• Portion of the walls & entrance gate of Troy (VII), identified as the site of the Trojan War (ca. 1200 BC). Troy archaeological site, A UNESCO World Heritage Site, Turkey
  • Portion of the walls & entrance gate of Troy (VII), identified as the site of the Trojan War (ca. 1200 BC). Troy archaeological site, A UNESCO World Heritage Site, Turkey
  • Portion of the walls of Troy (VII), identified as the site of the Trojan War (ca. 1200 BC). Troy archaeological site, A UNESCO World Heritage Site, Turkey
  • Portion of the walls & entrance gate of Troy (VII), identified as the site of the Trojan War (ca. 1200 BC). Troy archaeological site, A UNESCO World Heritage Site, Turkey
  • Portion of the walls of Troy (VII), identified as the site of the Trojan War (ca. 1200 BC). Troy archaeological site, A UNESCO World Heritage Site, Turkey
  • Portion of the walls & entrance gate of Troy (VII), identified as the site of the Trojan War (ca. 1200 BC). Troy archaeological site, A UNESCO World Heritage Site, Turkey
  • Roman Amphitheatre of Troy . Troy archaeological site, A UNESCO World Heritage Site, Turkey
  • Ramp and entrance of the Scaean Gate Troy II 2600 - 2250 B.C, excavated by Schleimann and described by him  as the entrance to sacred site of Ilios described by Homer . Troy archaeological site, A UNESCO World Heritage Site, Turkey
  • Replica of the wooden horse of Troy archaeological site, A UNESCO World Heritage Site, Turkey
  • Part of the Schliemann Trench excavated from 1871 with remains of the original walls and Bronze age house walls of Troy from the Early Troia I Period, c. 2920 B.C. Troy archaeological site, A UNESCO World Heritage Site, Turkey
  • Walls and remains of buildings of Troy, from Troia VI-Late/VIIa citadel  & Troia IX period 14th/13th cent. B.C. Troy archaeological site, A UNESCO World Heritage Site, Turkey
  • Walls and remains of buildings of the sanctuary of Troy, from Troia VIII & Troia IX period 700B.C to Hellenistic Ilium of 1st cent. B.C. Troy archaeological site, A UNESCO World Heritage Site, Turkey
  • Original foundation stones  of the fortification wall and towers of Troia II & III  circa 2500 B.C. Troy archaeological site, A UNESCO World Heritage Site, Turkey
  • Replica of the wooden horse of Troy archaeological site, A UNESCO World Heritage Site, Turkey
  • Replica of the wooden horse of Troy archaeological site, A UNESCO World Heritage Site, Turkey
  • Walls and remains of buildings of Troy, from Troia VI-Late/VIIa citadel  & Troia IX period 14th/13th cent. B.C. Troy archaeological site, A UNESCO World Heritage Site, Turkey
  • Walls and remains of buildings of the sanctuary of Troy, from Troia VIII & Troia IX period 700B.C to Hellenistic Ilium of 1st cent. B.C. Troy archaeological site, A UNESCO World Heritage Site, Turkey
  • Walls and remains of buildings of the sanctuary of Troy, from Troia VIII & Troia IX period 700B.C to Hellenistic Ilium of 1st cent. B.C. Troy archaeological site, A UNESCO World Heritage Site, Turkey
  • Replica of the wooden horse of Troy archaeological site, A UNESCO World Heritage Site, Turkey
  • Replica of the wooden horse of Troy archaeological site, A UNESCO World Heritage Site, Turkey
  • Replica of the wooden horse of Troy archaeological site, A UNESCO World Heritage Site, Turkey
  • Replica of the wooden horse of Troy archaeological site, A UNESCO World Heritage Site, Turkey
  • Walls and remains of buildings of Troy, from Troia VI-Late/VIIa citadel  & Troia IX period 14th/13th cent. B.C. Troy archaeological site, A UNESCO World Heritage Site, Turkey
  • Walls and remains of buildings of the sanctuary of Troy, from Troia VIII & Troia IX period 700B.C to Hellenistic Ilium of 1st cent. B.C. Troy archaeological site, A UNESCO World Heritage Site, Turkey
  • Walls and remains of buildings of the sanctuary of Troy, from Troia VIII & Troia IX period 700B.C to Hellenistic Ilium of 1st cent. B.C. Troy archaeological site, A UNESCO World Heritage Site, Turkey
  • Part of the Schliemann Trench excavated from 1871 with remains of the original walls and Bronze age house walls of Troy from the Early Troia I Period, c. 2920 B.C. Troy archaeological site, A UNESCO World Heritage Site, Turkey
  • Part of the Schliemann Trench excavated from 1871 with remains of the original walls and Bronze age house walls of Troy from the Early Troia I Period, c. 2920 B.C. Troy archaeological site, A UNESCO World Heritage Site, Turkey
  • Walls and remains of buildings of the sanctuary of Troy, from Troia VIII & Troia IX period 700B.C to Hellenistic Ilium of 1st cent. B.C. Troy archaeological site, A UNESCO World Heritage Site, Turkey
  • Replica of the wooden horse of Troy archaeological site, A UNESCO World Heritage Site, Turkey
  • Roman Amphitheatre of Troy . Troy archaeological site, A UNESCO World Heritage Site, Turkey
  • Walls and remains of buildings of the sanctuary of Troy, from Troia VIII & Troia IX period 700B.C to Hellenistic Ilium of 1st cent. B.C. Troy archaeological site, A UNESCO World Heritage Site, Turkey
  • Walls and remains of buildings of the sanctuary of Troy, from Troia VIII & Troia IX period 700B.C to Hellenistic Ilium of 1st cent. B.C. Troy archaeological site, A UNESCO World Heritage Site, Turkey
  • Replica of the wooden horse of Troy archaeological site, A UNESCO World Heritage Site, Turkey
  • Excavations of Troy . Troy archaeological site, A UNESCO World Heritage Site, Turkey
  • Excavations of Troy . Troy archaeological site, A UNESCO World Heritage Site, Turkey
  • Replica of the wooden horse of Troy archaeological site, A UNESCO World Heritage Site, Turkey
  • Replica of the wooden horse of Troy archaeological site, A UNESCO World Heritage Site, Turkey
  • Replica of the wooden horse of Troy archaeological site, A UNESCO World Heritage Site, Turkey
  • Replica of the wooden horse of Troy archaeological site, A UNESCO World Heritage Site, Turkey
  • Replica of the wooden horse of Troy archaeological site, A UNESCO World Heritage Site, Turkey
  • Roman Amphitheatre of Troy . Troy archaeological site, A UNESCO World Heritage Site, Turkey
  • Roman Amphitheatre of Troy . Troy archaeological site, A UNESCO World Heritage Site, Turkey
  • Walls and remains of buildings of Troy, from Troia VI-Late/VIIa citadel  & Troia IX period 14th/13th cent. B.C. Troy archaeological site, A UNESCO World Heritage Site, Turkey
  • Walls and remains of buildings of the sanctuary of Troy, from Troia VIII & Troia IX period 700B.C to Hellenistic Ilium of 1st cent. B.C. Troy archaeological site, A UNESCO World Heritage Site, Turkey
  • Walls and remains of buildings of the sanctuary of Troy, from Troia VIII & Troia IX period 700B.C to Hellenistic Ilium of 1st cent. B.C. Troy archaeological site, A UNESCO World Heritage Site, Turkey
  • Walls and remains of buildings of the sanctuary of Troy, from Troia VIII & Troia IX period 700B.C to Hellenistic Ilium of 1st cent. B.C. Troy archaeological site, A UNESCO World Heritage Site, Turkey
  • Replica of the wooden horse of Troy archaeological site, A UNESCO World Heritage Site, Turkey
  • Walls and remains of buildings of the sanctuary of Troy, from Troia VIII & Troia IX period 700B.C to Hellenistic Ilium of 1st cent. B.C. Troy archaeological site, A UNESCO World Heritage Site, Turkey
  • Excavations of Troy . Troy archaeological site, A UNESCO World Heritage Site, Turkey
  • Excavations of Troy . Troy archaeological site, A UNESCO World Heritage Site, Turkey
  • Ramp and entrance of the Scaean Gate Troy II 2600 - 2250 B.C, excavated by Schleimann and described by him  as the entrance to sacred site of Ilios described by Homer . Troy archaeological site, A UNESCO World Heritage Site, Turkey
  • Part of the Schliemann Trench excavated from 1871 with remains of the original walls and Bronze age house walls of Troy from the Early Troia I Period, c. 2920 B.C. Troy archaeological site, A UNESCO World Heritage Site, Turkey
  • Original foundation stones  of the fortification wall and towers of Troia II & III  circa 2500 B.C. Troy archaeological site, A UNESCO World Heritage Site, Turkey
  • Replica of the wooden horse of Troy archaeological site, A UNESCO World Heritage Site, Turkey
  • Painted colour verion of a Statue group identified as as the Laocoon described by Pliny as a masterpiece made by the sculptors of Rhodes. The Laocoon depicts a scene from the Trojan War in which Athena and Poseidon sent two great serpants to wrap themselves around Laocoon and his two sons to kill them. Circa 40-30BC, Pope Clement XIV coillection, Vatican Museum Rome, Italy,  grey art background
  • Painted colour verion of a Statue group identified as as the Laocoon described by Pliny as a masterpiece made by the sculptors of Rhodes. The Laocoon depicts a scene from the Trojan War in which Athena and Poseidon sent two great serpants to wrap themselves around Laocoon and his two sons to kill them. Circa 40-30BC, Pope Clement XIV coillection, Vatican Museum Rome, Italy,  grey art background
  • Painted colour verion of a Statue group identified as as the Laocoon described by Pliny as a masterpiece made by the sculptors of Rhodes. The Laocoon depicts a scene from the Trojan War in which Athena and Poseidon sent two great serpants to wrap themselves around Laocoon and his two sons to kill them. Circa 40-30BC, Pope Clement XIV coillection, Vatican Museum Rome, Italy,  grey art background
  • Painted colour verion of a Statue group identified as as the Laocoon described by Pliny as a masterpiece made by the sculptors of Rhodes. The Laocoon depicts a scene from the Trojan War in which Athena and Poseidon sent two great serpants to wrap themselves around Laocoon and his two sons to kill them. Circa 40-30BC, Pope Clement XIV coillection, Vatican Museum Rome, Italy,  grey art background
  • Painted colour verion of a Statue group identified as as the Laocoon described by Pliny as a masterpiece made by the sculptors of Rhodes. The Laocoon depicts a scene from the Trojan War in which Athena and Poseidon sent two great serpants to wrap themselves around Laocoon and his two sons to kill them. Circa 40-30BC, Pope Clement XIV coillection, Vatican Museum Rome, Italy,  grey art background
  • Statue group identified as as the Laocoon described by Pliny as a masterpiece made by the sculptors of Rhodes. The Laocoon depicts a scene from the Trojan War in which Athena and Poseidon sent two great serpants to wrap themselves around Laocoon and his two sons to kill them. Circa 40-30BC, Pope Clement XIV coillection, Vatican Museum Rome, Italy,  white background
  • Statue group identified as as the Laocoon described by Pliny as a masterpiece made by the sculptors of Rhodes. The Laocoon depicts a scene from the Trojan War in which Athena and Poseidon sent two great serpants to wrap themselves around Laocoon and his two sons to kill them. Circa 40-30BC, Pope Clement XIV coillection, Vatican Museum Rome, Italy,  black background
  • Statue group identified as as the Laocoon described by Pliny as a masterpiece made by the sculptors of Rhodes. The Laocoon depicts a scene from the Trojan War in which Athena and Poseidon sent two great serpants to wrap themselves around Laocoon and his two sons to kill them. Circa 40-30BC, Pope Clement XIV coillection, Vatican Museum Rome, Italy,  grey background
  • Statue group identified as as the Laocoon described by Pliny as a masterpiece made by the sculptors of Rhodes. The Laocoon depicts a scene from the Trojan War in which Athena and Poseidon sent two great serpants to wrap themselves around Laocoon and his two sons to kill them. Circa 40-30BC, Pope Clement XIV coillection, Vatican Museum Rome, Italy,  grey art background
  • Statue group identified as as the Laocoon described by Pliny as a masterpiece made by the sculptors of Rhodes. The Laocoon depicts a scene from the Trojan War in which Athena and Poseidon sent two great serpants to wrap themselves around Laocoon and his two sons to kill them. Circa 40-30BC, Pope Clement XIV coillection, Vatican Museum Rome, Italy,  art background
  • Statue group identified as as the Laocoon described by Pliny as a masterpiece made by the sculptors of Rhodes. The Laocoon depicts a scene from the Trojan War in which Athena and Poseidon sent two great serpants to wrap themselves around Laocoon and his two sons to kill them. Circa 40-30BC, Pope Clement XIV coillection, Vatican Museum Rome, Italy,  black background
  • Statue group identified as as the Laocoon described by Pliny as a masterpiece made by the sculptors of Rhodes. The Laocoon depicts a scene from the Trojan War in which Athena and Poseidon sent two great serpants to wrap themselves around Laocoon and his two sons to kill them. Circa 40-30BC, Pope Clement XIV coillection, Vatican Museum Rome, Italy,  white background
  • Statue group identified as as the Laocoon described by Pliny as a masterpiece made by the sculptors of Rhodes. The Laocoon depicts a scene from the Trojan War in which Athena and Poseidon sent two great serpants to wrap themselves around Laocoon and his two sons to kill them. Circa 40-30BC, Pope Clement XIV coillection, Vatican Museum Rome, Italy,  art background
  • Statue group identified as as the Laocoon described by Pliny as a masterpiece made by the sculptors of Rhodes. The Laocoon depicts a scene from the Trojan War in which Athena and Poseidon sent two great serpants to wrap themselves around Laocoon and his two sons to kill them. Circa 40-30BC, Pope Clement XIV coillection, Vatican Museum Rome, Italy,  grey art background
  • Photo of Roman releif sculpture of Aphrodite & Anchises from the Oda first room, Aphrodisias, Turkey, Images of Roman art bas releifs. Buy as stock or photo art prints. The trojan shepherd Anchises gazes at a seated Aphrodite, his lover for one night on Mount Ida. She hold a smalkl Eros in her lap : this is an erotic encounter. The head of Seine [ moon ] appears above the mountain in the top left of the scene. Aineas was the result of this union.
  • Photo of Roman releif sculpture of Aphrodite & Anchises from the Oda first room, Aphrodisias, Turkey, Images of Roman art bas releifs. Buy as stock or photo art prints. The trojan shepherd Anchises gazes at a seated Aphrodite, his lover for one night on Mount Ida. She hold a smalkl Eros in her lap : this is an erotic encounter. The head of Seine [ moon ] appears above the mountain in the top left of the scene. Aineas was the result of this union.
  • Photo of Roman releif sculpture of Aphrodite & Anchises from the Oda first room, Aphrodisias, Turkey, Images of Roman art bas releifs. Buy as stock or photo art prints. The trojan shepherd Anchises gazes at a seated Aphrodite, his lover for one night on Mount Ida. She hold a smalkl Eros in her lap : this is an erotic encounter. The head of Seine [ moon ] appears above the mountain in the top left of the scene. Aineas was the result of this union.
  • Procession of Chariot & Horsemen freeze  from the Heros Shrine of the Acropolis of Xanthos, thought to be the shrines of legendary warriors of the trojan wars built by King Kuprlli (480 - 440 B.C). Xanthos was under Persian rule at the time & the freeze has the static style of persian sculpture with a Greek style.  From Xanthos, UNESCO World Heritage site, south west Turkey. A British Museum exhibit GR 1848-16-20.17-19 (sculptures B311-313).
  • Procession of Chariot & Horsemen freeze  from the Heros Shrine of the Acropolis of Xanthos, thought to be the shrines of legendary warriors of the trojan wars built by King Kuprlli (480 - 440 B.C). Xanthos was under Persian rule at the time & the freeze has the static style of persian sculpture with a Greek style.  From Xanthos, UNESCO World Heritage site, south west Turkey. A British Museum exhibit GR 1848-16-20.17-19 (sculptures B311-313).
  • Procession of Chariot & Horsemen freeze  from the Heros Shrine of the Acropolis of Xanthos, thought to be the shrines of legendary warriors of the trojan wars built by King Kuprlli (480 - 440 B.C). Xanthos was under Persian rule at the time & the freeze has the static style of persian sculpture with a Greek style.  From Xanthos, UNESCO World Heritage site, south west Turkey. A British Museum exhibit GR 1848-16-20.17-19 (sculptures B311-313).
  • Procession of Chariot & Horsemen freeze  from the Heros Shrine of the Acropolis of Xanthos, thought to be the shrines of legendary warriors of the trojan wars built by King Kuprlli (480 - 440 B.C). Xanthos was under Persian rule at the time & the freeze has the static style of persian sculpture with a Greek style.  From Xanthos, UNESCO World Heritage site, south west Turkey. A British Museum exhibit GR 1848-16-20.17-19 (sculptures B311-313).
  • Diomedes - A 2nd or 3rd century AD Roman copy of a Greek classical sculpture from about 430-370 BC. This Roman statue represent Diomede, one of the Greek hero of the Trojan War. This statue belongs to a series of ancient replicas (Naples, Munich), which copy the original Greek statue from the school of Polykleitos, attributed to the sculptor Naucydes or Cresilas who worked in Athens to 440-430 BC. From the Cardinal Richelieu Collection  Inv MR 265   (or Ma 890), The Louvre Mueum, Paris.
  • Diomedes - A 2nd or 3rd century AD Roman copy of a Greek classical sculpture from about 430-370 BC. This Roman statue represent Diomede, one of the Greek hero of the Trojan War. This statue belongs to a series of ancient replicas (Naples, Munich), which copy the original Greek statue from the school of Polykleitos, attributed to the sculptor Naucydes or Cresilas who worked in Athens to 440-430 BC. From the Cardinal Richelieu Collection  Inv MR 265   (or Ma 890), The Louvre Mueum, Paris.
  • Diomedes - A 2nd or 3rd century AD Roman copy of a Greek classical sculpture from about 430-370 BC. This Roman statue represent Diomede, one of the Greek hero of the Trojan War. This statue belongs to a series of ancient replicas (Naples, Munich), which copy the original Greek statue from the school of Polykleitos, attributed to the sculptor Naucydes or Cresilas who worked in Athens to 440-430 BC. From the Cardinal Richelieu Collection  Inv MR 265   (or Ma 890), The Louvre Mueum, Paris.
  • Diomedes - A 2nd or 3rd century AD Roman copy of a Greek classical sculpture from about 430-370 BC. This Roman statue represent Diomede, one of the Greek hero of the Trojan War. This statue belongs to a series of ancient replicas (Naples, Munich), which copy the original Greek statue from the school of Polykleitos, attributed to the sculptor Naucydes or Cresilas who worked in Athens to 440-430 BC. From the Cardinal Richelieu Collection  Inv MR 265   (or Ma 890), The Louvre Mueum, Paris.
  • Diomedes - A 2nd or 3rd century AD Roman copy of a Greek classical sculpture from about 430-370 BC. This Roman statue represent Diomede, one of the Greek hero of the Trojan War. This statue belongs to a series of ancient replicas (Naples, Munich), which copy the original Greek statue from the school of Polykleitos, attributed to the sculptor Naucydes or Cresilas who worked in Athens to 440-430 BC. From the Cardinal Richelieu Collection  Inv MR 265   (or Ma 890), The Louvre Mueum, Paris.
  • Diomedes - A 2nd or 3rd century AD Roman copy of a Greek classical sculpture from about 430-370 BC. This Roman statue represent Diomede, one of the Greek hero of the Trojan War. This statue belongs to a series of ancient replicas (Naples, Munich), which copy the original Greek statue from the school of Polykleitos, attributed to the sculptor Naucydes or Cresilas who worked in Athens to 440-430 BC. From the Cardinal Richelieu Collection  Inv MR 265   (or Ma 890), The Louvre Mueum, Paris.
  • Diomedes - A 2nd or 3rd century AD Roman copy of a Greek classical sculpture from about 430-370 BC. This Roman statue represent Diomede, one of the Greek hero of the Trojan War. This statue belongs to a series of ancient replicas (Naples, Munich), which copy the original Greek statue from the school of Polykleitos, attributed to the sculptor Naucydes or Cresilas who worked in Athens to 440-430 BC. From the Cardinal Richelieu Collection  Inv MR 265   (or Ma 890), The Louvre Mueum, Paris.
  • Diomedes - A 2nd or 3rd century AD Roman copy of a Greek classical sculpture from about 430-370 BC. This Roman statue represent Diomede, one of the Greek hero of the Trojan War. This statue belongs to a series of ancient replicas (Naples, Munich), which copy the original Greek statue from the school of Polykleitos, attributed to the sculptor Naucydes or Cresilas who worked in Athens to 440-430 BC. From the Cardinal Richelieu Collection  Inv MR 265   (or Ma 890), The Louvre Mueum, Paris.
  • Photo of Roman releif sculpture of Aphrodite & Anchises from the Oda first room, Aphrodisias, Turkey, Images of Roman art bas releifs. Buy as stock or photo art prints. The trojan shepherd Anchises gazes at a seated Aphrodite, his lover for one night on Mount Ida. She hold a smalkl Eros in her lap : this is an erotic encounter. The head of Seine [ moon ] appears above the mountain in the top left of the scene. Aineas was the result of this union.
  • Photo of Roman releif sculpture of Aphrodite & Anchises from the Oda first room, Aphrodisias, Turkey, Images of Roman art bas releifs. Buy as stock or photo art prints. The trojan shepherd Anchises gazes at a seated Aphrodite, his lover for one night on Mount Ida. She hold a smalkl Eros in her lap : this is an erotic encounter. The head of Seine [ moon ] appears above the mountain in the top left of the scene. Aineas was the result of this union.
  • Photo of Roman releif sculpture of Aphrodite & Anchises from the Oda first room, Aphrodisias, Turkey, Images of Roman art bas releifs. Buy as stock or photo art prints. The trojan shepherd Anchises gazes at a seated Aphrodite, his lover for one night on Mount Ida. She hold a smalkl Eros in her lap : this is an erotic encounter. The head of Seine [ moon ] appears above the mountain in the top left of the scene. Aineas was the result of this union.
  • Procession of Chariot & Horsemen freeze  from the Heros Shrine of the Acropolis of Xanthos, thought to be the shrines of legendary warriors of the trojan wars built by King Kuprlli (480 - 440 B.C). Xanthos was under Persian rule at the time & the freeze has the static style of persian sculpture with a Greek style.  From Xanthos, UNESCO World Heritage site, south west Turkey. A British Museum exhibit GR 1848-16-20.17-19 (sculptures B311-313).
  • Close up of a Roman Sebasteion relief  sculpture of Anchises and Aphrodite Aphrodisias Museum, Aphrodisias, Turkey. <br />
<br />
The Trojan shepherd Anchises gazes at the seated Aphrodite, his lover for one night on mount Ida. She hold a small Eros on her lap: this is an erotic encounter. The head of Selene (Moon) appears above the mountain rocks: she indicates night time. It was from this union that Aineas was born
  • Close up of a Roman Sebasteion relief  sculpture of Anchises and Aphrodite Aphrodisias Museum, Aphrodisias, Turkey. <br />
<br />
The Trojan shepherd Anchises gazes at the seated Aphrodite, his lover for one night on mount Ida. She hold a small Eros on her lap: this is an erotic encounter. The head of Selene (Moon) appears above the mountain rocks: she indicates night time. It was from this union that Aineas was born
  • Close up of a Roman Sebasteion relief  sculpture of Anchises and Aphrodite Aphrodisias Museum, Aphrodisias, Turkey. <br />
<br />
The Trojan shepherd Anchises gazes at the seated Aphrodite, his lover for one night on mount Ida. She hold a small Eros on her lap: this is an erotic encounter. The head of Selene (Moon) appears above the mountain rocks: she indicates night time. It was from this union that Aineas was born
  • Close up of a Roman Sebasteion relief  sculpture of Anchises and Aphrodite Aphrodisias Museum, Aphrodisias, Turkey. <br />
<br />
The Trojan shepherd Anchises gazes at the seated Aphrodite, his lover for one night on mount Ida. She hold a small Eros on her lap: this is an erotic encounter. The head of Selene (Moon) appears above the mountain rocks: she indicates night time. It was from this union that Aineas was born
  • Roman Sebasteion relief  sculpture of Anchises and Aphrodite Aphrodisias Museum, Aphrodisias, Turkey.   Against a black background.<br />
<br />
The Trojan shepherd Anchises gazes at the seated Aphrodite, his lover for one night on mount Ida. She hold a small Eros on her lap: this is an erotic encounter. The head of Selene (Moon) appears above the mountain rocks: she indicates night time. It was from this union that Aineas was born
  • Roman Sebasteion relief  sculpture of Anchises and Aphrodite Aphrodisias Museum, Aphrodisias, Turkey.  Against an art background.<br />
<br />
The Trojan shepherd Anchises gazes at the seated Aphrodite, his lover for one night on mount Ida. She hold a small Eros on her lap: this is an erotic encounter. The head of Selene (Moon) appears above the mountain rocks: she indicates night time. It was from this union that Aineas was born
  • Roman Sebasteion relief  sculpture of Anchises and Aphrodite Aphrodisias Museum, Aphrodisias, Turkey.  Against a grey background.<br />
<br />
The Trojan shepherd Anchises gazes at the seated Aphrodite, his lover for one night on mount Ida. She hold a small Eros on her lap: this is an erotic encounter. The head of Selene (Moon) appears above the mountain rocks: she indicates night time. It was from this union that Aineas was born
  • Detail of a  Roman Sebasteion relief sculpture of Achilles and a dying Amazon, Aphrodisias Museum, Aphrodisias, Turkey.       Against a white background.<br />
<br />
Achilles supports the dying Amazon queen Penthesilea whom he has mortally wounded. Her double headed axe slips from her hands. The queen had come to fight against the Greeks in the Trojan war and Achilles fell in love with her.
  • Roman Sebasteion relief sculpture of Achilles and a dying Amazon, Aphrodisias Museum, Aphrodisias, Turkey.   Against a black background.  <br />
<br />
Achilles supports the dying Amazon queen Penthesilea whom he has mortally wounded. Her double headed axe slips from her hands. The queen had come to fight against the Greeks in the Trojan war and Achilles fell in love with her.
  • Roman Sebasteion relief sculpture of Achilles and a dying Amazon, Aphrodisias Museum, Aphrodisias, Turkey.   Against a black background.  <br />
<br />
Achilles supports the dying Amazon queen Penthesilea whom he has mortally wounded. Her double headed axe slips from her hands. The queen had come to fight against the Greeks in the Trojan war and Achilles fell in love with her.
  • Roman Sebasteion relief sculpture of Achilles and a dying Amazon, Aphrodisias Museum, Aphrodisias, Turkey.  Against a grey background. <br />
<br />
Achilles supports the dying Amazon queen Penthesilea whom he has mortally wounded. Her double headed axe slips from her hands. The queen had come to fight against the Greeks in the Trojan war and Achilles fell in love with her.
  • Roman Sebasteion relief sculpture of Achilles and a dying Amazon, Aphrodisias Museum, Aphrodisias, Turkey.   Against a black background.  <br />
<br />
Achilles supports the dying Amazon queen Penthesilea whom he has mortally wounded. Her double headed axe slips from her hands. The queen had come to fight against the Greeks in the Trojan war and Achilles fell in love with her.
  • Treasury of Siphnos East Frieze representing scenes from the Trojan War. 525 b.C. .From Left: Aris, Afrodite, Artemis. Delphi Archaeological Museum.
  • Photo of Roman releif sculpture of Aphrodite & Anchises from the Oda first room, Aphrodisias, Turkey, Images of Roman art bas releifs. Buy as stock or photo art prints. The trojan shepherd Anchises gazes at a seated Aphrodite, his lover for one night on Mount Ida. She hold a smalkl Eros in her lap : this is an erotic encounter. The head of Seine [ moon ] appears above the mountain in the top left of the scene. Aineas was the result of this union.
  • Photo of Roman relief sculpture, Aphrodisias, Turkey, Images of Roman art bas reliefs.  Achilles supports the dying Amazon queen Penthesilea whom he has mortally wounded. Her double headed axe slips from her hands. The queen had come to fight against the Greeks in the Trojan war and Achilles fell in love with her.
  • Photo of Roman relief sculpture, Aphrodisias, Turkey, Images of Roman art bas reliefs.  Achilles supports the dying Amazon queen Penthesilea whom he has mortally wounded. Her double headed axe slips from her hands. The queen had come to fight against the Greeks in the Trojan war and Achilles fell in love with her.
  • Photo of Roman relief sculpture, Aphrodisias, Turkey, Images of Roman art bas reliefs.  Achilles supports the dying Amazon queen Penthesilea whom he has mortally wounded. Her double headed axe slips from her hands. The queen had come to fight against the Greeks in the Trojan war and Achilles fell in love with her.
  • Procession of Chariot & Horsemen freeze  from the Heros Shrine of the Acropolis of Xanthos, thought to be the shrines of legendary warriors of the trojan wars built by King Kuprlli (480 - 440 B.C). Xanthos was under Persian rule at the time & the freeze has the static style of persian sculpture with a Greek style.  From Xanthos, UNESCO World Heritage site, south west Turkey. A British Museum exhibit GR 1848-16-20.17-19 (sculptures B311-313).
  • Diomedes - A 2nd or 3rd century AD Roman copy of a Greek classical sculpture from about 430-370 BC. This Roman statue represent Diomede, one of the Greek hero of the Trojan War. This statue belongs to a series of ancient replicas (Naples, Munich), which copy the original Greek statue from the school of Polykleitos, attributed to the sculptor Naucydes or Cresilas who worked in Athens to 440-430 BC. From the Cardinal Richelieu Collection  Inv MR 265   (or Ma 890), The Louvre Mueum, Paris.
  • Photo of Roman releif sculpture of Aphrodite & Anchises from the Oda first room, Aphrodisias, Turkey, Images of Roman art bas releifs. Buy as stock or photo art prints. The trojan shepherd Anchises gazes at a seated Aphrodite, his lover for one night on Mount Ida. She hold a smalkl Eros in her lap : this is an erotic encounter. The head of Seine [ moon ] appears above the mountain in the top left of the scene. Aineas was the result of this union.
  • Photo of Roman relief sculpture, Aphrodisias, Turkey, Images of Roman art bas reliefs.  Achilles supports the dying Amazon queen Penthesilea whom he has mortally wounded. Her double headed axe slips from her hands. The queen had come to fight against the Greeks in the Trojan war and Achilles fell in love with her.
  • Photo of Roman relief sculpture, Aphrodisias, Turkey, Images of Roman art bas reliefs.  Achilles supports the dying Amazon queen Penthesilea whom he has mortally wounded. Her double headed axe slips from her hands. The queen had come to fight against the Greeks in the Trojan war and Achilles fell in love with her.
  • Photo of Roman releif sculpture of Aphrodite & Anchises from the Oda first room, Aphrodisias, Turkey, Images of Roman art bas releifs. Buy as stock or photo art prints. The trojan shepherd Anchises gazes at a seated Aphrodite, his lover for one night on Mount Ida. She hold a smalkl Eros in her lap : this is an erotic encounter. The head of Seine [ moon ] appears above the mountain in the top left of the scene. Aineas was the result of this union.
  • Procession of Chariot & Horsemen freeze  from the Heros Shrine of the Acropolis of Xanthos, thought to be the shrines of legendary warriors of the trojan wars built by King Kuprlli (480 - 440 B.C). Xanthos was under Persian rule at the time & the freeze has the static style of persian sculpture with a Greek style.  From Xanthos, UNESCO World Heritage site, south west Turkey. A British Museum exhibit GR 1848-16-20.17-19 (sculptures B311-313).
  • Treasury of Siphnos East Frieze representing scenes from the Trojan War. 525 b.C. .From Left: Aris, Afrodite, Artemis. Delphi Archaeological Museum.
  • Treasury of Siphnos East Frieze representing scenes from the Trojan War. 525 b.C.  Delphi Archaeological Museum.
  • Close up of a Roman Sebasteion relief  sculpture of Anchises and Aphrodite Aphrodisias Museum, Aphrodisias, Turkey. <br />
<br />
The Trojan shepherd Anchises gazes at the seated Aphrodite, his lover for one night on mount Ida. She hold a small Eros on her lap: this is an erotic encounter. The head of Selene (Moon) appears above the mountain rocks: she indicates night time. It was from this union that Aineas was born
  • Close up of a Roman Sebasteion relief  sculpture of Anchises and Aphrodite Aphrodisias Museum, Aphrodisias, Turkey. <br />
<br />
The Trojan shepherd Anchises gazes at the seated Aphrodite, his lover for one night on mount Ida. She hold a small Eros on her lap: this is an erotic encounter. The head of Selene (Moon) appears above the mountain rocks: she indicates night time. It was from this union that Aineas was born
  • Close up of a Roman Sebasteion relief  sculpture of Anchises and Aphrodite Aphrodisias Museum, Aphrodisias, Turkey. <br />
<br />
The Trojan shepherd Anchises gazes at the seated Aphrodite, his lover for one night on mount Ida. She hold a small Eros on her lap: this is an erotic encounter. The head of Selene (Moon) appears above the mountain rocks: she indicates night time. It was from this union that Aineas was born
  • Close up of a Roman Sebasteion relief  sculpture of Anchises and Aphrodite Aphrodisias Museum, Aphrodisias, Turkey.   Against a white background.<br />
<br />
The Trojan shepherd Anchises gazes at the seated Aphrodite, his lover for one night on mount Ida. She hold a small Eros on her lap: this is an erotic encounter. The head of Selene (Moon) appears above the mountain rocks: she indicates night time. It was from this union that Aineas was born
  • Close up of a Roman Sebasteion relief  sculpture of Anchises and Aphrodite Aphrodisias Museum, Aphrodisias, Turkey.   Against a black background.<br />
<br />
The Trojan shepherd Anchises gazes at the seated Aphrodite, his lover for one night on mount Ida. She hold a small Eros on her lap: this is an erotic encounter. The head of Selene (Moon) appears above the mountain rocks: she indicates night time. It was from this union that Aineas was born
  • Close up of a Roman Sebasteion relief  sculpture of Anchises and Aphrodite Aphrodisias Museum, Aphrodisias, Turkey.  Against an art background.<br />
<br />
The Trojan shepherd Anchises gazes at the seated Aphrodite, his lover for one night on mount Ida. She hold a small Eros on her lap: this is an erotic encounter. The head of Selene (Moon) appears above the mountain rocks: she indicates night time. It was from this union that Aineas was born
  • Roman Sebasteion relief  sculpture of Anchises and Aphrodite Aphrodisias Museum, Aphrodisias, Turkey.   Against a white background.<br />
<br />
The Trojan shepherd Anchises gazes at the seated Aphrodite, his lover for one night on mount Ida. She hold a small Eros on her lap: this is an erotic encounter. The head of Selene (Moon) appears above the mountain rocks: she indicates night time. It was from this union that Aineas was born
  • Roman Sebasteion relief  sculpture of Anchises and Aphrodite Aphrodisias Museum, Aphrodisias, Turkey. <br />
<br />
The Trojan shepherd Anchises gazes at the seated Aphrodite, his lover for one night on mount Ida. She hold a small Eros on her lap: this is an erotic encounter. The head of Selene (Moon) appears above the mountain rocks: she indicates night time. It was from this union that Aineas was born
  • Detail of a Roman Sebasteion relief sculpture of Achilles and a dying Amazon, Aphrodisias Museum, Aphrodisias, Turkey.     Against a black background.<br />
<br />
Achilles supports the dying Amazon queen Penthesilea whom he has mortally wounded. Her double headed axe slips from her hands. The queen had come to fight against the Greeks in the Trojan war and Achilles fell in love with her.
  • Detail of a Roman Sebasteion relief sculpture of Achilles and a dying Amazon, Aphrodisias Museum, Aphrodisias, Turkey.   Against an art background. <br />
<br />
Achilles supports the dying Amazon queen Penthesilea whom he has mortally wounded. Her double headed axe slips from her hands. The queen had come to fight against the Greeks in the Trojan war and Achilles fell in love with her.
  • Roman Sebasteion relief sculpture of Achilles and a dying Amazon, Aphrodisias Museum, Aphrodisias, Turkey.       Against a white background.<br />
<br />
Achilles supports the dying Amazon queen Penthesilea whom he has mortally wounded. Her double headed axe slips from her hands. The queen had come to fight against the Greeks in the Trojan war and Achilles fell in love with her.
  • Detail of a Roman Sebasteion relief sculpture of Achilles and a dying Amazon, Aphrodisias Museum, Aphrodisias, Turkey.   <br />
<br />
Achilles supports the dying Amazon queen Penthesilea whom he has mortally wounded. Her double headed axe slips from her hands. The queen had come to fight against the Greeks in the Trojan war and Achilles fell in love with her.
  • Close up of a Roman Sebasteion relief sculpture of Achilles and a dying Amazon, Aphrodisias Museum, Aphrodisias, Turkey.     Against a black background.<br />
<br />
Achilles supports the dying Amazon queen Penthesilea whom he has mortally wounded. Her double headed axe slips from her hands. The queen had come to fight against the Greeks in the Trojan war and Achilles fell in love with her.
  • Close up of a Roman Sebasteion relief sculpture of Achilles and a dying Amazon, Aphrodisias Museum, Aphrodisias, Turkey.   <br />
<br />
Achilles supports the dying Amazon queen Penthesilea whom he has mortally wounded. Her double headed axe slips from her hands. The queen had come to fight against the Greeks in the Trojan war and Achilles fell in love with her.
  • Close up of a Roman Sebasteion relief sculpture of Achilles and a dying Amazon, Aphrodisias Museum, Aphrodisias, Turkey.    Against a grey background.<br />
<br />
Achilles supports the dying Amazon queen Penthesilea whom he has mortally wounded. Her double headed axe slips from her hands. The queen had come to fight against the Greeks in the Trojan war and Achilles fell in love with her.
  • Close up of a Roman Sebasteion relief sculpture of Achilles and a dying Amazon, Aphrodisias Museum, Aphrodisias, Turkey.    Against an art background.<br />
<br />
Achilles supports the dying Amazon queen Penthesilea whom he has mortally wounded. Her double headed axe slips from her hands. The queen had come to fight against the Greeks in the Trojan war and Achilles fell in love with her.
  • Roman Sebasteion relief sculpture of Achilles and a dying Amazon, Aphrodisias Museum, Aphrodisias, Turkey.   <br />
<br />
Achilles supports the dying Amazon queen Penthesilea whom he has mortally wounded. Her double headed axe slips from her hands. The queen had come to fight against the Greeks in the Trojan war and Achilles fell in love with her.
  • Roman Sebasteion relief sculpture of Achilles and a dying Amazon, Aphrodisias Museum, Aphrodisias, Turkey.    Against an art background.<br />
<br />
Achilles supports the dying Amazon queen Penthesilea whom he has mortally wounded. Her double headed axe slips from her hands. The queen had come to fight against the Greeks in the Trojan war and Achilles fell in love with her.
  • Roman Sebasteion relief sculpture of Achilles and a dying Amazon, Aphrodisias Museum, Aphrodisias, Turkey.   Against a black background.  <br />
<br />
Achilles supports the dying Amazon queen Penthesilea whom he has mortally wounded. Her double headed axe slips from her hands. The queen had come to fight against the Greeks in the Trojan war and Achilles fell in love with her.
  • Roman Sebasteion relief sculpture of Achilles and a dying Amazon, Aphrodisias Museum, Aphrodisias, Turkey.   <br />
<br />
Achilles supports the dying Amazon queen Penthesilea whom he has mortally wounded. Her double headed axe slips from her hands. The queen had come to fight against the Greeks in the Trojan war and Achilles fell in love with her.
  • Roman Sebasteion relief sculpture of Achilles and a dying Amazon, Aphrodisias Museum, Aphrodisias, Turkey. Against a grey background.  <br />
<br />
Achilles supports the dying Amazon queen Penthesilea whom he has mortally wounded. Her double headed axe slips from her hands. The queen had come to fight against the Greeks in the Trojan war and Achilles fell in love with her.
  • Roman Sebasteion relief sculpture of Achilles and a dying Amazon, Aphrodisias Museum, Aphrodisias, Turkey.   Against an art background.  <br />
<br />
Achilles supports the dying Amazon queen Penthesilea whom he has mortally wounded. Her double headed axe slips from her hands. The queen had come to fight against the Greeks in the Trojan war and Achilles fell in love with her.
  • Treasury of Siphnos East Frieze representing scenes from the Trojan War. 525 b.C. .From Left: Aris, Afrodite, Artemis. Delphi Archaeological Museum.
  • Treasury of Siphnos East Frieze representing scenes from the Trojan War. 525 b.C.  Delphi Archaeological Museum.
  • Treasury of Siphnos East Frieze representing scenes from the Trojan War. 525 b.C.  Delphi Archaeological Museum.
  • Roman relief sculpture, Aphrodisias, Turkey, Images of Roman art bas reliefs.  Achilles supports the dying Amazon queen Penthesilea whom he has mortally wounded. Her double headed axe slips from her hands. The queen had come to fight against the Greeks in the Trojan war and Achilles fell in love with her.
  • Photo of Roman relief sculpture, Aphrodisias, Turkey, Images of Roman art bas reliefs.  Achilles supports the dying Amazon queen Penthesilea whom he has mortally wounded. Her double headed axe slips from her hands. The queen had come to fight against the Greeks in the Trojan war and Achilles fell in love with her.
  • Photo of Roman releif sculpture of Aphrodite & Anchises from the Oda first room, Aphrodisias, Turkey, Images of Roman art bas releifs. Buy as stock or photo art prints. The trojan shepherd Anchises gazes at a seated Aphrodite, his lover for one night on Mount Ida. She hold a smalkl Eros in her lap : this is an erotic encounter. The head of Seine [ moon ] appears above the mountain in the top left of the scene. Aineas was the result of this union.
  • Diomedes - A 2nd or 3rd century AD Roman copy of a Greek classical sculpture from about 430-370 BC. This Roman statue represent Diomede, one of the Greek hero of the Trojan War. This statue belongs to a series of ancient replicas (Naples, Munich), which copy the original Greek statue from the school of Polykleitos, attributed to the sculptor Naucydes or Cresilas who worked in Athens to 440-430 BC. From the Cardinal Richelieu Collection  Inv MR 265   (or Ma 890), The Louvre Mueum, Paris.
  • Roman relief sculpture, Aphrodisias, Turkey, Images of Roman art bas reliefs.  Achilles supports the dying Amazon queen Penthesilea whom he has mortally wounded. Her double headed axe slips from her hands. The queen had come to fight against the Greeks in the Trojan war and Achilles fell in love with her.
  • Photo of Roman relief sculpture, Aphrodisias, Turkey, Images of Roman art bas reliefs.  Achilles supports the dying Amazon queen Penthesilea whom he has mortally wounded. Her double headed axe slips from her hands. The queen had come to fight against the Greeks in the Trojan war and Achilles fell in love with her.
  • Photo of Roman relief sculpture, Aphrodisias, Turkey, Images of Roman art bas reliefs.  Achilles supports the dying Amazon queen Penthesilea whom he has mortally wounded. Her double headed axe slips from her hands. The queen had come to fight against the Greeks in the Trojan war and Achilles fell in love with her.
  • Treasury of Siphnos East Frieze representing scenes from the Trojan War. 525 b.C. .From Left: Aris, Afrodite, Artemis. Delphi Archaeological Museum.
  • Treasury of Siphnos East Frieze representing scenes from the Trojan War. 525 b.C.  Delphi Archaeological Museum.

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