• The Stoning of St. Stephen<br />
<br />
Circa 1100s<br />
<br />
Fresco Transfer to canvas<br />
<br />
From the Church of Saint Joan Boi, Val de Boi, High Ribagorca, Pyranese, Spain.<br />
<br />
Acquired in 1919-1923 by the National Art Museum of Catalonia, Barcelona.<br />
MNAC 15953<br />
<br />
The 12th century fresco of the Stoning of St. Stephen is one of the best scenes in the mural decoration Boi. The interest in narrative and dynamism are characteristic of a pictorial style of the Poitiers region of France, which is also linked with the rich Limousin painting of the late eleventh century. From the iconographic point of view, the scene is an early example of the interest of Romanesque art to the lives of saints. St Joan de Boi is a UNESCO World Hertiage Site.
  • The Stoning of St. Stephen<br />
<br />
Circa 1100s<br />
<br />
Fresco Transfer to canvas<br />
<br />
From the Church of Saint Joan Boi, Val de Boi, High Ribagorca, Pyranese, Spain.<br />
<br />
Acquired in 1919-1923 by the National Art Museum of Catalonia, Barcelona.<br />
MNAC 15953<br />
<br />
The 12th century fresco of the Stoning of St. Stephen is one of the best scenes in the mural decoration Boi. The interest in narrative and dynamism are characteristic of a pictorial style of the Poitiers region of France, which is also linked with the rich Limousin painting of the late eleventh century. From the iconographic point of view, the scene is an early example of the interest of Romanesque art to the lives of saints. St Joan de Boi is a UNESCO World Hertiage Site.
  • The Stoning of St. Stephen<br />
<br />
Circa 1100s<br />
<br />
Fresco Transfer to canvas<br />
<br />
From the Church of Saint Joan Boi, Val de Boi, High Ribagorca, Pyranese, Spain.<br />
<br />
Acquired in 1919-1923 by the National Art Museum of Catalonia, Barcelona.<br />
MNAC 15953<br />
<br />
The 12th century fresco of the Stoning of St. Stephen is one of the best scenes in the mural decoration Boi. The interest in narrative and dynamism are characteristic of a pictorial style of the Poitiers region of France, which is also linked with the rich Limousin painting of the late eleventh century. From the iconographic point of view, the scene is an early example of the interest of Romanesque art to the lives of saints. St Joan de Boi is a UNESCO World Hertiage Site.
  • The Stoning of St. Stephen<br />
<br />
Circa 1100s<br />
<br />
Fresco Transfer to canvas<br />
<br />
From the Church of Saint Joan Boi, Val de Boi, High Ribagorca, Pyranese, Spain.<br />
<br />
Acquired in 1919-1923 by the National Art Museum of Catalonia, Barcelona.<br />
MNAC 15953<br />
<br />
The 12th century fresco of the Stoning of St. Stephen is one of the best scenes in the mural decoration Boi. The interest in narrative and dynamism are characteristic of a pictorial style of the Poitiers region of France, which is also linked with the rich Limousin painting of the late eleventh century. From the iconographic point of view, the scene is an early example of the interest of Romanesque art to the lives of saints. St Joan de Boi is a UNESCO World Hertiage Site.
  • The Stoning of St. Stephen<br />
<br />
Circa 1100s<br />
<br />
Fresco Transfer to canvas<br />
<br />
From the Church of Saint Joan Boi, Val de Boi, High Ribagorca, Pyranese, Spain.<br />
<br />
Acquired in 1919-1923 by the National Art Museum of Catalonia, Barcelona.<br />
MNAC 15953<br />
<br />
The 12th century fresco of the Stoning of St. Stephen is one of the best scenes in the mural decoration Boi. The interest in narrative and dynamism are characteristic of a pictorial style of the Poitiers region of France, which is also linked with the rich Limousin painting of the late eleventh century. From the iconographic point of view, the scene is an early example of the interest of Romanesque art to the lives of saints. St Joan de Boi is a UNESCO World Hertiage Site.
  • The Stoning of St. Stephen<br />
<br />
Circa 1100s<br />
<br />
Fresco Transfer to canvas<br />
<br />
From the Church of Saint Joan Boi, Val de Boi, High Ribagorca, Pyranese, Spain.<br />
<br />
Acquired in 1919-1923 by the National Art Museum of Catalonia, Barcelona.<br />
MNAC 15953<br />
<br />
The 12th century fresco of the Stoning of St. Stephen is one of the best scenes in the mural decoration Boi. The interest in narrative and dynamism are characteristic of a pictorial style of the Poitiers region of France, which is also linked with the rich Limousin painting of the late eleventh century. From the iconographic point of view, the scene is an early example of the interest of Romanesque art to the lives of saints. St Joan de Boi is a UNESCO World Hertiage Site.
  • The Stoning of St. Stephen<br />
<br />
Circa 1100s<br />
<br />
Fresco Transfer to canvas<br />
<br />
From the Church of Saint Joan Boi, Val de Boi, High Ribagorca, Pyranese, Spain.<br />
<br />
Acquired in 1919-1923 by the National Art Museum of Catalonia, Barcelona.<br />
MNAC 15953<br />
<br />
The 12th century fresco of the Stoning of St. Stephen is one of the best scenes in the mural decoration Boi. The interest in narrative and dynamism are characteristic of a pictorial style of the Poitiers region of France, which is also linked with the rich Limousin painting of the late eleventh century. From the iconographic point of view, the scene is an early example of the interest of Romanesque art to the lives of saints. St Joan de Boi is a UNESCO World Hertiage Site.
  • The Stoning of St. Stephen<br />
<br />
Circa 1100s<br />
<br />
Fresco Transfer to canvas<br />
<br />
From the Church of Saint Joan Boi, Val de Boi, High Ribagorca, Pyranese, Spain.<br />
<br />
Acquired in 1919-1923 by the National Art Museum of Catalonia, Barcelona.<br />
MNAC 15953<br />
<br />
The 12th century fresco of the Stoning of St. Stephen is one of the best scenes in the mural decoration Boi. The interest in narrative and dynamism are characteristic of a pictorial style of the Poitiers region of France, which is also linked with the rich Limousin painting of the late eleventh century. From the iconographic point of view, the scene is an early example of the interest of Romanesque art to the lives of saints. St Joan de Boi is a UNESCO World Hertiage Site.
  • The Stoning of St. Stephen<br />
<br />
Circa 1100s<br />
<br />
Fresco Transfer to canvas<br />
<br />
From the Church of Saint Joan Boi, Val de Boi, High Ribagorca, Pyranese, Spain.<br />
<br />
Acquired in 1919-1923 by the National Art Museum of Catalonia, Barcelona.<br />
MNAC 15953<br />
<br />
The 12th century fresco of the Stoning of St. Stephen is one of the best scenes in the mural decoration Boi. The interest in narrative and dynamism are characteristic of a pictorial style of the Poitiers region of France, which is also linked with the rich Limousin painting of the late eleventh century. From the iconographic point of view, the scene is an early example of the interest of Romanesque art to the lives of saints. St Joan de Boi is a UNESCO World Hertiage Site.
  • The Stoning of St. Stephen<br />
<br />
Circa 1100s<br />
<br />
Fresco Transfer to canvas<br />
<br />
From the Church of Saint Joan Boi, Val de Boi, High Ribagorca, Pyranese, Spain.<br />
<br />
Acquired in 1919-1923 by the National Art Museum of Catalonia, Barcelona.<br />
MNAC 15953<br />
<br />
The 12th century fresco of the Stoning of St. Stephen is one of the best scenes in the mural decoration Boi. The interest in narrative and dynamism are characteristic of a pictorial style of the Poitiers region of France, which is also linked with the rich Limousin painting of the late eleventh century. From the iconographic point of view, the scene is an early example of the interest of Romanesque art to the lives of saints. St Joan de Boi is a UNESCO World Hertiage Site.
  • The Stoning of St. Stephen<br />
<br />
Circa 1100s<br />
<br />
Fresco Transfer to canvas<br />
<br />
From the Church of Saint Joan Boi, Val de Boi, High Ribagorca, Pyranese, Spain.<br />
<br />
Acquired in 1919-1923 by the National Art Museum of Catalonia, Barcelona.<br />
MNAC 15953<br />
<br />
The 12th century fresco of the Stoning of St. Stephen is one of the best scenes in the mural decoration Boi. The interest in narrative and dynamism are characteristic of a pictorial style of the Poitiers region of France, which is also linked with the rich Limousin painting of the late eleventh century. From the iconographic point of view, the scene is an early example of the interest of Romanesque art to the lives of saints. St Joan de Boi is a UNESCO World Hertiage Site.
  • The Stoning of St. Stephen<br />
<br />
Circa 1100s<br />
<br />
Fresco Transfer to canvas<br />
<br />
From the Church of Saint Joan Boi, Val de Boi, High Ribagorca, Pyranese, Spain.<br />
<br />
Acquired in 1919-1923 by the National Art Museum of Catalonia, Barcelona.<br />
MNAC 15953<br />
<br />
The 12th century fresco of the Stoning of St. Stephen is one of the best scenes in the mural decoration Boi. The interest in narrative and dynamism are characteristic of a pictorial style of the Poitiers region of France, which is also linked with the rich Limousin painting of the late eleventh century. From the iconographic point of view, the scene is an early example of the interest of Romanesque art to the lives of saints. St Joan de Boi is a UNESCO World Hertiage Site.
  • The Stoning of St. Stephen<br />
<br />
Circa 1100s<br />
<br />
Fresco Transfer to canvas<br />
<br />
From the Church of Saint Joan Boi, Val de Boi, High Ribagorca, Pyranese, Spain.<br />
<br />
Acquired in 1919-1923 by the National Art Museum of Catalonia, Barcelona.<br />
MNAC 15953<br />
<br />
The 12th century fresco of the Stoning of St. Stephen is one of the best scenes in the mural decoration Boi. The interest in narrative and dynamism are characteristic of a pictorial style of the Poitiers region of France, which is also linked with the rich Limousin painting of the late eleventh century. From the iconographic point of view, the scene is an early example of the interest of Romanesque art to the lives of saints. St Joan de Boi is a UNESCO World Hertiage Site.
  • The Stoning of St. Stephen<br />
<br />
Circa 1100s<br />
<br />
Fresco Transfer to canvas<br />
<br />
From the Church of Saint Joan Boi, Val de Boi, High Ribagorca, Pyranese, Spain.<br />
<br />
Acquired in 1919-1923 by the National Art Museum of Catalonia, Barcelona.<br />
MNAC 15953<br />
<br />
The 12th century fresco of the Stoning of St. Stephen is one of the best scenes in the mural decoration Boi. The interest in narrative and dynamism are characteristic of a pictorial style of the Poitiers region of France, which is also linked with the rich Limousin painting of the late eleventh century. From the iconographic point of view, the scene is an early example of the interest of Romanesque art to the lives of saints. St Joan de Boi is a UNESCO World Hertiage Site.
  • The Stoning of St. Stephen<br />
<br />
Circa 1100s<br />
<br />
Fresco Transfer to canvas<br />
<br />
From the Church of Saint Joan Boi, Val de Boi, High Ribagorca, Pyranese, Spain.<br />
<br />
Acquired in 1919-1923 by the National Art Museum of Catalonia, Barcelona.<br />
MNAC 15953<br />
<br />
The 12th century fresco of the Stoning of St. Stephen is one of the best scenes in the mural decoration Boi. The interest in narrative and dynamism are characteristic of a pictorial style of the Poitiers region of France, which is also linked with the rich Limousin painting of the late eleventh century. From the iconographic point of view, the scene is an early example of the interest of Romanesque art to the lives of saints. St Joan de Boi is a UNESCO World Hertiage Site.
  • The Stoning of St. Stephen<br />
<br />
Circa 1100s<br />
<br />
Fresco Transfer to canvas<br />
<br />
From the Church of Saint Joan Boi, Val de Boi, High Ribagorca, Pyranese, Spain.<br />
<br />
Acquired in 1919-1923 by the National Art Museum of Catalonia, Barcelona.<br />
MNAC 15953<br />
<br />
The 12th century fresco of the Stoning of St. Stephen is one of the best scenes in the mural decoration Boi. The interest in narrative and dynamism are characteristic of a pictorial style of the Poitiers region of France, which is also linked with the rich Limousin painting of the late eleventh century. From the iconographic point of view, the scene is an early example of the interest of Romanesque art to the lives of saints. St Joan de Boi is a UNESCO World Hertiage Site.
  • The Stoning of St. Stephen<br />
<br />
Circa 1100s<br />
<br />
Fresco Transfer to canvas<br />
<br />
From the Church of Saint Joan Boi, Val de Boi, High Ribagorca, Pyranese, Spain.<br />
<br />
Acquired in 1919-1923 by the National Art Museum of Catalonia, Barcelona.<br />
MNAC 15953<br />
<br />
The 12th century fresco of the Stoning of St. Stephen is one of the best scenes in the mural decoration Boi. The interest in narrative and dynamism are characteristic of a pictorial style of the Poitiers region of France, which is also linked with the rich Limousin painting of the late eleventh century. From the iconographic point of view, the scene is an early example of the interest of Romanesque art to the lives of saints. St Joan de Boi is a UNESCO World Hertiage Site.
  • The Stoning of St. Stephen<br />
<br />
Circa 1100s<br />
<br />
Fresco Transfer to canvas<br />
<br />
From the Church of Saint Joan Boi, Val de Boi, High Ribagorca, Pyranese, Spain.<br />
<br />
Acquired in 1919-1923 by the National Art Museum of Catalonia, Barcelona.<br />
MNAC 15953<br />
<br />
The 12th century fresco of the Stoning of St. Stephen is one of the best scenes in the mural decoration Boi. The interest in narrative and dynamism are characteristic of a pictorial style of the Poitiers region of France, which is also linked with the rich Limousin painting of the late eleventh century. From the iconographic point of view, the scene is an early example of the interest of Romanesque art to the lives of saints. St Joan de Boi is a UNESCO World Hertiage Site.
  • St Stephen's Basilica, ( Szent Istvan Bazilika ) , Neo Classical building, Budapest, Hungary
  • Interior of  St Stephen's Basilica, ( Szent Istvan Bazilika ) , Neo Classical building, Budapest, Hungary
  • St Stephen's Basilica, ( Szent Istvan Bazilika ) , Neo Classical building, Budapest, Hungary
  • St Stephen's Basilica, ( Szent Istvan Bazilika ) , Neo Classical building, Budapest, Hungary
  • Twelfth century restored Romanesque Frescoes depicting scenes from "The Stoning of St. Stephen" in the church of Saint Joan of Boi, Val de Boi, Alta Ribagorca, Pyranese, Spain. A UNESCO World Heritage Site
  • Twelfth century restored Romanesque Frescoes depicting scenes from "The Stoning of St. Stephen" in the church of Saint Joan of Boi, Val de Boi, Alta Ribagorca, Pyranese, Spain. A UNESCO World Heritage Site
  • St Stephen's Basilica, ( Szent Istvan Bazilika ) , Neo Classical building, Budapest, Hungary
  • St Stephen's Basilica, ( Szent Istvan Bazilika ) , Neo Classical building, Budapest, Hungary
  • St Stephen's Basilica, ( Szent Istvan Bazilika ) , Neo Classical building, Budapest, Hungary
  • St Stephen's Basilica, ( Szent Istvan Bazilika ) , Neo Classical building, Budapest, Hungary
  • St Stephen's Basilica, ( Szent Istvan Bazilika ) , Neo Classical building, Budapest, Hungary
  • St Stephen's Basilica, ( Szent Istvan Bazilika ) , Neo Classical building, Budapest, Hungary
  • St Stephen's Basilica, ( Szent Istvan Bazilika ) , Neo Classical building, Budapest, Hungary
  • Interior of  St Stephen's Basilica, ( Szent Istvan Bazilika ) , Neo Classical building, Budapest, Hungary
  • Interior of  St Stephen's Basilica, ( Szent Istvan Bazilika ) , Neo Classical building, Budapest, Hungary
  • St Stephen's Basilica, ( Szent Istvan Bazilika ) , Neo Classical building, Budapest, Hungary
  • St Stephen's Basilica, ( Szent Istvan Bazilika ) , Neo Classical building, Budapest, Hungary
  • St Stephen's Basilica, ( Szent Istvan Bazilika ) , Neo Classical building, Budapest, Hungary
  • St Stephen's Basilica, ( Szent Istvan Bazilika ) , Neo Classical building, Budapest, Hungary
  • Twelfth century restored Romanesque Frescoes arounf the entrance to the church of Saint Joan of Boi, Val de Boi, Alta Ribagorca, Pyranese, Spain. A UNESCO World Heritage Site
  • Twelfth century restored Romanesque Frescoes arounf the entrance to the church of Saint Joan of Boi, Val de Boi, Alta Ribagorca, Pyranese, Spain. A UNESCO World Heritage Site
  • Twelfth century restored Romanesque Frescoes depicting mythical animals. The church of Saint Joan of Boi, Val de Boi, Alta Ribagorca, Pyranese, Spain. A UNESCO World Heritage Site
  • Twelfth century restored Romanesque Frescoes depicting mythical animals. The church of Saint Joan of Boi, Val de Boi, Alta Ribagorca, Pyranese, Spain. A UNESCO World Heritage Site
  • Twelfth century restored Romanesque Frescoes depicting mythical animals. The church of Saint Joan of Boi, Val de Boi, Alta Ribagorca, Pyranese, Spain. A UNESCO World Heritage Site
  • Twelfth century restored Romanesque Frescoes depicting mythical animals. The church of Saint Joan of Boi, Val de Boi, Alta Ribagorca, Pyranese, Spain. A UNESCO World Heritage Site
  • Twelfth century restored Romanesque Frescoes in the church of Saint Joan of Boi, Val de Boi, Alta Ribagorca, Pyranese, Spain. A UNESCO World Heritage Site
  • Twelfth century restored Romanesque Frescoes depicting The "Stoning of St. Steven" in the church of Saint Joan of Boi, Val de Boi, Alta Ribagorca, Pyranese, Spain. A UNESCO World Heritage Site
  • Twelfth century restored Romanesque Frescoes of a mthical animal in the church of Saint Joan of Boi, Val de Boi, Alta Ribagorca, Pyranese, Spain. A UNESCO World Heritage Site
  • Twelfth century restored Romanesque Frescoes arounf the entrance to the church of Saint Joan of Boi, Val de Boi, Alta Ribagorca, Pyranese, Spain. A UNESCO World Heritage Site
  • Twelfth century restored Romanesque Frescoes arounf the entrance to the church of Saint Joan of Boi, Val de Boi, Alta Ribagorca, Pyranese, Spain. A UNESCO World Heritage Site
  • Twelfth century restored Romanesque Frescoes arounf the entrance to the church of Saint Joan of Boi, Val de Boi, Alta Ribagorca, Pyranese, Spain. A UNESCO World Heritage Site
  • Twelfth century restored Romanesque Frescoes arounf the entrance to the church of Saint Joan of Boi, Val de Boi, Alta Ribagorca, Pyranese, Spain. A UNESCO World Heritage Site
  • Twelfth century restored Romanesque Frescoes arounf the entrance to the church of Saint Joan of Boi, Val de Boi, Alta Ribagorca, Pyranese, Spain. A UNESCO World Heritage Site
  • Twelfth century restored Romanesque Frescoes arounf the entrance to the church of Saint Joan of Boi, Val de Boi, Alta Ribagorca, Pyranese, Spain. A UNESCO World Heritage Site
  • Twelfth century restored Romanesque Frescoes arounf the entrance to the church of Saint Joan of Boi, Val de Boi, Alta Ribagorca, Pyranese, Spain. A UNESCO World Heritage Site
  • Twelfth century restored Romanesque Frescoes arounf the entrance to the church of Saint Joan of Boi, Val de Boi, Alta Ribagorca, Pyranese, Spain. A UNESCO World Heritage Site
  • Twelfth century restored Romanesque Frescoes in the church of Saint Joan of Boi, Val de Boi, Alta Ribagorca, Pyranese, Spain. A UNESCO World Heritage Site
  • Twelfth century restored Romanesque Frescoes in the church of Saint Joan of Boi, Val de Boi, Alta Ribagorca, Pyranese, Spain. A UNESCO World Heritage Site
  • Twelfth century restored Romanesque Frescoes in the church of Saint Joan of Boi, Val de Boi, Alta Ribagorca, Pyranese, Spain. A UNESCO World Heritage Site
  • Twelfth century restored Romanesque Frescoes in the church of Saint Joan of Boi, Val de Boi, Alta Ribagorca, Pyranese, Spain. A UNESCO World Heritage Site
  • Twelfth century restored Romanesque Frescoes depicting mythical animals. The church of Saint Joan of Boi, Val de Boi, Alta Ribagorca, Pyranese, Spain. A UNESCO World Heritage Site
  • Twelfth century restored Romanesque Frescoes depicting mythical animals. The church of Saint Joan of Boi, Val de Boi, Alta Ribagorca, Pyranese, Spain. A UNESCO World Heritage Site
  • Twelfth century restored Romanesque Frescoes depicting mythical animals. The church of Saint Joan of Boi, Val de Boi, Alta Ribagorca, Pyranese, Spain. A UNESCO World Heritage Site
  • Twelfth century restored Romanesque Frescoes depicting mythical animals. The church of Saint Joan of Boi, Val de Boi, Alta Ribagorca, Pyranese, Spain. A UNESCO World Heritage Site
  • Twelfth century restored Romanesque Frescoes depicting mythical animals. The church of Saint Joan of Boi, Val de Boi, Alta Ribagorca, Pyranese, Spain. A UNESCO World Heritage Site
  • Twelfth century restored Romanesque Frescoes depicting mythical animals. The church of Saint Joan of Boi, Val de Boi, Alta Ribagorca, Pyranese, Spain. A UNESCO World Heritage Site
  • Twelfth century restored Romanesque Frescoes depicting mythical animals. The church of Saint Joan of Boi, Val de Boi, Alta Ribagorca, Pyranese, Spain. A UNESCO World Heritage Site
  • Twelfth century restored Romanesque Frescoes depicting The "Stoning of St. Steven" in the church of Saint Joan of Boi, Val de Boi, Alta Ribagorca, Pyranese, Spain. A UNESCO World Heritage Site
  • Twelfth century restored Romanesque Frescoes in the church of Saint Joan of Boi, Val de Boi, Alta Ribagorca, Pyranese, Spain. A UNESCO World Heritage Site
  • Twelfth century restored Romanesque Frescoes in the church of Saint Joan of Boi, Val de Boi, Alta Ribagorca, Pyranese, Spain. A UNESCO World Heritage Site
  • Twelfth century restored Romanesque Frescoes in the church of Saint Joan of Boi, Val de Boi, Alta Ribagorca, Pyranese, Spain. A UNESCO World Heritage Site
  • Twelfth century restored Romanesque Frescoes in the church of Saint Joan of Boi, Val de Boi, Alta Ribagorca, Pyranese, Spain. A UNESCO World Heritage Site
  • Twelfth century restored Romanesque Frescoes depicting The "Stoning of St. Steven" in the church of Saint Joan of Boi, Val de Boi, Alta Ribagorca, Pyranese, Spain. A UNESCO World Heritage Site
  • Twelfth century restored Romanesque Frescoes depicting The "Stoning of St. Steven" in the church of Saint Joan of Boi, Val de Boi, Alta Ribagorca, Pyranese, Spain. A UNESCO World Heritage Site
  • Twelfth century restored Romanesque Frescoes in the church of Saint Joan of Boi, Val de Boi, Alta Ribagorca, Pyranese, Spain. A UNESCO World Heritage Site
  • Twelfth century restored Romanesque Frescoes in the church of Saint Joan of Boi, Val de Boi, Alta Ribagorca, Pyranese, Spain. A UNESCO World Heritage Site
  • Twelfth century restored Romanesque Frescoes in the church of Saint Joan of Boi, Val de Boi, Alta Ribagorca, Pyranese, Spain. A UNESCO World Heritage Site
  • Gothic altarpiece of Saint Esteve (Stephen) & John the Baptist by Mestre de Bardalona, early 15th century, tempera and gold leaf on for wood from Santa Maria de Badalona.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC   15824. Against a white background.
  • Gothic altarpiece of Saint Esteve (Stephen) & John the Baptist by Mestre de Bardalona, early 15th century, tempera and gold leaf on for wood from Santa Maria de Badalona.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC   15824. Against a black background.
  • Gothic altarpiece of Saint Esteve (Stephen) & John the Baptist by Mestre de Bardalona, early 15th century, tempera and gold leaf on for wood from Santa Maria de Badalona.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC   15824. Against a light grey background.
  • Gothic altarpiece of Saint Esteve (Stephen) & John the Baptist by Mestre de Bardalona, early 15th century, tempera and gold leaf on for wood from Santa Maria de Badalona.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC   15824. Against a grey textured background.
  • Gothic altarpiece of Saint Esteve (Stephen) & John the Baptist by Mestre de Bardalona, early 15th century, tempera and gold leaf on for wood from Santa Maria de Badalona.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC   15824.
  • Gothic painted Panel Altarpiece of Saint Stephen by  Jaume Serra. Tempera, gold leaf and metal plate on wood. Circa 1385. Dimensions 185.7 x 186.5 x 11 cm. From the monastery of Santa Maria de Gualter (Noguera).. National Museum of Catalan Art, Barcelona, Spain, inv no: 003947-CJT
  • Gothic painted Panel Altarpiece of Saint Stephen by  Jaume Serra. Tempera, gold leaf and metal plate on wood. Circa 1385. Dimensions 185.7 x 186.5 x 11 cm. From the monastery of Santa Maria de Gualter (Noguera).. National Museum of Catalan Art, Barcelona, Spain, inv no: 003947-CJT
  • South Porch, left Portal, Tympanum- General View.This portal is dedicated to the Confessors. Cathedral of Chartres, France. The tympanum, lintel and lower archivolts contain depictions of episodes in the martyrdom of Stephen. Christ between two kneeling angels. This is usually identified as the vision that Stephen saw during his martyrdom. Stephen saw Christ "standing at the right hand of God", and in this depiction, Christ is standing. .Lintel: Stephen led to his martyrdom (left) and the Stoning of Stephen (right). Archivolts: .Lowest register - More incidents in the Martyrdom of Stephen. A UNESCO World Heritage Site. ..
  • The Stoning of St. Stephen<br />
<br />
Circa 1100s<br />
<br />
Fresco Transfer to canvas<br />
<br />
From the Church of Saint Joan Boi, Val de Boi, High Ribagorca, Pyranese, Spain.<br />
<br />
Acquired in 1919-1923 by the National Art Museum of Catalonia, Barcelona.<br />
MNAC 15953<br />
<br />
The 12th century fresco of the Stoning of St. Stephen is one of the best scenes in the mural decoration Boi. The interest in narrative and dynamism are characteristic of a pictorial style of the Poitiers region of France, which is also linked with the rich Limousin painting of the late eleventh century. From the iconographic point of view, the scene is an early example of the interest of Romanesque art to the lives of saints. St Joan de Boi is a UNESCO World Hertiage Site.
  • The Stoning of St. Stephen<br />
<br />
Circa 1100s<br />
<br />
Fresco Transfer to canvas<br />
<br />
From the Church of Saint Joan Boi, Val de Boi, High Ribagorca, Pyranese, Spain.<br />
<br />
Acquired in 1919-1923 by the National Art Museum of Catalonia, Barcelona.<br />
MNAC 15953<br />
<br />
The 12th century fresco of the Stoning of St. Stephen is one of the best scenes in the mural decoration Boi. The interest in narrative and dynamism are characteristic of a pictorial style of the Poitiers region of France, which is also linked with the rich Limousin painting of the late eleventh century. From the iconographic point of view, the scene is an early example of the interest of Romanesque art to the lives of saints. St Joan de Boi is a UNESCO World Hertiage Site.
  • The Stoning of St. Stephen<br />
<br />
Circa 1100s<br />
<br />
Fresco Transfer to canvas<br />
<br />
From the Church of Saint Joan Boi, Val de Boi, High Ribagorca, Pyranese, Spain.<br />
<br />
Acquired in 1919-1923 by the National Art Museum of Catalonia, Barcelona.<br />
MNAC 15953<br />
<br />
The 12th century fresco of the Stoning of St. Stephen is one of the best scenes in the mural decoration Boi. The interest in narrative and dynamism are characteristic of a pictorial style of the Poitiers region of France, which is also linked with the rich Limousin painting of the late eleventh century. From the iconographic point of view, the scene is an early example of the interest of Romanesque art to the lives of saints. St Joan de Boi is a UNESCO World Hertiage Site.
  • The Stoning of St. Stephen<br />
<br />
Circa 1100s<br />
<br />
Fresco Transfer to canvas<br />
<br />
From the Church of Saint Joan Boi, Val de Boi, High Ribagorca, Pyranese, Spain.<br />
<br />
Acquired in 1919-1923 by the National Art Museum of Catalonia, Barcelona.<br />
MNAC 15953<br />
<br />
The 12th century fresco of the Stoning of St. Stephen is one of the best scenes in the mural decoration Boi. The interest in narrative and dynamism are characteristic of a pictorial style of the Poitiers region of France, which is also linked with the rich Limousin painting of the late eleventh century. From the iconographic point of view, the scene is an early example of the interest of Romanesque art to the lives of saints. St Joan de Boi is a UNESCO World Hertiage Site.
  • The Stoning of St. Stephen<br />
<br />
Circa 1100s<br />
<br />
Fresco Transfer to canvas<br />
<br />
From the Church of Saint Joan Boi, Val de Boi, High Ribagorca, Pyranese, Spain.<br />
<br />
Acquired in 1919-1923 by the National Art Museum of Catalonia, Barcelona.<br />
MNAC 15953<br />
<br />
The 12th century fresco of the Stoning of St. Stephen is one of the best scenes in the mural decoration Boi. The interest in narrative and dynamism are characteristic of a pictorial style of the Poitiers region of France, which is also linked with the rich Limousin painting of the late eleventh century. From the iconographic point of view, the scene is an early example of the interest of Romanesque art to the lives of saints. St Joan de Boi is a UNESCO World Hertiage Site.
  • The Stoning of St. Stephen<br />
<br />
Circa 1100s<br />
<br />
Fresco Transfer to canvas<br />
<br />
From the Church of Saint Joan Boi, Val de Boi, High Ribagorca, Pyranese, Spain.<br />
<br />
Acquired in 1919-1923 by the National Art Museum of Catalonia, Barcelona.<br />
MNAC 15953<br />
<br />
The 12th century fresco of the Stoning of St. Stephen is one of the best scenes in the mural decoration Boi. The interest in narrative and dynamism are characteristic of a pictorial style of the Poitiers region of France, which is also linked with the rich Limousin painting of the late eleventh century. From the iconographic point of view, the scene is an early example of the interest of Romanesque art to the lives of saints. St Joan de Boi is a UNESCO World Hertiage Site.
  • The Stoning of St. Stephen<br />
<br />
Circa 1100s<br />
<br />
Fresco Transfer to canvas<br />
<br />
From the Church of Saint Joan Boi, Val de Boi, High Ribagorca, Pyranese, Spain.<br />
<br />
Acquired in 1919-1923 by the National Art Museum of Catalonia, Barcelona.<br />
MNAC 15953<br />
<br />
The 12th century fresco of the Stoning of St. Stephen is one of the best scenes in the mural decoration Boi. The interest in narrative and dynamism are characteristic of a pictorial style of the Poitiers region of France, which is also linked with the rich Limousin painting of the late eleventh century. From the iconographic point of view, the scene is an early example of the interest of Romanesque art to the lives of saints. St Joan de Boi is a UNESCO World Hertiage Site.
  • Gothic painted Panel Altarpiece of Saint Stephen by  Jaume Serra. Tempera, gold leaf and metal plate on wood. Circa 1385. Dimesions 185.7 x 186.5 x 11 cm. From the monastery of Santa Maria de Gualter (Noguera).. National Museum of Catalan Art, Barcelona, Spain, inv no: 003947-CJT
  • Gothic painted Panel Altarpiece of Saint Stephen by  Jaume Serra. Tempera, gold leaf and metal plate on wood. Circa 1385. Dimesions 185.7 x 186.5 x 11 cm. From the monastery of Santa Maria de Gualter (Noguera).. National Museum of Catalan Art, Barcelona, Spain, inv no: 003947-CJT
  • Gothic painted Panel Altarpiece of Saint Stephen by  Jaume Serra. Tempera, gold leaf and metal plate on wood. Circa 1385. Dimesions 185.7 x 186.5 x 11 cm. From the monastery of Santa Maria de Gualter (Noguera).. National Museum of Catalan Art, Barcelona, Spain, inv no: 003947-CJT
  • Gothic painted Panel Altarpiece of Saint Stephen by  Jaume Serra. Tempera, gold leaf and metal plate on wood. Circa 1385. Dimesions 185.7 x 186.5 x 11 cm. From the monastery of Santa Maria de Gualter (Noguera).. National Museum of Catalan Art, Barcelona, Spain, inv no: 003947-CJT
  • Gothic painted Panel Altarpiece of Saint Stephen by  Jaume Serra. Tempera, gold leaf and metal plate on wood. Circa 1385. Dimesions 185.7 x 186.5 x 11 cm. From the monastery of Santa Maria de Gualter (Noguera).. National Museum of Catalan Art, Barcelona, Spain, inv no: 003947-CJT
  • The Stoning of St. Stephen<br />
<br />
Circa 1100s<br />
<br />
Fresco Transfer to canvas<br />
<br />
From the Church of Saint Joan Boi, Val de Boi, High Ribagorca, Pyranese, Spain.<br />
<br />
Acquired in 1919-1923 by the National Art Museum of Catalonia, Barcelona.<br />
MNAC 15953<br />
<br />
The 12th century fresco of the Stoning of St. Stephen is one of the best scenes in the mural decoration Boi. The interest in narrative and dynamism are characteristic of a pictorial style of the Poitiers region of France, which is also linked with the rich Limousin painting of the late eleventh century. From the iconographic point of view, the scene is an early example of the interest of Romanesque art to the lives of saints. St Joan de Boi is a UNESCO World Hertiage Site.
  • The Stoning of St. Stephen<br />
<br />
Circa 1100s<br />
<br />
Fresco Transfer to canvas<br />
<br />
From the Church of Saint Joan Boi, Val de Boi, High Ribagorca, Pyranese, Spain.<br />
<br />
Acquired in 1919-1923 by the National Art Museum of Catalonia, Barcelona.<br />
MNAC 15953<br />
<br />
The 12th century fresco of the Stoning of St. Stephen is one of the best scenes in the mural decoration Boi. The interest in narrative and dynamism are characteristic of a pictorial style of the Poitiers region of France, which is also linked with the rich Limousin painting of the late eleventh century. From the iconographic point of view, the scene is an early example of the interest of Romanesque art to the lives of saints. St Joan de Boi is a UNESCO World Hertiage Site.
  • Gothic painted Panel Altarpiece of Saint Stephen by  Jaume Serra. Tempera, gold leaf and metal plate on wood. Circa 1385. Dimesions 185.7 x 186.5 x 11 cm. From the monastery of Santa Maria de Gualter (Noguera).. National Museum of Catalan Art, Barcelona, Spain, inv no: 003947-CJT
  • Gothic painted Panel Altarpiece of Saint Stephen by  Jaume Serra. Tempera, gold leaf and metal plate on wood. Circa 1385. Dimesions 185.7 x 186.5 x 11 cm. From the monastery of Santa Maria de Gualter (Noguera).. National Museum of Catalan Art, Barcelona, Spain, inv no: 003947-CJT
  • Gothic painted Panel Altarpiece of Saint Stephen by  Jaume Serra. Tempera, gold leaf and metal plate on wood. Circa 1385. Dimesions 185.7 x 186.5 x 11 cm. From the monastery of Santa Maria de Gualter (Noguera).. National Museum of Catalan Art, Barcelona, Spain, inv no: 003947-CJT
  • The Stoning of St. Stephen<br />
<br />
Circa 1100s<br />
<br />
Fresco Transfer to canvas<br />
<br />
From the Church of Saint Joan Boi, Val de Boi, High Ribagorca, Pyranese, Spain.<br />
<br />
Acquired in 1919-1923 by the National Art Museum of Catalonia, Barcelona.<br />
MNAC 15953<br />
<br />
The 12th century fresco of the Stoning of St. Stephen is one of the best scenes in the mural decoration Boi. The interest in narrative and dynamism are characteristic of a pictorial style of the Poitiers region of France, which is also linked with the rich Limousin painting of the late eleventh century. From the iconographic point of view, the scene is an early example of the interest of Romanesque art to the lives of saints. St Joan de Boi is a UNESCO World Hertiage Site.
  • The Stoning of St. Stephen<br />
<br />
Circa 1100s<br />
<br />
Fresco Transfer to canvas<br />
<br />
From the Church of Saint Joan Boi, Val de Boi, High Ribagorca, Pyranese, Spain.<br />
<br />
Acquired in 1919-1923 by the National Art Museum of Catalonia, Barcelona.<br />
MNAC 15953<br />
<br />
The 12th century fresco of the Stoning of St. Stephen is one of the best scenes in the mural decoration Boi. The interest in narrative and dynamism are characteristic of a pictorial style of the Poitiers region of France, which is also linked with the rich Limousin painting of the late eleventh century. From the iconographic point of view, the scene is an early example of the interest of Romanesque art to the lives of saints. St Joan de Boi is a UNESCO World Hertiage Site.
  • The Stoning of St. Stephen<br />
<br />
Circa 1100s<br />
<br />
Fresco Transfer to canvas<br />
<br />
From the Church of Saint Joan Boi, Val de Boi, High Ribagorca, Pyranese, Spain.<br />
<br />
Acquired in 1919-1923 by the National Art Museum of Catalonia, Barcelona.<br />
MNAC 15953<br />
<br />
The 12th century fresco of the Stoning of St. Stephen is one of the best scenes in the mural decoration Boi. The interest in narrative and dynamism are characteristic of a pictorial style of the Poitiers region of France, which is also linked with the rich Limousin painting of the late eleventh century. From the iconographic point of view, the scene is an early example of the interest of Romanesque art to the lives of saints. St Joan de Boi is a UNESCO World Hertiage Site.
  • The Stoning of St. Stephen<br />
<br />
Circa 1100s<br />
<br />
Fresco Transfer to canvas<br />
<br />
From the Church of Saint Joan Boi, Val de Boi, High Ribagorca, Pyranese, Spain.<br />
<br />
Acquired in 1919-1923 by the National Art Museum of Catalonia, Barcelona.<br />
MNAC 15953<br />
<br />
The 12th century fresco of the Stoning of St. Stephen is one of the best scenes in the mural decoration Boi. The interest in narrative and dynamism are characteristic of a pictorial style of the Poitiers region of France, which is also linked with the rich Limousin painting of the late eleventh century. From the iconographic point of view, the scene is an early example of the interest of Romanesque art to the lives of saints. St Joan de Boi is a UNESCO World Hertiage Site.
  • The Stoning of St. Stephen<br />
<br />
Circa 1100s<br />
<br />
Fresco Transfer to canvas<br />
<br />
From the Church of Saint Joan Boi, Val de Boi, High Ribagorca, Pyranese, Spain.<br />
<br />
Acquired in 1919-1923 by the National Art Museum of Catalonia, Barcelona.<br />
MNAC 15953<br />
<br />
The 12th century fresco of the Stoning of St. Stephen is one of the best scenes in the mural decoration Boi. The interest in narrative and dynamism are characteristic of a pictorial style of the Poitiers region of France, which is also linked with the rich Limousin painting of the late eleventh century. From the iconographic point of view, the scene is an early example of the interest of Romanesque art to the lives of saints. St Joan de Boi is a UNESCO World Hertiage Site.
  • The Stoning of St. Stephen<br />
<br />
Circa 1100s<br />
<br />
Fresco Transfer to canvas<br />
<br />
From the Church of Saint Joan Boi, Val de Boi, High Ribagorca, Pyranese, Spain.<br />
<br />
Acquired in 1919-1923 by the National Art Museum of Catalonia, Barcelona.<br />
MNAC 15953<br />
<br />
The 12th century fresco of the Stoning of St. Stephen is one of the best scenes in the mural decoration Boi. The interest in narrative and dynamism are characteristic of a pictorial style of the Poitiers region of France, which is also linked with the rich Limousin painting of the late eleventh century. From the iconographic point of view, the scene is an early example of the interest of Romanesque art to the lives of saints. St Joan de Boi is a UNESCO World Hertiage Site.
  • "Day For Night No 6" - St Stephen's Basilica, ( Szent Istvan Bazilika ) , Budapest, Hungary.  A black & white photo art seroes by photographer Paul E Williams.
  • Gothic painted Panel Altarpiece of Saint Stephen by  Jaume Serra. Tempera, gold leaf and metal plate on wood. Circa 1385. Dimesions 185.7 x 186.5 x 11 cm. From the monastery of Santa Maria de Gualter (Noguera).. National Museum of Catalan Art, Barcelona, Spain, inv no: 003947-CJT
  • South Porch, Left Portal (Martyrs). Archivolts - Stephen Disputes with the Jews (Acts 6:9). Cathedral of Chartres, France.  A UNESCO World Heritage Site. .
  • Medieval stained glass Window of the Gothic Cathedral of Chartres, France - dedicated to the Life of St Remigius (Remy). Left window - Life of St Remigius, centre - Life and relics of St Stephen, right - Life and miracles of St Nicholas.  A UNESCO World Heritage Site..
  • St Stephens corination stautue, ist king of Hungary, Esztergom, Hungary.

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