• The Buruciye Medrese (Madrasah) built in 1271 by Dr. Muzaffer Burucerdî of Iran as a school teach physics, chemistry and astronomy. Its magnificent crown gate is one of the best examples of Seljuk architecture in Anatolia. The islamic Muqarnas corbelled vault is made up of a large number of miniature squinches, producing a sort of cellular structure. Sivas, Turkey
  • The Buruciye Medrese (Madrasah) built in 1271 by Dr. Muzaffer Burucerdî of Iran as a school teach physics, chemistry and astronomy. Its magnificent crown gate is one of the best examples of Seljuk architecture in Anatolia. The islamic Muqarnas corbelled vault is made up of a large number of miniature squinches, producing a sort of cellular structure. Sivas, Turkey
  • Close up of the Crown Gate of the Buruciye Medrese (Madrasah) built in 1271 by Dr. Muzaffer Burucerdî of Iran as a school teach physics, chemistry and astronomy. Its magnificent crown gate is one of the best examples of Seljuk architecture in Anatolia. The islamic Muqarnas corbelled vault is made up of a large number of miniature squinches, producing a sort of cellular structure. Sivas, Turkey
  • The Buruciye Medrese (Madrasah) built in 1271 by Dr. Muzaffer Burucerdî of Iran as a school teach physics, chemistry and astronomy. Its magnificent crown gate is one of the best examples of Seljuk architecture in Anatolia. The islamic Muqarnas corbelled vault is made up of a large number of miniature squinches, producing a sort of cellular structure. Sivas, Turkey
  • Close up of the Crown Gate of the Buruciye Medrese (Madrasah) built in 1271 by Dr. Muzaffer Burucerdî of Iran as a school teach physics, chemistry and astronomy. Its magnificent crown gate is one of the best examples of Seljuk architecture in Anatolia. The islamic Muqarnas corbelled vault is made up of a large number of miniature squinches, producing a sort of cellular structure. Sivas, Turkey
  • Close up of the Crown Gate of the Buruciye Medrese (Madrasah) built in 1271 by Dr. Muzaffer Burucerdî of Iran as a school teach physics, chemistry and astronomy. Its magnificent crown gate is one of the best examples of Seljuk architecture in Anatolia. The islamic Muqarnas corbelled vault is made up of a large number of miniature squinches, producing a sort of cellular structure. Sivas, Turkey
  • Close up of the Crown Gate of the Buruciye Medrese (Madrasah) built in 1271 by Dr. Muzaffer Burucerdî of Iran as a school teach physics, chemistry and astronomy. Its magnificent crown gate is one of the best examples of Seljuk architecture in Anatolia. The islamic Muqarnas corbelled vault is made up of a large number of miniature squinches, producing a sort of cellular structure. Sivas, Turkey
  • Close up of the Crown Gate of the Buruciye Medrese (Madrasah) built in 1271 by Dr. Muzaffer Burucerdî of Iran as a school teach physics, chemistry and astronomy. Its magnificent crown gate is one of the best examples of Seljuk architecture in Anatolia. The islamic Muqarnas corbelled vault is made up of a large number of miniature squinches, producing a sort of cellular structure. Sivas, Turkey
  • Close up of the Crown Gate of the Buruciye Medrese (Madrasah) built in 1271 by Dr. Muzaffer Burucerdî of Iran as a school teach physics, chemistry and astronomy. Its magnificent crown gate is one of the best examples of Seljuk architecture in Anatolia. The islamic Muqarnas corbelled vault is made up of a large number of miniature squinches, producing a sort of cellular structure. Sivas, Turkey
  • Close up of the Crown Gate of the Buruciye Medrese (Madrasah) built in 1271 by Dr. Muzaffer Burucerdî of Iran as a school teach physics, chemistry and astronomy. Its magnificent crown gate is one of the best examples of Seljuk architecture in Anatolia. The islamic Muqarnas corbelled vault is made up of a large number of miniature squinches, producing a sort of cellular structure. Sivas, Turkey
  • Close up of the Crown Gate of the Buruciye Medrese (Madrasah) built in 1271 by Dr. Muzaffer Burucerdî of Iran as a school teach physics, chemistry and astronomy. Its magnificent crown gate is one of the best examples of Seljuk architecture in Anatolia. The islamic Muqarnas corbelled vault is made up of a large number of miniature squinches, producing a sort of cellular structure. Sivas, Turkey
  • Close up of the Crown Gate of the Buruciye Medrese (Madrasah) built in 1271 by Dr. Muzaffer Burucerdî of Iran as a school teach physics, chemistry and astronomy. Its magnificent crown gate is one of the best examples of Seljuk architecture in Anatolia. The islamic Muqarnas corbelled vault is made up of a large number of miniature squinches, producing a sort of cellular structure. Sivas, Turkey
  • Door of Gök Medrese which has a very rich decorative appearance. Its islamic Muqarnas corbelled vault is made up of a large number of miniature squinches, producing a sort of cellular structure. The crown gate of Gök Medrese is one of the best examples of Sejuk architecture in Anatolia, Sivas, Turkey
  • Door of Gök Medrese which has a very rich decorative appearance. Its islamic Muqarnas corbelled vault is made up of a large number of miniature squinches, producing a sort of cellular structure. The crown gate of Gök Medrese is one of the best examples of Sejuk architecture in Anatolia, Sivas, Turkey
  • Door of Gök Medrese which has a very rich decorative appearance. Its islamic Muqarnas corbelled vault is made up of a large number of miniature squinches, producing a sort of cellular structure. The crown gate of Gök Medrese is one of the best examples of Sejuk architecture in Anatolia, Sivas, Turkey
  • Door of Gök Medrese which has a very rich decorative appearance. Its islamic Muqarnas corbelled vault is made up of a large number of miniature squinches, producing a sort of cellular structure. The crown gate of Gök Medrese is one of the best examples of Sejuk architecture in Anatolia, Sivas, Turkey
  • Door of Gök Medrese which has a very rich decorative appearance. Its islamic Muqarnas corbelled vault is made up of a large number of miniature squinches, producing a sort of cellular structure. The crown gate of Gök Medrese is one of the best examples of Sejuk architecture in Anatolia, Sivas, Turkey
  • Door of Gök Medrese which has a very rich decorative appearance. Its islamic Muqarnas corbelled vault is made up of a large number of miniature squinches, producing a sort of cellular structure. The crown gate of Gök Medrese is one of the best examples of Sejuk architecture in Anatolia, Sivas, Turkey
  • Door of Gök Medrese which has a very rich decorative appearance. Its islamic Muqarnas corbelled vault is made up of a large number of miniature squinches, producing a sort of cellular structure. The crown gate of Gök Medrese is one of the best examples of Sejuk architecture in Anatolia, Sivas, Turkey
  • The marble crown gate of Gök Medrese has a very rich decorative appearance. Its islamic Muqarnas corbelled vault is made up of a large number of miniature squinches, producing a sort of cellular structure. The crown gate of Gök Medrese is one of the best examples of Sejuk architecture in Anatolia, Sivas, Turkey
  • The marble crown gate of Gök Medrese has a very rich decorative appearance. Its islamic Muqarnas corbelled vault is made up of a large number of miniature squinches, producing a sort of cellular structure. The crown gate of Gök Medrese is one of the best examples of Sejuk architecture in Anatolia, Sivas, Turkey
  • Close up picture of the Roman mosaics of the Peristyle depicting animals in a geometric mosaic wreath inside square panels, room no 13 at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.<br />
<br />
The peristyle mosaic floor of Villa Romana del Casale is decorated with square mosaic repeating designs which have a rope design geometric mosaic on the outside, inside which is are laurel wreath mosaics which surround Protomas, the representation of the head and neck of an animal often used decoratively in architecture, of wild and domesticated animals. The two sides of the peristyle have been identified as one side for visitors use and the other for the family. The peristyle mosaics lead on both sides around three sides of the peristyle to steps that lead up to the corridor of the Great Hunt Mosaics,
  • Close up picture of the Roman mosaics of the Peristyle depicting animals in a geometric mosaic wreath inside square panels, room no 13 at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.<br />
<br />
The peristyle mosaic floor of Villa Romana del Casale is decorated with square mosaic repeating designs which have a rope design geometric mosaic on the outside, inside which is are laurel wreath mosaics which surround Protomas, the representation of the head and neck of an animal often used decoratively in architecture, of wild and domesticated animals. The two sides of the peristyle have been identified as one side for visitors use and the other for the family. The peristyle mosaics lead on both sides around three sides of the peristyle to steps that lead up to the corridor of the Great Hunt Mosaics,
  • Close up picture of the Roman mosaics of the Peristyle depicting animals in a geometric mosaic wreath inside square panels, room no 13 at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.<br />
<br />
The peristyle mosaic floor of Villa Romana del Casale is decorated with square mosaic repeating designs which have a rope design geometric mosaic on the outside, inside which is are laurel wreath mosaics which surround Protomas, the representation of the head and neck of an animal often used decoratively in architecture, of wild and domesticated animals. The two sides of the peristyle have been identified as one side for visitors use and the other for the family. The peristyle mosaics lead on both sides around three sides of the peristyle to steps that lead up to the corridor of the Great Hunt Mosaics,
  • Close up picture of the Roman mosaics of the Peristyle depicting animals in a geometric mosaic wreath inside square panels, room no 13 at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.<br />
<br />
The peristyle mosaic floor of Villa Romana del Casale is decorated with square mosaic repeating designs which have a rope design geometric mosaic on the outside, inside which is are laurel wreath mosaics which surround Protomas, the representation of the head and neck of an animal often used decoratively in architecture, of wild and domesticated animals. The two sides of the peristyle have been identified as one side for visitors use and the other for the family. The peristyle mosaics lead on both sides around three sides of the peristyle to steps that lead up to the corridor of the Great Hunt Mosaics,
  • Close up picture of the Roman mosaics of the Peristyle depicting animals in a geometric mosaic wreath inside square panels, room no 13 at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.<br />
<br />
The peristyle mosaic floor of Villa Romana del Casale is decorated with square mosaic repeating designs which have a rope design geometric mosaic on the outside, inside which is are laurel wreath mosaics which surround Protomas, the representation of the head and neck of an animal often used decoratively in architecture, of wild and domesticated animals. The two sides of the peristyle have been identified as one side for visitors use and the other for the family. The peristyle mosaics lead on both sides around three sides of the peristyle to steps that lead up to the corridor of the Great Hunt Mosaics,
  • Close up picture of the Roman mosaics of the Peristyle depicting animals in a geometric mosaic wreath inside square panels, room no 13 at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.<br />
<br />
The peristyle mosaic floor of Villa Romana del Casale is decorated with square mosaic repeating designs which have a rope design geometric mosaic on the outside, inside which is are laurel wreath mosaics which surround Protomas, the representation of the head and neck of an animal often used decoratively in architecture, of wild and domesticated animals. The two sides of the peristyle have been identified as one side for visitors use and the other for the family. The peristyle mosaics lead on both sides around three sides of the peristyle to steps that lead up to the corridor of the Great Hunt Mosaics,
  • Close up picture of the Roman mosaics of the Peristyle depicting animals in a geometric mosaic wreath inside square panels, room no 13 at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.<br />
<br />
The peristyle mosaic floor of Villa Romana del Casale is decorated with square mosaic repeating designs which have a rope design geometric mosaic on the outside, inside which is are laurel wreath mosaics which surround Protomas, the representation of the head and neck of an animal often used decoratively in architecture, of wild and domesticated animals. The two sides of the peristyle have been identified as one side for visitors use and the other for the family. The peristyle mosaics lead on both sides around three sides of the peristyle to steps that lead up to the corridor of the Great Hunt Mosaics,
  • Close up picture of the Roman mosaics of the Peristyle depicting animals in a geometric mosaic wreath inside square panels, room no 13 at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.<br />
<br />
The peristyle mosaic floor of Villa Romana del Casale is decorated with square mosaic repeating designs which have a rope design geometric mosaic on the outside, inside which is are laurel wreath mosaics which surround Protomas, the representation of the head and neck of an animal often used decoratively in architecture, of wild and domesticated animals. The two sides of the peristyle have been identified as one side for visitors use and the other for the family. The peristyle mosaics lead on both sides around three sides of the peristyle to steps that lead up to the corridor of the Great Hunt Mosaics,
  • Picture and image of the stone sculpture of a women on the tomb of ship builder Giovanni Battista Piaggio by  Sculptor G. Benetti 1873. Giovanni Battista Piaggio, who is buried here, was a rich ship-owner, whose important role in society is expressed by the professional symbols -the anchor, the ropes, the sand-glass, the globe, the chart that the sculptor Giuseppe Benetti put on the sides of the deceased's bust hosted in the lunette, which surmounts the architecture in Renaissance style of the monument. As a representative of the upper middle class he couldn't die without leaving memories of his social role: Benetti, in order to meet this requirement, represented the widow coming out of the chapel with a prayer-book in her hand. Bringing the mourning in an everyday-life dimension Benetti created a work in accordance with the dictates of the Realism bourgeois. Section A, no 47, The monumental tombs of the Staglieno Monumental Cemetery, Genoa, Italy
  • Picture and image of the stone sculpture of a women on the tomb of ship builder Giovanni Battista Piaggio by  Sculptor G. Benetti 1873. Giovanni Battista Piaggio, who is buried here, was a rich ship-owner, whose important role in society is expressed by the professional symbols -the anchor, the ropes, the sand-glass, the globe, the chart that the sculptor Giuseppe Benetti put on the sides of the deceased's bust hosted in the lunette, which surmounts the architecture in Renaissance style of the monument. As a representative of the upper middle class he couldn't die without leaving memories of his social role: Benetti, in order to meet this requirement, represented the widow coming out of the chapel with a prayer-book in her hand. Bringing the mourning in an everyday-life dimension Benetti created a work in accordance with the dictates of the Realism bourgeois. Section A, no 47, The monumental tombs of the Staglieno Monumental Cemetery, Genoa, Italy
  • Picture and image of the stone sculpture of a women on the tomb of ship builder Giovanni Battista Piaggio by  Sculptor G. Benetti 1873. Giovanni Battista Piaggio, who is buried here, was a rich ship-owner, whose important role in society is expressed by the professional symbols -the anchor, the ropes, the sand-glass, the globe, the chart that the sculptor Giuseppe Benetti put on the sides of the deceased's bust hosted in the lunette, which surmounts the architecture in Renaissance style of the monument. As a representative of the upper middle class he couldn't die without leaving memories of his social role: Benetti, in order to meet this requirement, represented the widow coming out of the chapel with a prayer-book in her hand. Bringing the mourning in an everyday-life dimension Benetti created a work in accordance with the dictates of the Realism bourgeois. Section A, no 47, The monumental tombs of the Staglieno Monumental Cemetery, Genoa, Italy
  • Arabesque Moorish architecture and pond of the  Court of the Myrtles  of the Palacios Nazaries,  Alhambra. Granada, Andalusia, Spain.
  • Arabesque Moorish architecture and pond of the  Court of the Myrtles  of the Palacios Nazaries,  Alhambra. Granada, Andalusia, Spain.
  • Arabesque Moorish architecture and pond of the  Court of the Myrtles  of the Palacios Nazaries,  Alhambra. Granada, Andalusia, Spain.
  • Arabesque Moorish architecture and pond of the  Court of the Myrtles  of the Palacios Nazaries,  Alhambra. Granada, Andalusia, Spain.
  • Arabesque Moorish architecture and pond of the  Court of the Myrtles  of the Palacios Nazaries,  Alhambra. Granada, Andalusia, Spain.
  • Arabesque Moorish architecture and pond of the  Court of the Myrtles  of the Palacios Nazaries,  Alhambra. Granada, Andalusia, Spain.
  • Arabesque Moorish architecture and pond of the  Court of the Myrtles  of the Palacios Nazaries,  Alhambra. Granada, Andalusia, Spain.
  • Moorish architecture of an inner courtyard  of the Palacios Nazaries,  Alhambra. Granada, Andalusia, Spain.
  • Moorish architecture of an inner courtyard  of the Palacios Nazaries,  Alhambra. Granada, Andalusia, Spain.
  • Moorish architecture of an inner courtyard  of the Palacios Nazaries,  Alhambra. Granada, Andalusia, Spain.
  • Arabesque Moorish architecture of an inner courtyard  of the Palacios Nazaries,  Alhambra. Granada, Andalusia, Spain.
  • Arabesque Moorish architecture of an inner courtyard  of the Palacios Nazaries,  Alhambra. Granada, Andalusia, Spain.
  • Arabesque Moorish architecture of an inner courtyard  of the Palacios Nazaries,  Alhambra. Granada, Andalusia, Spain.
  • Arabesque Moorish architecture of an inner courtyard  of the Palacios Nazaries,  Alhambra. Granada, Andalusia, Spain.
  • Arabesque Moorish stalactite or morcabe architecture  of the Palacios Nazaries, Alhambra. Granada, Andalusia, Spain.
  • Arabesque Moorish stalactite or morcabe architecture  of the Palacios Nazaries, Alhambra. Granada, Andalusia, Spain.
  • Arabesque Moorish stalactite or morcabe architecture  of the Palacios Nazaries, Alhambra. Granada, Andalusia, Spain.
  • Arabesque Moorish architecture of the Mexuar administrative rooms in the Palacios Nazaries. Alhambra, Granada, Andalusia, Spain.
  • Arabesque Moorish architecture of the Mexuar administrative rooms in the Palacios Nazaries. Alhambra, Granada, Andalusia, Spain.
  • Arabesque Moorish architecture of the Mexuar administrative rooms in the Palacios Nazaries. Alhambra, Granada, Andalusia, Spain.
  • Arabesque Moorish architecture of the Mexuar administrative rooms in the Palacios Nazaries. Alhambra, Granada, Andalusia, Spain.
  • Close up of the Renaissance statues and architecture of the Florence Duomo, Italy
  • Architectural details of the 18th Century Ottoman architecture of the Ishak Pasha Palace (Turkish: İshak Paşa Sarayı) ,  Ağrı province of eastern Turkey.
  • Architectural details of the 18th Century Ottoman architecture of the Ishak Pasha Palace (Turkish: İshak Paşa Sarayı) ,  Ağrı province of eastern Turkey.
  • Architectural details of the 18th Century Ottoman architecture of the Ishak Pasha Palace (Turkish: İshak Paşa Sarayı) ,  Ağrı province of eastern Turkey.
  • Architectural details of the 18th Century Ottoman architecture of the Ishak Pasha Palace (Turkish: İshak Paşa Sarayı) ,  Ağrı province of eastern Turkey.
  • Architectural details of the 18th Century Ottoman architecture of the Ishak Pasha Palace (Turkish: İshak Paşa Sarayı) ,  Ağrı province of eastern Turkey.
  • Architectural details of the 18th Century Ottoman architecture of the Ishak Pasha Palace (Turkish: İshak Paşa Sarayı) ,  Ağrı province of eastern Turkey.
  • Architectural details of the 18th Century Ottoman architecture of the Ishak Pasha Palace (Turkish: İshak Paşa Sarayı) ,  Ağrı province of eastern Turkey.
  • Architectural details of the 18th Century Ottoman architecture of the Ishak Pasha Palace (Turkish: İshak Paşa Sarayı) ,  Ağrı province of eastern Turkey.
  • Architectural details of the 18th Century Ottoman architecture of the Ishak Pasha Palace (Turkish: İshak Paşa Sarayı) ,  Ağrı province of eastern Turkey.
  • Architectural details of the 18th Century Ottoman architecture of the Ishak Pasha Palace (Turkish: İshak Paşa Sarayı) ,  Ağrı province of eastern Turkey.
  • Architectural details of the 18th Century Ottoman architecture of the Ishak Pasha Palace (Turkish: İshak Paşa Sarayı) ,  Ağrı province of eastern Turkey.
  • Geometric relief decoration around the south proch of the 12the century early transitional Norman architecture of the parish church of St Peter & St Paul part of Malmesbury Abbey, Wiltshire, England
  • Geometric relief decoration around the south proch of the 12the century early transitional Norman architecture of the parish church of St Peter & St Paul part of Malmesbury Abbey, Wiltshire, England
  • Medieval sculptures of the south porch of the 12the century early transitional Norman architecture of the parish church of St Peter & St Paul part of Malmesbury Abbey, Wiltshire, England
  • Medieval sculptures of the south porch of the 12the century early transitional Norman architecture of the parish church of St Peter & St Paul part of Malmesbury Abbey, Wiltshire, England
  • Medieval sculptures of the south porch of the 12the century early transitional Norman architecture of the parish church of St Peter & St Paul part of Malmesbury Abbey, Wiltshire, England
  • Medieval sculptures of the south porch of the 12the century early transitional Norman architecture of the parish church of St Peter & St Paul part of Malmesbury Abbey, Wiltshire, England
  • Medieval sculptures of the south porch of the 12the century early transitional Norman architecture of the parish church of St Peter & St Paul part of Malmesbury Abbey, Wiltshire, England
  • Medieval sculptures of the south porch of the 12the century early transitional Norman architecture of the parish church of St Peter & St Paul part of Malmesbury Abbey, Wiltshire, England
  • Medieval sculptures of the south porch of the 12the century early transitional Norman architecture of the parish church of St Peter & St Paul part of Malmesbury Abbey, Wiltshire, England
  • Medieval sculptures of the south porch of the 12the century early transitional Norman architecture of the parish church of St Peter & St Paul part of Malmesbury Abbey, Wiltshire, England
  • Medieval sculptures of the south porch of the 12the century early transitional Norman architecture of the parish church of St Peter & St Paul part of Malmesbury Abbey, Wiltshire, England
  • Medieval sculptures of the south porch of the 12the century early transitional Norman architecture of the parish church of St Peter & St Paul part of Malmesbury Abbey, Wiltshire, England
  • The Aisle of the 12the century early transitional Norman architecture of the parish church of St Peter & St Paul part of Malmesbury Abbey, Wiltshire, England
  • The Aisle of the 12the century early transitional Norman architecture of the parish church of St Peter & St Paul part of Malmesbury Abbey, Wiltshire, England
  • The Aisle of the 12the century early transitional Norman architecture of the parish church of St Peter & St Paul part of Malmesbury Abbey, Wiltshire, England
  • The Aisle of the 12the century early transitional Norman architecture of the parish church of St Peter & St Paul part of Malmesbury Abbey, Wiltshire, England
  • The Aisle of the 12the century early transitional Norman architecture of the parish church of St Peter & St Paul part of Malmesbury Abbey, Wiltshire, England
  • The Aisle of the 12the century early transitional Norman architecture of the parish church of St Peter & St Paul part of Malmesbury Abbey, Wiltshire, England
  • The Aisle of the 12the century early transitional Norman architecture of the parish church of St Peter & St Paul part of Malmesbury Abbey, Wiltshire, England
  • The Aisle of the 12the century early transitional Norman architecture of the parish church of St Peter & St Paul part of Malmesbury Abbey, Wiltshire, England
  • The Aisle of the 12the century early transitional Norman architecture of the parish church of St Peter & St Paul part of Malmesbury Abbey, Wiltshire, England
  • The Aisle of the 12the century early transitional Norman architecture of the parish church of St Peter & St Paul part of Malmesbury Abbey, Wiltshire, England
  • The Aisle of the 12the century early transitional Norman architecture of the parish church of St Peter & St Paul part of Malmesbury Abbey, Wiltshire, England
  • The Aisle of the 12the century early transitional Norman architecture of the parish church of St Peter & St Paul part of Malmesbury Abbey, Wiltshire, England
  • The south side of the 12the century early transitional Norman architecture of the parish church of St Peter & St Paul part of Malmesbury Abbey, Wiltshire, England
  • The arabesque architecture of the Museum of Arts and Traditions in America square, Seville Spain
  • The arabesque architecture of the Museum of Arts and Traditions in America square, Seville Spain
  • The arabesque architecture of the Museum of Arts and Traditions in America square, Seville Spain
  • The arabesque architecture of the Museum of Arts and Traditions in America square, Seville Spain
  • The arabesque architecture of the Museum of Arts and Traditions in America square, Seville Spain
  • The arabesque architecture of the Museum of Arts and Traditions in America square, Seville Spain
  • Berber arabesque architecture of  the Petite Court, Bahia Palace, Marrakesh, Morroco
  • The arabesque architecture  in the Saadian Tombs the 16th century mausoleum of the Saadian rulers, Marrakech, Morroco
  • The arabesque architecture  in the Saadian Tombs the 16th century mausoleum of the Saadian rulers, Marrakech, Morroco
  • The arabesque architecture the tomb of al-Mansur's son in the Saadian Tombs the 16th century mausoleum of the Saadian rulers, Marrakech, Morroco
  • The arabesque architecture the tomb of al-Mansur's son in the Saadian Tombs the 16th century mausoleum of the Saadian rulers, Marrakech, Morroco
  • The arabesque architecture  in the Saadian Tombs the 16th century mausoleum of the Saadian rulers, Marrakech, Morroco
  • The arabesque architecture the tomb of al-Mansur's son in the Saadian Tombs the 16th century mausoleum of the Saadian rulers, Marrakech, Morroco
  • The arabesque architecture the tomb of al-Mansur's son in the Saadian Tombs the 16th century mausoleum of the Saadian rulers, Marrakech, Morroco
  • The arabesque architecture the tomb of al-Mansur's son in the Saadian Tombs the 16th century mausoleum of the Saadian rulers, Marrakech, Morroco
  • The arabesque architecture of the Saadian Tombs the 16th century mausoleum of the Saadian rulers, Marrakech, Morroco
  • The arabesque architecture of the Saadian Tombs the 16th century mausoleum of the Saadian rulers, Marrakech, Morroco
  • The arabesque architecture of the Saadian Tombs the 16th century mausoleum of the Saadian rulers, Marrakech, Morroco
  • The arabesque zelige tiles and architecture of the Saadian Tombs the 16th century mausoleum of the Saadian rulers, Marrakech, Morroco
  • The arabesque zelige tiles and architecture of the Saadian Tombs the 16th century mausoleum of the Saadian rulers, Marrakech, Morroco
  • The arabesque zelige tiles and architecture of the Saadian Tombs the 16th century mausoleum of the Saadian rulers, Marrakech, Morroco
  • The arabesque zelige tiles and architecture of the Saadian Tombs the 16th century mausoleum of the Saadian rulers, Marrakech, Morroco
  • The arabesque zelige tiles and architecture of the Saadian Tombs the 16th century mausoleum of the Saadian rulers, Marrakech, Morroco
  • The arabesque architecture of the Saadian Tombs the 16th century mausoleum of the Saadian rulers, Marrakech, Morroco
  • The arabesque zelige tiles and architecture of the Saadian Tombs the 16th century mausoleum of the Saadian rulers, Marrakech, Morroco
  • Facade with Gothic architecture and Romanesque domes of St Mark's Basilica, Venice
  • Facade with Gothic architecture and Romanesque domes of St Mark's Basilica, Venice
  • Facade with Gothic architecture and Romanesque domes of St Mark's Basilica, Venice
  • Facade with Gothic architecture and Romanesque domes of St Mark's Basilica, Venice
  • Facade with Gothic architecture and Romanesque domes of St Mark's Basilica, Venice
  • Facade with Gothic architecture and Romanesque domes of St Mark's Basilica, Venice
  • Facade with Gothic architecture and Romanesque domes of St Mark's Basilica, Venice
  • Facade with Gothic architecture and Romanesque domes of St Mark's Basilica, Venice
  • Facade with Gothic architecture and Romanesque domes of St Mark's Basilica, Venice
  • Facade with Gothic architecture and Romanesque domes of St Mark's Basilica, Venice
  • Facade with Gothic architecture and Romanesque domes of St Mark's Basilica, Venice
  • Byzantine Mosaics of Christ Pantocrator above the side chapel  of the Cathedral of Santa Maria Assunta (Cattedrale di Santa Maria Assunta) is a basilica church on the island of Torcello, Venice, northern Italy. It is a notable example of Venetian-Byzantine architecture, one of the most ancient religious edifices in the Veneto.
  • Byzantine Mosaics of the Virgin Mary and Child above the altar of the Cathedral of Santa Maria Assunta (Cattedrale di Santa Maria Assunta) is a basilica church on the island of Torcello, Venice, northern Italy. It is a notable example of Venetian-Byzantine architecture, one of the most ancient religious edifices in the Veneto.
  • Byzantine Mosaics of Christ Pantocrator above the side chapel  of the Cathedral of Santa Maria Assunta (Cattedrale di Santa Maria Assunta) is a basilica church on the island of Torcello, Venice, northern Italy. It is a notable example of Venetian-Byzantine architecture, one of the most ancient religious edifices in the Veneto.
  • Byzantine Mosaics of the Virgin Mary and Child above the altar of the Cathedral of Santa Maria Assunta (Cattedrale di Santa Maria Assunta) is a basilica church on the island of Torcello, Venice, northern Italy. It is a notable example of Venetian-Byzantine architecture, one of the most ancient religious edifices in the Veneto.
  • Byzantine Mosaics of the Virgin Mary and Child above the altar of the Cathedral of Santa Maria Assunta (Cattedrale di Santa Maria Assunta) is a basilica church on the island of Torcello, Venice, northern Italy. It is a notable example of Venetian-Byzantine architecture, one of the most ancient religious edifices in the Veneto.
  • The Ottoman architecture of the Enderûn Library, or Library of Sultan Ahmed III and its fountain built in 1719, built in the inner courtyard of the  Topkapi Palace Istanbul
  • Ottoman Neo-Clasical Eski Hükümet Kona (old government building) of Safranbolu, Turkey.  Safranbolu's architecture influenced urban development throughout much of the Ottoman Empire and was a major centre of the saffron Trade. UNESCO World Heritage Site.
  • Ottoman Neo-Clasical Eski Hükümet Kona (old government building) of Safranbolu, Turkey.  Safranbolu's architecture influenced urban development throughout much of the Ottoman Empire and was a major centre of the saffron Trade. UNESCO World Heritage Site.
  • Ottoman style houses of Safranbolu, Turkey.  Safranbolu's architecture influenced urban development throughout much of the Ottoman Empire and was a major centre of the saffron Trade. UNESCO World Heritage Site.
  • Ottoman style houses of Safranbolu, Turkey.  Safranbolu's architecture influenced urban development throughout much of the Ottoman Empire and was a major centre of the saffron Trade. UNESCO World Heritage Site.
  • Ottoman style houses of Safranbolu, Turkey.  Safranbolu's architecture influenced urban development throughout much of the Ottoman Empire and was a major centre of the saffron Trade. UNESCO World Heritage Site.
  • Ottoman style houses of Safranbolu, Turkey.  Safranbolu's architecture influenced urban development throughout much of the Ottoman Empire and was a major centre of the saffron Trade. UNESCO World Heritage Site.
  • Ottoman style houses of Safranbolu, Turkey.  Safranbolu's architecture influenced urban development throughout much of the Ottoman Empire and was a major centre of the saffron Trade. UNESCO World Heritage Site.
  • Ottoman style houses of Safranbolu, Turkey.  Safranbolu's architecture influenced urban development throughout much of the Ottoman Empire and was a major centre of the saffron Trade. UNESCO World Heritage Site.
  • Ottoman style houses of Safranbolu, Turkey.  Safranbolu's architecture influenced urban development throughout much of the Ottoman Empire and was a major centre of the saffron Trade. UNESCO World Heritage Site.
  • Ottoman style houses of Safranbolu, Turkey.  Safranbolu's architecture influenced urban development throughout much of the Ottoman Empire and was a major centre of the saffron Trade. UNESCO World Heritage Site.
  • Ottoman style houses of Safranbolu, Turkey.  Safranbolu's architecture influenced urban development throughout much of the Ottoman Empire and was a major centre of the saffron Trade. UNESCO World Heritage Site.
  • Ottoman style houses of Safranbolu, Turkey.  Safranbolu's architecture influenced urban development throughout much of the Ottoman Empire and was a major centre of the saffron Trade. UNESCO World Heritage Site.
  • Ottoman style houses of Safranbolu, Turkey.  Safranbolu's architecture influenced urban development throughout much of the Ottoman Empire and was a major centre of the saffron Trade. UNESCO World Heritage Site.
  • Ottoman style houses of Safranbolu, Turkey.  Safranbolu's architecture influenced urban development throughout much of the Ottoman Empire and was a major centre of the saffron Trade. UNESCO World Heritage Site.
  • Ottoman style houses of Safranbolu, Turkey.  Safranbolu's architecture influenced urban development throughout much of the Ottoman Empire and was a major centre of the saffron Trade. UNESCO World Heritage Site.
  • Ottoman style houses of Safranbolu, Turkey.  Safranbolu's architecture influenced urban development throughout much of the Ottoman Empire and was a major centre of the saffron Trade. UNESCO World Heritage Site.
  • Ottoman style houses of Safranbolu, Turkey.  Safranbolu's architecture influenced urban development throughout much of the Ottoman Empire and was a major centre of the saffron Trade. UNESCO World Heritage Site.
  • Ottoman style houses of Safranbolu, Turkey.  Safranbolu's architecture influenced urban development throughout much of the Ottoman Empire and was a major centre of the saffron Trade. UNESCO World Heritage Site.
  • Ottoman style houses of Safranbolu, Turkey.  Safranbolu's architecture influenced urban development throughout much of the Ottoman Empire and was a major centre of the saffron Trade. UNESCO World Heritage Site.
  • Ottoman style houses of Safranbolu, Turkey.  Safranbolu's architecture influenced urban development throughout much of the Ottoman Empire and was a major centre of the saffron Trade. UNESCO World Heritage Site.
  • Ottoman style houses of Safranbolu, Turkey.  Safranbolu's architecture influenced urban development throughout much of the Ottoman Empire and was a major centre of the saffron Trade. UNESCO World Heritage Site.
  • Ottoman style houses of Safranbolu, Turkey.  Safranbolu's architecture influenced urban development throughout much of the Ottoman Empire and was a major centre of the saffron Trade. UNESCO World Heritage Site.
  • Ottoman style houses of Safranbolu, Turkey.  Safranbolu's architecture influenced urban development throughout much of the Ottoman Empire and was a major centre of the saffron Trade. UNESCO World Heritage Site.
  • Ottoman style houses of Safranbolu, Turkey.  Safranbolu's architecture influenced urban development throughout much of the Ottoman Empire and was a major centre of the saffron Trade. UNESCO World Heritage Site.
  • Ottoman style houses of Safranbolu, Turkey.  Safranbolu's architecture influenced urban development throughout much of the Ottoman Empire and was a major centre of the saffron Trade. UNESCO World Heritage Site.
  • Ottoman style houses of Safranbolu, Turkey.  Safranbolu's architecture influenced urban development throughout much of the Ottoman Empire and was a major centre of the saffron Trade. UNESCO World Heritage Site.
  • Ottoman style houses of Safranbolu, Turkey.  Safranbolu's architecture influenced urban development throughout much of the Ottoman Empire and was a major centre of the saffron Trade. UNESCO World Heritage Site.
  • Ottoman style houses of Safranbolu, Turkey.  Safranbolu's architecture influenced urban development throughout much of the Ottoman Empire and was a major centre of the saffron Trade. UNESCO World Heritage Site.
  • Ottoman style houses of Safranbolu, Turkey.  Safranbolu's architecture influenced urban development throughout much of the Ottoman Empire and was a major centre of the saffron Trade. UNESCO World Heritage Site.
  • Ottoman style houses of Safranbolu, Turkey.  Safranbolu's architecture influenced urban development throughout much of the Ottoman Empire and was a major centre of the saffron Trade. UNESCO World Heritage Site.
  • The Ottoman architecture of the Privy Chamber of Sultan Murad III decorated with 16th century Iznk tiles. Topkapi Palace, Istanbul, Turkey
  • The Ottoman architecture of the Privy Chamber of Sultan Murad III decorated with 16th century Iznk tiles. Topkapi Palace, Istanbul, Turkey
  • The Ottoman architecture of the Privy Chamber of Sultan Murad III decorated with 16th century Iznk tiles. Topkapi Palace, Istanbul, Turkey
  • The Ottoman architecture of the fountain in the Privy Chamber of Sultan Murad III decorated with 16th century Iznk tiles. Topkapi Palace, Istanbul, Turkey
  • The Ottoman architecture of the Privy Chamber of Sultan Murad III decorated with 16th century Iznk tiles. Topkapi Palace, Istanbul, Turkey
  • The Ottoman architecture of the Privy Chamber of Sultan Murad III decorated with 16th century Iznk tiles. Topkapi Palace, Istanbul, Turkey
  • The Ottoman architecture of the Privy Chamber of Sultan Murad III decorated with 16th century Iznk tiles. Topkapi Palace, Istanbul, Turkey
  • Tiled room and Ottoman architecture of the Harem. Topkapi Palace, Istanbul, Turkey
  • Tiled room and Ottoman architecture of the Harem. Topkapi Palace, Istanbul, Turkey
  • 18th Century Ottoman architecture of the Ishak Pasha Palace (Turkish: İshak Paşa Sarayı) ,  Ağrı province of eastern Turkey..
  • 18th Century Ottoman architecture of the Ishak Pasha Palace (Turkish: İshak Paşa Sarayı) ,  Ağrı province of eastern Turkey..
  • 18th Century Ottoman architecture of the Ishak Pasha Palace (Turkish: İshak Paşa Sarayı) ,  Ağrı province of eastern Turkey..
  • Dining Room  of the 18th Century Ottoman architecture of the Ishak Pasha Palace (Turkish: İshak Paşa Sarayı) ,  Ağrı province of eastern Turkey.
  • Dining Room  of the 18th Century Ottoman architecture of the Ishak Pasha Palace (Turkish: İshak Paşa Sarayı) ,  Ağrı province of eastern Turkey.
  • Tomb of the 18th Century Ottoman architecture of the Ishak Pasha Palace (Turkish: İshak Paşa Sarayı) ,  Ağrı province of eastern Turkey.
  • Tomb of the 18th Century Ottoman architecture of the Ishak Pasha Palace (Turkish: İshak Paşa Sarayı) ,  Ağrı province of eastern Turkey.
  • 18th Century Ottoman architecture of the Ishak Pasha Palace (Turkish: İshak Paşa Sarayı) ,  Ağrı province of eastern Turkey.
  • 18th Century Ottoman architecture of the Ishak Pasha Palace (Turkish: İshak Paşa Sarayı) ,  Ağrı province of eastern Turkey.
  • 18th Century Ottoman architecture of the Ishak Pasha Palace (Turkish: İshak Paşa Sarayı) ,  Ağrı province of eastern Turkey.
  • 18th Century Ottoman architecture of the Ishak Pasha Palace (Turkish: İshak Paşa Sarayı) ,  Ağrı province of eastern Turkey.
  • 18th Century Ottoman architecture of the Ishak Pasha Palace (Turkish: İshak Paşa Sarayı) ,  Ağrı province of eastern Turkey.
  • 18th Century Ottoman architecture of the Ishak Pasha Palace (Turkish: İshak Paşa Sarayı) ,  Ağrı province of eastern Turkey.
  • 18th Century Ottoman architecture of the Ishak Pasha Palace (Turkish: İshak Paşa Sarayı) ,  Ağrı province of eastern Turkey.
  • 18th Century Ottoman architecture of the Ishak Pasha Palace (Turkish: İshak Paşa Sarayı) ,  Ağrı province of eastern Turkey.
  • Entrance to the 18th Century Ottoman architecture of the Ishak Pasha Palace (Turkish: İshak Paşa Sarayı) ,  Ağrı province of eastern Turkey.
  • Entrance to the 18th Century Ottoman architecture of the Ishak Pasha Palace (Turkish: İshak Paşa Sarayı) ,  Ağrı province of eastern Turkey.
  • Entrance to the 18th Century Ottoman architecture of the Ishak Pasha Palace (Turkish: İshak Paşa Sarayı) ,  Ağrı province of eastern Turkey.
  • Courtyard of the 18th Century Ottoman architecture of the Ishak Pasha Palace (Turkish: İshak Paşa Sarayı) ,  Ağrı province of eastern Turkey.
  • Courtyard of the 18th Century Ottoman architecture of the Ishak Pasha Palace (Turkish: İshak Paşa Sarayı) ,  Ağrı province of eastern Turkey.
  • Courtyard of the 18th Century Ottoman architecture of the Ishak Pasha Palace (Turkish: İshak Paşa Sarayı) ,  Ağrı province of eastern Turkey.
  • Courtyard of the 18th Century Ottoman architecture of the Ishak Pasha Palace (Turkish: İshak Paşa Sarayı) ,  Ağrı province of eastern Turkey.
  • Courtyard of the 18th Century Ottoman architecture of the Ishak Pasha Palace (Turkish: İshak Paşa Sarayı) ,  Ağrı province of eastern Turkey.
  • Courtyard of the 18th Century Ottoman architecture of the Ishak Pasha Palace (Turkish: İshak Paşa Sarayı) ,  Ağrı province of eastern Turkey.
  • Courtyard of the 18th Century Ottoman architecture of the Ishak Pasha Palace (Turkish: İshak Paşa Sarayı) ,  Ağrı province of eastern Turkey.
  • Courtyard of the 18th Century Ottoman architecture of the Ishak Pasha Palace (Turkish: İshak Paşa Sarayı) ,  Ağrı province of eastern Turkey.
  • Courtyard of the 18th Century Ottoman architecture of the Ishak Pasha Palace (Turkish: İshak Paşa Sarayı) ,  Ağrı province of eastern Turkey.
  • Courtyard of the 18th Century Ottoman architecture of the Ishak Pasha Palace (Turkish: İshak Paşa Sarayı) ,  Ağrı province of eastern Turkey.
  • Courtyard of the 18th Century Ottoman architecture of the Ishak Pasha Palace (Turkish: İshak Paşa Sarayı) ,  Ağrı province of eastern Turkey.
  • Courtyard of the 18th Century Ottoman architecture of the Ishak Pasha Palace (Turkish: İshak Paşa Sarayı) ,  Ağrı province of eastern Turkey.
  • Courtyard of the 18th Century Ottoman architecture of the Ishak Pasha Palace (Turkish: İshak Paşa Sarayı) ,  Ağrı province of eastern Turkey.
  • Minarete of the Mosque of the 18th Century Ottoman architecture of the Ishak Pasha Palace (Turkish: İshak Paşa Sarayı) ,  Ağrı province of eastern Turkey.
  • Minarete of the Mosque of the 18th Century Ottoman architecture of the Ishak Pasha Palace (Turkish: İshak Paşa Sarayı) ,  Ağrı province of eastern Turkey.
  • Minarete of the Mosque of the 18th Century Ottoman architecture of the Ishak Pasha Palace (Turkish: İshak Paşa Sarayı) ,  Ağrı province of eastern Turkey.
  • Minarete of the Mosque of the 18th Century Ottoman architecture of the Ishak Pasha Palace (Turkish: İshak Paşa Sarayı) ,  Ağrı province of eastern Turkey.
  • Minarete of the Mosque of the 18th Century Ottoman architecture of the Ishak Pasha Palace (Turkish: İshak Paşa Sarayı) ,  Ağrı province of eastern Turkey.
  • Minarete of the Mosque of the 18th Century Ottoman architecture of the Ishak Pasha Palace (Turkish: İshak Paşa Sarayı) ,  Ağrı province of eastern Turkey.
  • Minarete of the Mosque of the 18th Century Ottoman architecture of the Ishak Pasha Palace (Turkish: İshak Paşa Sarayı) ,  Ağrı province of eastern Turkey.
  • Minarete of the Mosque of the 18th Century Ottoman architecture of the Ishak Pasha Palace (Turkish: İshak Paşa Sarayı) ,  Ağrı province of eastern Turkey.
  • The Aranyhomok Hotel ( Socialist architecture) , Kecskemét , Hungary
  • The Aranyhomok Hotel ( Socialist architecture) , Kecskemét , Hungary
  • Statues on The two Moors House (Két mór ház).  Rustic Baroque architecture - Sopron, Hungary
  • Door statues on The two Moors House (Két mór ház).  Rustic Baroque architecture - Sopron, Hungary
  • Door statues on The two Moors House (Két mór ház).  Rustic Baroque architecture - Sopron, Hungary
  • The two Moors House (Két mór ház).  Rustic Baroque architecture - Sopron, Hungary
  • Statues on The two Moors House (Két mór ház).  Rustic Baroque architecture - Sopron, Hungary
  • Statues on The two Moors House (Két mór ház).  Rustic Baroque architecture - Sopron, Hungary
  • Statues on The two Moors House (Két mór ház).  Rustic Baroque architecture - Sopron, Hungary
  • Statues on The two Moors House (Két mór ház).  Rustic Baroque architecture - Sopron, Hungary
  • Statues on The two Moors House (Két mór ház).  Rustic Baroque architecture - Sopron, Hungary
  • Statues on The two Moors House (Két mór ház).  Rustic Baroque architecture - Sopron, Hungary
  • Statues on The two Moors House (Két mór ház).  Rustic Baroque architecture - Sopron, Hungary
  • Statues on The two Moors House (Két mór ház).  Rustic Baroque architecture - Sopron, Hungary
  • The two Moors House (Két mór ház).  Rustic Baroque architecture - Sopron, Hungary
  • The two Moors House (Két mór ház).  Rustic Baroque architecture - Sopron, Hungary
  • The two Moors House (Két mór ház).  Rustic Baroque architecture - Sopron, Hungary
  • Late Gothic sculptures and architectural additions to the facade of the 12th century Romanesque Ferrara Duomo, Italy
  • Late Gothic sculptures and architectural additions to the facade of the 12th century Romanesque Ferrara Duomo, Italy
  • Late Gothic sculptures and architectural additions to the facade of the 12th century Romanesque Ferrara Duomo, Italy
  • Late Gothic sculptures and architectural additions to the facade of the 12th century Romanesque Ferrara Duomo, Italy
  • Late Gothic sculptures and architectural additions to the facade of the 12th century Romanesque Ferrara Duomo, Italy
  • Late Gothic sculptures and architectural additions to the facade of the 12th century Romanesque Ferrara Duomo, Italy
  • Late Gothic sculptures and architectural additions to the facade of the 12th century Romanesque Ferrara Duomo, Italy
  • Late Gothic sculptures and architectural additions to the facade of the 12th century Romanesque Ferrara Duomo, Italy
  • Late Gothic sculptures and architectural additions to the facade of the 12th century Romanesque Ferrara Duomo, Italy
  • Late Gothic sculptures and architectural additions to the facade of the 12th century Romanesque Ferrara Duomo, Italy
  • Late Gothic sculptures and architectural additions to the facade of the 12th century Romanesque Ferrara Duomo, Italy
  • Picture of an architectural relief detail from the ruins of the Ancient Ionian Greek  Didyma Temple of Apollo & home to the Oracle of Apollo.  Also known as the Didymaion completed circa 550 BC. modern Didim in Aydin Province, Turkey.
  • Picture of an architectural relief detail from the ruins of the Ancient Ionian Greek  Didyma Temple of Apollo & home to the Oracle of Apollo.  Also known as the Didymaion completed circa 550 BC. modern Didim in Aydin Province, Turkey.
  • Picture of an architectural relief detail from the ruins of the Ancient Ionian Greek  Didyma Temple of Apollo & home to the Oracle of Apollo.  Also known as the Didymaion completed circa 550 BC. modern Didim in Aydin Province, Turkey.
  • Picture of an architectural relief detail from the ruins of the Ancient Ionian Greek  Didyma Temple of Apollo & home to the Oracle of Apollo.  Also known as the Didymaion completed circa 550 BC. modern Didim in Aydin Province, Turkey.
  • Picture of an architectural relief detail from the ruins of the Ancient Ionian Greek  Didyma Temple of Apollo & home to the Oracle of Apollo.  Also known as the Didymaion completed circa 550 BC. modern Didim in Aydin Province, Turkey.
  • Picture of an architectural relief detail from the ruins of the Ancient Ionian Greek  Didyma Temple of Apollo & home to the Oracle of Apollo.  Also known as the Didymaion completed circa 550 BC. modern Didim in Aydin Province, Turkey.
  • Picture of an architectural relief detail from the ruins of the Ancient Ionian Greek  Didyma Temple of Apollo & home to the Oracle of Apollo.  Also known as the Didymaion completed circa 550 BC. modern Didim in Aydin Province, Turkey.
  • Picture of an architectural relief detail from the ruins of the Ancient Ionian Greek  Didyma Temple of Apollo & home to the Oracle of Apollo.  Also known as the Didymaion completed circa 550 BC. modern Didim in Aydin Province, Turkey.
  • Picture of an architectural relief detail from the ruins of the Ancient Ionian Greek  Didyma Temple of Apollo & home to the Oracle of Apollo.  Also known as the Didymaion completed circa 550 BC. modern Didim in Aydin Province, Turkey.
  • Moorish architectural detail on the old mosque tower, now the bell tower of the Cathedral of Seville, Spain
  • Moorish architectural detail on the old mosque tower, now the bell tower of the Cathedral of Seville, Spain
  • Moorish architectural detail on the old mosque tower, now the bell tower of the Cathedral of Seville, Spain

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