• Ancient Egyptian decorated mari ware, class D, baked clay, Predynastic Period, Naqada II Protodynastic Period (3700-300 BC). Egyptian Museum, Turin. Grey Background<br />
<br />
Mari was a new raw material used to make vases from Naqada II onwards. The material was a marl of rich clay found in some ancient Egyptian desert site which was pulverised and mixed with water. Typically the pottery had a rosy sinish when fired making a good background for painted motifs.
  • Ancient Egyptian statuette of Taweret decicated to draughtsman Parahotep, wood, New Kingdom, 19 Dynasty, (14292-1190 BC), deir el Medina. Egyptian Museum, Turin. Grey background. Cat 526.<br />
<br />
 Taweret is the protective ancient Egyptian goddess of childbirth and fertility. The deity is typically depicted as a bipedal female hippopotamus with feline attributes, pendulous female human breasts, the limbs and paws of a lion, and the back and tail of a Nile crocodile.
  • Ancient Egyptian statue of Ptah - limestone - New Kingdom. 18th Dynasty, reign of Amenhotep III (1390 - 1353 BC), Karnac. Egyptian Museum, Turin.  Grey background<br />
<br />
Large statue of Egyptian gods are rare and most of them are part of building designs. This imposing statue of Ptah was probably made for the "Temple of Millions of Years", on the west bank of Thebes, promoted by Amenhotep III . When the temple was eventually abandoned its statues were reused in other temples in the region. Drovetti collection C. 87
  • Ancient Egyptian decorated mari ware, class D, baked clay, Predynastic Period, Naqada II Protodynastic Period (3700-300 BC). Egyptian Museum, Turin. Black background,<br />
<br />
Mari was a new raw material used to make vases from Naqada II onwards. The material was a marl of rich clay found in some ancient Egyptian desert site which was pulverised and mixed with water. Typically the pottery had a rosy sinish when fired making a good background for painted motifs.
  • Ancient Egyptian decorated mari ware, class D, baked clay, Predynastic Period, Naqada II Protodynastic Period (3700-300 BC). Egyptian Museum, Turin. Grey background;<br />
<br />
Mari was a new raw material used to make vases from Naqada II onwards. The material was a marl of rich clay found in some ancient Egyptian desert site which was pulverised and mixed with water. Typically the pottery had a rosy sinish when fired making a good background for painted motifs.
  • Ancient Egyptian decorated mari ware, class D, baked clay, Predynastic Period, Naqada II Protodynastic Period (3700-300 BC). Egyptian Museum, Turin. <br />
<br />
Mari was a new raw material used to make vases from Naqada II onwards. The material was a marl of rich clay found in some ancient Egyptian desert site which was pulverised and mixed with water. Typically the pottery had a rosy sinish when fired making a good background for painted motifs.
  • Ancient Egyptian decorated mari ware, class D, baked clay, Predynastic Period, Naqada II Protodynastic Period (3700-300 BC). Egyptian Museum, Turin. White background.<br />
<br />
Mari was a new raw material used to make vases from Naqada II onwards. The material was a marl of rich clay found in some ancient Egyptian desert site which was pulverised and mixed with water. Typically the pottery had a rosy sinish when fired making a good background for painted motifs.
  • Ancient Egyptian decorated mari ware, class D, baked clay, Predynastic Period, Naqada II Protodynastic Period (3700-300 BC). Egyptian Museum, Turin. Black background,<br />
<br />
Mari was a new raw material used to make vases from Naqada II onwards. The material was a marl of rich clay found in some ancient Egyptian desert site which was pulverised and mixed with water. Typically the pottery had a rosy sinish when fired making a good background for painted motifs.
  • Ancient Egyptian decorated mari ware, class D, baked clay, Predynastic Period, Naqada II Protodynastic Period (3700-300 BC). Egyptian Museum, Turin. <br />
<br />
Mari was a new raw material used to make vases from Naqada II onwards. The material was a marl of rich clay found in some ancient Egyptian desert site which was pulverised and mixed with water. Typically the pottery had a rosy sinish when fired making a good background for painted motifs.
  • Ancient Egyptian decorated mari ware, class D, baked clay, Predynastic Period, Naqada II Protodynastic Period (3700-300 BC). Egyptian Museum, Turin. White background.<br />
<br />
Mari was a new raw material used to make vases from Naqada II onwards. The material was a marl of rich clay found in some ancient Egyptian desert site which was pulverised and mixed with water. Typically the pottery had a rosy sinish when fired making a good background for painted motifs.
  • Ancient Egyptian decorated mari ware, class D, baked clay, Predynastic Period, Naqada II Protodynastic Period (3700-300 BC). Egyptian Museum, Turin. Black background,<br />
<br />
Mari was a new raw material used to make vases from Naqada II onwards. The material was a marl of rich clay found in some ancient Egyptian desert site which was pulverised and mixed with water. Typically the pottery had a rosy sinish when fired making a good background for painted motifs.
  • Ancient Egyptian decorated mari ware, class D, baked clay, Predynastic Period, Naqada II Protodynastic Period (3700-300 BC). Egyptian Museum, Turin. <br />
<br />
Mari was a new raw material used to make vases from Naqada II onwards. The material was a marl of rich clay found in some ancient Egyptian desert site which was pulverised and mixed with water. Typically the pottery had a rosy sinish when fired making a good background for painted motifs.
  • Ancient Egyptian decorated mari ware, class D, baked clay, Predynastic Period, Naqada II Protodynastic Period (3700-300 BC). Egyptian Museum, Turin. Grey Background<br />
<br />
Mari was a new raw material used to make vases from Naqada II onwards. The material was a marl of rich clay found in some ancient Egyptian desert site which was pulverised and mixed with water. Typically the pottery had a rosy sinish when fired making a good background for painted motifs.
  • Ancient Egyptian decorated mari ware, class D, baked clay, Predynastic Period, Naqada II Protodynastic Period (3700-300 BC). Egyptian Museum, Turin. <br />
<br />
Mari was a new raw material used to make vases from Naqada II onwards. The material was a marl of rich clay found in some ancient Egyptian desert site which was pulverised and mixed with water. Typically the pottery had a rosy sinish when fired making a good background for painted motifs.
  • Ancient Egyptian  decorated jar sealed with linen , tomb of Kha, Theban Tomb 8 , mid-18th dynasty (1550 to 1292 BC), Turin Egyptian Museum. Grey background. <br />
<br />
TT8 or Theban Tomb 8 was the tomb of Kha, the overseer of works from Deir el-Medina in the mid-18th dynasty[2] and his wife, Merit. TT8 was one of the greatest archaeological discoveries of ancient Egypt, one of few tombs of nobility to survive intact.
  • Ancient Egyptian glong neckedr jar  sealed with linen strips , tomb of Kha, Theban Tomb 8 , mid-18th dynasty (1550 to 1292 BC), Turin Egyptian Museum. White background. Cat 8465.<br />
<br />
TT8 or Theban Tomb 8 was the tomb of Kha, the overseer of works from Deir el-Medina in the mid-18th dynasty[2] and his wife, Merit. TT8 was one of the greatest archaeological discoveries of ancient Egypt, one of few tombs of nobility to survive intact.
  • Ancient Egyptian globular jar  with Kha's monogram , tomb of Kha, Theban Tomb 8 , mid-18th dynasty (1550 to 1292 BC), Turin Egyptian Museum. Grey background. Cat 8465.<br />
<br />
TT8 or Theban Tomb 8 was the tomb of Kha, the overseer of works from Deir el-Medina in the mid-18th dynasty[2] and his wife, Merit. TT8 was one of the greatest archaeological discoveries of ancient Egypt, one of few tombs of nobility to survive intact.
  • Ancient Egyptian stele dedicated to Ra-Harakhty & Atum by Psetjerfi, Late Period 26th Dynasty, (590-525 BC), Cat 1568. Egyptian Museum, Turin. Grey background.<br />
<br />
Gifted by the Cairo Museum
  • Ancient Egyptian stele odedicated to Amon Re the "good Ram" by foreman Baki, limestone, New Kingdom, 19th Dynasty, (1290-1213 BC), Deir el-Medina, Drovetti cat 1549. Egyptian Museum, Turin. black background. Reign of Ramesses II.<br />
<br />
This round-topped stele is carved in low relief and painted <br />
in several colours. The pictorial plane is divided into two <br />
registers, the upper one containing two rams facing each <br />
other. The animals, with cobras rising on their foreheads, <br />
wear tall headdresses composed of two tall plumes with a <br />
solar disk at the centre. Between them is a small offering <br />
table with lotus flowers. The mirror image hieroglyphic <br />
inscription refers to the rams and reveals their divine <br />
nature as that of Amun-Ra. In the register below, <br />
foreman Baki is shown in the pose of adoration.
  • Ancient Egyptian stele dedicated to the god Khonsu by draftsman Pay, limestone, New Kingdom, 19th Dynasty, (1279-1213 BC), Deir el-Medina, Drovetti cat 1553. Egyptian Museum, Turin. Grey background
  • Ancient Egyptian stele of scraftsman Minhotep in adoration of Osiris, limestone, New Kingdom, 18th Dynasty, (1336-1292 BC), Deir el-Medina, Drovetti cat 1619. Egyptian Museum, Turin. white background<br />
<br />
The stele is dedicated to Osiris, Anubis and Hathor "Mistress of the World".
  • Ancient Egyptian stele showing Iti & Neferu receiving food offerings, First Intermediate Period, (2118-1980 BC), Gebelein, Tomb of Iti & Neferu,  Egyptian Museum, Turin. white background. Schiaparelli cat 13114.
  • Ancient Egyptian funerary stele of painter Maya, limestone, New Kingdom, 18th Dynasty, (1336-1292 BC), Deir el-Medina,  Egyptian Museum, Turin. Grey background. Drovetti cat 1579.<br />
<br />
<br />
In the upper portion Maya and his wife Tamit pay homage to Osiris and Hathor, the gods of the necropolis. In the lower register is a similar scene in which his wife recieves food offerings from their many children, as was traditional at the time.
  • Ancient Egyptian wall paintings of the Tomb of Iti and Neferu, Ritual slaughter scene Scene, Thebes, First Intermediate Period (2118 – 1980BC). Egyptian Museum, Turin. Schiapelli excavations cat 14345/15.<br />
<br />
The ritual slaughter scene depicts an ox being held down with blodd being collected in a bowl. These tempera paintings were on a crude mud and straw plaster and were of typical Old Kingdom tombs showing ritual offering scenes. The tomb was partly cut into rock with mud brick walls and vaults. The facade of the tomb had 16 columns looking over a courtyard sloping towards the valley. These tempera paintings were on a crude mud and straw plaster and were of typical Old Kingdom tombs showing ritual offering scenes. The tomb was partly cut into rock with mud brick walls and vaults. The facade of the tomb had 16 columns looking over a courtyard sloping towards the valley.
  • Ancient Egyptian wall paintings of the Tomb of Iti and Neferu, Mourning Scene, Thebes, First Intermediate Period (2118 – 1980BC). Egyptian Museum, Turin. Schiapelli excavations cat 1435.<br />
<br />
In the lower register a cattle driver leads two cattle of different colours.<br />
These tempera paintings were on a crude mud and straw plaster and were of typical Old Kingdom tombs showing ritual offering scenes. The tomb was partly cut into rock with mud brick walls and vaults. The facade of the tomb had 16 columns looking over a courtyard sloping towards the valley.
  • Ancient Egyptian Cat Sarcophagus conating cat mummy, Late to Plolomaic Period, (722-30 BC), Egyptian Museum, Turin.Old Fund Cat 2361. white background<br />
<br />
Animal mummification was common in ancient Egypt. They mummified various animals. It was an enormous part of Egyptian culture, not only in their role as food and pets, but also for religious reasons. They were typically mummified for four main purposes—to allow beloved pets to go on to the afterlife, to provide food in the afterlife, to act as offerings to a particular god, and because some were seen as physical manifestations of specific deities that the Egyptians worshipped. Bast, the cat goddess is an example of one such deity.
  • Ancient Egyptian model of a funerary boat with oarsman and a sarcopagus under a canope, Middle Kingdom (1980-1700 BC. Egyptian Museum, Turin. Cat 1209. black background.<br />
<br />
Funerary boats were probably believed to carry the deceased sould to the afterlife. Wooden tomb models were an Egyptian funerary custom throughout the Middle Kingdom in which wooden figurines and sets were constructed to be placed in the tombs of Egyptian royalty.
  • Ancient Egyptian model of a funerary boat with oarsman and a sarcopagus under a canope, Middle Kingdom (1980-1700 BC. Egyptian Museum, Turin. Cat 1209. <br />
<br />
Funerary boats were probably believed to carry the deceased sould to the afterlife. Wooden tomb models were an Egyptian funerary custom throughout the Middle Kingdom in which wooden figurines and sets were constructed to be placed in the tombs of Egyptian royalty.
  • Ancient Egyptian wooden model of bread making, Middle Kingdom, 12th Dynasty, (1939-1875 BC), Asyut., Tomb of Minhotep Egyptian Museum, Turin. Cat 8789. Grey background. <br />
<br />
Wooden tomb models were an Egyptian funerary custom throughout the Middle Kingdom in which wooden figurines and sets were constructed to be placed in the tombs of Egyptian royalty. These wooden models represented the work of servants, farmers, other skilled craftsman, armies, and religious rituals
  • Ancient Egyptian statuette of Taweret decicated to draughtsman Parahotep, wood, New Kingdom, 19 Dynasty, (14292-1190 BC), deir el Medina. Egyptian Museum, Turin. white background. Cat 526.<br />
<br />
 Taweret is the protective ancient Egyptian goddess of childbirth and fertility. The deity is typically depicted as a bipedal female hippopotamus with feline attributes, pendulous female human breasts, the limbs and paws of a lion, and the back and tail of a Nile crocodile.
  • Ancient Egyptian statuette of Taweret decicated to draughtsman Parahotep, wood, New Kingdom, 19 Dynasty, (14292-1190 BC), deir el Medina. Egyptian Museum, Turin.. Cat 526.<br />
<br />
 Taweret is the protective ancient Egyptian goddess of childbirth and fertility. The deity is typically depicted as a bipedal female hippopotamus with feline attributes, pendulous female human breasts, the limbs and paws of a lion, and the back and tail of a Nile crocodile.
  • Ancient Egyptian voitive statue of Nefratari, New Kingdom, 19th -20th Dynasty, (1292-1076 BC, Deir el-Medina. Egyptian Museum, Turin. Cat 1349. black background.<br />
<br />
Queen Ahmose Neferatari, wife and mother of Amenhoptec I show the great devotion she was held in by ancient Egyptians. The inscription on the base name the dedicators of the statue
  • Ancient Egyptian voitive statue of Nefratari, New Kingdom, 19th -20th Dynasty, (1292-1076 BC, Deir el-Medina. Egyptian Museum, Turin. Cat 1349. <br />
<br />
Queen Ahmose Neferatari, wife and mother of Amenhoptec I show the great devotion she was held in by ancient Egyptians. The inscription on the base name the dedicators of the statue
  • Ancient Egyptian voitive statue of Nefratari, New Kingdom, 19th -20th Dynasty, (1292-1076 BC, Deir el-Medina. Egyptian Museum, Turin. Cat 1349. Grey background.<br />
<br />
Queen Ahmose Neferatari, wife and mother of Amenhoptec I show the great devotion she was held in by ancient Egyptians. The inscription on the base name the dedicators of the statue
  • Ancient Egyptian statue of Pawer and his wife Mut, New Kingdom, 18th Dynasty, (1480-1390 BC), Thebes Necropolis. Egyptian Museum, Turin. Drovetti collection. Cat 3057.<br />
<br />
Between the two adults is their son Samut in childhood nudity. The text specifies that the statue was commissioned by Mut.
  • Ancient Egyptian four sided capital dedicated to Hathor, limestone, Ptolomaic Period (332039 BC). Egyptian Museum, Turin. Grey background. Cat 7031. <br />
<br />
Hathor, goddess of love and beauty and wet nurse of Horus, is often portrayed frontally with bovine ears. She was also protector of the turquoise mines in Sinai and the guardian of the 4 cardinal points awhich is why she is depicted with faces on each side of the capital
  • Ancient Egyptian stelophorus statue of Ubenre, New Kingdom, 19th-20th Dynasty, (1292-1076 BC), Deir el-Medina, Egyptian Museum, Turin. Cat 3040. Grey background.<br />
<br />
This type of stele is so called stelophorous statue. It consists of kneeling figure holding or offering stele. They were produced from the 18th dynasty onwards. Such stelae were usually inscribed with hymns to the sun-god.
  • Ancient Egyptian stelophorus statue of Amenemipet, limestone, New Kingdom, 18th Dynasty, (1539-1292 BC), Deir el Medina, tomb of Ibu. Egyptian Museum, Turin. Cat 3038. white background
  • Ancient Egyptian stelophorus statue of Amenemipet, limestone, New Kingdom, 18th Dynasty, (1539-1292 BC), Deir el Medina, tomb of Ibu. Egyptian Museum, Turin. Cat 3038.
  • Ancient Egyptian Stelophorus statue of Amenemipet, limestone, New Kingdom, 18th Dynasty, (1539-1292 BC), Deir el Medina, tomb of Ibu. Egyptian Museum, Turin. Cat 3038. Grey background
  • Ancient Egyptian statue head of a monarch, limestone, Middle Kingdom, mis 12th Dynasty, (1900-1850 BC), Qqw el-Kebir, tomb of Ibu. Egyptian Museum, Turin. Grey background.<br />
<br />
Since this statue head comes from the tomb of Ibu it is likely that they depict a powerful gosvenor, although the incsription is lost. It can be dated by its style which is close to the statues of Amenemhat II and Sesostris II. Schiaparelli excavations. Cat 4410 & 4414
  • Ancient Egyptian statue bust of a male, graanodiorite, Late Period, (722-322 BC). Egyptian Museum, Turin. Grey background.  Grey background. Drovetti collection. Cat 3139
  • Ancient Egyptian statue of Qen, priest of Anukis, sanstone, New Kingdom, 19th Dynasty, (1292-1191 BC), Isalnd of sehel. Egyptian Museum, Turin. Grey background.<br />
<br />
Qen was a "gods father of Amon of Elephantine and of Khnum, Satis and Anukis". Elephantine is a Greek name of the present day Aswan. The naos, shrine, contains a female wearing a high plumed headdress. She is Anukis goddess of the Nile flood. With the ram-heahed god Khum and the goddess Satis, she formed the triad of the Elephantine. The statue probably comes from the temple of the Triad on Sehel Island just south of Elephantine.. Drovetti collection. Cat 3016.
  • Ancient Egyptian cult statue of Amenhoptep I, limestone, New Kingdom, 19th Dynasty, (1292-1190 BC, Deir el-Medina. Egyptian Museum, Turin. Grey background.<br />
<br />
The cult of Amenhoptep I flourished during the 19th &20th Dynasties. This statue is typical of Theban sculpture of the Ramesside era : large eyes, full cheeks and aquiline nose. the kings skin colour is white rather than the more common red hue. This is typical of other Deir el-Medina statues of the era.  Drovetti collection. Cat 1372.
  • Ancient Egyptian statue of a queen wearing a clinging dress, sandstone, Ptolemaic Period (332-30BC). Egyptian Museum, Turin. <br />
<br />
Drovetti Collection, Cat 1386
  • Ancient Egyptian statue of Aanen, second priest to Amon, granodioite, New Kingdom, 18th Dynasty, (1390-1353, Thebes. Egyptian Museum, Turin. <br />
<br />
A dignitary wearing a wig, a long gown and the leopard skin of a priest. Writing on his belt are the names of Amenhotep III, Aanen and an inscription tells us that the statue depicts the astronomer priest Aanen  by saying " one knows the procession of the sky". Aanen was the brother of the queen Teye wife of Amenhotep III. Drovetti collection, cat 1377
  • Ancient Egyptian statue of Aanen, second priest to Amon, granodioite, New Kingdom, 18th Dynasty, (1390-1353, Thebes. Egyptian Museum, Turin. <br />
<br />
A dignitary wearing a wig, a long gown and the leopard skin of a priest. Writing on his belt are the names of Amenhotep III, Aanen and an inscription tells us that the statue depicts the astronomer priest Aanen  by saying " one knows the procession of the sky". Aanen was the brother of the queen Teye wife of Amenhotep III. Drovetti collection, cat 1377
  • Ancient Egyptian statue of a Ram protecting King Amenhotep III, granite, New Kingdom, early 18th Dynasty (1390-1353), Karnak, Temple of Mut. Egyptian Museum, Turin. Grey background<br />
<br />
a figure of Amenhotep III as Osiris stands between the legs of the Ram. there is a hole in the top of the rams head for the insertion of a solar disk associating it to the god Amon, whose animal form is the ram, and with the sun god Re. The statue may have stood in the Soleb of Nubia. Drovetti Collection. C 836
  • Ancient Egyptian Sphinx statue, sandstone, New Kingdom, early 19th Dynasty (1292-1250), Karnak, Temple of Amon. Egyptian Museum, Turin. white background.<br />
<br />
The Phatoah and queen could be represented by Sphinx statues and by associating human faces with the body of a lion the Egyptians combined the strength of the animal that was connected to the sun god with human inetelligence. In this guardian rols sphinxes were generally placed facing each other on either side of temple gates, processional ways or dooways inside the temple. . Drovetti Collection. C1408
  • Ancient Egyptian Sphinx statue, sandstone, New Kingdom, early 19th Dynasty (1292-1250), Karnak, Temple of Amon. Egyptian Museum, Turin. black background<br />
<br />
The Phatoah and queen could be represented by Sphinx statues and by associating human faces with the body of a lion the Egyptians combined the strength of the animal that was connected to the sun god with human inetelligence. In this guardian rols sphinxes were generally placed facing each other on either side of temple gates, processional ways or dooways inside the temple. . Drovetti Collection. C1408
  • Ancient Egyptian Sphinx statue, sandstone, New Kingdom, early 19th Dynasty (1292-1250), Karnak, Temple of Amon. Egyptian Museum, Turin. Grey background<br />
<br />
The Phatoah and queen could be represented by Sphinx statues and by associating human faces with the body of a lion the Egyptians combined the strength of the animal that was connected to the sun god with human inetelligence. In this guardian rols sphinxes were generally placed facing each other on either side of temple gates, processional ways or dooways inside the temple. . Drovetti Collection. C1408
  • Ancient Egyptian Sphinx statue, sandstone, New Kingdom, early 19th Dynasty (1292-1250), Karnak, Temple of Amon. Egyptian Museum, Turin. Grey background<br />
<br />
The Phatoah and queen could be represented by Sphinx statues and by associating human faces with the body of a lion the Egyptians combined the strength of the animal that was connected to the sun god with human inetelligence. In this guardian rols sphinxes were generally placed facing each other on either side of temple gates, processional ways or dooways inside the temple. . Drovetti Collection. C1408
  • Ancient Egyptian statue of Hel, limestone, New Kingdom, late 18th Dynasty, (1320-1280 BC), Saqqara. Egyptian Museum, Turin. white background.<br />
<br />
The women is seated on a cushioned stool. On her head is a lotus flower. In her left hand she holds a cloth in her right a counterweight for a meant necklace, a ritual instrument used in the cult of the goddess Hathor. the statue probably stood in a tomb in Saqqara necropolis of Memphis, where the Egyptian eletes of the time had splendid tombs with statues of s similar style. The inscription evokes the deceased "everything that comes forth in the presence of the gods of Memphis for Osiris, the lady of Hel..."
  • Ancient Egyptian statue of Hel, limestone, New Kingdom, late 18th Dynasty, (1320-1280 BC), Saqqara. Egyptian Museum, Turin. <br />
<br />
The women is seated on a cushioned stool. On her head is a lotus flower. In her left hand she holds a cloth in her right a counterweight for a meant necklace, a ritual instrument used in the cult of the goddess Hathor. the statue probably stood in a tomb in Saqqara necropolis of Memphis, where the Egyptian eletes of the time had splendid tombs with statues of s similar style. The inscription evokes the deceased "everything that comes forth in the presence of the gods of Memphis for Osiris, the lady of Hel..."
  • Ancient Egyptian statue of Hel, limestone, New Kingdom, late 18th Dynasty, (1320-1280 BC), Saqqara. Egyptian Museum, Turin. Grey background.<br />
<br />
The women is seated on a cushioned stool. On her head is a lotus flower. In her left hand she holds a cloth in her right a counterweight for a meant necklace, a ritual instrument used in the cult of the goddess Hathor. the statue probably stood in a tomb in Saqqara necropolis of Memphis, where the Egyptian eletes of the time had splendid tombs with statues of s similar style. The inscription evokes the deceased "everything that comes forth in the presence of the gods of Memphis for Osiris, the lady of Hel..."
  • Ancient Egyptian statue of Hel, limestone, New Kingdom, late 18th Dynasty, (1320-1280 BC), Saqqara. Egyptian Museum, Turin. <br />
<br />
The women is seated on a cushioned stool. On her head is a lotus flower. In her left hand she holds a cloth in her right a counterweight for a meant necklace, a ritual instrument used in the cult of the goddess Hathor. the statue probably stood in a tomb in Saqqara necropolis of Memphis, where the Egyptian eletes of the time had splendid tombs with statues of s similar style. The inscription evokes the deceased "everything that comes forth in the presence of the gods of Memphis for Osiris, the lady of Hel..."
  • Ancient Egyptian statue of pharaoh Horemheb with god Amun, limestone, New Kingdom, 18th Dynasty, (1319-1292 BC). Egyptian Museum, Turin. black background.<br />
<br />
Horemheb stands beside the taller depiction of the god Amun. The statue is typical of the period following the religious and artistic revolution of King Akhenaten. The muscles are not emphasised and the contours are soft, with rounded hips and juvenile faces, the eyes are almond shaped and the cheeks and lips sensual. Some scholars believe this may have been a statue of Tutenkhamon remodelled by Horemheb. Dorvetti collection. C 768
  • Ancient Egyptian statue of goddess Sekhmet, grandodiorite, New Kingdom, 18th & 20thDynasty (1390-1150 BC), Thebes. Egyptian Museum, Turin. Grey Background.<br />
<br />
Sekhmet, "the Powerful One" was a fearsome goddess symbolised by her lioness head. Daughter of the sun she personifies the disk of the world during the day. Sekhmet is the angry manifestation of Hathor inflicting the scourges of summer heat, famine and illness which is why the goddess needed to be exorcised every day. Drovetti Collection. C 255
  • Ancient Egyptian statue of goddess Sekhmet, grandodiorite, New Kingdom, 18th & 20thDynasty (1390-1150 BC), Thebes. Egyptian Museum, Turin. black background.<br />
<br />
In this statue of Sekhmet the goddess is called "mistress of Shenut" possibly linking her to the lioness goddess Repyt of Anthribis.  Sekhmet, "the Powerful One" was a fearsome goddess symbolised by her lioness head. Daughter of the sun she personifies the disk of the world during the day. Sekhmet is the angry manifestation of Hathor inflicting the scourges of summer heat, famine and illness which is why the goddess needed to be exorcised every day. Drovetti Collection. C 248
  • Ancient Egyptian statue of Tuthmosis II, granodorite, New Kingdom, 18th Dynasty, (1479-1425 BC), Karnak, Temple of Amun. Egyptian Museum, Turin. Grey background.<br />
<br />
Tuthmosis II is shown wearing Royal regalia including the shendyt kilt, the nemes headdress and the uraeus cobra on his forehead. Between his legs in a bulls tail, the symbol of power. On the sides of the throne is the sema-tawy, a sign composed of a lotus and papyrus, the symbols od Upper and Lower Egypt. Under the feet of the king are the Nine Bows, the enemies of Egypt. Together these symbolise that the pharaoh keeps the two halves of Egypt together and protects them against her enemies. Drovetti Collection. C 1376
  • Ancient Egyptian statue of Tuthmosis II, granodorite, New Kingdom, 18th Dynasty, (1479-1425 BC), Karnak, Temple of Amun. Egyptian Museum, Turin. black background.<br />
<br />
Tuthmosis II is shown wearing Royal regalia including the shendyt kilt, the nemes headdress and the uraeus cobra on his forehead. Between his legs in a bulls tail, the symbol of power. On the sides of the throne is the sema-tawy, a sign composed of a lotus and papyrus, the symbols od Upper and Lower Egypt. Under the feet of the king are the Nine Bows, the enemies of Egypt. Together these symbolise that the pharaoh keeps the two halves of Egypt together and protects them against her enemies. Drovetti Collection. C 1376
  • Ancient Egyptian statue of Tuthmosis II, granodorite, New Kingdom, 18th Dynasty, (1479-1425 BC), Karnak, Temple of Amun. Egyptian Museum, Turin. Grey background.<br />
<br />
Tuthmosis II is shown wearing Royal regalia including the shendyt kilt, the nemes headdress and the uraeus cobra on his forehead. Between his legs in a bulls tail, the symbol of power. On the sides of the throne is the sema-tawy, a sign composed of a lotus and papyrus, the symbols od Upper and Lower Egypt. Under the feet of the king are the Nine Bows, the enemies of Egypt. Together these symbolise that the pharaoh keeps the two halves of Egypt together and protects them against her enemies. Drovetti Collection. C 1376
  • Ancient Egyptian statue of king Horemheb & his wife Mutnedjemet, granodiorite, New Kingdom, 18th Dynasty, (1319-1292 BC), Karnak, Temple of Amon. Egyptian Museum, Turin. white background.<br />
<br />
Queen Mutnedjemet is depicted in the role of Hathor, the sun god, embracing her husband. The statue is unfinished with details missing including the stripes in the Royal kilt, the wings of a vulture on the queens headdress and bound enemies on one side of the throne. On the back of the throne is a long inscription recording the coronation of Horemheb who was the general of Tutenkhamun before ascending to the throne. Drovetto collection. C 1379.
  • Ancient Egyptian statue of king Horemheb & his wife Mutnedjemet, granodiorite, New Kingdom, 18th Dynasty, (1319-1292 BC), Karnak, Temple of Amon. Egyptian Museum, Turin. Grey Background.<br />
<br />
Queen Mutnedjemet is depicted in the role of Hathor, the sun god, embracing her husband. The statue is unfinished with details missing including the stripes in the Royal kilt, the wings of a vulture on the queens headdress and bound enemies on one side of the throne. On the back of the throne is a long inscription recording the coronation of Horemheb who was the general of Tutenkhamun before ascending to the throne. Drovetto collection. C 1379.
  • Ancient Egyptian statue of Ptah - limestone - New Kingdom. 18th Dynasty, reign of Amenhotep III (1390 - 1353 BC), Karnac. Egyptian Museum, Turin.  Grey background<br />
<br />
Large statue of Egyptian gods are rare and most of them are part of building designs. This imposing statue of Ptah was probably made for the "Temple of Millions of Years", on the west bank of Thebes, promoted by Amenhotep III . When the temple was eventually abandoned its statues were reused in other temples in the region. Drovetti collection C. 87
  • Ancient Egyptian statue of Ptah - limestone - New Kingdom. 18th Dynasty, reign of Amenhotep III (1390 - 1353 BC), Karnac. Egyptian Museum, Turin.  Grey background<br />
<br />
Large statue of Egyptian gods are rare and most of them are part of building designs. This imposing statue of Ptah was probably made for the "Temple of Millions of Years", on the west bank of Thebes, promoted by Amenhotep III . When the temple was eventually abandoned its statues were reused in other temples in the region. Drovetti collection C. 87
  • Ancient Egyptian statue of Ptah - limestone - New Kingdom. 18th Dynasty, reign of Amenhotep III (1390 - 1353 BC), Karnac. Egyptian Museum, Turin.  Grey background<br />
<br />
Large statue of Egyptian gods are rare and most of them are part of building designs. This imposing statue of Ptah was probably made for the "Temple of Millions of Years", on the west bank of Thebes, promoted by Amenhotep III . When the temple was eventually abandoned its statues were reused in other temples in the region. Drovetti collection C. 87
  • Ancient Egyptian statue of Ptah - limestone - New Kingdom. 18th Dynasty, reign of Amenhotep III (1390 - 1353 BC), Karnac. Egyptian Museum, Turin.  Grey background<br />
<br />
Large statue of Egyptian gods are rare and most of them are part of building designs. This imposing statue of Ptah was probably made for the "Temple of Millions of Years", on the west bank of Thebes, promoted by Amenhotep III . When the temple was eventually abandoned its statues were reused in other temples in the region. Drovetti collection C. 87
  • Ancient Egyptian statue of Ptah - limestone - New Kingdom. 18th Dynasty, reign of Amenhotep III (1390 - 1353 BC), Karnac. Egyptian Museum, Turin.  white background<br />
<br />
Large statue of Egyptian gods are rare and most of them are part of building designs. This imposing statue of Ptah was probably made for the "Temple of Millions of Years", on the west bank of Thebes, promoted by Amenhotep III . When the temple was eventually abandoned its statues were reused in other temples in the region. Drovetti collection C. 87
  • Ancient Egyptian statue of Ptah - limestone - New Kingdom. 18th Dynasty, reign of Amenhotep III (1390 - 1353 BC), Karnac. Egyptian Museum, Turin.  black background<br />
<br />
Large statue of Egyptian gods are rare and most of them are part of building designs. This imposing statue of Ptah was probably made for the "Temple of Millions of Years", on the west bank of Thebes, promoted by Amenhotep III . When the temple was eventually abandoned its statues were reused in other temples in the region. Drovetti collection C. 87
  • Ancient Egyptian statue of Ptah - limestone - New Kingdom. 18th Dynasty, reign of Amenhotep III (1390 - 1353 BC), Karnac. Egyptian Museum, Turin.  Grey background<br />
<br />
Large statue of Egyptian gods are rare and most of them are part of building designs. This imposing statue of Ptah was probably made for the "Temple of Millions of Years", on the west bank of Thebes, promoted by Amenhotep III . When the temple was eventually abandoned its statues were reused in other temples in the region. Drovetti collection C. 87
  • Ancient Egyptian statue of Ptah - limestone - New Kingdom. 18th Dynasty, reign of Amenhotep III (1390 - 1353 BC), Karnac. Egyptian Museum, Turin.  Grey background<br />
<br />
Large statue of Egyptian gods are rare and most of them are part of building designs. This imposing statue of Ptah was probably made for the "Temple of Millions of Years", on the west bank of Thebes, promoted by Amenhotep III . When the temple was eventually abandoned its statues were reused in other temples in the region. Drovetti collection C. 87
  • Ancient Egyptian statue of Ptah - limestone - New Kingdom. 18th Dynasty, reign of Amenhotep III (1390 - 1353 BC), Karnac. Egyptian Museum, Turin.  Grey background<br />
<br />
Large statue of Egyptian gods are rare and most of them are part of building designs. This imposing statue of Ptah was probably made for the "Temple of Millions of Years", on the west bank of Thebes, promoted by Amenhotep III . When the temple was eventually abandoned its statues were reused in other temples in the region. Drovetti collection C. 87
  • Ancient Egyptian statue of Ptah - limestone - New Kingdom. 18th Dynasty, reign of Amenhotep III (1390 - 1353 BC), Karnac. Egyptian Museum, Turin.  Grey background<br />
<br />
Large statue of Egyptian gods are rare and most of them are part of building designs. This imposing statue of Ptah was probably made for the "Temple of Millions of Years", on the west bank of Thebes, promoted by Amenhotep III . When the temple was eventually abandoned its statues were reused in other temples in the region. Drovetti collection C. 87
  • Ancient Egyptian statue of Ramesses II. granodiorite, New Kingdom, 19th Dynasty, (1279-1213 BC), Karnak, Temple of Amon. Egyptian Museum, Turin. Black background.<br />
<br />
Ramesses II is depicted in all his majesty in this ststue. He wears a Khepresh crown and holds the heqa sceptre against his chest. The statue probably belongs to the beginning of Ramesses II reign because of the presence of Queen Nefertari by the throne who died half way through his reign.
  • Ancient Egyptian statue of Ramesses II. granodiorite, New Kingdom, 19th Dynasty, (1279-1213 BC), Karnak, Temple of Amon. Egyptian Museum, Turin. Grey background.<br />
<br />
Ramesses II is depicted in all his majesty in this ststue. He wears a Khepresh crown and holds the heqa sceptre against his chest. The statue probably belongs to the beginning of Ramesses II reign because of the presence of Queen Nefertari by the throne who died half way through his reign.
  • Ancient Egyptian decorated mari ware, class D, baked clay, Predynastic Period, Naqada II Protodynastic Period (3700-300 BC). Egyptian Museum, Turin. White background.<br />
<br />
Mari was a new raw material used to make vases from Naqada II onwards. The material was a marl of rich clay found in some ancient Egyptian desert site which was pulverised and mixed with water. Typically the pottery had a rosy sinish when fired making a good background for painted motifs.
  • Ancient Egyptian decorated mari ware, class D, baked clay, Predynastic Period, Naqada II Protodynastic Period (3700-300 BC). Egyptian Museum, Turin. <br />
<br />
Mari was a new raw material used to make vases from Naqada II onwards. The material was a marl of rich clay found in some ancient Egyptian desert site which was pulverised and mixed with water. Typically the pottery had a rosy sinish when fired making a good background for painted motifs.
  • Ancient Egyptian decorated mari ware, class D, baked clay, Predynastic Period, Naqada II Protodynastic Period (3700-300 BC). Egyptian Museum, Turin. Grey Background<br />
<br />
Mari was a new raw material used to make vases from Naqada II onwards. The material was a marl of rich clay found in some ancient Egyptian desert site which was pulverised and mixed with water. Typically the pottery had a rosy sinish when fired making a good background for painted motifs.
  • Ancient Egyptian decorated mari ware, class D, baked clay, Predynastic Period, Naqada II Protodynastic Period (3700-300 BC). Egyptian Museum, Turin. Grey Background<br />
<br />
Mari was a new raw material used to make vases from Naqada II onwards. The material was a marl of rich clay found in some ancient Egyptian desert site which was pulverised and mixed with water. Typically the pottery had a rosy sinish when fired making a good background for painted motifs.
  • Ancient Egyptian decorated mari ware, class D, baked clay, Predynastic Period, Naqada II Protodynastic Period (3700-300 BC). Egyptian Museum, Turin. White background.<br />
<br />
Mari was a new raw material used to make vases from Naqada II onwards. The material was a marl of rich clay found in some ancient Egyptian desert site which was pulverised and mixed with water. Typically the pottery had a rosy sinish when fired making a good background for painted motifs.
  • Ancient Egyptian decorated mari ware, class D, baked clay, Predynastic Period, Naqada II Protodynastic Period (3700-300 BC). Egyptian Museum, Turin. Black background,<br />
<br />
Mari was a new raw material used to make vases from Naqada II onwards. The material was a marl of rich clay found in some ancient Egyptian desert site which was pulverised and mixed with water. Typically the pottery had a rosy sinish when fired making a good background for painted motifs.
  • Ancient Egyptian decorated mari ware, class D, baked clay, Predynastic Period, Naqada II Protodynastic Period (3700-300 BC). Egyptian Museum, Turin. <br />
<br />
Mari was a new raw material used to make vases from Naqada II onwards. The material was a marl of rich clay found in some ancient Egyptian desert site which was pulverised and mixed with water. Typically the pottery had a rosy sinish when fired making a good background for painted motifs.
  • Ancient Egyptian god Bes jar, Late Period, 5th century BC.  Egyptian Museum, Turin. Drovetti collection cat 2553. Grey background;
  • Ancient Egyptian  decorated jar sealed with linen , tomb of Kha, Theban Tomb 8 , mid-18th dynasty (1550 to 1292 BC), Turin Egyptian Museum. White background<br />
<br />
TT8 or Theban Tomb 8 was the tomb of Kha, the overseer of works from Deir el-Medina in the mid-18th dynasty[2] and his wife, Merit. TT8 was one of the greatest archaeological discoveries of ancient Egypt, one of few tombs of nobility to survive intact.
  • Ancient Egyptian  decorated jar sealed with linen , tomb of Kha, Theban Tomb 8 , mid-18th dynasty (1550 to 1292 BC), Turin Egyptian Museum.  Black background,<br />
<br />
TT8 or Theban Tomb 8 was the tomb of Kha, the overseer of works from Deir el-Medina in the mid-18th dynasty[2] and his wife, Merit. TT8 was one of the greatest archaeological discoveries of ancient Egypt, one of few tombs of nobility to survive intact.
  • Ancient Egyptian  decorated jar sealed with linen , tomb of Kha, Theban Tomb 8 , mid-18th dynasty (1550 to 1292 BC), Turin Egyptian Museum. <br />
<br />
TT8 or Theban Tomb 8 was the tomb of Kha, the overseer of works from Deir el-Medina in the mid-18th dynasty[2] and his wife, Merit. TT8 was one of the greatest archaeological discoveries of ancient Egypt, one of few tombs of nobility to survive intact.
  • Ancient Egyptian  decorated jar sealed with linen , tomb of Kha, Theban Tomb 8 , mid-18th dynasty (1550 to 1292 BC), Turin Egyptian Museum. Grey background. <br />
<br />
TT8 or Theban Tomb 8 was the tomb of Kha, the overseer of works from Deir el-Medina in the mid-18th dynasty[2] and his wife, Merit. TT8 was one of the greatest archaeological discoveries of ancient Egypt, one of few tombs of nobility to survive intact.
  • Ancient Egyptian  decorated jar sealed with linen , tomb of Kha, Theban Tomb 8 , mid-18th dynasty (1550 to 1292 BC), Turin Egyptian Museum. <br />
<br />
TT8 or Theban Tomb 8 was the tomb of Kha, the overseer of works from Deir el-Medina in the mid-18th dynasty[2] and his wife, Merit. TT8 was one of the greatest archaeological discoveries of ancient Egypt, one of few tombs of nobility to survive intact.
  • Ancient Egyptian  decorated jar sealed with linen , tomb of Kha, Theban Tomb 8 , mid-18th dynasty (1550 to 1292 BC), Turin Egyptian Museum. White background<br />
<br />
TT8 or Theban Tomb 8 was the tomb of Kha, the overseer of works from Deir el-Medina in the mid-18th dynasty[2] and his wife, Merit. TT8 was one of the greatest archaeological discoveries of ancient Egypt, one of few tombs of nobility to survive intact.
  • Ancient Egyptian  decorated jar sealed with linen , tomb of Kha, Theban Tomb 8 , mid-18th dynasty (1550 to 1292 BC), Turin Egyptian Museum. Grey background. <br />
<br />
TT8 or Theban Tomb 8 was the tomb of Kha, the overseer of works from Deir el-Medina in the mid-18th dynasty[2] and his wife, Merit. TT8 was one of the greatest archaeological discoveries of ancient Egypt, one of few tombs of nobility to survive intact.
  • Ancient Egyptian  decorated jar sealed with linen , tomb of Kha, Theban Tomb 8 , mid-18th dynasty (1550 to 1292 BC), Turin Egyptian Museum.  Black background,<br />
<br />
TT8 or Theban Tomb 8 was the tomb of Kha, the overseer of works from Deir el-Medina in the mid-18th dynasty[2] and his wife, Merit. TT8 was one of the greatest archaeological discoveries of ancient Egypt, one of few tombs of nobility to survive intact.
  • Ancient Egyptian decorated vase , tomb of Kha, Theban Tomb 8 , mid-18th dynasty (1550 to 1292 BC), Turin Egyptian Museum. White background. Cat 8465.<br />
<br />
TT8 or Theban Tomb 8 was the tomb of Kha, the overseer of works from Deir el-Medina in the mid-18th dynasty[2] and his wife, Merit. TT8 was one of the greatest archaeological discoveries of ancient Egypt, one of few tombs of nobility to survive intact.
  • Ancient Egyptian decorated vase , tomb of Kha, Theban Tomb 8 , mid-18th dynasty (1550 to 1292 BC), Turin Egyptian Museum. Grey background. Cat 8465.<br />
<br />
TT8 or Theban Tomb 8 was the tomb of Kha, the overseer of works from Deir el-Medina in the mid-18th dynasty[2] and his wife, Merit. TT8 was one of the greatest archaeological discoveries of ancient Egypt, one of few tombs of nobility to survive intact.
  • Ancient Egyptian decorated vase , tomb of Kha, Theban Tomb 8 , mid-18th dynasty (1550 to 1292 BC), Turin Egyptian Museum. Cat 8465.<br />
<br />
TT8 or Theban Tomb 8 was the tomb of Kha, the overseer of works from Deir el-Medina in the mid-18th dynasty[2] and his wife, Merit. TT8 was one of the greatest archaeological discoveries of ancient Egypt, one of few tombs of nobility to survive intact.
  • Ancient Egyptian glong neckedr jar  sealed with linen strips , tomb of Kha, Theban Tomb 8 , mid-18th dynasty (1550 to 1292 BC), Turin Egyptian Museum. Grey background. Cat 8465.<br />
<br />
TT8 or Theban Tomb 8 was the tomb of Kha, the overseer of works from Deir el-Medina in the mid-18th dynasty[2] and his wife, Merit. TT8 was one of the greatest archaeological discoveries of ancient Egypt, one of few tombs of nobility to survive intact.
  • Ancient Egyptian glong neckedr jar  sealed with linen strips , tomb of Kha, Theban Tomb 8 , mid-18th dynasty (1550 to 1292 BC), Turin Egyptian Museum. Cat 8465.<br />
<br />
TT8 or Theban Tomb 8 was the tomb of Kha, the overseer of works from Deir el-Medina in the mid-18th dynasty[2] and his wife, Merit. TT8 was one of the greatest archaeological discoveries of ancient Egypt, one of few tombs of nobility to survive intact.
  • Ancient Egyptian globular jar  with Kha's monogram , tomb of Kha, Theban Tomb 8 , mid-18th dynasty (1550 to 1292 BC), Turin Egyptian Museum. White background. Cat 8465.<br />
<br />
TT8 or Theban Tomb 8 was the tomb of Kha, the overseer of works from Deir el-Medina in the mid-18th dynasty[2] and his wife, Merit. TT8 was one of the greatest archaeological discoveries of ancient Egypt, one of few tombs of nobility to survive intact.
  • Ancient Egyptian globular jar  with Kha's monogram , tomb of Kha, Theban Tomb 8 , mid-18th dynasty (1550 to 1292 BC), Turin Egyptian Museum. Black background. Cat 8465.<br />
<br />
TT8 or Theban Tomb 8 was the tomb of Kha, the overseer of works from Deir el-Medina in the mid-18th dynasty[2] and his wife, Merit. TT8 was one of the greatest archaeological discoveries of ancient Egypt, one of few tombs of nobility to survive intact.
  • Ancient Egyptian globular jar  with Kha's monogram , tomb of Kha, Theban Tomb 8 , mid-18th dynasty (1550 to 1292 BC), Turin Egyptian Museum. Cat 8465.<br />
<br />
TT8 or Theban Tomb 8 was the tomb of Kha, the overseer of works from Deir el-Medina in the mid-18th dynasty[2] and his wife, Merit. TT8 was one of the greatest archaeological discoveries of ancient Egypt, one of few tombs of nobility to survive intact.
  • Ancient Egyptian sealed incised decorated jar and support with Kha's monogram , tomb of Kha, Theban Tomb 8 , mid-18th dynasty (1550 to 1292 BC), Turin Egyptian Museum. Black background. Cat 8523.<br />
<br />
TT8 or Theban Tomb 8 was the tomb of Kha, the overseer of works from Deir el-Medina in the mid-18th dynasty[2] and his wife, Merit. TT8 was one of the greatest archaeological discoveries of ancient Egypt, one of few tombs of nobility to survive intact.
  • Ancient Egyptian sealed incised decorated jar and support with Kha's monogram , tomb of Kha, Theban Tomb 8 , mid-18th dynasty (1550 to 1292 BC), Turin Egyptian Museum. Grey background. Cat 8523.<br />
<br />
TT8 or Theban Tomb 8 was the tomb of Kha, the overseer of works from Deir el-Medina in the mid-18th dynasty[2] and his wife, Merit. TT8 was one of the greatest archaeological discoveries of ancient Egypt, one of few tombs of nobility to survive intact.
  • Ancient Egyptian sealed incised decorated jar and support with Kha's monogram , tomb of Kha, Theban Tomb 8 , mid-18th dynasty (1550 to 1292 BC), Turin Egyptian Museum. Grey background. Cat 8523.<br />
<br />
TT8 or Theban Tomb 8 was the tomb of Kha, the overseer of works from Deir el-Medina in the mid-18th dynasty[2] and his wife, Merit. TT8 was one of the greatest archaeological discoveries of ancient Egypt, one of few tombs of nobility to survive intact.
  • Ancient Egyptian sealed incised decorated jar and support with Kha's monogram , tomb of Kha, Theban Tomb 8 , mid-18th dynasty (1550 to 1292 BC), Turin Egyptian Museum. Cat 8523.<br />
<br />
TT8 or Theban Tomb 8 was the tomb of Kha, the overseer of works from Deir el-Medina in the mid-18th dynasty[2] and his wife, Merit. TT8 was one of the greatest archaeological discoveries of ancient Egypt, one of few tombs of nobility to survive intact.
  • Ancient Egyptian Human headed canopic jar for Amenemheb, clay, New Kingdom, 19th Dynasty (1292-1190 BC), Deir el-Medina. Egyptian Museum, Turin. Old Fund cat 3471. White background.<br />
<br />
The canopic jars were four in number, each for the safekeeping of particular human organs: the stomach, intestines, lungs, and liver, all of which, it was believed, would be needed in the afterlife. By the First Intermediate Period jars with human heads (assumed to represent the dead) began to appear
  • Ancient Egyptian Imesty or Amset Canopic Jar,  New Kingdom,  Egyptian Museum, Turin. White background<br />
<br />
The canopic jars were four in number, each for the safekeeping of particular human organs: the stomach, intestines, lungs, and liver, all of which, it was believed, would be needed in the afterlife. Imsety, the human-headed god representing the South, whose jar contained the liver and was protected by the goddess Isis.
  • Ancient Egyptian Imesty or Amset Canopic Jar,  New Kingdom,  Egyptian Museum, Turin. Black background<br />
<br />
The canopic jars were four in number, each for the safekeeping of particular human organs: the stomach, intestines, lungs, and liver, all of which, it was believed, would be needed in the afterlife. Imsety, the human-headed god representing the South, whose jar contained the liver and was protected by the goddess Isis.
  • Ancient Egyptian Canopic chest for internal organs. showing deceased worshiping Osiris, wood, Late Period(722-332 BC), Egyptian Museum, Turin. Old Fund Cat 2424. Black background,<br />
<br />
Canopic chests are cases used by Ancient Egyptians to contain the internal organs removed during the process of mummification.
  • Ancient Egyptian Canopic chest for internal organs. showing deceased worshiping Osiris, wood, Late Period(722-332 BC), Egyptian Museum, Turin. Old Fund Cat 2424. Grey background.<br />
<br />
Canopic chests are cases used by Ancient Egyptians to contain the internal organs removed during the process of mummification.
  • Ancient Egyptian pylon (gateway) shaped Canopic chest for internal organs, wood, Late  to Ptolemaic Period(722-40 BC), Egyptian Museum, Turin. Old Fund Cat 2427. White background,<br />
<br />
Canopic chests are cases used by Ancient Egyptians to contain the internal organs removed during the process of mummification.
  • Ancient Egyptian pylon (gateway) shaped Canopic chest for internal organs, wood, Late  to Ptolemaic Period(722-40 BC), Egyptian Museum, Turin. Old Fund Cat 2427. <br />
<br />
Canopic chests are cases used by Ancient Egyptians to contain the internal organs removed during the process of mummification.
  • Ancient Egyptian pylon (gateway) shaped Canopic chest for internal organs, wood, Late  to Ptolemaic Period(722-40 BC), Egyptian Museum, Turin. Old Fund Cat 2427. Grey background.<br />
<br />
Canopic chests are cases used by Ancient Egyptians to contain the internal organs removed during the process of mummification.
  • Ancient Egyptian shabti box, wood, Intermediate Period, 21st-22nd Dynasty (1076-746 BC), Thebes, Egyptian Museum, Turin. Grey background.<br />
<br />
Floor 1 room 10 of Museum - Essential items of funerary equipment from the New Kingdom on, shabti figures, of which there could be from 1 to over 400 examples in a single tomb, were meant to substitute for the deceased whenever he or she was called upon to perform manual labor in the afterlife. the shabti box is a decorated wooden box to hold the figures<br />
<br />
Essential items of funerary equipment from the New Kingdom on, shabti figures, of which there could be from 1 to over 400 examples in a single tomb, were meant to substitute for the deceased whenever he or she was called upon to perform manual labor in the afterlife. the shabti box is a decorated wooden box to hold the figures
  • Ancient Egyptian False Door stele of Princess Wehemnefret, limestone, Old Kingdom, 4th Dynasty (2543-2435 BC), Giza, Western Cemetery, mastaba of Wehemnefret. Egyptian Museum, Turin.  Schiaparelli Cat 1840. black background<br />
<br />
In the centre at the yop the deceased woman is depicted sitiing infront of a tabel laden with bread slices. The slices are depicted vertically as was the stylistic convention of the period. Imediately below the panel , on the left side of the lintel of the false door, is the name of the deceased and her titles stressing that she is a member of the Royal family "the daughter of the king".  In the 4 upper panels high ranking officials and courtiers are depicted. The nude child with his finger in his mouth on the right inner jamb is identified by its inscription as Irenptah, the deceased grandson. In other panels are ndividuals carrying offerings and priests.
  • Ancient Egyptian False Door stele of Princess Wehemnefret, limestone, Old Kingdom, 4th Dynasty (2543-2435 BC), Giza, Western Cemetery, mastaba of Wehemnefret. Egyptian Museum, Turin.  Schiaparelli Cat 1840. Grey background<br />
<br />
In the centre at the yop the deceased woman is depicted sitiing infront of a tabel laden with bread slices. The slices are depicted vertically as was the stylistic convention of the period. Imediately below the panel , on the left side of the lintel of the false door, is the name of the deceased and her titles stressing that she is a member of the Royal family "the daughter of the king".  In the 4 upper panels high ranking officials and courtiers are depicted. The nude child with his finger in his mouth on the right inner jamb is identified by its inscription as Irenptah, the deceased grandson. In other panels are ndividuals carrying offerings and priests.
  • Ancient Egyptian False Door stele of Chamberlain Hornakht, son of Mera, slimestone, Middle Kingdom, 12th Dynasty (1939-1759 BC),  Egyptian Museum, Turin. Old fund cat 1612. <br />
<br />
A false door is an artistic representation of a door which does not function like a real door. They can be carved in a wall or painted on it. They are a common architectural element in the tombs of ancient Egypt,
  • Ancient Egyptian False Door stele of Chamberlain Hornakht, son of Mera, slimestone, Middle Kingdom, 12th Dynasty (1939-1759 BC),  Egyptian Museum, Turin. Old fund cat 1612. Black background<br />
<br />
A false door is an artistic representation of a door which does not function like a real door. They can be carved in a wall or painted on it. They are a common architectural element in the tombs of ancient Egypt,
  • Ancient Egyptian False Door stele of Chamberlain Hornakht, son of Mera, slimestone, Middle Kingdom, 12th Dynasty (1939-1759 BC),  Egyptian Museum, Turin. Old fund cat 1612.  Grey background<br />
<br />
A false door is an artistic representation of a door which does not function like a real door. They can be carved in a wall or painted on it. They are a common architectural element in the tombs of ancient Egypt,
  • Ancient Egyptian False Door stele of Chamberlain Hornakht, son of Mera, slimestone, Middle Kingdom, 12th Dynasty (1939-1759 BC),  Egyptian Museum, Turin. Old fund cat 1612.  Grey background<br />
<br />
A false door is an artistic representation of a door which does not function like a real door. They can be carved in a wall or painted on it. They are a common architectural element in the tombs of ancient Egypt,
  • Ancient Egyptian False Door stele of Chamberlain Hornakht, son of Mera, slimestone, Middle Kingdom, 12th Dynasty (1939-1759 BC),  Egyptian Museum, Turin. Old fund cat 1612. <br />
<br />
A false door is an artistic representation of a door which does not function like a real door. They can be carved in a wall or painted on it. They are a common architectural element in the tombs of ancient Egypt,
  • Ancient Egyptian stele didicated to the swallow and cat by Nebra, limestone, New Kingdom, 19th Dynasty, (1292-1190 BC), Deir el-Medina, Egyptian Museum, Turin. . Drovetti Cat No 1591.<br />
<br />
In the top register of this votive stele a swallow  (Hirundinidae) is shown perched on top of a shrine. An offering table is placed in front of it on the right side. The bird is called "the good swallow". In the lower register Nakhamun and Khay, Nebre's two sons, kneel in adoration in front of a large cat. They both hold a bouquet in their right hand, the left hand is raised in adoration before the good cat" (Houlihan,1996,87). The swallow and the cat both represent two minor deities, Menet and Tamit, who are  closely connected with the region of the Theban necropolis. It is unusual that this stele has been dedicated by Nebre, the royal craftsman, without him being depicted.
  • Ancient Egyptian stele dedicated to Osiris by Neskhonsu,  Late Period, 25th Dynasty, (722-664 BC), Thebes, Cat 1596. Egyptian Museum, Turin. black background,<br />
<br />
The round topped stele dedicated by Osiris to Neskhonsu, daaughter of Nespernebu, "gogs father" of Amon. Gifted by the Cairo Museum
  • Ancient Egyptian stele dedicated to Ra-Harakhty & Atum by Psetjerfi, Late Period 26th Dynasty, (590-525 BC), Cat 1568. Egyptian Museum, Turin. Grey background.<br />
<br />
Gifted by the Cairo Museum
  • Ancient Egyptian stele dedicated by high priest Padiamenemipet to Ra-Harakhty, limestone, Late Period, 26th Dynasty, (580-520 BC), Deir el-Medina, Cat 1574. Egyptian Museum, Turin. black background,<br />
<br />
the round topped stele is dedicated by high priest Padiamenemipet to Ra-Harakht, Isis and the 4 sons of Horus. It was gifted by the Cairo Museum.
  • Ancient Egyptian stele dedicated by high priest Padiamenemipet to Ra-Harakhty, limestone, Late Period, 26th Dynasty, (580-520 BC), Deir el-Medina, Cat 1574. Egyptian Museum, Turin. <br />
<br />
the round topped stele is dedicated by high priest Padiamenemipet to Ra-Harakht, Isis and the 4 sons of Horus. It was gifted by the Cairo Museum.
  • Ancient Egyptian stele of Djehutynefer, treasury Scribe, limestone, New Kingdom, 18th Dynasty, (1480-1400 BC), Thebes,  Egyptian Museum, Turin.  Old Fund cat 1456.<br />
<br />
The detail of the stele depicts the brothers and sisters of Djehutynefer. The inscription palces the deceased under the protection of Amon in the great temple of Karnak underlining that he is entitled to share offerings brought to the god.
  • Ancient Egyptian stele of Djehutynefer called Seshu, Scribe, limestone, New Kingdom, 18th Dynasty, (1500-14253 BC), Thebes, Old Fund cat 1638. Egyptian Museum, Turin. black background,<br />
<br />
Djehutynefer called Seshu was the accountant scribe of cattle and fowl in the temple of Amon, and his wife the house mistress Benbu
  • Ancient Egyptian Stele of Amenemope dedicated to Amenhotep I and Ahmose-Nefertari, limestone, New Kingdom, 19th Dynasty, (1279-1213 BC), Deir el-Medina, Drovetti cat 1454. Egyptian Museum, Turin. black background.<br />
<br />
The stele is dedicated to Amenhotep I and Ahmose-Nefertari by the 'Servant in the Place of Truth' Amenemope and Amennakht. The king and the queen are shown sitting on their thrones. Above the sovereign there is a solar disc flanked by two sacred cobras and their cartouches are shown to the right of each of them. In the bottom register Amenemope is shown with his son  Amennakht, who also was a "Servant in the Place of Truth", in the pose of adoration.
  • Ancient Egyptian Stele of Amenemope dedicated to Amenhotep I and Ahmose-Nefertari, limestone, New Kingdom, 19th Dynasty, (1279-1213 BC), Deir el-Medina, Drovetti cat 1454. Egyptian Museum, Turin. <br />
<br />
The stele is dedicated to Amenhotep I and Ahmose-Nefertari by the 'Servant in the Place of Truth' Amenemope and Amennakht. The king and the queen are shown sitting on their thrones. Above the sovereign there is a solar disc flanked by two sacred cobras and their cartouches are shown to the right of each of them. In the bottom register Amenemope is shown with his son  Amennakht, who also was a "Servant in the Place of Truth", in the pose of adoration.
  • Ancient Egyptian Stele of Amenemope dedicated to Amenhotep I and Ahmose-Nefertari, limestone, New Kingdom, 19th Dynasty, (1279-1213 BC), Deir el-Medina, Drovetti cat 1454. Egyptian Museum, Turin. Grey background.<br />
<br />
The stele is dedicated to Amenhotep I and Ahmose-Nefertari by the 'Servant in the Place of Truth' Amenemope and Amennakht. The king and the queen are shown sitting on their thrones. Above the sovereign there is a solar disc flanked by two sacred cobras and their cartouches are shown to the right of each of them. In the bottom register Amenemope is shown with his son  Amennakht, who also was a "Servant in the Place of Truth", in the pose of adoration.
  • Ancient Egyptian Stele of Amenemope dedicated to Amenhotep I and Ahmose-Nefertari, limestone, New Kingdom, 19th Dynasty, (1279-1213 BC), Deir el-Medina, Drovetti cat 1452. Egyptian Museum, Turin. white background
  • Ancient Egyptian stele of Piamon who drowned in the Nile and was deified like Osiris, Ptlomemaic Period (332-30 BC),  Egyptian Museum, Turin. Grey background, Old Fund cat 1556.
  • Ancient Egyptian family stele of chief scribe Horhernakht, son of Khety, Middle Kingdom, 2nd half of 12th Dynasty (1850-1759 BC).  Egyptian Museum, Turin. Grey background. Old Fund cat 1613.
  • Ancient Egyptian family stele of chief scribe Horhernakht, son of Khety, Middle Kingdom, 2nd half of 12th Dynasty (1850-1759 BC).  Egyptian Museum, Turin. Grey background. Old Fund cat 1613.
  • Ancient Egyptian stele of  2 pairs of archers of different ethnic groups, limestone, First Inttermediate Period, (2118-1980 BC), Goblein, Tomb of iti and Neferu, 88967-960-Senebetysy-Stele-Ancient-Egypt Egyptian Museum, Turin. Grey background.<br />
<br />
The stele was wedged into a painting in the east wall of the hallway, Schiaparelli cat 13115
  • Ancient Egyptian stele of commander in chief Senebetysy, sandstone, Middle Kingdom, 13th Dynasty, (11759-1700 BC), Deir el-Medina, Old Fund cat 1629. Egyptian Museum, Turin. white background, <br />
<br />
Stet for the commander in chief of the city regiment of Sarenenutrt, son of Sainyt and his wife Senebtysy.
  • Ancient Egyptian stele of commander in chief Senebetysy, sandstone, Middle Kingdom, 13th Dynasty, (11759-1700 BC), Deir el-Medina, Old Fund cat 1629. Egyptian Museum, Turin. <br />
<br />
Stet for the commander in chief of the city regiment of Sarenenutrt, son of Sainyt and his wife Senebtysy.
  • Ancient Egyptian Ra stele , limestone, New Kingdom, 19th Dynasty, (1279-1190 BC), Deir el-Medina,  Egyptian Museum, Turin. black background.<br />
<br />
On this round-topped stele, the deceased Pashed, <br />
"excellent spirit of Ra", akh-ikr, is pictured left, <br />
seated on a chair with lion's paws, smelling the lotus <br />
flower. The offering table holds a basket containing <br />
various offerings. A large open pomegranate, containing <br />
a great quantity of seeds, appears under the chair. The <br />
colours on this stele are well preserved.<br />
<br />
Akh iqer en Ra " the excellent spirit of Ra' stele. The individual is smelling a lotus flower. One of three stele forund in different rooms of houses in Deir el-Medina where they stood in niches.
  • Ancient Egyptian Ra stele , limestone, New Kingdom, 19th Dynasty, (1279-1190 BC), Deir el-Medina,  Egyptian Museum, Turin. Grey background.<br />
<br />
On this round-topped stele, the deceased Pashed, <br />
"excellent spirit of Ra", akh-ikr, is pictured left, <br />
seated on a chair with lion's paws, smelling the lotus <br />
flower. The offering table holds a basket containing <br />
various offerings. A large open pomegranate, containing <br />
a great quantity of seeds, appears under the chair. The <br />
colours on this stele are well preserved.<br />
<br />
Akh iqer en Ra " the excellent spirit of Ra' stele. The individual is smelling a lotus flower. One of three stele forund in different rooms of houses in Deir el-Medina where they stood in niches.
  • Ancient Egyptian Ra stele , limestone, New Kingdom, 19th Dynasty, (1279-1190 BC), Deir el-Medina,  Egyptian Museum, Turin. white background, <br />
<br />
Akh iqer en Ra " the excellent spirit of Ra' stele. One of three stele forund in different rooms of houses in Deir el-Medina where they stood in niches
  • Ancient Egyptian Ra stele , limestone, New Kingdom, 19th Dynasty, (1279-1190 BC), Deir el-Medina,  Egyptian Museum, Turin. Grey background.<br />
<br />
Akh iqer en Ra " the excellent spirit of Ra' stele. One of three stele forund in different rooms of houses in Deir el-Medina where they stood in niches
  • Ancient Egyptian Ra stele , limestone, New Kingdom, 19th Dynasty, (1279-1190 BC), Deir el-Medina,  Egyptian Museum, Turin. black background.<br />
<br />
Khonsu sits on a cube-like throne and wears the solar disc and half-moon on his head. He faces an offering table piled with food and flowers. The hieroglyphic inscription reads: "Khonsu-in-Thebes, Neferhotep. Protection, life, stability and power surround him, like Ra. Libation for your ka with bread, beer, oxen and fowl."Lower register depicts two men kneeling in adoration. They face to the left: Nebre, whose title is kedw sesh "draughtsman" and his son, Amenemope."Give praise to Khonsu-in-Thebes by the scribe of Amun in the Place of Truth Nebra, justified in peace, he loved his son, Amenemope, justified".In the bottom register are the "Draughtsman-scribe of Amun in the Place of Truth", Nebre, and his son, Amenemope"<br />
<br />
Akh iqer en Ra " the excellent spirit of Ra' stele.One of three stele forund in different rooms of houses in Deir el-Medina where they stood in niches
  • Ancient Egyptian Ra stele , limestone, New Kingdom, 19th Dynasty, (1279-1190 BC), Deir el-Medina,  Egyptian Museum, Turin. .<br />
<br />
Khonsu sits on a cube-like throne and wears the solar disc and half-moon on his head. He faces an offering table piled with food and flowers. The hieroglyphic inscription reads: "Khonsu-in-Thebes, Neferhotep. Protection, life, stability and power surround him, like Ra. Libation for your ka with bread, beer, oxen and fowl."Lower register depicts two men kneeling in adoration. They face to the left: Nebre, whose title is kedw sesh "draughtsman" and his son, Amenemope."Give praise to Khonsu-in-Thebes by the scribe of Amun in the Place of Truth Nebra, justified in peace, he loved his son, Amenemope, justified".In the bottom register are the "Draughtsman-scribe of Amun in the Place of Truth", Nebre, and his son, Amenemope"
  • Ancient Egyptian stele dedicated to Re-Harakhty by draftsman Pay, limestone, New Kingdom, 19th Dynasty, (1292-1190 BC), Deir el-Medina, Schiaprelli cat 6144. Egyptian Museum, Turin. Grey background
  • Ancient Egyptian stele odedicated to Amon Re the "good Ram" by foreman Baki, limestone, New Kingdom, 19th Dynasty, (1290-1213 BC), Deir el-Medina, Drovetti cat 1549. Egyptian Museum, Turin. Grey background. Reign of Ramesses II.<br />
<br />
This round-topped stele is carved in low relief and painted <br />
in several colours. The pictorial plane is divided into two <br />
registers, the upper one containing two rams facing each <br />
other. The animals, with cobras rising on their foreheads, <br />
wear tall headdresses composed of two tall plumes with a <br />
solar disk at the centre. Between them is a small offering <br />
table with lotus flowers. The mirror image hieroglyphic <br />
inscription refers to the rams and reveals their divine <br />
nature as that of Amun-Ra. In the register below, <br />
foreman Baki is shown in the pose of adoration.
  • Ancient Egyptian stele odedicated to Amon Re the "good Ram" by foreman Baki, limestone, New Kingdom, 19th Dynasty, (1290-1213 BC), Deir el-Medina, Drovetti cat 1549. Egyptian Museum, Turin. Grey background. Reign of Ramesses II.<br />
<br />
This round-topped stele is carved in low relief and painted <br />
in several colours. The pictorial plane is divided into two <br />
registers, the upper one containing two rams facing each <br />
other. The animals, with cobras rising on their foreheads, <br />
wear tall headdresses composed of two tall plumes with a <br />
solar disk at the centre. Between them is a small offering <br />
table with lotus flowers. The mirror image hieroglyphic <br />
inscription refers to the rams and reveals their divine <br />
nature as that of Amun-Ra. In the register below, <br />
foreman Baki is shown in the pose of adoration.
  • Ancient Egyptian stele dedicated to the god Khonsu by draftsman Pay, limestone, New Kingdom, 19th Dynasty, (1279-1213 BC), Deir el-Medina, ODrovetti cat 1553. Egyptian Museum, Turin. black background,
  • Ancient Egyptian stele dedicated to the god Khonsu by draftsman Pay, limestone, New Kingdom, 19th Dynasty, (1279-1213 BC), Deir el-Medina, ODrovetti cat 1553. Egyptian Museum, Turin. Grey background
  • Ancient Egyptian stele of scraftsman Minhotep in adoration of Osiris, limestone, New Kingdom, 18th Dynasty, (1336-1292 BC), Deir el-Medina, Drovetti cat 1619. Egyptian Museum, Turin. <br />
<br />
The stele is dedicated to Osiris, Anubis and Hathor "Mistress of the World".
  • Ancient Egyptian stele of scraftsman Minhotep in adoration of Osiris, limestone, New Kingdom, 18th Dynasty, (1336-1292 BC), Deir el-Medina, Drovetti cat 1619. Egyptian Museum, Turin. black background,<br />
<br />
The stele is dedicated to Osiris, Anubis and Hathor "Mistress of the World".
  • Ancient Egyptian funerary stele of painter Maya, limestone, New Kingdom, 18th Dynasty, (1336-1292 BC), Deir el-Medina,  Egyptian Museum, Turin. Drovetti cat 1579.<br />
<br />
<br />
In the upper portion Maya and his wife Tamit pay homage to Osiris and Hathor, the gods of the necropolis. In the lower register is a similar scene in which his wife recieves food offerings from their many children, as was traditional at the time.
  • Ancient Egyptian funerary stele of painter Maya, limestone, New Kingdom, 18th Dynasty, (1336-1292 BC), Deir el-Medina,  Egyptian Museum, Turin. . Drovetti cat 1579. white background<br />
<br />
<br />
In the upper portion Maya and his wife Tamit pay homage to Osiris and Hathor, the gods of the necropolis. In the lower register is a similar scene in which his wife recieves food offerings from their many children, as was traditional at the time.
  • Ancient Egyptian funerary stele of painter Maya, limestone, New Kingdom, 18th Dynasty, (1336-1292 BC), Deir el-Medina,  Egyptian Museum, Turin. Grey background. Drovetti cat 1579.<br />
<br />
<br />
In the upper portion Maya and his wife Tamit pay homage to Osiris and Hathor, the gods of the necropolis. In the lower register is a similar scene in which his wife recieves food offerings from their many children, as was traditional at the time.
  • Ancient Egyptian funerary stele of painter Maya, limestone, New Kingdom, 18th Dynasty, (1336-1292 BC), Deir el-Medina,  Egyptian Museum, Turin.  Drovetti cat 1579.<br />
<br />
<br />
In the upper portion Maya and his wife Tamit pay homage to Osiris and Hathor, the gods of the necropolis. In the lower register is a similar scene in which his wife recieves food offerings from their many children, as was traditional at the time.
  • Ancient Egyptian funerary stele of painter Maya, limestone, New Kingdom, 18th Dynasty, (1336-1292 BC), Deir el-Medina,  Egyptian Museum, Turin. . Drovetti cat 1579. white background<br />
<br />
<br />
In the upper portion Maya and his wife Tamit pay homage to Osiris and Hathor, the gods of the necropolis. In the lower register is a similar scene in which his wife recieves food offerings from their many children, as was traditional at the time.
  • Ancient Egyptian funerary stele of painter Maya, limestone, New Kingdom, 18th Dynasty, (1336-1292 BC), Deir el-Medina,  Egyptian Museum, Turin.  Drovetti cat 1579. Black background<br />
<br />
<br />
In the upper portion Maya and his wife Tamit pay homage to Osiris and Hathor, the gods of the necropolis. In the lower register is a similar scene in which his wife recieves food offerings from their many children, as was traditional at the time.
  • Ancient Egyptian stele of ssuperintendant of chancellor Meru, limestone, Middle Kingdom, 11th Dynasty, (2009-1959 BC), Abydos or Thebes, Egyptian Museum, Turin.  Grey background. Drovetti cat 1447.<br />
<br />
The upper section of the stele is dedicated to Meru's father, the central part contains a funerary invocation to Osiris. Lower register depict offerings to the dignitary and his mother, The figures are in bas-relief whereas the main text is carved in sunken relief which is less labour intensive. The Stele may have come from Meru's tomb in Thebes.
  • Ancient Egyptian stele of ssuperintendant of chancellor Meru, limestone, Middle Kingdom, 11th Dynasty, (2009-1959 BC), Abydos or Thebes, Egyptian Museum, Turin.  Grey background. Drovetti cat 1447.<br />
<br />
The upper section of the stele is dedicated to Meru's father, the central part contains a funerary invocation to Osiris. Lower register depict offerings to the dignitary and his mother, The figures are in bas-relief whereas the main text is carved in sunken relief which is less labour intensive. The Stele may have come from Meru's tomb in Thebes.
  • Ancient Egyptian stele dedicated to Meretsesger, limestone, New Kingdom, 19th Dynasty, (1279-1213 BC), Deir el-Medina, Egyptian Museum, Turin. Grey background.<br />
<br />
The stele is divided into 3 registers. In the top section 2 wedjat eyes with shen sign above 3 zigzag lines indicating water are depicted. The second, largest register, is divided into 12 horizontal strips. Each is occupied by a coloured snake facing to the right.In the bottom register 3 columns of hieroglyphic text worship the goddess Meretseger: "life, strength and health to the ka and the lady of the house Wab, the justified." To the right of the text the deceased woman is kneeling with her hands raised in adoration. She  wears a white robe. A lotus flower is placed on top of her wig. Behind her head there are 4 hieroglyphic signs that form the phrase "at peace". To the right of the scene there is an offering table with a vessel flanked by a bunch of lotus flowers. Below the table there are 2 vessels on pedestals.
  • Ancient Egyptian ostracon dedicated by Amenkhau to Mereteseger, limestone, New Kingdom, 20th Dynasty, (1187-1150 BC), Deir el-Medina, ODrovetti cat 1564. Egyptian Museum, Turin. Grey background
  • Ancient Egyptian stele of a bowman and his wife, limestone, First Intermediate Period, 7-11th Dynasty, (2118-1980 BC), Deir el-Medina, Schiaparelli cat 1273. Egyptian Museum, Turin. white background
  • Ancient Egyptian stele of a bowman and his wife, limestone, First Intermediate Period, 7-11th Dynasty, (2118-1980 BC), Deir el-Medina, Schiaparelli cat 1273. Egyptian Museum, Turin. black background
  • Ancient Egyptian stele of the official Saherhotep & his wife Ipet, limestone, Middle Kingdom, 19th Dynasty, (1759-1700 BC), Old Fund cat 1630. Egyptian Museum, Turin. Grey backgtound.<br />
<br />
8 mummiform figure in high relief run along the bottom of the stele.
  • Ancient Egyptian stele of sculptor Qen, limestone, New Kingdom, 19th Dynasty, (1279-1213 BC), Deir el-Medina, Old Fund cat 1635. Egyptian Museum, Turin. Grey background<br />
<br />
This stele belongs to the "painter of outlines' and sculptor Qen who lived in the reign of Ramesses II. It depicrs a funeral celebration for him infront of funerary chapel with his sond Meryre and Huy, who are performing the "ceremony of Opening of the Mouth". His daughter Taqri is depicted grieving over the loss of her father. The chapel is summounted by a Pyramidion.
  • Ancient Egyptian wall paintings of the Tomb of Iti and Neferu, Ritual slaughter scene Scene, Thebes, First Intermediate Period (2118 – 1980BC). Egyptian Museum, Turin. Schiapelli excavations cat 14345/15.<br />
<br />
The ritual slaughter scene depicts an ox being held down with blodd being collected in a bowl. These tempera paintings were on a crude mud and straw plaster and were of typical Old Kingdom tombs showing ritual offering scenes. The tomb was partly cut into rock with mud brick walls and vaults. The facade of the tomb had 16 columns looking over a courtyard sloping towards the valley. These tempera paintings were on a crude mud and straw plaster and were of typical Old Kingdom tombs showing ritual offering scenes. The tomb was partly cut into rock with mud brick walls and vaults. The facade of the tomb had 16 columns looking over a courtyard sloping towards the valley.
  • Ancient Egyptian wall paintings of the Tomb of Iti and Neferu, Ritual slaughter scene Scene, Thebes, First Intermediate Period (2118 – 1980BC). Egyptian Museum, Turin. Schiapelli excavations cat 1434.<br />
<br />
The ritual slaughter scene depicts an ox being held down with blodd being collected in a bowl. These tempera paintings were on a crude mud and straw plaster and were of typical Old Kingdom tombs showing ritual offering scenes. The tomb was partly cut into rock with mud brick walls and vaults. The facade of the tomb had 16 columns looking over a courtyard sloping towards the valley.
  • Ancient Egyptian wall paintings of the Tomb of Iti and Neferu, Mourning Scene, Thebes, First Intermediate Period (2118 – 1980BC). Egyptian Museum, Turin. Schiapelli excavations cat 1435.<br />
<br />
The upper two registers show a procession of men and women converging on a unidentifiable element, no destroyed.<br />
These tempera paintings were on a crude mud and straw plaster and were of typical Old Kingdom tombs showing ritual offering scenes. The tomb was partly cut into rock with mud brick walls and vaults. The facade of the tomb had 16 columns looking over a courtyard sloping towards the valley.
  • Ancient Egyptian Cat Sarcophagus conating cat mummy, Late to Plolomaic Period, (722-30 BC), Egyptian Museum, Turin.Old Fund Cat 2361. black background<br />
<br />
Animal mummification was common in ancient Egypt. They mummified various animals. It was an enormous part of Egyptian culture, not only in their role as food and pets, but also for religious reasons. They were typically mummified for four main purposes—to allow beloved pets to go on to the afterlife, to provide food in the afterlife, to act as offerings to a particular god, and because some were seen as physical manifestations of specific deities that the Egyptians worshipped. Bast, the cat goddess is an example of one such deity.
  • Ancient Egyptian Cat Sarcophagus conating cat mummy, Late to Plolomaic Period, (722-30 BC), Egyptian Museum, Turin.Old Fund Cat 2361. Grey background. <br />
<br />
Animal mummification was common in ancient Egypt. They mummified various animals. It was an enormous part of Egyptian culture, not only in their role as food and pets, but also for religious reasons. They were typically mummified for four main purposes—to allow beloved pets to go on to the afterlife, to provide food in the afterlife, to act as offerings to a particular god, and because some were seen as physical manifestations of specific deities that the Egyptians worshipped. Bast, the cat goddess is an example of one such deity.
  • Ancient Egyptian Cat Sarcophagus conating cat mummy, Late to Plolomaic Period, (722-30 BC), Egyptian Museum, Turin.Old Fund Cat 2361. Grey background. <br />
<br />
Animal mummification was common in ancient Egypt. They mummified various animals. It was an enormous part of Egyptian culture, not only in their role as food and pets, but also for religious reasons. They were typically mummified for four main purposes—to allow beloved pets to go on to the afterlife, to provide food in the afterlife, to act as offerings to a particular god, and because some were seen as physical manifestations of specific deities that the Egyptians worshipped. Bast, the cat goddess is an example of one such deity.
  • Ancient Egyptian Cat Sarcophagus conating cat mummy, Late to Plolomaic Period, (722-30 BC), Egyptian Museum, Turin.Old Fund Cat 2361.<br />
<br />
Animal mummification was common in ancient Egypt. They mummified various animals. It was an enormous part of Egyptian culture, not only in their role as food and pets, but also for religious reasons. They were typically mummified for four main purposes—to allow beloved pets to go on to the afterlife, to provide food in the afterlife, to act as offerings to a particular god, and because some were seen as physical manifestations of specific deities that the Egyptians worshipped. Bast, the cat goddess is an example of one such deity.
  • Ancient Egyptian statuette of Isis Aphrodite, Ptolomaic to Early Roman Period, (2nd cnet BC to 1st cent AD). Egyptian Museum, Turin. black background.  Old fund Cat 7215.
  • Ancient Egyptian statuette of Isis Aphrodite, Ptolomaic to Early Roman Period, (2nd cnet BC to 1st cent AD). Egyptian Museum, Turin. Grey background. Old fund Cat 7215.
  • Ancient Egyptian bronze statue of Osiris, Ptolomaic Period, (722-30 BC). Egyptian Museum, Turin. Grey background. Old fundCat 39.
  • Ancient Egyptian statuette of Ptah Sokar Osiris, Late Period 25-26th Dynasty, (722-525 BC). Egyptian Museum, Turin. Grey background. Old Fund Cat 2466.
  • Ancient Egyptian statuette of Ptah Sokar Osiris, Late Period 25-26th Dynasty, (722-525 BC). Egyptian Museum, Turin. Old Fund Cat 2466.
  • Ancient Egyptian statuette of Ptah Sokar Osiris, Late Period 25-26th Dynasty, (722-525 BC). Egyptian Museum, Turin. Grey background. Old Fund Cat 2466.
  • Ancient Egyptian statue of Wahka son of Neferhoptep, Middle Kingdom, 13th Dynasty, (1760 BC), Qaw el-Kebir, Tomb 7. Egyptian Museum, Turin. white background,<br />
<br />
This exceptional example of a private sculpture depicts a provincial official in almost Royal size and attitude. It was found inside the largest funerary chapel in Qaw el-Kebir, built of governor Wahka II around 1850 BC, The style indicates a date about a century later at a time when local governors did not build large tombs anymore. The statue was therefore installed by another Wahka into his ancestors chapel to keep the memory of his glorious lineage alive. Schiapelli excavations Cat 4265.
  • Ancient Egyptian statue of Wahka son of Neferhoptep, Middle Kingdom, 13th Dynasty, (1760 BC), Qaw el-Kebir, Tomb 7. Egyptian Museum, Turin.<br />
<br />
This exceptional example of a private sculpture depicts a provincial official in almost Royal size and attitude. It was found inside the largest funerary chapel in Qaw el-Kebir, built of governor Wahka II around 1850 BC, The style indicates a date about a century later at a time when local governors did not build large tombs anymore. The statue was therefore installed by another Wahka into his ancestors chapel to keep the memory of his glorious lineage alive. Schiapelli excavations Cat 4265.
  • Ancient Egyptian model of a funerary boat with oarsman and a sarcopagus under a canope, Middle Kingdom (1980-1700 BC. Egyptian Museum, Turin. Cat 1209. white background.<br />
<br />
Funerary boats were probably believed to carry the deceased sould to the afterlife. Wooden tomb models were an Egyptian funerary custom throughout the Middle Kingdom in which wooden figurines and sets were constructed to be placed in the tombs of Egyptian royalty.
  • Ancient Egyptian model of a funerary boat with oarsman and a sarcopagus under a canope, Middle Kingdom (1980-1700 BC. Egyptian Museum, Turin. Cat 1209. Grey Background.<br />
<br />
Funerary boats were probably believed to carry the deceased sould to the afterlife. Wooden tomb models were an Egyptian funerary custom throughout the Middle Kingdom in which wooden figurines and sets were constructed to be placed in the tombs of Egyptian royalty.
  • Ancient Egyptian model of a boat with mast, Middle Kingdom (1980-1700 BC. Egyptian Museum, Turin. Grey Background.<br />
<br />
Wooden tomb models were an Egyptian funerary custom throughout the Middle Kingdom in which wooden figurines and sets were constructed to be placed in the tombs of Egyptian royalty.
  • Ancient Egyptian model of a funerary boat with oarsman and a sarcopagus under a canope, Middle Kingdom (1980-1700 BC. Egyptian Museum, Turin. Cat 1209. Grey Background.<br />
<br />
Funerary boats were probably believed to carry the deceased sould to the afterlife. Wooden tomb models were an Egyptian funerary custom throughout the Middle Kingdom in which wooden figurines and sets were constructed to be placed in the tombs of Egyptian royalty.
  • Ancient Egyptian model of a boat with mast, Middle Kingdom (1980-1700 BC. Egyptian Museum, Turin. white background.<br />
<br />
Wooden tomb models were an Egyptian funerary custom throughout the Middle Kingdom in which wooden figurines and sets were constructed to be placed in the tombs of Egyptian royalty.
  • Ancient Egyptian model of a boat with mast, Middle Kingdom (1980-1700 BC. Egyptian Museum, Turin. black background.<br />
<br />
Wooden tomb models were an Egyptian funerary custom throughout the Middle Kingdom in which wooden figurines and sets were constructed to be placed in the tombs of Egyptian royalty.
  • Ancient Egyptian model of a boat with mast, Middle Kingdom (1980-1700 BC. Egyptian Museum, Turin. Grey Background.<br />
<br />
Wooden tomb models were an Egyptian funerary custom throughout the Middle Kingdom in which wooden figurines and sets were constructed to be placed in the tombs of Egyptian royalty.
  • Ancient Egyptian model of a boat with mast, Middle Kingdom (1980-1700 BC. Egyptian Museum, Turin. Grey Background.<br />
<br />
Wooden tomb models were an Egyptian funerary custom throughout the Middle Kingdom in which wooden figurines and sets were constructed to be placed in the tombs of Egyptian royalty.
  • Ancient Egyptian model of a boat with mast, Middle Kingdom (1980-1700 BC. Egyptian Museum, Turin. Grey Background.<br />
<br />
Wooden tomb models were an Egyptian funerary custom throughout the Middle Kingdom in which wooden figurines and sets were constructed to be placed in the tombs of Egyptian royalty.
  • Ancient Egyptian wooden model of bread making, Middle Kingdom, 12th Dynasty, (1939-1875 BC), Asyut., Tomb of Minhotep Egyptian Museum, Turin. Cat 8789. white background. <br />
<br />
Wooden tomb models were an Egyptian funerary custom throughout the Middle Kingdom in which wooden figurines and sets were constructed to be placed in the tombs of Egyptian royalty. These wooden models represented the work of servants, farmers, other skilled craftsman, armies, and religious rituals
  • Ancient Egyptian wooden model of bread making, Middle Kingdom, 12th Dynasty, (1939-1875 BC), Asyut., Tomb of Minhotep Egyptian Museum, Turin. Cat 8789. Grey background. <br />
<br />
Wooden tomb models were an Egyptian funerary custom throughout the Middle Kingdom in which wooden figurines and sets were constructed to be placed in the tombs of Egyptian royalty. These wooden models represented the work of servants, farmers, other skilled craftsman, armies, and religious rituals
  • Ancient Egyptian wooden model of bread making, Middle Kingdom, (1939-1875 BC),  Egyptian Museum, Turin. white background. <br />
<br />
Wooden tomb models were an Egyptian funerary custom throughout the Middle Kingdom in which wooden figurines and sets were constructed to be placed in the tombs of Egyptian royalty. These wooden models represented the work of servants, farmers, other skilled craftsman, armies, and religious rituals
  • Ancient Egyptian wooden model of bread making, Middle Kingdom, (1939-1875 BC),  Egyptian Museum, Turin.   black background. <br />
<br />
Wooden tomb models were an Egyptian funerary custom throughout the Middle Kingdom in which wooden figurines and sets were constructed to be placed in the tombs of Egyptian royalty. These wooden models represented the work of servants, farmers, other skilled craftsman, armies, and religious rituals
  • Ancient Egyptian wooden model of bread making, Middle Kingdom, (1939-1875 BC),  Egyptian Museum, Turin. <br />
<br />
Wooden tomb models were an Egyptian funerary custom throughout the Middle Kingdom in which wooden figurines and sets were constructed to be placed in the tombs of Egyptian royalty. These wooden models represented the work of servants, farmers, other skilled craftsman, armies, and religious rituals
  • Ancient Egyptian wooden model of bread making, Middle Kingdom, (1939-1875 BC),  Egyptian Museum, Turin.  Grey background. <br />
<br />
Wooden tomb models were an Egyptian funerary custom throughout the Middle Kingdom in which wooden figurines and sets were constructed to be placed in the tombs of Egyptian royalty. These wooden models represented the work of servants, farmers, other skilled craftsman, armies, and religious rituals
  • Ancient Egyptian wooden falcon bird, Late Period (722-322 BC), Egyptian Museum, Turin. Cat 986. <br />
<br />
Wooden tomb models were an Egyptian funerary custom from the Middle Kingdom in which wooden figurines and sets were constructed to be placed in the tombs of Egyptian royalty. These wooden models represented the work of servants, farmers, other skilled craftsman, armies, and religious rituals
  • Ancient Egyptian wooden falcon bird, Late Period (722-322 BC), Egyptian Museum, Turin. Cat 986. Grey background. <br />
<br />
Wooden tomb models were an Egyptian funerary custom from the Middle Kingdom in which wooden figurines and sets were constructed to be placed in the tombs of Egyptian royalty. These wooden models represented the work of servants, farmers, other skilled craftsman, armies, and religious rituals
  • Ancient Egyptian wooden falcon bird, Late Period (722-322 BC). Egyptian Museum, Turin. white background. <br />
<br />
Wooden tomb models were an Egyptian funerary custom from the Middle Kingdom in which wooden figurines and sets were constructed to be placed in the tombs of Egyptian royalty. These wooden models represented the work of servants, farmers, other skilled craftsman, armies, and religious rituals
  • Ancient Egyptian wooden model of a man cooking a duck, New Kingdom, 11-13th Dynasty, (1980-1700 BC), Asyut. Egyptian Museum, Turin. Cat 8944. white background. <br />
<br />
Wooden tomb models were an Egyptian funerary custom throughout the Middle Kingdom in which wooden figurines and sets were constructed to be placed in the tombs of Egyptian royalty. These wooden models represented the work of servants, farmers, other skilled craftsman, armies, and religious rituals
  • Ancient Egyptian wooden model boat from tomb of Shemes,  Middle Kingdom (1980-1700 BC), Asyut. Egyptian Museum, Turin.  white background<br />
<br />
In 1908 in Asyut, Egypt an intact tomb was discovered of an official named Shemes, it contained many rich grave goods. Two rectangular Coffins, one for Shemes and the other for a woman called Rehuerausen, possibly his wife. They carry typical Middle Kingdom decorations,
  • Ancient Egyptian wooden model boat from tomb of Shemes,  Middle Kingdom (1980-1700 BC), Asyut. Egyptian Museum, Turin.  Grey background.<br />
<br />
In 1908 in Asyut, Egypt an intact tomb was discovered of an official named Shemes, it contained many rich grave goods. Two rectangular Coffins, one for Shemes and the other for a woman called Rehuerausen, possibly his wife. They carry typical Middle Kingdom decorations,
  • Ancient Egyptian wooden model boat from tomb of Shemes,  Middle Kingdom (1980-1700 BC), Asyut. Egyptian Museum, Turin.  Grey background.<br />
<br />
In 1908 in Asyut, Egypt an intact tomb was discovered of an official named Shemes, it contained many rich grave goods. Two rectangular Coffins, one for Shemes and the other for a woman called Rehuerausen, possibly his wife. They carry typical Middle Kingdom decorations,
  • Ancient Egyptian wooden statue of Shemes,  Middle Kingdom (1980-1700 BC), tomb of Shimes, Asyut. Egyptian Museum, Turin.  white background<br />
<br />
In 1908 in Asyut, Egypt an intact tomb was discovered of an official named Shemes, it contained many rich grave goods. Two rectangular Coffins, one for Shemes and the other for a woman called Rehuerausen, possibly his wife. They carry typical Middle Kingdom decorations,
  • Ancient Egyptian bronze statue , Old Kingdom. Egyptian Museum, Turin. white background,
  • Ancient Egyptian bronze statue , Old Kingdom. Egyptian Museum, Turin. black background.
  • Ancient Egyptian bronze statue , Old Kingdom. Egyptian Museum, Turin. Grey background.
  • Ancient Egyptian bronze statue of Bes, Old Kingdom,  Egyptian Museum, Turin. black background
  • Ancient Egyptian bronze statue of Bes, Old Kingdom,  Egyptian Museum, Turin. Grey background.
  • Ancient Egyptian statuette of Taweret decicated to draughtsman Parahotep, wood, New Kingdom, 19 Dynasty, (14292-1190 BC), deir el Medina. Egyptian Museum, Turin. black background. Cat 526.<br />
<br />
 Taweret is the protective ancient Egyptian goddess of childbirth and fertility. The deity is typically depicted as a bipedal female hippopotamus with feline attributes, pendulous female human breasts, the limbs and paws of a lion, and the back and tail of a Nile crocodile.
  • Ancient Egyptian statuette of Taweret decicated to draughtsman Parahotep, wood, New Kingdom, 19 Dynasty, (14292-1190 BC), deir el Medina. Egyptian Museum, Turin. Grey background. Cat 526.<br />
<br />
 Taweret is the protective ancient Egyptian goddess of childbirth and fertility. The deity is typically depicted as a bipedal female hippopotamus with feline attributes, pendulous female human breasts, the limbs and paws of a lion, and the back and tail of a Nile crocodile.
  • Ancient Egyptian statuette of Taweret decicated to draughtsman Parahotep, wood, New Kingdom, 19 Dynasty, (14292-1190 BC), deir el Medina. Egyptian Museum, Turin. Grey background. Cat 526.<br />
<br />
 Taweret is the protective ancient Egyptian goddess of childbirth and fertility. The deity is typically depicted as a bipedal female hippopotamus with feline attributes, pendulous female human breasts, the limbs and paws of a lion, and the back and tail of a Nile crocodile.
  • Ancient Egyptian shabtis doll, lwood, New Kingdom, 18th Dynasty, (1538-1040 BC), Deir el Medina. Egyptian Museum, Turin.Grey background. <br />
<br />
shabti figures began to occur in Middle Kingdom tombs with a twofold nature: on <br />
the one hand, they were meant to be images of their owners, representatives of the deceased in the realm of the Lord of Eternity. <br />
On the other hand, they were also considered to be servants of the deceased, taking the role of the servant statues. The complex <br />
nature of the shabti figure as a substitute of both the owner and his or her servants remains unaltered during the New Kingdom
  • Ancient Egyptian shabtis doll of Nuneb , wood, New Kingdom, 18th Dynasty, (1538-1292 BC), Deir el Medina. Egyptian Museum, Turin. Cat 2676. Grey background. <br />
<br />
Mummiform holding agricultural implements (hoes); good modelling; polychrome <br />
decoration painted on white gesso: Wig painted black, face and hands dark red; hoes <br />
painted red; large usekh collar painted red and black. Hieroglyphs painted black. Text: Painted hieroglyphs, 7 rows around body. Chapter VI of the Book of the Dead. Tomb TT291
  • Ancient Egyptian shabtis doll, lwood, New Kingdom, 18th Dynasty, (1538-1040 BC), Deir el Medina. Egyptian Museum, Turin. white background. <br />
<br />
shabti figures began to occur in Middle Kingdom tombs with a twofold nature: on <br />
the one hand, they were meant to be images of their owners, representatives of the deceased in the realm of the Lord of Eternity. <br />
On the other hand, they were also considered to be servants of the deceased, taking the role of the servant statues. The complex <br />
nature of the shabti figure as a substitute of both the owner and his or her servants remains unaltered during the New Kingdom
  • Ancient Egyptian shabtis doll, lwood, New Kingdom, 18th Dynasty, (1538-1040 BC), Deir el Medina. Egyptian Museum, Turin. black background <br />
<br />
shabti figures began to occur in Middle Kingdom tombs with a twofold nature: on <br />
the one hand, they were meant to be images of their owners, representatives of the deceased in the realm of the Lord of Eternity. <br />
On the other hand, they were also considered to be servants of the deceased, taking the role of the servant statues. The complex <br />
nature of the shabti figure as a substitute of both the owner and his or her servants remains unaltered during the New Kingdom
  • Ancient Egyptian statue of the goddess Meretseger, limestone, New Kingdom, 19-20th Dynasty, (1480-1390 BC), deir el Medina. Egyptian Museum, Turin. white background Cat 957.
  • Ancient Egyptian statue of the goddess Meretseger, limestone, New Kingdom, 19-20th Dynasty, (1480-1390 BC), deir el Medina. Egyptian Museum, Turin. Grey background. Cat 957.
  • Ancient Egyptian voitive statue of Nefratari, New Kingdom, 19th -20th Dynasty, (1292-1076 BC, Deir el-Medina. Egyptian Museum, Turin. Cat 1349. white background.<br />
<br />
Queen Ahmose Neferatari, wife and mother of Amenhoptec I show the great devotion she was held in by ancient Egyptians. The inscription on the base name the dedicators of the statue
  • Ancient Egyptian voitive statue of Nefratari, New Kingdom, 19th -20th Dynasty, (1292-1076 BC, Deir el-Medina. Egyptian Museum, Turin. Cat 1349. Grey background.<br />
<br />
Queen Ahmose Neferatari, wife and mother of Amenhoptec I show the great devotion she was held in by ancient Egyptians. The inscription on the base name the dedicators of the statue
  • Female ancient Egyptian statue, New Kingdom, 18th Dynasty, (1480-1390 BC), Thebes Necropolis. Egyptian Museum, Turin. white background. Drovetti collection.
  • Ancient Egyptian statue of Maa, limestone, New Kingdom, 18th Dynasty, (1480-1390 BC), Thebes Necropolis. Egyptian Museum, Turin. white background. Drovetti collection. Cat 3089
  • Ancient Egyptian statue of Maa, limestone, New Kingdom, 18th Dynasty, (1480-1390 BC), Thebes Necropolis. Egyptian Museum, Turin. black background. Drovetti collection. Cat 3089
  • Ancient Egyptian statue of Maa, limestone, New Kingdom, 18th Dynasty, (1480-1390 BC), Thebes Necropolis. Egyptian Museum, Turin. Grey background. Drovetti collection. Cat 3089
  • Ancient Egyptian statue of Pawer and his wife Mut, New Kingdom, 18th Dynasty, (1480-1390 BC), Thebes Necropolis. Egyptian Museum, Turin. black background. Drovetti collection. Cat 3057.<br />
<br />
Between the two adults is their son Samut in childhood nudity. The text specifies that the statue was commissioned by Mut.
  • Ancient Egyptian statue of Pawer and his wife Mut, New Kingdom, 18th Dynasty, (1480-1390 BC), Thebes Necropolis. Egyptian Museum, Turin. Grey background. Drovetti collection. Cat 3057.<br />
<br />
Between the two adults is their son Samut in childhood nudity. The text specifies that the statue was commissioned by Mut.
  • Ancient Egyptian statue of Pawer and his wife Mut, New Kingdom, 18th Dynasty, (1480-1390 BC), Thebes Necropolis. Egyptian Museum, Turin. Drovetti collection. Cat 3057.<br />
<br />
Between the two adults is their son Samut in childhood nudity. The text specifies that the statue was commissioned by Mut.
  • Ancient Egyptian statue of Pawer and his wife Mut, New Kingdom, 18th Dynasty, (1480-1390 BC), Thebes Necropolis. Egyptian Museum, Turin. Grey background. Drovetti collection. Cat 3057.<br />
<br />
Between the two adults is their son Samut in childhood nudity. The text specifies that the statue was commissioned by Mut.
  • Ancient Egyptian statue of Pawer and his wife Mut, New Kingdom, 18th Dynasty, (1480-1390 BC), Thebes Necropolis. Egyptian Museum, Turin. black background. Drovetti collection. Cat 3057.<br />
<br />
Between the two adults is their son Samut in childhood nudity. The text specifies that the statue was commissioned by Mut.
  • Ancient Egyptian statue of Pawer and his wife Mut, New Kingdom, 18th Dynasty, (1480-1390 BC), Thebes Necropolis. Egyptian Museum, Turin. white background. Drovetti collection. Cat 3057.<br />
<br />
Between the two adults is their son Samut in childhood nudity. The text specifies that the statue was commissioned by Mut.
  • Ancient Egyptian statue of Pawer and his wife Mut, New Kingdom, 18th Dynasty, (1480-1390 BC), Thebes Necropolis. Egyptian Museum, Turin. Grey background. Drovetti collection. Cat 3057.<br />
<br />
Between the two adults is their son Samut in childhood nudity. The text specifies that the statue was commissioned by Mut.
  • Ancient Egyptian statue of Pawer and his wife Mut, New Kingdom, 18th Dynasty, (1480-1390 BC), Thebes Necropolis. Egyptian Museum, Turin. Grey background. Drovetti collection. Cat 3057.<br />
<br />
Between the two adults is their son Samut in childhood nudity. The text specifies that the statue was commissioned by Mut.
  • Ancient Egyptian statue of Amenmes and his wife Taka, New Kingdom, 18th Dynasty, (1480-1390 BC), Thebes Necropolis. Egyptian Museum, Turin. Grey background. Drovetti collection. Cat 3059
  • Ancient Egyptian statue of Amenmes and his wife Taka, New Kingdom, 18th Dynasty, (1480-1390 BC), Thebes Necropolis. Egyptian Museum, Turin. black background. Drovetti collection. Cat 3059
  • Ancient Egyptian statue of Amenmes and his wife Taka, New Kingdom, 18th Dynasty, (1480-1390 BC), Thebes Necropolis. Egyptian Museum, Turin. Grey background. Drovetti collection. Cat 3059
  • Ancient Egyptian statue of Amenmes and his wife Taka, New Kingdom, 18th Dynasty, (1480-1390 BC), Thebes Necropolis. Egyptian Museum, Turin.  Drovetti collection. Cat 3059
  • Ancient Egyptian statue of Amenmes and his wife Taka, New Kingdom, 18th Dynasty, (1480-1390 BC), Thebes Necropolis. Egyptian Museum, Turin. Grey background. Drovetti collection. Cat 3059
  • Plaster cast of an ancient Egyptian Thot Baboon statue, reign of Nectanebo (359-342 BC). Campo Marizo, temple of Isis. Egyptian Museum, Turin. white background.<br />
<br />
The original is in the Capitoline Museum Rome. The baboon is an image of Thot, lunar God, creator of hieroglyphic writing and patron of science.
  • Plaster cast of an ancient Egyptian Thot Baboon statue, reign of Nectanebo (359-342 BC). Campo Marizo, temple of Isis. Egyptian Museum, Turin. Grey background.<br />
<br />
The original is in the Capitoline Museum Rome. The baboon is an image of Thot, lunar God, creator of hieroglyphic writing and patron of science.
  • Ancient Egyptian four sided capital dedicated to Hathor, limestone, Ptolomaic Period (332039 BC). Egyptian Museum, Turin. Grey background. Cat 7031. white background.<br />
<br />
Hathor, goddess of love and beauty and wet nurse of Horus, is often portrayed frontally with bovine ears. She was also protector of the turquoise mines in Sinai and the guardian of the 4 cardinal points awhich is why she is depicted with faces on each side of the capital
  • Ancient Egyptian four sided capital dedicated to Hathor, limestone, Ptolomaic Period (332039 BC). Egyptian Museum, Turin. Grey background. Cat 7031. black background.<br />
<br />
Hathor, goddess of love and beauty and wet nurse of Horus, is often portrayed frontally with bovine ears. She was also protector of the turquoise mines in Sinai and the guardian of the 4 cardinal points awhich is why she is depicted with faces on each side of the capital
  • Ancient Egyptian four sided capital dedicated to Hathor, limestone, Ptolomaic Period (332039 BC). Egyptian Museum, Turin. Grey background. Cat 7031. Grey background.<br />
<br />
Hathor, goddess of love and beauty and wet nurse of Horus, is often portrayed frontally with bovine ears. She was also protector of the turquoise mines in Sinai and the guardian of the 4 cardinal points awhich is why she is depicted with faces on each side of the capital, Grey background;
  • Ancient Egyptian architectonic element of the temple of Aten, Karnak, limestone, New Kingdom 18th Dynasty (1353-1336 BC). Egyptian Museum, Turin. black background<br />
<br />
This crystaline block from the riugn of Amenhoptep IV was part of the railing of the temple of Aten in Karnak. It is os a double form cartouche, which usually enclose the name of the king. Here insted, it contains the names of the sun disk Aten, the one god of King Akhenaten : "Ra-Harakhty rising in the Horizon" "in the name as the light which is in Aten". The name of the king is carved on the sides. The objects is therefore a links god with the pharoah. Drovetti collection Cat 1378
  • Ancient Egyptian architectonic element of the temple of Aten, Karnak, limestone, New Kingdom 18th Dynasty (1353-1336 BC). Egyptian Museum, Turin. <br />
This crystaline block from the riugn of Amenhoptep IV was part of the railing of the temple of Aten in Karnak. It is os a double form cartouche, which usually enclose the name of the king. Here insted, it contains the names of the sun disk Aten, the one god of King Akhenaten : "Ra-Harakhty rising in the Horizon" "in the name as the light which is in Aten". The name of the king is carved on the sides. The objects is therefore a links god with the pharoah. Drovetti collection Cat 1378
  • Ancient Egyptian architectonic element of the temple of Aten, Karnak, limestone, New Kingdom 18th Dynasty (1353-1336 BC). Egyptian Museum, Turin. Grey backcground.<br />
<br />
This crystaline block from the riugn of Amenhoptep IV was part of the railing of the temple of Aten in Karnak. It is os a double form cartouche, which usually enclose the name of the king. Here insted, it contains the names of the sun disk Aten, the one god of King Akhenaten : "Ra-Harakhty rising in the Horizon" "in the name as the light which is in Aten". The name of the king is carved on the sides. The objects is therefore a links god with the pharoah. Drovetti collection Cat 1378
  • Ancient Egyptian stelophorus statue of Ubenre, New Kingdom, 19th-20th Dynasty, (1292-1076 BC), Deir el-Medina, Egyptian Museum, Turin. Cat 3040. black background.<br />
<br />
This type of stele is so called stelophorous statue. It consists of kneeling figure holding or offering stele. They were produced from the 18th dynasty onwards. Such stelae were usually inscribed with hymns to the sun-god.
  • Ancient Egyptian stelophorus statue of Ubenre, New Kingdom, 19th-20th Dynasty, (1292-1076 BC), Deir el-Medina, Egyptian Museum, Turin. Cat 3040. <br />
<br />
This type of stele is so called stelophorous statue. It consists of kneeling figure holding or offering stele. They were produced from the 18th dynasty onwards. Such stelae were usually inscribed with hymns to the sun-god.
  • Ancient Egyptian stelophorus statue of Ubenre, New Kingdom, 19th-20th Dynasty, (1292-1076 BC), Deir el-Medina, Egyptian Museum, Turin. Cat 3040. white background.<br />
<br />
This type of stele is so called stelophorous statue. It consists of kneeling figure holding or offering stele. They were produced from the 18th dynasty onwards. Such stelae were usually inscribed with hymns to the sun-god.
  • Ancient Egyptian stelophorus statue of Ubenre, New Kingdom, 19th-20th Dynasty, (1292-1076 BC), Deir el-Medina, Egyptian Museum, Turin. Cat 3040. Grey background.<br />
<br />
This type of stele is so called stelophorous statue. It consists of kneeling figure holding or offering stele. They were produced from the 18th dynasty onwards. Such stelae were usually inscribed with hymns to the sun-god.
  • Ancient Egyptian stelophorus statue of Amenemipet, limestone, New Kingdom, 18th Dynasty, (1539-1292 BC), Deir el Medina, tomb of Ibu. Egyptian Museum, Turin. Cat 3038. black background
  • Ancient Egyptian Stelophorus statue of Amenemipet, limestone, New Kingdom, 18th Dynasty, (1539-1292 BC), Deir el Medina, tomb of Ibu. Egyptian Museum, Turin. Cat 3038. Grey background
  • Ancient Egyptian Roman female mummy mask, limestone, Roman Period, 2nd Cent AD, Hawara,  Egyptian Museum, Turin. Grey Background<br />
<br />
This is a remarkable gilt cartonnage with inlaid cystal eyes . The woman wears a Roman style hardo half covered by a veil, a himation, fringed cloak, yied to her breat, snake shaped bracelets and a necklace of pink flowers, all of which are connected to the cult of Isis.

FunkyStock Picture Library Resource

Picture The Past

ABOUT

FunkyStock Picture Library free resource for professional editorial picture editors, picture researchers, historical scholars and students and enthusiasts who want to browse some of the best pictures and images of historic countries, historical places, archaeological sites and the very best museum antiquities and artefacts exhibits in Europe and the Middle East.

Pictures and Images can be downloaded or bought as stock photos or photo art prints.

COUNTRIES

Browse travel pictures and images of historic places and archaeological sites of countries in Europe and the Middle East.

VIEW COUNTRIES INDEX....

HISTORICAL

Explore the past through pictures and images of its historic places. See the great palaces, castles and cities of antiquity as well as the great archaeological sites where our ancestors made history.

EXPLORE HISTORICAL PLACES...

MUSEUMS

Browse pictures & images the treasured artefacts and antiquities exhibits from the great Museum of Europe and the Middle East. See the art and objects made by our ancestors.

SEE MUESEUM ANTIQUITIES....