• Young girl and her mother wind blowing sorgum grain in a village. West Nile Uganda
  • Assyrian relief sculpture panel  of an eagle headed protective spirit  from Nimrud, Iraq.  The spirit is holding a symbolic fir cone and is sprinkling holy water. 865-860 B.C North West Palace, Room F, panel 3.  British Museum Assyrian  Archaeological exhibit  ref WA 124584-5
  • Assyrian relief sculpture panel  from Nimrud, Iraq.  865-860 B.C North West Palace.  British Museum Assyrian  Archaeological exhibit.
  • Assyrian relief sculpture panel  of King Ashurnasirpal flanked by  eagle headed protective spirits,  from Nimrud, Iraq.  865-860 B.C North West Palace, Room F, panel 3-4.  British Museum Assyrian  Archaeological exhibit  ref WA 124584-5
  • Assyrian relief sculpture panel  of a protective spirits,  from Nimrud, Iraq.  The spirit is holding a symbolic fir cone and is sprinkling holy water. 865-860 B.C North West Palace, Room G, door e, panel 1.  British Museum Assyrian  Archaeological exhibit  ref WA 124586
  • Assyrian relief sculpture panel  of a protective spirits,  from Nimrud, Iraq. The spirit is holding a symbolic fir cone and is sprinkling holy water from the bucket it is holding.   865-860 B.C North West Palace, Room G, door e, panel 1.  British Museum Assyrian  Archaeological exhibit  ref WA 124586
  • Assyrian relief sculpture panel  of a female protective spirit  from Nimrud, Iraq.  865-860 B.C North West Palace, Room I.  British Museum Assyrian  Archaeological exhibit  ref WA 124581
  • Assyrian relief sculpture panel of a protective spirit from Nimrud, Iraq.  865-860 B.C North West Palace, Room Z.  ref: British Museum Assyrian  Archaeological exhibit WA 118874
  • Assyrian relief sculpture panel  of a female protective spirit  from Nimrud, Iraq.  865-860 B.C North West Palace, Room I.  British Museum Assyrian  Archaeological exhibit  ref WA 124581
  • Assyrian relief sculpture panel of a protective spirit holdingpomegrantes from Nimrud, Iraq.  865-860 B.C North West Palace, Room Z.  ref: British Museum Assyrian  Archaeological exhibit WA 118874
  • Assyrian relief sculpture panel of a protective spirit with an eagles Head from Nimrud, Iraq. The spirit is holding a symbolic fir cone and is sprinkling holy water from the bucket it is holding.  865-860 B.C North West Palace, Room G, panelled d1. ref: British Museum Assyrian  Archaeological exhibit WA 124576
  • Assyrian relief sculpture panel of a protective spirit with an eagles Head from Nimrud, Iraq. The spirit is holding a symbolic fir cone and is sprinkling holy water from the bucket it is holding.  865-860 B.C North West Palace, Room G, panelled d1. ref: British Museum Assyrian  Archaeological exhibit WA 124576
  • Assyrian relief sculpture panel  from Nimrud, Iraq.  865-860 B.C North West Palace.  British Museum Assyrian  Archaeological exhibit.
  • Assyrian relief sculpture panel  of a female protective spirits  from Nimrud, Iraq.  865-860 B.C North West Palace, Room I.  British Museum Assyrian  Archaeological exhibit  ref WA 124581
  • Assyrian relief sculpture panel  of a protective spirits holding a bucket of holy water wearing a rosette bracelet which symbolises divine power. From Nimrud, Iraq.  865-860 B.C North West Palace, Room S, door c.  British Museum Assyrian  Archaeological exhibit  ref WA 118803
  • Assyrian relief sculpture panel  of King Ashurnasirpal flanked by  eagle headed protective spirits who are sprinkling him with holy water from the buckets they are holding from symbolic fir cones. From Nimrud, Iraq,  865-860 B.C North West Palace, Room F, panel 3-4.  British Museum Assyrian  Archaeological exhibit  ref WA 124584-5
  • Assyrian relief sculpture panel of a protective spirit with an eagles Head from Nimrud, Iraq.  The spirit is holding a symbolic fir cone and is sprinkling holy water from the bucket it is holding. The rosette bracelet worn around the wrist symbolises divine power. 865-860 B.C North West Palace, Room I. ref: British Museum Assyrian  Archaeological exhibit WA 118921
  • Assyrian relief sculpture panel of a protective spirit with an eagles Head from Nimrud, Iraq.  The spirit is holding a symbolic fir cone and is sprinkling holy water from the bucket it is holding. The rosette bracelet worn around the wrist symbolises divine power. 865-860 B.C North West Palace, Room G, panelled d1. ref: British Museum Assyrian  Archaeological exhibit WA 124576
  • Assyrian relief sculpture panel  of a female protective spirits  from Nimrud, Iraq.  865-860 B.C North West Palace, Room I.  British Museum Assyrian  Archaeological exhibit  ref WA 124581
  • Assyrian relief sculpture panel  of a protective spirits holding a bucket of holy water wearing a rosette bracelet which symbolises divine power. From Nimrud, Iraq.  865-860 B.C North West Palace, Room S, door c.  British Museum Assyrian  Archaeological exhibit  ref WA 118803
  • Assyrian relief sculpture panel of a protective spirit with an eagles Head from Nimrud, Iraq.  The spirit is holding a symbolic fir cone and is sprinkling holy water from the bucket it is holding. The rosette bracelet worn around the wrist symbolises divine power. 865-860 B.C North West Palace, Room G, panelled d1. ref: British Museum Assyrian  Archaeological exhibit WA 124576
  • Assyrian relief sculpture panel of a protective spirit with an eagles Head from Nimrud, Iraq.  The spirit is holding a symbolic fir cone and is sprinkling holy water from the bucket it is holding. The rosette bracelet worn around the wrist symbolises divine power. 865-860 B.C North West Palace, Room G, panelled d1. ref: British Museum Assyrian  Archaeological exhibit WA 124576
  • Assyrian relief sculpture panel of a protective spirit with an eagles Head from Nimrud, Iraq.  The spirit is holding a symbolic fir cone and is sprinkling holy water from the bucket it is holding. The rosette bracelet worn around the wrist symbolises divine power. 865-860 B.C North West Palace, Room I. ref: British Museum Assyrian  Archaeological exhibit WA 118921
  • Assyrian relief sculpture panel  of a female protective spirits  from Nimrud, Iraq.  865-860 B.C North West Palace, Room I.  British Museum Assyrian  Archaeological exhibit  ref WA 124581
  • Assyrian relief sculpture panel  of a protective spirits holding a bucket of holy water wearing a rosette bracelet which symbolises divine power. From Nimrud, Iraq.  865-860 B.C North West Palace, Room S, door c.  British Museum Assyrian  Archaeological exhibit  ref WA 118803
  • Assyrian relief sculpture panel  of King Ashurnasirpal flanked by  eagle headed protective spirits,  from Nimrud, Iraq.  865-860 B.C North West Palace, Room F, panel 3-4.  British Museum Assyrian  Archaeological exhibit  ref WA 124584-5
  • Assyrian relief sculpture panel of a protective spirit with an eagles Head from Nimrud, Iraq.  The spirit is holding a symbolic fir cone and is sprinkling holy water from the bucket it is holding. The rosette bracelet worn around the wrist symbolises divine power. 865-860 B.C North West Palace, Room I. ref: British Museum Assyrian  Archaeological exhibit WA 118921
  • Assyrian relief sculpture panel  of a protective spirits holding a bucket of holy water wearing a rosette bracelet which symbolises divine power. From Nimrud, Iraq.  865-860 B.C North West Palace, Room S, door c.  British Museum Assyrian  Archaeological exhibit  ref WA 118803
  • Assyrian relief sculpture panel of a protective spirit with an eagles Head from Nimrud, Iraq.  The spirit is holding a symbolic fir cone and is sprinkling holy water from the bucket it is holding. The rosette bracelet worn around the wrist symbolises divine power. 865-860 B.C North West Palace, Room G, panelled d1. ref: British Museum Assyrian  Archaeological exhibit WA 124576
  • Assyrian relief sculpture panel of a protective spirit with an eagles Head from Nimrud, Iraq.  The spirit is holding a symbolic fir cone and is sprinkling holy water from the bucket it is holding. The rosette bracelet worn around the wrist symbolises divine power. 865-860 B.C North West Palace, Room I. ref: British Museum Assyrian  Archaeological exhibit WA 118921
  • Assyrian relief sculpture panel  of King Ashurnasirpal flanked by  eagle headed protective spirits,  from Nimrud, Iraq.  865-860 B.C North West Palace, Room F, panel 3-4.  British Museum Assyrian  Archaeological exhibit  ref WA 124584-5
  • Assyrian relief sculpture panel  of a female protective spirits  from Nimrud, Iraq.  865-860 B.C North West Palace, Room I.  British Museum Assyrian  Archaeological exhibit  ref WA 124581
  • Side chapel & bell tower of Fountains Abbey , founded in 1132, is one of the largest and best preserved ruined Cistercian monasteries in England. The ruined monastery is a focal point of England's most important 18th century Water, the Studley Royal Water Garden which is a UNESCO World Heritage Site. Near Ripon, North Yorkshire, England
  • Cloisters of Fountains Abbey , founded in 1132, is one of the largest and best preserved ruined Cistercian monasteries in England. The ruined monastery is a focal point of England's most important 18th century Water, the Studley Royal Water Garden which is a UNESCO World Heritage Site. Near Ripon, North Yorkshire, England
  • Gothic arch & bell tower of Fountains Abbey , founded in 1132, is one of the largest and best preserved ruined Cistercian monasteries in England. The ruined monastery is a focal point of England's most important 18th century Water, the Studley Royal Water Garden which is a UNESCO World Heritage Site. Near Ripon, North Yorkshire, England
  • Bell Tower of Fountains Abbey , founded in 1132, is one of the largest and best preserved ruined Cistercian monasteries in England. The ruined monastery is a focal point of England's most important 18th century Water, the Studley Royal Water Garden which is a UNESCO World Heritage Site. Near Ripon, North Yorkshire, England
  • Altar area of Fountains Abbey , founded in 1132, is one of the largest and best preserved ruined Cistercian monasteries in England. The ruined monastery is a focal point of England's most important 18th century Water, the Studley Royal Water Garden which is a UNESCO World Heritage Site. Near Ripon, North Yorkshire, England
  • Main & side aisle of Fountains Abbey , founded in 1132, is one of the largest and best preserved ruined Cistercian monasteries in England. The ruined monastery is a focal point of England's most important 18th century Water, the Studley Royal Water Garden which is a UNESCO World Heritage Site. Near Ripon, North Yorkshire, England
  • Gothic pillars of Fountains Abbey , founded in 1132, is one of the largest and best preserved ruined Cistercian monasteries in England. The ruined monastery is a focal point of England's most important 18th century Water, the Studley Royal Water Garden which is a UNESCO World Heritage Site. Near Ripon, North Yorkshire, England
  • Entrance at sunrise  of the ruins of Fountains Abbey , founded in 1132, is one of the largest and best preserved ruined Cistercian monasteries in England. The ruined monastery is a focal point of England's most important 18th century Water, the Studley Royal Water Garden which is a UNESCO World Heritage Site. Near Ripon, North Yorkshire, England
  • Exterior at sunrise  of the ruins of Fountains Abbey , founded in 1132, is one of the largest and best preserved ruined Cistercian monasteries in England. The ruined monastery is a focal point of England's most important 18th century Water, the Studley Royal Water Garden which is a UNESCO World Heritage Site. Near Ripon, North Yorkshire, England
  • Exterior at sunrise  of Fountains Abbey , founded in 1132, is one of the largest and best preserved ruined Cistercian monasteries in England. The ruined monastery is a focal point of England's most important 18th century Water, the Studley Royal Water Garden which is a UNESCO World Heritage Site. Near Ripon, North Yorkshire, England
  • Side chapel & bell tower of Fountains Abbey , founded in 1132, is one of the largest and best preserved ruined Cistercian monasteries in England. The ruined monastery is a focal point of England's most important 18th century Water, the Studley Royal Water Garden which is a UNESCO World Heritage Site. Near Ripon, North Yorkshire, England
  • Main Altar of Fountains Abbey , founded in 1132, is one of the largest and best preserved ruined Cistercian monasteries in England. The ruined monastery is a focal point of England's most important 18th century Water, the Studley Royal Water Garden which is a UNESCO World Heritage Site. Near Ripon, North Yorkshire, England
  • Bell tower at sunrise  of Fountains Abbey , founded in 1132, is one of the largest and best preserved ruined Cistercian monasteries in England. The ruined monastery is a focal point of England's most important 18th century Water, the Studley Royal Water Garden which is a UNESCO World Heritage Site. Near Ripon, North Yorkshire, England
  • Fountains Abbey & Studley Royal water gardens, founded in 1132, is one of the largest and best preserved ruined Cistercian monasteries in England. The ruined monastery is a focal point of England's most important 18th century Water, the Studley Royal Water Garden which is a UNESCO World Heritage Site. Near Ripon, North Yorkshire, England
  • Autumn view of Fountains Abbey & Studley Royal water gardens, founded in 1132, is one of the largest and best preserved ruined Cistercian monasteries in England. The ruined monastery is a focal point of England's most important 18th century Water, the Studley Royal Water Garden which is a UNESCO World Heritage Site. Near Ripon, North Yorkshire, England
  • arched doorway into Fountains Abbey , founded in 1132, is one of the largest and best preserved ruined Cistercian monasteries in England. The ruined monastery is a focal point of England's most important 18th century Water, the Studley Royal Water Garden which is a UNESCO World Heritage Site. Near Ripon, North Yorkshire, England
  • Gothic arches of the great hall of Fountains Abbey , founded in 1132, is one of the largest and best preserved ruined Cistercian monasteries in England. The ruined monastery is a focal point of England's most important 18th century Water, the Studley Royal Water Garden which is a UNESCO World Heritage Site. Near Ripon, North Yorkshire, England
  • Gothic arches of the great hall of Fountains Abbey , founded in 1132, is one of the largest and best preserved ruined Cistercian monasteries in England. The ruined monastery is a focal point of England's most important 18th century Water, the Studley Royal Water Garden which is a UNESCO World Heritage Site. Near Ripon, North Yorkshire, England
  • Gothic arches of the great hall of Fountains Abbey , founded in 1132, is one of the largest and best preserved ruined Cistercian monasteries in England. The ruined monastery is a focal point of England's most important 18th century Water, the Studley Royal Water Garden which is a UNESCO World Heritage Site. Near Ripon, North Yorkshire, England
  • Gothic arches of the great hall of Fountains Abbey , founded in 1132, is one of the largest and best preserved ruined Cistercian monasteries in England. The ruined monastery is a focal point of England's most important 18th century Water, the Studley Royal Water Garden which is a UNESCO World Heritage Site. Near Ripon, North Yorkshire, England
  • Side chapel wall & bell tower of Fountains Abbey , founded in 1132, is one of the largest and best preserved ruined Cistercian monasteries in England. The ruined monastery is a focal point of England's most important 18th century Water, the Studley Royal Water Garden which is a UNESCO World Heritage Site. Near Ripon, North Yorkshire, England
  • Entrance to central courtyard of Fountains Abbey , founded in 1132, is one of the largest and best preserved ruined Cistercian monasteries in England. The ruined monastery is a focal point of England's most important 18th century Water, the Studley Royal Water Garden which is a UNESCO World Heritage Site. Near Ripon, North Yorkshire, England
  • Ruins of Fountains Abbey , founded in 1132, is one of the largest and best preserved ruined Cistercian monasteries in England. The ruined monastery is a focal point of England's most important 18th century Water, the Studley Royal Water Garden which is a UNESCO World Heritage Site. Near Ripon, North Yorkshire, England
  • Central Aisle of Fountains Abbey , founded in 1132, is one of the largest and best preserved ruined Cistercian monasteries in England. The ruined monastery is a focal point of England's most important 18th century Water, the Studley Royal Water Garden which is a UNESCO World Heritage Site. Near Ripon, North Yorkshire, England
  • Romanesque arch of Fountains Abbey , founded in 1132, is one of the largest and best preserved ruined Cistercian monasteries in England. The ruined monastery is a focal point of England's most important 18th century Water, the Studley Royal Water Garden which is a UNESCO World Heritage Site. Near Ripon, North Yorkshire, England
  • Ancient Egyptian tomb relief sculpture of King Amenhotep III with a blue crown from the grave of Chaemhat, Thebes West. 18th Dynasty 1360 BC. Neues Museum Berlin AM 14442.
  • Ancient Egyptian tomb relief sculpture of King Amenhotep III from the grave of Chaemhat, Thebes West. 18th Dynasty 1360 BC. Neues Museum Berlin AM 14503.
  • Ancient Egyptian tomb relief sculpture of King Amenhotep III with a blue crown from the grave of Chaemhat, Thebes West. 18th Dynasty 1360 BC. Neues Museum Berlin AM 14442.
  • Ancient Egyptian tomb relief sculpture of King Amenhotep III from the grave of Chaemhat, Thebes West. 18th Dynasty 1360 BC. Neues Museum Berlin AM 14503.
  • The Minoan ' Camp Stool' wall art fresco from the West vwing of Knossos Palace, 1450-1300 BC. Heraklion Archaeological Museum. Black Background. <br />
<br />
This Minoan fresco probably depicted a typical banquet at Knossos Palace held in the Upper Hall of the West Wing. Figures seated on 'camp stools' are raising cups and kylikes. A female figure with Mediterranean features wearing vivid make up named ' La Parisienne' by Arthur Evans, has a large 'sacred knot' bunched behind her head and maybe she was a priestess.
  • The Minoan ' Camp Stool' wall art fresco from the West vwing of Knossos Palace, 1450-1300 BC. Heraklion Archaeological Museum.<br />
<br />
This Minoan fresco probably depicted a typical banquet at Knossos Palace held in the Upper Hall of the West Wing. Figures seated on 'camp stools' are raising cups and kylikes. A female figure with Mediterranean features wearing vivid make up named ' La Parisienne' by Arthur Evans, has a large 'sacred knot' bunched behind her head and maybe she was a priestess.
  • Close up of The Minoan ' Camp Stool' wall art fresco from the West vwing of Knossos Palace, 1450-1300 BC. Heraklion Archaeological Museum.<br />
<br />
This Minoan fresco probably depicted a typical banquet at Knossos Palace held in the Upper Hall of the West Wing. Figures seated on 'camp stools' are raising cups and kylikes. A female figure with Mediterranean features wearing vivid make up named ' La Parisienne' by Arthur Evans, has a large 'sacred knot' bunched behind her head and maybe she was a priestess.
  • The Minoan ' Camp Stool' wall art fresco from the West vwing of Knossos Palace, 1450-1300 BC. Heraklion Archaeological Museum.  Grey Background. <br />
<br />
This Minoan fresco probably depicted a typical banquet at Knossos Palace held in the Upper Hall of the West Wing. Figures seated on 'camp stools' are raising cups and kylikes. A female figure with Mediterranean features wearing vivid make up named ' La Parisienne' by Arthur Evans, has a large 'sacred knot' bunched behind her head and maybe she was a priestess.
  • Close up of The Minoan ' Camp Stool' wall art fresco from the West vwing of Knossos Palace, 1450-1300 BC. Heraklion Archaeological Museum.<br />
<br />
This Minoan fresco probably depicted a typical banquet at Knossos Palace held in the Upper Hall of the West Wing. Figures seated on 'camp stools' are raising cups and kylikes. A female figure with Mediterranean features wearing vivid make up named ' La Parisienne' by Arthur Evans, has a large 'sacred knot' bunched behind her head and maybe she was a priestess.
  • The Minoan ' Camp Stool' wall art fresco from the West vwing of Knossos Palace, 1450-1300 BC. Heraklion Archaeological Museum.  Grey Background. <br />
<br />
This Minoan fresco probably depicted a typical banquet at Knossos Palace held in the Upper Hall of the West Wing. Figures seated on 'camp stools' are raising cups and kylikes. A female figure with Mediterranean features wearing vivid make up named ' La Parisienne' by Arthur Evans, has a large 'sacred knot' bunched behind her head and maybe she was a priestess.
  • The Minoan ' Camp Stool' wall art fresco from the West vwing of Knossos Palace, 1450-1300 BC. Heraklion Archaeological Museum.  White Background. <br />
<br />
This Minoan fresco probably depicted a typical banquet at Knossos Palace held in the Upper Hall of the West Wing. Figures seated on 'camp stools' are raising cups and kylikes. A female figure with Mediterranean features wearing vivid make up named ' La Parisienne' by Arthur Evans, has a large 'sacred knot' bunched behind her head and maybe she was a priestess.
  • Close up of The Minoan ' Camp Stool' wall art fresco from the West vwing of Knossos Palace, 1450-1300 BC. Heraklion Archaeological Museum.<br />
<br />
This Minoan fresco probably depicted a typical banquet at Knossos Palace held in the Upper Hall of the West Wing. Figures seated on 'camp stools' are raising cups and kylikes. A female figure with Mediterranean features wearing vivid make up named ' La Parisienne' by Arthur Evans, has a large 'sacred knot' bunched behind her head and maybe she was a priestess.
  • Minoan Bull wall art fresco , West Bastion, Knossos Palace, 1600-1450 BC. Heraklion Archaeological Museum.<br />
<br />
The Minoan Bull fresco was part of a larger composition which probably had a hunter or bull leaper in it. It is a masterpiece of Minoan naturalism and a work of high quality and expresive power.
  • Statue head of Commagene in front of the 62 BC Royal Tomb of King Antiochus I Theos of Commagene, west Terrace, Mount Nemrut or Nemrud Dagi summit, near Adıyaman, Turkey
  • Statue head of from left, Zeus, Commagene, Apollo, Herekles & Eagle in front of the 62 BC Royal Tomb of King Antiochus I Theos of Commagene, west Terrace, Mount Nemrut or Nemrud Dagi summit, near Adıyaman, Turkey
  • The Tomb of Payava ( 360 B.C), a typical Gothic arch shaped double barrel vaulted pillar tomb. From an inscription on the Tomb Payava was a ruler under Persian rule of Xanthos.  From Xanthos UNESCO World Heritage site, south west Turkey. A British Museum exhibit excavated by Charles Fellows in 1844.
  • The Tomb of Payava ( 360 B.C), a typical Gothic arch shaped double barrel vaulted pillar tomb. From an inscription on the Tomb Payava was a ruler under Persian rule of Xanthos.  From Xanthos UNESCO World Heritage site, south west Turkey. A British Museum exhibit excavated by Charles Fellows in 1844.
  • Lion from the "Satyr Hunting Wils Animals, freezes, 460 B.C. From Xanthos, UNESCO World Heritage site, south west Turkey. A British Museum exhibit GR 1848-10-20-2-9 (sculpture B 2902- 298).
  • The sculptured  4th cent. B.C Lycian Nereid ( Mythical Greek Sea Nymphs) Monument tomb of Arbina, a Xanthian client ruler of the Persians conquerors of Lycia. From Xanthos UNESCO World Heritage site, south west Turkey. British Museum exhibit excavated by Charles Fellows in 1840s.
  • The sculptured  4th cent. B.C Lycian Nereid ( Mythical Greek Sea Nymphs) Monument tomb of Arbina, a Xanthian client ruler of the Persians conquerors of Lycia. From Xanthos UNESCO World Heritage site, south west Turkey. British Museum exhibit excavated by Charles Fellows in 1840s.
  • Minoan Bull wall art fresco , West Bastion, Knossos Palace, 1600-1450 BC. Heraklion Archaeological Museum.<br />
<br />
The Minoan Bull fresco was part of a larger composition which probably had a hunter or bull leaper in it. It is a masterpiece of Minoan naturalism and a work of high quality and expresive power.
  • Minoan Bull wall art fresco , West Bastion, Knossos Palace, 1600-1450 BC. Heraklion Archaeological Museum.  Grey Background. <br />
<br />
The Minoan Bull fresco was part of a larger composition which probably had a hunter or bull leaper in it. It is a masterpiece of Minoan naturalism and a work of high quality and expresive power.
  • Minoan Bull wall art fresco , West Bastion, Knossos Palace, 1600-1450 BC. Heraklion Archaeological Museum.<br />
<br />
The Minoan Bull fresco was part of a larger composition which probably had a hunter or bull leaper in it. It is a masterpiece of Minoan naturalism and a work of high quality and expresive power.
  • Minoan Bull wall art fresco , West Bastion, Knossos Palace, 1600-1450 BC. Heraklion Archaeological Museum.<br />
<br />
The Minoan Bull fresco was part of a larger composition which probably had a hunter or bull leaper in it. It is a masterpiece of Minoan naturalism and a work of high quality and expresive power.
  • Minoan Bull wall art fresco , West Bastion, Knossos Palace, 1600-1450 BC. Heraklion Archaeological Museum.  Grey Background. <br />
<br />
The Minoan Bull fresco was part of a larger composition which probably had a hunter or bull leaper in it. It is a masterpiece of Minoan naturalism and a work of high quality and expresive power.
  • Minoan Bull wall art fresco , West Bastion, Knossos Palace, 1600-1450 BC. Heraklion Archaeological Museum.<br />
<br />
The Minoan Bull fresco was part of a larger composition which probably had a hunter or bull leaper in it. It is a masterpiece of Minoan naturalism and a work of high quality and expresive power.
  • Minoan Bull wall art fresco , West Bastion, Knossos Palace, 1600-1450 BC. Heraklion Archaeological Museum.  White Background. <br />
<br />
The Minoan Bull fresco was part of a larger composition which probably had a hunter or bull leaper in it. It is a masterpiece of Minoan naturalism and a work of high quality and expresive power.
  • Minoan Bull wall art fresco , West Bastion, Knossos Palace, 1600-1450 BC. Heraklion Archaeological Museum. Black Background. <br />
<br />
The Minoan Bull fresco was part of a larger composition which probably had a hunter or bull leaper in it. It is a masterpiece of Minoan naturalism and a work of high quality and expresive power.
  • Quartz ancient Egyptian relief sculpture of Queen Tiy from the funerary temple of Amenohis III, West Thebes. 18th Dynasty Ancient Egypt, 1375 BC . Neues Museum Berlin Cat No: AM 23270.
  • Quartz ancient Egyptian relief sculpture of Queen Tiy from the funerary temple of Amenohis III, West Thebes. 18th Dynasty Ancient Egypt, 1375 BC . Neues Museum Berlin Cat No: AM 23270.
  • Quartz ancient Egyptian relief sculpture of Queen Tiy from the funerary temple of Amenohis III, West Thebes. 18th Dynasty Ancient Egypt, 1375 BC . Neues Museum Berlin Cat No: AM 23270.
  • Quartz ancient Egyptian relief sculpture of Queen Tiy from the funerary temple of Amenohis III, West Thebes. 18th Dynasty Ancient Egypt, 1375 BC . Neues Museum Berlin Cat No: AM 23270.
  • Quartz ancient Egyptian relief sculpture of Queen Tiy from the funerary temple of Amenohis III, West Thebes. 18th Dynasty Ancient Egypt, 1375 BC . Neues Museum Berlin Cat No: AM 23270.
  • Ancient Egyptian tomb relief sculpture of King Amenhotep III from the grave of Chaemhat, Thebes West. 18th Dynasty 1360 BC. Neues Museum Berlin AM 14503.
  • Ancient Egyptian tomb relief sculpture of King Amenhotep III from the grave of Chaemhat, Thebes West. 18th Dynasty 1360 BC. Neues Museum Berlin AM 14503.
  • Ancient Egyptian tomb relief sculpture of King Amenhotep III from the grave of Chaemhat, Thebes West. 18th Dynasty 1360 BC. Neues Museum Berlin AM 14503.
  • Ancient Egyptian tomb relief sculpture of King Amenhotep III from the grave of Chaemhat, Thebes West. 18th Dynasty 1360 BC. Neues Museum Berlin AM 14503.
  • Ancient Egyptian tomb relief sculpture of King Amenhotep III from the grave of Chaemhat, Thebes West. 18th Dynasty 1360 BC. Neues Museum Berlin AM 14503.
  • Quartz ancient Egyptian relief sculpture of Queen Tiy from the funerary temple of Amenohis III, West Thebes. 18th Dynasty Ancient Egypt, 1375 BC . Neues Museum Berlin Cat No: AM 23270.
  • Statue head of from left,  Commagene, Apollo, Herekles & Eagle in front of the 62 BC Royal Tomb of King Antiochus I Theos of Commagene, west Terrace, Mount Nemrut or Nemrud Dagi summit, near Adıyaman, Turkey
  • Statue head of from left, Antiochus, Zeus, Commagene, Apollo, Herekles & Eagle in front of the 62 BC Royal Tomb of King Antiochus I Theos of Commagene, west Terrace, Mount Nemrut or Nemrud Dagi summit, near Adıyaman, Turkey
  • Statue head of from left, Antiochus, Zeus, Commagene, Apollo, Herekles & Eagle in front of the 62 BC Royal Tomb of King Antiochus I Theos of Commagene, west Terrace, Mount Nemrut or Nemrud Dagi summit, near Adıyaman, Turkey
  • Statue head of from left, Zeus, Commagene, Apollo, Herekles & Eagle in front of the 62 BC Royal Tomb of King Antiochus I Theos of Commagene, west Terrace, Mount Nemrut or Nemrud Dagi summit, near Adıyaman, Turkey
  • Statue head of from left, Zeus, Commagene, Apollo, Herekles & Eagle in front of the 62 BC Royal Tomb of King Antiochus I Theos of Commagene, west Terrace, Mount Nemrut or Nemrud Dagi summit, near Adıyaman, Turkey
  • Statue head at sunset of from left, Zeus, Commagene, Apollo, Herekles & Eagle in front of the 62 BC Royal Tomb of King Antiochus I Theos of Commagene, west Terrace, Mount Nemrut or Nemrud Dagi summit, near Adıyaman, Turkey
  • Statue head of from left, Apollo, Herekles & Eagle in front of the 62 BC Royal Tomb of King Antiochus I Theos of Commagene, west Terrace, Mount Nemrut or Nemrud Dagi summit, near Adıyaman, Turkey
  • Statue head of from left, Apollo, Herekles & Eagle in front of the 62 BC Royal Tomb of King Antiochus I Theos of Commagene, west Terrace, Mount Nemrut or Nemrud Dagi summit, near Adıyaman, Turkey
  • Statue head at sunset of Zeus & Antiocchus behind, in front of the 62 BC Royal Tomb of King Antiochus I Theos of Commagene, west Terrace, Mount Nemrut or Nemrud Dagi summit, near Adıyaman, Turkey
  • Statue head of Zeus & Antiocchus behind, in front of the 62 BC Royal Tomb of King Antiochus I Theos of Commagene, west Terrace, Mount Nemrut or Nemrud Dagi summit, near Adıyaman, Turkey
  • Statue head at sunset, from left, Antiochus, Commenge , Zeus, Apollo, Herekles & Eagle, in front of the 62 BC Royal Tomb of King Antiochus I Theos of Commagene, west Terrace, Mount Nemrut or Nemrud Dagi summit, near Adıyaman, Turkey
  • Statue head at sunset, from left, Antiochus, Commenge , Zeus, Apollo, Herekles & Eagle, in front of the 62 BC Royal Tomb of King Antiochus I Theos of Commagene, west Terrace, Mount Nemrut or Nemrud Dagi summit, near Adıyaman, Turkey
  • Statue head, from left, Antiochus, Commenge , Zeus, Apollo, Herekles & Eagle, in front of the 62 BC Royal Tomb of King Antiochus I Theos of Commagene, west Terrace, Mount Nemrut or Nemrud Dagi summit, near Adıyaman, Turkey
  • Statue head, from left, Antiochus, Commenge , Zeus, Apollo, Herekles & Eagle, in front of the 62 BC Royal Tomb of King Antiochus I Theos of Commagene, west Terrace, Mount Nemrut or Nemrud Dagi summit, near Adıyaman, Turkey
  • Statue head, from left, Antiochus, Commenge & Zeus, in front of the 62 BC Royal Tomb of King Antiochus I Theos of Commagene, west Terrace, Mount Nemrut or Nemrud Dagi summit, near Adıyaman, Turkey
  • Statue head, from froint, of an eagle, Herakles & Apollo, & Zeus (left), in front of the stone pyramid  62 BC Royal Tomb of King Antiochus I Theos of Commagene, west Terrace, Mount Nemrut or Nemrud Dagi summit, near Adıyaman, Turkey
  • Statue head, from front, of an eagle, Herakles & Apollo, & Zeus (left), in front of the 62 BC Royal Tomb of King Antiochus I Theos of Commagene, west Terrace, Mount Nemrut or Nemrud Dagi summit, near Adıyaman, Turkey
  • Statue heads at sunset, from froint, of an eagle, Herakles & Apollo, & Zeus (left), in front of the stone pyramid  62 BC Royal Tomb of King Antiochus I Theos of Commagene, west Terrace, Mount Nemrut or Nemrud Dagi summit, near Adıyaman, Turkey
  • Statue head, from froint, of an eagle, Herakles & Apollo, & Zeus (left), in front of the stone pyramid  62 BC Royal Tomb of King Antiochus I Theos of Commagene, west Terrace, Mount Nemrut or Nemrud Dagi summit, near Adıyaman, Turkey
  • Statue head of  Antiochus, the 62 BC Royal Tomb of King Antiochus I Theos of Commagene, west Terrace, Mount Nemrut or Nemrud Dagi summit, near Adıyaman, Turkey
  • Statue head of  Antiochus, the 62 BC Royal Tomb of King Antiochus I Theos of Commagene, west Terrace, Mount Nemrut or Nemrud Dagi summit, near Adıyaman, Turkey
  • Statue head of Herakles & Apollo (behind) in front of the stone pyramid 62 BC Royal Tomb of King Antiochus I Theos of Commagene, west Terrace, Mount Nemrut or Nemrud Dagi summit, near Adıyaman, Turkey
  • Statue head, from froint, of an eagle (or Zeus), Herakles & Apollo (behind) in front of the stone pyramid 62 BC Royal Tomb of King Antiochus I Theos of Commagene, west Terrace, Mount Nemrut or Nemrud Dagi summit, near Adıyaman, Turkey
  • Statue head of Zeus & Antiochus behind, the 62 BC Royal Tomb of King Antiochus I Theos of Commagene, west Terrace, Mount Nemrut or Nemrud Dagi summit, near Adıyaman, Turkey
  • Statue of a Nymphe, the spirit of the meadows, forest & waters, an early Roman marble sculpture, Ist cent B.C, from Tralles (Aydin) , west Turkey. Istanbul Archaeological museum Cat. Mendel 543.
  • Statue of a Nymphe, the spirit of the meadows, forest & waters, an early Roman marble sculpture, Ist cent B.C, from Tralles (Aydin) , west Turkey. Istanbul Archaeological museum Cat. Mendel 543.
  • Statue of a Nymphe, the spirit of the meadows, forest & waters, an early Roman marble sculpture, Ist cent B.C, from Tralles (Aydin) , west Turkey. Istanbul Archaeological museum Cat. Mendel 543.
  • Lion from the "Satyr Hunting Wils Animals, freezes, 460 B.C. From Xanthos, UNESCO World Heritage site, south west Turkey. A British Museum exhibit GR 1848-10-20-2-9 (sculpture B 2902- 298).
  • Lion from the "Satyr Hunting Wils Animals, freezes, 460 B.C. From Xanthos, UNESCO World Heritage site, south west Turkey. A British Museum exhibit GR 1848-10-20-2-9 (sculpture B 2902- 298).
  • Satyr from the "Satyr Hunting Wils Animals, freezes, 460 B.C. From Xanthos, UNESCO World Heritage site, south west Turkey. A British Museum exhibit GR 1848-10-20-2-9 (sculpture B 2902- 298).
  • Satyr from the "Satyr Hunting Wils Animals, freezes, 460 B.C. From Xanthos, UNESCO World Heritage site, south west Turkey. A British Museum exhibit GR 1848-10-20-2-9 (sculpture B 2902- 298).
  • Lion killing deer  from the "Satyr Hunting Wils Animals, freezes, 460 B.C.  From Xanthos, UNESCO World Heritage site, south west Turkey. A British Museum exhibit GR 1848-10-20-2-9 (sculpture B 2902- 298).
  • Lion killing deer  from the "Satyr Hunting Wils Animals, freezes, 460 B.C.  From Xanthos, UNESCO World Heritage site, south west Turkey. A British Museum exhibit GR 1848-10-20-2-9 (sculpture B 2902- 298).
  • Wild Boar from the "Satyr Hunting Wils Animals, freezes, 460 B.C.  From Xanthos, UNESCO World Heritage site, south west Turkey. A British Museum exhibit GR 1848-10-20-2-9 (sculpture B 2902- 298).
  • Wild Boar from the "Satyr Hunting Wils Animals, freezes, 460 B.C.  From Xanthos, UNESCO World Heritage site, south west Turkey. A British Museum exhibit GR 1848-10-20-2-9 (sculpture B 2902- 298).
  • Lion killing deer  from the "Satyr Hunting Wils Animals, freezes, 460 B.C.  From Xanthos, UNESCO World Heritage site, south west Turkey. A British Museum exhibit GR 1848-10-20-2-9 (sculpture B 2902- 298).
  • Wild Boar from the "Satyr Hunting Wils Animals, freezes, 460 B.C.  From Xanthos, UNESCO World Heritage site, south west Turkey. A British Museum exhibit GR 1848-10-20-2-9 (sculpture B 2902- 298).
  • Satyr from the "Satyr Hunting Wils Animals, freezes, 460 B.C. From Xanthos, UNESCO World Heritage site, south west Turkey. A British Museum exhibit GR 1848-10-20-2-9 (sculpture B 2902- 298).
  • Hunters freeze from the Large Podium of the sculptured  4th cent. B.C Lycian Nereid ( Mythical Greek Sea Nymphs) Monument tomb of Arbina, a Xanthian client ruler of the Persians conquerors of Lycia. From Xanthos UNESCO World Heritage site, south west Turkey. British Museum exhibit excavated by Charles Fellows in 1840s.
  • Statue of a Nereid ( Mythical Greek Sea Nymphs) from the sculptured  4th cent. B.C Lycian Nereid  Monument tomb of Arbina, a Xanthian client ruler of the Persians conquerors of Lycia. From Xanthos UNESCO World Heritage site, south west Turkey. British Museum exhibit excavated by Charles Fellows in 1840s.
  • Statue of a Nereid ( Mythical Greek Sea Nymphs) from the sculptured  4th cent. B.C Lycian Nereid  Monument tomb of Arbina, a Xanthian client ruler of the Persians conquerors of Lycia. From Xanthos UNESCO World Heritage site, south west Turkey. British Museum exhibit excavated by Charles Fellows in 1840s.
  • Statue of a Nereid ( Mythical Greek Sea Nymphs) from the sculptured  4th cent. B.C Lycian Nereid  Monument tomb of Arbina, a Xanthian client ruler of the Persians conquerors of Lycia. From Xanthos UNESCO World Heritage site, south west Turkey. British Museum exhibit excavated by Charles Fellows in 1840s.
  • The sculptured  4th cent. B.C Lycian Nereid ( Mythical Greek Sea Nymphs) Monument tomb of Arbina, a Xanthian client ruler of the Persians conquerors of Lycia. From Xanthos UNESCO World Heritage site, south west Turkey. British Museum exhibit excavated by Charles Fellows in 1840s.
  • The sculptured  4th cent. B.C Lycian Nereid ( Mythical Greek Sea Nymphs) Monument tomb of Arbina, a Xanthian client ruler of the Persians conquerors of Lycia. From Xanthos UNESCO World Heritage site, south west Turkey. British Museum exhibit excavated by Charles Fellows in 1840s.
  • The sculptured  4th cent. B.C Lycian Nereid ( Mythical Greek Sea Nymphs) Monument tomb of Arbina, a Xanthian client ruler of the Persians conquerors of Lycia. From Xanthos UNESCO World Heritage site, south west Turkey. British Museum exhibit excavated by Charles Fellows in 1840s.
  • The sculptured  4th cent. B.C Lycian Nereid ( Mythical Greek Sea Nymphs) Monument tomb of Arbina, a Xanthian client ruler of the Persians conquerors of Lycia. From Xanthos UNESCO World Heritage site, south west Turkey. British Museum exhibit excavated by Charles Fellows in 1840s.
  • The sculptured  4th cent. B.C Lycian Nereid ( Mythical Greek Sea Nymphs) Monument tomb of Arbina, a Xanthian client ruler of the Persians conquerors of Lycia. From Xanthos UNESCO World Heritage site, south west Turkey. British Museum exhibit excavated by Charles Fellows in 1840s.
  • Norman Romanesque exterior corbel no 78 - sculpture of mans head with elongated face from the outside of the west knave. The Norman Romanesque Church of St Mary and St David, Kilpeck Herefordshire, England. Built around 1140
  • Statue of a Nereid ( Mythical Greek Sea Nymphs) from the sculptured  4th cent. B.C Lycian Nereid  Monument tomb of Arbina, a Xanthian client ruler of the Persians conquerors of Lycia. From Xanthos UNESCO World Heritage site, south west Turkey. British Museum exhibit excavated by Charles Fellows in 1840s.
  • Lion from the "Satyr Hunting Wils Animals, freezes, 460 B.C. From Xanthos, UNESCO World Heritage site, south west Turkey. A British Museum exhibit GR 1848-10-20-2-9 (sculpture B 2902- 298).
  • Satyr from the "Satyr Hunting Wils Animals, freezes, 460 B.C. From Xanthos, UNESCO World Heritage site, south west Turkey. A British Museum exhibit GR 1848-10-20-2-9 (sculpture B 2902- 298).
  • Lion killing deer  from the "Satyr Hunting Wils Animals, freezes, 460 B.C.  From Xanthos, UNESCO World Heritage site, south west Turkey. A British Museum exhibit GR 1848-10-20-2-9 (sculpture B 2902- 298).
  • Wild Boar from the "Satyr Hunting Wils Animals, freezes, 460 B.C.  From Xanthos, UNESCO World Heritage site, south west Turkey. A British Museum exhibit GR 1848-10-20-2-9 (sculpture B 2902- 298).
  • Assyrian relief sculpture panel  of Tribute bearers, the first one has a turban from north-west Syria and raises his clenched hands as a token of submission. The second person may be Phoenician and has a pair of monkeys to add the Assyrian kings exotic animal collection .  From Nimrud, Iraq,  865-860 B.C North West Palace. Court D, panel 7.  British Museum Assyrian  Archaeological exhibit no WA 124502.
  • Assyrian relief sculpture panel  of Tribute bearers, the first one has a turban from north-west Syria and raises his clenched hands as a token of submission. The second person may be Phoenician and has a pair of monkeys to add the Assyrian kings exotic animal collection .  From Nimrud, Iraq,  865-860 B.C North West Palace. Court D, panel 7.  British Museum Assyrian  Archaeological exhibit no WA 124502.
  • Assyrian relief sculpture panel  of Tribute bearers, the first one has a turban from north-west Syria and raises his clenched hands as a token of submission. The second person may be Phoenician and has a pair of monkeys to add the Assyrian kings exotic animal collection .  From Nimrud, Iraq,  865-860 B.C North West Palace. Court D, panel 7.  British Museum Assyrian  Archaeological exhibit no WA 124502.
  • Assyrian relief sculpture panel  of Tribute bearers, the first one has a turban from north-west Syria and raises his clenched hands as a token of submission. The second person may be Phoenician and has a pair of monkeys to add the Assyrian kings exotic animal collection .  From Nimrud, Iraq,  865-860 B.C North West Palace. Court D, panel 7.  British Museum Assyrian  Archaeological exhibit no WA 124502.
  • The Minoan 'Procession Fresco', wall art from the South Prpylaeum, Knossos Palace, 1500-1400 BC . Heraklion Archaeological Museum.<br />
<br />
This latrge Minoan fresco of many figure in procession would have decorated the corridor between the West Porch and the South Propylaeum of Knossos Palace. Both sides of the corridor were painted with hundreds of male and femal;e figures carrying precious utensils and vessels, probably depicting gift bearers to the ruler of the Palace. The composition is much like those found in the Palaces and tombs of Egypt and the near east at the time. Neopalatial final period.
  • The Minoan 'Cup Bearer' from the 'Procession Fresco', wall art from the South Prpylaeum, Knossos Palace, 1500-1400 BC . Heraklion Archaeological Museum.  Grey Background. <br />
<br />
The 'Cup Bearer' depicts a youth with long black hair, a naked torso and a richly decorated kilt carrying a large silver rhuyhon ceremonial vessel. This large Minoan fresco of many figure in procession would have decorated the corridor between the West Porch and the South Propylaeum of Knossos Palace. Both sides of the corridor were painted with hundreds of male and femal;e figures carrying precious utensils and vessels, probably depicting gift bearers to the ruler of the Palace. The composition is much like those found in the Palaces and tombs of Egypt and the near east at the time. Neopalatial final period.
  • The Minoan 'Procession Fresco', wall art from the South Prpylaeum, Knossos Palace, 1500-1400 BC . Heraklion Archaeological Museum.  Grey Background. <br />
<br />
This latrge Minoan fresco of many figure in procession would have decorated the corridor between the West Porch and the South Propylaeum of Knossos Palace. Both sides of the corridor were painted with hundreds of male and femal;e figures carrying precious utensils and vessels, probably depicting gift bearers to the ruler of the Palace. The composition is much like those found in the Palaces and tombs of Egypt and the near east at the time. Neopalatial final period.
  • The Minoan 'Procession Fresco', wall art from the South Prpylaeum, Knossos Palace, 1500-1400 BC . Heraklion Archaeological Museum.  Grey Background. <br />
<br />
This latrge Minoan fresco of many figure in procession would have decorated the corridor between the West Porch and the South Propylaeum of Knossos Palace. Both sides of the corridor were painted with hundreds of male and femal;e figures carrying precious utensils and vessels, probably depicting gift bearers to the ruler of the Palace. The composition is much like those found in the Palaces and tombs of Egypt and the near east at the time. Neopalatial final period.
  • Minoan 'Sacred Grove and Dance Freco', wall art from Knossos Palace, 1600-1450 BC. Heraklion Archaeological Museum.   Grey Background. <br />
<br />
This Neopalatial period Minoan fredco comes from thecauseway of the west facade of the palace complex.
  • The Minoan 'Cup Bearer' from the 'Procession Fresco', wall art from the South Prpylaeum, Knossos Palace, 1500-1400 BC . Heraklion Archaeological Museum.  Grey Background. <br />
<br />
The 'Cup Bearer' depicts a youth with long black hair, a naked torso and a richly decorated kilt carrying a large silver rhuyhon ceremonial vessel. This large Minoan fresco of many figure in procession would have decorated the corridor between the West Porch and the South Propylaeum of Knossos Palace. Both sides of the corridor were painted with hundreds of male and femal;e figures carrying precious utensils and vessels, probably depicting gift bearers to the ruler of the Palace. The composition is much like those found in the Palaces and tombs of Egypt and the near east at the time. Neopalatial final period.
  • The Minoan 'Procession Fresco', wall art from the South Prpylaeum, Knossos Palace, 1500-1400 BC . Heraklion Archaeological Museum.  Grey Background. <br />
<br />
This latrge Minoan fresco of many figure in procession would have decorated the corridor between the West Porch and the South Propylaeum of Knossos Palace. Both sides of the corridor were painted with hundreds of male and femal;e figures carrying precious utensils and vessels, probably depicting gift bearers to the ruler of the Palace. The composition is much like those found in the Palaces and tombs of Egypt and the near east at the time. Neopalatial final period.
  • The Minoan 'Procession Fresco', wall art from the South Prpylaeum, Knossos Palace, 1500-1400 BC . Heraklion Archaeological Museum.  Grey Background. <br />
<br />
This latrge Minoan fresco of many figure in procession would have decorated the corridor between the West Porch and the South Propylaeum of Knossos Palace. Both sides of the corridor were painted with hundreds of male and femal;e figures carrying precious utensils and vessels, probably depicting gift bearers to the ruler of the Palace. The composition is much like those found in the Palaces and tombs of Egypt and the near east at the time. Neopalatial final period.
  • The Minoan 'Procession Fresco', wall art from the South Prpylaeum, Knossos Palace, 1500-1400 BC . Heraklion Archaeological Museum.<br />
<br />
This latrge Minoan fresco of many figure in procession would have decorated the corridor between the West Porch and the South Propylaeum of Knossos Palace. Both sides of the corridor were painted with hundreds of male and femal;e figures carrying precious utensils and vessels, probably depicting gift bearers to the ruler of the Palace. The composition is much like those found in the Palaces and tombs of Egypt and the near east at the time. Neopalatial final period.
  • The Minoan 'Procession Fresco', wall art from the South Prpylaeum, Knossos Palace, 1500-1400 BC . Heraklion Archaeological Museum.<br />
<br />
This latrge Minoan fresco of many figure in procession would have decorated the corridor between the West Porch and the South Propylaeum of Knossos Palace. Both sides of the corridor were painted with hundreds of male and femal;e figures carrying precious utensils and vessels, probably depicting gift bearers to the ruler of the Palace. The composition is much like those found in the Palaces and tombs of Egypt and the near east at the time. Neopalatial final period.
  • The Minoan 'Procession Fresco', wall art from the South Prpylaeum, Knossos Palace, 1500-1400 BC . Heraklion Archaeological Museum.<br />
<br />
This latrge Minoan fresco of many figure in procession would have decorated the corridor between the West Porch and the South Propylaeum of Knossos Palace. Both sides of the corridor were painted with hundreds of male and femal;e figures carrying precious utensils and vessels, probably depicting gift bearers to the ruler of the Palace. The composition is much like those found in the Palaces and tombs of Egypt and the near east at the time. Neopalatial final period.
  • The Minoan 'Procession Fresco', wall art from the South Prpylaeum, Knossos Palace, 1500-1400 BC . Heraklion Archaeological Museum.<br />
<br />
This latrge Minoan fresco of many figure in procession would have decorated the corridor between the West Porch and the South Propylaeum of Knossos Palace. Both sides of the corridor were painted with hundreds of male and femal;e figures carrying precious utensils and vessels, probably depicting gift bearers to the ruler of the Palace. The composition is much like those found in the Palaces and tombs of Egypt and the near east at the time. Neopalatial final period.
  • The Minoan 'Cup Bearer' from the 'Procession Fresco', wall art from the South Prpylaeum, Knossos Palace, 1500-1400 BC . Heraklion Archaeological Museum.  Grey Background. <br />
<br />
The 'Cup Bearer' depicts a youth with long black hair, a naked torso and a richly decorated kilt carrying a large silver rhuyhon ceremonial vessel. This large Minoan fresco of many figure in procession would have decorated the corridor between the West Porch and the South Propylaeum of Knossos Palace. Both sides of the corridor were painted with hundreds of male and femal;e figures carrying precious utensils and vessels, probably depicting gift bearers to the ruler of the Palace. The composition is much like those found in the Palaces and tombs of Egypt and the near east at the time. Neopalatial final period.
  • Minoan 'Sacred Grove and Dance Freco', wall art from Knossos Palace, 1600-1450 BC. Heraklion Archaeological Museum.   Grey Background. <br />
<br />
This Neopalatial period Minoan fredco comes from thecauseway of the west facade of the palace complex.
  • The Minoan 'Cup Bearer' from the 'Procession Fresco', wall art from the South Prpylaeum, Knossos Palace, 1500-1400 BC . Heraklion Archaeological Museum.<br />
<br />
The 'Cup Bearer' depicts a youth with long black hair, a naked torso and a richly decorated kilt carrying a large silver rhuyhon ceremonial vessel. This large Minoan fresco of many figure in procession would have decorated the corridor between the West Porch and the South Propylaeum of Knossos Palace. Both sides of the corridor were painted with hundreds of male and femal;e figures carrying precious utensils and vessels, probably depicting gift bearers to the ruler of the Palace. The composition is much like those found in the Palaces and tombs of Egypt and the near east at the time. Neopalatial final period.
  • The Minoan 'Procession Fresco', wall art from the South Prpylaeum, Knossos Palace, 1500-1400 BC . Heraklion Archaeological Museum.  White Background. <br />
<br />
This latrge Minoan fresco of many figure in procession would have decorated the corridor between the West Porch and the South Propylaeum of Knossos Palace. Both sides of the corridor were painted with hundreds of male and femal;e figures carrying precious utensils and vessels, probably depicting gift bearers to the ruler of the Palace. The composition is much like those found in the Palaces and tombs of Egypt and the near east at the time. Neopalatial final period.
  • The Minoan 'Procession Fresco', wall art from the South Prpylaeum, Knossos Palace, 1500-1400 BC . Heraklion Archaeological Museum. Black Background. <br />
<br />
This latrge Minoan fresco of many figure in procession would have decorated the corridor between the West Porch and the South Propylaeum of Knossos Palace. Both sides of the corridor were painted with hundreds of male and femal;e figures carrying precious utensils and vessels, probably depicting gift bearers to the ruler of the Palace. The composition is much like those found in the Palaces and tombs of Egypt and the near east at the time. Neopalatial final period.
  • The Minoan 'Procession Fresco', wall art from the South Prpylaeum, Knossos Palace, 1500-1400 BC . Heraklion Archaeological Museum.  White Background. <br />
<br />
This latrge Minoan fresco of many figure in procession would have decorated the corridor between the West Porch and the South Propylaeum of Knossos Palace. Both sides of the corridor were painted with hundreds of male and femal;e figures carrying precious utensils and vessels, probably depicting gift bearers to the ruler of the Palace. The composition is much like those found in the Palaces and tombs of Egypt and the near east at the time. Neopalatial final period.
  • Minoan 'Sacred Grove and Dance Freco', wall art from Knossos Palace, 1600-1450 BC. Heraklion Archaeological Museum.  Black Background. <br />
<br />
This Neopalatial period Minoan fredco comes from thecauseway of the west facade of the palace complex.
  • The Minoan 'Procession Fresco', wall art from the South Prpylaeum, Knossos Palace, 1500-1400 BC . Heraklion Archaeological Museum.<br />
<br />
This latrge Minoan fresco of many figure in procession would have decorated the corridor between the West Porch and the South Propylaeum of Knossos Palace. Both sides of the corridor were painted with hundreds of male and femal;e figures carrying precious utensils and vessels, probably depicting gift bearers to the ruler of the Palace. The composition is much like those found in the Palaces and tombs of Egypt and the near east at the time. Neopalatial final period.
  • The Minoan 'Procession Fresco', wall art from the South Prpylaeum, Knossos Palace, 1500-1400 BC . Heraklion Archaeological Museum.<br />
<br />
This latrge Minoan fresco of many figure in procession would have decorated the corridor between the West Porch and the South Propylaeum of Knossos Palace. Both sides of the corridor were painted with hundreds of male and femal;e figures carrying precious utensils and vessels, probably depicting gift bearers to the ruler of the Palace. The composition is much like those found in the Palaces and tombs of Egypt and the near east at the time. Neopalatial final period.
  • The Minoan 'Procession Fresco', wall art from the South Prpylaeum, Knossos Palace, 1500-1400 BC . Heraklion Archaeological Museum.<br />
<br />
This latrge Minoan fresco of many figure in procession would have decorated the corridor between the West Porch and the South Propylaeum of Knossos Palace. Both sides of the corridor were painted with hundreds of male and femal;e figures carrying precious utensils and vessels, probably depicting gift bearers to the ruler of the Palace. The composition is much like those found in the Palaces and tombs of Egypt and the near east at the time. Neopalatial final period.
  • The Minoan 'Procession Fresco', wall art from the South Prpylaeum, Knossos Palace, 1500-1400 BC . Heraklion Archaeological Museum.<br />
<br />
This latrge Minoan fresco of many figure in procession would have decorated the corridor between the West Porch and the South Propylaeum of Knossos Palace. Both sides of the corridor were painted with hundreds of male and femal;e figures carrying precious utensils and vessels, probably depicting gift bearers to the ruler of the Palace. The composition is much like those found in the Palaces and tombs of Egypt and the near east at the time. Neopalatial final period.
  • The Minoan 'Procession Fresco', wall art from the South Prpylaeum, Knossos Palace, 1500-1400 BC . Heraklion Archaeological Museum.<br />
<br />
This latrge Minoan fresco of many figure in procession would have decorated the corridor between the West Porch and the South Propylaeum of Knossos Palace. Both sides of the corridor were painted with hundreds of male and femal;e figures carrying precious utensils and vessels, probably depicting gift bearers to the ruler of the Palace. The composition is much like those found in the Palaces and tombs of Egypt and the near east at the time. Neopalatial final period.
  • The Minoan 'Procession Fresco', wall art from the South Prpylaeum, Knossos Palace, 1500-1400 BC . Heraklion Archaeological Museum.<br />
<br />
This latrge Minoan fresco of many figure in procession would have decorated the corridor between the West Porch and the South Propylaeum of Knossos Palace. Both sides of the corridor were painted with hundreds of male and femal;e figures carrying precious utensils and vessels, probably depicting gift bearers to the ruler of the Palace. The composition is much like those found in the Palaces and tombs of Egypt and the near east at the time. Neopalatial final period.
  • The Minoan 'Cup Bearer' from the 'Procession Fresco', wall art from the South Prpylaeum, Knossos Palace, 1500-1400 BC . Heraklion Archaeological Museum.<br />
<br />
The 'Cup Bearer' depicts a youth with long black hair, a naked torso and a richly decorated kilt carrying a large silver rhuyhon ceremonial vessel. This large Minoan fresco of many figure in procession would have decorated the corridor between the West Porch and the South Propylaeum of Knossos Palace. Both sides of the corridor were painted with hundreds of male and femal;e figures carrying precious utensils and vessels, probably depicting gift bearers to the ruler of the Palace. The composition is much like those found in the Palaces and tombs of Egypt and the near east at the time. Neopalatial final period.
  • The Minoan 'Cup Bearer' from the 'Procession Fresco', wall art from the South Prpylaeum, Knossos Palace, 1500-1400 BC . Heraklion Archaeological Museum.  White Background. <br />
<br />
The 'Cup Bearer' depicts a youth with long black hair, a naked torso and a richly decorated kilt carrying a large silver rhuyhon ceremonial vessel. This large Minoan fresco of many figure in procession would have decorated the corridor between the West Porch and the South Propylaeum of Knossos Palace. Both sides of the corridor were painted with hundreds of male and femal;e figures carrying precious utensils and vessels, probably depicting gift bearers to the ruler of the Palace. The composition is much like those found in the Palaces and tombs of Egypt and the near east at the time. Neopalatial final period.
  • The Minoan 'Procession Fresco' close up , wall art from the South Prpylaeum, Knossos Palace, 1500-1400 BC . Heraklion Archaeological Museum.<br />
<br />
This latrge Minoan fresco of many figure in procession would have decorated the corridor between the West Porch and the South Propylaeum of Knossos Palace. Both sides of the corridor were painted with hundreds of male and femal;e figures carrying precious utensils and vessels, probably depicting gift bearers to the ruler of the Palace. The composition is much like those found in the Palaces and tombs of Egypt and the near east at the time. Neopalatial final period.
  • The Minoan 'Procession Fresco', wall art from the South Prpylaeum, Knossos Palace, 1500-1400 BC . Heraklion Archaeological Museum. Black Background. <br />
<br />
This latrge Minoan fresco of many figure in procession would have decorated the corridor between the West Porch and the South Propylaeum of Knossos Palace. Both sides of the corridor were painted with hundreds of male and femal;e figures carrying precious utensils and vessels, probably depicting gift bearers to the ruler of the Palace. The composition is much like those found in the Palaces and tombs of Egypt and the near east at the time. Neopalatial final period.
  • The Minoan 'Procession Fresco', wall art from the South Prpylaeum, Knossos Palace, 1500-1400 BC . Heraklion Archaeological Museum. Black Background. <br />
<br />
This latrge Minoan fresco of many figure in procession would have decorated the corridor between the West Porch and the South Propylaeum of Knossos Palace. Both sides of the corridor were painted with hundreds of male and femal;e figures carrying precious utensils and vessels, probably depicting gift bearers to the ruler of the Palace. The composition is much like those found in the Palaces and tombs of Egypt and the near east at the time. Neopalatial final period.
  • Minoan 'Sacred Grove and Dance Freco', wall art from Knossos Palace, 1600-1450 BC. Heraklion Archaeological Museum.   White Background. <br />
<br />
This Neopalatial period Minoan fredco comes from thecauseway of the west facade of the palace complex.
  • Two handled Mycenaean gold bowl cup from the Kakovatos tholos tomb, Trifylia, Greece. National Archaeological Museum Athens. <br />
 White Background.<br />
Kakovatos is a significant site of the early Mycenaean period of Greece (c. 16th to 15th century BC) on the west coast of the Peloponnese (Zacharo, Nomos Elis) and became widely known through the excavations of three large tholos tombs by Wilhelm Dörpfeld in 1907–1908.
  • Two handled Mycenaean gold bowl cup from the Kakovatos tholos tomb, Trifylia, Greece. National Archaeological Museum Athens.  Grey Background<br />
<br />
Kakovatos is a significant site of the early Mycenaean period of Greece (c. 16th to 15th century BC) on the west coast of the Peloponnese (Zacharo, Nomos Elis) and became widely known through the excavations of three large tholos tombs by Wilhelm Dörpfeld in 1907–1908.
  • Two handled Mycenaean gold bowl cup from the Kakovatos tholos tomb, Trifylia, Greece. National Archaeological Museum Athens. <br />
<br />
Kakovatos is a significant site of the early Mycenaean period of Greece (c. 16th to 15th century BC) on the west coast of the Peloponnese (Zacharo, Nomos Elis) and became widely known through the excavations of three large tholos tombs by Wilhelm Dörpfeld in 1907–1908.
  • Two handled Mycenaean gold bowl cup from the Kakovatos tholos tomb, Trifylia, Greece. National Archaeological Museum Athens.  Grey art Background <br />
<br />
Kakovatos is a significant site of the early Mycenaean period of Greece (c. 16th to 15th century BC) on the west coast of the Peloponnese (Zacharo, Nomos Elis) and became widely known through the excavations of three large tholos tombs by Wilhelm Dörpfeld in 1907–1908.
  • Two handled Mycenaean gold bowl cup from the Kakovatos tholos tomb, Trifylia, Greece. National Archaeological Museum Athens. Black Background<br />
<br />
Kakovatos is a significant site of the early Mycenaean period of Greece (c. 16th to 15th century BC) on the west coast of the Peloponnese (Zacharo, Nomos Elis) and became widely known through the excavations of three large tholos tombs by Wilhelm Dörpfeld in 1907–1908.
  • Two handled Mycenaean gold bowl cup from the Kakovatos tholos tomb, Trifylia, Greece. National Archaeological Museum Athens.  Grey Background<br />
<br />
Kakovatos is a significant site of the early Mycenaean period of Greece (c. 16th to 15th century BC) on the west coast of the Peloponnese (Zacharo, Nomos Elis) and became widely known through the excavations of three large tholos tombs by Wilhelm Dörpfeld in 1907–1908.
  • Two handled Mycenaean gold bowl cup from the Kakovatos tholos tomb, Trifylia, Greece. National Archaeological Museum Athens. <br />
<br />
Kakovatos is a significant site of the early Mycenaean period of Greece (c. 16th to 15th century BC) on the west coast of the Peloponnese (Zacharo, Nomos Elis) and became widely known through the excavations of three large tholos tombs by Wilhelm Dörpfeld in 1907–1908.
  • Pictures & images of Nikortsminda ( Nicortsminda ) St Nicholas Georgian Orthodox Cathedral exterior and its Georgian relief sculpture stonework of the west wall, 11th century, Nikortsminda, Racha region of Georgia (country). A UNESCO World Heritage Tentative Site.
  • Pictures & images of Nikortsminda ( Nicortsminda ) St Nicholas Georgian Orthodox Cathedral exterior and its Georgian relief sculpture stonework of the west wall, 11th century, Nikortsminda, Racha region of Georgia (country). A UNESCO World Heritage Tentative Site.
  • Pictures & images of Nikortsminda ( Nicortsminda ) St Nicholas Georgian Orthodox Cathedral exterior and its Georgian relief sculpture stonework of the west wall, 11th century, Nikortsminda, Racha region of Georgia (country). A UNESCO World Heritage Tentative Site.
  • Pictures & images of Nikortsminda ( Nicortsminda ) St Nicholas Georgian Orthodox Cathedral exterior and its Georgian relief sculpture stonework of the west wall, 11th century, Nikortsminda, Racha region of Georgia (country). A UNESCO World Heritage Tentative Site.
  • Pictures & images of Nikortsminda ( Nicortsminda ) St Nicholas Georgian Orthodox Cathedral exterior and its Georgian relief sculpture stonework of the west wall, 11th century, Nikortsminda, Racha region of Georgia (country). A UNESCO World Heritage Tentative Site.
  • The Unfinished rock monument of Midas, 8th - 6th century BC . Midas City, Yazilikaya, Eskisehir, Turkey.<br />
<br />
This rock facade was planned but never finished and so little is known about the unfinished Monument. It is also known locally as the Kucuk Yazilikaya ( “little written rock”), since it appears to have been planned as a smaller version of the Midas Monument, also called Yazilikaya. It measures 7m x 10m and faces west, unlike the other monument at Midas whose facades face east. Since it was never completed, it was gives some idea of the construction techniques : first the rock was flattened and then the facade was carved from the top down. The architectural frame and the ornament were carved at the same time. About  2m below the monument are a smaller facade, to the left and a small cut altar to the right.
  • The Unfinished rock monument of Midas, 8th - 6th century BC . Midas City, Yazilikaya, Eskisehir, Turkey.<br />
<br />
This rock facade was planned but never finished and so little is known about the unfinished Monument. It is also known locally as the Kucuk Yazilikaya ( “little written rock”), since it appears to have been planned as a smaller version of the Midas Monument, also called Yazilikaya. It measures 7m x 10m and faces west, unlike the other monument at Midas whose facades face east. Since it was never completed, it was gives some idea of the construction techniques : first the rock was flattened and then the facade was carved from the top down. The architectural frame and the ornament were carved at the same time. About  2m below the monument are a smaller facade, to the left and a small cut altar to the right.
  • The Unfinished rock monument of Midas, 8th - 6th century BC . Midas City, Yazilikaya, Eskisehir, Turkey.<br />
<br />
This rock facade was planned but never finished and so little is known about the unfinished Monument. It is also known locally as the Kucuk Yazilikaya ( “little written rock”), since it appears to have been planned as a smaller version of the Midas Monument, also called Yazilikaya. It measures 7m x 10m and faces west, unlike the other monument at Midas whose facades face east. Since it was never completed, it was gives some idea of the construction techniques : first the rock was flattened and then the facade was carved from the top down. The architectural frame and the ornament were carved at the same time. About  2m below the monument are a smaller facade, to the left and a small cut altar to the right.
  • Pictures of Dun Carloway Broch on the Isle of Lewis in the Outer Hebrides, Scotland. Brochs are among Scotland's most impressive prehistoric buildings and were the precursors of the Medieval Scottish Tower Houses. The world Broch is derived from lowland scots who called forts Brough from the old Norse Borg. <br />
<br />
Broch stone roundhouses date from about 2,300 to 1,900 years ago, and are found mainly in north and west Scotland. Dun Carloway Broch was probably built around the time of the Roman occupation in Britain in 43AD and was probably the primary dwelling-places for the principal family in the area. Dun Carloway Broch would have provided some protection against sporadic raiding, but were not purely defensive structure but a focal point for the clan of the area.
  • Pictures of Dun Carloway Broch on the Isle of Lewis in the Outer Hebrides, Scotland. Brochs are among Scotland's most impressive prehistoric buildings and were the precursors of the Medieval Scottish Tower Houses. The world Broch is derived from lowland scots who called forts Brough from the old Norse Borg. <br />
<br />
Broch stone roundhouses date from about 2,300 to 1,900 years ago, and are found mainly in north and west Scotland. Dun Carloway Broch was probably built around the time of the Roman occupation in Britain in 43AD and was probably the primary dwelling-places for the principal family in the area. Dun Carloway Broch would have provided some protection against sporadic raiding, but were not purely defensive structure but a focal point for the clan of the area.
  • Pictures of Dun Carloway Broch on the Isle of Lewis in the Outer Hebrides; Scotland. Brochs are among Scotland's most impressive prehistoric buildings and were the precursors of the Medieval Scottish Tower Houses. The world Broch is derived from lowland scots who called forts Brough from the old Norse Borg.; Broch stone roundhouses date from about 2; 300 to 1; 900 years ago; and are found mainly in north and west Scotland. Dun Carloway Broch was probably built around the time of the Roman occupation in Britain in 43AD and was probably the primary dwelling-places for the principal family in the area. Dun Carloway Broch would have provided some protection against sporadic raiding; but were not purely defensive structure but a focal point for the clan of the area.
  • Pictures of Dun Carloway Broch on the Isle of Lewis in the Outer Hebrides, Scotland. Brochs are among Scotland's most impressive prehistoric buildings and were the precursors of the Medieval Scottish Tower Houses. The world Broch is derived from lowland scots who called forts Brough from the old Norse Borg. <br />
<br />
Broch stone roundhouses date from about 2,300 to 1,900 years ago, and are found mainly in north and west Scotland. Dun Carloway Broch was probably built around the time of the Roman occupation in Britain in 43AD and was probably the primary dwelling-places for the principal family in the area. Dun Carloway Broch would have provided some protection against sporadic raiding, but were not purely defensive structure but a focal point for the clan of the area.
  • Pictures of Dun Carloway Broch on the Isle of Lewis in the Outer Hebrides; Scotland. Brochs are among Scotland's most impressive prehistoric buildings and were the precursors of the Medieval Scottish Tower Houses. The world Broch is derived from lowland scots who called forts Brough from the old Norse Borg.; Broch stone roundhouses date from about 2; 300 to 1; 900 years ago; and are found mainly in north and west Scotland. Dun Carloway Broch was probably built around the time of the Roman occupation in Britain in 43AD and was probably the primary dwelling-places for the principal family in the area. Dun Carloway Broch would have provided some protection against sporadic raiding; but were not purely defensive structure but a focal point for the clan of the area.
  • Pictures of Dun Carloway Broch on the Isle of Lewis in the Outer Hebrides, Scotland. Brochs are among Scotland's most impressive prehistoric buildings and were the precursors of the Medieval Scottish Tower Houses. The world Broch is derived from lowland scots who called forts Brough from the old Norse Borg. <br />
<br />
Broch stone roundhouses date from about 2,300 to 1,900 years ago, and are found mainly in north and west Scotland. Dun Carloway Broch was probably built around the time of the Roman occupation in Britain in 43AD and was probably the primary dwelling-places for the principal family in the area. Dun Carloway Broch would have provided some protection against sporadic raiding, but were not purely defensive structure but a focal point for the clan of the area.
  • Pictures of Dun Carloway Broch on the Isle of Lewis in the Outer Hebrides, Scotland. Brochs are among Scotland's most impressive prehistoric buildings and were the precursors of the Medieval Scottish Tower Houses. The world Broch is derived from lowland scots who called forts Brough from the old Norse Borg. <br />
<br />
Broch stone roundhouses date from about 2,300 to 1,900 years ago, and are found mainly in north and west Scotland. Dun Carloway Broch was probably built around the time of the Roman occupation in Britain in 43AD and was probably the primary dwelling-places for the principal family in the area. Dun Carloway Broch would have provided some protection against sporadic raiding, but were not purely defensive structure but a focal point for the clan of the area.
  • Pictures of Dun Carloway Broch on the Isle of Lewis in the Outer Hebrides, Scotland. Brochs are among Scotland's most impressive prehistoric buildings and were the precursors of the Medieval Scottish Tower Houses. The world Broch is derived from lowland scots who called forts Brough from the old Norse Borg. <br />
<br />
Broch stone roundhouses date from about 2,300 to 1,900 years ago, and are found mainly in north and west Scotland. Dun Carloway Broch was probably built around the time of the Roman occupation in Britain in 43AD and was probably the primary dwelling-places for the principal family in the area. Dun Carloway Broch would have provided some protection against sporadic raiding, but were not purely defensive structure but a focal point for the clan of the area.
  • Pictures of Dun Carloway Broch on the Isle of Lewis in the Outer Hebrides, Scotland. Brochs are among Scotland's most impressive prehistoric buildings and were the precursors of the Medieval Scottish Tower Houses. The world Broch is derived from lowland scots who called forts Brough from the old Norse Borg. <br />
<br />
Broch stone roundhouses date from about 2,300 to 1,900 years ago, and are found mainly in north and west Scotland. Dun Carloway Broch was probably built around the time of the Roman occupation in Britain in 43AD and was probably the primary dwelling-places for the principal family in the area. Dun Carloway Broch would have provided some protection against sporadic raiding, but were not purely defensive structure but a focal point for the clan of the area.
  • Pictures of Dun Carloway Broch on the Isle of Lewis in the Outer Hebrides, Scotland. Brochs are among Scotland's most impressive prehistoric buildings and were the precursors of the Medieval Scottish Tower Houses. The world Broch is derived from lowland scots who called forts Brough from the old Norse Borg. <br />
<br />
Broch stone roundhouses date from about 2,300 to 1,900 years ago, and are found mainly in north and west Scotland. Dun Carloway Broch was probably built around the time of the Roman occupation in Britain in 43AD and was probably the primary dwelling-places for the principal family in the area. Dun Carloway Broch would have provided some protection against sporadic raiding, but were not purely defensive structure but a focal point for the clan of the area.
  • Pictures of Dun Carloway Broch on the Isle of Lewis in the Outer Hebrides, Scotland. Brochs are among Scotland's most impressive prehistoric buildings and were the precursors of the Medieval Scottish Tower Houses. The world Broch is derived from lowland scots who called forts Brough from the old Norse Borg. <br />
<br />
Broch stone roundhouses date from about 2,300 to 1,900 years ago, and are found mainly in north and west Scotland. Dun Carloway Broch was probably built around the time of the Roman occupation in Britain in 43AD and was probably the primary dwelling-places for the principal family in the area. Dun Carloway Broch would have provided some protection against sporadic raiding, but were not purely defensive structure but a focal point for the clan of the area.
  • Pictures of Dun Carloway Broch on the Isle of Lewis in the Outer Hebrides, Scotland. Brochs are among Scotland's most impressive prehistoric buildings and were the precursors of the Medieval Scottish Tower Houses. The world Broch is derived from lowland scots who called forts Brough from the old Norse Borg. <br />
<br />
Broch stone roundhouses date from about 2,300 to 1,900 years ago, and are found mainly in north and west Scotland. Dun Carloway Broch was probably built around the time of the Roman occupation in Britain in 43AD and was probably the primary dwelling-places for the principal family in the area. Dun Carloway Broch would have provided some protection against sporadic raiding, but were not purely defensive structure but a focal point for the clan of the area.
  • Pictures of Dun Carloway Broch on the Isle of Lewis in the Outer Hebrides, Scotland. Brochs are among Scotland's most impressive prehistoric buildings and were the precursors of the Medieval Scottish Tower Houses. The world Broch is derived from lowland scots who called forts Brough from the old Norse Borg. <br />
<br />
Broch stone roundhouses date from about 2,300 to 1,900 years ago, and are found mainly in north and west Scotland. Dun Carloway Broch was probably built around the time of the Roman occupation in Britain in 43AD and was probably the primary dwelling-places for the principal family in the area. Dun Carloway Broch would have provided some protection against sporadic raiding, but were not purely defensive structure but a focal point for the clan of the area.
  • Pictures of Dun Carloway Broch on the Isle of Lewis in the Outer Hebrides, Scotland. Brochs are among Scotland's most impressive prehistoric buildings and were the precursors of the Medieval Scottish Tower Houses. The world Broch is derived from lowland scots who called forts Brough from the old Norse Borg. <br />
<br />
Broch stone roundhouses date from about 2,300 to 1,900 years ago, and are found mainly in north and west Scotland. Dun Carloway Broch was probably built around the time of the Roman occupation in Britain in 43AD and was probably the primary dwelling-places for the principal family in the area. Dun Carloway Broch would have provided some protection against sporadic raiding, but were not purely defensive structure but a focal point for the clan of the area.
  • Pictures of Dun Carloway Broch on the Isle of Lewis in the Outer Hebrides, Scotland. Brochs are among Scotland's most impressive prehistoric buildings and were the precursors of the Medieval Scottish Tower Houses. The world Broch is derived from lowland scots who called forts Brough from the old Norse Borg. <br />
<br />
Broch stone roundhouses date from about 2,300 to 1,900 years ago, and are found mainly in north and west Scotland. Dun Carloway Broch was probably built around the time of the Roman occupation in Britain in 43AD and was probably the primary dwelling-places for the principal family in the area. Dun Carloway Broch would have provided some protection against sporadic raiding, but were not purely defensive structure but a focal point for the clan of the area.
  • Pictures of Dun Carloway Broch on the Isle of Lewis in the Outer Hebrides, Scotland. Brochs are among Scotland's most impressive prehistoric buildings and were the precursors of the Medieval Scottish Tower Houses. The world Broch is derived from lowland scots who called forts Brough from the old Norse Borg. <br />
<br />
Broch stone roundhouses date from about 2,300 to 1,900 years ago, and are found mainly in north and west Scotland. Dun Carloway Broch was probably built around the time of the Roman occupation in Britain in 43AD and was probably the primary dwelling-places for the principal family in the area. Dun Carloway Broch would have provided some protection against sporadic raiding, but were not purely defensive structure but a focal point for the clan of the area.
  • Pictures of Dun Carloway Broch on the Isle of Lewis in the Outer Hebrides, Scotland. Brochs are among Scotland's most impressive prehistoric buildings and were the precursors of the Medieval Scottish Tower Houses. The world Broch is derived from lowland scots who called forts Brough from the old Norse Borg. <br />
<br />
Broch stone roundhouses date from about 2,300 to 1,900 years ago, and are found mainly in north and west Scotland. Dun Carloway Broch was probably built around the time of the Roman occupation in Britain in 43AD and was probably the primary dwelling-places for the principal family in the area. Dun Carloway Broch would have provided some protection against sporadic raiding, but were not purely defensive structure but a focal point for the clan of the area.
  • Pictures of Dun Carloway Broch on the Isle of Lewis in the Outer Hebrides, Scotland. Brochs are among Scotland's most impressive prehistoric buildings and were the precursors of the Medieval Scottish Tower Houses. The world Broch is derived from lowland scots who called forts Brough from the old Norse Borg. <br />
<br />
Broch stone roundhouses date from about 2,300 to 1,900 years ago, and are found mainly in north and west Scotland. Dun Carloway Broch was probably built around the time of the Roman occupation in Britain in 43AD and was probably the primary dwelling-places for the principal family in the area. Dun Carloway Broch would have provided some protection against sporadic raiding, but were not purely defensive structure but a focal point for the clan of the area.
  • Pictures of Dun Carloway Broch on the Isle of Lewis in the Outer Hebrides, Scotland. Brochs are among Scotland's most impressive prehistoric buildings and were the precursors of the Medieval Scottish Tower Houses. The world Broch is derived from lowland scots who called forts Brough from the old Norse Borg. <br />
<br />
Broch stone roundhouses date from about 2,300 to 1,900 years ago, and are found mainly in north and west Scotland. Dun Carloway Broch was probably built around the time of the Roman occupation in Britain in 43AD and was probably the primary dwelling-places for the principal family in the area. Dun Carloway Broch would have provided some protection against sporadic raiding, but were not purely defensive structure but a focal point for the clan of the area.
  • Pictures of Dun Carloway Broch on the Isle of Lewis in the Outer Hebrides, Scotland. Brochs are among Scotland's most impressive prehistoric buildings and were the precursors of the Medieval Scottish Tower Houses. The world Broch is derived from lowland scots who called forts Brough from the old Norse Borg. <br />
<br />
Broch stone roundhouses date from about 2,300 to 1,900 years ago, and are found mainly in north and west Scotland. Dun Carloway Broch was probably built around the time of the Roman occupation in Britain in 43AD and was probably the primary dwelling-places for the principal family in the area. Dun Carloway Broch would have provided some protection against sporadic raiding, but were not purely defensive structure but a focal point for the clan of the area.
  • Pictures of Dun Carloway Broch on the Isle of Lewis in the Outer Hebrides, Scotland. Brochs are among Scotland's most impressive prehistoric buildings and were the precursors of the Medieval Scottish Tower Houses. The world Broch is derived from lowland scots who called forts Brough from the old Norse Borg. <br />
<br />
Broch stone roundhouses date from about 2,300 to 1,900 years ago, and are found mainly in north and west Scotland. Dun Carloway Broch was probably built around the time of the Roman occupation in Britain in 43AD and was probably the primary dwelling-places for the principal family in the area. Dun Carloway Broch would have provided some protection against sporadic raiding, but were not purely defensive structure but a focal point for the clan of the area.
  • West portal lunette relief sculptures depicting Christ giving a blessing with angels on one side and the Cross on the other on the Romanesque Baptistery of Parma, circa 1196, (Battistero di Parma), Italy
  • West portal lunette relief sculptures depicting Christ giving a blessing with angels on one side and the Cross on the other on the Romanesque Baptistery of Parma, circa 1196, (Battistero di Parma), Italy
  • West entrance and exterior of the octagonal  Romanesque Baptistery of Parma, circa 1196, (Battistero di Parma), Italy
  • West entrance and exterior of the octagonal  Romanesque Baptistery of Parma, circa 1196, (Battistero di Parma), Italy
  • West entrance and exterior of the octagonal  Romanesque Baptistery of Parma, circa 1196, (Battistero di Parma), Italy
  • West portal lunette relief sculptures depicting the Cross on the other on the Romanesque Baptistery of Parma, circa 1196, (Battistero di Parma), Italy
  • West portal lunette relief sculptures depicting  angels  on the Romanesque Baptistery of Parma, circa 1196, (Battistero di Parma), Italy
  • West portal lunette relief sculptures depicting Christ giving a blessing with angels on one side and the Cross on the other on the Romanesque Baptistery of Parma, circa 1196, (Battistero di Parma), Italy
  • West portal lunette relief sculptures depicting Christ giving a blessing with angels on one side and the Cross on the other on the Romanesque Baptistery of Parma, circa 1196, (Battistero di Parma), Italy
  • Statue of a Nymphe, the spirit of the meadows, forest & waters, an early Roman marble sculpture, Ist cent B.C, from Tralles (Aydin) , west Turkey. Istanbul Archaeological museum Cat. Mendel 543.
  • Norman Romanesque exterior corbel no 78 - sculpture of mans head with elongated face from the outside of the west knave. The Norman Romanesque Church of St Mary and St David, Kilpeck Herefordshire, England. Built around 1140
  • Late Hittite (Aramaean)  Basalt relief sculpture of a Bull from 9th Cent B.C, excavated from the west side of the citadel gate of Sam'al (Hittite: Yadiya) located at Zincirli Höyük in the Anti-Taurus Mountains of modern Turkey's Gaziantep Province. Istanbul Archaeological Museum Inv. No 7709.
  • Late Hittite (Aramaean)  Basalt relief sculpture of a Bull from 9th Cent B.C, excavated from the west side of the citadel gate of Sam'al (Hittite: Yadiya) located at Zincirli Höyük in the Anti-Taurus Mountains of modern Turkey's Gaziantep Province. Istanbul Archaeological Museum Inv. No 7709.
  • Late Hittite (Aramaean)  Basalt relief sculpture of a Bull from 9th Cent B.C, excavated from the west side of the citadel gate of Sam'al (Hittite: Yadiya) located at Zincirli Höyük in the Anti-Taurus Mountains of modern Turkey's Gaziantep Province. Istanbul Archaeological Museum Inv. No 7709.
  • Late Hittite (Aramaean)  Basalt relief sculpture of a Male with Axe  from 9th Cent B.C, excavated from the west side of the citadel gate of Sam'al (Hittite: Yadiya) located at Zincirli Höyük in the Anti-Taurus Mountains of modern Turkey's Gaziantep Province. Istanbul Archaeological Museum  Inv No. 7727.
  • Late Hittite (Aramaean)  Basalt relief sculptures  from 9th Cent B.C, excavated from the west side of the citadel gate of Sam'al (Hittite: Yadiya) located at Zincirli Höyük in the Anti-Taurus Mountains of modern Turkey's Gaziantep Province. Left Deer Buck, Inv no 7712, Middle Winged Lion inv no. 7706, Left Male with Axe Inv No. 7727. Istanbul Archaeological Museum.
  • Late Hittite (Aramaean)  Basalt relief sculptures  from 9th Cent B.C, excavated from the west side of the citadel gate of Sam'al (Hittite: Yadiya) located at Zincirli Höyük in the Anti-Taurus Mountains of modern Turkey's Gaziantep Province. Left Deer Buck, Inv no 7712, Middle Winged Lion inv no. 7706, Left Male with Axe Inv No. 7727. Istanbul Archaeological Museum.
  • Late Hittite (Aramaean)  Basalt relief sculptures  from 9th Cent B.C, excavated from the west side of the citadel gate of Sam'al (Hittite: Yadiya) located at Zincirli Höyük in the Anti-Taurus Mountains of modern Turkey's Gaziantep Province. Left Deer Buck, Inv no 7712, Middle Winged Lion inv no. 7706, Left Male with Axe Inv No. 7727. Istanbul Archaeological Museum.
  • Late Hittite (Aramaean)  Basalt relief sculpture of an Aslan Lion from 9th Cent B.C, excavated from the west side of the citadel gate of Sam'al (Hittite: Yadiya) located at Zincirli Höyük in the Anti-Taurus Mountains of modern Turkey's Gaziantep Province. Istanbul Archaeological Museum Inv. No 7727.
  • Late Hittite (Aramaean)  Basalt relief sculpture of an Aslan Lion from 9th Cent B.C, excavated from the west side of the citadel gate of Sam'al (Hittite: Yadiya) located at Zincirli Höyük in the Anti-Taurus Mountains of modern Turkey's Gaziantep Province. Istanbul Archaeological Museum Inv. No 7727.
  • Late Hittite (Aramaean)  Basalt relief sculpture of an Aslan Lion from 9th Cent B.C, excavated from the west side of the citadel gate of Sam'al (Hittite: Yadiya) located at Zincirli Höyük in the Anti-Taurus Mountains of modern Turkey's Gaziantep Province. Istanbul Archaeological Museum Inv. No 7727.
  • Late Hittite (Aramaean)  Basalt relief sculpture of an Aslan Lion from 9th Cent B.C, excavated from the west side of the citadel gate of Sam'al (Hittite: Yadiya) located at Zincirli Höyük in the Anti-Taurus Mountains of modern Turkey's Gaziantep Province. Istanbul Archaeological Museum Inv. No 7727.
  • Assyrian relief sculpture panel of an eagle headed  protective spirit holding a symbolic cone.  From Nimrud, Iraq,  865-860 B.C North West Palace, room F, panel 8.  British Museum Assyrian  Archaeological exhibit no WA 118804.
  • Assyrian relief sculpture panel detail of a hand holding a mace.  From Nimrud, Iraq,  865-860 B.C North West Palace.   British Museum Assyrian  Archaeological exhibit.
  • Assyrian relief sculpture panel  of King  Ashurnasirpal II dressed in Ritual robes, he is depicted twice on either side of the central sacred tree of life.  Above the tree of life is a winged disc with possible the sun god Shamash in it.  From Nimrud, Iraq,  865-860 B.C North West Palace. Room B, panel 23.  British Museum Assyrian  Archaeological exhibit no WA 124531.
  • Assyrian relief sculpture panel detail of a hand holding a bucket of holy water.  From Nimrud, Iraq,  865-860 B.C North West Palace.   British Museum Assyrian  Archaeological exhibit.
  • Assyrian relief sculpture panel of an eagle headed  protective spirit holding a symbolic cone and a bucket of holy water.  From Nimrud, Iraq,  865-860 B.C North West Palace, room F, panel 8.  British Museum Assyrian  Archaeological exhibit no WA 118804.
  • Assyrian relief sculpture panel  of King Ashurnaspiral II enthroned between two attendants. The group is flanked by winged protective spirits. The panel is possibly from a banquet hall..  From Nimrud, Iraq,  865-860 B.C North West Palace. Room G, panels 2-4.  British Museum Assyrian  Archaeological exhibit no WA 124564-6.

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Explore the past through pictures and images of its historic places. See the great palaces, castles and cities of antiquity as well as the great archaeological sites where our ancestors made history.

EXPLORE HISTORICAL PLACES...

MUSEUMS

Browse pictures & images the treasured artefacts and antiquities exhibits from the great Museum of Europe and the Middle East. See the art and objects made by our ancestors.

SEE MUESEUM ANTIQUITIES....