• Three handled Mycenaean  Palace Style amphora with large palm trees symmetrically placed on the sides and smaller palm trees with floral motifs in between. This Mycenaean  vase is distinguished by the high quality of clay and paint, and by the naturalistic rendering of the decoration. From the Mycenaean cemetery at Argive Deiras, Greece. 15th Century BC. Cat No 6725 Athens Archaeological Museum.
  • Photo of a Three handles "Palace Style" amphora with three large octopuses within a marines cape of rocks and seaweed. A mycenaean copy of a Minoan Marine Style.   Mycenae tomb 2, Greece. 15th century BC,  cat no: 6725, National Archaeological Museum, Athens.
  • Three handled Mycenaean  Palace Style amphora with three large octopuses within a marinescape of rocks and seaweed. A Mycenaean imitation of Minoan Marine Style. From the Mycenaean cemetery of Argive Prosymna, tomb 2, Greece. 15th Century BC. Cat No 6725 Athens Archaeological Museum.
  • Three handled Mycenaean  Palace Style amphora with three large octopuses within a marinescape of rocks and seaweed. A Mycenaean imitation of Minoan Marine Style. From the Mycenaean cemetery of Argive Prosymna, tomb 2, Greece. 15th Century BC. Cat No 6725 Athens Archaeological Museum.
  • Large wine krater known as "House of the Warrior Vase", showing men in full armour ( helmet, cuirass, greaves, shield and spear ) as they depart fro war with a sack of supplies hanging from their spears. A fine example of Mycenaean Pictoral Style. Mycenae acropolis, Greece. 12th century BC, cat no: 1426 ,  National Archaeological Museum, Athens.
  • Large wine krater known as "House of the Warrior Vase", showing men in full armour ( helmet, cuirass, greaves, shield and spear ) as they depart fro war with a sack of supplies hanging from their spears. A fine example of Mycenaean Pictoral Style. Mycenae acropolis, Greece. 12th century BC, cat no: 1426 ,  National Archaeological Museum, Athens.
  • Three handled Mycenaean  Palace Style amphora with large palm trees symmetrically placed on the sides and smaller palm trees with floral motifs in between. This Mycenaean  vase is distinguished by the high quality of clay and paint, and by the naturalistic rendering of the decoration. From the Mycenaean cemetery at Argive Deiras, Greece. 15th Century BC. Cat No 6725 Athens Archaeological Museum.
  • Three handled Mycenaean  Palace Style amphora with large palm trees symmetrically placed on the sides and smaller palm trees with floral motifs in between. This Mycenaean  vase is distinguished by the high quality of clay and paint, and by the naturalistic rendering of the decoration. From the Mycenaean cemetery at Argive Deiras, Greece. 15th Century BC. Cat No 6725 Athens Archaeological Museum.
  • Three handled Mycenaean  Palace Style amphora with large palm trees symmetrically placed on the sides and smaller palm trees with floral motifs in between. This Mycenaean  vase is distinguished by the high quality of clay and paint, and by the naturalistic rendering of the decoration. From the Mycenaean cemetery at Argive Deiras, Greece. 15th Century BC. Cat No 6725 Athens Archaeological Museum.
  • Photo of a Three handles "Palace Style" amphora with three large octopuses within a marines cape of rocks and seaweed. A mycenaean copy of a Minoan Marine Style.   Mycenae tomb 2, Greece. 15th century BC,  cat no: 6725, National Archaeological Museum, Athens.
  • Photo of a Three handles "Palace Style" amphora with three large octopuses within a marines cape of rocks and seaweed. A mycenaean copy of a Minoan Marine Style.   Mycenae tomb 2, Greece. 15th century BC,  cat no: 6725, National Archaeological Museum, Athens.
  • Three handled Mycenaean  Palace Style amphora with three large octopuses within a marinescape of rocks and seaweed. A Mycenaean imitation of Minoan Marine Style. From the Mycenaean cemetery of Argive Prosymna, tomb 2, Greece. 15th Century BC. Cat No 6725 Athens Archaeological Museum.
  • Three handled Mycenaean  Palace Style amphora with three large octopuses within a marinescape of rocks and seaweed. A Mycenaean imitation of Minoan Marine Style. From the Mycenaean cemetery of Argive Prosymna, tomb 2, Greece. 15th Century BC. Cat No 6725 Athens Archaeological Museum.
  • Three handled Mycenaean  Palace Style amphora with three large octopuses within a marinescape of rocks and seaweed. A Mycenaean imitation of Minoan Marine Style. From the Mycenaean cemetery of Argive Prosymna, tomb 2, Greece. 15th Century BC. Cat No 6725 Athens Archaeological Museum.
  • Three handled Mycenaean  Palace Style amphora with large palm trees symmetrically placed on the sides and smaller palm trees with floral motifs in between. This Mycenaean  vase is distinguished by the high quality of clay and paint, and by the naturalistic rendering of the decoration. From the Mycenaean cemetery at Argive Deiras, Greece. 15th Century BC. Cat No 6725 Athens Archaeological Museum.
  • Photo of a Three handles "Palace Style" amphora with three large octopuses within a marines cape of rocks and seaweed. A mycenaean copy of a Minoan Marine Style.   Mycenae tomb 2, Greece. 15th century BC,  cat no: 6725, National Archaeological Museum, Athens.
  • Photo of a Three handles "Palace Style" amphora with three large octopuses within a marines cape of rocks and seaweed. A mycenaean copy of a Minoan Marine Style.   Mycenae tomb 2, Greece. 15th century BC,  cat no: 6725, National Archaeological Museum, Athens.
  • Gold Death Mask Known as the "mask of Agamemnon"  from Grave V, Grave Circle A, Mycenae. The mask is made of a thin sheet of beaten gold & shows a man with a beard. 16th century BC. Cat No 624 Athens Archaeological Museum.
  • Gold Death Mask Known as the "mask of Agamemnon"  from Grave V, Grave Circle A, Mycenae. The mask is made of a thin sheet of beaten gold & shows a man with a beard. 16th century BC. Cat No 624 Athens Archaeological Museum.
  • Gold Death Mask  from Grave V, Grave Circle A, Mycenae. The mask is made of a thin sheet of beaten gold and is the only mask from grave circle A with eyes open. 16th century BC. Cat No 259 Athens Archaeological Museum.
  • Boar's tusk helmet with cheek guards and double bone hook on top. Tomb 515 Mycenae, Greece. 14th-15th century BC. National Archaeological Museum, Athens.. The Boar's tusk helmet was described in the Iliad as follows "Meriones gave Odysseus a bow, a quiver and a sword, and put a cleverly made leather helmet on his head. On the inside there was a strong lining on interwoven straps, onto which a felt cap had been sewn in. The outside was cleverly adorned all around with rows of white tusks from a shiny-toothed boar, the tusks running in alternate directions in each row.<br />
—Homer, Iliad 10.260–5"
  • Gold Death Mask Known from Grave IV, Grave Circle A, Mycenae. 16th Century BC. The mask is made of a thin sheet of beaten gold . 16th century BC. Cat No 253 Athens Archaeological Museum.
  • Gold Death Mask Known from Grave IV, Grave Circle A, Mycenae. 16th Century BC. The mask is made of a thin sheet of beaten gold . 16th century BC. Cat No 253 Athens Archaeological Museum.
  • Gold Death Mask Known from Grave IV, Grave Circle A, Mycenae. 16th Century BC. The mask is made of a thin sheet of beaten gold . 16th century BC. Cat No 253 Athens Archaeological Museum.
  • Gold Death Mask Known from Grave IV, Grave Circle A, Mycenae. 16th Century BC. The mask is made of a thin sheet of beaten gold . 16th century BC. Cat No 253 Athens Archaeological Museum.
  • Gold Death Mask  from Grave Circle A, Mycenae. 16th Century BC. The mask is made of a thin sheet of beaten gold . 16th century BC.  Athens Archaeological Museum.
  • Gold Death Mask  from Grave Circle A, Mycenae. 16th Century BC. The mask is made of a thin sheet of beaten gold . 16th century BC.  Athens Archaeological Museum.
  • Gold Death Mask  from Grave Circle A, Mycenae. 16th Century BC. The mask is made of a thin sheet of beaten gold . 16th century BC.  Athens Archaeological Museum.
  • Gold Death Mask  from Grave Circle A, Mycenae. 16th Century BC. The mask is made of a thin sheet of beaten gold . 16th century BC.  Athens Archaeological Museum.
  • Gold Death Mask  from Grave Circle A, Mycenae. 16th Century BC. The mask is made of a thin sheet of beaten gold . 16th century BC.  Athens Archaeological Museum.
  • Gold Death Mask Known as the "mask of Agamemnon"  from Grave V, Grave Circle A, Mycenae. The mask is made of a thin sheet of beaten gold & shows a man with a beard. 16th century BC. Cat No 624 Athens Archaeological Museum.
  • Gold Death Mask Known as the "mask of Agamemnon"  from Grave V, Grave Circle A, Mycenae. The mask is made of a thin sheet of beaten gold & shows a man with a beard. 16th century BC. Cat No 624 Athens Archaeological Museum.
  • Gold Death Mask  from Grave V, Grave Circle A, Mycenae. The mask is made of a thin sheet of beaten gold and is the only mask from grave circle A with eyes open. 16th century BC. Cat No 259 Athens Archaeological Museum.
  • Gold Death Mask  from Grave V, Grave Circle A, Mycenae. The mask is made of a thin sheet of beaten gold and is the only mask from grave circle A with eyes open. 16th century BC. Cat No 259 Athens Archaeological Museum.
  • Boar's tusk helmet with cheek guards and double bone hook on top. Tomb 515 Mycenae, Greece. 14th-15th century BC. National Archaeological Museum, Athens.. The Boar's tusk helmet was described in the Iliad as follows "Meriones gave Odysseus a bow, a quiver and a sword, and put a cleverly made leather helmet on his head. On the inside there was a strong lining on interwoven straps, onto which a felt cap had been sewn in. The outside was cleverly adorned all around with rows of white tusks from a shiny-toothed boar, the tusks running in alternate directions in each row.<br />
—Homer, Iliad 10.260–5"
  • Gold Death Mask Known from Grave IV, Grave Circle A, Mycenae. 16th Century BC. The mask is made of a thin sheet of beaten gold . 16th century BC. Cat No 253 Athens Archaeological Museum.
  • Gold Death Mask Known as the "mask of Agamemnon"  from Grave V, Grave Circle A, Mycenae. The mask is made of a thin sheet of beaten gold & shows a man with a beard. 16th century BC. Cat No 624 Athens Archaeological Museum.
  • Gold Death Mask  from Grave V, Grave Circle A, Mycenae. The mask is made of a thin sheet of beaten gold and is the only mask from grave circle A with eyes open. 16th century BC. Cat No 259 Athens Archaeological Museum.
  • Gold Death Mask  from Grave V, Grave Circle A, Mycenae. The mask is made of a thin sheet of beaten gold and is the only mask from grave circle A with eyes open. 16th century BC. Cat No 259 Athens Archaeological Museum.
  • Boar's tusk helmet with cheek guards and double bone hook on top. Tomb 515 Mycenae, Greece. 14th-15th century BC. National Archaeological Museum, Athens.. The Boar's tusk helmet was described in the Iliad as follows "Meriones gave Odysseus a bow, a quiver and a sword, and put a cleverly made leather helmet on his head. On the inside there was a strong lining on interwoven straps, onto which a felt cap had been sewn in. The outside was cleverly adorned all around with rows of white tusks from a shiny-toothed boar, the tusks running in alternate directions in each row.<br />
—Homer, Iliad 10.260–5"
  • Boar's tusk helmet with cheek guards and double bone hook on top. Tomb 515 Mycenae, Greece. 14th-15th century BC. National Archaeological Museum, Athens.. The Boar's tusk helmet was described in the Iliad as follows "Meriones gave Odysseus a bow, a quiver and a sword, and put a cleverly made leather helmet on his head. On the inside there was a strong lining on interwoven straps, onto which a felt cap had been sewn in. The outside was cleverly adorned all around with rows of white tusks from a shiny-toothed boar, the tusks running in alternate directions in each row.<br />
—Homer, Iliad 10.260–5"
  • Boar's tusk helmet with cheek guards and double bone hook on top. Tomb 515 Mycenae, Greece. 14th-15th century BC. National Archaeological Museum, Athens.. The Boar's tusk helmet was described in the Iliad as follows "Meriones gave Odysseus a bow, a quiver and a sword, and put a cleverly made leather helmet on his head. On the inside there was a strong lining on interwoven straps, onto which a felt cap had been sewn in. The outside was cleverly adorned all around with rows of white tusks from a shiny-toothed boar, the tusks running in alternate directions in each row.<br />
—Homer, Iliad 10.260–5"
  • Minoan Theran style strainer jar decorated with spirals on a dark background, Akrotiri, Thira (Santorini) National Archaeological Museum Athens. 17th-16th cent BC.<br />
<br />
This style of strainer jar is characteristic of Theran Minoan pottery also found on Minoan Crete. A strainer incorporated into the jar probably allowed it to be used in the manufacture of aramatic oils or as an incense burner.
  • Minoan Theran style strainer jar decorated with lilies on a dark background, Akrotiri, Thira (Santorini) National Archaeological Museum Athens. 17th-16th cent BC.<br />
<br />
This style of strainer jar is characteristic of Theran Minoan pottery also found on Minoan Crete. A strainer incorporated into the jar probably allowed it to be used in the manufacture of aramatic oils or as an incense burner.
  • Minoan cay vase with painted lilies on a dark background from Akrotiri, Thira (Santorini), National Archaeological Museum Athens. 17th-16th cent BC.<br />
<br />
This fine example of Minoan Theran polychrome pottery depicts two lions or panthers in full flight with two eyes on its spout. By the same painter as the 'Dolphing Jugs'  From the French Archaeological School in Athens collection.
  • Minoan cay vase with painted lilies on a dark background from Akrotiri, Thira (Santorini), National Archaeological Museum Athens. 17th-16th cent BC.<br />
<br />
This fine example of Minoan Theran polychrome pottery depicts two lions or panthers in full flight with two eyes on its spout. By the same painter as the 'Dolphing Jugs'  From the French Archaeological School in Athens collection.
  • 'Flying gallop' clay vase. Minoan Polychrome arge jug with eyes on its spout and lions or panthers, Akrotiri, Thira (Santorini) National Archaeological Museum Athens. 17th-16th cent BC.<br />
<br />
This fine example of Minoan Theran polychrome pottery depicts two lions or panthers in full flight with two eyes on its spout. By the same painter as the 'Dolphing Jugs'  From the French Archaeological School in Athens collection.
  • Spherical jug spiral and floral decorated. Early Cycladic I (1650-1550 BC); Phylakopi; Melos. National Archaeological Museum Athens. Cat No 5818.<br />
<br />
During this Cycladic period the pottery designs were heavily influenced by Cretean minoan with pottery.
  • Spherical jug spiral and floral decorated. Early Cycladic I (1650-1550 BC); Phylakopi; Melos. National Archaeological Museum Athens. Cat No 5818.  Gray background.<br />
<br />
<br />
During this Cycladic period the pottery designs were heavily influenced by Cretean minoan with pottery.
  • Bridge spouted jug bird decorated. Early Cycladic I (1650-1550 BC); Phylakopi; Melos. National Archaeological Museum Athens. Cat No 5768.  Gray background.<br />
<br />
<br />
During this Cycladic period the pottery designs were heavily influenced by Cretean minoan with pottery like this using bird patterns.
  • Minoan Theran style strainer jar decorated with spirals on a dark background, Akrotiri, Thira (Santorini) National Archaeological Museum Athens. 17th-16th cent BC.<br />
<br />
This style of strainer jar is characteristic of Theran Minoan pottery also found on Minoan Crete. A strainer incorporated into the jar probably allowed it to be used in the manufacture of aramatic oils or as an incense burner.
  • Minoan Theran style strainer jar decorated with spirals on a dark background, Akrotiri, Thira (Santorini) National Archaeological Museum Athens. 17th-16th cent BC.<br />
<br />
This style of strainer jar is characteristic of Theran Minoan pottery also found on Minoan Crete. A strainer incorporated into the jar probably allowed it to be used in the manufacture of aramatic oils or as an incense burner.
  • Minoan cay vase with painted lilies on a dark background from Akrotiri, Thira (Santorini), National Archaeological Museum Athens. 17th-16th cent BC.<br />
<br />
This fine example of Minoan Theran polychrome pottery depicts two lions or panthers in full flight with two eyes on its spout. By the same painter as the 'Dolphing Jugs'  From the French Archaeological School in Athens collection.
  • Minoan cay vase with painted lilies on a dark background from Akrotiri, Thira (Santorini), National Archaeological Museum Athens. 17th-16th cent BC.<br />
<br />
This fine example of Minoan Theran polychrome pottery depicts two lions or panthers in full flight with two eyes on its spout. By the same painter as the 'Dolphing Jugs'  From the French Archaeological School in Athens collection.
  • 'Flying gallop' clay vase. Minoan Polychrome arge jug with eyes on its spout and lions or panthers, Akrotiri, Thira (Santorini) National Archaeological Museum Athens. 17th-16th cent BC.<br />
<br />
This fine example of Minoan Theran polychrome pottery depicts two lions or panthers in full flight with two eyes on its spout. By the same painter as the 'Dolphing Jugs'  From the French Archaeological School in Athens collection.
  • 'Flying gallop' clay vase. Minoan Polychrome arge jug with eyes on its spout and lions or panthers, Akrotiri, Thira (Santorini) National Archaeological Museum Athens. 17th-16th cent BC.<br />
<br />
This fine example of Minoan Theran polychrome pottery depicts two lions or panthers in full flight with two eyes on its spout. By the same painter as the 'Dolphing Jugs'  From the French Archaeological School in Athens collection.
  • Cycladic 'Kastri Group' tea pot.  Early Cycladic III (2300-2000 BC) , Phylakopi I, Melos. National Archaeological Museum Athens. Cat No 6104 1-3.<br />
<br />
The 'Kastri Group' from Syros (2500-2300 BC) coincides with the introdution of anatolian shpes of table ware and with the use of the ceramic wheel. The pottery is dark burnished with incised motifs<br />
<br />
During this period pottery was plainer with simple geometric decorations. Depicts of birds or lowers were rare.
  • Cycladic amphora with bird decoration.  Cycladic III (2300-2000 BC) , Phylakopi, Melos. National Archaeological Museum Athens. cat no 5748.  Black background.<br />
<br />
<br />
During this Ctcladic period pottery was predominatly monochrome and brnished , this amphora is a rare example of bird decorated pottery from the era
  • Cycladic amphora with bird decoration.  Cycladic III (2300-2000 BC) , Phylakopi, Melos. National Archaeological Museum Athens. cat no 5748. <br />
<br />
During this Ctcladic period pottery was predominatly monochrome and brnished , this amphora is a rare example of bird decorated pottery from the era
  • Spherical jug spiral and floral decorated. Early Cycladic I (1650-1550 BC); Phylakopi; Melos. National Archaeological Museum Athens. Cat No 5818.  Grey background.<br />
<br />
<br />
During this Cycladic period the pottery designs were heavily influenced by Cretean minoan with pottery.
  • Bridge spouted jug bird decorated. Early Cycladic I (1650-1550 BC); Phylakopi; Melos. National Archaeological Museum Athens. Cat No 5768. Black background.<br />
<br />
<br />
During this Cycladic period the pottery designs were heavily influenced by Cretean minoan with pottery like this using bird patterns.
  • Bridge spouted jug bird decorated. Early Cycladic I (1650-1550 BC); Phylakopi; Melos. National Archaeological Museum Athens. Cat No 5768.  White background.<br />
<br />
<br />
During this Cycladic period the pottery designs were heavily influenced by Cretean minoan with pottery like this using bird patterns.
  • Beak spouted jug decorated with flowering crocus. Early Cycladic I (1650-1550 BC) , Phylakopi, Melos. National Archaeological Museum Athens. Cat No 5769.  White background.<br />
<br />
<br />
During this Cycladic period the pottery designs were heavily influenced by Cretean minoan with pottery like this using floral patterns.
  • Beak spouted jug decorated with flowering crocus. Early Cycladic I (1650-1550 BC) , Phylakopi, Melos. National Archaeological Museum Athens. Cat No 5769.  Grey background.<br />
<br />
<br />
During this Cycladic period the pottery designs were heavily influenced by Cretean minoan with pottery like this using floral patterns.
  • Beak spouted jug decorated with flowering crocus. Early Cycladic I (1650-1550 BC) , Phylakopi, Melos. National Archaeological Museum Athens. Cat No 5769.<br />
<br />
During this Cycladic period the pottery designs were heavily influenced by Cretean minoan with pottery like this using floral patterns.
  • Minoan Theran style strainer jar decorated with spirals on a dark background, Akrotiri, Thira (Santorini) National Archaeological Museum Athens. 17th-16th cent BC.<br />
<br />
This style of strainer jar is characteristic of Theran Minoan pottery also found on Minoan Crete. A strainer incorporated into the jar probably allowed it to be used in the manufacture of aramatic oils or as an incense burner.
  • Minoan Theran style strainer jar decorated with spirals on a dark background, Akrotiri, Thira (Santorini) National Archaeological Museum Athens. 17th-16th cent BC.<br />
<br />
This style of strainer jar is characteristic of Theran Minoan pottery also found on Minoan Crete. A strainer incorporated into the jar probably allowed it to be used in the manufacture of aramatic oils or as an incense burner.
  • Minoan Theran style strainer jar decorated with lilies on a dark background, Akrotiri, Thira (Santorini) National Archaeological Museum Athens. 17th-16th cent BC.<br />
<br />
This style of strainer jar is characteristic of Theran Minoan pottery also found on Minoan Crete. A strainer incorporated into the jar probably allowed it to be used in the manufacture of aramatic oils or as an incense burner.
  • Minoan Theran style strainer jar decorated with lilies on a dark background, Akrotiri, Thira (Santorini) National Archaeological Museum Athens. 17th-16th cent BC.<br />
<br />
This style of strainer jar is characteristic of Theran Minoan pottery also found on Minoan Crete. A strainer incorporated into the jar probably allowed it to be used in the manufacture of aramatic oils or as an incense burner.
  • Minoan Theran style strainer jar decorated with lilies on a dark background, Akrotiri, Thira (Santorini) National Archaeological Museum Athens. 17th-16th cent BC.<br />
<br />
This style of strainer jar is characteristic of Theran Minoan pottery also found on Minoan Crete. A strainer incorporated into the jar probably allowed it to be used in the manufacture of aramatic oils or as an incense burner.
  • Minoan Theran style strainer jar decorated with lilies on a dark background, Akrotiri, Thira (Santorini) National Archaeological Museum Athens. 17th-16th cent BC.<br />
<br />
This style of strainer jar is characteristic of Theran Minoan pottery also found on Minoan Crete. A strainer incorporated into the jar probably allowed it to be used in the manufacture of aramatic oils or as an incense burner.
  • Minoan cay vase with painted lilies on a dark background from Akrotiri, Thira (Santorini), National Archaeological Museum Athens. 17th-16th cent BC.<br />
<br />
This fine example of Minoan Theran polychrome pottery depicts two lions or panthers in full flight with two eyes on its spout. By the same painter as the 'Dolphing Jugs'  From the French Archaeological School in Athens collection.
  • Minoan cay vase with painted lilies on a dark background from Akrotiri, Thira (Santorini), National Archaeological Museum Athens. 17th-16th cent BC.<br />
<br />
This fine example of Minoan Theran polychrome pottery depicts two lions or panthers in full flight with two eyes on its spout. By the same painter as the 'Dolphing Jugs'  From the French Archaeological School in Athens collection.
  • 'Flying gallop' clay vase. Minoan Polychrome arge jug with eyes on its spout and lions or panthers, Akrotiri, Thira (Santorini) National Archaeological Museum Athens. 17th-16th cent BC.<br />
<br />
This fine example of Minoan Theran polychrome pottery depicts two lions or panthers in full flight with two eyes on its spout. By the same painter as the 'Dolphing Jugs'  From the French Archaeological School in Athens collection.
  • 'Flying gallop' clay vase. Minoan Polychrome arge jug with eyes on its spout and lions or panthers, Akrotiri, Thira (Santorini) National Archaeological Museum Athens. 17th-16th cent BC.<br />
<br />
This fine example of Minoan Theran polychrome pottery depicts two lions or panthers in full flight with two eyes on its spout. By the same painter as the 'Dolphing Jugs'  From the French Archaeological School in Athens collection.
  • Cycladic 'Kastri Group' tea pot.  Early Cycladic III (2300-2000 BC) , Phylakopi I, Melos. National Archaeological Museum Athens. Cat No 6104 1-3. Black background.<br />
<br />
<br />
The 'Kastri Group' from Syros (2500-2300 BC) coincides with the introdution of anatolian shpes of table ware and with the use of the ceramic wheel. The pottery is dark burnished with incised motifs<br />
<br />
During this period pottery was plainer with simple geometric decorations. Depicts of birds or lowers were rare.
  • Cycladic 'Kastri Group' tea pot.  Early Cycladic III (2300-2000 BC) , Phylakopi I, Melos. National Archaeological Museum Athens. Cat No 6104 1-3.  White background.<br />
<br />
<br />
The 'Kastri Group' from Syros (2500-2300 BC) coincides with the introdution of anatolian shpes of table ware and with the use of the ceramic wheel. The pottery is dark burnished with incised motifs<br />
<br />
During this period pottery was plainer with simple geometric decorations. Depicts of birds or lowers were rare.
  • Cycladic 'Kastri Group' tea pot.  Early Cycladic III (2300-2000 BC) , Phylakopi I, Melos. National Archaeological Museum Athens. Cat No 6104 1-3.<br />
<br />
The 'Kastri Group' from Syros (2500-2300 BC) coincides with the introdution of anatolian shpes of table ware and with the use of the ceramic wheel. The pottery is dark burnished with incised motifs<br />
<br />
During this period pottery was plainer with simple geometric decorations. Depicts of birds or lowers were rare.
  • Cycladic 'Kastri Group' tea pot.  Early Cycladic III (2300-2000 BC) , Phylakopi I, Melos. National Archaeological Museum Athens. Cat No 6104 1-3.  Gray background.<br />
<br />
<br />
The 'Kastri Group' from Syros (2500-2300 BC) coincides with the introdution of anatolian shpes of table ware and with the use of the ceramic wheel. The pottery is dark burnished with incised motifs<br />
<br />
During this period pottery was plainer with simple geometric decorations. Depicts of birds or lowers were rare.
  • Cycladic amphora with bird decoration.  Cycladic III (2300-2000 BC) , Phylakopi, Melos. National Archaeological Museum Athens. cat no 5748.   White background.<br />
<br />
<br />
During this Ctcladic period pottery was predominatly monochrome and brnished , this amphora is a rare example of bird decorated pottery from the era
  • Cycladic amphora with bird decoration.  Cycladic III (2300-2000 BC) , Phylakopi, Melos. National Archaeological Museum Athens. cat no 5748.   Grey background.<br />
<br />
<br />
During this Ctcladic period pottery was predominatly monochrome and brnished , this amphora is a rare example of bird decorated pottery from the era
  • Cycladic amphora with bird decoration.  Cycladic III (2300-2000 BC) , Phylakopi, Melos. National Archaeological Museum Athens. cat no 5748.   Gray background.<br />
<br />
<br />
During this Ctcladic period pottery was predominatly monochrome and brnished , this amphora is a rare example of bird decorated pottery from the era
  • Spherical jug spiral and floral decorated. Early Cycladic I (1650-1550 BC); Phylakopi; Melos. National Archaeological Museum Athens. Cat No 5818.  White background.<br />
<br />
<br />
During this Cycladic period the pottery designs were heavily influenced by Cretean minoan with pottery.
  • Spherical jug spiral and floral decorated. Early Cycladic I (1650-1550 BC); Phylakopi; Melos. National Archaeological Museum Athens. Cat No 5818. Black background.<br />
<br />
<br />
During this Cycladic period the pottery designs were heavily influenced by Cretean minoan with pottery.
  • Bridge spouted jug bird decorated. Early Cycladic I (1650-1550 BC); Phylakopi; Melos. National Archaeological Museum Athens. Cat No 5768.  Grey background.<br />
<br />
<br />
During this Cycladic period the pottery designs were heavily influenced by Cretean minoan with pottery like this using bird patterns.
  • Bridge spouted jug bird decorated. Early Cycladic I (1650-1550 BC); Phylakopi; Melos. National Archaeological Museum Athens. Cat No 5768.<br />
<br />
During this Cycladic period the pottery designs were heavily influenced by Cretean minoan with pottery like this using bird patterns.
  • Beak spouted jug decorated with flowering crocus. Early Cycladic I (1650-1550 BC) , Phylakopi, Melos. National Archaeological Museum Athens. Cat No 5769. Black background.<br />
<br />
During this Cycladic period the pottery designs were heavily influenced by Cretean minoan with pottery like this using floral patterns.
  • Beak spouted jug decorated with flowering crocus. Early Cycladic I (1650-1550 BC) , Phylakopi, Melos. National Archaeological Museum Athens. Cat No 5769.  Gray background.<br />
<br />
<br />
During this Cycladic period the pottery designs were heavily influenced by Cretean minoan with pottery like this using floral patterns.
  • Cycladic Kernos a multiple vessel in a base.  Early Cycladic III (2300-2000 BC) , Phylakopi, Melos. National Archaeological Museum Athens. Cat No 5829.<br />
<br />
This complex vessel was used for ritual offerings. During this period pottery was plainer with simple geometric decorations. Depicts of birds or lowers were rare.
  • Cycladic askos with hatched painted decoration.  Cycladic III (2300-2000 BC) , Phylakopi, Melos. National Archaeological Museum Athens. Cat no 5826.  Black background.<br />
<br />
<br />
Decorated pottery is rare during this Ccladic period. This Cycladic askos has vertical handle on top with a spout. It has painted decoration of hatched bands and a lozenge pattern
  • Cycladic footed necked jar with impressed decration.  Early Cycladic III (2300-2000 BC) , Phylakopi I, Melos. National Archaeological Museum Athens. Cat No 6168.  White background.<br />
<br />
<br />
During this period pottery was often monochrome with polised slip finishes sometimes with incised or impressed decorations.
  • Cycladic footed necked jar with impressed decration.  Early Cycladic III (2300-2000 BC) , Phylakopi I, Melos. National Archaeological Museum Athens. Cat No 6168. Black background.<br />
<br />
<br />
During this period pottery was often monochrome with polised slip finishes sometimes with incised or impressed decorations.
  • Cycladic footed necked jar with impressed decration.  Early Cycladic III (2300-2000 BC) , Phylakopi I, Melos. National Archaeological Museum Athens. Cat No 6168.  Grey background.<br />
<br />
<br />
During this period pottery was often monochrome with polised slip finishes sometimes with incised or impressed decorations.
  • Cycladic pithos with geometric designs.  Early Cycladic III (2300-2000 BC) , Phylakopi, Melos. National Archaeological Museum Athens. Cat No 5831.  White background.<br />
<br />
<br />
During this period pottery was plainer with simple geometric decorations. Depicts of birds or lowers were rare.
  • Cycladic pithos with geometric designs.  Early Cycladic III (2300-2000 BC) , Phylakopi, Melos. National Archaeological Museum Athens. Cat No 5831. Black background.<br />
<br />
<br />
During this period pottery was plainer with simple geometric decorations. Depicts of birds or lowers were rare.
  • Burnished monochrome Cycladic animal shaped wase with geometric incissions.  Cycladic III (2300-2000 BC) , Phylakopi, Melos. National Archaeological Museum Athens. Cat No 5697-8.  White background.<br />
<br />
<br />
Pottery from this Cycladic era was predominatly monochrome and burnished with linear motifs. Flower and bird designs were rare .
  • Burnished monochrome Cycladic animal shaped wase with geometric incissions.  Cycladic III (2300-2000 BC) , Phylakopi, Melos. National Archaeological Museum Athens. Cat No 5697-8.  Grey background.<br />
<br />
<br />
Pottery from this Cycladic era was predominatly monochrome and burnished with linear motifs. Flower and bird designs were rare .
  • Burnished monochrome Cycladic animal shaped wase with geometric incissions.  Cycladic III (2300-2000 BC) , Phylakopi, Melos. National Archaeological Museum Athens. Cat No 5697-8.<br />
<br />
Pottery from this Cycladic era was predominatly monochrome and burnished with linear motifs. Flower and bird designs were rare .
  • Burnished monochrome Cycladic animal shaped wase with geometric incissions.  Cycladic III (2300-2000 BC) , Phylakopi, Melos. National Archaeological Museum Athens. Cat No 5697-8.  Gray background.<br />
<br />
<br />
Pottery from this Cycladic era was predominatly monochrome and burnished with linear motifs. Flower and bird designs were rare .
  • Burnished monochrome Cycladic ring shaped wase with geometric incissions.  Cycladic III (2300-2000 BC) , Phylakopi, Melos. National Archaeological Museum Athens. Cat No 5697-8.  White background.<br />
<br />
<br />
Pottery from this Cycladic era was predominatly monochrome and burnished with linear motifs. Flower and bird designs were rare .
  • Burnished monochrome Cycladic ring shaped wase with geometric incissions.  Cycladic III (2300-2000 BC) , Phylakopi, Melos. National Archaeological Museum Athens. Cat No 5697-8. Black background.<br />
<br />
<br />
Pottery from this Cycladic era was predominatly monochrome and burnished with linear motifs. Flower and bird designs were rare .
  • Burnished monochrome Cycladic ring shaped wase with geometric incissions.  Cycladic III (2300-2000 BC) , Phylakopi, Melos. National Archaeological Museum Athens. Cat No 5697-8.  Grey background.<br />
<br />
<br />
Pottery from this Cycladic era was predominatly monochrome and burnished with linear motifs. Flower and bird designs were rare .
  • Burnished monochrome Cycladic ring shaped wase with geometric incissions.  Cycladic III (2300-2000 BC) , Phylakopi, Melos. National Archaeological Museum Athens. Cat No 5697-8.<br />
<br />
Pottery from this Cycladic era was predominatly monochrome and burnished with linear motifs. Flower and bird designs were rare .
  • Burnished monochrome Cycladic ring shaped wase with geometric incissions.  Cycladic III (2300-2000 BC) , Phylakopi, Melos. National Archaeological Museum Athens. Cat No 5697-8.  Gray background.<br />
<br />
<br />
Pottery from this Cycladic era was predominatly monochrome and burnished with linear motifs. Flower and bird designs were rare .
  • Cycladic Kernos a multiple vessel in a base.  Early Cycladic III (2300-2000 BC) , Phylakopi, Melos. National Archaeological Museum Athens. Cat No 5829.  White background.<br />
<br />
<br />
This complex vessel was used for ritual offerings. During this period pottery was plainer with simple geometric decorations. Depicts of birds or lowers were rare.
  • Cycladic Kernos a multiple vessel in a base.  Early Cycladic III (2300-2000 BC) , Phylakopi, Melos. National Archaeological Museum Athens. Cat No 5829. Black background.<br />
<br />
<br />
This complex vessel was used for ritual offerings. During this period pottery was plainer with simple geometric decorations. Depicts of birds or lowers were rare.
  • Cycladic Kernos a multiple vessel in a base.  Early Cycladic III (2300-2000 BC) , Phylakopi, Melos. National Archaeological Museum Athens. Cat No 5829.  Grey background.<br />
<br />
<br />
This complex vessel was used for ritual offerings. During this period pottery was plainer with simple geometric decorations. Depicts of birds or lowers were rare.
  • Cycladic askos with hatched painted decoration.  Cycladic III (2300-2000 BC) , Phylakopi, Melos. National Archaeological Museum Athens. Cat no 5826.   White background.<br />
<br />
<br />
Decorated pottery is rare during this Ccladic period. This Cycladic askos has vertical handle on top with a spout. It has painted decoration of hatched bands and a lozenge pattern
  • Cycladic askos with hatched painted decoration.  Cycladic III (2300-2000 BC) , Phylakopi, Melos. National Archaeological Museum Athens. Cat no 5826. <br />
<br />
Decorated pottery is rare during this Ccladic period. This Cycladic askos has vertical handle on top with a spout. It has painted decoration of hatched bands and a lozenge pattern
  • Cycladic askos with hatched painted decoration.  Cycladic III (2300-2000 BC) , Phylakopi, Melos. National Archaeological Museum Athens. Cat no 5826.   Grey background.<br />
<br />
<br />
Decorated pottery is rare during this Ccladic period. This Cycladic askos has vertical handle on top with a spout. It has painted decoration of hatched bands and a lozenge pattern
  • Cycladic askos with hatched painted decoration.  Cycladic III (2300-2000 BC) , Phylakopi, Melos. National Archaeological Museum Athens. Cat no 5826.   Gray background.<br />
<br />
<br />
Decorated pottery is rare during this Ccladic period. This Cycladic askos has vertical handle on top with a spout. It has painted decoration of hatched bands and a lozenge pattern
  • Cycladic footed necked jar with impressed decration.  Early Cycladic III (2300-2000 BC) , Phylakopi I, Melos. National Archaeological Museum Athens. Cat No 6168.  Gray background.<br />
<br />
<br />
During this period pottery was often monochrome with polised slip finishes sometimes with incised or impressed decorations.
  • Cycladic pithos with geometric designs.  Early Cycladic III (2300-2000 BC) , Phylakopi, Melos. National Archaeological Museum Athens. Cat No 5831.  Grey background.<br />
<br />
<br />
During this period pottery was plainer with simple geometric decorations. Depicts of birds or lowers were rare.
  • Cycladic pithos with geometric designs.  Early Cycladic III (2300-2000 BC) , Phylakopi, Melos. National Archaeological Museum Athens. Cat No 5831.<br />
<br />
During this period pottery was plainer with simple geometric decorations. Depicts of birds or lowers were rare.
  • Cycladic pithos with geometric designs.  Early Cycladic III (2300-2000 BC) , Phylakopi, Melos. National Archaeological Museum Athens. Cat No 5831.  Gray background.<br />
<br />
<br />
During this period pottery was plainer with simple geometric decorations. Depicts of birds or lowers were rare.
  • Cycladic beak spouted jug.  Early Cycladic III (2300-2000 BC) , Phylakopi, Melos. National Archaeological Museum Athens. Cat No 5726. Black background.<br />
<br />
<br />
During this period pottery was plainer with simple geometric decorations. Depicts of birds or lowers were rare.
  • Cycladic beak spouted jug.  Early Cycladic III (2300-2000 BC) , Phylakopi, Melos. National Archaeological Museum Athens. Cat No 5726.<br />
<br />
During this period pottery was plainer with simple geometric decorations. Depicts of birds or lowers were rare.
  • Cycladic beak spouted jug.  Early Cycladic III (2300-2000 BC) , Phylakopi, Melos. National Archaeological Museum Athens. Cat No 5726.  Grey background.<br />
<br />
<br />
During this period pottery was plainer with simple geometric decorations. Depicts of birds or lowers were rare.
  • Cycladic beak spouted jug.  Early Cycladic III (2300-2000 BC) , Phylakopi, Melos. National Archaeological Museum Athens. Cat No 5726.<br />
<br />
During this period pottery was plainer with simple geometric decorations. Depicts of birds or lowers were rare.
  • Cycladic beak spouted jug.  Early Cycladic III (2300-2000 BC) , Phylakopi, Melos. National Archaeological Museum Athens. Cat No 5726.  Gray background.<br />
<br />
During this period pottery was plainer with simple geometric decorations. Depicts of birds or lowers were rare.
  • Small Cycladic amphora.  Early Cycladic III (2300-200 BC) , Phylakopi, Melos. National Archaeological Museum Athens. Cat No 5813.  White background.<br />
<br />
<br />
During this period pottery was plainer with simple geometric decorations. Depicts of birds or lowers were rare.
  • Small Cycladic amphora.  Early Cycladic III (2300-200 BC) , Phylakopi, Melos. National Archaeological Museum Athens. Cat No 5813. Black background.<br />
<br />
<br />
During this period pottery was plainer with simple geometric decorations. Depicts of birds or lowers were rare.
  • Small Cycladic amphora.  Early Cycladic III (2300-200 BC) , Phylakopi, Melos. National Archaeological Museum Athens. Cat No 5813.<br />
<br />
During this period pottery was plainer with simple geometric decorations. Depicts of birds or lowers were rare.
  • Small Cycladic amphora.  Early Cycladic III (2300-200 BC) , Phylakopi, Melos. National Archaeological Museum Athens. Cat No 5813.  Gray background.<br />
<br />
<br />
During this period pottery was plainer with simple geometric decorations. Depicts of birds or lowers were rare.
  • Burnished monochrome Cycladic animal shaped wase with geometric incissions.  Cycladic III (2300-2000 BC) , Phylakopi, Melos. National Archaeological Museum Athens. Cat No 5697-8. Black background.<br />
<br />
<br />
Pottery from this Cycladic era was predominatly monochrome and burnished with linear motifs. Flower and bird designs were rare .
  • Cycladic Kernos a multiple vessel in a base.  Early Cycladic III (2300-2000 BC) , Phylakopi, Melos. National Archaeological Museum Athens. Cat No 5829.  Gray background.<br />
<br />
<br />
This complex vessel was used for ritual offerings. During this period pottery was plainer with simple geometric decorations. Depicts of birds or lowers were rare.
  • Cycladic footed necked jar with impressed decration.  Early Cycladic III (2300-2000 BC) , Phylakopi I, Melos. National Archaeological Museum Athens. Cat No 6168.<br />
<br />
During this period pottery was often monochrome with polised slip finishes sometimes with incised or impressed decorations.
  • Ephyraean Jug decorated with arganaut shells, Markopoulo . Late Helladic IIB culture of mainland ancient Mycenaean Greece during. Cat No 3765, 9103, Athens Archaeological Museum.
  • Ephyraean Jug decorated with arganaut shells, Markopoulo . Late Helladic IIB culture of mainland ancient Mycenaean Greece during. Cat No 3765, 9103, Athens Archaeological Museum.
  • Ephyraean Jug decorated with arganaut shells, Markopoulo . Late Helladic IIB culture of mainland ancient Mycenaean Greece during. Cat No 3765, 9103, Athens Archaeological Museum.
  • Ephyraean Jug decorated with arganaut shells, Markopoulo . Late Helladic IIB culture of mainland ancient Mycenaean Greece during. Cat No 3765, 9103, Athens Archaeological Museum.
  • Mycenaean pottery sacral knots from Grave IV, Circle Grave A, Mycenae, 16th cent BC. National Archaeological Museum Athens. Cat No 569.  Grey Background<br />
<br />
These pottery sacral knots were a religious symnol of Minoan Crete
  • Mycenaean pottery sacral knots from Grave IV, Circle Grave A, Mycenae, 16th cent BC. National Archaeological Museum Athens. Cat No 553.  Black Background<br />
<br />
These pottery sacral knots were a religious symnol of Minoan Crete
  • Mycenaean pottery sacral knots from Grave IV, Circle Grave A, Mycenae, 16th cent BC. National Archaeological Museum Athens. Cat No 569,  White Background.<br />
<br />
These pottery sacral knots were a religious symnol of Minoan Crete
  • Mycenaean pottery sacral knots from Grave IV, Circle Grave A, Mycenae, 16th cent BC. National Archaeological Museum Athens. Cat No 569.  Black Background<br />
<br />
These pottery sacral knots were a religious symnol of Minoan Crete
  • Mycenaean pottery sacral knots from Grave IV, Circle Grave A, Mycenae, 16th cent BC. National Archaeological Museum Athens. Cat No 569<br />
<br />
These pottery sacral knots were a religious symnol of Minoan Crete
  • Mycenaean pottery sacral knots from Grave IV, Circle Grave A, Mycenae, 16th cent BC. National Archaeological Museum Athens. Cat No 569.  Grey art Background <br />
<br />
These pottery sacral knots were a religious symnol of Minoan Crete
  • Mycenaean pottery sacral knots from Grave IV, Circle Grave A, Mycenae, 16th cent BC. National Archaeological Museum Athens. Cat No 553.  White Background.<br />
<br />
These pottery sacral knots were a religious symnol of Minoan Crete
  • Mycenaean pottery sacral knots from Grave IV, Circle Grave A, Mycenae, 16th cent BC. National Archaeological Museum Athens. Cat No 553.  Grey Background<br />
<br />
These pottery sacral knots were a religious symnol of Minoan Crete
  • Mycenaean pottery sacral knots from Grave IV, Circle Grave A, Mycenae, 16th cent BC. National Archaeological Museum Athens. Cat No 553<br />
<br />
These pottery sacral knots were a religious symnol of Minoan Crete
  • Mycenaean pottery sacral knots from Grave IV, Circle Grave A, Mycenae, 16th cent BC. National Archaeological Museum Athens. Cat No 553.  Grey art Background <br />
<br />
These pottery sacral knots were a religious symnol of Minoan Crete
  • 'House of Warriors Vase' : Pictoral Mycenaean Krater depicting Mycenaean soldiers in full armour, Mycenae Acropolis, 12th Cent BC.  National Archaeological Museum Athens. Cat no 1426. <br />
<br />
This large pictoral Mycenaean Krater depicts Mycenaean soldiers full armed with helmet, cuirass, greaves, shield and spaer as they depart for war. This is a superb example of Mycenaean pictoral pottery
  • Mycenaean pottery funiture decorations from Grave IV, Circle Grave A, Mycenae, 16th cent BC. National Archaeological Museum Athens.  Grey Background
  • Mycenaean pottery funiture decorations from Grave IV, Circle Grave A, Mycenae, 16th cent BC. National Archaeological Museum Athens.  Grey art Background
  • 'House of Warriors Vase' : Pictoral Mycenaean Krater depicting Mycenaean soldiers in full armour, Mycenae Acropolis, 12th Cent BC.  National Archaeological Museum Athens. Cat no 1426.  Black Background<br />
<br />
This large pictoral Mycenaean Krater depicts Mycenaean soldiers full armed with helmet, cuirass, greaves, shield and spaer as they depart for war. This is a superb example of Mycenaean pictoral pottery
  • 'House of Warriors Vase' : Pictoral Mycenaean Krater depicting Mycenaean soldiers in full armour, Mycenae Acropolis, 12th Cent BC.  National Archaeological Museum Athens. Cat no 1426.  Grey Background<br />
<br />
This large pictoral Mycenaean Krater depicts Mycenaean soldiers full armed with helmet, cuirass, greaves, shield and spaer as they depart for war. This is a superb example of Mycenaean pictoral pottery
  • 'House of Warriors Vase' : Pictoral Mycenaean Krater depicting Mycenaean soldiers in full armour, Mycenae Acropolis, 12th Cent BC.  National Archaeological Museum Athens. Cat no 1426.  White Background.<br />
<br />
This large pictoral Mycenaean Krater depicts Mycenaean soldiers full armed with helmet, cuirass, greaves, shield and spaer as they depart for war. This is a superb example of Mycenaean pictoral pottery
  • 'House of Warriors Vase' : Pictoral Mycenaean Krater depicting Mycenaean soldiers in full armour, Mycenae Acropolis, 12th Cent BC.  National Archaeological Museum Athens. Cat no 1426.  Black Background<br />
<br />
This large pictoral Mycenaean Krater depicts Mycenaean soldiers full armed with helmet, cuirass, greaves, shield and spaer as they depart for war. This is a superb example of Mycenaean pictoral pottery
  • Three handled Palace Style pictoral Mycenaean amphora with aquatic bird motifs, Mycenaean cemetery, Argive Deiras, 15 cnt BC, National Archaeological Museum Athens. Cat no 5650.  Grey art Background <br />
<br />
This Mycenaean vase is one of the first examples of Mycenaean pictoral pottery created from Minoan influences.
  • 'House of Warriors Vase' : Pictoral Mycenaean Krater depicting Mycenaean soldiers in full armour, Mycenae Acropolis, 12th Cent BC.  National Archaeological Museum Athens. Cat no 1426.  White Background.<br />
<br />
This large pictoral Mycenaean Krater depicts Mycenaean soldiers full armed with helmet, cuirass, greaves, shield and spaer as they depart for war. This is a superb example of Mycenaean pictoral pottery
  • 'House of Warriors Vase' : Pictoral Mycenaean Krater depicting Mycenaean soldiers in full armour, Mycenae Acropolis, 12th Cent BC.  National Archaeological Museum Athens. Cat no 1426.  Grey Background<br />
<br />
This large pictoral Mycenaean Krater depicts Mycenaean soldiers full armed with helmet, cuirass, greaves, shield and spaer as they depart for war. This is a superb example of Mycenaean pictoral pottery
  • 'House of Warriors Vase' : Pictoral Mycenaean Krater depicting Mycenaean soldiers in full armour, Mycenae Acropolis, 12th Cent BC.  National Archaeological Museum Athens. Cat no 1426.  Black Background<br />
<br />
This large pictoral Mycenaean Krater depicts Mycenaean soldiers full armed with helmet, cuirass, greaves, shield and spaer as they depart for war. This is a superb example of Mycenaean pictoral pottery
  • 'House of Warriors Vase' : Pictoral Mycenaean Krater depicting Mycenaean soldiers in full armour, Mycenae Acropolis, 12th Cent BC.  National Archaeological Museum Athens. Cat no 1426. <br />
<br />
This large pictoral Mycenaean Krater depicts Mycenaean soldiers full armed with helmet, cuirass, greaves, shield and spaer as they depart for war. This is a superb example of Mycenaean pictoral pottery
  • 'House of Warriors Vase' : Pictoral Mycenaean Krater depicting Mycenaean soldiers in full armour, Mycenae Acropolis, 12th Cent BC.  National Archaeological Museum Athens. Cat no 1426.  White Background.<br />
<br />
This large pictoral Mycenaean Krater depicts Mycenaean soldiers full armed with helmet, cuirass, greaves, shield and spaer as they depart for war. This is a superb example of Mycenaean pictoral pottery
  • 'House of Warriors Vase' : Pictoral Mycenaean Krater depicting Mycenaean soldiers in full armour, Mycenae Acropolis, 12th Cent BC.  National Archaeological Museum Athens. Cat no 1426.  Grey Background<br />
<br />
This large pictoral Mycenaean Krater depicts Mycenaean soldiers full armed with helmet, cuirass, greaves, shield and spaer as they depart for war. This is a superb example of Mycenaean pictoral pottery
  • Mycenaean pottery funiture decorations from Grave IV, Circle Grave A, Mycenae, 16th cent BC. National Archaeological Museum Athens.  Black Background
  • Mycenaean pottery funiture decorations from Grave IV, Circle Grave A, Mycenae, 16th cent BC. National Archaeological Museum Athens.  White Background.
  • 'House of Warriors Vase' : Pictoral Mycenaean Krater depicting Mycenaean soldiers in full armour, Mycenae Acropolis, 12th Cent BC.  National Archaeological Museum Athens. Cat no 1426. <br />
<br />
This large pictoral Mycenaean Krater depicts Mycenaean soldiers full armed with helmet, cuirass, greaves, shield and spaer as they depart for war. This is a superb example of Mycenaean pictoral pottery
  • 'House of Warriors Vase' : Pictoral Mycenaean Krater depicting Mycenaean soldiers in full armour, Mycenae Acropolis, 12th Cent BC.  National Archaeological Museum Athens. Cat no 1426.  Grey art Background <br />
<br />
This large pictoral Mycenaean Krater depicts Mycenaean soldiers full armed with helmet, cuirass, greaves, shield and spaer as they depart for war. This is a superb example of Mycenaean pictoral pottery
  • 'House of Warriors Vase' : Pictoral Mycenaean Krater depicting Mycenaean soldiers in full armour, Mycenae Acropolis, 12th Cent BC.  National Archaeological Museum Athens. Cat no 1426.  Grey Background<br />
<br />
This large pictoral Mycenaean Krater depicts Mycenaean soldiers full armed with helmet, cuirass, greaves, shield and spaer as they depart for war. This is a superb example of Mycenaean pictoral pottery
  • 'House of Warriors Vase' : Pictoral Mycenaean Krater depicting Mycenaean soldiers in full armour, Mycenae Acropolis, 12th Cent BC.  National Archaeological Museum Athens. Cat no 1426. <br />
<br />
This large pictoral Mycenaean Krater depicts Mycenaean soldiers full armed with helmet, cuirass, greaves, shield and spaer as they depart for war. This is a superb example of Mycenaean pictoral pottery
  • 'House of Warriors Vase' : Pictoral Mycenaean Krater depicting Mycenaean soldiers in full armour, Mycenae Acropolis, 12th Cent BC.  National Archaeological Museum Athens. Cat no 1426.  Grey art Background <br />
<br />
This large pictoral Mycenaean Krater depicts Mycenaean soldiers full armed with helmet, cuirass, greaves, shield and spaer as they depart for war. This is a superb example of Mycenaean pictoral pottery
  • Three handled Palace Style pictoral Mycenaean amphora with aquatic bird motifs, Mycenaean cemetery, Argive Deiras, 15 cnt BC, National Archaeological Museum Athens. Cat no 5650.  Black Background<br />
<br />
This Mycenaean vase is one of the first examples of Mycenaean pictoral pottery created from Minoan influences.
  • Three handled Palace Style pictoral Mycenaean amphora with aquatic bird motifs, Mycenaean cemetery, Argive Deiras, 15 cnt BC, National Archaeological Museum Athens. Cat no 5650.  White Background.<br />
<br />
This Mycenaean vase is one of the first examples of Mycenaean pictoral pottery created from Minoan influences.
  • Three handled Palace Style pictoral Mycenaean amphora with aquatic bird motifs, Mycenaean cemetery, Argive Deiras, 15 cnt BC, National Archaeological Museum Athens. Cat no 5650.  Grey Background<br />
<br />
This Mycenaean vase is one of the first examples of Mycenaean pictoral pottery created from Minoan influences.
  • Three handled Palace Style pictoral Mycenaean amphora with aquatic bird motifs, Mycenaean cemetery, Argive Deiras, 15 cnt BC, National Archaeological Museum Athens. Cat no 5650. <br />
<br />
This Mycenaean vase is one of the first examples of Mycenaean pictoral pottery created from Minoan influences.
  • Mycenaean pictorial Krater decorated with a horse and chariot, Tiryns Acropolis - 12-14th cent BC. National Archaeological Museum Athens. Cat No 115. Grey Background<br />
<br />
A large Mycenaean Krate decorated with a two horse chariot and two riders. The style is typical of the painting style known as ;painter of the shield bearers' of the Tiryns workshop producing pictorial pottery from the late 13th to 12th century BC
  • Mycenaean pictorial Krater decorated with a horse and chariot, Tiryns Acropolis - 12-14th cent BC. National Archaeological Museum Athens. Cat No 115. Grey art Background <br />
<br />
A large Mycenaean Krate decorated with a two horse chariot and two riders. The style is typical of the painting style known as ;painter of the shield bearers' of the Tiryns workshop producing pictorial pottery from the late 13th to 12th century BC
  • 'House of Warriors Vase' : Pictoral Mycenaean Krater depicting Mycenaean soldiers in full armour, Mycenae Acropolis, 12th Cent BC.  National Archaeological Museum Athens. Cat no 1426.  Grey art Background <br />
<br />
This large pictoral Mycenaean Krater depicts Mycenaean soldiers full armed with helmet, cuirass, greaves, shield and spaer as they depart for war. This is a superb example of Mycenaean pictoral pottery
  • 'House of Warriors Vase' : Pictoral Mycenaean Krater depicting Mycenaean soldiers in full armour, Mycenae Acropolis, 12th Cent BC.  National Archaeological Museum Athens. Cat no 1426. <br />
<br />
This large pictoral Mycenaean Krater depicts Mycenaean soldiers full armed with helmet, cuirass, greaves, shield and spaer as they depart for war. This is a superb example of Mycenaean pictoral pottery
  • 'House of Warriors Vase' : Pictoral Mycenaean Krater depicting Mycenaean soldiers in full armour, Mycenae Acropolis, 12th Cent BC.  National Archaeological Museum Athens. Cat no 1426.  Grey art Background <br />
<br />
This large pictoral Mycenaean Krater depicts Mycenaean soldiers full armed with helmet, cuirass, greaves, shield and spaer as they depart for war. This is a superb example of Mycenaean pictoral pottery
  • Mycenaean pottery funiture decorations from Grave IV, Circle Grave A, Mycenae, 16th cent BC. National Archaeological Museum Athens.
  • 'House of Warriors Vase' : Pictoral Mycenaean Krater depicting Mycenaean soldiers in full armour, Mycenae Acropolis, 12th Cent BC.  National Archaeological Museum Athens. Cat no 1426. <br />
<br />
This large pictoral Mycenaean Krater depicts Mycenaean soldiers full armed with helmet, cuirass, greaves, shield and spaer as they depart for war. This is a superb example of Mycenaean pictoral pottery
  • Mycenaean pictorial Krater decorated with a horse and chariot, Tiryns Acropolis - 12-14th cent BC. National Archaeological Museum Athens. Cat No 115. Black Background<br />
<br />
A large Mycenaean Krate decorated with a two horse chariot and two riders. The style is typical of the painting style known as ;painter of the shield bearers' of the Tiryns workshop producing pictorial pottery from the late 13th to 12th century BC
  • Mycenaean pictorial Krater decorated with a horse and chariot, Tiryns Acropolis - 12-14th cent BC. National Archaeological Museum Athens. Cat No 115.<br />
<br />
A large Mycenaean Krate decorated with a two horse chariot and two riders. The style is typical of the painting style known as ;painter of the shield bearers' of the Tiryns workshop producing pictorial pottery from the late 13th to 12th century BC.  White Background.
  • Mycenaean pictorial Krater decorated with a horse and chariot, Tiryns Acropolis - 12-14th cent BC. National Archaeological Museum Athens. Cat No 115.<br />
<br />
A large Mycenaean Krate decorated with a two horse chariot and two riders. The style is typical of the painting style known as ;painter of the shield bearers' of the Tiryns workshop producing pictorial pottery from the late 13th to 12th century BC
  • Phrygian pottery vessel in the shape of a goose decorated with geometric deigns from Gordion. Phrygian Collection, 8th century BC - Museum of Anatolian Civilisations Ankara. Turkey.
  • Phrygian terra cotta pottery vessel with a strainer and long pouring lip, decorated with geometric designs and images of animals and birds, from Gordion. Phrygian Collection, 9th century BC - Museum of Anatolian Civilisations Ankara. Turkey. Against a white background
  • Phrygian pottery vessel in the shape of a goose decorated with geometric deigns from Gordion. Phrygian Collection, 8th century BC - Museum of Anatolian Civilisations Ankara. Turkey. Against a white background
  • Phrygian terra cotta pottery vessel with a strainer and long pouring lip, decorated with geometric designs and images of animals and birds, from Gordion. Phrygian Collection, 9th century BC - Museum of Anatolian Civilisations Ankara. Turkey. Against a black background
  • Phrygian terra cotta pottery vessel with a strainer and long pouring lip, decorated with geometric designs and images of animals and birds, from Gordion. Phrygian Collection, 9th century BC - Museum of Anatolian Civilisations Ankara. Turkey.
  • Phrygian terra cotta pottery vessel with a strainer and long pouring lip, decorated with geometric designs and images of animals and birds, from Gordion. Phrygian Collection, 9th century BC - Museum of Anatolian Civilisations Ankara. Turkey. Against a grey background
  • Phrygian decorated  terra cotta pottery  rhyton in the shape of a ram from Gordion. Phrygian Collection, 8th century BC - Museum of Anatolian Civilisations Ankara. Turkey. Against a white background
  • Phrygian decorated  terra cotta pottery  rhyton in the shape of a ram from Gordion. Phrygian Collection, 8th century BC - Museum of Anatolian Civilisations Ankara. Turkey.
  • Phrygian decorated  terra cotta pottery  rhyton in the shape of a ram from Gordion. Phrygian Collection, 8th century BC - Museum of Anatolian Civilisations Ankara. Turkey. Against an art background
  • Phrygian pottery vessel in the shape of a goose decorated with geometric deigns from Gordion. Phrygian Collection, 8th century BC - Museum of Anatolian Civilisations Ankara. Turkey. Against a black background
  • Phrygian pottery vessel in the shape of a goose decorated with geometric deigns from Gordion. Phrygian Collection, 8th century BC - Museum of Anatolian Civilisations Ankara. Turkey. Against an art background
  • Phrygian pottery vessel in the shape of a goose decorated with geometric deigns from Gordion. Phrygian Collection, 8th century BC - Ancora Archaeological MuseumMuseum of Anatolian Civilisations Ankara. Turkey. Against a grey background
  • Phrygian terra cotta pottery vessel with a strainer and long pouring lip, decorated with geometric designs and images of animals and birds, from Gordion. Phrygian Collection, 9th century BC - Museum of Anatolian Civilisations Ankara. Turkey. Against an art background
  • Phrygian decorated  terra cotta pottery  rhyton in the shape of a ram from Gordion. Phrygian Collection, 8th century BC - Museum of Anatolian Civilisations Ankara. Turkey. Against a black background
  • Phrygian decorated  terra cotta pottery  rhyton in the shape of a ram from Gordion. Phrygian Collection, 8th century BC - Museum of Anatolian Civilisations Ankara. Turkey. Against a grey background
  • Greek Attica pottery plate with erotic depiction of a man and women, 5th century BC, Secret Museum or Secret Cabinet, Naples National Archaeological Museum , white background
  • Greek Attica pottery plate with erotic depiction of a man and women, 5th century BC, Secret Museum or Secret Cabinet, Naples National Archaeological Museum , grey art background
  • Greek Attica pottery plate with erotic depiction of a man and women, 5th century BC, Secret Museum or Secret Cabinet, Naples National Archaeological Museum , art background
  • Greek Attica pottery plate with erotic depiction of a man and women, 5th century BC, Secret Museum or Secret Cabinet, Naples National Archaeological Museum , black background
  • Assyrian Trader Colony Bronze Age terracotta sandal shaped ritual vessed. This cult pot is boat shaped with an animal head at the front. Inside the vessel is god. The deities associated with the ritual vessel were associated with trade and transportation in Ancient Mesopotamia and Summerian literature. The vessel signifies a religious river trip.  - 19th  century BC - Kültepe Kanesh - Museum of Anatolian Civilisations, Ankara, Turkey.. Against a white background.
  • Assyrian Trader Colony Bronze Age terracotta sandal shaped ritual vessed. This cult pot is boat shaped with an animal head at the front. Inside the vessel is god. The deities associated with the ritual vessel were associated with trade and transportation in Ancient Mesopotamia and Summerian literature. The vessel signifies a religious river trip.  - 19th  century BC - Kültepe Kanesh - Museum of Anatolian Civilisations, Ankara, Turkey.
  • Assyrian Trader Colony Bronze Age terracotta sandal shaped ritual vessed. This cult pot is boat shaped with an animal head at the front. Inside the vessel is god. The deities associated with the ritual vessel were associated with trade and transportation in Ancient Mesopotamia and Summerian literature. The vessel signifies a religious river trip.  - 19th  century BC - Kültepe Kanesh - Museum of Anatolian Civilisations, Ankara, Turkey. Against a white background.
  • Assyrian Trader Colony Bronze Age terracotta sandal shaped ritual vessed. This cult pot is boat shaped with an animal head at the front. Inside the vessel is god. The deities associated with the ritual vessel were associated with trade and transportation in Ancient Mesopotamia and Summerian literature. The vessel signifies a religious river trip.  - 19th  century BC - Kültepe Kanesh - Museum of Anatolian Civilisations, Ankara, Turkey.  Against a black background.
  • Assyrian Trader Colony Bronze Age terracotta sandal shaped ritual vessed. This cult pot is boat shaped with an animal head at the front. Inside the vessel is god. The deities associated with the ritual vessel were associated with trade and transportation in Ancient Mesopotamia and Summerian literature. The vessel signifies a religious river trip.  - 19th  century BC - Kültepe Kanesh - Museum of Anatolian Civilisations, Ankara, Turkey.  Against a grey background.
  • Assyrian Trader Colony Bronze Age terracotta sandal shaped ritual vessed. This cult pot is boat shaped with an animal head at the front. Inside the vessel is god. The deities associated with the ritual vessel were associated with trade and transportation in Ancient Mesopotamia and Summerian literature. The vessel signifies a religious river trip.  - 19th  century BC - Kültepe Kanesh - Museum of Anatolian Civilisations, Ankara, Turkey.  Against a warn art background.
  • Assyrian Trader Colony Bronze Age terracotta sandal shaped ritual vessed. This cult pot is boat shaped with an animal head at the front. Inside the vessel is god. The deities associated with the ritual vessel were associated with trade and transportation in Ancient Mesopotamia and Summerian literature. The vessel signifies a religious river trip.  - 19th  century BC - Kültepe Kanesh - Museum of Anatolian Civilisations, Ankara, Turkey.
  • Assyrian Trader Colony Bronze Age terracotta sandal shaped ritual vessed. This cult pot is boat shaped with an animal head at the front. Inside the vessel is god. The deities associated with the ritual vessel were associated with trade and transportation in Ancient Mesopotamia and Summerian literature. The vessel signifies a religious river trip.  - 19th  century BC - Kültepe Kanesh - Museum of Anatolian Civilisations, Ankara, Turkey. Against a grey background.
  • Assyrian Trader Colony Bronze Age terracotta sandal shaped ritual vessed. This cult pot is boat shaped with an animal head at the front. Inside the vessel is god. The deities associated with the ritual vessel were associated with trade and transportation in Ancient Mesopotamia and Summerian literature. The vessel signifies a religious river trip.  - 19th  century BC - Kültepe Kanesh - Museum of Anatolian Civilisations, Ankara, Turkey.  Against a black background.
  • Assyrian Trader Colony Bronze Age terracotta sandal shaped ritual vessed. This cult pot is boat shaped with an animal head at the front. Inside the vessel is god. The deities associated with the ritual vessel were associated with trade and transportation in Ancient Mesopotamia and Summerian literature. The vessel signifies a religious river trip.  - 19th  century BC - Kültepe Kanesh - Museum of Anatolian Civilisations, Ankara, Turkey.  Against a warn art background.
  • Assyrian Trader Colony Bronze Age terracotta sandal shaped ritual vessed. This cult pot is boat shaped with an animal head at the front. Inside the vessel is a model of a temple and goddess. The deities associated with the ritual vessel were associated with trade and transportation in Ancient Mesopotamia and Summerian literature. The vessel signifies a religious river trip.  - 19th  century BC - Kültepe Kanesh - Museum of Anatolian Civilisations, Ankara, Turkey. Against a white background.
  • Assyrian Trader Colony Bronze Age terracotta sandal shaped ritual vessed. This cult pot is boat shaped with an animal head at the front. Inside the vessel is a model of a temple and goddess. The deities associated with the ritual vessel were associated with trade and transportation in Ancient Mesopotamia and Summerian literature. The vessel signifies a religious river trip.  - 19th  century BC - Kültepe Kanesh - Museum of Anatolian Civilisations, Ankara, Turkey.  Against a black background.
  • Assyrian Trader Colony Bronze Age terracotta sandal shaped ritual vessed. This cult pot is boat shaped with an animal head at the front. Inside the vessel is a model of a temple and goddess. The deities associated with the ritual vessel were associated with trade and transportation in Ancient Mesopotamia and Summerian literature. The vessel signifies a religious river trip.  - 19th  century BC - Kültepe Kanesh - Museum of Anatolian Civilisations, Ankara, Turkey. Against a grey background.
  • Assyrian Trader Colony Bronze Age terracotta sandal shaped ritual vessed. This cult pot is boat shaped with an animal head at the front. Inside the vessel is a model of a temple and goddess. The deities associated with the ritual vessel were associated with trade and transportation in Ancient Mesopotamia and Summerian literature. The vessel signifies a religious river trip.  - 19th  century BC - Kültepe Kanesh - Museum of Anatolian Civilisations, Ankara, Turkey.  Against a warn art background.
  • Assyrian Trader Colony Bronze Age terracotta sandal shaped ritual vessed. This cult pot is boat shaped with an animal head at the front. Inside the vessel is a model of a temple and goddess. The deities associated with the ritual vessel were associated with trade and transportation in Ancient Mesopotamia and Summerian literature. The vessel signifies a religious river trip.  - 19th  century BC - Kültepe Kanesh - Museum of Anatolian Civilisations, Ankara, Turkey.
  • Pictures & images of the Church of the Transfiguration of Ikalto monastery was founded by Saint Zenon, one of the 13 Syrian Fathers, in the late 6th century. Near Telavi, Kakheti, Eastern Georgia (Country).<br />
<br />
The Ikalto Monastery is famous for the Academy of Ikalto founded in the reign of King David the Builder by Arsen Ikaltoeli. The Academy of Ikalto trained its students in classical diciplins of rhetoric, astronomy, philosophy, geography, geometry as well as learning the skills of chantings, pottery and poetry. In the 12th century the Georgian poet Shota Rustaveli studied here.
  • Pictures & images of the Church of the Transfiguration of Ikalto monastery was founded by Saint Zenon, one of the 13 Syrian Fathers, in the late 6th century. Near Telavi, Kakheti, Eastern Georgia (Country).<br />
<br />
The Ikalto Monastery is famous for the Academy of Ikalto founded in the reign of King David the Builder by Arsen Ikaltoeli. The Academy of Ikalto trained its students in classical diciplins of rhetoric, astronomy, philosophy, geography, geometry as well as learning the skills of chantings, pottery and poetry. In the 12th century the Georgian poet Shota Rustaveli studied here.
  • Pictures & images of the Church of the Transfiguration of Ikalto monastery was founded by Saint Zenon, one of the 13 Syrian Fathers, in the late 6th century. Near Telavi, Kakheti, Eastern Georgia (Country).<br />
<br />
The Ikalto Monastery is famous for the Academy of Ikalto founded in the reign of King David the Builder by Arsen Ikaltoeli. The Academy of Ikalto trained its students in classical diciplins of rhetoric, astronomy, philosophy, geography, geometry as well as learning the skills of chantings, pottery and poetry. In the 12th century the Georgian poet Shota Rustaveli studied here.
  • Pictures & images of the Church of the Transfiguration of Ikalto monastery was founded by Saint Zenon, one of the 13 Syrian Fathers, in the late 6th century. Near Telavi, Kakheti, Eastern Georgia (Country).<br />
<br />
The Ikalto Monastery is famous for the Academy of Ikalto founded in the reign of King David the Builder by Arsen Ikaltoeli. The Academy of Ikalto trained its students in classical diciplins of rhetoric, astronomy, philosophy, geography, geometry as well as learning the skills of chantings, pottery and poetry. In the 12th century the Georgian poet Shota Rustaveli studied here.
  • close up ictures & image of the Church of the Transfiguration of Ikalto monastery was founded by Saint Zenon, one of the 13 Syrian Fathers, in the late 6th century. Near Telavi, Kakheti, Eastern Georgia (Country).<br />
<br />
The Ikalto Monastery is famous for the Academy of Ikalto founded in the reign of King David the Builder by Arsen Ikaltoeli. The Academy of Ikalto trained its students in classical diciplins of rhetoric, astronomy, philosophy, geography, geometry as well as learning the skills of chantings, pottery and poetry. In the 12th century the Georgian poet Shota Rustaveli studied here.
  • close up ictures & image of the Church of the Transfiguration of Ikalto monastery was founded by Saint Zenon, one of the 13 Syrian Fathers, in the late 6th century. Near Telavi, Kakheti, Eastern Georgia (Country).<br />
<br />
The Ikalto Monastery is famous for the Academy of Ikalto founded in the reign of King David the Builder by Arsen Ikaltoeli. The Academy of Ikalto trained its students in classical diciplins of rhetoric, astronomy, philosophy, geography, geometry as well as learning the skills of chantings, pottery and poetry. In the 12th century the Georgian poet Shota Rustaveli studied here.
  • Picture & images of the interior of the Church of the Transfiguration,  Ikalto monastery was founded by Saint Zenon, one of the 13 Syrian Fathers, in the late 6th century. Near Telavi, Kakheti, Eastern Georgia (Country).<br />
<br />
The Ikalto Monastery is famous for the Academy of Ikalto founded in the reign of King David the Builder by Arsen Ikaltoeli. The Academy of Ikalto trained its students in classical diciplins of rhetoric, astronomy, philosophy, geography, geometry as well as learning the skills of chantings, pottery and poetry. In the 12th century the Georgian poet Shota Rustaveli studied here.
  • Picture & images of the interior of the Church of the Transfiguration,  Ikalto monastery was founded by Saint Zenon, one of the 13 Syrian Fathers, in the late 6th century. Near Telavi, Kakheti, Eastern Georgia (Country).<br />
<br />
The Ikalto Monastery is famous for the Academy of Ikalto founded in the reign of King David the Builder by Arsen Ikaltoeli. The Academy of Ikalto trained its students in classical diciplins of rhetoric, astronomy, philosophy, geography, geometry as well as learning the skills of chantings, pottery and poetry. In the 12th century the Georgian poet Shota Rustaveli studied here.
  • close up ictures & image of the Church of the Transfiguration of Ikalto monastery was founded by Saint Zenon, one of the 13 Syrian Fathers, in the late 6th century. Near Telavi, Kakheti, Eastern Georgia (Country).<br />
<br />
The Ikalto Monastery is famous for the Academy of Ikalto founded in the reign of King David the Builder by Arsen Ikaltoeli. The Academy of Ikalto trained its students in classical diciplins of rhetoric, astronomy, philosophy, geography, geometry as well as learning the skills of chantings, pottery and poetry. In the 12th century the Georgian poet Shota Rustaveli studied here.
  • close up ictures & image of the Church of the Transfiguration of Ikalto monastery was founded by Saint Zenon, one of the 13 Syrian Fathers, in the late 6th century. Near Telavi, Kakheti, Eastern Georgia (Country).<br />
<br />
The Ikalto Monastery is famous for the Academy of Ikalto founded in the reign of King David the Builder by Arsen Ikaltoeli. The Academy of Ikalto trained its students in classical diciplins of rhetoric, astronomy, philosophy, geography, geometry as well as learning the skills of chantings, pottery and poetry. In the 12th century the Georgian poet Shota Rustaveli studied here.
  • close up ictures & image of the Church of the Transfiguration of Ikalto monastery was founded by Saint Zenon, one of the 13 Syrian Fathers, in the late 6th century. Near Telavi, Kakheti, Eastern Georgia (Country).<br />
<br />
The Ikalto Monastery is famous for the Academy of Ikalto founded in the reign of King David the Builder by Arsen Ikaltoeli. The Academy of Ikalto trained its students in classical diciplins of rhetoric, astronomy, philosophy, geography, geometry as well as learning the skills of chantings, pottery and poetry. In the 12th century the Georgian poet Shota Rustaveli studied here.
  • Pictures & images of the Church of the Transfiguration of Ikalto monastery was founded by Saint Zenon, one of the 13 Syrian Fathers, in the late 6th century. Near Telavi, Kakheti, Eastern Georgia (Country).<br />
<br />
The Ikalto Monastery is famous for the Academy of Ikalto founded in the reign of King David the Builder by Arsen Ikaltoeli. The Academy of Ikalto trained its students in classical diciplins of rhetoric, astronomy, philosophy, geography, geometry as well as learning the skills of chantings, pottery and poetry. In the 12th century the Georgian poet Shota Rustaveli studied here.
  • Pictures & images of the Church of the Transfiguration of Ikalto monastery was founded by Saint Zenon, one of the 13 Syrian Fathers, in the late 6th century. Near Telavi, Kakheti, Eastern Georgia (Country).<br />
<br />
The Ikalto Monastery is famous for the Academy of Ikalto founded in the reign of King David the Builder by Arsen Ikaltoeli. The Academy of Ikalto trained its students in classical diciplins of rhetoric, astronomy, philosophy, geography, geometry as well as learning the skills of chantings, pottery and poetry. In the 12th century the Georgian poet Shota Rustaveli studied here.
  • Pictures & images of the Church of the Transfiguration of Ikalto monastery was founded by Saint Zenon, one of the 13 Syrian Fathers, in the late 6th century. Near Telavi, Kakheti, Eastern Georgia (Country).<br />
<br />
The Ikalto Monastery is famous for the Academy of Ikalto founded in the reign of King David the Builder by Arsen Ikaltoeli. The Academy of Ikalto trained its students in classical diciplins of rhetoric, astronomy, philosophy, geography, geometry as well as learning the skills of chantings, pottery and poetry. In the 12th century the Georgian poet Shota Rustaveli studied here.
  • Pictures & images of the Church of the Transfiguration of Ikalto monastery was founded by Saint Zenon, one of the 13 Syrian Fathers, in the late 6th century. Near Telavi, Kakheti, Eastern Georgia (Country).<br />
<br />
The Ikalto Monastery is famous for the Academy of Ikalto founded in the reign of King David the Builder by Arsen Ikaltoeli. The Academy of Ikalto trained its students in classical diciplins of rhetoric, astronomy, philosophy, geography, geometry as well as learning the skills of chantings, pottery and poetry. In the 12th century the Georgian poet Shota Rustaveli studied here.
  • Pictures & images of the Church of the Transfiguration of Ikalto monastery was founded by Saint Zenon, one of the 13 Syrian Fathers, in the late 6th century. Near Telavi, Kakheti, Eastern Georgia (Country).<br />
<br />
The Ikalto Monastery is famous for the Academy of Ikalto founded in the reign of King David the Builder by Arsen Ikaltoeli. The Academy of Ikalto trained its students in classical diciplins of rhetoric, astronomy, philosophy, geography, geometry as well as learning the skills of chantings, pottery and poetry. In the 12th century the Georgian poet Shota Rustaveli studied here.
  • Pictures & images of the Church of the Transfiguration of Ikalto monastery was founded by Saint Zenon, one of the 13 Syrian Fathers, in the late 6th century. Near Telavi, Kakheti, Eastern Georgia (Country).<br />
<br />
The Ikalto Monastery is famous for the Academy of Ikalto founded in the reign of King David the Builder by Arsen Ikaltoeli. The Academy of Ikalto trained its students in classical diciplins of rhetoric, astronomy, philosophy, geography, geometry as well as learning the skills of chantings, pottery and poetry. In the 12th century the Georgian poet Shota Rustaveli studied here.
  • Pictures & images of the Church of the Transfiguration of Ikalto monastery was founded by Saint Zenon, one of the 13 Syrian Fathers, in the late 6th century. Near Telavi, Kakheti, Eastern Georgia (Country).<br />
<br />
The Ikalto Monastery is famous for the Academy of Ikalto founded in the reign of King David the Builder by Arsen Ikaltoeli. The Academy of Ikalto trained its students in classical diciplins of rhetoric, astronomy, philosophy, geography, geometry as well as learning the skills of chantings, pottery and poetry. In the 12th century the Georgian poet Shota Rustaveli studied here.
  • Pictures & images of the Church of the Transfiguration of Ikalto monastery was founded by Saint Zenon, one of the 13 Syrian Fathers, in the late 6th century. Near Telavi, Kakheti, Eastern Georgia (Country).<br />
<br />
The Ikalto Monastery is famous for the Academy of Ikalto founded in the reign of King David the Builder by Arsen Ikaltoeli. The Academy of Ikalto trained its students in classical diciplins of rhetoric, astronomy, philosophy, geography, geometry as well as learning the skills of chantings, pottery and poetry. In the 12th century the Georgian poet Shota Rustaveli studied here.
  • Pictures & images of the Church of the Transfiguration of Ikalto monastery was founded by Saint Zenon, one of the 13 Syrian Fathers, in the late 6th century. Near Telavi, Kakheti, Eastern Georgia (Country).<br />
<br />
The Ikalto Monastery is famous for the Academy of Ikalto founded in the reign of King David the Builder by Arsen Ikaltoeli. The Academy of Ikalto trained its students in classical diciplins of rhetoric, astronomy, philosophy, geography, geometry as well as learning the skills of chantings, pottery and poetry. In the 12th century the Georgian poet Shota Rustaveli studied here.
  • Pictures & images of the Church of the Transfiguration of Ikalto monastery was founded by Saint Zenon, one of the 13 Syrian Fathers, in the late 6th century. Near Telavi, Kakheti, Eastern Georgia (Country).<br />
<br />
The Ikalto Monastery is famous for the Academy of Ikalto founded in the reign of King David the Builder by Arsen Ikaltoeli. The Academy of Ikalto trained its students in classical diciplins of rhetoric, astronomy, philosophy, geography, geometry as well as learning the skills of chantings, pottery and poetry. In the 12th century the Georgian poet Shota Rustaveli studied here.
  • Pictures & images of the Church of the Transfiguration of Ikalto monastery was founded by Saint Zenon, one of the 13 Syrian Fathers, in the late 6th century. Near Telavi, Kakheti, Eastern Georgia (Country).<br />
<br />
The Ikalto Monastery is famous for the Academy of Ikalto founded in the reign of King David the Builder by Arsen Ikaltoeli. The Academy of Ikalto trained its students in classical diciplins of rhetoric, astronomy, philosophy, geography, geometry as well as learning the skills of chantings, pottery and poetry. In the 12th century the Georgian poet Shota Rustaveli studied here.
  • Pictures & images of the Church of the Transfiguration of Ikalto monastery was founded by Saint Zenon, one of the 13 Syrian Fathers, in the late 6th century. Near Telavi, Kakheti, Eastern Georgia (Country).<br />
<br />
The Ikalto Monastery is famous for the Academy of Ikalto founded in the reign of King David the Builder by Arsen Ikaltoeli. The Academy of Ikalto trained its students in classical diciplins of rhetoric, astronomy, philosophy, geography, geometry as well as learning the skills of chantings, pottery and poetry. In the 12th century the Georgian poet Shota Rustaveli studied here.
  • Pictures & images of the Church of the Transfiguration of Ikalto monastery was founded by Saint Zenon, one of the 13 Syrian Fathers, in the late 6th century. Near Telavi, Kakheti, Eastern Georgia (Country).<br />
<br />
The Ikalto Monastery is famous for the Academy of Ikalto founded in the reign of King David the Builder by Arsen Ikaltoeli. The Academy of Ikalto trained its students in classical diciplins of rhetoric, astronomy, philosophy, geography, geometry as well as learning the skills of chantings, pottery and poetry. In the 12th century the Georgian poet Shota Rustaveli studied here.
  • Pictures & images of the Church of the Transfiguration of Ikalto monastery was founded by Saint Zenon, one of the 13 Syrian Fathers, in the late 6th century. Near Telavi, Kakheti, Eastern Georgia (Country).<br />
<br />
The Ikalto Monastery is famous for the Academy of Ikalto founded in the reign of King David the Builder by Arsen Ikaltoeli. The Academy of Ikalto trained its students in classical diciplins of rhetoric, astronomy, philosophy, geography, geometry as well as learning the skills of chantings, pottery and poetry. In the 12th century the Georgian poet Shota Rustaveli studied here.
  • Pictures & images of the Church of the Transfiguration of Ikalto monastery was founded by Saint Zenon, one of the 13 Syrian Fathers, in the late 6th century. Near Telavi, Kakheti, Eastern Georgia (Country).<br />
<br />
The Ikalto Monastery is famous for the Academy of Ikalto founded in the reign of King David the Builder by Arsen Ikaltoeli. The Academy of Ikalto trained its students in classical diciplins of rhetoric, astronomy, philosophy, geography, geometry as well as learning the skills of chantings, pottery and poetry. In the 12th century the Georgian poet Shota Rustaveli studied here.
  • Pictures & images of the Church of the Transfiguration of Ikalto monastery was founded by Saint Zenon, one of the 13 Syrian Fathers, in the late 6th century. Near Telavi, Kakheti, Eastern Georgia (Country).<br />
<br />
The Ikalto Monastery is famous for the Academy of Ikalto founded in the reign of King David the Builder by Arsen Ikaltoeli. The Academy of Ikalto trained its students in classical diciplins of rhetoric, astronomy, philosophy, geography, geometry as well as learning the skills of chantings, pottery and poetry. In the 12th century the Georgian poet Shota Rustaveli studied here.
  • Pictures & images of the Church of the Transfiguration of Ikalto monastery was founded by Saint Zenon, one of the 13 Syrian Fathers, in the late 6th century. Near Telavi, Kakheti, Eastern Georgia (Country).<br />
<br />
The Ikalto Monastery is famous for the Academy of Ikalto founded in the reign of King David the Builder by Arsen Ikaltoeli. The Academy of Ikalto trained its students in classical diciplins of rhetoric, astronomy, philosophy, geography, geometry as well as learning the skills of chantings, pottery and poetry. In the 12th century the Georgian poet Shota Rustaveli studied here.
  • Pictures & images of (left) the ruins of the refectory of the Academy of Ikalto and (right) the Church of the Transfiguration of Ikalto monastery was founded by Saint Zenon, one of the 13 Syrian Fathers, in the late 6th century. Near Telavi, Kakheti, Eastern Georgia (Country).<br />
<br />
The Ikalto Monastery is famous for the Academy of Ikalto founded in the reign of King David the Builder by Arsen Ikaltoeli. The Academy of Ikalto trained its students in classical diciplins of rhetoric, astronomy, philosophy, geography, geometry as well as learning the skills of chantings, pottery and poetry. In the 12th century the Georgian poet Shota Rustaveli studied here.
  • Pictures & images of the Church of the Transfiguration of Ikalto monastery was founded by Saint Zenon, one of the 13 Syrian Fathers, in the late 6th century. Near Telavi, Kakheti, Eastern Georgia (Country).<br />
<br />
The Ikalto Monastery is famous for the Academy of Ikalto founded in the reign of King David the Builder by Arsen Ikaltoeli. The Academy of Ikalto trained its students in classical diciplins of rhetoric, astronomy, philosophy, geography, geometry as well as learning the skills of chantings, pottery and poetry. In the 12th century the Georgian poet Shota Rustaveli studied here.
  • Pictures & images of the Church of the Transfiguration of Ikalto monastery was founded by Saint Zenon, one of the 13 Syrian Fathers, in the late 6th century. Near Telavi, Kakheti, Eastern Georgia (Country).<br />
<br />
The Ikalto Monastery is famous for the Academy of Ikalto founded in the reign of King David the Builder by Arsen Ikaltoeli. The Academy of Ikalto trained its students in classical diciplins of rhetoric, astronomy, philosophy, geography, geometry as well as learning the skills of chantings, pottery and poetry. In the 12th century the Georgian poet Shota Rustaveli studied here.
  • Picture & images of the interior of the Church of the Transfiguration,  Ikalto monastery was founded by Saint Zenon, one of the 13 Syrian Fathers, in the late 6th century. Near Telavi, Kakheti, Eastern Georgia (Country).<br />
<br />
The Ikalto Monastery is famous for the Academy of Ikalto founded in the reign of King David the Builder by Arsen Ikaltoeli. The Academy of Ikalto trained its students in classical diciplins of rhetoric, astronomy, philosophy, geography, geometry as well as learning the skills of chantings, pottery and poetry. In the 12th century the Georgian poet Shota Rustaveli studied here.
  • Pictures of church of Kvelatsminda, Ikalto monastery was founded by Saint Zenon, one of the 13 Syrian Fathers, in the late 6th century. Near Telavi, Kakheti, Eastern Georgia (Country).<br />
<br />
The Ikalto Monastery is famous for the Academy of Ikalto founded in the reign of King David the Builder by Arsen Ikaltoeli. The Academy of Ikalto trained its students in classical diciplins of rhetoric, astronomy, philosophy, geography, geometry as well as learning the skills of chantings, pottery and poetry. In the 12th century the Georgian poet Shota Rustaveli studied here.
  • close up ictures & image of the Church of the Transfiguration of Ikalto monastery was founded by Saint Zenon, one of the 13 Syrian Fathers, in the late 6th century. Near Telavi, Kakheti, Eastern Georgia (Country).<br />
<br />
The Ikalto Monastery is famous for the Academy of Ikalto founded in the reign of King David the Builder by Arsen Ikaltoeli. The Academy of Ikalto trained its students in classical diciplins of rhetoric, astronomy, philosophy, geography, geometry as well as learning the skills of chantings, pottery and poetry. In the 12th century the Georgian poet Shota Rustaveli studied here.
  • close up ictures & image of the Church of the Transfiguration of Ikalto monastery was founded by Saint Zenon, one of the 13 Syrian Fathers, in the late 6th century. Near Telavi, Kakheti, Eastern Georgia (Country).<br />
<br />
The Ikalto Monastery is famous for the Academy of Ikalto founded in the reign of King David the Builder by Arsen Ikaltoeli. The Academy of Ikalto trained its students in classical diciplins of rhetoric, astronomy, philosophy, geography, geometry as well as learning the skills of chantings, pottery and poetry. In the 12th century the Georgian poet Shota Rustaveli studied here.
  • Pictures & images of the Church of the Transfiguration of Ikalto monastery was founded by Saint Zenon, one of the 13 Syrian Fathers, in the late 6th century. Near Telavi, Kakheti, Eastern Georgia (Country).<br />
<br />
The Ikalto Monastery is famous for the Academy of Ikalto founded in the reign of King David the Builder by Arsen Ikaltoeli. The Academy of Ikalto trained its students in classical diciplins of rhetoric, astronomy, philosophy, geography, geometry as well as learning the skills of chantings, pottery and poetry. In the 12th century the Georgian poet Shota Rustaveli studied here.
  • Pictures & images of the Church of the Transfiguration of Ikalto monastery was founded by Saint Zenon, one of the 13 Syrian Fathers, in the late 6th century. Near Telavi, Kakheti, Eastern Georgia (Country).<br />
<br />
The Ikalto Monastery is famous for the Academy of Ikalto founded in the reign of King David the Builder by Arsen Ikaltoeli. The Academy of Ikalto trained its students in classical diciplins of rhetoric, astronomy, philosophy, geography, geometry as well as learning the skills of chantings, pottery and poetry. In the 12th century the Georgian poet Shota Rustaveli studied here.
  • Pictures & images of (left) the ruins of the refectory of the Academy of Ikalto and (right) the Church of the Transfiguration of Ikalto monastery was founded by Saint Zenon, one of the 13 Syrian Fathers, in the late 6th century. Near Telavi, Kakheti, Eastern Georgia (Country).<br />
<br />
The Ikalto Monastery is famous for the Academy of Ikalto founded in the reign of King David the Builder by Arsen Ikaltoeli. The Academy of Ikalto trained its students in classical diciplins of rhetoric, astronomy, philosophy, geography, geometry as well as learning the skills of chantings, pottery and poetry. In the 12th century the Georgian poet Shota Rustaveli studied here.
  • Pictures & images of the Church of the Transfiguration of Ikalto monastery was founded by Saint Zenon, one of the 13 Syrian Fathers, in the late 6th century. Near Telavi, Kakheti, Eastern Georgia (Country).<br />
<br />
The Ikalto Monastery is famous for the Academy of Ikalto founded in the reign of King David the Builder by Arsen Ikaltoeli. The Academy of Ikalto trained its students in classical diciplins of rhetoric, astronomy, philosophy, geography, geometry as well as learning the skills of chantings, pottery and poetry. In the 12th century the Georgian poet Shota Rustaveli studied here.
  • Pictures & images of the Church of the Transfiguration of Ikalto monastery was founded by Saint Zenon, one of the 13 Syrian Fathers, in the late 6th century. Near Telavi, Kakheti, Eastern Georgia (Country).<br />
<br />
The Ikalto Monastery is famous for the Academy of Ikalto founded in the reign of King David the Builder by Arsen Ikaltoeli. The Academy of Ikalto trained its students in classical diciplins of rhetoric, astronomy, philosophy, geography, geometry as well as learning the skills of chantings, pottery and poetry. In the 12th century the Georgian poet Shota Rustaveli studied here.

FunkyStock Picture Library Resource

Picture The Past

ABOUT

FunkyStock Picture Library free resource for professional editorial picture editors, picture researchers, historical scholars and students and enthusiasts who want to browse some of the best pictures and images of historic countries, historical places, archaeological sites and the very best museum antiquities and artefacts exhibits in Europe and the Middle East.

Pictures and Images can be downloaded or bought as stock photos or photo art prints.

COUNTRIES

Browse travel pictures and images of historic places and archaeological sites of countries in Europe and the Middle East.

VIEW COUNTRIES INDEX....

HISTORICAL

Explore the past through pictures and images of its historic places. See the great palaces, castles and cities of antiquity as well as the great archaeological sites where our ancestors made history.

EXPLORE HISTORICAL PLACES...

MUSEUMS

Browse pictures & images the treasured artefacts and antiquities exhibits from the great Museum of Europe and the Middle East. See the art and objects made by our ancestors.

SEE MUESEUM ANTIQUITIES....