• Ancient Egyptian house altar relief sculpture of Akhenaten, Nefrertiti and their three daughters. 18th Dynasty 1345 BC . Neues Museum Berlin AM 14145.
  • 810-783 B.C Neo-Assyrian Stele with relief sculpture & inscription to King Adad-Nirari III (son of Samsi-Adad V, King of Assyria) praying to the gods. The inscription reports King Adad-Nirari III's campaign against Palestine in which he marched on Damascus and caused such terror that King Mari I surrendered the Royal city of Damascus paying a tribute of 100 talents of gold.  Istanbul Archaeological Museum Inv. No 2828.
  • Chaldean Assyrian relief sculpture slab from the northwest palace of King Ashurnasirpal II of a Genie standing. 881-859 B.C form Nimrud or Nimrut ( Kalhu or Kalah). Istanbul Archaeological exhibit Inv. No. 5.
  • Assyrian relief sculpture panel  of an eagle headed protective spirit  from Nimrud, Iraq.  The spirit is holding a symbolic fir cone and is sprinkling holy water. 865-860 B.C North West Palace, Room F, panel 3.  British Museum Assyrian  Archaeological exhibit  ref WA 124584-5
  • Assyrian relief sculpture panel  from Nimrud, Iraq.  865-860 B.C North West Palace.  British Museum Assyrian  Archaeological exhibit.
  • Assyrian relief sculpture panel of a protective spirit with an eagles Head from Nimrud, Iraq.  The spirit is holding a symbolic fir cone and is sprinkling holy water from the bucket it is holding. The rosette bracelet worn around the wrist symbolises divine power. 865-860 B.C North West Palace, Room G, panelled d1. ref: British Museum Assyrian  Archaeological exhibit WA 124576
  • Assyrian relief sculpture panel of a protective spirit with an eagles Head from Nimrud, Iraq.  The spirit is holding a symbolic fir cone and is sprinkling holy water from the bucket it is holding. The rosette bracelet worn around the wrist symbolises divine power. 865-860 B.C North West Palace, Room I. ref: British Museum Assyrian  Archaeological exhibit WA 118921
  • Assyrian relief sculpture panel of a protective spirit with an eagles Head from Nimrud, Iraq.  The spirit is holding a symbolic fir cone and is sprinkling holy water from the bucket it is holding. The rosette bracelet worn around the wrist symbolises divine power. 865-860 B.C North West Palace, Room I. ref: British Museum Assyrian  Archaeological exhibit WA 118921
  • Sculpted Assyrian relief panels of Royal Chariot & Guards  from Hadatu ( Aslantas ) around 800 B.C. Istanbul Archaeological museum Inv No. 1946
  • Limestone Sculpted relief Stele with inscription to King Sennacherib. The relief shows Assyrian King Sennacherib  praying in front of divine symbols. 705 - 681 B.C Nineveh ( Kuyunjik ) . The inscription tells of King Sennacherib's great feats of war and the building works in Nineveh. It starts " Sennacheribs, the great king, mighty king, king of the universe, king of the Assyria, king of the four regions of the wold, favourite of the great gods". It continues " I led my armies from one end of the earth to the other and brought in submission at my feet all princes, dwelling in palaces, of the four quarters of the world". of his great worked " I enlarged the site of Nineveh, my royal city, I made its market streets wider". further " The wall and outer wall I caused skilfully constructed and raised them mountain high. I widened them to 100 cubits ( 50m )". Istanbul Archaeological Exhibit no. 1.
  • Chaldean Assyrian relief sculpture slab from the northwest palace of King Ashurnasirpal II of a Genie standing. 881-859 B.C form Nimrud or Nimrut ( Kalhu or Kalah). Istanbul Archaeological exhibit Inv. No. 5.
  • Chaldean Assyrian relief sculpture slab from the northwest palace of King Ashurnasirpal II of a Genie standing. 881-859 B.C form Nimrud or Nimrut ( Kalhu or Kalah). Istanbul Archaeological exhibit Inv. No. 5.
  • Chaldean Assyrian relief sculpture slab from the northwest palace of King Ashurnasirpal II of a Genie standing in front of the tree of life. 881-859 B.C form Nimrud or Nimrut ( Kalhu or Kalah). Istanbul Archaeological exhibit Inv. No. 4.
  • Chaldean Assyrian relief sculpture slab from the northwest palace of King Ashurnasirpal II of a Genie standing. 881-859 B.C form Nimrud or Nimrut ( Kalhu or Kalah). Istanbul Archaeological exhibit Inv. No. 6.
  • Assyrian relief sculpture panel  of a female protective spirit  from Nimrud, Iraq.  865-860 B.C North West Palace, Room I.  British Museum Assyrian  Archaeological exhibit  ref WA 124581
  • Assyrian relief sculpture panel  of a female protective spirit  from Nimrud, Iraq.  865-860 B.C North West Palace, Room I.  British Museum Assyrian  Archaeological exhibit  ref WA 124581
  • Assyrian relief sculpture panel of a protective spirit holdingpomegrantes from Nimrud, Iraq.  865-860 B.C North West Palace, Room Z.  ref: British Museum Assyrian  Archaeological exhibit WA 118874
  • Assyrian relief sculpture panel of a protective spirit with an eagles Head from Nimrud, Iraq. The spirit is holding a symbolic fir cone and is sprinkling holy water from the bucket it is holding.  865-860 B.C North West Palace, Room G, panelled d1. ref: British Museum Assyrian  Archaeological exhibit WA 124576
  • Assyrian relief sculpture panel of a protective spirit with an eagles Head from Nimrud, Iraq. The spirit is holding a symbolic fir cone and is sprinkling holy water from the bucket it is holding.  865-860 B.C North West Palace, Room G, panelled d1. ref: British Museum Assyrian  Archaeological exhibit WA 124576
  • Assyrian relief sculpture panel of a protective spirit with an eagles Head from Nimrud, Iraq.  The spirit is holding a symbolic fir cone and is sprinkling holy water from the bucket it is holding. The rosette bracelet worn around the wrist symbolises divine power. 865-860 B.C North West Palace, Room I. ref: British Museum Assyrian  Archaeological exhibit WA 118921
  • Assyrian relief sculpture panel of a protective spirit with an eagles Head from Nimrud, Iraq.  The spirit is holding a symbolic fir cone and is sprinkling holy water from the bucket it is holding. The rosette bracelet worn around the wrist symbolises divine power. 865-860 B.C North West Palace, Room G, panelled d1. ref: British Museum Assyrian  Archaeological exhibit WA 124576
  • Assyrian relief sculpture panel of a protective spirit with an eagles Head from Nimrud, Iraq.  The spirit is holding a symbolic fir cone and is sprinkling holy water from the bucket it is holding. The rosette bracelet worn around the wrist symbolises divine power. 865-860 B.C North West Palace, Room G, panelled d1. ref: British Museum Assyrian  Archaeological exhibit WA 124576
  • Assyrian relief sculpture panel of a protective spirit with an eagles Head from Nimrud, Iraq.  The spirit is holding a symbolic fir cone and is sprinkling holy water from the bucket it is holding. The rosette bracelet worn around the wrist symbolises divine power. 865-860 B.C North West Palace, Room G, panelled d1. ref: British Museum Assyrian  Archaeological exhibit WA 124576
  • Assyrian relief sculpture panel of a protective spirit with an eagles Head from Nimrud, Iraq.  The spirit is holding a symbolic fir cone and is sprinkling holy water from the bucket it is holding. The rosette bracelet worn around the wrist symbolises divine power. 865-860 B.C North West Palace, Room I. ref: British Museum Assyrian  Archaeological exhibit WA 118921
  • Sculpted Assyrian relief panels of mace bearers from Hadatu ( Aslantas ) around 800 B.C. Istanbul Archaeological museum Inv No. 14-10
  • Chaldean Assyrian relief sculpture slab from the northwest palace of King Ashurnasirpal II of a Genie standing. 881-859 B.C form Nimrud or Nimrut ( Kalhu or Kalah). Istanbul Archaeological exhibit Inv. No. 5.
  • Chaldean Assyrian relief sculpture slab from the northwest palace of King Ashurnasirpal II of a Genie standing. 881-859 B.C form Nimrud or Nimrut ( Kalhu or Kalah). Istanbul Archaeological exhibit Inv. No. 5.
  • Assyrian relief sculpture panel of a protective spirit from Nimrud, Iraq.  865-860 B.C North West Palace, Room Z.  ref: British Museum Assyrian  Archaeological exhibit WA 118874
  • Assyrian relief sculpture panel  from Nimrud, Iraq.  865-860 B.C North West Palace.  British Museum Assyrian  Archaeological exhibit.
  • Neo-Assyrian basalt statue of King Shalmaneser III (858-824 B.C) . Inscription reads "Shalmaneser, the great king, the mighty king, king of all four region, the powerful and the mighty rival of the princes of the whole earth the great ones, the kings, son of Assur-Nasirapli, King of the universe, King of Assyria, grandson of ~Tukultiu-Ninurta, King of the Universe, King of Assyria". The inscription continues with his campaigns &b deeds in Uratu, Syria, Que & Tabal ending " At the time I rebuilt the walls of my city Ashur from their foundations to their summits. I made an image of my royal self and set it up in the metal gate". From Assur ( Qala't Sharqat) Iraq. Istanbul Archaeological Museum, Inv no. 4650.
  • The Riace bronze Greek statue head cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statues cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statue A cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statue A cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statues cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statues cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statues cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statue A cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • Torso of the Riace bronze Greek statue B cast about 460 - 450 BC. statue B was probably sculpted by Phidias. There is a sense of movement in the statues their legs being bent as if they are about to take a step. Their heads are turned which accentuates a sense of anticipation as if they are looking for something. The anatomical detail is extraordinary which gives a startling realism to the statue and demonstarte the high level of skill of the Greek sculptors of this period. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statue head cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • Torso of the Riace bronze Greek statue A cast about 460 BC. statue A was probably sculpted by Myron. The style of the Riace statues straddles the archaic period and heralds the start of the classical period. Both statues depict strong young naked warriors who stand calmly but exuding great power. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statue head cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statue head cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statue head cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statue head cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statue head cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statue head cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statue A cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statue A cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statue A cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statues cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statues cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statue A cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statue A cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statues cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statues cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statue A cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statues cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statue A cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statues cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statues cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statues cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statue A cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statues cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statues cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statues cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • Full length view of the Riace bronze Greek statue A cast about 460 BC. statue A was probably sculpted by Myron. The style of the Riace statues straddles the archaic period and heralds the start of the classical period. Both statues depict strong young naked warriors who stand calmly but exuding great power. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • Full length tree quarter view of the Riace bronze Greek statue B cast about 460 - 450 BC. statue B was probably sculpted by Phidias. There is a sense of movement in the statues their legs being bent as if they are about to take a step. Their heads are turned which accentuates a sense of anticipation as if they are looking for something. The anatomical detail is extraordinary which gives a startling realism to the statue and demonstarte the high level of skill of the Greek sculptors of this peiod. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • Torso three quarter of the Riace bronze Greek statue A cast about 460 BC. statue A was probably sculpted by Myron. The style of the Riace statues straddles the archaic period and heralds the start of the classical period. Both statues depict strong young naked warriors who stand calmly but exuding great power. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • Full length face on view of the Riace bronze Greek statue B cast about 460 - 450 BC. statue B was probably sculpted by Phidias. There is a sense of movement in the statues their legs being bent as if they are about to take a step. Their heads are turned which accentuates a sense of anticipation as if they are looking for something. The anatomical detail is extraordinary which gives a startling realism to the statue and demonstarte the high level of skill of the Greek sculptors of this peiod. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • Full length side view of the Riace bronze Greek statue B cast about 460 - 450 BC. statue B was probably sculpted by Phidias. There is a sense of movement in the statues their legs being bent as if they are about to take a step. Their heads are turned which accentuates a sense of anticipation as if they are looking for something. The anatomical detail is extraordinary which gives a startling realism to the statue and demonstarte the high level of skill of the Greek sculptors of this peiod. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statue head cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statue head cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statue A cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statue A cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statue A cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statue A cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statues cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statue A cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statue A cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statues cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statue A cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statue A cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statues cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statues cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statue A cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • low full length view of the  Riace bronze Greek statue A cast about 460 BC. statue A was probably sculpted by Myron. The style of the Riace statues straddles the archaic period and heralds the start of the classical period. Both statues depict strong young naked warriors who stand calmly but exuding great power. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • Torso face on view of the Riace bronze Greek statue A cast about 460 BC. statue A was probably sculpted by Myron. The style of the Riace statues straddles the archaic period and heralds the start of the classical period. Both statues depict strong young naked warriors who stand calmly but exuding great power. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • Upper torso of the Riace bronze Greek statue B cast about 460 - 450 BC. statue B was probably sculpted by Phidias. There is a sense of movement in the statues their legs being bent as if they are about to take a step. Their heads are turned which accentuates a sense of anticipation as if they are looking for something. The anatomical detail is extraordinary which gives a startling realism to the statue and demonstarte the high level of skill of the Greek sculptors of this peiod. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • Late Hittite Basalt funereal Steel with a relief sculpture of a warrior from 9 - 8th Cent B.C, excavated from Arslan Tash (Turkish; Arslan Lion, Taş Stone), ancient Hadātu, is an archaeological site in northern Syria 30km east of the Euphrates River and nearby the town of Ain al-Arab. Istanbul Archaeological Museum Inv. No 1981.
  • Gypsum, schist, shells and lapis lazuli statue of Ebih-Il, early Dynastic; Shakkanakku (military governor) of the ancient city-state of Mari in present day eastern Syria, dating from circa 2340 BC or from the Akkadian period of rule Circa 2250 BC.. The statue carries a cuneiform inscription in Akkadian. Excavated from; the temple of Ishtar at Mari by André Parrot in 1934-1935 the statue measures; 52.5 cm (20.7 in) high; 20.6 cm (8.1 in) wide and 30 cm (11.8 in) deep. Department of Oriental Antiquities; Richelieu; ground floor; room 1b; inv AO 17551; Louvre Museum; Paris
  • Diorite statue of Guidea who ruled Lagash from around 2150 BC. The statue called the "gushing vase" dedicated to the goddess Geshtinanna. From the ancient Sumarian city of Lagash.
  • Black diorite statue of Guidea who ruled Lagash from around 2150 BC. The statue called the is dedicated to the god Ningishzida. From the ancient Sumarian city of Lagash. Louvre Museum Paris
  • Diorite statue of Guidea who ruled Lagash from around 2150 BC. The statue called the "gushing vase" dedicated to the goddess Geshtinanna. From the ancient Sumarian city of Lagash.
  • Gypsum, schist, shells and lapis lazuli statue of Ebih-Il, early Dynastic; Shakkanakku (military governor) of the ancient city-state of Mari in present day eastern Syria, dating from circa 2340 BC or from the Akkadian period of rule Circa 2250 BC.. The statue carries a cuneiform inscription in Akkadian. Excavated from; the temple of Ishtar at Mari by André Parrot in 1934-1935 the statue measures; 52.5 cm (20.7 in) high; 20.6 cm (8.1 in) wide and 30 cm (11.8 in) deep. Department of Oriental Antiquities; Richelieu; ground floor; room 1b; inv AO 17551; Louvre Museum; Paris
  • Gypsum, schist, shells and lapis lazuli statue of Ebih-Il, early Dynastic; Shakkanakku (military governor) of the ancient city-state of Mari in present day eastern Syria, dating from circa 2340 BC or from the Akkadian period of rule Circa 2250 BC.. The statue carries a cuneiform inscription in Akkadian. Excavated from; the temple of Ishtar at Mari by André Parrot in 1934-1935 the statue measures; 52.5 cm (20.7 in) high; 20.6 cm (8.1 in) wide and 30 cm (11.8 in) deep. Department of Oriental Antiquities; Richelieu; ground floor; room 1b; inv AO 17551; Louvre Museum; Paris
  • Gypsum, schist, shells and lapis lazuli statue of Ebih-Il, early Dynastic; Shakkanakku (military governor) of the ancient city-state of Mari in present day eastern Syria, dating from circa 2340 BC or from the Akkadian period of rule Circa 2250 BC.. The statue carries a cuneiform inscription in Akkadian. Excavated from; the temple of Ishtar at Mari by André Parrot in 1934-1935 the statue measures; 52.5 cm (20.7 in) high; 20.6 cm (8.1 in) wide and 30 cm (11.8 in) deep. Department of Oriental Antiquities; Richelieu; ground floor; room 1b; inv AO 17551; Louvre Museum; Paris
  • Gypsum, schist, shells and lapis lazuli statue of Ebih-Il, early Dynastic; Shakkanakku (military governor) of the ancient city-state of Mari in present day eastern Syria, dating from circa 2340 BC or from the Akkadian period of rule Circa 2250 BC.. The statue carries a cuneiform inscription in Akkadian. Excavated from; the temple of Ishtar at Mari by André Parrot in 1934-1935 the statue measures; 52.5 cm (20.7 in) high; 20.6 cm (8.1 in) wide and 30 cm (11.8 in) deep. Department of Oriental Antiquities; Richelieu; ground floor; room 1b; inv AO 17551; Louvre Museum; Paris
  • Gypsum, schist, shells and lapis lazuli statue of Ebih-Il, early Dynastic; Shakkanakku (military governor) of the ancient city-state of Mari in present day eastern Syria, dating from circa 2340 BC or from the Akkadian period of rule Circa 2250 BC.. The statue carries a cuneiform inscription in Akkadian. Excavated from; the temple of Ishtar at Mari by André Parrot in 1934-1935 the statue measures; 52.5 cm (20.7 in) high; 20.6 cm (8.1 in) wide and 30 cm (11.8 in) deep. Department of Oriental Antiquities; Richelieu; ground floor; room 1b; inv AO 17551; Louvre Museum; Paris
  • Gypsum, schist, shells and lapis lazuli statue of Ebih-Il, early Dynastic; Shakkanakku (military governor) of the ancient city-state of Mari in present day eastern Syria, dating from circa 2340 BC or from the Akkadian period of rule Circa 2250 BC.. The statue carries a cuneiform inscription in Akkadian. Excavated from; the temple of Ishtar at Mari by André Parrot in 1934-1935 the statue measures; 52.5 cm (20.7 in) high; 20.6 cm (8.1 in) wide and 30 cm (11.8 in) deep. Department of Oriental Antiquities; Richelieu; ground floor; room 1b; inv AO 17551; Louvre Museum; Paris
  • Gypsum, schist, shells and lapis lazuli statue of Ebih-Il, early Dynastic; Shakkanakku (military governor) of the ancient city-state of Mari in present day eastern Syria, dating from circa 2340 BC or from the Akkadian period of rule Circa 2250 BC.. The statue carries a cuneiform inscription in Akkadian. Excavated from; the temple of Ishtar at Mari by André Parrot in 1934-1935 the statue measures; 52.5 cm (20.7 in) high; 20.6 cm (8.1 in) wide and 30 cm (11.8 in) deep. Department of Oriental Antiquities; Richelieu; ground floor; room 1b; inv AO 17551; Louvre Museum; Paris
  • Gypsum, schist, shells and lapis lazuli statue of Ebih-Il, early Dynastic; Shakkanakku (military governor) of the ancient city-state of Mari in present day eastern Syria, dating from circa 2340 BC or from the Akkadian period of rule Circa 2250 BC.. The statue carries a cuneiform inscription in Akkadian. Excavated from; the temple of Ishtar at Mari by André Parrot in 1934-1935 the statue measures; 52.5 cm (20.7 in) high; 20.6 cm (8.1 in) wide and 30 cm (11.8 in) deep. Department of Oriental Antiquities; Richelieu; ground floor; room 1b; inv AO 17551; Louvre Museum; Paris
  • Gypsum, schist, shells and lapis lazuli statue of Ebih-Il, early Dynastic; Shakkanakku (military governor) of the ancient city-state of Mari in present day eastern Syria, dating from circa 2340 BC or from the Akkadian period of rule Circa 2250 BC.. The statue carries a cuneiform inscription in Akkadian. Excavated from; the temple of Ishtar at Mari by André Parrot in 1934-1935 the statue measures; 52.5 cm (20.7 in) high; 20.6 cm (8.1 in) wide and 30 cm (11.8 in) deep. Department of Oriental Antiquities; Richelieu; ground floor; room 1b; inv AO 17551; Louvre Museum; Paris
  • Gypsum, schist, shells and lapis lazuli statue of Ebih-Il, early Dynastic; Shakkanakku (military governor) of the ancient city-state of Mari in present day eastern Syria, dating from circa 2340 BC or from the Akkadian period of rule Circa 2250 BC.. The statue carries a cuneiform inscription in Akkadian. Excavated from; the temple of Ishtar at Mari by André Parrot in 1934-1935 the statue measures; 52.5 cm (20.7 in) high; 20.6 cm (8.1 in) wide and 30 cm (11.8 in) deep. Department of Oriental Antiquities; Richelieu; ground floor; room 1b; inv AO 17551; Louvre Museum; Paris
  • Gypsum, schist, shells and lapis lazuli statue of Ebih-Il, early Dynastic; Shakkanakku (military governor) of the ancient city-state of Mari in present day eastern Syria, dating from circa 2340 BC or from the Akkadian period of rule Circa 2250 BC.. The statue carries a cuneiform inscription in Akkadian. Excavated from; the temple of Ishtar at Mari by André Parrot in 1934-1935 the statue measures; 52.5 cm (20.7 in) high; 20.6 cm (8.1 in) wide and 30 cm (11.8 in) deep. Department of Oriental Antiquities; Richelieu; ground floor; room 1b; inv AO 17551; Louvre Museum; Paris
  • Diorite statue of Guidea who ruled Lagash from around 2150 BC. The statue called the "gushing vase" dedicated to the goddess Geshtinanna. From the ancient Sumarian city of Lagash.
  • Diorite statue of Guidea who ruled Lagash from around 2150 BC. The statue called the "gushing vase" dedicated to the goddess Geshtinanna. From the ancient Sumarian city of Lagash.
  • Diorite statue of Guidea who ruled Lagash from around 2150 BC. The statue called the "gushing vase" dedicated to the goddess Geshtinanna. From the ancient Sumarian city of Lagash.
  • Black diorite statue of Guidea who ruled Lagash from around 2150 BC. The statue called the is dedicated to the god Ningishzida. From the ancient Sumarian city of Lagash. Louvre Museum Paris
  • Diorite statue of Guidea who ruled Lagash from around 2150 BC. The statue called the "gushing vase" dedicated to the goddess Geshtinanna. From the ancient Sumarian city of Lagash.
  • Black diorite statue of Guidea who ruled Lagash from around 2150 BC. The statue called the is dedicated to the god Ningishzida. From the ancient Sumarian city of Lagash. Louvre Museum Paris
  • Black diorite statue of Guidea who ruled Lagash from around 2150 BC. The statue called the is dedicated to the god Ningishzida. From the ancient Sumarian city of Lagash. Louvre Museum Paris
  • Black diorite statue of Guidea who ruled Lagash from around 2150 BC. The statue called the is dedicated to the god Ningishzida. From the ancient Sumarian city of Lagash. Louvre Museum Paris
  • Black diorite statue of Guidea who ruled Lagash from around 2150 BC. The statue called the is dedicated to the god Ningishzida. From the ancient Sumarian city of Lagash. Louvre Museum Paris
  • Gypsum, schist, shells and lapis lazuli statue of Ebih-Il, early Dynastic; Shakkanakku (military governor) of the ancient city-state of Mari in present day eastern Syria, dating from circa 2340 BC or from the Akkadian period of rule Circa 2250 BC.. The statue carries a cuneiform inscription in Akkadian. Excavated from; the temple of Ishtar at Mari by André Parrot in 1934-1935 the statue measures; 52.5 cm (20.7 in) high; 20.6 cm (8.1 in) wide and 30 cm (11.8 in) deep. Department of Oriental Antiquities; Richelieu; ground floor; room 1b; inv AO 17551; Louvre Museum; Paris
  • Gypsum, schist, shells and lapis lazuli statue of Ebih-Il, early Dynastic; Shakkanakku (military governor) of the ancient city-state of Mari in present day eastern Syria, dating from circa 2340 BC or from the Akkadian period of rule Circa 2250 BC.. The statue carries a cuneiform inscription in Akkadian. Excavated from; the temple of Ishtar at Mari by André Parrot in 1934-1935 the statue measures; 52.5 cm (20.7 in) high; 20.6 cm (8.1 in) wide and 30 cm (11.8 in) deep. Department of Oriental Antiquities; Richelieu; ground floor; room 1b; inv AO 17551; Louvre Museum; Paris
  • Ancient Egyptian limestone funerary stele of Ipepi with his wife, mother and sister in front of Osiris. Middle Kingdom, 11th Dynasty, 2120-1980 BC. Neues Museum Berlin Cat No: AM 24031.
  • Ancient Egyptian limestone funerary stele of Ipepi with his wife, mother and sister in front of Osiris. Middle Kingdom, 11th Dynasty, 2120-1980 BC. Neues Museum Berlin Cat No: AM 24031.
  • Ancient Egyptian limestone funerary stele of Ipepi with his wife, mother and sister in front of Osiris. Middle Kingdom, 11th Dynasty, 2120-1980 BC. Neues Museum Berlin Cat No: AM 24031.
  • Ancient Egyptian limestone funerary stele of Ipepi with his wife, mother and sister in front of Osiris. Middle Kingdom, 11th Dynasty, 2120-1980 BC. Neues Museum Berlin Cat No: AM 24031.
  • Ancient Egyptian limestone funerary stele of Ipepi with his wife, mother and sister in front of Osiris. Middle Kingdom, 11th Dynasty, 2120-1980 BC. Neues Museum Berlin Cat No: AM 24031.
  • Ancient Greek Archaic statuette of a  kore, found in the Acropolis Athens, 500-490 BC, Athens National Archaeological Museum. Cat no BE 15/2009. Against black<br />
<br />
<br />
The kore statues hair is adorned with a wreath and her ears by round disk earings. Traces of paint can be found on her garments and jewellery. Red paint was found on her hair and eyes. Acropolis Museum Cat no 676, 257
  • Pentelic marble Ancient Greek Archaic statue of a female, found in Pyoan Apollo Sanctuart, Boeotia, end 7th cent BC, Athens National Archaeological Museum. Cat no 4.<br />
<br />
two of these staues suppoted t a perrihanterion, a shallow basin, in the snctuary of Apollo Boeotia. This style originated in Syria na dcCyprus. Sculpted in a Boeotian workshop.
  • Pentelic marble Ancient Greek Archaic statue of a female, found in Pyoan Apollo Sanctuart, Boeotia, end 7th cent BC, Athens National Archaeological Museum. Cat no 4. Against white.<br />
<br />
two of these staues suppoted t a perrihanterion, a shallow basin, in the snctuary of Apollo Boeotia. This style originated in Syria na dcCyprus. Sculpted in a Boeotian workshop.
  • Marble Ancient Greek Archaic statue of a Woman, found on Delos, circa 650 BC, Athens National Archaeological Museum. Cat no 1.  Against grey.<br />
<br />
One of the earlist known monumental statues in stone this statue probably represents Artemis. According to the inscription carved on the left thigh of the statue it was dedicated to Apollo ny Naxian Nikandre. Typical Daedalic style from a Delos workshop.
  • Parian marble Ancient Greek Archaic statue of a kore by Ariston of Paros, found in Merenda, Attica, Circa 540-530 BC, Athens National Archaeological Museum. Cat no 4889. Against white.<br />
<br />
This funerary statue was found in the same pit as Phrasikleia cat no 4890. The expression on the face and the rendering of the garment that follows the curves of the body underneath are remarkable. The chiton retains in many places its painted decoration with rosettes, swastikas, stars and meanders. This Kore is an extraordinary statue and is one of the most inportant of the Archaic Period. Mad by sculptor Ariston from Paros
  • Parian marble Ancient Greek Archaic statue of a kore by Ariston of Paros, found in Merenda, Attica, Circa 540-530 BC, Athens National Archaeological Museum. Cat no 4889.<br />
<br />
This funerary statue was found in the same pit as Phrasikleia cat no 4890. The expression on the face and the rendering of the garment that follows the curves of the body underneath are remarkable. The chiton retains in many places its painted decoration with rosettes, swastikas, stars and meanders. This Kore is an extraordinary statue and is one of the most inportant of the Archaic Period. Mad by sculptor Ariston from Paros
  • Marble Ancient Archaic Greek statuette of a Kore, from Aleusis, C. 490-480 BC, Athens National Archaeological Museum. Cat No 24.  Against grey.
  • Ancient Greek Archaic statuette of a  kore, found in the Acropolis Athens, 500-490 BC, Athens National Archaeological Museum. Cat no BE 15/2009.  Against grey.<br />
<br />
The kore statues hair is adorned with a wreath and her ears by round disk earings. Traces of paint can be found on her garments and jewellery. Red paint was found on her hair and eyes. Acropolis Museum Cat no 676, 257
  • Ancient Greek Archaic statuette of a  kore, found in the Acropolis Athens, 500-490 BC, Athens National Archaeological Museum. Cat no BE 15/2009.<br />
<br />
The kore statues hair is adorned with a wreath and her ears by round disk earings. Traces of paint can be found on her garments and jewellery. Red paint was found on her hair and eyes. Acropolis Museum Cat no 676, 257
  • Pentelic marble Ancient Greek Archaic statue of a female, found in Pyoan Apollo Sanctuart, Boeotia, end 7th cent BC, Athens National Archaeological Museum. Cat no 4. Against white.<br />
<br />
two of these staues suppoted t a perrihanterion, a shallow basin, in the snctuary of Apollo Boeotia. This style originated in Syria na dcCyprus. Sculpted in a Boeotian workshop.
  • Pentelic marble Ancient Greek Archaic statue of a female, found in Pyoan Apollo Sanctuart, Boeotia, end 7th cent BC, Athens National Archaeological Museum. Cat no 4. Against grey.<br />
<br />
two of these staues suppoted t a perrihanterion, a shallow basin, in the snctuary of Apollo Boeotia. This style originated in Syria na dcCyprus. Sculpted in a Boeotian workshop.
  • Pentelic marble Ancient Greek Archaic statue of a female, found in Pyoan Apollo Sanctuart, Boeotia, end 7th cent BC, Athens National Archaeological Museum. Cat no 4. Against white.<br />
<br />
two of these staues suppoted t a perrihanterion, a shallow basin, in the snctuary of Apollo Boeotia. This style originated in Syria na dcCyprus. Sculpted in a Boeotian workshop.
  • Pentelic marble Ancient Greek Archaic statue of a female, found in Pyoan Apollo Sanctuart, Boeotia, end 7th cent BC, Athens National Archaeological Museum. Cat no 4. Against black<br />
<br />
two of these staues suppoted t a perrihanterion, a shallow basin, in the snctuary of Apollo Boeotia. This style originated in Syria na dcCyprus. Sculpted in a Boeotian workshop.
  • Pentelic marble Ancient Greek Archaic statue of a female, found in Pyoan Apollo Sanctuart, Boeotia, end 7th cent BC, Athens National Archaeological Museum. Cat no 4. Against grey.<br />
<br />
two of these staues suppoted t a perrihanterion, a shallow basin, in the snctuary of Apollo Boeotia. This style originated in Syria na dcCyprus. Sculpted in a Boeotian workshop.
  • Pentelic marble Ancient Greek Archaic statue of a female, found in Pyoan Apollo Sanctuart, Boeotia, end 7th cent BC, Athens National Archaeological Museum. Cat no 4.  Against grey.<br />
<br />
two of these staues suppoted t a perrihanterion, a shallow basin, in the snctuary of Apollo Boeotia. This style originated in Syria na dcCyprus. Sculpted in a Boeotian workshop.
  • Marble Ancient Greek Archaic statue of a Woman, found on Delos, circa 650 BC, Athens National Archaeological Museum. Cat no 1. Against black<br />
<br />
One of the earlist known monumental statues in stone this statue probably represents Artemis. According to the inscription carved on the left thigh of the statue it was dedicated to Apollo ny Naxian Nikandre. Typical Daedalic style from a Delos workshop.
  • Parian marble Ancient Greek Archaic statue of a kore by Ariston of Paros, found in Merenda, Attica, Circa 540-530 BC, Athens National Archaeological Museum. Cat no 4889.<br />
<br />
This funerary statue was found in the same pit as Phrasikleia cat no 4890. The expression on the face and the rendering of the garment that follows the curves of the body underneath are remarkable. The chiton retains in many places its painted decoration with rosettes, swastikas, stars and meanders. This Kore is an extraordinary statue and is one of the most inportant of the Archaic Period. Mad by sculptor Ariston from Paros
  • Parian marble Ancient Greek Archaic statue of a kore by Ariston of Paros, found in Merenda, Attica, Circa 540-530 BC, Athens National Archaeological Museum. Cat no 4889. Against grey.<br />
<br />
This funerary statue was found in the same pit as Phrasikleia cat no 4890. The expression on the face and the rendering of the garment that follows the curves of the body underneath are remarkable. The chiton retains in many places its painted decoration with rosettes, swastikas, stars and meanders. This Kore is an extraordinary statue and is one of the most inportant of the Archaic Period. Mad by sculptor Ariston from Paros
  • Marble Ancient Archaic Greek statuette of a Kore, from Aleusis, C. 490-480 BC, Athens National Archaeological Museum. Cat No 24
  • Marble Ancient Archaic Greek statuette of a Kore, from Aleusis, C. 490-480 BC, Athens National Archaeological Museum. Cat No 24.  Against grey.
  • Bronze archaic ancient Greek statue of Poseidon, found in the ancient port of Plataiai, Gulf of Livadostra, Athens National Archaeological Museum. Cat No X11761. Against black<br />
<br />
In this bronze statue of the god Poseidon he would have held a trident in his right hand and probably a dolphin with his left. The statues eyes are made of inlaid material.
  • Bronze archaic ancient Greek statue of Poseidon, found in the ancient port of Plataiai, Gulf of Livadostra, Athens National Archaeological Museum. Cat No X11761.<br />
<br />
In this bronze statue of the god Poseidon he would have held a trident in his right hand and probably a dolphin with his left. The statues eyes are made of inlaid material.
  • Ancient Egyptian quartz statue head of princess from Amarna. 18th Dynasty Ancient Egypt, 1345 BC . Neues Museum Berlin Cat No: AM 21223.
  • Ancient Egyptian quartz statue head of princess from Amarna. 18th Dynasty Ancient Egypt, 1345 BC . Neues Museum Berlin Cat No: AM 21223.
  • Quartz ancient Egyptian relief sculpture of Queen Tiy from the funerary temple of Amenohis III, West Thebes. 18th Dynasty Ancient Egypt, 1375 BC . Neues Museum Berlin Cat No: AM 23270.
  • Quartz ancient Egyptian relief sculpture of Queen Tiy from the funerary temple of Amenohis III, West Thebes. 18th Dynasty Ancient Egypt, 1375 BC . Neues Museum Berlin Cat No: AM 23270.
  • Ancient Egyptian quartz statue head of prince Khaemwase, son of Pharaoh  Rameses II. 19th Dynasty Ancient Egypt, 1260 BC . Neues Museum Berlin Cat No: AM 13460.
  • Ancient Egyptian quartz statue head of princess from Amarna. 18th Dynasty Ancient Egypt, 1345 BC . Neues Museum Berlin Cat No: AM 21223.
  • Ancient Egyptian statue head of Queen Hatshepsut or King Thutmose III. Ancient Egypt 18th Dynaty, 1460-1450 BC. Neues Museum Berlin Cat No: AM 34431.
  • Ancient Greek Archaic statuette of a  kore, found in the Acropolis Athens, 490 BC, Athens National Archaeological Museum. Cat no BE 16/2009.  Against grey.<br />
<br />
The kore statues hair is adorned with a wreath and her ears by round disk earings. Traces of paint can be found on her garments and jewellery. Red paint was found on her hair and eyes, Acropolis Museum Cat no 687
  • Ancient Greek Archaic statuette of a  kore, found in the Acropolis Athens, 490 BC, Athens National Archaeological Museum. Cat no BE 16/2009.<br />
<br />
The kore statues hair is adorned with a wreath and her ears by round disk earings. Traces of paint can be found on her garments and jewellery. Red paint was found on her hair and eyes, Acropolis Museum Cat no 687
  • Ancient Greek Archaic statuette of a  kore, found in the Acropolis Athens, 490 BC, Athens National Archaeological Museum. Cat no BE 16/2009.  Against grey.<br />
<br />
The kore statues hair is adorned with a wreath and her ears by round disk earings. Traces of paint can be found on her garments and jewellery. Red paint was found on her hair and eyes, Acropolis Museum Cat no 687
  • Pentelic marble Ancient Greek Archaic statue of a female, found in Pyoan Apollo Sanctuart, Boeotia, end 7th cent BC, Athens National Archaeological Museum. Cat no 4. Against grey.<br />
<br />
two of these staues suppoted t a perrihanterion, a shallow basin, in the snctuary of Apollo Boeotia. This style originated in Syria na dcCyprus. Sculpted in a Boeotian workshop.
  • Pentelic marble Ancient Greek Archaic statue of a female, found in Pyoan Apollo Sanctuart, Boeotia, end 7th cent BC, Athens National Archaeological Museum. Cat no 4. Against grey.<br />
<br />
two of these staues suppoted t a perrihanterion, a shallow basin, in the snctuary of Apollo Boeotia. This style originated in Syria na dcCyprus. Sculpted in a Boeotian workshop.
  • Pentelic marble Ancient Greek Archaic statue of a female, found in Pyoan Apollo Sanctuart, Boeotia, end 7th cent BC, Athens National Archaeological Museum. Cat no 4.<br />
<br />
two of these staues suppoted t a perrihanterion, a shallow basin, in the snctuary of Apollo Boeotia. This style originated in Syria na dcCyprus. Sculpted in a Boeotian workshop.
  • Pentelic marble Ancient Greek Archaic statue of a female, found in Pyoan Apollo Sanctuart, Boeotia, end 7th cent BC, Athens National Archaeological Museum. Cat no 4. Against black<br />
<br />
two of these staues suppoted t a perrihanterion, a shallow basin, in the snctuary of Apollo Boeotia. This style originated in Syria na dcCyprus. Sculpted in a Boeotian workshop.
  • Pentelic marble Ancient Greek Archaic statue of a female, found in Pyoan Apollo Sanctuart, Boeotia, end 7th cent BC, Athens National Archaeological Museum. Cat no 4.  Against grey.<br />
<br />
two of these staues suppoted t a perrihanterion, a shallow basin, in the snctuary of Apollo Boeotia. This style originated in Syria na dcCyprus. Sculpted in a Boeotian workshop.
  • Pentelic marble Ancient Greek Archaic statue of a female, found in Pyoan Apollo Sanctuart, Boeotia, end 7th cent BC, Athens National Archaeological Museum. Cat no 4.<br />
<br />
two of these staues suppoted t a perrihanterion, a shallow basin, in the snctuary of Apollo Boeotia. This style originated in Syria na dcCyprus. Sculpted in a Boeotian workshop.
  • Marble Ancient Greek Archaic statue of a Woman, found on Delos, circa 650 BC, Athens National Archaeological Museum. Cat no 1. Against white.<br />
<br />
One of the earlist known monumental statues in stone this statue probably represents Artemis. According to the inscription carved on the left thigh of the statue it was dedicated to Apollo ny Naxian Nikandre. Typical Daedalic style from a Delos workshop.
  • Marble Ancient Greek Archaic statue of a Woman, found on Delos, circa 650 BC, Athens National Archaeological Museum. Cat no 1.  Against grey.<br />
<br />
One of the earlist known monumental statues in stone this statue probably represents Artemis. According to the inscription carved on the left thigh of the statue it was dedicated to Apollo ny Naxian Nikandre. Typical Daedalic style from a Delos workshop.
  • Marble Ancient Greek Archaic statue of a Woman, found on Delos, circa 650 BC, Athens National Archaeological Museum. Cat no 1.<br />
<br />
One of the earlist known monumental statues in stone this statue probably represents Artemis. According to the inscription carved on the left thigh of the statue it was dedicated to Apollo ny Naxian Nikandre. Typical Daedalic style from a Delos workshop.
  • Naxian marble Ancient Greek Archaic statue of a kouros, found on Thera, circa 590-570 BC BC, Athens National Archaeological Museum. Cat no 8.<br />
<br />
This statue is typical of a Thera island workshop
  • Parian marble Ancient Greek Archaic statue of a Sphnix from Spata, Attica. Circa 540 BC , Athens National Archaeological Museum. Cat no 76.  Against grey.<br />
<br />
Once a grave stele
  • Parian marble Ancient Greek Archaic statue of a Sphnix from Spata, Attica. Circa 540 BC , Athens National Archaeological Museum. Cat no 76.  Against grey.<br />
<br />
Once a grave stele
  • Pentelic marble Ancient Greek Archaic statue of a Sphnix from Spata, Attica. Circa 570 BC , Athens National Archaeological Museum. Cat no 28. Against black<br />
<br />
One of the earliest known Archaic Sphinx statues once a grave stele
  • Pentelic marble Ancient Greek Archaic statue of a Sphnix from Spata, Attica. Circa 570 BC , Athens National Archaeological Museum. Cat no 28. Against grey.<br />
<br />
One of the earliest known Archaic Sphinx statues once a grave stele
  • Parian marble Ancient Greek Archaic statue of a kore by Ariston of Paros, found in Merenda, Attica, Circa 540-530 BC, Athens National Archaeological Museum. Cat no 4889. Against grey.<br />
<br />
This funerary statue was found in the same pit as Phrasikleia cat no 4890. The expression on the face and the rendering of the garment that follows the curves of the body underneath are remarkable. The chiton retains in many places its painted decoration with rosettes, swastikas, stars and meanders. This Kore is an extraordinary statue and is one of the most inportant of the Archaic Period. Mad by sculptor Ariston from Paros
  • Parian marble Ancient Greek Archaic statue of a kore by Ariston of Paros, found in Merenda, Attica, Circa 540-530 BC, Athens National Archaeological Museum. Cat no 4889.<br />
<br />
This funerary statue was found in the same pit as Phrasikleia cat no 4890. The expression on the face and the rendering of the garment that follows the curves of the body underneath are remarkable. The chiton retains in many places its painted decoration with rosettes, swastikas, stars and meanders. This Kore is an extraordinary statue and is one of the most inportant of the Archaic Period. Mad by sculptor Ariston from Paros
  • Parian marble Ancient Greek Archaic statue of a kore by Ariston of Paros, found in Merenda, Attica, Circa 540-530 BC, Athens National Archaeological Museum. Cat no 4889. Against grey.<br />
<br />
This funerary statue was found in the same pit as Phrasikleia cat no 4890. The expression on the face and the rendering of the garment that follows the curves of the body underneath are remarkable. The chiton retains in many places its painted decoration with rosettes, swastikas, stars and meanders. This Kore is an extraordinary statue and is one of the most inportant of the Archaic Period. Mad by sculptor Ariston from Paros
  • Parian marble Ancient Greek Archaic statue of a kore by Ariston of Paros, found in Merenda, Attica, Circa 540-530 BC, Athens National Archaeological Museum. Cat no 4889. Against black<br />
<br />
This funerary statue was found in the same pit as Phrasikleia cat no 4890. The expression on the face and the rendering of the garment that follows the curves of the body underneath are remarkable. The chiton retains in many places its painted decoration with rosettes, swastikas, stars and meanders. This Kore is an extraordinary statue and is one of the most inportant of the Archaic Period. Mad by sculptor Ariston from Paros
  • Parian marble Ancient Greek Archaic statue of a kore by Ariston of Paros, found in Merenda, Attica, Circa 540-530 BC, Athens National Archaeological Museum. Cat no 4889. Against white.<br />
<br />
This funerary statue was found in the same pit as Phrasikleia cat no 4890. The expression on the face and the rendering of the garment that follows the curves of the body underneath are remarkable. The chiton retains in many places its painted decoration with rosettes, swastikas, stars and meanders. This Kore is an extraordinary statue and is one of the most inportant of the Archaic Period. Mad by sculptor Ariston from Paros
  • Parian marble Ancient Greek Archaic statue of a kore by Ariston of Paros, found in Merenda, Attica, Circa 540-530 BC, Athens National Archaeological Museum. Cat no 4889. Against grey.<br />
<br />
This funerary statue was found in the same pit as Phrasikleia cat no 4890. The expression on the face and the rendering of the garment that follows the curves of the body underneath are remarkable. The chiton retains in many places its painted decoration with rosettes, swastikas, stars and meanders. This Kore is an extraordinary statue and is one of the most inportant of the Archaic Period. Mad by sculptor Ariston from Paros
  • Parian marble Ancient Greek Archaic statue of a kore by Ariston of Paros, found in Merenda, Attica, Circa 540-530 BC, Athens National Archaeological Museum. Cat no 4889. Against grey.<br />
<br />
This funerary statue was found in the same pit as Phrasikleia cat no 4890. The expression on the face and the rendering of the garment that follows the curves of the body underneath are remarkable. The chiton retains in many places its painted decoration with rosettes, swastikas, stars and meanders. This Kore is an extraordinary statue and is one of the most inportant of the Archaic Period. Mad by sculptor Ariston from Paros
  • Parian marble Ancient Greek Archaic statue of a kore by Ariston of Paros, found in Merenda, Attica, Circa 540-530 BC, Athens National Archaeological Museum. Cat no 4889. Against white.<br />
<br />
This funerary statue was found in the same pit as Phrasikleia cat no 4890. The expression on the face and the rendering of the garment that follows the curves of the body underneath are remarkable. The chiton retains in many places its painted decoration with rosettes, swastikas, stars and meanders. This Kore is an extraordinary statue and is one of the most inportant of the Archaic Period. Mad by sculptor Ariston from Paros
  • Parian marble Ancient Greek Archaic statue of a kore by Ariston of Paros, found in Merenda, Attica, Circa 540-530 BC, Athens National Archaeological Museum. Cat no 4889.<br />
<br />
This funerary statue was found in the same pit as Phrasikleia cat no 4890. The expression on the face and the rendering of the garment that follows the curves of the body underneath are remarkable. The chiton retains in many places its painted decoration with rosettes, swastikas, stars and meanders. This Kore is an extraordinary statue and is one of the most inportant of the Archaic Period. Mad by sculptor Ariston from Paros
  • Parian marble Ancient Greek Archaic statue of a kore by Ariston of Paros, found in Merenda, Attica, Circa 540-530 BC, Athens National Archaeological Museum. Cat no 4889. Against grey.<br />
<br />
This funerary statue was found in the same pit as Phrasikleia cat no 4890. The expression on the face and the rendering of the garment that follows the curves of the body underneath are remarkable. The chiton retains in many places its painted decoration with rosettes, swastikas, stars and meanders. This Kore is an extraordinary statue and is one of the most inportant of the Archaic Period. Mad by sculptor Ariston from Paros
  • Parian marble Ancient Greek Archaic statue of a kore by Ariston of Paros, found in Merenda, Attica, Circa 540-530 BC, Athens National Archaeological Museum. Cat no 4889. Against black<br />
<br />
This funerary statue was found in the same pit as Phrasikleia cat no 4890. The expression on the face and the rendering of the garment that follows the curves of the body underneath are remarkable. The chiton retains in many places its painted decoration with rosettes, swastikas, stars and meanders. This Kore is an extraordinary statue and is one of the most inportant of the Archaic Period. Mad by sculptor Ariston from Paros
  • Parian marble Ancient Greek Archaic statue of a kore by Ariston of Paros, found in Merenda, Attica, Circa 540-530 BC, Athens National Archaeological Museum. Cat no 4889. Against white.<br />
<br />
This funerary statue was found in the same pit as Phrasikleia cat no 4890. The expression on the face and the rendering of the garment that follows the curves of the body underneath are remarkable. The chiton retains in many places its painted decoration with rosettes, swastikas, stars and meanders. This Kore is an extraordinary statue and is one of the most inportant of the Archaic Period. Mad by sculptor Ariston from Paros
  • Parian marble Ancient Greek Archaic statue of a kore by Ariston of Paros, found in Merenda, Attica, Circa 540-530 BC, Athens National Archaeological Museum. Cat no 4889.<br />
<br />
This funerary statue was found in the same pit as Phrasikleia cat no 4890. The expression on the face and the rendering of the garment that follows the curves of the body underneath are remarkable. The chiton retains in many places its painted decoration with rosettes, swastikas, stars and meanders. This Kore is an extraordinary statue and is one of the most inportant of the Archaic Period. Mad by sculptor Ariston from Paros
  • Marble Ancient Archaic Greek statuette of a Kore, from Aleusis, C. 490-480 BC, Athens National Archaeological Museum. Cat No 24.  Against white.
  • Marble Ancient Archaic Greek statuette of a Kore, from Aleusis, C. 490-480 BC, Athens National Archaeological Museum. Cat No 24.  Against black
  • Bronze archaic ancient Greek statue of Poseidon, found in the ancient port of Plataiai, Gulf of Livadostra, Athens National Archaeological Museum. Cat No X11761. Against white.<br />
<br />
In this bronze statue of the god Poseidon he would have held a trident in his right hand and probably a dolphin with his left. The statues eyes are made of inlaid material.
  • Bronze archaic ancient Greek statue of Poseidon, found in the ancient port of Plataiai, Gulf of Livadostra, Athens National Archaeological Museum. Cat No X11761. Against grey.<br />
<br />
In this bronze statue of the god Poseidon he would have held a trident in his right hand and probably a dolphin with his left. The statues eyes are made of inlaid material.
  • Bronze archaic ancient Greek statue of Poseidon, found in the ancient port of Plataiai, Gulf of Livadostra, Athens National Archaeological Museum. Cat No X11761. Against grey.<br />
<br />
In this bronze statue of the god Poseidon he would have held a trident in his right hand and probably a dolphin with his left. The statues eyes are made of inlaid material.
  • Quartz ancient Egyptian relief sculpture of Queen Tiy from the funerary temple of Amenohis III, West Thebes. 18th Dynasty Ancient Egypt, 1375 BC . Neues Museum Berlin Cat No: AM 23270.
  • Quartz ancient Egyptian relief sculpture of Queen Tiy from the funerary temple of Amenohis III, West Thebes. 18th Dynasty Ancient Egypt, 1375 BC . Neues Museum Berlin Cat No: AM 23270.
  • Ancient Egyptian quartz statue head of princess from Amarna. 18th Dynasty Ancient Egypt, 1345 BC . Neues Museum Berlin Cat No: AM 21223.
  • Ancient Greek Archaic statuette of a  kore, found in the Acropolis Athens, 490 BC, Athens National Archaeological Museum. Cat no BE 16/2009. Against white.<br />
<br />
The kore statues hair is adorned with a wreath and her ears by round disk earings. Traces of paint can be found on her garments and jewellery. Red paint was found on her hair and eyes, Acropolis Museum Cat no 687
  • Ancient Greek Archaic statuette of a  kore, found in the Acropolis Athens, 490 BC, Athens National Archaeological Museum. Cat no BE 16/2009. Against black<br />
<br />
The kore statues hair is adorned with a wreath and her ears by round disk earings. Traces of paint can be found on her garments and jewellery. Red paint was found on her hair and eyes, Acropolis Museum Cat no 687
  • Ancient Greek Archaic statuette of a  kore, found in the Acropolis Athens, 500-490 BC, Athens National Archaeological Museum. Cat no BE 15/2009. Against white.<br />
<br />
The kore statues hair is adorned with a wreath and her ears by round disk earings. Traces of paint can be found on her garments and jewellery. Red paint was found on her hair and eyes. Acropolis Museum Cat no 676, 257
  • Ancient Greek Archaic statuette of a  kore, found in the Acropolis Athens, 500-490 BC, Athens National Archaeological Museum. Cat no BE 15/2009.  Against grey.<br />
<br />
The kore statues hair is adorned with a wreath and her ears by round disk earings. Traces of paint can be found on her garments and jewellery. Red paint was found on her hair and eyes. Acropolis Museum Cat no 676, 257
  • Pentelic marble Ancient Greek Archaic statue of a female, found in Pyoan Apollo Sanctuart, Boeotia, end 7th cent BC, Athens National Archaeological Museum. Cat no 4. Against black<br />
<br />
two of these staues suppoted t a perrihanterion, a shallow basin, in the snctuary of Apollo Boeotia. This style originated in Syria na dcCyprus. Sculpted in a Boeotian workshop.
  • Naxian marble Ancient Greek Archaic statue of a kouros, found on Thera, circa 590-570 BC BC, Athens National Archaeological Museum. Cat no 8. Against white.<br />
<br />
<br />
This statue is typical of a Thera island workshop
  • Naxian marble Ancient Greek Archaic statue of a kouros, found on Thera, circa 590-570 BC BC, Athens National Archaeological Museum. Cat no 8. Against black<br />
<br />
This statue is typical of a Thera island workshop
  • Naxian marble Ancient Greek Archaic statue of a kouros, found on Thera, circa 590-570 BC BC, Athens National Archaeological Museum. Cat no 8.  Against grey.<br />
<br />
This statue is typical of a Thera island workshop
  • Naxian marble Ancient Greek Archaic statue of a kouros, found on Thera, circa 590-570 BC BC, Athens National Archaeological Museum. Cat no 8.  Against grey.<br />
<br />
This statue is typical of a Thera island workshop
  • parianmarble Ancient Greek Archaic statue of a Nike by Archermos of Chios, found ion Delos, circa 550 BC, Athens National Archaeological Museum. Cat no 21. Against white.<br />
<br />
This is the earlist known free standing statue of the goddess Nike, possibly the work of sculptor Archermos of Chios.
  • parianmarble Ancient Greek Archaic statue of a Nike by Archermos of Chios, found ion Delos, circa 550 BC, Athens National Archaeological Museum. Cat no 21. Against black<br />
<br />
This is the earlist known free standing statue of the goddess Nike, possibly the work of sculptor Archermos of Chios.
  • parianmarble Ancient Greek Archaic statue of a Nike by Archermos of Chios, found ion Delos, circa 550 BC, Athens National Archaeological Museum. Cat no 21.  Against grey.<br />
<br />
This is the earlist known free standing statue of the goddess Nike, possibly the work of sculptor Archermos of Chios.
  • parianmarble Ancient Greek Archaic statue of a Nike by Archermos of Chios, found ion Delos, circa 550 BC, Athens National Archaeological Museum. Cat no 21.  Against grey.<br />
<br />
This is the earlist known free standing statue of the goddess Nike, possibly the work of sculptor Archermos of Chios.
  • Parian marble Ancient Greek Archaic statue of a Sphnix from Spata, Attica. Circa 540 BC , Athens National Archaeological Museum. Cat no 76. Against black<br />
<br />
Once a grave stele
  • Parian marble Ancient Greek Archaic statue of a Sphnix from Spata, Attica. Circa 540 BC , Athens National Archaeological Museum. Cat no 76.<br />
<br />
Once a grave stele
  • Pentelic marble Ancient Greek Archaic statue of a Sphnix from Spata, Attica. Circa 570 BC , Athens National Archaeological Museum. Cat no 28. Against white.<br />
<br />
One of the earliest known Archaic Sphinx statues once a grave stele
  • Pentelic marble Ancient Greek Archaic statue of a Sphnix from Spata, Attica. Circa 570 BC , Athens National Archaeological Museum. Cat no 28.<br />
<br />
One of the earliest known Archaic Sphinx statues once a grave stele
  • Pentelic marble Ancient Greek Archaic statue of a Sphnix from Spata, Attica. Circa 570 BC , Athens National Archaeological Museum. Cat no 28. Against grey.<br />
<br />
One of the earliest known Archaic Sphinx statues once a grave stele
  • Parian marble Ancient Greek Archaic statue of a kore by Ariston of Paros, found in Merenda, Attica, Circa 540-530 BC, Athens National Archaeological Museum. Cat no 4889. Against black<br />
<br />
This funerary statue was found in the same pit as Phrasikleia cat no 4890. The expression on the face and the rendering of the garment that follows the curves of the body underneath are remarkable. The chiton retains in many places its painted decoration with rosettes, swastikas, stars and meanders. This Kore is an extraordinary statue and is one of the most inportant of the Archaic Period. Mad by sculptor Ariston from Paros
  • Parian marble Ancient Greek Archaic statue of a kore by Ariston of Paros, found in Merenda, Attica, Circa 540-530 BC, Athens National Archaeological Museum. Cat no 4889. Against grey.<br />
<br />
This funerary statue was found in the same pit as Phrasikleia cat no 4890. The expression on the face and the rendering of the garment that follows the curves of the body underneath are remarkable. The chiton retains in many places its painted decoration with rosettes, swastikas, stars and meanders. This Kore is an extraordinary statue and is one of the most inportant of the Archaic Period. Mad by sculptor Ariston from Paros
  • Parian marble Ancient Greek Archaic statue of a kore by Ariston of Paros, found in Merenda, Attica, Circa 540-530 BC, Athens National Archaeological Museum. Cat no 4889. Against grey.<br />
<br />
This funerary statue was found in the same pit as Phrasikleia cat no 4890. The expression on the face and the rendering of the garment that follows the curves of the body underneath are remarkable. The chiton retains in many places its painted decoration with rosettes, swastikas, stars and meanders. This Kore is an extraordinary statue and is one of the most inportant of the Archaic Period. Mad by sculptor Ariston from Paros
  • Ancient Egyptian quartz statue head of princess from Amarna. 18th Dynasty Ancient Egypt, 1345 BC . Neues Museum Berlin Cat No: AM 21223.
  • Ancient Egyptian quartz statue head of princess from Amarna. 18th Dynasty Ancient Egypt, 1345 BC . Neues Museum Berlin Cat No: AM 21223.
  • Quartz ancient Egyptian relief sculpture of Queen Tiy from the funerary temple of Amenohis III, West Thebes. 18th Dynasty Ancient Egypt, 1375 BC . Neues Museum Berlin Cat No: AM 23270.
  • Ancient Egyptian relief study of a foot. 18th Dynasty 1345 BC . Neues Museum Berlin AM 20672.
  • Ancient Egyptian relief portrait of King Akhenaten from Amarna. 18th Dynasty 1340 BC . Neues Museum Berlin Cat No: AM 14512.
  • Ancient Egyptian quartz statue head of prince Khaemwase, son of Pharaoh  Rameses II. 19th Dynasty Ancient Egypt, 1260 BC . Neues Museum Berlin Cat No: AM 13460.
  • Ancient Egyptian granite statue of Sobekhotep V kneeling with ointment vessels. Egypt 13-14 Dynastie (1750-1700 BC) Berlin Neues Museum Cat No: AM 10645
  • Ancient Ptolemaic Egyptian basalt statue of Ptolemy III, 220 BC . Neues Museum Berlin. Cat No: 14764
  • Ancient Egyptian voitive stele of Takasu for the Gods Harmakhis and Atun from Thebes. Ancient Egypt 25/26 Dynaty, 630 BC. Neues Museum Berlin Cat No: AM 935.
  • Ancient Egyptian bronze statue of Meres-Amun. Ancient Egypt 22nd Dynaty, 850 BC. Neues Museum Berlin Cat No: AM 32321.
  • Ancient Egyptian granite block statue of the steward Haruafrom Thebes. 26th Dynasty 500 BC. Neues Museum Berlin AM 8163.
  • Ancient Egyptian granite block statue of the steward Haruafrom Thebes. 26th Dynasty 500 BC. Neues Museum Berlin AM 8163.
  • Ancient Egyptian granite block statue of the steward Haruafrom Thebes. 26th Dynasty 500 BC. Neues Museum Berlin AM 8163.
  • Ancient Egyptian quartz statue head of princess from Amarna. 18th Dynasty Ancient Egypt, 1345 BC . Neues Museum Berlin Cat No: AM 21223.
  • Ancient Egyptian quartz statue head of princess from Amarna. 18th Dynasty Ancient Egypt, 1345 BC . Neues Museum Berlin Cat No: AM 21223.
  • Ancient Egyptian statue head of Queen Hatshepsut or King Thutmose III. Ancient Egypt 18th Dynaty, 1460-1450 BC. Neues Museum Berlin Cat No: AM 34431.
  • Ancient Egyptian statue head of Queen Hatshepsut or King Thutmose III. Ancient Egypt 18th Dynaty, 1460-1450 BC. Neues Museum Berlin Cat No: AM 34431.
  • Ancient Egyptian statue head of Queen Hatshepsut or King Thutmose III. Ancient Egypt 18th Dynaty, 1460-1450 BC. Neues Museum Berlin Cat No: AM 34431.
  • Naxian marble Ancient Greek Archaic statue of a kouros, found in Sounion, circa 600 BC, Athens National Archaeological Museum. Cat no 2720. Against white.<br />
<br />
The stature is a voitive offering to Poseidon and stood before his temple. Its over lifesize scale is striking and testifies to the tendency of early Archaic sculptirs to create impressive colossal statues
  • Naxian marble Ancient Greek Archaic statue of a kouros, found in Sounion, circa 600 BC, Athens National Archaeological Museum. Cat no 2720. Against black<br />
<br />
The stature is a voitive offering to Poseidon and stood before his temple. Its over lifesize scale is striking and testifies to the tendency of early Archaic sculptirs to create impressive colossal statues
  • Naxian marble Ancient Greek Archaic statue of a kouros, found in Sounion, circa 600 BC, Athens National Archaeological Museum. Cat no 2720.  Against grey.<br />
<br />
The stature is a voitive offering to Poseidon and stood before his temple. Its over lifesize scale is striking and testifies to the tendency of early Archaic sculptirs to create impressive colossal statues
  • Naxian marble Ancient Greek Archaic statue of a kouros, found in Sounion, circa 600 BC, Athens National Archaeological Museum. Cat no 2720.<br />
<br />
The stature is a voitive offering to Poseidon and stood before his temple. Its over lifesize scale is striking and testifies to the tendency of early Archaic sculptirs to create impressive colossal statues
  • Naxian marble Ancient Greek Archaic statue of a kouros, found in Sounion, circa 600 BC, Athens National Archaeological Museum. Cat no 2720.  Against grey.<br />
<br />
The stature is a voitive offering to Poseidon and stood before his temple. Its over lifesize scale is striking and testifies to the tendency of early Archaic sculptirs to create impressive colossal statues
  • parianmarble Ancient Greek Archaic statue of a Nike by Archermos of Chios, found ion Delos, circa 550 BC, Athens National Archaeological Museum. Cat no 21.<br />
<br />
This is the earlist known free standing statue of the goddess Nike, possibly the work of sculptor Archermos of Chios.
  • Ancient Egyptian relief portrait fragment of King Akhenaten from Amarna. 18th Dynasty 1345 BC . Neues Museum Berlin 1985.328.3: Gift from New York Metropolitan Museum, Norbert Schimmel.
  • Ancient Egyptian relief portrait fragment of King Akhenaten from Amarna. 18th Dynasty 1345 BC . Neues Museum Berlin 1985.328.3: Gift from New York Metropolitan Museum, Norbert Schimmel.
  • Ancient Egyptian relief portrait fragment of King Akhenaten from Amarna. 18th Dynasty 1345 BC . Neues Museum Berlin 1985.328.3: Gift from New York Metropolitan Museum, Norbert Schimmel.
  • Ancient Egyptian relief portrait fragment of King Akhenaten from Amarna. 18th Dynasty 1345 BC . Neues Museum Berlin 1985.328.3: Gift from New York Metropolitan Museum, Norbert Schimmel.
  • Ancient Egyptian quartz statue head of princess from Amarna. 18th Dynasty Ancient Egypt, 1345 BC . Neues Museum Berlin Cat No: AM 21223.
  • Ancient Egyptian house altar relief sculpture of Akhenaten, Nefrertiti and their three daughters. 18th Dynasty 1345 BC . Neues Museum Berlin AM 14145.
  • Ancient Egyptian house altar relief sculpture of Akhenaten, Nefrertiti and their three daughters. 18th Dynasty 1345 BC . Neues Museum Berlin AM 14145.
  • Ancient Egyptian house altar relief sculpture of Akhenaten, Nefrertiti and their three daughters. 18th Dynasty 1345 BC . Neues Museum Berlin AM 14145.
  • Ancient Egyptian house altar relief sculpture of Akhenaten, Nefrertiti and their three daughters. 18th Dynasty 1345 BC . Neues Museum Berlin AM 14145.
  • Ancient Egyptian house altar relief sculpture of Akhenaten, Nefrertiti and their three daughters. 18th Dynasty 1345 BC . Neues Museum Berlin AM 14145.
  • Ancient Egyptian relief study of a foot. 18th Dynasty 1345 BC . Neues Museum Berlin AM 20672.
  • Ancient Egyptian relief study of a foot. 18th Dynasty 1345 BC . Neues Museum Berlin AM 20672.
  • Ancient Egyptian relief study of a foot. 18th Dynasty 1345 BC . Neues Museum Berlin AM 20672.
  • Ancient Egyptian tomb relief sculpture of King Amenhotep III from the grave of Chaemhat, Thebes West. 18th Dynasty 1360 BC. Neues Museum Berlin AM 14503.
  • Ancient Egyptian tomb relief sculpture of King Amenhotep III from the grave of Chaemhat, Thebes West. 18th Dynasty 1360 BC. Neues Museum Berlin AM 14503.
  • Ancient Egyptian tomb relief sculpture of King Amenhotep III from the grave of Chaemhat, Thebes West. 18th Dynasty 1360 BC. Neues Museum Berlin AM 14503.
  • Ancient Egyptian relief portrait of King Akhenaten from Amarna. 18th Dynasty 1340 BC . Neues Museum Berlin Cat No: AM 14512.

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