gia, Spain, showing Scenes from the life of Saint Martin. The  exceptionally the bottom frame remains the signature of the author, a painter named John (Johannes). This work is typical of the Ribagorca style and incorporates early gothic compositional styles and narrative that subtly illuminates the faces. Also typical of the Ribagorca workshop are the  decorated plaster reliefs on the entire surface of the front, which is covered with the characteristic gold leaf.
  • Romanesque painted Gia altar front<br />
<br />
Second quarter of the thirteenth century from the church of Santa Maria Gia and Xia, High Ribagorca, Huesca, Spain<br />
<br />
Acquired by the National Art Museum of Catalonia, Barcelona 1932. Ref: 3902 MNAC.<br />
<br />
Romanesque painted altar front from Santa Maria Gia, Spain, showing Scenes from the life of Saint Martin. The  exceptionally the bottom frame remains the signature of the author, a painter named John (Johannes). This work is typical of the Ribagorca style and incorporates early gothic compositional styles and narrative that subtly illuminates the faces. Also typical of the Ribagorca workshop are the  decorated plaster reliefs on the entire surface of the front, which is covered with the characteristic gold leaf.
  • Romanesque painted Gia altar front<br />
<br />
Second quarter of the thirteenth century from the church of Santa Maria Gia and Xia, High Ribagorca, Huesca, Spain<br />
<br />
Acquired by the National Art Museum of Catalonia, Barcelona 1932. Ref: 3902 MNAC.<br />
<br />
Romanesque painted altar front from Santa Maria Gia, Spain, showing Scenes from the life of Saint Martin. The  exceptionally the bottom frame remains the signature of the author, a painter named John (Johannes). This work is typical of the Ribagorca style and incorporates early gothic compositional styles and narrative that subtly illuminates the faces. Also typical of the Ribagorca workshop are the  decorated plaster reliefs on the entire surface of the front, which is covered with the characteristic gold leaf.
  • Apse of Santa Maria d’Aneu<br />
<br />
Late eleventh century - the beginning of the twelfth century<br />
Fresco transferred to canvas from the Church of Santa Maria d’Aneu, La Guingueta d’Aneu, Pollars Sobira, Spain.<br />
<br />
Acquisition of Museums Board of the 1919-23 campaign. MNAC 15874<br />
<br />
The iconography of the Romanesque frescoes of the Apse of Santa Maria d’Aneu shows the strong intellectualization of Romanesque art, which often waves the narrative in favor of symbolic concepts. Images of the Old Testament prophecy occupy the central part of the apse: the Seraphim of Isaiah's vision, burning embers that purify the words of Isaiah and of Elijah and four-wheel chariot of fire of Yahweh according to the vision of Ezekiel.
  • Apse of Santa Maria d’Aneu<br />
<br />
Late eleventh century - the beginning of the twelfth century<br />
Fresco transferred to canvas from the Church of Santa Maria d’Aneu, La Guingueta d’Aneu, Pollars Sobira, Spain.<br />
<br />
Acquisition of Museums Board of the 1919-23 campaign. MNAC 15874<br />
<br />
The iconography of the Romanesque frescoes of the Apse of Santa Maria d’Aneu shows the strong intellectualization of Romanesque art, which often waves the narrative in favor of symbolic concepts. Images of the Old Testament prophecy occupy the central part of the apse: the Seraphim of Isaiah's vision, burning embers that purify the words of Isaiah and of Elijah and four-wheel chariot of fire of Yahweh according to the vision of Ezekiel.
  • Apse of Santa Maria d’Aneu<br />
<br />
Late eleventh century - the beginning of the twelfth century<br />
Fresco transferred to canvas from the Church of Santa Maria d’Aneu, La Guingueta d’Aneu, Pollars Sobira, Spain.<br />
<br />
Acquisition of Museums Board of the 1919-23 campaign. MNAC 15874<br />
<br />
The iconography of the Romanesque frescoes of the Apse of Santa Maria d’Aneu shows the strong intellectualization of Romanesque art, which often waves the narrative in favor of symbolic concepts. Images of the Old Testament prophecy occupy the central part of the apse: the Seraphim of Isaiah's vision, burning embers that purify the words of Isaiah and of Elijah and four-wheel chariot of fire of Yahweh according to the vision of Ezekiel.
  • Apse of Santa Maria d’Aneu<br />
<br />
Late eleventh century - the beginning of the twelfth century<br />
Fresco transferred to canvas from the Church of Santa Maria d’Aneu, La Guingueta d’Aneu, Pollars Sobira, Spain.<br />
<br />
Acquisition of Museums Board of the 1919-23 campaign. MNAC 15874<br />
<br />
The iconography of the Romanesque frescoes of the Apse of Santa Maria d’Aneu shows the strong intellectualization of Romanesque art, which often waves the narrative in favor of symbolic concepts. Images of the Old Testament prophecy occupy the central part of the apse: the Seraphim of Isaiah's vision, burning embers that purify the words of Isaiah and of Elijah and four-wheel chariot of fire of Yahweh according to the vision of Ezekiel.
  • Romanesque painted Gia altar front<br />
<br />
Second quarter of the thirteenth century from the church of Santa Maria Gia and Xia, High Ribagorca, Huesca, Spain<br />
<br />
Acquired by the National Art Museum of Catalonia, Barcelona 1932. Ref: 3902 MNAC.<br />
<br />
Romanesque painted altar front from Santa Maria Gia, Spain, showing Scenes from the life of Saint Martin. The  exceptionally the bottom frame remains the signature of the author, a painter named John (Johannes). This work is typical of the Ribagorca style and incorporates early gothic compositional styles and narrative that subtly illuminates the faces. Also typical of the Ribagorca workshop are the  decorated plaster reliefs on the entire surface of the front, which is covered with the characteristic gold leaf.
  • Romanesque painted Gia altar front<br />
<br />
Second quarter of the thirteenth century from the church of Santa Maria Gia and Xia, High Ribagorca, Huesca, Spain<br />
<br />
Acquired by the National Art Museum of Catalonia, Barcelona 1932. Ref: 3902 MNAC.<br />
<br />
Romanesque painted altar front from Santa Maria Gia, Spain, showing Scenes from the life of Saint Martin. The  exceptionally the bottom frame remains the signature of the author, a painter named John (Johannes). This work is typical of the Ribagorca style and incorporates early gothic compositional styles and narrative that subtly illuminates the faces. Also typical of the Ribagorca workshop are the  decorated plaster reliefs on the entire surface of the front, which is covered with the characteristic gold leaf.
  • Nuvolau  mountain above the Giau Pass (Passo di Giau), Colle Santa Lucia, Dolomites, Belluno, Italy
  • Nuvolau  mountain above the Giau Pass (Passo di Giau), Colle Santa Lucia, Dolomites, Belluno, Italy
  • Nuvolau  mountain above the Giau Pass (Passo di Giau), Colle Santa Lucia, Dolomites, Belluno, Italy
  • Nuvolau  mountain above the Giau Pass (Passo di Giau), Colle Santa Lucia, Dolomites, Belluno, Italy
  • Nuvolau  mountain above the Giau Pass (Passo di Giau), Colle Santa Lucia, Dolomites, Belluno, Italy
  • Nuvolau at sunset mountain above the Giau Pass (Passo di Giau), Colle Santa Lucia, Dolomites, Belluno, Italy
  • Nuvolau  mountain above the Giau Pass (Passo di Giau), Colle Santa Lucia, Dolomites, Belluno, Italy
  • Nuvolau at sunset mountain above the Giau Pass (Passo di Giau), Colle Santa Lucia, Dolomites, Belluno, Italy
  • Nuvolau  mountain above the Giau Pass (Passo di Giau), Colle Santa Lucia, Dolomites, Belluno, Italy
  • Nuvolau mountain at sunset above the Giau Pass (Passo di Giau), Colle Santa Lucia, Dolomites, Belluno, Italy
  • Nuvolau at sunset mountain above the Giau Pass (Passo di Giau), Colle Santa Lucia, Dolomites, Belluno, Italy
  • Nuvolau  mountain above the Giau Pass (Passo di Giau), Colle Santa Lucia, Dolomites, Belluno, Italy
  • Nuvolau  mountain above the Giau Pass (Passo di Giau), Colle Santa Lucia, Dolomites, Belluno, Italy
  • Nuvolau  mountain above the Giau Pass (Passo di Giau), Colle Santa Lucia, Dolomites, Belluno, Italy
  • Nuvolau  mountain above the Giau Pass (Passo di Giau), Colle Santa Lucia, Dolomites, Belluno, Italy
  • Nuvolau  mountain above the Giau Pass (Passo di Giau), Colle Santa Lucia, Dolomites, Belluno, Italy
  • , Basilica Church of Santa Maria Maggiore, Tuscania
  • Rose Window and loggia, 1206, on the Facade of the Romanesque Basilica Church of Santa Maria Maggiore, Tuscania
  • The 13th century Facade of the 9th century Romanesque Basilica Church of Santa Maria Maggiore, Tuscania
  • Romanesque interior with 14th century Frescoes of the Last Judgement attributed to Gregory and Donato D'Arezzo , Basilica Church of Santa Maria Maggiore, Tuscania
  • Griffin holding a decaptiated mans head on the faceade of the Basilica Church of Santa Maria Maggiore, Tuscania
  • Lunette of the main portal with Romanesque sculptures of the Modona and child , Basilica Church of Santa Maria Maggiore, Tuscania
  • Rose Window and loggia, 1206, on the Facade of the Romanesque Basilica Church of Santa Maria Maggiore, Tuscania
  • Frescoes on the inside of the rare early Gothic altar canipe of the Basilica Church of Santa Maria Maggiore, Tuscania
  • Frescoes on the inside of the rare early Gothic altar canipe of the Basilica Church of Santa Maria Maggiore, Tuscania
  • Frescoes on the inside of the rare early Gothic altar canipe of the Basilica Church of Santa Maria Maggiore, Tuscania
  • 13th century Byzantine Roman style frescoes of the apostles on the apse wall of the Romanesque Basilica Church of Santa Maria Maggiore, Tuscania
  • 14th century Madonna with Child Fresco in the Basilica Church of Santa Maria Maggiore, Tuscania
  • 14th century Frescoes of the Descent into Hell attributed to Gregory and Donato D'Arezzo , Basilica Church of Santa Maria Maggiore, Tuscania
  • Romanesque Frescoes , Basilica Church of Santa Maria Maggiore, Tuscania
  • Romanesque interior with 14th century Frescoes of the Last Judgement attributed to Gregory and Donato D'Arezzo , Basilica Church of Santa Maria Maggiore, Tuscania
  • Romanesque interior with 14th century Frescoes of the Last Judgement attributed to Gregory and Donato D'Arezzo , Basilica Church of Santa Maria Maggiore, Tuscania
  • 13th century pulpit of the Basilica Church of Santa Maria Maggiore, Tuscania
  • Griffin holding a decaptiated mans head on the faceade of the Basilica Church of Santa Maria Maggiore, Tuscania
  • , Basilica Church of Santa Maria Maggiore, Tuscania
  • The left portal with relief sculpture of mythical creatures in the lunette, Basilica Church of Santa Maria Maggiore, Tuscania
  • The left portal with geometric Norman-Sicilain elements in the archivolts and relief sculpture of mythical creatures in the lunette, Basilica Church of Santa Maria Maggiore, Tuscania
  • The left portal with geometric Norman-Sicilain elements in the archivolts and relief sculpture of mythical creatures in the lunette, Basilica Church of Santa Maria Maggiore, Tuscania
  • Lunette of the main portal with Romanesque sculptures of Abraham about to sleigh Isaac , Basilica Church of Santa Maria Maggiore, Tuscania
  • 12th century medieval relief sculptures on the doors of the Basilica Church of Santa Maria Maggiore, Tuscania

FunkyStock Picture Library Resource

Picture The Past

ABOUT

FunkyStock Picture Library free resource for professional editorial picture editors, picture researchers, historical scholars and students and enthusiasts who want to browse some of the best pictures and images of historic countries, historical places, archaeological sites and the very best museum antiquities and artefacts exhibits in Europe and the Middle East.

Pictures and Images can be downloaded or bought as stock photos or photo art prints.

COUNTRIES

Browse travel pictures and images of historic places and archaeological sites of countries in Europe and the Middle East.

VIEW COUNTRIES INDEX....

HISTORICAL

Explore the past through pictures and images of its historic places. See the great palaces, castles and cities of antiquity as well as the great archaeological sites where our ancestors made history.

EXPLORE HISTORICAL PLACES...

MUSEUMS

Browse pictures & images the treasured artefacts and antiquities exhibits from the great Museum of Europe and the Middle East. See the art and objects made by our ancestors.

SEE MUESEUM ANTIQUITIES....