• Slim healthy young women in a swimming suit
  • Slim healthy young women in a swimming suit
  • Runswick Bay - North Yorkshire - England disabled women paddling
  • Women in traditional costume of the Gyor area - Hungarian Regional Gastronomic Festival 2009 - Gyor ( Gy?r ) Hungary
  • Women in traditional costume of the Gyor area - Hungarian Regional Gastronomic Festival 2009 - Gyor ( Gy?r ) Hungary
  • Women in traditional costume of the Gyor area - Hungarian Regional Gastronomic Festival 2009 - Gyor ( Gy?r ) Hungary
  • Youn Women wearing traditional costume of Bugac Pusza - Hungarian Regional Gastronomic Festival 2009 - Gyor ( Gy?r ) Hungary
  • Youn Women wearing traditional costume of Bugac Pusza - Hungarian Regional Gastronomic Festival 2009 - Gyor ( Gy?r ) Hungary
  • Women making Strudel from the Neszmely area. ( Retessutø Assonyok ) Hungarian Regional Gastronomic Festival 2009 - Gyor ( Gy?r ) Hungary
  • Women making Strudel from the Neszmely area. ( Retessutø Assonyok ) Hungarian Regional Gastronomic Festival 2009 - Gyor ( Gy?r ) Hungary
  • Women making Strudel from the Neszmely area. ( Retessutø Assonyok ) Hungarian Regional Gastronomic Festival 2009 - Gyor ( Gy?r ) Hungary
  • Women making Strudel from the Neszmely area. ( Retessutø Assonyok ) Hungarian Regional Gastronomic Festival 2009 - Gyor ( Gy?r ) Hungary
  • Women making Strudel from the Neszmely area. ( Retessutø Assonyok ) Hungarian Regional Gastronomic Festival 2009 - Gyor ( Gy?r ) Hungary
  • Women making Strudel from the Neszmely area. ( Retessutø Assonyok ) Hungarian Regional Gastronomic Festival 2009 - Gyor ( Gy?r ) Hungary
  • Women making Strudel from the Neszmely area. ( Retessutø Assonyok ) Hungarian Regional Gastronomic Festival 2009 - Gyor ( Gy?r ) Hungary
  • Women making Strudel from the Neszmely area. ( Retessutø Assonyok ) Hungarian Regional Gastronomic Festival 2009 - Gyor ( Gy?r ) Hungary
  • Women making Strudel from the Neszmely area. ( Retessutø Assonyok ) Hungarian Regional Gastronomic Festival 2009 - Gyor ( Gy?r ) Hungary
  • Women fron Nagrecse in traditional dress making Dodolle ( Dödölle ) - Hungarian Regional Gastronomic Festival 2009 - Gyor ( Gy?r ) Hungary
  • Women fron Nagrecse in traditional dress - Hungarian Regional Gastronomic Festival 2009 - Gyor ( Gy?r ) Hunga
  • Women fron Nagrecse in traditional dress - Hungarian Regional Gastronomic Festival 2009 - Gyor ( Gy?r ) Hunga
  • Women fron Nagrecse in traditional dress - Hungarian Regional Gastronomic Festival 2009 - Gyor ( Gy?r ) Hunga
  • Women fron Nagrecse in traditional dress - Hungarian Regional Gastronomic Festival 2009 - Gyor ( Gy?r ) Hunga
  • Women fron Nagrecse in traditional dress - Hungarian Regional Gastronomic Festival 2009 - Gyor ( Gy?r ) Hunga
  • Women fron Nagrecse in traditional dress - Hungarian Regional Gastronomic Festival 2009 - Gyor ( Gy?r ) Hunga
  • Women fron Nagrecse in traditional dress - Hungarian Regional Gastronomic Festival 2009 - Gyor ( Gy?r ) Hunga
  • Women fron Nagrecse in traditional dress - Hungarian Regional Gastronomic Festival 2009 - Gyor ( Gy?r ) Hunga
  • Women fron Nagrecse in traditional dress - Hungarian Regional Gastronomic Festival 2009 - Gyor ( Gy?r ) Hunga
  • Women fron Nagrecse in traditional dress - Hungarian Regional Gastronomic Festival 2009 - Gyor ( Gy?r ) Hunga
  • Women fron Nagrecse in traditional dress - Hungarian Regional Gastronomic Festival 2009 - Gyor ( Gy?r ) Hunga
  • Women fron Nagrecse in traditional dress - Hungarian Regional Gastronomic Festival 2009 - Gyor ( Gy?r ) Hunga
  • Women fron Nagrecse in traditional dress - Hungarian Regional Gastronomic Festival 2009 - Gyor ( Gy?r ) Hunga
  • Women fron Nagrecse in traditional dress - Hungarian Regional Gastronomic Festival 2009 - Gyor ( Gy?r ) Hunga
  • Women fron Nagrecse in traditional dress - Hungarian Regional Gastronomic Festival 2009 - Gyor ( Gy?r ) Hunga
  • Women fron Nagrecse in traditional dress - Hungarian Regional Gastronomic Festival 2009 - Gyor ( Gy?r ) Hunga
  • Women fron Nagrecse in traditional dress - Hungarian Regional Gastronomic Festival 2009 - Gyor ( Gy?r ) Hunga
  • Women fron Nagrecse in traditional dress - Hungarian Regional Gastronomic Festival 2009 - Gyor ( Gy?r ) Hunga
  • Women fron Nagrecse in traditional dress - Hungarian Regional Gastronomic Festival 2009 - Gyor ( Gy?r ) Hunga
  • Women fron Nagrecse in traditional dress - Hungarian Regional Gastronomic Festival 2009 - Gyor ( Gy?r ) Hunga
  • Women fron Nagrecse in traditional dress - Hungarian Regional Gastronomic Festival 2009 - Gyor ( Gy?r ) Hunga
  • Women fron Nagrecse in traditional dress - Hungarian Regional Gastronomic Festival 2009 - Gyor ( Gy?r ) Hunga
  • Women fron Nagrecse in traditional dress - Hungarian Regional Gastronomic Festival 2009 - Gyor ( Gy?r ) Hunga
  • Women fron Nagrecse in traditional dress - Hungarian Regional Gastronomic Festival 2009 - Gyor ( Gy?r ) Hunga
  • Women fron Nagrecse in traditional dress - Hungarian Regional Gastronomic Festival 2009 - Gyor ( Gy?r ) Hunga
  • Women fron Nagrecse in traditional dress - Hungarian Regional Gastronomic Festival 2009 - Gyor ( Gy?r ) Hunga
  • Women fron Nagrecse in traditional dress - Hungarian Regional Gastronomic Festival 2009 - Gyor ( Gy?r ) Hunga
  • Women fron Nagrecse in traditional dress - Hungarian Regional Gastronomic Festival 2009 - Gyor ( Gy?r ) Hunga
  • Women fron Nagrecse in traditional dress - Hungarian Regional Gastronomic Festival 2009 - Gyor ( Gy?r ) Hunga
  • Women fron Nagrecse in traditional dress - Hungarian Regional Gastronomic Festival 2009 - Gyor ( Gy?r ) Hunga
  • Women fron Nagrecse in traditional dress - Hungarian Regional Gastronomic Festival 2009 - Gyor ( Gy?r ) Hunga
  • Women fron Nagrecse in traditional dress - Hungarian Regional Gastronomic Festival 2009 - Gyor ( Gy?r ) Hunga
  • Women fron Nagrecse in traditional dress - Hungarian Regional Gastronomic Festival 2009 - Gyor ( Gy?r ) Hunga
  • Women fron Nagrecse in traditional dress - Hungarian Regional Gastronomic Festival 2009 - Gyor ( Gy?r ) Hunga
  • Women fron Nagrecse in traditional dress - Hungarian Regional Gastronomic Festival 2009 - Gyor ( Gy?r ) Hunga
  • Women fron Nagrecse in traditional dress - Hungarian Regional Gastronomic Festival 2009 - Gyor ( Gy?r ) Hunga
  • Women fron Nagrecse in traditional dress - Hungarian Regional Gastronomic Festival 2009 - Gyor ( Gy?r ) Hunga
  • Women fron Nagrecse in traditional dress - Hungarian Regional Gastronomic Festival 2009 - Gyor ( Gy?r ) Hunga
  • Women from Dél Alfodi Régio (South Alfoldi ) preparing dough for Lepeny -  Hungarian Regional Gastronomic Festival 2009 - Gyor ( Gy?r ) Hungary
  • Women from Dél Alfodi Régio (South Alfoldi ) preparing dough for Lepeny -  Hungarian Regional Gastronomic Festival 2009 - Gyor ( Gy?r ) Hungary
  • Women from Dél Alfodi Régio (South Alfoldi ) preparing dough for Lepeny -  Hungarian Regional Gastronomic Festival 2009 - Gyor ( Gy?r ) Hungary
  • Women from Dél Alfodi Régio (South Alfoldi ) preparing dough for Lepeny -  Hungarian Regional Gastronomic Festival 2009 - Gyor ( Gy?r ) Hungary
  • Women from Dél Alfodi Régio (South Alfoldi ) preparing dough for Lepeny -  Hungarian Regional Gastronomic Festival 2009 - Gyor ( Gy?r ) Hungary
  • Women from Dél Alfodi Régio (South Alfoldi ) preparing dough for Lepeny -  Hungarian Regional Gastronomic Festival 2009 - Gyor ( Gy?r ) Hungary
  • Women from Dél Alfodi Régio (South Alfoldi ) preparing dough for Lepeny -  Hungarian Regional Gastronomic Festival 2009 - Gyor ( Gy?r ) Hungary
  • Women from Dél Alfodi Régio (South Alfoldi ) preparing dough for Lepeny -  Hungarian Regional Gastronomic Festival 2009 - Gyor ( Gy?r ) Hungary
  • Women from Dél Alfodi Régio (South Alfoldi ) preparing dough for Lepeny -  Hungarian Regional Gastronomic Festival 2009 - Gyor ( Gy?r ) Hungary
  • Women from Dél Alfodi Régio (South Alfoldi ) preparing dough for Lepeny -  Hungarian Regional Gastronomic Festival 2009 - Gyor ( Gy?r ) Hungary
  • Young topless women sleeping
  • Young topless women sleeping
  • Young topless women with sunflowers
  • Young nude women with towel showing breasts
  • Young topless women showing breasts
  • Young nude women showing breasts
  • Young nude women with towel showing breasts
  • Young nude women with towel showing breasts
  • Young nude women with towel showing breasts
  • Young nude women with towel showing breasts
  • Young nude women showing breasts
  • Young nude women showing breasts
  • Young nude women showing breasts
  • Young nude women with red rose
  • Young nude women with red rose
  • Young nude women in bed
  • Young nude women in bed sleeping
  • Young nude women in bed
  • Young nude women in bed sleeping
  • Young nude women in bed sleeping
  • Young nude women in bed
  • Young nude women in bed
  • Young nude women in bed
  • Young topless women showing breasts
  • Young topless women showing breasts
  • Young topless women showing breasts
  • Young topless women showing breasts
  • Young topless women showing breasts
  • Young nude women in bed reading
  • solitary Elderly women sitting under a yellow umbrella sun bathing
  • Young nude women.
  • Young nude women.
  • Young nude women.
  • Young nude women.
  • Young nude women.
  • Young nude women.
  • Young nude women.
  • Young nude women.
  • Young nude women.
  • Young nude women.
  • Young nude women.
  • Nude women manaquin torso covered with coloured powder
  • Karamoja, Uganda , Africa. - women making grain bin
  • Karamoja, Uganda , Africa. - women making grain bin
  • Runswick Bay - North Yorkshire - England disabled women paddling
  • Paris - France -Jardin des Tuileries - women sunbathing.
  • Adult naked couple hugging. Man's arms across women's breasts. Artistic sepia.
  • Adult naked couple hugging. Man's arms across women's breasts. Artistic sepia.
  • Adult naked couple hugging. Man's arms across women's breasts. Artistic sepia.
  • Topless young Women from behing wearing a pair of boxer pants with the Union Jack on it. Attached to it is a ticket with the words Sale
  • Adult couple. Man opening womens shirt to reveal her breast
  • Adult couple. Man opening womens shirt to reveal her breast
  • Adult couple. Man opening womens shirt to reveal her breast
  • Harour entance with people relaxing and fishing off the harbour wall. Piran , Slovenia
  • Grindelwald First Lake- Picnic- Bernese Alps - Switzerland
  • Paris - France -Jardin des Tuileries - Statue with carousel behind
  • Young girl and her mother wind blowing sorgum grain in a village. West Nile Uganda
  • Sailing boats in harbour with Italian style buildings & church. Piran , Slovenia
  • Sailing boats in harbour with Italian style buildings & church. Piran , Slovenia
  • Harour entance with people relaxing and fishing off the harbour wall. Pirates ship.  Piran , Slovenia
  • Harour entance with people relaxing and swimming off the harbour wall. Piran , Slovenia
  • Harour entance with people relaxing and fishing off the harbour wall with a sailing boat. Piran , Slovenia
  • tanned topless sun bather sitting on a sun lounger
  • Friends with their umberella sunbathing and talking. Piran , Slovenia
  • PWP6823-PIRAN-SLEEPING_0910043.jpg
  • Sunbathers sitting on sun beads looking at the sea. Piran , Slovenia
  • Friend sunbathing. Piran , Slovenia
  • family sunbathing with their dog. Piran , Slovenia
  • Sunbathers sitting on sun beads looking at the sea. Piran , Slovenia
  • Grindelwald First Lake-  Bernese Alps - Switzerland
  • Grindelwald First Lake- Picnic- Bernese Alps - Switzerland
  • Grindelwald First Lake- Picnic- Bernese Alps - Switzerland
  • Paris - France -Jardin des Tuileries - Statue
  • Roman statue of women. Perge. 2nd century AD. inv 3270 . Antalya Archaeology Museum; Turkey. Against a grey background
  • Roman statue of women. Perge. 2nd century AD. inv 3270 . Antalya Archaeology Museum; Turkey.
  • Roman statue of women. Perge. 2nd century AD. inv 3270 . Antalya Archaeology Museum; Turkey. Against a warm art background.
  • Roman statue of two women; Marble. Perge. 2nd century AD. Inv 3271. Antalya Archaeology Museum; Turkey. Against a black background.
  • Roman statue of two women; Marble. Perge. 2nd century AD. Inv 3271. Antalya Archaeology Museum; Turkey. Against a white background.
  • Roman statue of two women; Marble. Perge. 2nd century AD. Inv 3271. Antalya Archaeology Museum; Turkey.
  • Roman statue of two women; Marble. Perge. 2nd century AD. Inv 3271. Antalya Archaeology Museum; Turkey. Against a warm art background.
  • Roman statue of two women; Marble. Perge. 2nd century AD. Inv 3271. Antalya Archaeology Museum; Turkey. Against a grey background
  • Roman statue of women. Perge. 2nd century AD. inv 3270 . Antalya Archaeology Museum; Turkey. Against a white background.
  • Roman statue of women. Perge. 2nd century AD. inv 3270 . Antalya Archaeology Museum; Turkey. Against a black background.
  • Roman statue of women. Perge. 2nd century AD. inv 3270 . Antalya Archaeology Museum; Turkey.
  • Roman statue of women. Perge. 2nd century AD. inv 3270 . Antalya Archaeology Museum; Turkey. Against a warm art background.
  • Roman statue of women. Perge. 2nd century AD. inv 3270 . Antalya Archaeology Museum; Turkey. Against a grey background
  • Roman marble sculpture bust of an unkown women, Late Trajan period 98-117 AD , inv 6074 Farnese Collection, Naples  Museum of Archaeology, Italy
  • Roman marble sculpture bust of an unkown women, Late Trajan period 98-117 AD , inv 6074 Farnese Collection, Naples  Museum of Archaeology, Italy
  • Roman marble sculpture bust of an unkown women, Late Trajan period 98-117 AD , inv 6074 Farnese Collection, Naples  Museum of Archaeology, Italy
  • Roman marble sculpture bust of an unkown women, Late Trajan period 98-117 AD , inv 6074 Farnese Collection, Naples  Museum of Archaeology, Italy
  • Roman marble sculpture bust of an unkown women, Late Trajan period 98-117 AD , inv 6074 Farnese Collection, Naples  Museum of Archaeology, Italy
  • Roman marble sculpture bust of an unkown women, Late Trajan period 110-117 AD , inv 6074 Farnese Collection, Naples Museum of Archaeology, Italy
  • Roman marble sculpture bust of an unkown women, Late Trajan period 110-117 AD , inv 6074 Farnese Collection, Naples  Museum of Archaeology, Italy
  • Roman marble sculpture bust of an unkown women, Late Trajan period 110-117 AD , inv 6074 Farnese Collection, Naples  Museum of Archaeology, Italy
  • Roman marble sculpture bust of an unkown women, Late Trajan period 110-117 AD , inv 6074 Farnese Collection, Naples  Museum of Archaeology, Italy
  • Roman marble sculpture bust of an unkown women, Late Trajan period 110-117 AD , inv 6074 Farnese Collection, Naples  Museum of Archaeology, Italy
  • 2nd century AD Roman marble sculpture known as ‘The Small Women’ the so called Flora, copied from a 4th century BC  Hellanistic Greek original,  inv 6404, Naples  Museum of Archaeology, Italy
  • 2nd century AD Roman marble sculpture known as ‘The Small Women’ the so called Flora, copied from a 4th century BC  Hellanistic Greek original,  inv 6404, Naples Museum of Archaeology, Italy
  • 2nd century AD Roman marble sculpture known as ‘The Small Women’ the so called Flora, copied from a 4th century BC  Hellanistic Greek original,  inv 6404, Naples Museum of Archaeology, Italy
  • 2nd century AD Roman marble sculpture known as ‘The Small Women’ the so called Flora, copied from a 4th century BC  Hellanistic Greek original,  inv 6404, Naples Museum of Archaeology, Italy
  • 2nd century AD Roman marble sculpture known as ‘The Small Women’ the so called Flora, copied from a 4th century BC  Hellanistic Greek original,  inv 6404, Naples Museum of Archaeology, Italy
  • Norman Romanesque exterior corbel no 45  - sculpture of what is probably a morality tale. A man and women are grasping each other. The women seems to be clutching the mans buttocks and he has clasped her hand as if resisting. He also seems to be resisting an embrace. The Norman Romanesque Church of St Mary and St David, Kilpeck Herefordshire, England. Built around 1140
  • Norman Romanesque exterior corbel no 45  - sculpture of what is probably a morality tale. A man and women are grasping each other. The women seems to be clutching the mans buttocks and he has clasped her hand as if resisting. He also seems to be resisting an embrace. The Norman Romanesque Church of St Mary and St David, Kilpeck Herefordshire, England. Built around 1140
  • Roman portrait bust of a flavian women possibly Domita, circa 69-96 AD excavated from Terracina. This portrait can be dated from the typical hairstyle made popular by Flavian women. It may be of Domitia Longina who was  wife to the Roman Emperor Domitian. The National Roman Museum, Rome, Italy
  • Roman portrait bust of a flavian women possibly Domita, circa 69-96 AD excavated from Terracina. This portrait can be dated from the typical hairstyle made popular by Flavian women. It may be of Domitia Longina who was  wife to the Roman Emperor Domitian. The National Roman Museum, Rome, Italy
  • Roman portrait bust of a flavian women possibly Domita, circa 69-96 AD excavated from Terracina. This portrait can be dated from the typical hairstyle made popular by Flavian women. It may be of Domitia Longina who was  wife to the Roman Emperor Domitian. The National Roman Museum, Rome, Italy
  • Roman portrait bust of a flavian women possibly Domita, circa 69-96 AD excavated from Terracina. This portrait can be dated from the typical hairstyle made popular by Flavian women. It may be of Domitia Longina who was  wife to the Roman Emperor Domitian. The National Roman Museum, Rome, Italy
  • Roman portrait bust of a flavian women possibly Domita, circa 69-96 AD excavated from Terracina. This portrait can be dated from the typical hairstyle made popular by Flavian women. It may be of Domitia Longina who was  wife to the Roman Emperor Domitian. The National Roman Museum, Rome, Italy
  • Norman Romanesque exterior corbel no 45  - sculpture of what is probably a morality tale. A man and women are grasping each other. The women seems to be clutching the mans buttocks and he has clasped her hand as if resisting. He also seems to be resisting an embrace. The Norman Romanesque Church of St Mary and St David, Kilpeck Herefordshire, England. Built around 1140
  • Norman Romanesque exterior corbel no 45  - sculpture of what is probably a morality tale. A man and women are grasping each other. The women seems to be clutching the mans buttocks and he has clasped her hand as if resisting. He also seems to be resisting an embrace. The Norman Romanesque Church of St Mary and St David, Kilpeck Herefordshire, England. Built around 1140
  • Roman portrait bust of a flavian women possibly Domita, circa 69-96 AD excavated from Terracina. This portrait can be dated from the typical hairstyle made popular by Flavian women. It may be of Domitia Longina who was  wife to the Roman Emperor Domitian. The National Roman Museum, Rome, Italy
  • Roman portrait bust of a flavian women possibly Domita, circa 69-96 AD excavated from Terracina. This portrait can be dated from the typical hairstyle made popular by Flavian women. It may be of Domitia Longina who was  wife to the Roman Emperor Domitian. The National Roman Museum, Rome, Italy
  • Roman portrait bust of a flavian women possibly Domita, circa 69-96 AD excavated from Terracina. This portrait can be dated from the typical hairstyle made popular by Flavian women. It may be of Domitia Longina who was  wife to the Roman Emperor Domitian. The National Roman Museum, Rome, Italy
  • Roman portrait bust of a flavian women possibly Domita, circa 69-96 AD excavated from Terracina. This portrait can be dated from the typical hairstyle made popular by Flavian women. It may be of Domitia Longina who was  wife to the Roman Emperor Domitian. The National Roman Museum, Rome, Italy
  • Roman portrait bust of a flavian women possibly Domita, circa 69-96 AD excavated from Terracina. This portrait can be dated from the typical hairstyle made popular by Flavian women. It may be of Domitia Longina who was  wife to the Roman Emperor Domitian. The National Roman Museum, Rome, Italy
  • Roman portrait head of a women wearing a priestess crown. Found in Aphrodisias Theatre. First Century AD. Aphrodisias Archaeology Museum Turkey
  • Roman portrait head of a women wearing a priestess crown. Found in Aphrodisias Theatre. First Century AD. Aphrodisias Archaeology Museum Turkey
  • Early Roman mummy mask of a women from  Egypt 1st century BC . Neues Museum Berlin Cat No: AM 34434.
  • Early Roman mummy mask of a women from  Egypt 1st century BC . Neues Museum Berlin Cat No: AM 34434.
  • Sarcophagus of The Mourning Women, 4th cent. B.C Greek from the Royal Necropolis of Sidon , Chamber no I, Lebanon, Istanbul Archaeological Museum Inv. 386T  Cat. Mendel 10.
  • Roman Sebasteion relief  sculpture of the Emperor and Roman People, Aphrodisias Museum, Aphrodisias, Turkey. <br />
<br />
The emperor is a naked warrior and is crowned by a personification of the Roman People or the Senate wearing a toga, the stately civilian dress of a Roman Citizen. The crown is an oak wreath, the corona civica or “civic crown” awarded for saving citizens lives. The emperor is setting up a battlefield trophy beneath which kneels an anguished barbarian women captive
  • Roman Sebasteion relief  sculpture of the Emperor and Roman People, Aphrodisias Museum, Aphrodisias, Turkey.  Against a grey background.<br />
<br />
The emperor is a naked warrior and is crowned by a personification of the Roman People or the Senate wearing a toga, the stately civilian dress of a Roman Citizen. The crown is an oak wreath, the corona civica or “civic crown” awarded for saving citizens lives. The emperor is setting up a battlefield trophy beneath which kneels an anguished barbarian women captive
  • Picture of a Roman mosaics design depicting Dionysus, God of wine, surrounded by women's busts representing the Four Seasons, from the ancient Roman city of Thysdrus. 3rd century AD. El Djem Archaeological Museum, El Djem, Tunisia. Against a white background
  • Picture of a Roman mosaics design depicting Dionysus, God of wine, surrounded by women's busts representing the Four Seasons, from the ancient Roman city of Thysdrus. 3rd century AD. El Djem Archaeological Museum, El Djem, Tunisia.
  • Hittite monumental relief sculpted orthostat stone panel of a Procession Limestone, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
It is a depiction of three marching female figures in long dress with a high headdress at their head. These women are considered to be the nuns of the Goddess Kubaba. The figures in the front and behind have a round mirror in their right hand while the figure in the middle has a bunch of spica in her right hand. Figures carry objects similar to a sceptre in their left hand.<br />
<br />
Against a white background.
  • Picture and image of the stone sculpture of a mouring women in the Bourgeois Realistic style. Badaracco Tomb sculpted by G Moreno 1878. The monumental tombs of the Staglieno Monumental Cemetery, Genoa, Italy
  • Picture and image of a mourning women  stone sculpture in the realistic borgeois style. The tomb of the Stefano family Tsculpted by by G Benetti 1877. The monumental tombs of the Staglieno Monumental Cemetery, Genoa, Italy
  • Roman fresco wall decorations of Bedroom D  of the Villa Farnesia, Rome. Museo Nazionale Romano ( National Roman Museum), Rome, Italy.<br />
<br />
This bedroom has a decoration very similar to that of cubiculum B in its arrangement and the use of cinnabar red. At the rear of the alcove three women perform a sacrificial ceremony in a rustic shrine. The walls of the antechamber have scenes of lovers, and most of the other pictures have to do with female life. Here carefully rendered details (attendants, handmaidens, furniture, glass and silver vessels) provide invaluable information on domestic life. There are also Egyptianizing elements, lotus flowers, sphinxes, and exotic landscapes. On the second column of the right wall is the inscription, in Greek, Seleukos made this, presumably the name of a Greek who was one of the artisans. The vaulted ceiling, in pure white stucco, has reliefs of initiation rites into the mysteries, idyllic landscapes with sacred elements, and combats between fantastic animals. The decorative scheme of the two bedrooms owes its inspiration to the deities Aphrodite and Dionysos. A fragment of geometric mosaic in black and white can be attributed to bedroom D on the basis of a contemporary watercolor.
  • Roman fresco wall decorations of Corridor F-G  of the Villa Farnesia, Rome. Museo Nazionale Romano ( National Roman Museum), Rome, Italy.<br />
<br />
The corridor was a covered passageway that connected the two wings of the villa, partly straight and partly curved, following the shape of the central esedra. The elements that remain are from the inner walkway. The wall is divided by slender columns. Their capitals support female figures whose architectural function is in turn to support the columns of the superstructure. The female figures hold floral garlands that link them to one another. They may be meant to represent Caryatids, the women of Caria sold into slavery, who gave the name to female figures used as supports instead of columns. The most important part of the decoration is the small pictures in the upper zone: still lifes with masks from the theater alternate with imaginary landscapes, shrines, statues of divinities, little aedicula, and altars, the whole populated by figures of peasants, fishermen, and shepherds. The scene depicting a naval battle on the curved part may well refer to the battle of Actium that led to Rome's conquest of Egypt.
  • Underground Etruscan tomb Known as "Tomba Claudio Bettini no 5513" A single chamber with double sloping ceiling. In the tympanium on the back wall is a painted two lions, a two men lying on beds (Klinai) are  banquetting with two women bellow. On the dide walls are dancers and musicians. 5th century BC. Excavated 1967 , Etruscan Necropolis of Monterozzi, Monte del Calvario, Tarquinia, Italy. A UNESCO World Heritage Site.
  • Underground Etruscan tomb Known as "Tomba Claudio Bettini no 5513" A single chamber with double sloping ceiling. In the tympanium on the back wall is a painted two lions, a two men lying on beds (Klinai) are  banquetting with two women bellow. On the dide walls are dancers and musicians. 5th century BC. Excavated 1967 , Etruscan Necropolis of Monterozzi, Monte del Calvario, Tarquinia, Italy. A UNESCO World Heritage Site.
  • Etruscan Hellenistic style cinerary, funreary, urn  cover with a depiction of a women,  National Archaeological Museum Florence, Italy, black background
  • Etruscan sculpted Hellenistic style cinerary, funreary, urn cover with a women ,  National Archaeological Museum Florence, Italy, white background
  • 3rd - 2nd century B.C Etruscan architectural voitive plaques of women, inv 4770, National Archaeological Museum Florence, Italy  , grey art background
  • Roman mosaic of young Roman women in Bikinis exercising from the Room of the Ten Bikini Girls, room no 30, from the Ambulatory of The Great Hunt, room no 28,  at the Villa Romana del Casale which containis the richest, largest and most complex collection of Roman mosaics in the world. Constructed in the first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.
  • Mosaic detail of a women with a red bikini playing with a ball, from the Room of the Ten Bikini Girls, room no 30 at the Villa Romana del Casale which containis the richest, largest and most complex collection of Roman mosaics in the world. Constructed in the first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.
  • 4th century Roman mosaic panel of the Goddess Venus from Ulules (Elles), Tunisia. Venus of Aphrodite is accompanied by 2 female centaurs, half women half horse creatures, known as Am(azoniu) and Titonius. The are crowning Venus The Bardo Museum, Tunis, Tunisia. The Bardo Museum, Tunis, Tunisia
  • Greek  statue of a Niobid from the Horti Sallustiani (Gardens of Sallust), a Greek original from the 5th cent BC found near the Via Collina and Piazza Sallustio, Rome. The wounded female figure whose back has been struck by an arrow is one of fourteen children of Amphion of Thebes and Niobe.  According to myth, Niobe insulted Lato, mother of the divine Apollo and Artemis; “why ever should Lato, a women of common birth, with a coarse daughter and an effeminate son, be preferred to me, the niece of Zeus and Atlas, scourge of the Phyrigians and the royal house of Cadmus?.”. The vengeful Lato ordered Apollo and Artemis to kill Niobe’s children who were struck down with arrows. In antiquity the myth of the Niobids was the subject matter of numerous works of art. The statue , a 5th century Greek original, was used as an ornamental piece in the Horti Sallustiani (Gardens of Sallust), where it was found with other figures of Niobids, two of which are now at the Ny Carlsberg Glypotheck in Copenhargen. Originally it was part of a pedimental group which decorated the facade of a Greek Temple. Inv 72274, The National Roman Museum, Rome, Italy
  • Greek  statue of a Niobid from the Horti Sallustiani (Gardens of Sallust), a Greek original from the 5th cent BC found near the Via Collina and Piazza Sallustio, Rome. The wounded female figure whose back has been struck by an arrow is one of fourteen children of Amphion of Thebes and Niobe.  According to myth, Niobe insulted Lato, mother of the divine Apollo and Artemis; “why ever should Lato, a women of common birth, with a coarse daughter and an effeminate son, be preferred to me, the niece of Zeus and Atlas, scourge of the Phyrigians and the royal house of Cadmus?.”. The vengeful Lato ordered Apollo and Artemis to kill Niobe’s children who were struck down with arrows. In antiquity the myth of the Niobids was the subject matter of numerous works of art. The statue , a 5th century Greek original, was used as an ornamental piece in the Horti Sallustiani (Gardens of Sallust), where it was found with other figures of Niobids, two of which are now at the Ny Carlsberg Glypotheck in Copenhargen. Originally it was part of a pedimental group which decorated the facade of a Greek Temple. Inv 72274, The National Roman Museum, Rome, Italy
  • Roman Sarcophagus with detailed relief sculptured panels with battle scenes. This large sarcophagus which was found in 1931 near the Tiburtina, in the eastern suburbs of the ancient city, shows on its front a symbolic battle, staged on two levels. This composition focuses on the progress of the Roman horseman, depicted in the guise of a universal victor, in a melee of soldiers, spears and horses; the Romans are delivering savage blows, devastating their enemies. The bloody scenes are framed by two pairs of enslaved barbarians, whose afflicted demeanour expresses the suffering which comes to those who rebel against the dominion of Rome. The dramatic animation of the combat emphasised by the deep chiaroscuro obtained by a skilful feat of carving. The low relief on the sides of the sarcophagus shows events subsequent to the encounter; on one side barbarian prisoners cross the river on the other chiefs submit to the Roman officials. The freeze on the lid, between two corner masks, celebrates the dead man and his wife, presented in the centre is the act of ‘dextarum iunctio’; on the left, the women exercises her ‘virtue’ in the house, educating her children; on the right, the, after his warlike activities, receives his 'clementia'. The faces of the principle characters remain incomplete, awaiting the carving of the features of the dead people. The decoration of the sarcophagus, inspired by many scenes on the Antonine Column, can be dated to around 180AD. The military insignia represented on the upper edge of the casket - the eagle of the Legio III Flavia and the boar of the Legio I Itlaica - enable us perhaps to identify the dead man as Aurelius Iulius Pompilius, an official of Marcus Aurelius in command of two cavalry squadron on detachment to those two legions during the war against Marcomanni (1720-175AD). National Roman Museum, Rome, Italy
  • Roman Bronze sculpture of a Dancing Women from the square peristyle of the Villa of the Papyri in Herculaneum, Museum of Archaeology, Italy
  • Roman Bronze sculpture of a Dancing Women from the square peristyle of the Villa of the Papyri in Herculaneum, Museum of Archaeology, Italy
  • Roman Bronze sculpture of a Dancing Women from the square peristyle of the Villa of the Papyri in Herculaneum, Museum of Archaeology, Italy
  • Greek  statue of a Niobid from the Horti Sallustiani (Gardens of Sallust), a Greek original from the 5th cent BC found near the Via Collina and Piazza Sallustio, Rome. The wounded female figure whose back has been struck by an arrow is one of fourteen children of Amphion of Thebes and Niobe.  According to myth, Niobe insulted Lato, mother of the divine Apollo and Artemis; “why ever should Lato, a women of common birth, with a coarse daughter and an effeminate son, be preferred to me, the niece of Zeus and Atlas, scourge of the Phyrigians and the royal house of Cadmus?.”. The vengeful Lato ordered Apollo and Artemis to kill Niobe’s children who were struck down with arrows. In antiquity the myth of the Niobids was the subject matter of numerous works of art. The statue , a 5th century Greek original, was used as an ornamental piece in the Horti Sallustiani (Gardens of Sallust), where it was found with other figures of Niobids, two of which are now at the Ny Carlsberg Glypotheck in Copenhargen. Originally it was part of a pedimental group which decorated the facade of a Greek Temple. Inv 72274, The National Roman Museum, Rome, Italy
  • A unique plaster head of a women, possibly a goddess of sphinx, one of the few examples of Mycenaean plaster art. The severe expression is excentualted by red and black paint and the small hair curls fall from below a polos 9 a cylindrical cap). From one of the cult areas of the acropolis of  Mycenae, Greece. 13th century BC, cat no: 4575,  National Archaeological Museum, Athens.
  • 13th century Medieval Romanesque Sculptures from the facade of St Mark's Basilica, Venice, depicting a women sitting on a lion below Cain & Abel.
  • Tombstone of a washer women,  The  Merry Cemetery ( Cimitirul Vesel ),  Săpânţa, Maramares, Northern Transylvania, Romania.  The naive folk art style of the tombstones created by woodcarver  Stan Ioan Pătraş (1909 - 1977) who created in his lifetime over 700 colourfully painted wooden tombstones with small relief portrait carvings of the deceased or with scenes depicting them at work or play or surprisingly showing the violent accident that killed them. Each tombstone has an inscription about the person, sometimes a light hearted  limerick in Romanian.
  • Women with masks  on the Sunday procession of the Busojaras Spring  festival 2010 Mohacs Hungary - Stock photos
  • Young women in traditional Kalocsa dress at the paprka festival, Kalocsa, Hungary
  • Young women in traditional Kalocsa dress at the paprka festival, Kalocsa, Hungary
  • Close up of a  card with the words sale on it in the back pocket of blue jeans being worn by a women showing her bare waiste.
  • Early Roman mummy mask of a women from  Egypt 1st century BC . Neues Museum Berlin Cat No: AM 34434.
  • Early Roman mummy mask of a women from  Egypt 1st century BC . Neues Museum Berlin Cat No: AM 34434.
  • Early Roman mummy mask of a women from  Egypt 1st century BC . Neues Museum Berlin Cat No: AM 34434.
  • Sarcophagus of The Mourning Women, 4th cent. B.C Greek from the Royal Necropolis of Sidon , Chamber no I, Lebanon, Istanbul Archaeological Museum Inv. 386T  Cat. Mendel 10.
  • Sarcophagus of The Mourning Women, 4th cent. B.C Greek from the Royal Necropolis of Sidon , Chamber no I, Lebanon, Istanbul Archaeological Museum Inv. 386T  Cat. Mendel 10.
  • Sarcophagus of The Mourning Women, 4th cent. B.C Greek from the Royal Necropolis of Sidon , Chamber no I, Lebanon, Istanbul Archaeological Museum Inv. 386T  Cat. Mendel 10.
  • Sarcophagus of The Mourning Women, 4th cent. B.C Greek from the Royal Necropolis of Sidon , Chamber no I, Lebanon, Istanbul Archaeological Museum Inv. 386T  Cat. Mendel 10.
  • Sarcophagus of The Mourning Women, 4th cent. B.C Greek from the Royal Necropolis of Sidon , Chamber no I, Lebanon, Istanbul Archaeological Museum Inv. 386T  Cat. Mendel 10.
  • Sarcophagus of The Mourning Women, 4th cent. B.C Greek from the Royal Necropolis of Sidon , Chamber no I, Lebanon, Istanbul Archaeological Museum Inv. 386T  Cat. Mendel 10.
  • Sarcophagus of The Mourning Women, 4th cent. B.C Greek from the Royal Necropolis of Sidon , Chamber no I, Lebanon, Istanbul Archaeological Museum Inv. 386T  Cat. Mendel 10.
  • Sarcophagus of The Mourning Women, 4th cent. B.C Greek from the Royal Necropolis of Sidon , Chamber no I, Lebanon, Istanbul Archaeological Museum Inv. 386T  Cat. Mendel 10.
  • Sarcophagus of The Mourning Women, 4th cent. B.C Greek from the Royal Necropolis of Sidon , Chamber no I, Lebanon, Istanbul Archaeological Museum Inv. 386T  Cat. Mendel 10.
  • Roman Sebasteion relief  sculpture of the Emperor and Roman People, Aphrodisias Museum, Aphrodisias, Turkey.   Against a white background.<br />
<br />
The emperor is a naked warrior and is crowned by a personification of the Roman People or the Senate wearing a toga, the stately civilian dress of a Roman Citizen. The crown is an oak wreath, the corona civica or “civic crown” awarded for saving citizens lives. The emperor is setting up a battlefield trophy beneath which kneels an anguished barbarian women captive
  • Roman Sebasteion relief  sculpture of the Emperor and Roman People, Aphrodisias Museum, Aphrodisias, Turkey. <br />
<br />
The emperor is a naked warrior and is crowned by a personification of the Roman People or the Senate wearing a toga, the stately civilian dress of a Roman Citizen. The crown is an oak wreath, the corona civica or “civic crown” awarded for saving citizens lives. The emperor is setting up a battlefield trophy beneath which kneels an anguished barbarian women captive
  • Roman Sebasteion relief  sculpture of the Emperor and Roman People, Aphrodisias Museum, Aphrodisias, Turkey.   Against a black background.<br />
<br />
The emperor is a naked warrior and is crowned by a personification of the Roman People or the Senate wearing a toga, the stately civilian dress of a Roman Citizen. The crown is an oak wreath, the corona civica or “civic crown” awarded for saving citizens lives. The emperor is setting up a battlefield trophy beneath which kneels an anguished barbarian women captive
  • Roman Sebasteion relief  sculpture of the Emperor and Roman People, Aphrodisias Museum, Aphrodisias, Turkey.  Against a grey background.<br />
<br />
The emperor is a naked warrior and is crowned by a personification of the Roman People or the Senate wearing a toga, the stately civilian dress of a Roman Citizen. The crown is an oak wreath, the corona civica or “civic crown” awarded for saving citizens lives. The emperor is setting up a battlefield trophy beneath which kneels an anguished barbarian women captive
  • Roman Sebasteion relief  sculpture of the Emperor and Roman People, Aphrodisias Museum, Aphrodisias, Turkey.  Against an art background.<br />
<br />
The emperor is a naked warrior and is crowned by a personification of the Roman People or the Senate wearing a toga, the stately civilian dress of a Roman Citizen. The crown is an oak wreath, the corona civica or “civic crown” awarded for saving citizens lives. The emperor is setting up a battlefield trophy beneath which kneels an anguished barbarian women captive
  • Roman Sebasteion relief  sculpture of the Emperor and Roman People, Aphrodisias Museum, Aphrodisias, Turkey.  Against a white background. <br />
<br />
The emperor is a naked warrior and is crowned by a personification of the Roman People or the Senate wearing a toga, the stately civilian dress of a Roman Citizen. The crown is an oak wreath, the corona civica or “civic crown” awarded for saving citizens lives. The emperor is setting up a battlefield trophy beneath which kneels an anguished barbarian women captive
  • Roman Sebasteion relief  sculpture of the Emperor and Roman People, Aphrodisias Museum, Aphrodisias, Turkey. <br />
<br />
The emperor is a naked warrior and is crowned by a personification of the Roman People or the Senate wearing a toga, the stately civilian dress of a Roman Citizen. The crown is an oak wreath, the corona civica or “civic crown” awarded for saving citizens lives. The emperor is setting up a battlefield trophy beneath which kneels an anguished barbarian women captive
  • Roman Sebasteion relief  sculpture of the Emperor and Roman People, Aphrodisias Museum, Aphrodisias, Turkey.  Against an art background.<br />
<br />
The emperor is a naked warrior and is crowned by a personification of the Roman People or the Senate wearing a toga, the stately civilian dress of a Roman Citizen. The crown is an oak wreath, the corona civica or “civic crown” awarded for saving citizens lives. The emperor is setting up a battlefield trophy beneath which kneels an anguished barbarian women captive
  • Roman Sebasteion relief  sculpture of Apollo and Royal Hero Aphrodisias Museum, Aphrodisias, Turkey.     Against a white background.<br />
<br />
Apollo sits on a raised platform with his tripod at his oracular shrine. He is approached by two figures. A women greets  the god with a raised hand. With her is a hero wearing a travelling cloak and the flat headband or diadem of a king. He has come to consult Apollo, probably about a city foundation.
  • Roman Sebasteion relief  sculpture of Apollo and Royal Hero Aphrodisias Museum, Aphrodisias, Turkey.   Against a black background.<br />
Apollo sits on a raised platform with his tripod at his oracular shrine. He is approached by two figures. A women greets  the god with a raised hand. With her is a hero wearing a travelling cloak and the flat headband or diadem of a king. He has come to consult Apollo, probably about a city foundation.
  • Roman SSebasteion  relief  sculpture of Apollo and Royal Hero Aphrodisias Museum, Aphrodisias, Turkey. <br />
<br />
Apollo sits on a raised platform with his tripod at his oracular shrine. He is approached by two figures. A women greets  the god with a raised hand. With her is a hero wearing a travelling cloak and the flat headband or diadem of a king. He has come to consult Apollo, probably about a city foundation.
  • Roman Sebasteion relief  sculpture of Apollo and Royal Hero Aphrodisias Museum, Aphrodisias, Turkey.  Against an art background.<br />
<br />
Apollo sits on a raised platform with his tripod at his oracular shrine. He is approached by two figures. A women greets  the god with a raised hand. With her is a hero wearing a travelling cloak and the flat headband or diadem of a king. He has come to consult Apollo, probably about a city foundation.
  • Roman Sebasteion relief  sculpture of Apollo and Royal Hero Aphrodisias Museum, Aphrodisias, Turkey.  Against a grey background.<br />
<br />
Apollo sits on a raised platform with his tripod at his oracular shrine. He is approached by two figures. A women greets  the god with a raised hand. With her is a hero wearing a travelling cloak and the flat headband or diadem of a king. He has come to consult Apollo, probably about a city foundation.
  • Picture of a Roman mosaics design depicting Dionysus, God of wine, surrounded by women's busts representing the Four Seasons, from the ancient Roman city of Thysdrus. 3rd century AD. El Djem Archaeological Museum, El Djem, Tunisia.
  • Picture of a Roman mosaics design depicting Dionysus, God of wine, surrounded by women's busts representing the Four Seasons, from the ancient Roman city of Thysdrus. 3rd century AD. El Djem Archaeological Museum, El Djem, Tunisia. Against a blackbackground
  • Picture of a Roman mosaics design depicting Dionysus, God of wine, surrounded by women's busts representing the Four Seasons, from the ancient Roman city of Thysdrus. 3rd century AD. El Djem Archaeological Museum, El Djem, Tunisia.
  • Picture of a Roman mosaics design depicting Dionysus, God of wine, surrounded by women's busts representing the Four Seasons, from the ancient Roman city of Thysdrus. 3rd century AD. El Djem Archaeological Museum, El Djem, Tunisia. Against a grey background
  • Picture of a Roman mosaics design depicting Dionysus, God of wine, surrounded by women's busts representing the Four Seasons, from the ancient Roman city of Thysdrus. 3rd century AD. El Djem Archaeological Museum, El Djem, Tunisia. Against an art background
  • Close up picture of the Roman mosaics of the room of the Ten Bikini Girls depicting Roman women in an athletic competition, room no 30, at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.
  • Close up picture of the Roman mosaics of the room of the Ten Bikini Girls depicting Roman women in an athletic competition, room no 30, at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.

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