• Baroque sculptures, architectural decoration, Palermo Sicily
  • Baroque sculptures, architectural decoration, Palermo Sicily
  • Baroque sculptures, architectural decoration, Palermo Sicily
  • Baroque sculptures, architectural decoration, Palermo Sicily
  • Medieval relief sculptures of mythical creatures on the exterior of the Romanesque Baptistery of Parma, circa 1196, (Battistero di Parma), Italy
  • West portal lunette relief sculptures depicting Christ giving a blessing with angels on one side and the Cross on the other on the Romanesque Baptistery of Parma, circa 1196, (Battistero di Parma), Italy
  • the Romanesque Baptistery of Parma, circa 1196, (Battistero di Parma), Italy
  • the Romanesque Baptistery of Parma, circa 1196, (Battistero di Parma), Italy
  • Medieval relief sculptures of mythical Griffin on the exterior of the Romanesque Baptistery of Parma, circa 1196, (Battistero di Parma), Italy
  • Frescoes depicting the  Madonna with Chid on the interior of the Romanesque Baptistery of Parma, circa 1196, (Battistero di Parma), Italy
  • Frescoes depicting Christ Pantocrator with the symbols of the four evangelists on either side on the interior of the Romanesque Baptistery of Parma, circa 1196, (Battistero di Parma), Italy
  • Frescoes depicting the baptism of Christ bt St John the Baptist on the interior of the Romanesque Baptistery of Parma, circa 1196, (Battistero di Parma), Italy
  • Frescoes on the interior of the Romanesque Baptistery of Parma, circa 1196, (Battistero di Parma), Italy
  • Romanesque frescoes inside the dome of the Romanesque Baptistery of Parma, circa 1196, (Battistero di Parma), Italy
  • Romanesque frescoes inside the dome of the Romanesque Baptistery of Parma, circa 1196, (Battistero di Parma), Italy
  • Romanesque frescoes inside the dome of the Romanesque Baptistery of Parma, circa 1196, (Battistero di Parma), Italy
  • Orth entrance & exterior of the octagonal  Romanesque Baptistery of Parma, circa 1196, (Battistero di Parma), Italy
  • Exterior of Parma Duomo and the  octagonal  Romanesque Baptistery of Parma, circa 1196, (Battistero di Parma), Italy
  • Exterior of Parma Duomo and the  octagonal  Romanesque Baptistery of Parma, circa 1196, (Battistero di Parma), Italy
  • Exterior of Parma Duomo and the  octagonal  Romanesque Baptistery of Parma, circa 1196, (Battistero di Parma), Italy
  • West portal lunette relief sculptures depicting Christ giving a blessing with angels on one side and the Cross on the other on the Romanesque Baptistery of Parma, circa 1196, (Battistero di Parma), Italy
  • the Romanesque Baptistery of Parma, circa 1196, (Battistero di Parma), Italy
  • Medieval relief sculptures of mythical dragon on the exterior of the Romanesque Baptistery of Parma, circa 1196, (Battistero di Parma), Italy
  • the Romanesque Baptistery of Parma, circa 1196, (Battistero di Parma), Italy
  • Medieval relief sculptures of mythical half man half dragon creature on the exterior of the Romanesque Baptistery of Parma, circa 1196, (Battistero di Parma), Italy
  • Medieval relief sculptures of mythical bird on the exterior of the Romanesque Baptistery of Parma, circa 1196, (Battistero di Parma), Italy
  • Romanesque frescoes inside the dome of the Romanesque Baptistery of Parma, circa 1196, (Battistero di Parma), Italy
  • Medieval relief sculptures of mythical centaur on the exterior of the Romanesque Baptistery of Parma, circa 1196, (Battistero di Parma), Italy
  • Romanesque frescoes inside the dome of the Romanesque Baptistery of Parma, circa 1196, (Battistero di Parma), Italy
  • Romanesque frescoes inside the dome of the Romanesque Baptistery of Parma, circa 1196, (Battistero di Parma), Italy
  • West entrance and exterior of the octagonal  Romanesque Baptistery of Parma, circa 1196, (Battistero di Parma), Italy
  • Exterior of the octagonal  Romanesque Baptistery of Parma, circa 1196, (Battistero di Parma), Italy
  • West entrance and exterior of the octagonal  Romanesque Baptistery of Parma, circa 1196, (Battistero di Parma), Italy
  • the Romanesque Baptistery of Parma, circa 1196, (Battistero di Parma), Italy
  • Medieval relief sculptures of mythical mermaid on the exterior of the Romanesque Baptistery of Parma, circa 1196, (Battistero di Parma), Italy
  • Frescoes on the interior of the Romanesque Baptistery of Parma, circa 1196, (Battistero di Parma), Italy
  • Romanesque frescoes inside the dome of the Romanesque Baptistery of Parma, circa 1196, (Battistero di Parma), Italy
  • West entrance and exterior of the octagonal  Romanesque Baptistery of Parma, circa 1196, (Battistero di Parma), Italy
  • Romanesque frescoes inside the dome of the Romanesque Baptistery of Parma, circa 1196, (Battistero di Parma), Italy
  • Romanesque frescoes inside the dome of the Romanesque Baptistery of Parma, circa 1196, (Battistero di Parma), Italy
  • door pillaster relief sculptures on the Romanesque Baptistery of Parma, circa 1196, (Battistero di Parma), Italy
  • Pillar capital on the Romanesque Baptistery of Parma, circa 1196, (Battistero di Parma), Italy
  • West portal lunette relief sculptures depicting the Cross on the other on the Romanesque Baptistery of Parma, circa 1196, (Battistero di Parma), Italy
  • Detail of relief sculptures of the North Portal of the Romanesque Baptistery of Parma, circa 1196, (Battistero di Parma), Italy
  • Medieval relief sculptures of mythical half human creatures on the exterior of the Romanesque Baptistery of Parma, circa 1196, (Battistero di Parma), Italy
  • West portal lunette relief sculptures depicting  angels  on the Romanesque Baptistery of Parma, circa 1196, (Battistero di Parma), Italy
  • West portal lunette relief sculptures depicting Christ giving a blessing with angels on one side and the Cross on the other on the Romanesque Baptistery of Parma, circa 1196, (Battistero di Parma), Italy
  • West portal lunette relief sculptures depicting Christ giving a blessing with angels on one side and the Cross on the other on the Romanesque Baptistery of Parma, circa 1196, (Battistero di Parma), Italy
  • Detail of relief sculptures of the North Portal of the Romanesque Baptistery of Parma, circa 1196, (Battistero di Parma), Italy
  • Detail of relief sculptures of the North Portal of the Romanesque Baptistery of Parma, circa 1196, (Battistero di Parma), Italy
  • Detail of relief sculptures of the North Portal of the Romanesque Baptistery of Parma, circa 1196, (Battistero di Parma), Italy
  • Detail of relief sculptures of the North Portal of the Romanesque Baptistery of Parma, circa 1196, (Battistero di Parma), Italy
  • Detail of relief sculptures of the North Portal of the Romanesque Baptistery of Parma, circa 1196, (Battistero di Parma), Italy
  • Detail of relief sculptures of the North Portal of the Romanesque Baptistery of Parma, circa 1196, (Battistero di Parma), Italy
  • door pillaster relief sculptures on the Romanesque Baptistery of Parma, circa 1196, (Battistero di Parma), Italy
  • the Romanesque Baptistery of Parma, circa 1196, (Battistero di Parma), Italy
  • the Romanesque Baptistery of Parma, circa 1196, (Battistero di Parma), Italy
  • the Romanesque Baptistery of Parma, circa 1196, (Battistero di Parma), Italy
  • door pillaster relief sculptures on the Romanesque Baptistery of Parma, circa 1196, (Battistero di Parma), Italy
  • door pillaster relief sculptures on the Romanesque Baptistery of Parma, circa 1196, (Battistero di Parma), Italy
  • door pillaster relief sculptures on the Romanesque Baptistery of Parma, circa 1196, (Battistero di Parma), Italy
  • Medieval relief sculptures of mythical creatures on the exterior of the Romanesque Baptistery of Parma, circa 1196, (Battistero di Parma), Italy
  • Medieval relief sculptures of mythical creatures on the exterior of the Romanesque Baptistery of Parma, circa 1196, (Battistero di Parma), Italy
  • door pillaster relief sculptures on the Romanesque Baptistery of Parma, circa 1196, (Battistero di Parma), Italy
  • Medieval relief sculptures of mythical creatures on the exterior of the Romanesque Baptistery of Parma, circa 1196, (Battistero di Parma), Italy
  • Medieval relief sculptures of mythical cattle on the exterior of the Romanesque Baptistery of Parma, circa 1196, (Battistero di Parma), Italy
  • Medieval relief sculptures of mythical creatures on the exterior of the Romanesque Baptistery of Parma, circa 1196, (Battistero di Parma), Italy
  • Medieval relief sculptures of mythical creatures on the exterior of the Romanesque Baptistery of Parma, circa 1196, (Battistero di Parma), Italy
  • Medieval relief sculptures of mythical creatures on the exterior of the Romanesque Baptistery of Parma, circa 1196, (Battistero di Parma), Italy
  • Medieval relief sculptures of mythical griffins on the exterior of the Romanesque Baptistery of Parma, circa 1196, (Battistero di Parma), Italy
  • Medieval relief sculptures of mythical bird on the exterior of the Romanesque Baptistery of Parma, circa 1196, (Battistero di Parma), Italy
  • Medieval relief sculptures of mythical half man half dragon creature on the exterior of the Romanesque Baptistery of Parma, circa 1196, (Battistero di Parma), Italy
  • Medieval relief sculptures of mythical lion on the exterior of the Romanesque Baptistery of Parma, circa 1196, (Battistero di Parma), Italy
  • Medieval relief sculptures of mythical bird on the exterior of the Romanesque Baptistery of Parma, circa 1196, (Battistero di Parma), Italy
  • Medieval relief sculptures of mythical half man half dragon creature on the exterior of the Romanesque Baptistery of Parma, circa 1196, (Battistero di Parma), Italy
  • Medieval relief sculptures of mythical hunter on the exterior of the Romanesque Baptistery of Parma, circa 1196, (Battistero di Parma), Italy
  • Medieval relief sculptures of mythical bird on the exterior of the Romanesque Baptistery of Parma, circa 1196, (Battistero di Parma), Italy
  • Medieval relief sculptures of mythical bird on the exterior of the Romanesque Baptistery of Parma, circa 1196, (Battistero di Parma), Italy
  • Medieval relief sculptures of mythical centaur on the exterior of the Romanesque Baptistery of Parma, circa 1196, (Battistero di Parma), Italy
  • Medieval relief sculptures of mythical creatures on the exterior of the Romanesque Baptistery of Parma, circa 1196, (Battistero di Parma), Italy
  • Medieval relief sculptures of mythical creatures on the exterior of the Romanesque Baptistery of Parma, circa 1196, (Battistero di Parma), Italy
  • Medieval relief sculptures of mythical creatures on the exterior of the Romanesque Baptistery of Parma, circa 1196, (Battistero di Parma), Italy
  • Medieval relief sculptures of mythical creatures on the exterior of the Romanesque Baptistery of Parma, circa 1196, (Battistero di Parma), Italy
  • Medieval relief sculptures of mythical dragon on the exterior of the Romanesque Baptistery of Parma, circa 1196, (Battistero di Parma), Italy
  • Frescoes on the interior of the Romanesque Baptistery of Parma, circa 1196, (Battistero di Parma), Italy
  • Frescoes on the interior of the Romanesque Baptistery of Parma, circa 1196, (Battistero di Parma), Italy
  • Frescoes on the interior of the Romanesque Baptistery of Parma, circa 1196, (Battistero di Parma), Italy
  • Frescoes on the interior of the Romanesque Baptistery of Parma, circa 1196, (Battistero di Parma), Italy
  • Frescoes on the interior of the Romanesque Baptistery of Parma, circa 1196, (Battistero di Parma), Italy
  • Frescoes depicting St George  on the interior of the Romanesque Baptistery of Parma, circa 1196, (Battistero di Parma), Italy
  • Frescoes on the interior of the Romanesque Baptistery of Parma, circa 1196, (Battistero di Parma), Italy
  • Frescoes on the interior of the Romanesque Baptistery of Parma, circa 1196, (Battistero di Parma), Italy
  • Frescoes depicting the  Madonna with Chid on the interior of the Romanesque Baptistery of Parma, circa 1196, (Battistero di Parma), Italy
  • Frescoes on the interior of the Romanesque Baptistery of Parma, circa 1196, (Battistero di Parma), Italy
  • Frescoes depicting the baptism of Christ bt St John the Baptist  on the interior of the Romanesque Baptistery of Parma, circa 1196, (Battistero di Parma), Italy
  • Frescoes on the interior of the Romanesque Baptistery of Parma, circa 1196, (Battistero di Parma), Italy
  • Frescoes depicting the  Madonna with Chid on the interior of the Romanesque Baptistery of Parma, circa 1196, (Battistero di Parma), Italy
  • Frescoes depicting the crucifixion on the interior of the Romanesque Baptistery of Parma, circa 1196, (Battistero di Parma), Italy
  • Frescoes on the interior of the Romanesque Baptistery of Parma, circa 1196, (Battistero di Parma), Italy
  • Frescoes depicting the Madonna with Chid on the interior of the Romanesque Baptistery of Parma, circa 1196, (Battistero di Parma), Italy
  • Frescoes on the interior of the Romanesque Baptistery of Parma, circa 1196, (Battistero di Parma), Italy
  • Frescoes on the interior of the Romanesque Baptistery of Parma, circa 1196, (Battistero di Parma), Italy
  • Frescoes on the interior of the Romanesque Baptistery of Parma, circa 1196, (Battistero di Parma), Italy
  • Frescoes on the interior of the Romanesque Baptistery of Parma, circa 1196, (Battistero di Parma), Italy
  • Frescoes on the interior of the Romanesque Baptistery of Parma, circa 1196, (Battistero di Parma), Italy
  • Frescoes on the interior of the Romanesque Baptistery of Parma, circa 1196, (Battistero di Parma), Italy
  • Frescoes on the interior of the Romanesque Baptistery of Parma, circa 1196, (Battistero di Parma), Italy
  • Romanesque frescoes inside the dome of the Romanesque Baptistery of Parma, circa 1196, (Battistero di Parma), Italy
  • Frescoes on the interior of the Romanesque Baptistery of Parma, circa 1196, (Battistero di Parma), Italy
  • Frescoes on the interior of the Romanesque Baptistery of Parma, circa 1196, (Battistero di Parma), Italy
  • Romanesque frescoes inside the dome of the Romanesque Baptistery of Parma, circa 1196, (Battistero di Parma), Italy
  • Romanesque frescoes inside the dome of the Romanesque Baptistery of Parma, circa 1196, (Battistero di Parma), Italy
  • Romanesque frescoes inside the dome of the Romanesque Baptistery of Parma, circa 1196, (Battistero di Parma), Italy
  • Romanesque frescoes inside the dome of the Romanesque Baptistery of Parma, circa 1196, (Battistero di Parma), Italy
  • Romanesque frescoes inside the dome of the Romanesque Baptistery of Parma, circa 1196, (Battistero di Parma), Italy
  • Romanesque frescoes inside the dome of the Romanesque Baptistery of Parma, circa 1196, (Battistero di Parma), Italy
  • Romanesque frescoes inside the dome of the Romanesque Baptistery of Parma, circa 1196, (Battistero di Parma), Italy
  • Romanesque frescoes inside the dome of the Romanesque Baptistery of Parma, circa 1196, (Battistero di Parma), Italy
  • Romanesque frescoes inside the dome of the Romanesque Baptistery of Parma, circa 1196, (Battistero di Parma), Italy
  • Romanesque frescoes inside the dome of the Romanesque Baptistery of Parma, circa 1196, (Battistero di Parma), Italy
  • Romanesque frescoes inside the dome of the Romanesque Baptistery of Parma, circa 1196, (Battistero di Parma), Italy
  • Romanesque frescoes inside the dome of the Romanesque Baptistery of Parma, circa 1196, (Battistero di Parma), Italy
  • Romanesque frescoes inside the dome of the Romanesque Baptistery of Parma, circa 1196, (Battistero di Parma), Italy
  • Romanesque frescoes inside the dome of the Romanesque Baptistery of Parma, circa 1196, (Battistero di Parma), Italy
  • Fiesta near the Baptistry and Duomo - Piazza Del Duomo - Parma Italy.
  • Close Up Of Carving from Baptisty - Parma - Italy
  • Close Up Of Carving from Baptisty - Parma - Italy
  • Detail of Baptistry carving  - Piazza Del Duomo - Parma Italy.
  • Detail of Baptistry carving  - Piazza Del Duomo - Parma Italy.
  • Detail of Baptistry Door  - Piazza Del Duomo - Parma Italy.
  • Detail of Baptistry Door  - Piazza Del Duomo - Parma Italy.
  • Detail of Baptistry carving - Piazza Del Duomo - Parma Italy.
  • Detail of Baptistry Door  - Piazza Del Duomo - Parma Italy.
  • Baptistry and Duomo - Piazza Del Duomo - Parma Italy.
  • Close Up Of Carving from Baptisty - Parma - Italy
  • Baptistry and Duomo - Piazza Del Duomo - Parma Italy.
  • Baptistry and Duomo - Piazza Del Duomo - Parma Italy.
  • Baptistry and Duomo - Piazza Del Duomo - Parma Italy.
  • Fiesta near the Baptistry and Duomo - Piazza Del Duomo - Parma Italy.
  • Fiesta near the Baptistry and Duomo - Piazza Del Duomo - Parma Italy.
  • Byzantine Roman mosaics of the ceiling of the Apse of the Basilica of San Vitale in Ravenna, Italy. Mosaic decoration paid for by Emperor Justinian I in 547. A UNESCO World Heritage Site
  • Mosaic panel depicting The sacrifice of Isaac.  Byzantine Roman mosaics of the Basilica of San Vitale in Ravenna, Italy. Mosaic decoration paid for by Emperor Justinian I in 547. A UNESCO World Heritage Site
  • Mosaic depicting Abel making sacrifice. Byzantine Roman mosaics of the Basilica of San Vitale in Ravenna, Italy. Mosaic decoration paid for by Emperor Justinian I in 547. A UNESCO World Heritage Site
  • Mosaic depicting Abel making sacrifice. Byzantine Roman mosaics of the Basilica of San Vitale in Ravenna, Italy. Mosaic decoration paid for by Emperor Justinian I in 547. A UNESCO World Heritage Site
  • Mosaic depicting Abel making sacrifice. Byzantine Roman mosaics of the Basilica of San Vitale in Ravenna, Italy. Mosaic decoration paid for by Emperor Justinian I in 547. A UNESCO World Heritage Site
  • Apse mosaic depicting a clean shaven Christ, Byzantine Roman mosaics of the Basilica of San Vitale in Ravenna, Italy. Mosaic decoration paid for by Emperor Justinian I in 547. A UNESCO World Heritage Site
  • Mosaic panel depicting The sacrifice of Isaac.  Byzantine Roman mosaics of the Basilica of San Vitale in Ravenna, Italy. Mosaic decoration paid for by Emperor Justinian I in 547. A UNESCO World Heritage Site
  • Mosaic panel depicting The sacrifice of Isaac.  Byzantine Roman mosaics of the Basilica of San Vitale in Ravenna, Italy. Mosaic decoration paid for by Emperor Justinian I in 547. A UNESCO World Heritage Site
  • Apse mosaic depicting a clean shaven Christ, Byzantine Roman mosaics of the Basilica of San Vitale in Ravenna, Italy. Mosaic decoration paid for by Emperor Justinian I in 547. A UNESCO World Heritage Site
  • Mosaic depicting Emperor Justinian I. Byzantine Roman mosaics of the Basilica of San Vitale in Ravenna, Italy. Mosaic decoration paid for by Emperor Justinian I in 547. A UNESCO World Heritage Site
  • Mosaic depicting Empress Theodora and attendants. Byzantine Roman mosaics of the Basilica of San Vitale in Ravenna, Italy. Mosaic decoration paid for by Emperor Justinian I in 547. A UNESCO World Heritage Site
  • Mosaic depicting Emperor Justinian I. Byzantine Roman mosaics of the Basilica of San Vitale in Ravenna, Italy. Mosaic decoration paid for by Emperor Justinian I in 547. A UNESCO World Heritage Site
  • Byzantine Roman mosaics of the Apse of the Basilica of San Vitale in Ravenna, Italy. Mosaic decoration paid for by Emperor Justinian I in 547. A UNESCO World Heritage Site
  • Byzantine Roman mosaics of the Apse of the Basilica of San Vitale in Ravenna, Italy. Mosaic decoration paid for by Emperor Justinian I in 547. A UNESCO World Heritage Site
  • Byzantine Roman mosaics of the Apse of the Basilica of San Vitale in Ravenna, Italy. Mosaic decoration paid for by Emperor Justinian I in 547. A UNESCO World Heritage Site
  • Byzantine Roman mosaics of the Apse of the Basilica of San Vitale in Ravenna, Italy. Mosaic decoration paid for by Emperor Justinian I in 547. A UNESCO World Heritage Site
  • Mosaic depicting Abel making sacrifice. Byzantine Roman mosaics of the Basilica of San Vitale in Ravenna, Italy. Mosaic decoration paid for by Emperor Justinian I in 547. A UNESCO World Heritage Site
  • Apse mosaic depicting a clean shaven Christ, Byzantine Roman mosaics of the Basilica of San Vitale in Ravenna, Italy. Mosaic decoration paid for by Emperor Justinian I in 547. A UNESCO World Heritage Site
  • Apse mosaic depicting a clean shaven Christ, Byzantine Roman mosaics of the Basilica of San Vitale in Ravenna, Italy. Mosaic decoration paid for by Emperor Justinian I in 547. A UNESCO World Heritage Site
  • Mosaic depicting Empress Theodora and attendants. Byzantine Roman mosaics of the Basilica of San Vitale in Ravenna, Italy. Mosaic decoration paid for by Emperor Justinian I in 547. A UNESCO World Heritage Site
  • Mosaic depicting Emperor Justinian I. Byzantine Roman mosaics of the Basilica of San Vitale in Ravenna, Italy. Mosaic decoration paid for by Emperor Justinian I in 547. A UNESCO World Heritage Site
  • Mosaic depicting Emperor Justinian I. Byzantine Roman mosaics of the Basilica of San Vitale in Ravenna, Italy. Mosaic decoration paid for by Emperor Justinian I in 547. A UNESCO World Heritage Site
  • Bas relief sculpture decoration on the 12th century Romanesque facade of the Chiesa di San Pietro extra moenia (St Peters), Spoletto, Italy
  • Bas relief sculpture decoration on the 12th century Romanesque facade of the Chiesa di San Pietro extra moenia (St Peters), Spoletto, Italy
  • Architectural details of the 18th Century Ottoman architecture of the Ishak Pasha Palace (Turkish: İshak Paşa Sarayı) ,  Ağrı province of eastern Turkey.
  • Architectural details of the 18th Century Ottoman architecture of the Ishak Pasha Palace (Turkish: İshak Paşa Sarayı) ,  Ağrı province of eastern Turkey.
  • Architectural details of the 18th Century Ottoman architecture of the Ishak Pasha Palace (Turkish: İshak Paşa Sarayı) ,  Ağrı province of eastern Turkey.
  • Architectural details of the 18th Century Ottoman architecture of the Ishak Pasha Palace (Turkish: İshak Paşa Sarayı) ,  Ağrı province of eastern Turkey.
  • Architectural details of the 18th Century Ottoman architecture of the Ishak Pasha Palace (Turkish: İshak Paşa Sarayı) ,  Ağrı province of eastern Turkey.
  • Architectural details of the 18th Century Ottoman architecture of the Ishak Pasha Palace (Turkish: İshak Paşa Sarayı) ,  Ağrı province of eastern Turkey.
  • Architectural details of the 18th Century Ottoman architecture of the Ishak Pasha Palace (Turkish: İshak Paşa Sarayı) ,  Ağrı province of eastern Turkey.
  • Architectural details of the 18th Century Ottoman architecture of the Ishak Pasha Palace (Turkish: İshak Paşa Sarayı) ,  Ağrı province of eastern Turkey.
  • Architectural details of the 18th Century Ottoman architecture of the Ishak Pasha Palace (Turkish: İshak Paşa Sarayı) ,  Ağrı province of eastern Turkey.
  • Architectural details of the 18th Century Ottoman architecture of the Ishak Pasha Palace (Turkish: İshak Paşa Sarayı) ,  Ağrı province of eastern Turkey.
  • Architectural details of the 18th Century Ottoman architecture of the Ishak Pasha Palace (Turkish: İshak Paşa Sarayı) ,  Ağrı province of eastern Turkey.
  • Picture of Tomb  81 of North Necropolis. Hierapolis archaeological site near Pamukkale in Turkey.<br />
<br />
Tomb 81 (2nd - 3rd centuries AD)<br />
The tomb is built on a high platform that compensates for <br />
difference in level of the land behind it. Inside the <br />
chamber are three sepulchre beds, arranged along the walls, an a very deep ossuary. On the roof slabs, which jut out a long way, are two sarcophagi. Two inscriptions beside the door end the inscription on the slab that closed it (now in the museum ) refer to the successive occupants, including Eutyches Pompeios, who left 100 denari to the association of wool washers for the periodic decoration of  <br />
the tomb.
  • South Porch, Right Portal, Left Jambs. Cathedral of Chartres, France. Gothic statue of the four ?Confessors? important intellectual and spiritual leaders, most of whom lived during the early centuries of the Church. They stand on historiated socles- there are canopies offer their heads with architectural motifs. From left to right they are .1) Laumer (also called Lomer or Laudomarus), a local saint who was founder and Abbot of the nearby monastery of Corbion in the 6th century..2) Pope Leo I, an influential early Pope.3) a figure that is either Ambrose or Thomas Becket .4) Nicholas, bishop of Myra (two of his miracles appear in the tympanum).The figure of Laumer was added after the rest of the portal was created. . A UNESCO World Heritage Site.
  • South Porch, Right Portal, Left Jambs. Cathedral of Chartres, France. Gothic statue of the four ?Confessors? important intellectual and spiritual leaders, most of whom lived during the early centuries of the Church. They stand on historiated socles- there are canopies offer their heads with architectural motifs. From left to right they are .1) Laumer (also called Lomer or Laudomarus), a local saint who was founder and Abbot of the nearby monastery of Corbion in the 6th century..2) Pope Leo I, an influential early Pope.3) a figure that is either Ambrose or Thomas Becket .4) Nicholas, bishop of Myra (two of his miracles appear in the tympanum).The figure of Laumer was added after the rest of the portal was created. . A UNESCO World Heritage Site.
  • South Porch, Right Portal, Left Jambs. Cathedral of Chartres, France. Gothic statue of the four ?Confessors? important intellectual and spiritual leaders, most of whom lived during the early centuries of the Church. They stand on historiated socles- there are canopies offer their heads with architectural motifs. From left to right they are .1) Laumer (also called Lomer or Laudomarus), a local saint who was founder and Abbot of the nearby monastery of Corbion in the 6th century..2) Pope Leo I, an influential early Pope.3) a figure that is either Ambrose or Thomas Becket .4) Nicholas, bishop of Myra (two of his miracles appear in the tympanum).The figure of Laumer was added after the rest of the portal was created. . A UNESCO World Heritage Site.
  • "The Room of the Bodyguards" - the second antechamber is also called the "Room of Stuccoes" for its rich decoration. The  Kings of Naples Royal Palace of Caserta, Italy. A UNESCO World Heritage Site
  • "The Room of the Bodyguards" - the second antechamber is also called the "Room of Stuccoes" for its rich decoration. The  Kings of Naples Royal Palace of Caserta, Italy. A UNESCO World Heritage Site
  • "The Room of the Bodyguards" - the second antechamber is also called the "Room of Stuccoes" for its rich decoration. On the walls are 12 bas-reliefs made between 1786 and 1789 depicting scenes from the second Punic War. To the Right is a statue of Alessandro Farnese dressed as a Roman commander being crowned for the victory over the people of Flanders and returning them to Roman Catholisism. The statue is by Simone Moschino.The Bourbon Kings of Naples Royal Palace of Caserta, Italy.
  • "The Room of the Bodyguards" - the second antechamber is also called the "Room of Stuccoes" for its rich decoration. On the walls are 12 bas-reliefs made between 1786 and 1789 depicting scenes from the second Punic War. To the Right is a statue of Alessandro Farnese dressed as a Roman commander being crowned for the victory over the people of Flanders and returning them to Roman Catholisism. The statue is by Simone Moschino.The Bourbon Kings of Naples Royal Palace of Caserta, Italy.
  • "The Room of Mars" also known as "The waiting room for titled persons and the Barons of the Kingdom, High Ranking Officers and foreign Intendants". The neoclassical decoration are designed to be an  exaltation of war.  The Bourbon Kings of Naples Royal Palace of Caserta, Italy.
  • Decorative roof beams of the Norman-Byzantine medieval cathedral  of Monreale,  province of Palermo, Sicily, Italy.
  • Decorative roof beams of the Norman-Byzantine medieval cathedral  of Monreale,  province of Palermo, Sicily, Italy.
  • Close up picture of the Roman mosaics of the Peristyle depicting animals in a geometric mosaic wreath inside square panels, room no 13 at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.<br />
<br />
The peristyle mosaic floor of Villa Romana del Casale is decorated with square mosaic repeating designs which have a rope design geometric mosaic on the outside, inside which is are laurel wreath mosaics which surround Protomas, the representation of the head and neck of an animal often used decoratively in architecture, of wild and domesticated animals. The two sides of the peristyle have been identified as one side for visitors use and the other for the family. The peristyle mosaics lead on both sides around three sides of the peristyle to steps that lead up to the corridor of the Great Hunt Mosaics,
  • Close up picture of the Roman mosaics of the Peristyle depicting animals in a geometric mosaic wreath inside square panels, room no 13 at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.<br />
<br />
The peristyle mosaic floor of Villa Romana del Casale is decorated with square mosaic repeating designs which have a rope design geometric mosaic on the outside, inside which is are laurel wreath mosaics which surround Protomas, the representation of the head and neck of an animal often used decoratively in architecture, of wild and domesticated animals. The two sides of the peristyle have been identified as one side for visitors use and the other for the family. The peristyle mosaics lead on both sides around three sides of the peristyle to steps that lead up to the corridor of the Great Hunt Mosaics,
  • Close up picture of the Roman mosaics of the Peristyle depicting animals in a geometric mosaic wreath inside square panels, room no 13 at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.<br />
<br />
The peristyle mosaic floor of Villa Romana del Casale is decorated with square mosaic repeating designs which have a rope design geometric mosaic on the outside, inside which is are laurel wreath mosaics which surround Protomas, the representation of the head and neck of an animal often used decoratively in architecture, of wild and domesticated animals. The two sides of the peristyle have been identified as one side for visitors use and the other for the family. The peristyle mosaics lead on both sides around three sides of the peristyle to steps that lead up to the corridor of the Great Hunt Mosaics,
  • Close up picture of the Roman mosaics of the Peristyle depicting animals in a geometric mosaic wreath inside square panels, room no 13 at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.<br />
<br />
The peristyle mosaic floor of Villa Romana del Casale is decorated with square mosaic repeating designs which have a rope design geometric mosaic on the outside, inside which is are laurel wreath mosaics which surround Protomas, the representation of the head and neck of an animal often used decoratively in architecture, of wild and domesticated animals. The two sides of the peristyle have been identified as one side for visitors use and the other for the family. The peristyle mosaics lead on both sides around three sides of the peristyle to steps that lead up to the corridor of the Great Hunt Mosaics,
  • Close up picture of the Roman mosaics of the Peristyle depicting animals in a geometric mosaic wreath inside square panels, room no 13 at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.<br />
<br />
The peristyle mosaic floor of Villa Romana del Casale is decorated with square mosaic repeating designs which have a rope design geometric mosaic on the outside, inside which is are laurel wreath mosaics which surround Protomas, the representation of the head and neck of an animal often used decoratively in architecture, of wild and domesticated animals. The two sides of the peristyle have been identified as one side for visitors use and the other for the family. The peristyle mosaics lead on both sides around three sides of the peristyle to steps that lead up to the corridor of the Great Hunt Mosaics,
  • Close up picture of the Roman mosaics of the Peristyle depicting animals in a geometric mosaic wreath inside square panels, room no 13 at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.<br />
<br />
The peristyle mosaic floor of Villa Romana del Casale is decorated with square mosaic repeating designs which have a rope design geometric mosaic on the outside, inside which is are laurel wreath mosaics which surround Protomas, the representation of the head and neck of an animal often used decoratively in architecture, of wild and domesticated animals. The two sides of the peristyle have been identified as one side for visitors use and the other for the family. The peristyle mosaics lead on both sides around three sides of the peristyle to steps that lead up to the corridor of the Great Hunt Mosaics,
  • Close up picture of the Roman mosaics of the Peristyle depicting animals in a geometric mosaic wreath inside square panels, room no 13 at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.<br />
<br />
The peristyle mosaic floor of Villa Romana del Casale is decorated with square mosaic repeating designs which have a rope design geometric mosaic on the outside, inside which is are laurel wreath mosaics which surround Protomas, the representation of the head and neck of an animal often used decoratively in architecture, of wild and domesticated animals. The two sides of the peristyle have been identified as one side for visitors use and the other for the family. The peristyle mosaics lead on both sides around three sides of the peristyle to steps that lead up to the corridor of the Great Hunt Mosaics,
  • Close up picture of the Roman mosaics of the Peristyle depicting animals in a geometric mosaic wreath inside square panels, room no 13 at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.<br />
<br />
The peristyle mosaic floor of Villa Romana del Casale is decorated with square mosaic repeating designs which have a rope design geometric mosaic on the outside, inside which is are laurel wreath mosaics which surround Protomas, the representation of the head and neck of an animal often used decoratively in architecture, of wild and domesticated animals. The two sides of the peristyle have been identified as one side for visitors use and the other for the family. The peristyle mosaics lead on both sides around three sides of the peristyle to steps that lead up to the corridor of the Great Hunt Mosaics,
  • Close up picture of the Roman mosaics of the Room with Star Shaped Decorations depicting an octagonal rosette geometric mosaic patterns, room no 22 at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.
  • Close up picture of the Roman mosaics of the Room with Star Shaped Decorations depicting an octagonal rosette geometric mosaic patterns, room no 22 at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.
  • Close up picture of the Roman mosaics of the Room with Star Shaped Decorations depicting a braid geometric mosaic patterns, room no 18 at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.
  • Close up detail picture of the Roman mosaics of the small hunt depicting dogs chasing a fox, room no 24 at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.<br />
<br />
The Small Hunt room was used as a living room for guests of the Villa Romana del Casale. The Small hunt mosaic design has 4 registers running across the mosaic depicting hunting scenes. In the first register two servants are handling hunting dogs. In the second register figures are depicted burning incense at an altar to Diana, the goddess of hunting, before the hunt starts. The offering is being made by Constantius Clorus , the Caesar of Emperor Maximianus who owned the Villa Romana del Casale. Behind him is his son the future Emperor Constantine. To the right of the altar is a figure holding the reins of a horse dressed in a clavi decorated with ivy leaves indicating that he belongs to the family of Maximianus.
  • Close up detail picture of the Roman mosaics of the small hunt depicting offerings being made at an altar, room no 24 at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.<br />
<br />
The Small Hunt room was used as a living room for guests of the Villa Romana del Casale. The Small hunt mosaic design has 4 registers running across the mosaic depicting hunting scenes. In the first register two servants are handling hunting dogs. In the second register figures are depicted burning incense at an altar to Diana, the goddess of hunting, before the hunt starts. The offering is being made by Constantius Clorus , the Caesar of Emperor Maximianus who owned the Villa Romana del Casale. Behind him is his son the future Emperor Constantine. To the right of the altar is a figure holding the reins of a horse dressed in a clavi decorated with ivy leaves indicating that he belongs to the family of Maximianus.
  • Inner fountain courtyard with Berber Mocarabe Honeycomb work plaster decorations and Berber design tiles of the Mauseleum of Moulay Ismaïl Ibn Sharif , reigned 1672–1727. A UNESCO World Heritage Site .Meknes, Meknes-Tafilalet, Morocco.
  • Inner fountain courtyard with Berber Mocarabe Honeycomb work plaster decorations and Berber design tiles of the Mauseleum of Moulay Ismaïl Ibn Sharif , reigned 1672–1727. A UNESCO World Heritage Site .Meknes, Meknes-Tafilalet, Morocco.
  • Berber Mocarabe Honeycomb work plaster decorations and Berber design tiles of the 17th century Berber Pavillion of the Ambassadors built Sultan Moulay Ismail.   A UNESCO World Heritage Site .Meknes, Meknes-Tafilalet, Morocco.
  • Berber Mocarabe Honeycomb work plaster decorations and Berber design tiles of the 17th century Berber Pavillion of the Ambassadors built Sultan Moulay Ismail.   A UNESCO World Heritage Site .Meknes, Meknes-Tafilalet, Morocco.
  • Berber Mocarabe Honeycomb work plaster decorations and Berber design tiles of the Mauseleum of Moulay Ismaïl Ibn Sharif , reigned 1672–1727. A UNESCO World Heritage Site .Meknes, Meknes-Tafilalet, Morocco.
  • Wide picture of the Roman mosaics of Circus Maximus from the Palaestra depicting a chariot race at the Circus Maximus, room no 15 at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.<br />
<br />
The Small Hunt room was used as a living room for guests of the Villa Romana del Casale. The Small hunt mosaic design has 4 registers running across the mosaic depicting hunting scenes. In the first register two servants are handling hunting dogs. In the second register figures are depicted burning incense at an altar to Diana, the goddess of hunting, before the hunt starts. The offering is being made by Constantius Clorus , the Caesar of Emperor Maximianus who owned the Villa Romana del Casale. Behind him is his son the future Emperor Constantine. To the right of the altar is a figure holding the reins of a horse dressed in a clavi decorated with ivy leaves indicating that he belongs to the family of Maximianus.
  • Wide picture of the Roman mosaics of the small hunt, room no 24 at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.<br />
<br />
The Small Hunt room was used as a living room for guests of the Villa Romana del Casale. The Small hunt mosaic design has 4 registers running across the mosaic depicting hunting scenes. In the first register two servants are handling hunting dogs. In the second register figures are depicted burning incense at an altar to Diana, the goddess of hunting, before the hunt starts. The offering is being made by Constantius Clorus , the Caesar of Emperor Maximianus who owned the Villa Romana del Casale. Behind him is his son the future Emperor Constantine. To the right of the altar is a figure holding the reins of a horse dressed in a clavi decorated with ivy leaves indicating that he belongs to the family of Maximianus.
  • Wide picture of the Roman mosaics of the small hunt, room no 24 at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.<br />
<br />
The Small Hunt room was used as a living room for guests of the Villa Romana del Casale. The Small hunt mosaic design has 4 registers running across the mosaic depicting hunting scenes. In the first register two servants are handling hunting dogs. In the second register figures are depicted burning incense at an altar to Diana, the goddess of hunting, before the hunt starts. The offering is being made by Constantius Clorus , the Caesar of Emperor Maximianus who owned the Villa Romana del Casale. Behind him is his son the future Emperor Constantine. To the right of the altar is a figure holding the reins of a horse dressed in a clavi decorated with ivy leaves indicating that he belongs to the family of Maximianus.
  • Wide picture of the Roman mosaics of the small hunt, room no 24 at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.<br />
<br />
The Small Hunt room was used as a living room for guests of the Villa Romana del Casale. The Small hunt mosaic design has 4 registers running across the mosaic depicting hunting scenes. In the first register two servants are handling hunting dogs. In the second register figures are depicted burning incense at an altar to Diana, the goddess of hunting, before the hunt starts. The offering is being made by Constantius Clorus , the Caesar of Emperor Maximianus who owned the Villa Romana del Casale. Behind him is his son the future Emperor Constantine. To the right of the altar is a figure holding the reins of a horse dressed in a clavi decorated with ivy leaves indicating that he belongs to the family of Maximianus.
  • Close up detail picture of the Roman mosaics of the small hunt depicting hunters with a dead boar and hunters making an offering at an altar, room no 24 at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.<br />
<br />
The Small Hunt room was used as a living room for guests of the Villa Romana del Casale. The Small hunt mosaic design has 4 registers running across the mosaic depicting hunting scenes. In the first register two servants are handling hunting dogs. In the second register figures are depicted burning incense at an altar to Diana, the goddess of hunting, before the hunt starts. The offering is being made by Constantius Clorus , the Caesar of Emperor Maximianus who owned the Villa Romana del Casale. Behind him is his son the future Emperor Constantine. To the right of the altar is a figure holding the reins of a horse dressed in a clavi decorated with ivy leaves indicating that he belongs to the family of Maximianus.
  • Wide picture of the Roman mosaics of the small hunt, room no 24 at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.<br />
<br />
The Small Hunt room was used as a living room for guests of the Villa Romana del Casale. The Small hunt mosaic design has 4 registers running across the mosaic depicting hunting scenes. In the first register two servants are handling hunting dogs. In the second register figures are depicted burning incense at an altar to Diana, the goddess of hunting, before the hunt starts. The offering is being made by Constantius Clorus , the Caesar of Emperor Maximianus who owned the Villa Romana del Casale. Behind him is his son the future Emperor Constantine. To the right of the altar is a figure holding the reins of a horse dressed in a clavi decorated with ivy leaves indicating that he belongs to the family of Maximianus.
  • Close up detail picture of the Roman mosaics of the small hunt depicting deer being caught in a net trap, room no 24 at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.<br />
<br />
The Small Hunt room was used as a living room for guests of the Villa Romana del Casale. The Small hunt mosaic design has 4 registers running across the mosaic depicting hunting scenes. In the first register two servants are handling hunting dogs. In the second register figures are depicted burning incense at an altar to Diana, the goddess of hunting, before the hunt starts. The offering is being made by Constantius Clorus , the Caesar of Emperor Maximianus who owned the Villa Romana del Casale. Behind him is his son the future Emperor Constantine. To the right of the altar is a figure holding the reins of a horse dressed in a clavi decorated with ivy leaves indicating that he belongs to the family of Maximianus.
  • Close up detail picture of the Roman mosaics of the small hunt depicting boys hunting a song bird in a tree, room no 24 at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.<br />
<br />
The Small Hunt room was used as a living room for guests of the Villa Romana del Casale. The Small hunt mosaic design has 4 registers running across the mosaic depicting hunting scenes. In the first register two servants are handling hunting dogs. In the second register figures are depicted burning incense at an altar to Diana, the goddess of hunting, before the hunt starts. The offering is being made by Constantius Clorus , the Caesar of Emperor Maximianus who owned the Villa Romana del Casale. Behind him is his son the future Emperor Constantine. To the right of the altar is a figure holding the reins of a horse dressed in a clavi decorated with ivy leaves indicating that he belongs to the family of Maximianus.
  • Close up detail picture of the Roman mosaics of the small hunt depicting a dead boar being carried by hunters, room no 24 at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.<br />
<br />
The Small Hunt room was used as a living room for guests of the Villa Romana del Casale. The Small hunt mosaic design has 4 registers running across the mosaic depicting hunting scenes. In the first register two servants are handling hunting dogs. In the second register figures are depicted burning incense at an altar to Diana, the goddess of hunting, before the hunt starts. The offering is being made by Constantius Clorus , the Caesar of Emperor Maximianus who owned the Villa Romana del Casale. Behind him is his son the future Emperor Constantine. To the right of the altar is a figure holding the reins of a horse dressed in a clavi decorated with ivy leaves indicating that he belongs to the family of Maximianus.
  • Close up detail picture of the Roman mosaics of the small hunt depicting offerings being made at an altar, room no 24 at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.<br />
<br />
The Small Hunt room was used as a living room for guests of the Villa Romana del Casale. The Small hunt mosaic design has 4 registers running across the mosaic depicting hunting scenes. In the first register two servants are handling hunting dogs. In the second register figures are depicted burning incense at an altar to Diana, the goddess of hunting, before the hunt starts. The offering is being made by Constantius Clorus , the Caesar of Emperor Maximianus who owned the Villa Romana del Casale. Behind him is his son the future Emperor Constantine. To the right of the altar is a figure holding the reins of a horse dressed in a clavi decorated with ivy leaves indicating that he belongs to the family of Maximianus.
  • Close up detail picture of the Roman mosaics of the small hunt depicting a hare about to be speared,  room no 24 at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.<br />
<br />
The Small Hunt room was used as a living room for guests of the Villa Romana del Casale. The Small hunt mosaic design has 4 registers running across the mosaic depicting hunting scenes. In the first register two servants are handling hunting dogs. In the second register figures are depicted burning incense at an altar to Diana, the goddess of hunting, before the hunt starts. The offering is being made by Constantius Clorus , the Caesar of Emperor Maximianus who owned the Villa Romana del Casale. Behind him is his son the future Emperor Constantine. To the right of the altar is a figure holding the reins of a horse dressed in a clavi decorated with ivy leaves indicating that he belongs to the family of Maximianus.
  • Close up detail picture of the Roman mosaics of the small hunt depicting food being cooked, room no 24 at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.<br />
The Small Hunt room was used as a living room for guests of the Villa Romana del Casale. The Small hunt mosaic design has 4 registers running across the mosaic depicting hunting scenes. In the first register two servants are handling hunting dogs. In the second register figures are depicted burning incense at an altar to Diana, the goddess of hunting, before the hunt starts. The offering is being made by Constantius Clorus , the Caesar of Emperor Maximianus who owned the Villa Romana del Casale. Behind him is his son the future Emperor Constantine. To the right of the altar is a figure holding the reins of a horse dressed in a clavi decorated with ivy leaves indicating that he belongs to the family of Maximianus.
  • Close up detail picture of the Roman mosaics of the small hunt, room no 24 at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.<br />
<br />
The Small Hunt room was used as a living room for guests of the Villa Romana del Casale. The Small hunt mosaic design has 4 registers running across the mosaic depicting hunting scenes. In the first register two servants are handling hunting dogs. In the second register figures are depicted burning incense at an altar to Diana, the goddess of hunting, before the hunt starts. The offering is being made by Constantius Clorus , the Caesar of Emperor Maximianus who owned the Villa Romana del Casale. Behind him is his son the future Emperor Constantine. To the right of the altar is a figure holding the reins of a horse dressed in a clavi decorated with ivy leaves indicating that he belongs to the family of Maximianus.
  • Inner fountain courtyard with Berber Mocarabe Honeycomb work plaster decorations and Berber design tiles of the Mauseleum of Moulay Ismaïl Ibn Sharif , reigned 1672–1727. A UNESCO World Heritage Site .Meknes, Meknes-Tafilalet, Morocco.
  • Berber Mocarabe Honeycomb work plaster decorations and Berber design tiles of the 17th century Berber Pavillion of the Ambassadors built Sultan Moulay Ismail.   A UNESCO World Heritage Site .Meknes, Meknes-Tafilalet, Morocco.
  • Decorated Arabesque Berber  and entrance to the Medina. A UNESCO World Heritage Site .Meknes, Meknes-Tafilalet, Morocco.
  • Decorated Arabesque Berber  and entrance to the Medina. A UNESCO World Heritage Site .Meknes, Meknes-Tafilalet, Morocco.
  • Decorated Arabesque Berber  and entrance to the Medina. A UNESCO World Heritage Site .Meknes, Meknes-Tafilalet, Morocco.
  • Inner fountain courtyard with Berber Mocarabe Honeycomb work plaster decorations and Berber design tiles of the Mauseleum of Moulay Ismaïl Ibn Sharif , reigned 1672–1727. A UNESCO World Heritage Site .Meknes, Meknes-Tafilalet, Morocco.
  • Inner fountain courtyard with Berber Mocarabe Honeycomb work plaster decorations and Berber design tiles of the Mauseleum of Moulay Ismaïl Ibn Sharif , reigned 1672–1727. A UNESCO World Heritage Site .Meknes, Meknes-Tafilalet, Morocco.
  • Inner fountain courtyard with Berber Mocarabe Honeycomb work plaster decorations and Berber design tiles of the Mauseleum of Moulay Ismaïl Ibn Sharif , reigned 1672–1727. A UNESCO World Heritage Site .Meknes, Meknes-Tafilalet, Morocco.
  • Inner fountain courtyard with Berber Mocarabe Honeycomb work plaster decorations and Berber design tiles of the Mauseleum of Moulay Ismaïl Ibn Sharif , reigned 1672–1727. A UNESCO World Heritage Site .Meknes, Meknes-Tafilalet, Morocco.
  • Inner fountain courtyard with Berber Mocarabe Honeycomb work plaster decorations and Berber design tiles of the Mauseleum of Moulay Ismaïl Ibn Sharif , reigned 1672–1727. A UNESCO World Heritage Site .Meknes, Meknes-Tafilalet, Morocco.
  • Inner fountain courtyard with Berber Mocarabe Honeycomb work plaster decorations and Berber design tiles of the Mauseleum of Moulay Ismaïl Ibn Sharif , reigned 1672–1727. A UNESCO World Heritage Site .Meknes, Meknes-Tafilalet, Morocco.
  • Inner fountain courtyard with Berber Mocarabe Honeycomb work plaster decorations and Berber design tiles of the Mauseleum of Moulay Ismaïl Ibn Sharif , reigned 1672–1727. A UNESCO World Heritage Site .Meknes, Meknes-Tafilalet, Morocco.
  • Inner fountain courtyard with Berber Mocarabe Honeycomb work plaster decorations and Berber design tiles of the Mauseleum of Moulay Ismaïl Ibn Sharif , reigned 1672–1727. A UNESCO World Heritage Site .Meknes, Meknes-Tafilalet, Morocco.
  • Inner fountain courtyard with Berber Mocarabe Honeycomb work plaster decorations and Berber design tiles of the Mauseleum of Moulay Ismaïl Ibn Sharif , reigned 1672–1727. A UNESCO World Heritage Site .Meknes, Meknes-Tafilalet, Morocco.
  • Inner fountain courtyard with Berber Mocarabe Honeycomb work plaster decorations and Berber design tiles of the Mauseleum of Moulay Ismaïl Ibn Sharif , reigned 1672–1727. A UNESCO World Heritage Site .Meknes, Meknes-Tafilalet, Morocco.
  • Berber Mocarabe Honeycomb work plaster decorations and Berber design tiles of the Mauseleum of Moulay Ismaïl Ibn Sharif , reigned 1672–1727. A UNESCO World Heritage Site .Meknes, Meknes-Tafilalet, Morocco.
  • Berber Mocarabe Honeycomb work plaster decorations and Berber design tiles of the Mauseleum of Moulay Ismaïl Ibn Sharif , reigned 1672–1727. A UNESCO World Heritage Site .Meknes, Meknes-Tafilalet, Morocco.
  • Berber Mocarabe Honeycomb work plaster decorations and Berber design tiles of the Mauseleum of Moulay Ismaïl Ibn Sharif , reigned 1672–1727. A UNESCO World Heritage Site .Meknes, Meknes-Tafilalet, Morocco.
  • Berber Mocarabe Honeycomb work plaster decorations and Berber design tiles of the Mauseleum of Moulay Ismaïl Ibn Sharif , reigned 1672–1727. A UNESCO World Heritage Site .Meknes, Meknes-Tafilalet, Morocco.
  • Berber Mocarabe Honeycomb work plaster decorations and Berber design tiles of the Mauseleum of Moulay Ismaïl Ibn Sharif , reigned 1672–1727. A UNESCO World Heritage Site .Meknes, Meknes-Tafilalet, Morocco.
  • Berber Mocarabe Honeycomb work plaster decorations and Berber design tiles of the Mauseleum of Moulay Ismaïl Ibn Sharif , reigned 1672–1727. A UNESCO World Heritage Site .Meknes, Meknes-Tafilalet, Morocco.
  • Berber Mocarabe Honeycomb work plaster decorations and Berber design tiles of the Mauseleum of Moulay Ismaïl Ibn Sharif , reigned 1672–1727. A UNESCO World Heritage Site .Meknes, Meknes-Tafilalet, Morocco.
  • 18th Century Ottoman architecture of the Ishak Pasha Palace (Turkish: İshak Paşa Sarayı) ,  Ağrı province of eastern Turkey..
  • 18th Century Ottoman architecture of the Ishak Pasha Palace (Turkish: İshak Paşa Sarayı) ,  Ağrı province of eastern Turkey..
  • 18th Century Ottoman architecture of the Ishak Pasha Palace (Turkish: İshak Paşa Sarayı) ,  Ağrı province of eastern Turkey..
  • Dining Room  of the 18th Century Ottoman architecture of the Ishak Pasha Palace (Turkish: İshak Paşa Sarayı) ,  Ağrı province of eastern Turkey.
  • 18th Century Ottoman architecture of the Ishak Pasha Palace (Turkish: İshak Paşa Sarayı) ,  Ağrı province of eastern Turkey.
  • 18th Century Ottoman architecture of the Ishak Pasha Palace (Turkish: İshak Paşa Sarayı) ,  Ağrı province of eastern Turkey.
  • 18th Century Ottoman architecture of the Ishak Pasha Palace (Turkish: İshak Paşa Sarayı) ,  Ağrı province of eastern Turkey.
  • 18th Century Ottoman architecture of the Ishak Pasha Palace (Turkish: İshak Paşa Sarayı) ,  Ağrı province of eastern Turkey.
  • Entrance to the 18th Century Ottoman architecture of the Ishak Pasha Palace (Turkish: İshak Paşa Sarayı) ,  Ağrı province of eastern Turkey.
  • Entrance to the 18th Century Ottoman architecture of the Ishak Pasha Palace (Turkish: İshak Paşa Sarayı) ,  Ağrı province of eastern Turkey.
  • Courtyard of the 18th Century Ottoman architecture of the Ishak Pasha Palace (Turkish: İshak Paşa Sarayı) ,  Ağrı province of eastern Turkey.

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