• Photo of a Three handles "Palace Style" amphora with three large octopuses within a marines cape of rocks and seaweed. A mycenaean copy of a Minoan Marine Style.   Mycenae tomb 2, Greece. 15th century BC,  cat no: 6725, National Archaeological Museum, Athens.
  • Three handled Mycenaean  Palace Style amphora with three large octopuses within a marinescape of rocks and seaweed. A Mycenaean imitation of Minoan Marine Style. From the Mycenaean cemetery of Argive Prosymna, tomb 2, Greece. 15th Century BC. Cat No 6725 Athens Archaeological Museum.
  • Large wine krater known as "House of the Warrior Vase", showing men in full armour ( helmet, cuirass, greaves, shield and spear ) as they depart fro war with a sack of supplies hanging from their spears. A fine example of Mycenaean Pictoral Style. Mycenae acropolis, Greece. 12th century BC, cat no: 1426 ,  National Archaeological Museum, Athens.
  • Three handled Mycenaean  Palace Style amphora with large palm trees symmetrically placed on the sides and smaller palm trees with floral motifs in between. This Mycenaean  vase is distinguished by the high quality of clay and paint, and by the naturalistic rendering of the decoration. From the Mycenaean cemetery at Argive Deiras, Greece. 15th Century BC. Cat No 6725 Athens Archaeological Museum.
  • Three handled Mycenaean  Palace Style amphora with large palm trees symmetrically placed on the sides and smaller palm trees with floral motifs in between. This Mycenaean  vase is distinguished by the high quality of clay and paint, and by the naturalistic rendering of the decoration. From the Mycenaean cemetery at Argive Deiras, Greece. 15th Century BC. Cat No 6725 Athens Archaeological Museum.
  • Three handled Mycenaean  Palace Style amphora with large palm trees symmetrically placed on the sides and smaller palm trees with floral motifs in between. This Mycenaean  vase is distinguished by the high quality of clay and paint, and by the naturalistic rendering of the decoration. From the Mycenaean cemetery at Argive Deiras, Greece. 15th Century BC. Cat No 6725 Athens Archaeological Museum.
  • Photo of a Three handles "Palace Style" amphora with three large octopuses within a marines cape of rocks and seaweed. A mycenaean copy of a Minoan Marine Style.   Mycenae tomb 2, Greece. 15th century BC,  cat no: 6725, National Archaeological Museum, Athens.
  • Photo of a Three handles "Palace Style" amphora with three large octopuses within a marines cape of rocks and seaweed. A mycenaean copy of a Minoan Marine Style.   Mycenae tomb 2, Greece. 15th century BC,  cat no: 6725, National Archaeological Museum, Athens.
  • Photo of a Three handles "Palace Style" amphora with three large octopuses within a marines cape of rocks and seaweed. A mycenaean copy of a Minoan Marine Style.   Mycenae tomb 2, Greece. 15th century BC,  cat no: 6725, National Archaeological Museum, Athens.
  • Three handled Mycenaean  Palace Style amphora with three large octopuses within a marinescape of rocks and seaweed. A Mycenaean imitation of Minoan Marine Style. From the Mycenaean cemetery of Argive Prosymna, tomb 2, Greece. 15th Century BC. Cat No 6725 Athens Archaeological Museum.
  • Three handled Mycenaean  Palace Style amphora with three large octopuses within a marinescape of rocks and seaweed. A Mycenaean imitation of Minoan Marine Style. From the Mycenaean cemetery of Argive Prosymna, tomb 2, Greece. 15th Century BC. Cat No 6725 Athens Archaeological Museum.
  • Large wine krater known as "House of the Warrior Vase", showing men in full armour ( helmet, cuirass, greaves, shield and spear ) as they depart fro war with a sack of supplies hanging from their spears. A fine example of Mycenaean Pictoral Style. Mycenae acropolis, Greece. 12th century BC, cat no: 1426 ,  National Archaeological Museum, Athens.
  • Three handled Mycenaean  Palace Style amphora with large palm trees symmetrically placed on the sides and smaller palm trees with floral motifs in between. This Mycenaean  vase is distinguished by the high quality of clay and paint, and by the naturalistic rendering of the decoration. From the Mycenaean cemetery at Argive Deiras, Greece. 15th Century BC. Cat No 6725 Athens Archaeological Museum.
  • Three handled Mycenaean  Palace Style amphora with large palm trees symmetrically placed on the sides and smaller palm trees with floral motifs in between. This Mycenaean  vase is distinguished by the high quality of clay and paint, and by the naturalistic rendering of the decoration. From the Mycenaean cemetery at Argive Deiras, Greece. 15th Century BC. Cat No 6725 Athens Archaeological Museum.
  • Photo of a Three handles "Palace Style" amphora with three large octopuses within a marines cape of rocks and seaweed. A mycenaean copy of a Minoan Marine Style.   Mycenae tomb 2, Greece. 15th century BC,  cat no: 6725, National Archaeological Museum, Athens.
  • Three handled Mycenaean  Palace Style amphora with three large octopuses within a marinescape of rocks and seaweed. A Mycenaean imitation of Minoan Marine Style. From the Mycenaean cemetery of Argive Prosymna, tomb 2, Greece. 15th Century BC. Cat No 6725 Athens Archaeological Museum.
  • Three handled Mycenaean  Palace Style amphora with three large octopuses within a marinescape of rocks and seaweed. A Mycenaean imitation of Minoan Marine Style. From the Mycenaean cemetery of Argive Prosymna, tomb 2, Greece. 15th Century BC. Cat No 6725 Athens Archaeological Museum.
  • Gold Death Mask Known from Grave IV, Grave Circle A, Mycenae. 16th Century BC. The mask is made of a thin sheet of beaten gold . 16th century BC. Cat No 253 Athens Archaeological Museum.
  • Gold Death Mask  from Grave Circle A, Mycenae. 16th Century BC. The mask is made of a thin sheet of beaten gold . 16th century BC.  Athens Archaeological Museum.
  • Gold Death Mask Known as the "mask of Agamemnon"  from Grave V, Grave Circle A, Mycenae. The mask is made of a thin sheet of beaten gold & shows a man with a beard. 16th century BC. Cat No 624 Athens Archaeological Museum.
  • Gold Death Mask Known as the "mask of Agamemnon"  from Grave V, Grave Circle A, Mycenae. The mask is made of a thin sheet of beaten gold & shows a man with a beard. 16th century BC. Cat No 624 Athens Archaeological Museum.
  • Gold Death Mask Known as the "mask of Agamemnon"  from Grave V, Grave Circle A, Mycenae. The mask is made of a thin sheet of beaten gold & shows a man with a beard. 16th century BC. Cat No 624 Athens Archaeological Museum.
  • Gold Death Mask  from Grave V, Grave Circle A, Mycenae. The mask is made of a thin sheet of beaten gold and is the only mask from grave circle A with eyes open. 16th century BC. Cat No 259 Athens Archaeological Museum.
  • Boar's tusk helmet with cheek guards and double bone hook on top. Tomb 515 Mycenae, Greece. 14th-15th century BC. National Archaeological Museum, Athens.. The Boar's tusk helmet was described in the Iliad as follows "Meriones gave Odysseus a bow, a quiver and a sword, and put a cleverly made leather helmet on his head. On the inside there was a strong lining on interwoven straps, onto which a felt cap had been sewn in. The outside was cleverly adorned all around with rows of white tusks from a shiny-toothed boar, the tusks running in alternate directions in each row.<br />
—Homer, Iliad 10.260–5"
  • Gold Death Mask Known from Grave IV, Grave Circle A, Mycenae. 16th Century BC. The mask is made of a thin sheet of beaten gold . 16th century BC. Cat No 253 Athens Archaeological Museum.
  • Gold Death Mask Known from Grave IV, Grave Circle A, Mycenae. 16th Century BC. The mask is made of a thin sheet of beaten gold . 16th century BC. Cat No 253 Athens Archaeological Museum.
  • Gold Death Mask Known from Grave IV, Grave Circle A, Mycenae. 16th Century BC. The mask is made of a thin sheet of beaten gold . 16th century BC. Cat No 253 Athens Archaeological Museum.
  • Gold Death Mask Known from Grave IV, Grave Circle A, Mycenae. 16th Century BC. The mask is made of a thin sheet of beaten gold . 16th century BC. Cat No 253 Athens Archaeological Museum.
  • Gold Death Mask  from Grave Circle A, Mycenae. 16th Century BC. The mask is made of a thin sheet of beaten gold . 16th century BC.  Athens Archaeological Museum.
  • Gold Death Mask  from Grave Circle A, Mycenae. 16th Century BC. The mask is made of a thin sheet of beaten gold . 16th century BC.  Athens Archaeological Museum.
  • Gold Death Mask  from Grave Circle A, Mycenae. 16th Century BC. The mask is made of a thin sheet of beaten gold . 16th century BC.  Athens Archaeological Museum.
  • Gold Death Mask  from Grave Circle A, Mycenae. 16th Century BC. The mask is made of a thin sheet of beaten gold . 16th century BC.  Athens Archaeological Museum.
  • Gold Death Mask Known as the "mask of Agamemnon"  from Grave V, Grave Circle A, Mycenae. The mask is made of a thin sheet of beaten gold & shows a man with a beard. 16th century BC. Cat No 624 Athens Archaeological Museum.
  • Gold Death Mask Known as the "mask of Agamemnon"  from Grave V, Grave Circle A, Mycenae. The mask is made of a thin sheet of beaten gold & shows a man with a beard. 16th century BC. Cat No 624 Athens Archaeological Museum.
  • Gold Death Mask  from Grave V, Grave Circle A, Mycenae. The mask is made of a thin sheet of beaten gold and is the only mask from grave circle A with eyes open. 16th century BC. Cat No 259 Athens Archaeological Museum.
  • Gold Death Mask  from Grave V, Grave Circle A, Mycenae. The mask is made of a thin sheet of beaten gold and is the only mask from grave circle A with eyes open. 16th century BC. Cat No 259 Athens Archaeological Museum.
  • Gold Death Mask  from Grave V, Grave Circle A, Mycenae. The mask is made of a thin sheet of beaten gold and is the only mask from grave circle A with eyes open. 16th century BC. Cat No 259 Athens Archaeological Museum.
  • Gold Death Mask  from Grave V, Grave Circle A, Mycenae. The mask is made of a thin sheet of beaten gold and is the only mask from grave circle A with eyes open. 16th century BC. Cat No 259 Athens Archaeological Museum.
  • Boar's tusk helmet with cheek guards and double bone hook on top. Tomb 515 Mycenae, Greece. 14th-15th century BC. National Archaeological Museum, Athens.. The Boar's tusk helmet was described in the Iliad as follows "Meriones gave Odysseus a bow, a quiver and a sword, and put a cleverly made leather helmet on his head. On the inside there was a strong lining on interwoven straps, onto which a felt cap had been sewn in. The outside was cleverly adorned all around with rows of white tusks from a shiny-toothed boar, the tusks running in alternate directions in each row.<br />
—Homer, Iliad 10.260–5"
  • Boar's tusk helmet with cheek guards and double bone hook on top. Tomb 515 Mycenae, Greece. 14th-15th century BC. National Archaeological Museum, Athens.. The Boar's tusk helmet was described in the Iliad as follows "Meriones gave Odysseus a bow, a quiver and a sword, and put a cleverly made leather helmet on his head. On the inside there was a strong lining on interwoven straps, onto which a felt cap had been sewn in. The outside was cleverly adorned all around with rows of white tusks from a shiny-toothed boar, the tusks running in alternate directions in each row.<br />
—Homer, Iliad 10.260–5"
  • Boar's tusk helmet with cheek guards and double bone hook on top. Tomb 515 Mycenae, Greece. 14th-15th century BC. National Archaeological Museum, Athens.. The Boar's tusk helmet was described in the Iliad as follows "Meriones gave Odysseus a bow, a quiver and a sword, and put a cleverly made leather helmet on his head. On the inside there was a strong lining on interwoven straps, onto which a felt cap had been sewn in. The outside was cleverly adorned all around with rows of white tusks from a shiny-toothed boar, the tusks running in alternate directions in each row.<br />
—Homer, Iliad 10.260–5"
  • Boar's tusk helmet with cheek guards and double bone hook on top. Tomb 515 Mycenae, Greece. 14th-15th century BC. National Archaeological Museum, Athens.. The Boar's tusk helmet was described in the Iliad as follows "Meriones gave Odysseus a bow, a quiver and a sword, and put a cleverly made leather helmet on his head. On the inside there was a strong lining on interwoven straps, onto which a felt cap had been sewn in. The outside was cleverly adorned all around with rows of white tusks from a shiny-toothed boar, the tusks running in alternate directions in each row.<br />
—Homer, Iliad 10.260–5"
  • Ephyraean Jug decorated with arganaut shells, Markopoulo . Late Helladic IIB culture of mainland ancient Mycenaean Greece during. Cat No 3765, 9103, Athens Archaeological Museum.
  • Ephyraean Jug decorated with arganaut shells, Markopoulo . Late Helladic IIB culture of mainland ancient Mycenaean Greece during. Cat No 3765, 9103, Athens Archaeological Museum.
  • Ephyraean Jug decorated with arganaut shells, Markopoulo . Late Helladic IIB culture of mainland ancient Mycenaean Greece during. Cat No 3765, 9103, Athens Archaeological Museum.
  • Ephyraean Jug decorated with arganaut shells, Markopoulo . Late Helladic IIB culture of mainland ancient Mycenaean Greece during. Cat No 3765, 9103, Athens Archaeological Museum.
  • Phrygian pottery vessel in the shape of a goose decorated with geometric deigns from Gordion. Phrygian Collection, 8th century BC - Museum of Anatolian Civilisations Ankara. Turkey. Against a white background
  • Phrygian pottery vessel in the shape of a goose decorated with geometric deigns from Gordion. Phrygian Collection, 8th century BC - Museum of Anatolian Civilisations Ankara. Turkey.
  • Phrygian terra cotta pottery vessel with a strainer and long pouring lip, decorated with geometric designs and images of animals and birds, from Gordion. Phrygian Collection, 9th century BC - Museum of Anatolian Civilisations Ankara. Turkey. Against a black background
  • Phrygian terra cotta pottery vessel with a strainer and long pouring lip, decorated with geometric designs and images of animals and birds, from Gordion. Phrygian Collection, 9th century BC - Museum of Anatolian Civilisations Ankara. Turkey. Against a white background
  • Phrygian terra cotta pottery vessel with a strainer and long pouring lip, decorated with geometric designs and images of animals and birds, from Gordion. Phrygian Collection, 9th century BC - Museum of Anatolian Civilisations Ankara. Turkey.
  • Phrygian pottery vessel in the shape of a goose decorated with geometric deigns from Gordion. Phrygian Collection, 8th century BC - Museum of Anatolian Civilisations Ankara. Turkey. Against a black background
  • Phrygian pottery vessel in the shape of a goose decorated with geometric deigns from Gordion. Phrygian Collection, 8th century BC - Museum of Anatolian Civilisations Ankara. Turkey. Against an art background
  • Phrygian pottery vessel in the shape of a goose decorated with geometric deigns from Gordion. Phrygian Collection, 8th century BC - Ancora Archaeological MuseumMuseum of Anatolian Civilisations Ankara. Turkey. Against a grey background
  • Phrygian terra cotta pottery vessel with a strainer and long pouring lip, decorated with geometric designs and images of animals and birds, from Gordion. Phrygian Collection, 9th century BC - Museum of Anatolian Civilisations Ankara. Turkey. Against an art background
  • Phrygian terra cotta pottery vessel with a strainer and long pouring lip, decorated with geometric designs and images of animals and birds, from Gordion. Phrygian Collection, 9th century BC - Museum of Anatolian Civilisations Ankara. Turkey. Against a grey background
  • Phrygian decorated  terra cotta pottery  rhyton in the shape of a ram from Gordion. Phrygian Collection, 8th century BC - Museum of Anatolian Civilisations Ankara. Turkey. Against a white background
  • Phrygian decorated  terra cotta pottery  rhyton in the shape of a ram from Gordion. Phrygian Collection, 8th century BC - Museum of Anatolian Civilisations Ankara. Turkey. Against a black background
  • Phrygian decorated  terra cotta pottery  rhyton in the shape of a ram from Gordion. Phrygian Collection, 8th century BC - Museum of Anatolian Civilisations Ankara. Turkey.
  • Phrygian decorated  terra cotta pottery  rhyton in the shape of a ram from Gordion. Phrygian Collection, 8th century BC - Museum of Anatolian Civilisations Ankara. Turkey. Against an art background
  • Phrygian decorated  terra cotta pottery  rhyton in the shape of a ram from Gordion. Phrygian Collection, 8th century BC - Museum of Anatolian Civilisations Ankara. Turkey. Against a grey background
  • Greek Attica pottery plate with erotic depiction of a man and women, 5th century BC, Secret Museum or Secret Cabinet, Naples National Archaeological Museum , white background
  • Greek Attica pottery plate with erotic depiction of a man and women, 5th century BC, Secret Museum or Secret Cabinet, Naples National Archaeological Museum , grey art background
  • Greek Attica pottery plate with erotic depiction of a man and women, 5th century BC, Secret Museum or Secret Cabinet, Naples National Archaeological Museum , art background
  • Greek Attica pottery plate with erotic depiction of a man and women, 5th century BC, Secret Museum or Secret Cabinet, Naples National Archaeological Museum , black background
  • Assyrian Trader Colony Bronze Age terracotta sandal shaped ritual vessed. This cult pot is boat shaped with an animal head at the front. Inside the vessel is god. The deities associated with the ritual vessel were associated with trade and transportation in Ancient Mesopotamia and Summerian literature. The vessel signifies a religious river trip.  - 19th  century BC - Kültepe Kanesh - Museum of Anatolian Civilisations, Ankara, Turkey. Against a white background.
  • Assyrian Trader Colony Bronze Age terracotta sandal shaped ritual vessed. This cult pot is boat shaped with an animal head at the front. Inside the vessel is god. The deities associated with the ritual vessel were associated with trade and transportation in Ancient Mesopotamia and Summerian literature. The vessel signifies a religious river trip.  - 19th  century BC - Kültepe Kanesh - Museum of Anatolian Civilisations, Ankara, Turkey.  Against a black background.
  • Assyrian Trader Colony Bronze Age terracotta sandal shaped ritual vessed. This cult pot is boat shaped with an animal head at the front. Inside the vessel is god. The deities associated with the ritual vessel were associated with trade and transportation in Ancient Mesopotamia and Summerian literature. The vessel signifies a religious river trip.  - 19th  century BC - Kültepe Kanesh - Museum of Anatolian Civilisations, Ankara, Turkey.  Against a grey background.
  • Assyrian Trader Colony Bronze Age terracotta sandal shaped ritual vessed. This cult pot is boat shaped with an animal head at the front. Inside the vessel is god. The deities associated with the ritual vessel were associated with trade and transportation in Ancient Mesopotamia and Summerian literature. The vessel signifies a religious river trip.  - 19th  century BC - Kültepe Kanesh - Museum of Anatolian Civilisations, Ankara, Turkey.  Against a warn art background.
  • Assyrian Trader Colony Bronze Age terracotta sandal shaped ritual vessed. This cult pot is boat shaped with an animal head at the front. Inside the vessel is god. The deities associated with the ritual vessel were associated with trade and transportation in Ancient Mesopotamia and Summerian literature. The vessel signifies a religious river trip.  - 19th  century BC - Kültepe Kanesh - Museum of Anatolian Civilisations, Ankara, Turkey.. Against a white background.
  • Assyrian Trader Colony Bronze Age terracotta sandal shaped ritual vessed. This cult pot is boat shaped with an animal head at the front. Inside the vessel is god. The deities associated with the ritual vessel were associated with trade and transportation in Ancient Mesopotamia and Summerian literature. The vessel signifies a religious river trip.  - 19th  century BC - Kültepe Kanesh - Museum of Anatolian Civilisations, Ankara, Turkey.
  • Assyrian Trader Colony Bronze Age terracotta sandal shaped ritual vessed. This cult pot is boat shaped with an animal head at the front. Inside the vessel is a model of a temple and goddess. The deities associated with the ritual vessel were associated with trade and transportation in Ancient Mesopotamia and Summerian literature. The vessel signifies a religious river trip.  - 19th  century BC - Kültepe Kanesh - Museum of Anatolian Civilisations, Ankara, Turkey. Against a white background.
  • Assyrian Trader Colony Bronze Age terracotta sandal shaped ritual vessed. This cult pot is boat shaped with an animal head at the front. Inside the vessel is a model of a temple and goddess. The deities associated with the ritual vessel were associated with trade and transportation in Ancient Mesopotamia and Summerian literature. The vessel signifies a religious river trip.  - 19th  century BC - Kültepe Kanesh - Museum of Anatolian Civilisations, Ankara, Turkey. Against a grey background.
  • Assyrian Trader Colony Bronze Age terracotta sandal shaped ritual vessed. This cult pot is boat shaped with an animal head at the front. Inside the vessel is a model of a temple and goddess. The deities associated with the ritual vessel were associated with trade and transportation in Ancient Mesopotamia and Summerian literature. The vessel signifies a religious river trip.  - 19th  century BC - Kültepe Kanesh - Museum of Anatolian Civilisations, Ankara, Turkey.  Against a warn art background.
  • Assyrian Trader Colony Bronze Age terracotta sandal shaped ritual vessed. This cult pot is boat shaped with an animal head at the front. Inside the vessel is god. The deities associated with the ritual vessel were associated with trade and transportation in Ancient Mesopotamia and Summerian literature. The vessel signifies a religious river trip.  - 19th  century BC - Kültepe Kanesh - Museum of Anatolian Civilisations, Ankara, Turkey.
  • Assyrian Trader Colony Bronze Age terracotta sandal shaped ritual vessed. This cult pot is boat shaped with an animal head at the front. Inside the vessel is god. The deities associated with the ritual vessel were associated with trade and transportation in Ancient Mesopotamia and Summerian literature. The vessel signifies a religious river trip.  - 19th  century BC - Kültepe Kanesh - Museum of Anatolian Civilisations, Ankara, Turkey. Against a grey background.
  • Assyrian Trader Colony Bronze Age terracotta sandal shaped ritual vessed. This cult pot is boat shaped with an animal head at the front. Inside the vessel is god. The deities associated with the ritual vessel were associated with trade and transportation in Ancient Mesopotamia and Summerian literature. The vessel signifies a religious river trip.  - 19th  century BC - Kültepe Kanesh - Museum of Anatolian Civilisations, Ankara, Turkey.  Against a black background.
  • Assyrian Trader Colony Bronze Age terracotta sandal shaped ritual vessed. This cult pot is boat shaped with an animal head at the front. Inside the vessel is god. The deities associated with the ritual vessel were associated with trade and transportation in Ancient Mesopotamia and Summerian literature. The vessel signifies a religious river trip.  - 19th  century BC - Kültepe Kanesh - Museum of Anatolian Civilisations, Ankara, Turkey.  Against a warn art background.
  • Assyrian Trader Colony Bronze Age terracotta sandal shaped ritual vessed. This cult pot is boat shaped with an animal head at the front. Inside the vessel is a model of a temple and goddess. The deities associated with the ritual vessel were associated with trade and transportation in Ancient Mesopotamia and Summerian literature. The vessel signifies a religious river trip.  - 19th  century BC - Kültepe Kanesh - Museum of Anatolian Civilisations, Ankara, Turkey.  Against a black background.
  • Assyrian Trader Colony Bronze Age terracotta sandal shaped ritual vessed. This cult pot is boat shaped with an animal head at the front. Inside the vessel is a model of a temple and goddess. The deities associated with the ritual vessel were associated with trade and transportation in Ancient Mesopotamia and Summerian literature. The vessel signifies a religious river trip.  - 19th  century BC - Kültepe Kanesh - Museum of Anatolian Civilisations, Ankara, Turkey.
  • Pictures & images of the Church of the Transfiguration of Ikalto monastery was founded by Saint Zenon, one of the 13 Syrian Fathers, in the late 6th century. Near Telavi, Kakheti, Eastern Georgia (Country).<br />
<br />
The Ikalto Monastery is famous for the Academy of Ikalto founded in the reign of King David the Builder by Arsen Ikaltoeli. The Academy of Ikalto trained its students in classical diciplins of rhetoric, astronomy, philosophy, geography, geometry as well as learning the skills of chantings, pottery and poetry. In the 12th century the Georgian poet Shota Rustaveli studied here.
  • Pictures & images of the Church of the Transfiguration of Ikalto monastery was founded by Saint Zenon, one of the 13 Syrian Fathers, in the late 6th century. Near Telavi, Kakheti, Eastern Georgia (Country).<br />
<br />
The Ikalto Monastery is famous for the Academy of Ikalto founded in the reign of King David the Builder by Arsen Ikaltoeli. The Academy of Ikalto trained its students in classical diciplins of rhetoric, astronomy, philosophy, geography, geometry as well as learning the skills of chantings, pottery and poetry. In the 12th century the Georgian poet Shota Rustaveli studied here.
  • Pictures & images of the Church of the Transfiguration of Ikalto monastery was founded by Saint Zenon, one of the 13 Syrian Fathers, in the late 6th century. Near Telavi, Kakheti, Eastern Georgia (Country).<br />
<br />
The Ikalto Monastery is famous for the Academy of Ikalto founded in the reign of King David the Builder by Arsen Ikaltoeli. The Academy of Ikalto trained its students in classical diciplins of rhetoric, astronomy, philosophy, geography, geometry as well as learning the skills of chantings, pottery and poetry. In the 12th century the Georgian poet Shota Rustaveli studied here.
  • Pictures & images of the Church of the Transfiguration of Ikalto monastery was founded by Saint Zenon, one of the 13 Syrian Fathers, in the late 6th century. Near Telavi, Kakheti, Eastern Georgia (Country).<br />
<br />
The Ikalto Monastery is famous for the Academy of Ikalto founded in the reign of King David the Builder by Arsen Ikaltoeli. The Academy of Ikalto trained its students in classical diciplins of rhetoric, astronomy, philosophy, geography, geometry as well as learning the skills of chantings, pottery and poetry. In the 12th century the Georgian poet Shota Rustaveli studied here.
  • Pictures & images of the Church of the Transfiguration of Ikalto monastery was founded by Saint Zenon, one of the 13 Syrian Fathers, in the late 6th century. Near Telavi, Kakheti, Eastern Georgia (Country).<br />
<br />
The Ikalto Monastery is famous for the Academy of Ikalto founded in the reign of King David the Builder by Arsen Ikaltoeli. The Academy of Ikalto trained its students in classical diciplins of rhetoric, astronomy, philosophy, geography, geometry as well as learning the skills of chantings, pottery and poetry. In the 12th century the Georgian poet Shota Rustaveli studied here.
  • Pictures & images of the Church of the Transfiguration of Ikalto monastery was founded by Saint Zenon, one of the 13 Syrian Fathers, in the late 6th century. Near Telavi, Kakheti, Eastern Georgia (Country).<br />
<br />
The Ikalto Monastery is famous for the Academy of Ikalto founded in the reign of King David the Builder by Arsen Ikaltoeli. The Academy of Ikalto trained its students in classical diciplins of rhetoric, astronomy, philosophy, geography, geometry as well as learning the skills of chantings, pottery and poetry. In the 12th century the Georgian poet Shota Rustaveli studied here.
  • Pictures & images of the Church of the Transfiguration of Ikalto monastery was founded by Saint Zenon, one of the 13 Syrian Fathers, in the late 6th century. Near Telavi, Kakheti, Eastern Georgia (Country).<br />
<br />
The Ikalto Monastery is famous for the Academy of Ikalto founded in the reign of King David the Builder by Arsen Ikaltoeli. The Academy of Ikalto trained its students in classical diciplins of rhetoric, astronomy, philosophy, geography, geometry as well as learning the skills of chantings, pottery and poetry. In the 12th century the Georgian poet Shota Rustaveli studied here.
  • Pictures & images of the Church of the Transfiguration of Ikalto monastery was founded by Saint Zenon, one of the 13 Syrian Fathers, in the late 6th century. Near Telavi, Kakheti, Eastern Georgia (Country).<br />
<br />
The Ikalto Monastery is famous for the Academy of Ikalto founded in the reign of King David the Builder by Arsen Ikaltoeli. The Academy of Ikalto trained its students in classical diciplins of rhetoric, astronomy, philosophy, geography, geometry as well as learning the skills of chantings, pottery and poetry. In the 12th century the Georgian poet Shota Rustaveli studied here.
  • close up ictures & image of the Church of the Transfiguration of Ikalto monastery was founded by Saint Zenon, one of the 13 Syrian Fathers, in the late 6th century. Near Telavi, Kakheti, Eastern Georgia (Country).<br />
<br />
The Ikalto Monastery is famous for the Academy of Ikalto founded in the reign of King David the Builder by Arsen Ikaltoeli. The Academy of Ikalto trained its students in classical diciplins of rhetoric, astronomy, philosophy, geography, geometry as well as learning the skills of chantings, pottery and poetry. In the 12th century the Georgian poet Shota Rustaveli studied here.
  • close up ictures & image of the Church of the Transfiguration of Ikalto monastery was founded by Saint Zenon, one of the 13 Syrian Fathers, in the late 6th century. Near Telavi, Kakheti, Eastern Georgia (Country).<br />
<br />
The Ikalto Monastery is famous for the Academy of Ikalto founded in the reign of King David the Builder by Arsen Ikaltoeli. The Academy of Ikalto trained its students in classical diciplins of rhetoric, astronomy, philosophy, geography, geometry as well as learning the skills of chantings, pottery and poetry. In the 12th century the Georgian poet Shota Rustaveli studied here.
  • Picture & images of the interior of the Church of the Transfiguration,  Ikalto monastery was founded by Saint Zenon, one of the 13 Syrian Fathers, in the late 6th century. Near Telavi, Kakheti, Eastern Georgia (Country).<br />
<br />
The Ikalto Monastery is famous for the Academy of Ikalto founded in the reign of King David the Builder by Arsen Ikaltoeli. The Academy of Ikalto trained its students in classical diciplins of rhetoric, astronomy, philosophy, geography, geometry as well as learning the skills of chantings, pottery and poetry. In the 12th century the Georgian poet Shota Rustaveli studied here.
  • Picture & images of the interior of the Church of the Transfiguration,  Ikalto monastery was founded by Saint Zenon, one of the 13 Syrian Fathers, in the late 6th century. Near Telavi, Kakheti, Eastern Georgia (Country).<br />
<br />
The Ikalto Monastery is famous for the Academy of Ikalto founded in the reign of King David the Builder by Arsen Ikaltoeli. The Academy of Ikalto trained its students in classical diciplins of rhetoric, astronomy, philosophy, geography, geometry as well as learning the skills of chantings, pottery and poetry. In the 12th century the Georgian poet Shota Rustaveli studied here.
  • Picture & images of the interior of the Church of the Transfiguration,  Ikalto monastery was founded by Saint Zenon, one of the 13 Syrian Fathers, in the late 6th century. Near Telavi, Kakheti, Eastern Georgia (Country).<br />
<br />
The Ikalto Monastery is famous for the Academy of Ikalto founded in the reign of King David the Builder by Arsen Ikaltoeli. The Academy of Ikalto trained its students in classical diciplins of rhetoric, astronomy, philosophy, geography, geometry as well as learning the skills of chantings, pottery and poetry. In the 12th century the Georgian poet Shota Rustaveli studied here.
  • Pictures of church of Kvelatsminda, Ikalto monastery was founded by Saint Zenon, one of the 13 Syrian Fathers, in the late 6th century. Near Telavi, Kakheti, Eastern Georgia (Country).<br />
<br />
The Ikalto Monastery is famous for the Academy of Ikalto founded in the reign of King David the Builder by Arsen Ikaltoeli. The Academy of Ikalto trained its students in classical diciplins of rhetoric, astronomy, philosophy, geography, geometry as well as learning the skills of chantings, pottery and poetry. In the 12th century the Georgian poet Shota Rustaveli studied here.
  • close up ictures & image of the Church of the Transfiguration of Ikalto monastery was founded by Saint Zenon, one of the 13 Syrian Fathers, in the late 6th century. Near Telavi, Kakheti, Eastern Georgia (Country).<br />
<br />
The Ikalto Monastery is famous for the Academy of Ikalto founded in the reign of King David the Builder by Arsen Ikaltoeli. The Academy of Ikalto trained its students in classical diciplins of rhetoric, astronomy, philosophy, geography, geometry as well as learning the skills of chantings, pottery and poetry. In the 12th century the Georgian poet Shota Rustaveli studied here.
  • close up ictures & image of the Church of the Transfiguration of Ikalto monastery was founded by Saint Zenon, one of the 13 Syrian Fathers, in the late 6th century. Near Telavi, Kakheti, Eastern Georgia (Country).<br />
<br />
The Ikalto Monastery is famous for the Academy of Ikalto founded in the reign of King David the Builder by Arsen Ikaltoeli. The Academy of Ikalto trained its students in classical diciplins of rhetoric, astronomy, philosophy, geography, geometry as well as learning the skills of chantings, pottery and poetry. In the 12th century the Georgian poet Shota Rustaveli studied here.
  • close up ictures & image of the Church of the Transfiguration of Ikalto monastery was founded by Saint Zenon, one of the 13 Syrian Fathers, in the late 6th century. Near Telavi, Kakheti, Eastern Georgia (Country).<br />
<br />
The Ikalto Monastery is famous for the Academy of Ikalto founded in the reign of King David the Builder by Arsen Ikaltoeli. The Academy of Ikalto trained its students in classical diciplins of rhetoric, astronomy, philosophy, geography, geometry as well as learning the skills of chantings, pottery and poetry. In the 12th century the Georgian poet Shota Rustaveli studied here.
  • close up ictures & image of the Church of the Transfiguration of Ikalto monastery was founded by Saint Zenon, one of the 13 Syrian Fathers, in the late 6th century. Near Telavi, Kakheti, Eastern Georgia (Country).<br />
<br />
The Ikalto Monastery is famous for the Academy of Ikalto founded in the reign of King David the Builder by Arsen Ikaltoeli. The Academy of Ikalto trained its students in classical diciplins of rhetoric, astronomy, philosophy, geography, geometry as well as learning the skills of chantings, pottery and poetry. In the 12th century the Georgian poet Shota Rustaveli studied here.
  • close up ictures & image of the Church of the Transfiguration of Ikalto monastery was founded by Saint Zenon, one of the 13 Syrian Fathers, in the late 6th century. Near Telavi, Kakheti, Eastern Georgia (Country).<br />
<br />
The Ikalto Monastery is famous for the Academy of Ikalto founded in the reign of King David the Builder by Arsen Ikaltoeli. The Academy of Ikalto trained its students in classical diciplins of rhetoric, astronomy, philosophy, geography, geometry as well as learning the skills of chantings, pottery and poetry. In the 12th century the Georgian poet Shota Rustaveli studied here.
  • Pictures & images of the Church of the Transfiguration of Ikalto monastery was founded by Saint Zenon, one of the 13 Syrian Fathers, in the late 6th century. Near Telavi, Kakheti, Eastern Georgia (Country).<br />
<br />
The Ikalto Monastery is famous for the Academy of Ikalto founded in the reign of King David the Builder by Arsen Ikaltoeli. The Academy of Ikalto trained its students in classical diciplins of rhetoric, astronomy, philosophy, geography, geometry as well as learning the skills of chantings, pottery and poetry. In the 12th century the Georgian poet Shota Rustaveli studied here.
  • Pictures & images of the Church of the Transfiguration of Ikalto monastery was founded by Saint Zenon, one of the 13 Syrian Fathers, in the late 6th century. Near Telavi, Kakheti, Eastern Georgia (Country).<br />
<br />
The Ikalto Monastery is famous for the Academy of Ikalto founded in the reign of King David the Builder by Arsen Ikaltoeli. The Academy of Ikalto trained its students in classical diciplins of rhetoric, astronomy, philosophy, geography, geometry as well as learning the skills of chantings, pottery and poetry. In the 12th century the Georgian poet Shota Rustaveli studied here.
  • Pictures & images of the Church of the Transfiguration of Ikalto monastery was founded by Saint Zenon, one of the 13 Syrian Fathers, in the late 6th century. Near Telavi, Kakheti, Eastern Georgia (Country).<br />
<br />
The Ikalto Monastery is famous for the Academy of Ikalto founded in the reign of King David the Builder by Arsen Ikaltoeli. The Academy of Ikalto trained its students in classical diciplins of rhetoric, astronomy, philosophy, geography, geometry as well as learning the skills of chantings, pottery and poetry. In the 12th century the Georgian poet Shota Rustaveli studied here.
  • Pictures & images of the Church of the Transfiguration of Ikalto monastery was founded by Saint Zenon, one of the 13 Syrian Fathers, in the late 6th century. Near Telavi, Kakheti, Eastern Georgia (Country).<br />
<br />
The Ikalto Monastery is famous for the Academy of Ikalto founded in the reign of King David the Builder by Arsen Ikaltoeli. The Academy of Ikalto trained its students in classical diciplins of rhetoric, astronomy, philosophy, geography, geometry as well as learning the skills of chantings, pottery and poetry. In the 12th century the Georgian poet Shota Rustaveli studied here.
  • Pictures & images of the Church of the Transfiguration of Ikalto monastery was founded by Saint Zenon, one of the 13 Syrian Fathers, in the late 6th century. Near Telavi, Kakheti, Eastern Georgia (Country).<br />
<br />
The Ikalto Monastery is famous for the Academy of Ikalto founded in the reign of King David the Builder by Arsen Ikaltoeli. The Academy of Ikalto trained its students in classical diciplins of rhetoric, astronomy, philosophy, geography, geometry as well as learning the skills of chantings, pottery and poetry. In the 12th century the Georgian poet Shota Rustaveli studied here.
  • Pictures & images of the Church of the Transfiguration of Ikalto monastery was founded by Saint Zenon, one of the 13 Syrian Fathers, in the late 6th century. Near Telavi, Kakheti, Eastern Georgia (Country).<br />
<br />
The Ikalto Monastery is famous for the Academy of Ikalto founded in the reign of King David the Builder by Arsen Ikaltoeli. The Academy of Ikalto trained its students in classical diciplins of rhetoric, astronomy, philosophy, geography, geometry as well as learning the skills of chantings, pottery and poetry. In the 12th century the Georgian poet Shota Rustaveli studied here.
  • Pictures & images of the Church of the Transfiguration of Ikalto monastery was founded by Saint Zenon, one of the 13 Syrian Fathers, in the late 6th century. Near Telavi, Kakheti, Eastern Georgia (Country).<br />
<br />
The Ikalto Monastery is famous for the Academy of Ikalto founded in the reign of King David the Builder by Arsen Ikaltoeli. The Academy of Ikalto trained its students in classical diciplins of rhetoric, astronomy, philosophy, geography, geometry as well as learning the skills of chantings, pottery and poetry. In the 12th century the Georgian poet Shota Rustaveli studied here.
  • Pictures & images of the Church of the Transfiguration of Ikalto monastery was founded by Saint Zenon, one of the 13 Syrian Fathers, in the late 6th century. Near Telavi, Kakheti, Eastern Georgia (Country).<br />
<br />
The Ikalto Monastery is famous for the Academy of Ikalto founded in the reign of King David the Builder by Arsen Ikaltoeli. The Academy of Ikalto trained its students in classical diciplins of rhetoric, astronomy, philosophy, geography, geometry as well as learning the skills of chantings, pottery and poetry. In the 12th century the Georgian poet Shota Rustaveli studied here.
  • Pictures & images of the Church of the Transfiguration of Ikalto monastery was founded by Saint Zenon, one of the 13 Syrian Fathers, in the late 6th century. Near Telavi, Kakheti, Eastern Georgia (Country).<br />
<br />
The Ikalto Monastery is famous for the Academy of Ikalto founded in the reign of King David the Builder by Arsen Ikaltoeli. The Academy of Ikalto trained its students in classical diciplins of rhetoric, astronomy, philosophy, geography, geometry as well as learning the skills of chantings, pottery and poetry. In the 12th century the Georgian poet Shota Rustaveli studied here.
  • Pictures & images of the Church of the Transfiguration of Ikalto monastery was founded by Saint Zenon, one of the 13 Syrian Fathers, in the late 6th century. Near Telavi, Kakheti, Eastern Georgia (Country).<br />
<br />
The Ikalto Monastery is famous for the Academy of Ikalto founded in the reign of King David the Builder by Arsen Ikaltoeli. The Academy of Ikalto trained its students in classical diciplins of rhetoric, astronomy, philosophy, geography, geometry as well as learning the skills of chantings, pottery and poetry. In the 12th century the Georgian poet Shota Rustaveli studied here.
  • Pictures & images of the Church of the Transfiguration of Ikalto monastery was founded by Saint Zenon, one of the 13 Syrian Fathers, in the late 6th century. Near Telavi, Kakheti, Eastern Georgia (Country).<br />
<br />
The Ikalto Monastery is famous for the Academy of Ikalto founded in the reign of King David the Builder by Arsen Ikaltoeli. The Academy of Ikalto trained its students in classical diciplins of rhetoric, astronomy, philosophy, geography, geometry as well as learning the skills of chantings, pottery and poetry. In the 12th century the Georgian poet Shota Rustaveli studied here.
  • Pictures & images of the Church of the Transfiguration of Ikalto monastery was founded by Saint Zenon, one of the 13 Syrian Fathers, in the late 6th century. Near Telavi, Kakheti, Eastern Georgia (Country).<br />
<br />
The Ikalto Monastery is famous for the Academy of Ikalto founded in the reign of King David the Builder by Arsen Ikaltoeli. The Academy of Ikalto trained its students in classical diciplins of rhetoric, astronomy, philosophy, geography, geometry as well as learning the skills of chantings, pottery and poetry. In the 12th century the Georgian poet Shota Rustaveli studied here.
  • Pictures & images of (left) the ruins of the refectory of the Academy of Ikalto and (right) the Church of the Transfiguration of Ikalto monastery was founded by Saint Zenon, one of the 13 Syrian Fathers, in the late 6th century. Near Telavi, Kakheti, Eastern Georgia (Country).<br />
<br />
The Ikalto Monastery is famous for the Academy of Ikalto founded in the reign of King David the Builder by Arsen Ikaltoeli. The Academy of Ikalto trained its students in classical diciplins of rhetoric, astronomy, philosophy, geography, geometry as well as learning the skills of chantings, pottery and poetry. In the 12th century the Georgian poet Shota Rustaveli studied here.
  • Pictures & images of the Church of the Transfiguration of Ikalto monastery was founded by Saint Zenon, one of the 13 Syrian Fathers, in the late 6th century. Near Telavi, Kakheti, Eastern Georgia (Country).<br />
<br />
The Ikalto Monastery is famous for the Academy of Ikalto founded in the reign of King David the Builder by Arsen Ikaltoeli. The Academy of Ikalto trained its students in classical diciplins of rhetoric, astronomy, philosophy, geography, geometry as well as learning the skills of chantings, pottery and poetry. In the 12th century the Georgian poet Shota Rustaveli studied here.
  • Pictures & images of the Church of the Transfiguration of Ikalto monastery was founded by Saint Zenon, one of the 13 Syrian Fathers, in the late 6th century. Near Telavi, Kakheti, Eastern Georgia (Country).<br />
<br />
The Ikalto Monastery is famous for the Academy of Ikalto founded in the reign of King David the Builder by Arsen Ikaltoeli. The Academy of Ikalto trained its students in classical diciplins of rhetoric, astronomy, philosophy, geography, geometry as well as learning the skills of chantings, pottery and poetry. In the 12th century the Georgian poet Shota Rustaveli studied here.
  • Pictures & images of the Church of the Transfiguration of Ikalto monastery was founded by Saint Zenon, one of the 13 Syrian Fathers, in the late 6th century. Near Telavi, Kakheti, Eastern Georgia (Country).<br />
<br />
The Ikalto Monastery is famous for the Academy of Ikalto founded in the reign of King David the Builder by Arsen Ikaltoeli. The Academy of Ikalto trained its students in classical diciplins of rhetoric, astronomy, philosophy, geography, geometry as well as learning the skills of chantings, pottery and poetry. In the 12th century the Georgian poet Shota Rustaveli studied here.
  • Pictures & images of the Church of the Transfiguration of Ikalto monastery was founded by Saint Zenon, one of the 13 Syrian Fathers, in the late 6th century. Near Telavi, Kakheti, Eastern Georgia (Country).<br />
<br />
The Ikalto Monastery is famous for the Academy of Ikalto founded in the reign of King David the Builder by Arsen Ikaltoeli. The Academy of Ikalto trained its students in classical diciplins of rhetoric, astronomy, philosophy, geography, geometry as well as learning the skills of chantings, pottery and poetry. In the 12th century the Georgian poet Shota Rustaveli studied here.
  • Pictures & images of (left) the ruins of the refectory of the Academy of Ikalto and (right) the Church of the Transfiguration of Ikalto monastery was founded by Saint Zenon, one of the 13 Syrian Fathers, in the late 6th century. Near Telavi, Kakheti, Eastern Georgia (Country).<br />
<br />
The Ikalto Monastery is famous for the Academy of Ikalto founded in the reign of King David the Builder by Arsen Ikaltoeli. The Academy of Ikalto trained its students in classical diciplins of rhetoric, astronomy, philosophy, geography, geometry as well as learning the skills of chantings, pottery and poetry. In the 12th century the Georgian poet Shota Rustaveli studied here.
  • Pictures & images of the Church of the Transfiguration of Ikalto monastery was founded by Saint Zenon, one of the 13 Syrian Fathers, in the late 6th century. Near Telavi, Kakheti, Eastern Georgia (Country).<br />
<br />
The Ikalto Monastery is famous for the Academy of Ikalto founded in the reign of King David the Builder by Arsen Ikaltoeli. The Academy of Ikalto trained its students in classical diciplins of rhetoric, astronomy, philosophy, geography, geometry as well as learning the skills of chantings, pottery and poetry. In the 12th century the Georgian poet Shota Rustaveli studied here.
  • Pictures & images of the Church of the Transfiguration of Ikalto monastery was founded by Saint Zenon, one of the 13 Syrian Fathers, in the late 6th century. Near Telavi, Kakheti, Eastern Georgia (Country).<br />
<br />
The Ikalto Monastery is famous for the Academy of Ikalto founded in the reign of King David the Builder by Arsen Ikaltoeli. The Academy of Ikalto trained its students in classical diciplins of rhetoric, astronomy, philosophy, geography, geometry as well as learning the skills of chantings, pottery and poetry. In the 12th century the Georgian poet Shota Rustaveli studied here.
  • Pictures & images of the Church of the Transfiguration of Ikalto monastery was founded by Saint Zenon, one of the 13 Syrian Fathers, in the late 6th century. Near Telavi, Kakheti, Eastern Georgia (Country).<br />
<br />
The Ikalto Monastery is famous for the Academy of Ikalto founded in the reign of King David the Builder by Arsen Ikaltoeli. The Academy of Ikalto trained its students in classical diciplins of rhetoric, astronomy, philosophy, geography, geometry as well as learning the skills of chantings, pottery and poetry. In the 12th century the Georgian poet Shota Rustaveli studied here.
  • Pictures & images of the Church of the Transfiguration of Ikalto monastery was founded by Saint Zenon, one of the 13 Syrian Fathers, in the late 6th century. Near Telavi, Kakheti, Eastern Georgia (Country).<br />
<br />
The Ikalto Monastery is famous for the Academy of Ikalto founded in the reign of King David the Builder by Arsen Ikaltoeli. The Academy of Ikalto trained its students in classical diciplins of rhetoric, astronomy, philosophy, geography, geometry as well as learning the skills of chantings, pottery and poetry. In the 12th century the Georgian poet Shota Rustaveli studied here.
  • Erotic 5th cnetury BC attica style anfora of two men, black against an potrange background, Caolina Murat Collection inv no 27670, Secret Museum or Secret Cabinet, Naples National Archaeological Museum , black background
  • Erotic 5th cnetury BC attica style anfora of two men, black against an potrange background, Caolina Murat Collection inv no 27670, Secret Museum or Secret Cabinet, Naples National Archaeological Museum , grey background
  • Erotic 5th cnetury BC attica style anfora of two men, black against an potrange background, Caolina Murat Collection inv no 27670, Secret Museum or Secret Cabinet, Naples National Archaeological Museum
  • Erotic 5th cnetury BC attica style anfora of two men, black against an potrange background, Caolina Murat Collection inv no 27670, Secret Museum or Secret Cabinet, Naples National Archaeological Museum , grey art background
  • Three handled Mycenaean  Palace Style amphora with large palm trees symmetrically placed on the sides and smaller palm trees with floral motifs in between. This Mycenaean  vase is distinguished by the high quality of clay and paint, and by the naturalistic rendering of the decoration. From the Mycenaean cemetery at Argive Deiras, Greece. 15th Century BC. Cat No 6725 Athens Archaeological Museum.
  • Three handled Mycenaean  Palace Style amphora with large palm trees symmetrically placed on the sides and smaller palm trees with floral motifs in between. This Mycenaean  vase is distinguished by the high quality of clay and paint, and by the naturalistic rendering of the decoration. From the Mycenaean cemetery at Argive Deiras, Greece. 15th Century BC. Cat No 6725 Athens Archaeological Museum.
  • Three handled Mycenaean  Palace Style amphora with three large octopuses within a marinescape of rocks and seaweed. A Mycenaean imitation of Minoan Marine Style. From the Mycenaean cemetery of Argive Prosymna, tomb 2, Greece. 15th Century BC. Cat No 6725 Athens Archaeological Museum.
  • Three handled Mycenaean  Palace Style amphora with three large octopuses within a marinescape of rocks and seaweed. A Mycenaean imitation of Minoan Marine Style. From the Mycenaean cemetery of Argive Prosymna, tomb 2, Greece. 15th Century BC. Cat No 6725 Athens Archaeological Museum.
  • Three handled Mycenaean  Palace Style amphora with three large octopuses within a marinescape of rocks and seaweed. A Mycenaean imitation of Minoan Marine Style. From the Mycenaean cemetery of Argive Prosymna, tomb 2, Greece. 15th Century BC. Cat No 6725 Athens Archaeological Museum.
  • Three handled Mycenaean  Palace Style amphora with three large octopuses within a marinescape of rocks and seaweed. A Mycenaean imitation of Minoan Marine Style. From the Mycenaean cemetery of Argive Prosymna, tomb 2, Greece. 15th Century BC. Cat No 6725 Athens Archaeological Museum.
  • Large wine krater known as "House of the Warrior Vase", showing men in full armour ( helmet, cuirass, greaves, shield and spear ) as they depart fro war with a sack of supplies hanging from their spears. A fine example of Mycenaean Pictoral Style. Mycenae acropolis, Greece. 12th century BC, cat no: 1426 ,  National Archaeological Museum, Athens.
  • Alabaster jug possibly imported from Minoan Crete.   Mycenae graves, Greece. 15th century BC,  National Archaeological Museum, Athens.
  • Photo of a Three handles "Palace Style" amphora with three large octopuses within a marines cape of rocks and seaweed. A mycenaean copy of a Minoan Marine Style.   Mycenae tomb 2, Greece. 15th century BC,  cat no: 6725, National Archaeological Museum, Athens.
  • Photo of a Three handles "Palace Style" amphora with three large octopuses within a marines cape of rocks and seaweed. A mycenaean copy of a Minoan Marine Style.   Mycenae tomb 2, Greece. 15th century BC,  cat no: 6725, National Archaeological Museum, Athens.
  • Photo of a  jug decorated with stylised birds bands showing Cycladic and Minoan influences.   Mycenae Grave find, Greece. 15th century BC,  ,  National Archaeological Museum, Athens.
  • Photo of a  jug decorated with stylised birds bands showing Cycladic and Minoan influences.   Mycenae Grave find, Greece. 15th century BC,  ,  National Archaeological Museum, Athens.
  • Photo of a  jug decorated with stylised birds bands showing Cycladic and Minoan influences.   Mycenae Grave find, Greece. 15th century BC,  ,  National Archaeological Museum, Athens.
  • Photo of a late Helladic jug decorated with serpentine bands showing Cycladic and Minoan influences.   Mycenae Shaft Grave V, Greece. 16th to early 15th century BC,  cat no: 950,  National Archaeological Museum, Athens.
  • Photo of a late Helladic jug decorated with serpentine bands showing Cycladic and Minoan influences.   Mycenae Shaft Grave V, Greece. 16th to early 15th century BC,  cat no: 950,  National Archaeological Museum, Athens.
  • Photo of a late Helladic jug decorated with serpentine bands showing Cycladic and Minoan influences.   Mycenae Shaft Grave V, Greece. 16th to early 15th century BC,  cat no: 950,  National Archaeological Museum, Athens.
  • Large wine krater known as "House of the Warrior Vase", showing men in full armour ( helmet, cuirass, greaves, shield and spear ) as they depart fro war with a sack of supplies hanging from their spears. A fine example of Mycenaean Pictoral Style. Mycenae acropolis, Greece. 12th century BC, cat no: 1426 ,  National Archaeological Museum, Athens.
  • Alabaster jug possibly imported from Minoan Crete.   Mycenae graves, Greece. 15th century BC,  National Archaeological Museum, Athens.
  • Alabaster jug possibly imported from Minoan Crete.   Mycenae graves, Greece. 15th century BC,  National Archaeological Museum, Athens.
  • Photo of a Three handles "Palace Style" amphora with three large octopuses within a marines cape of rocks and seaweed. A mycenaean copy of a Minoan Marine Style.   Mycenae tomb 2, Greece. 15th century BC,  cat no: 6725, National Archaeological Museum, Athens.
  • Photo of a  jug decorated with stylised birds bands showing Cycladic and Minoan influences.   Mycenae Grave find, Greece. 15th century BC,  ,  National Archaeological Museum, Athens.
  • Photo of a  jug decorated with stylised birds bands showing Cycladic and Minoan influences.   Mycenae Grave find, Greece. 15th century BC,  ,  National Archaeological Museum, Athens.
  • Photo of a late Helladic jug decorated with serpentine bands showing Cycladic and Minoan influences.   Mycenae Shaft Grave V, Greece. 16th to early 15th century BC,  cat no: 950,  National Archaeological Museum, Athens.
  • Photo of a late Helladic jug decorated with serpentine bands showing Cycladic and Minoan influences.   Mycenae Shaft Grave V, Greece. 16th to early 15th century BC,  cat no: 950,  National Archaeological Museum, Athens.
  • Three handled Mycenaean  Palace Style amphora with large palm trees symmetrically placed on the sides and smaller palm trees with floral motifs in between. This Mycenaean  vase is distinguished by the high quality of clay and paint, and by the naturalistic rendering of the decoration. From the Mycenaean cemetery at Argive Deiras, Greece. 15th Century BC. Cat No 6725 Athens Archaeological Museum.
  • Three handled Mycenaean  Palace Style amphora with large palm trees symmetrically placed on the sides and smaller palm trees with floral motifs in between. This Mycenaean  vase is distinguished by the high quality of clay and paint, and by the naturalistic rendering of the decoration. From the Mycenaean cemetery at Argive Deiras, Greece. 15th Century BC. Cat No 6725 Athens Archaeological Museum.
  • Three handled Mycenaean  Palace Style amphora with three large octopuses within a marinescape of rocks and seaweed. A Mycenaean imitation of Minoan Marine Style. From the Mycenaean cemetery of Argive Prosymna, tomb 2, Greece. 15th Century BC. Cat No 6725 Athens Archaeological Museum.
  • Three handled Mycenaean  Palace Style amphora with three large octopuses within a marinescape of rocks and seaweed. A Mycenaean imitation of Minoan Marine Style. From the Mycenaean cemetery of Argive Prosymna, tomb 2, Greece. 15th Century BC. Cat No 6725 Athens Archaeological Museum.
  • Three handled Mycenaean  Palace Style amphora with large palm trees symmetrically placed on the sides and smaller palm trees with floral motifs in between. This Mycenaean  vase is distinguished by the high quality of clay and paint, and by the naturalistic rendering of the decoration. From the Mycenaean cemetery at Argive Deiras, Greece. 15th Century BC. Cat No 6725 Athens Archaeological Museum.
  • Three handled Mycenaean  Palace Style amphora with large palm trees symmetrically placed on the sides and smaller palm trees with floral motifs in between. This Mycenaean  vase is distinguished by the high quality of clay and paint, and by the naturalistic rendering of the decoration. From the Mycenaean cemetery at Argive Deiras, Greece. 15th Century BC. Cat No 6725 Athens Archaeological Museum.
  • Large wine krater known as "House of the Warrior Vase", showing men in full armour ( helmet, cuirass, greaves, shield and spear ) as they depart fro war with a sack of supplies hanging from their spears. A fine example of Mycenaean Pictoral Style. Mycenae acropolis, Greece. 12th century BC, cat no: 1426 ,  National Archaeological Museum, Athens.
  • Alabaster jug possibly imported from Minoan Crete.   Mycenae graves, Greece. 15th century BC,  National Archaeological Museum, Athens.
  • Alabaster jug possibly imported from Minoan Crete.   Mycenae graves, Greece. 15th century BC,  National Archaeological Museum, Athens.
  • Alabaster jug possibly imported from Minoan Crete.   Mycenae graves, Greece. 15th century BC,  National Archaeological Museum, Athens.
  • Photo of a Three handles "Palace Style" amphora with three large octopuses within a marines cape of rocks and seaweed. A mycenaean copy of a Minoan Marine Style.   Mycenae tomb 2, Greece. 15th century BC,  cat no: 6725, National Archaeological Museum, Athens.
  • Photo of a  jug decorated with stylised birds bands showing Cycladic and Minoan influences.   Mycenae Grave find, Greece. 15th century BC,  ,  National Archaeological Museum, Athens.
  • Photo of a late Helladic jug decorated with serpentine bands showing Cycladic and Minoan influences.   Mycenae Shaft Grave V, Greece. 16th to early 15th century BC,  cat no: 950,  National Archaeological Museum, Athens.
  • Large wine krater known as "House of the Warrior Vase", showing men in full armour ( helmet, cuirass, greaves, shield and spear ) as they depart fro war with a sack of supplies hanging from their spears. A fine example of Mycenaean Pictoral Style. Mycenae acropolis, Greece. 12th century BC, cat no: 1426 ,  National Archaeological Museum, Athens.
  • Alabaster jug possibly imported from Minoan Crete.   Mycenae graves, Greece. 15th century BC,  National Archaeological Museum, Athens.
  • Photo of a Three handles "Palace Style" amphora with three large octopuses within a marines cape of rocks and seaweed. A mycenaean copy of a Minoan Marine Style.   Mycenae tomb 2, Greece. 15th century BC,  cat no: 6725, National Archaeological Museum, Athens.
  • Photo of a  jug decorated with stylised birds bands showing Cycladic and Minoan influences.   Mycenae Grave find, Greece. 15th century BC,  ,  National Archaeological Museum, Athens.
  • Photo of a late Helladic jug decorated with serpentine bands showing Cycladic and Minoan influences.   Mycenae Shaft Grave V, Greece. 16th to early 15th century BC,  cat no: 950,  National Archaeological Museum, Athens.
  • Photo of a late Helladic jug decorated with serpentine bands showing Cycladic and Minoan influences.   Mycenae Shaft Grave V, Greece. 16th to early 15th century BC,  cat no: 950,  National Archaeological Museum, Athens.
  • Inandik Hittite relief decorated cult libation vase with four decorative friezes featuring figures coloured in cream, red and black. The processional figures include musicians and acrobats processing to an altar, mid to late 16th century BC - İnandıktepe, Turkey. Against a warm art background
  • Inandik Hittite relief decorated cult libation vase with four decorative friezes featuring figures coloured in cream, red and black. The processional figures include musicians and acrobats processing to an altar, mid to late 16th century BC - İnandıktepe, Turkey
  • Close up of the Inandik Hittite relief decorated cult libation vase decorated with a women and man relief figures coloured in cream, red and black playing instruments, in the register below is a cult altar, mid to late 16th century BC - İnandıktepe, Turkey
  • Close up of the Inandik Hittite relief decorated cult libation vase decorated with women relief figures coloured in cream, red and black playing instruments, mid to late 16th century BC - İnandıktepe, Turkey. Against a white background
  • Close up of the Inandik Hittite relief decorated cult libation vase decorated with women relief figures coloured in cream, red and black playing instruments, mid to late 16th century BC - İnandıktepe, Turkey. Against a warm art background
  • Close up of the Inandik Hittite relief decorated cult libation vase decorated with relif figures coloured in cream, red and black. The processional figures include musicians and acrobats, mid to late 16th century BC - İnandıktepe, Turkey. Against a black background
  • Close up of the Inandik Hittite relief decorated cult libation vase decorated with relif figures coloured in cream, red and black. The processional figures include musicians and acrobats, mid to late 16th century BC - İnandıktepe, Turkey . Against a grey background
  • Close up of the Inandik Hittite relief decorated cult libation vase decorated with relif figures coloured in cream, red and black. The processional figures include musicians and acrobats, mid to late 16th century BC - İnandıktepe, Turkey. Against a warm art background
  • Inandik Hittite relief decorated cult libation vase with four decorative friezes featuring figures coloured in cream, red and black. In the top register is a couple having sex along with musicians and acrobats processing to an altar that can be seen in the second register, mid to late 16th century BC - İnandıktepe, Turkey . Against a grey background
  • Inandik Hittite relief decorated cult libation vase with four decorative friezes featuring figures coloured in cream, red and black. The processional figures include musicians and acrobats processing to an altar, mid to late 16th century BC - İnandıktepe, Turkey. Against a white background
  • Inandik Hittite relief decorated cult libation vase with four decorative friezes featuring figures coloured in cream, red and black. In the top register is a couple having sex along with musicians and acrobats processing to an altar that can be seen in the second register, mid to late 16th century BC - İnandıktepe, Turkey . Against a grey background
  • Inandik Hittite relief decorated cult libation vase with four decorative friezes featuring figures coloured in cream, red and black. The processional figures include musicians and acrobats processing to an altar, mid to late 16th century BC - İnandıktepe, Turkey . Against a grey background
  • Inandik Hittite relief decorated cult libation vase with four decorative friezes featuring figures coloured in cream, red and black. The processional figures include musicians and acrobats processing to an altar, mid to late 16th century BC - İnandıktepe, Turkey . Against a grey background
  • Inandik Hittite relief decorated cult libation vase with four decorative friezes featuring figures coloured in cream, red and black. The top two registers show  processional figures include musicians and acrobats processing round the vase, the third register from the top shows an altar -  mid to late 16th century BC - İnandıktepe, Turkey
  • Inandik Hittite relief decorated cult libation vase with four decorative friezes featuring figures coloured in cream, red and black. The processional figures include musicians and acrobats processing to an altar, mid to late 16th century BC - İnandıktepe, Turkey. Against a white background
  • Inandik Hittite relief decorated cult libation vase with four decorative friezes featuring figures coloured in cream, red and black. The processional figures include musicians and acrobats processing to an altar, mid to late 16th century BC - İnandıktepe, Turkey . Against a grey background
  • Inandik Hittite relief decorated cult libation vase with four decorative friezes featuring figures coloured in cream, red and black. The processional figures include musicians and acrobats processing to an altar, mid to late 16th century BC - İnandıktepe, Turkey. Against a black background
  • Inandik Hittite relief decorated cult libation vase with four decorative friezes featuring figures coloured in cream, red and black. The processional figures include musicians and acrobats processing to an altar, mid to late 16th century BC - İnandıktepe, Turkey . Against a warm art background
  • Inandik Hittite relief decorated cult libation vase with four decorative friezes featuring figures coloured in cream, red and black. The processional figures include musicians and acrobats processing to an altar, mid to late 16th century BC - İnandıktepe, Turkey
  • Inandik Hittite relief decorated cult libation vase with four decorative friezes featuring figures coloured in cream, red and black. The processional figures include musicians and acrobats processing to an altar, mid to late 16th century BC - İnandıktepe, Turkey. Against a white background
  • Inandik Hittite relief decorated cult libation vase with four decorative friezes featuring figures coloured in cream, red and black. The processional figures include musicians and acrobats processing to an altar, mid to late 16th century BC - İnandıktepe, Turkey. Against a black background
  • Inandik Hittite relief decorated cult libation vase with four decorative friezes featuring figures coloured in cream, red and black. The processional figures include musicians and acrobats processing to an altar, mid to late 16th century BC - İnandıktepe, Turkey . Against a grey background
  • Close up of the Inandik Hittite relief decorated cult libation vase decorated with a women and man relief figures coloured in cream, red and black playing instruments, in the register below is a cult altar, mid to late 16th century BC - İnandıktepe, Turkey. Against a white background
  • Close up of the Inandik Hittite relief decorated cult libation vase decorated with a women and man relief figures coloured in cream, red and black playing instruments, in the register below is a cult altar, mid to late 16th century BC - İnandıktepe, Turkey . Against a grey background
  • Close up of the Inandik Hittite relief decorated cult libation vase decorated with a women and man relief figures coloured in cream, red and black playing instruments, in the register below is a cult altar, mid to late 16th century BC - İnandıktepe, Turkey. Against a black background
  • Close up of the Inandik Hittite relief decorated cult libation vase decorated with a women and man relief figures coloured in cream, red and black playing instruments, in the register below is a cult altar, mid to late 16th century BC - İnandıktepe, Turkey. Against a warm art background
  • Close up of the Inandik Hittite relief decorated cult libation vase decorated with women relief figures coloured in cream, red and black playing instruments, mid to late 16th century BC - İnandıktepe, Turkey . Against a grey background
  • Close up of the Inandik Hittite relief decorated cult libation vase decorated with women relief figures coloured in cream, red and black playing instruments, mid to late 16th century BC - İnandıktepe, Turkey. Against a black background
  • Close up of the Inandik Hittite relief decorated cult libation vase decorated with women relief figures coloured in cream, red and black playing instruments, mid to late 16th century BC - İnandıktepe, Turkey
  • Close up of the Inandik Hittite relief decorated cult libation vase decorated with relif figures coloured in cream, red and black. The processional figures include musicians and acrobats, mid to late 16th century BC - İnandıktepe, Turkey. Against a white background
  • Close up of the Inandik Hittite relief decorated cult libation vase decorated with relif figures coloured in cream, red and black. The processional figures include musicians and acrobats, mid to late 16th century BC - İnandıktepe, Turkey
  • Inandik Hittite relief decorated cult libation vase with four decorative friezes featuring figures coloured in cream, red and black. In the top register is a couple having sex along with musicians and acrobats processing to an altar that can be seen in the second register, mid to late 16th century BC - İnandıktepe, Turkey. Against a black background
  • Inandik Hittite relief decorated cult libation vase with four decorative friezes featuring figures coloured in cream, red and black. In the top register is a couple having sex along with musicians and acrobats processing to an altar that can be seen in the second register, mid to late 16th century BC - İnandıktepe, Turkey. Against a white background
  • Inandik Hittite relief decorated cult libation vase with four decorative friezes featuring figures coloured in cream, red and black. In the top register is a couple having sex along with musicians and acrobats processing to an altar that can be seen in the second register, mid to late 16th century BC - İnandıktepe, Turkey. Against a warm art background
  • Inandik Hittite relief decorated cult libation vase with four decorative friezes featuring figures coloured in cream, red and black. In the top register is a couple having sex along with musicians and acrobats processing to an altar that can be seen in the second register, mid to late 16th century BC - İnandıktepe, Turkey
  • Inandik Hittite relief decorated cult libation vase with four decorative friezes featuring figures coloured in cream, red and black. The processional figures include musicians and acrobats processing to an altar, mid to late 16th century BC - İnandıktepe, Turkey. Against a white background
  • Inandik Hittite relief decorated cult libation vase with four decorative friezes featuring figures coloured in cream, red and black. The processional figures include musicians and acrobats processing to an altar, mid to late 16th century BC - İnandıktepe, Turkey. Against a black background
  • Inandik Hittite relief decorated cult libation vase with four decorative friezes featuring figures coloured in cream, red and black. The processional figures include musicians and acrobats processing to an altar, mid to late 16th century BC - İnandıktepe, Turkey . Against a grey background
  • Inandik Hittite relief decorated cult libation vase with four decorative friezes featuring figures coloured in cream, red and black. The processional figures include musicians and acrobats processing to an altar, mid to late 16th century BC - İnandıktepe, Turkey
  • Inandik Hittite relief decorated cult libation vase with four decorative friezes featuring figures coloured in cream, red and black. The processional figures include musicians and acrobats processing to an altar, mid to late 16th century BC - İnandıktepe, Turkey. Against a warm art background
  • Inandik Hittite relief decorated cult libation vase with four decorative friezes featuring figures coloured in cream, red and black. The processional figures include musicians and acrobats processing to an altar, mid to late 16th century BC - İnandıktepe, Turkey. Against a black background
  • Inandik Hittite relief decorated cult libation vase with four decorative friezes featuring figures coloured in cream, red and black. The processional figures include musicians and acrobats processing to an altar, mid to late 16th century BC - İnandıktepe, Turkey . Against a grey background
  • Inandik Hittite relief decorated cult libation vase with four decorative friezes featuring figures coloured in cream, red and black. The processional figures include musicians and acrobats processing to an altar, mid to late 16th century BC - İnandıktepe, Turkey. Against a warm art background
  • Inandik Hittite relief decorated cult libation vase with four decorative friezes featuring figures coloured in cream, red and black. The processional figures include musicians and acrobats processing to an altar, mid to late 16th century BC - İnandıktepe, Turkey
  • Inandik Hittite relief decorated cult libation vase with four decorative friezes featuring figures coloured in cream, red and black. In the top register is a couple having sex along with musicians and acrobats processing to an altar that can be seen in the second register, mid to late 16th century BC - İnandıktepe, Turkey. Against a white background
  • Inandik Hittite relief decorated cult libation vase with four decorative friezes featuring figures coloured in cream, red and black. In the top register is a couple having sex along with musicians and acrobats processing to an altar that can be seen in the second register, mid to late 16th century BC - İnandıktepe, Turkey. Against a black background
  • Inandik Hittite relief decorated cult libation vase with four decorative friezes featuring figures coloured in cream, red and black. In the top register is a couple having sex along with musicians and acrobats processing to an altar that can be seen in the second register, mid to late 16th century BC - İnandıktepe, Turkey
  • Inandik Hittite relief decorated cult libation vase with four decorative friezes featuring figures coloured in cream, red and black. In the top register is a couple having sex along with musicians and acrobats processing to an altar that can be seen in the second register, mid to late 16th century BC - İnandıktepe, Turkey. Against a warm art background
  • Inandik Hittite relief decorated cult libation vase with four decorative friezes featuring figures coloured in cream, red and black. The processional figures include musicians and acrobats processing to an altar, mid to late 16th century BC - İnandıktepe, Turkey. Against a white background
  • Inandik Hittite relief decorated cult libation vase with four decorative friezes featuring figures coloured in cream, red and black. The processional figures include musicians and acrobats processing to an altar, mid to late 16th century BC - İnandıktepe, Turkey. Against a black background
  • Inandik Hittite relief decorated cult libation vase with four decorative friezes featuring figures coloured in cream, red and black. The processional figures include musicians and acrobats processing to an altar, mid to late 16th century BC - İnandıktepe, Turkey. Against a warm art background
  • Inandik Hittite relief decorated cult libation vase with four decorative friezes featuring figures coloured in cream, red and black. The processional figures include musicians and acrobats processing to an altar, mid to late 16th century BC - İnandıktepe, Turkey
  • Inandik Hittite relief decorated cult libation vase with four decorative friezes featuring figures coloured in cream, red and black. The processional figures include musicians and acrobats processing to an altar, mid to late 16th century BC - İnandıktepe, Turkey. Against a white background
  • Inandik Hittite relief decorated cult libation vase with four decorative friezes featuring figures coloured in cream, red and black. The processional figures include musicians and acrobats processing to an altar, mid to late 16th century BC - İnandıktepe, Turkey. Against a black background
  • Inandik Hittite relief decorated cult libation vase with four decorative friezes featuring figures coloured in cream, red and black. The processional figures include musicians and acrobats processing to an altar, mid to late 16th century BC - İnandıktepe, Turkey
  • Inandik Hittite relief decorated cult libation vase with four decorative friezes featuring figures coloured in cream, red and black. The processional figures include musicians and acrobats processing to an altar, mid to late 16th century BC - İnandıktepe, Turkey. Against a warm art background
  • Inandik Hittite relief decorated cult libation vase with four decorative friezes featuring figures coloured in cream, red and black. The top two registers show  processional figures include musicians and acrobats processing round the vase, the third register from the top shows an altar -  mid to late 16th century BC - İnandıktepe, Turkey. Against a white background
  • Inandik Hittite relief decorated cult libation vase with four decorative friezes featuring figures coloured in cream, red and black. The top two registers show  processional figures include musicians and acrobats processing round the vase, the third register from the top shows an altar -  mid to late 16th century BC - İnandıktepe, Turkey. Against a black background
  • Inandik Hittite relief decorated cult libation vase with four decorative friezes featuring figures coloured in cream, red and black. The top two registers show  processional figures include musicians and acrobats processing round the vase, the third register from the top shows an altar -  mid to late 16th century BC - İnandıktepe, Turkey. Against a grey background
  • Inandik Hittite relief decorated cult libation vase with four decorative friezes featuring figures coloured in cream, red and black. The top two registers show  processional figures include musicians and acrobats processing round the vase, the third register from the top shows an altar -  mid to late 16th century BC - İnandıktepe, Turkey. Against a warm art background
  • Toprak Bagis Belgesi  cuneiform donation document. Hittite Period 1600 - 1450 BC.  Hattusa Boğazkale. Çorum Archaeological Museum, Corum, Turkey. Against a white bacground.
  • Toprak Bagis Belgesi  cuneiform donation document. Hittite Period 1600 - 1450 BC.  Hattusa Boğazkale. Çorum Archaeological Museum, Corum, Turkey. Against a warm art bacground.
  • Toprak Bagis Belgesi  cuneiform donation document of winter  pasture to the shepherds of Uhhiva city. Hittite Period 1600 - 1450 BC.  Hattusa Boğazkale. Çorum Archaeological Museum, Corum, Turkey.. Against a white bacground.<br />
<br />
The document reads "The Big King donates the summery and winter pastures with shepherds of Uhhiva city to his servant Hassuli, head of the guardians. No one shall have the right to claim against Hassuli or his grandchildren in the future. The Big King's word is made of iron, which can never be changed or broken. Whoever changes his word shall be beheaded. This tablet was written by Hanukkuli, Sarpa, head of Hittite palace guardians before Iskanussu, commander-in-chief."
  • Toprak Bagis Belgesi  cuneiform donation document of winter  pasture to the shepherds of Uhhiva city. Hittite Period 1600 - 1450 BC.  Hattusa Boğazkale. Çorum Archaeological Museum, Corum, Turkey.. Against a black bacground.<br />
<br />
The document reads "The Big King donates the summery and winter pastures with shepherds of Uhhiva city to his servant Hassuli, head of the guardians. No one shall have the right to claim against Hassuli or his grandchildren in the future. The Big King's word is made of iron, which can never be changed or broken. Whoever changes his word shall be beheaded. This tablet was written by Hanukkuli, Sarpa, head of Hittite palace guardians before Iskanussu, commander-in-chief."
  • Toprak Bagis Belgesi  cuneiform donation document of winter  pasture to the shepherds of Uhhiva city. Hittite Period 1600 - 1450 BC.  Hattusa Boğazkale. Çorum Archaeological Museum, Corum, Turkey. Against a grey bacground.<br />
<br />
The document reads "The Big King donates the summery and winter pastures with shepherds of Uhhiva city to his servant Hassuli, head of the guardians. No one shall have the right to claim against Hassuli or his grandchildren in the future. The Big King's word is made of iron, which can never be changed or broken. Whoever changes his word shall be beheaded. This tablet was written by Hanukkuli, Sarpa, head of Hittite palace guardians before Iskanussu, commander-in-chief."
  • Hittite bronze spear heads. Hittite Period 1650 - 1450 BC.  Hattusa Boğazkale. Çorum Archaeological Museum, Corum, Turkey
  • Hittite bronze decorated sword blade close up with writing. Hittite Period 1650 - 1450 BC.  Hattusa Boğazkale. Çorum Archaeological Museum, Corum, Turkey. Against a white bacground.
  • Hittite bronze decorated sword blade. Hittite Period 1650 - 1450 BC.  Hattusa Boğazkale. Çorum Archaeological Museum, Corum, Turkey. Against a white bacground.
  • Hittite bronze decorated sword blade. Hittite Period 1650 - 1450 BC.  Hattusa Boğazkale. Çorum Archaeological Museum, Corum, Turkey
  • Hittite terra cotta fragmants of a defenive wall tower shaped vessel . Hittite Period, 1600 - 1200 BC.  Hattusa Boğazkale. Çorum Archaeological Museum, Corum, Turkey. Against a black bacground.
  • Hittite terra cotta fragmants of a defenive wall tower shaped vessel . Hittite Period, 1600 - 1200 BC.  Hattusa Boğazkale. Çorum Archaeological Museum, Corum, Turkey. Against a grey bacground.
  • Hittite terra cotta fragmants of a defenive wall tower shaped vessel . Hittite Period, 1600 - 1200 BC.  Hattusa Boğazkale. Çorum Archaeological Museum, Corum, Turkey. Against a white bacground.
  • Hittite terra cotta fragmants of a defenive wall tower shaped vessel . Hittite Period, 1600 - 1200 BC.  Hattusa Boğazkale. Çorum Archaeological Museum, Corum, Turkey
  • Hittite terra cotta fragmants of a defenive wall tower shaped vessel . Hittite Period, 1600 - 1200 BC.  Hattusa Boğazkale. Çorum Archaeological Museum, Corum, Turkey. Against a black bacground.
  • Hittite terra cotta fragmants of a defenive wall tower shaped vessel . Hittite Period, 1600 - 1200 BC.  Hattusa Boğazkale. Çorum Archaeological Museum, Corum, Turkey. Against a warm art bacground.
  • Hittite terra cotta ceremonial libation vessel in the shape of a mug being held in a hand and an arm. Hittite Period, 1600 - 1200 BC.  Hattusa Boğazkale. Çorum Archaeological Museum, Corum, Turkey
  • Hittite terra cotta ceremonial libation vessel in the shape of a mug being held in a hand and an arm. Hittite Period, 1600 - 1200 BC.  Hattusa Boğazkale. Çorum Archaeological Museum, Corum, Turkey. Against a grey bacground.
  • Hittite terra cotta sleremonial libation rhython in the shape of a bull. Hittite Period, 1600 - 1200 BC.  Hattusa Boğazkale. Çorum Archaeological Museum, Corum, Turkey. Against a black bacground.
  • Hittite terra cotta sleremonial libation rhython in the shape of a bull. Hittite Period, 1600 - 1200 BC.  Hattusa Boğazkale. Çorum Archaeological Museum, Corum, Turkey. Against a white bacground.
  • Hittite terra cotta sleremonial libation rhython in the shape of a bull. Hittite Period, 1600 - 1200 BC.  Hattusa Boğazkale. Çorum Archaeological Museum, Corum, Turkey. Against a grey bacground.
  • Hittite terra cotta ceremonial libation rhython in the shape of a boar. Hittite Old Period, 1650 - 1450 BC.  Hattusa Boğazkale. Çorum Archaeological Museum, Corum, Turkey. Against a grey bacground.
  • Hittite terra cotta two handled drinking vessel. Hittite Period, 1600 - 1200 BC.  Hattusa Boğazkale. Çorum Archaeological Museum, Corum, Turkey. Against a black bacground.

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