• Roman Sarcophagus with detailed relief sculptured panels with battle scenes. This large sarcophagus which was found in 1931 near the Tiburtina, in the eastern suburbs of the ancient city, shows on its front a symbolic battle, staged on two levels. This composition focuses on the progress of the Roman horseman, depicted in the guise of a universal victor, in a melee of soldiers, spears and horses; the Romans are delivering savage blows, devastating their enemies. The bloody scenes are framed by two pairs of enslaved barbarians, whose afflicted demeanour expresses the suffering which comes to those who rebel against the dominion of Rome. The dramatic animation of the combat emphasised by the deep chiaroscuro obtained by a skilful feat of carving. The low relief on the sides of the sarcophagus shows events subsequent to the encounter; on one side barbarian prisoners cross the river on the other chiefs submit to the Roman officials. The freeze on the lid, between two corner masks, celebrates the dead man and his wife, presented in the centre is the act of ‘dextarum iunctio’; on the left, the women exercises her ‘virtue’ in the house, educating her children; on the right, the, after his warlike activities, receives his 'clementia'. The faces of the principle characters remain incomplete, awaiting the carving of the features of the dead people. The decoration of the sarcophagus, inspired by many scenes on the Antonine Column, can be dated to around 180AD. The military insignia represented on the upper edge of the casket - the eagle of the Legio III Flavia and the boar of the Legio I Itlaica - enable us perhaps to identify the dead man as Aurelius Iulius Pompilius, an official of Marcus Aurelius in command of two cavalry squadron on detachment to those two legions during the war against Marcomanni (1720-175AD). National Roman Museum, Rome, Italy
  • Roman Sarcophagus with detailed relief sculptured panels with battle scenes. This large sarcophagus which was found in 1931 near the Tiburtina, in the eastern suburbs of the ancient city, shows on its front a symbolic battle, staged on two levels. This composition focuses on the progress of the Roman horseman, depicted in the guise of a universal victor, in a melee of soldiers, spears and horses; the Romans are delivering savage blows, devastating their enemies. The bloody scenes are framed by two pairs of enslaved barbarians, whose afflicted demeanour expresses the suffering which comes to those who rebel against the dominion of Rome. The dramatic animation of the combat emphasised by the deep chiaroscuro obtained by a skilful feat of carving. The low relief on the sides of the sarcophagus shows events subsequent to the encounter; on one side barbarian prisoners cross the river on the other chiefs submit to the Roman officials. The freeze on the lid, between two corner masks, celebrates the dead man and his wife, presented in the centre is the act of ‘dextarum iunctio’; on the left, the women exercises her ‘virtue’ in the house, educating her children; on the right, the, after his warlike activities, receives his 'clementia'. The faces of the principle characters remain incomplete, awaiting the carving of the features of the dead people. The decoration of the sarcophagus, inspired by many scenes on the Antonine Column, can be dated to around 180AD. The military insignia represented on the upper edge of the casket - the eagle of the Legio III Flavia and the boar of the Legio I Itlaica - enable us perhaps to identify the dead man as Aurelius Iulius Pompilius, an official of Marcus Aurelius in command of two cavalry squadron on detachment to those two legions during the war against Marcomanni (1720-175AD). National Roman Museum, Rome, Italy
  • Roman Sarcophagus with detailed relief sculptured panels with battle scenes. This large sarcophagus which was found in 1931 near the Tiburtina, in the eastern suburbs of the ancient city, shows on its front a symbolic battle, staged on two levels. This composition focuses on the progress of the Roman horseman, depicted in the guise of a universal victor, in a melee of soldiers, spears and horses; the Romans are delivering savage blows, devastating their enemies. The bloody scenes are framed by two pairs of enslaved barbarians, whose afflicted demeanour expresses the suffering which comes to those who rebel against the dominion of Rome. The dramatic animation of the combat emphasised by the deep chiaroscuro obtained by a skilful feat of carving. The low relief on the sides of the sarcophagus shows events subsequent to the encounter; on one side barbarian prisoners cross the river on the other chiefs submit to the Roman officials. The freeze on the lid, between two corner masks, celebrates the dead man and his wife, presented in the centre is the act of ‘dextarum iunctio’; on the left, the women exercises her ‘virtue’ in the house, educating her children; on the right, the, after his warlike activities, receives his 'clementia'. The faces of the principle characters remain incomplete, awaiting the carving of the features of the dead people. The decoration of the sarcophagus, inspired by many scenes on the Antonine Column, can be dated to around 180AD. The military insignia represented on the upper edge of the casket - the eagle of the Legio III Flavia and the boar of the Legio I Itlaica - enable us perhaps to identify the dead man as Aurelius Iulius Pompilius, an official of Marcus Aurelius in command of two cavalry squadron on detachment to those two legions during the war against Marcomanni (1720-175AD). National Roman Museum, Rome, Italy
  • Roman Sarcophagus with detailed relief sculptured panels with battle scenes. This large sarcophagus which was found in 1931 near the Tiburtina, in the eastern suburbs of the ancient city, shows on its front a symbolic battle, staged on two levels. This composition focuses on the progress of the Roman horseman, depicted in the guise of a universal victor, in a melee of soldiers, spears and horses; the Romans are delivering savage blows, devastating their enemies. The bloody scenes are framed by two pairs of enslaved barbarians, whose afflicted demeanour expresses the suffering which comes to those who rebel against the dominion of Rome. The dramatic animation of the combat emphasised by the deep chiaroscuro obtained by a skilful feat of carving. The low relief on the sides of the sarcophagus shows events subsequent to the encounter; on one side barbarian prisoners cross the river on the other chiefs submit to the Roman officials. The freeze on the lid, between two corner masks, celebrates the dead man and his wife, presented in the centre is the act of ‘dextarum iunctio’; on the left, the women exercises her ‘virtue’ in the house, educating her children; on the right, the, after his warlike activities, receives his 'clementia'. The faces of the principle characters remain incomplete, awaiting the carving of the features of the dead people. The decoration of the sarcophagus, inspired by many scenes on the Antonine Column, can be dated to around 180AD. The military insignia represented on the upper edge of the casket - the eagle of the Legio III Flavia and the boar of the Legio I Itlaica - enable us perhaps to identify the dead man as Aurelius Iulius Pompilius, an official of Marcus Aurelius in command of two cavalry squadron on detachment to those two legions during the war against Marcomanni (1720-175AD). National Roman Museum, Rome, Italy
  • Roman Sarcophagus with detailed relief sculptured panels with battle scenes. This large sarcophagus which was found in 1931 near the Tiburtina, in the eastern suburbs of the ancient city, shows on its front a symbolic battle, staged on two levels. This composition focuses on the progress of the Roman horseman, depicted in the guise of a universal victor, in a melee of soldiers, spears and horses; the Romans are delivering savage blows, devastating their enemies. The bloody scenes are framed by two pairs of enslaved barbarians, whose afflicted demeanour expresses the suffering which comes to those who rebel against the dominion of Rome. The dramatic animation of the combat emphasised by the deep chiaroscuro obtained by a skilful feat of carving. The low relief on the sides of the sarcophagus shows events subsequent to the encounter; on one side barbarian prisoners cross the river on the other chiefs submit to the Roman officials. The freeze on the lid, between two corner masks, celebrates the dead man and his wife, presented in the centre is the act of ‘dextarum iunctio’; on the left, the women exercises her ‘virtue’ in the house, educating her children; on the right, the, after his warlike activities, receives his 'clementia'. The faces of the principle characters remain incomplete, awaiting the carving of the features of the dead people. The decoration of the sarcophagus, inspired by many scenes on the Antonine Column, can be dated to around 180AD. The military insignia represented on the upper edge of the casket - the eagle of the Legio III Flavia and the boar of the Legio I Itlaica - enable us perhaps to identify the dead man as Aurelius Iulius Pompilius, an official of Marcus Aurelius in command of two cavalry squadron on detachment to those two legions during the war against Marcomanni (1720-175AD). National Roman Museum, Rome, Italy
  • Roman Sarcophagus with detailed relief sculptured panels with battle scenes. This large sarcophagus which was found in 1931 near the Tiburtina, in the eastern suburbs of the ancient city, shows on its front a symbolic battle, staged on two levels. This composition focuses on the progress of the Roman horseman, depicted in the guise of a universal victor, in a melee of soldiers, spears and horses; the Romans are delivering savage blows, devastating their enemies. The bloody scenes are framed by two pairs of enslaved barbarians, whose afflicted demeanour expresses the suffering which comes to those who rebel against the dominion of Rome. The dramatic animation of the combat emphasised by the deep chiaroscuro obtained by a skilful feat of carving. The low relief on the sides of the sarcophagus shows events subsequent to the encounter; on one side barbarian prisoners cross the river on the other chiefs submit to the Roman officials. The freeze on the lid, between two corner masks, celebrates the dead man and his wife, presented in the centre is the act of ‘dextarum iunctio’; on the left, the women exercises her ‘virtue’ in the house, educating her children; on the right, the, after his warlike activities, receives his 'clementia'. The faces of the principle characters remain incomplete, awaiting the carving of the features of the dead people. The decoration of the sarcophagus, inspired by many scenes on the Antonine Column, can be dated to around 180AD. The military insignia represented on the upper edge of the casket - the eagle of the Legio III Flavia and the boar of the Legio I Itlaica - enable us perhaps to identify the dead man as Aurelius Iulius Pompilius, an official of Marcus Aurelius in command of two cavalry squadron on detachment to those two legions during the war against Marcomanni (1720-175AD). National Roman Museum, Rome, Italy
  • Roman Sarcophagus with detailed relief sculptured panels with battle scenes. This large sarcophagus which was found in 1931 near the Tiburtina, in the eastern suburbs of the ancient city, shows on its front a symbolic battle, staged on two levels. This composition focuses on the progress of the Roman horseman, depicted in the guise of a universal victor, in a melee of soldiers, spears and horses; the Romans are delivering savage blows, devastating their enemies. The bloody scenes are framed by two pairs of enslaved barbarians, whose afflicted demeanour expresses the suffering which comes to those who rebel against the dominion of Rome. The dramatic animation of the combat emphasised by the deep chiaroscuro obtained by a skilful feat of carving. The low relief on the sides of the sarcophagus shows events subsequent to the encounter; on one side barbarian prisoners cross the river on the other chiefs submit to the Roman officials. The freeze on the lid, between two corner masks, celebrates the dead man and his wife, presented in the centre is the act of ‘dextarum iunctio’; on the left, the women exercises her ‘virtue’ in the house, educating her children; on the right, the, after his warlike activities, receives his 'clementia'. The faces of the principle characters remain incomplete, awaiting the carving of the features of the dead people. The decoration of the sarcophagus, inspired by many scenes on the Antonine Column, can be dated to around 180AD. The military insignia represented on the upper edge of the casket - the eagle of the Legio III Flavia and the boar of the Legio I Itlaica - enable us perhaps to identify the dead man as Aurelius Iulius Pompilius, an official of Marcus Aurelius in command of two cavalry squadron on detachment to those two legions during the war against Marcomanni (1720-175AD). National Roman Museum, Rome, Italy
  • Adam and Eve sculpted in the columns of the cloisters of Monreale Cathedral - Palermo - Sicily Pictures, photos, images & fotos photography
  • Sculpted Christian fish symbols in the columns of the cloisters of Monreale Cathedral - Palermo - Sicily Pictures, photos, images & fotos photography
  • Sculpted columns of the cloisters of Monreale Cathedral - Palermo - Sicily Pictures, photos, images & fotos photography
  • Sculpted columns of the cloisters of Monreale Cathedral - Palermo - Sicily Pictures, photos, images & fotos photography
  • Adam and Eve sculpted in the columns of the cloisters of Monreale Cathedral - Palermo - Sicily Pictures, photos, images & fotos photography
  • Sculpted Christian fish symbols in the columns of the cloisters of Monreale Cathedral - Palermo - Sicily Pictures, photos, images & fotos photography
  • Sculpted columns of the cloisters of Monreale Cathedral - Palermo - Sicily Pictures, photos, images & fotos photography
  • Sculptured Eyyptian  head of a man in Baslt. Fifth. Dynasty 2500 BC.  Altes Reich Egyptian Museum, Berlin
  • Picture and image of the stone sculptured Art Nouveau monumental tomb of the Masoleni family. The Staglieno Monumental Cemetery, Genoa, Italy
  • Painted wooden relief sculptured altarpiece of two Popes, a  Cardinal, a Bishop a cannon and 7 priests praying made in 1505 by Daniel Mauch from Ulm. Inv RF 2805,  The Louvre Museum, Paris.
  • Roman Sarcophagus with detailed relief sculptured panels with battle scenes. This large sarcophagus which was found in 1931 near the Tiburtina, in the eastern suburbs of the ancient city, shows on its front a symbolic battle, staged on two levels. This composition focuses on the progress of the Roman horseman, depicted in the guise of a universal victor, in a melee of soldiers, spears and horses; the Romans are delivering savage blows, devastating their enemies. The bloody scenes are framed by two pairs of enslaved barbarians, whose afflicted demeanour expresses the suffering which comes to those who rebel against the dominion of Rome. The dramatic animation of the combat emphasised by the deep chiaroscuro obtained by a skilful feat of carving. The low relief on the sides of the sarcophagus shows events subsequent to the encounter; on one side barbarian prisoners cross the river on the other chiefs submit to the Roman officials. The freeze on the lid, between two corner masks, celebrates the dead man and his wife, presented in the centre is the act of ‘dextarum iunctio’; on the left, the women exercises her ‘virtue’ in the house, educating her children; on the right, the, after his warlike activities, receives his 'clementia'. The faces of the principle characters remain incomplete, awaiting the carving of the features of the dead people. The decoration of the sarcophagus, inspired by many scenes on the Antonine Column, can be dated to around 180AD. The military insignia represented on the upper edge of the casket - the eagle of the Legio III Flavia and the boar of the Legio I Itlaica - enable us perhaps to identify the dead man as Aurelius Iulius Pompilius, an official of Marcus Aurelius in command of two cavalry squadron on detachment to those two legions during the war against Marcomanni (1720-175AD). National Roman Museum, Rome, Italy
  • Roman Sarcophagus with detailed relief sculptured panels with battle scenes. This large sarcophagus which was found in 1931 near the Tiburtina, in the eastern suburbs of the ancient city, shows on its front a symbolic battle, staged on two levels. This composition focuses on the progress of the Roman horseman, depicted in the guise of a universal victor, in a melee of soldiers, spears and horses; the Romans are delivering savage blows, devastating their enemies. The bloody scenes are framed by two pairs of enslaved barbarians, whose afflicted demeanour expresses the suffering which comes to those who rebel against the dominion of Rome. The dramatic animation of the combat emphasised by the deep chiaroscuro obtained by a skilful feat of carving. The low relief on the sides of the sarcophagus shows events subsequent to the encounter; on one side barbarian prisoners cross the river on the other chiefs submit to the Roman officials. The freeze on the lid, between two corner masks, celebrates the dead man and his wife, presented in the centre is the act of ‘dextarum iunctio’; on the left, the women exercises her ‘virtue’ in the house, educating her children; on the right, the, after his warlike activities, receives his 'clementia'. The faces of the principle characters remain incomplete, awaiting the carving of the features of the dead people. The decoration of the sarcophagus, inspired by many scenes on the Antonine Column, can be dated to around 180AD. The military insignia represented on the upper edge of the casket - the eagle of the Legio III Flavia and the boar of the Legio I Itlaica - enable us perhaps to identify the dead man as Aurelius Iulius Pompilius, an official of Marcus Aurelius in command of two cavalry squadron on detachment to those two legions during the war against Marcomanni (1720-175AD). National Roman Museum, Rome, Italy
  • Roman Sarcophagus with detailed relief sculptured panels with battle scenes. This large sarcophagus which was found in 1931 near the Tiburtina, in the eastern suburbs of the ancient city, shows on its front a symbolic battle, staged on two levels. This composition focuses on the progress of the Roman horseman, depicted in the guise of a universal victor, in a melee of soldiers, spears and horses; the Romans are delivering savage blows, devastating their enemies. The bloody scenes are framed by two pairs of enslaved barbarians, whose afflicted demeanour expresses the suffering which comes to those who rebel against the dominion of Rome. The dramatic animation of the combat emphasised by the deep chiaroscuro obtained by a skilful feat of carving. The low relief on the sides of the sarcophagus shows events subsequent to the encounter; on one side barbarian prisoners cross the river on the other chiefs submit to the Roman officials. The freeze on the lid, between two corner masks, celebrates the dead man and his wife, presented in the centre is the act of ‘dextarum iunctio’; on the left, the women exercises her ‘virtue’ in the house, educating her children; on the right, the, after his warlike activities, receives his 'clementia'. The faces of the principle characters remain incomplete, awaiting the carving of the features of the dead people. The decoration of the sarcophagus, inspired by many scenes on the Antonine Column, can be dated to around 180AD. The military insignia represented on the upper edge of the casket - the eagle of the Legio III Flavia and the boar of the Legio I Itlaica - enable us perhaps to identify the dead man as Aurelius Iulius Pompilius, an official of Marcus Aurelius in command of two cavalry squadron on detachment to those two legions during the war against Marcomanni (1720-175AD). National Roman Museum, Rome, Italy
  • Roman Sarcophagus with detailed relief sculptured panels with battle scenes. This large sarcophagus which was found in 1931 near the Tiburtina, in the eastern suburbs of the ancient city, shows on its front a symbolic battle, staged on two levels. This composition focuses on the progress of the Roman horseman, depicted in the guise of a universal victor, in a melee of soldiers, spears and horses; the Romans are delivering savage blows, devastating their enemies. The bloody scenes are framed by two pairs of enslaved barbarians, whose afflicted demeanour expresses the suffering which comes to those who rebel against the dominion of Rome. The dramatic animation of the combat emphasised by the deep chiaroscuro obtained by a skilful feat of carving. The low relief on the sides of the sarcophagus shows events subsequent to the encounter; on one side barbarian prisoners cross the river on the other chiefs submit to the Roman officials. The freeze on the lid, between two corner masks, celebrates the dead man and his wife, presented in the centre is the act of ‘dextarum iunctio’; on the left, the women exercises her ‘virtue’ in the house, educating her children; on the right, the, after his warlike activities, receives his 'clementia'. The faces of the principle characters remain incomplete, awaiting the carving of the features of the dead people. The decoration of the sarcophagus, inspired by many scenes on the Antonine Column, can be dated to around 180AD. The military insignia represented on the upper edge of the casket - the eagle of the Legio III Flavia and the boar of the Legio I Itlaica - enable us perhaps to identify the dead man as Aurelius Iulius Pompilius, an official of Marcus Aurelius in command of two cavalry squadron on detachment to those two legions during the war against Marcomanni (1720-175AD). National Roman Museum, Rome, Italy
  • Roman marble sculptured relief with cupids about to sacrifice bulls, from the Temple of Venus Genetrix in the Forum of Caesar Rome 30 AD , inv 6718 Farnese Collection, Naples Archaeological Museum
  • 2nd century AD Roman marble sculptured of Dionysus and Eros, inv 6307, Naples Museum of Archaeology, Italy
  • 2nd century AD Roman marble sculptured of Dionysus and Eros, inv 6307, Naples Museum of Archaeology, Italy
  • Painted colour verion of 2nd century AD Roman marble sculptured of Dionysus and Eros, inv 6307, Museum of Archaeology, Italy
  • Roman marble sculptured relief with cupids about to sacrifice bulls, from the Temple of Venus Genetrix in the Forum of Caesar Rome 30 AD , inv 6718 Farnese Collection, Naples Archaeological Museum
  • 2nd century AD Roman marble sculptured of Dionysus and Eros, inv 6307, Naples Museum of Archaeology, Italy
  • 2nd century AD Roman marble sculptured head known as The Farnese Dionysus,  a Roman copy of a  Hellenistic Geek original, inv 6034, Naples Museum of Archaeology, Italy
  • Painted colour verion of 2nd century AD Roman marble sculptured of Dionysus and Eros, inv 6307, Museum of Archaeology, Italy
  • Painted colour verion of 2nd century AD Roman marble sculptured of Dionysus and Eros, inv 6307, Museum of Archaeology, Italy
  • Painted colour verion of 2nd century AD Roman marble sculptured of Dionysus and Eros, inv 6307, Museum of Archaeology, Italy
  • Painted colour verion of 2nd century AD Roman marble sculptured of Dionysus and Eros, inv 6307, Naples Museum of Archaeology, Italy
  • Painted colour verion of 2nd century AD Roman marble sculptured of Dionysus and Eros, inv 6307, Naples Museum of Archaeology, Italy
  • Painted colour verion of 2nd century AD Roman marble sculptured of Dionysus and Eros, inv 6307, Museum of Archaeology, Italy
  • Painted colour verion of 2nd century AD Roman marble sculptured of Dionysus and Eros, inv 6307, Museum of Archaeology, Italy
  • 2nd century AD Roman marble sculptured head known as The Farnese Dionysus,  a Roman copy of a  Hellenistic Geek original, inv 6034, Naples Museum of Archaeology, Italy
  • Roman marble sculptured relief with cupids about to sacrifice bulls, from the Temple of Venus Genetrix in the Forum of Caesar Rome 30 AD , inv 6718 Farnese Collection, Naples Archaeological Museum
  • Roman marble sculptured relief with cupids about to sacrifice bulls, from the Temple of Venus Genetrix in the Forum of Caesar Rome 30 AD , inv 6718 Farnese Collection, Naples Archaeological Museum
  • 2nd century AD Roman marble sculptured of Dionysus and Eros, inv 6307, Naples Museum of Archaeology, Italy
  • 2nd century AD Roman marble sculptured of Dionysus and Eros, inv 6307, Naples Museum of Archaeology, Italy
  • 2nd century AD Roman marble sculptured head known as The Farnese Dionysus,  a Roman copy of a  Hellenistic Geek original, inv 6034, Naples Museum of Archaeology, Italy
  • 2nd century AD Roman marble sculptured head known as The Farnese Dionysus,  a Roman copy of a  Hellenistic Geek original, inv 6034, Naples Museum of Archaeology, Italy
  • Painted colour verion of 2nd century AD Roman marble sculptured of Dionysus and Eros, inv 6307, Museum of Archaeology, Italy
  • Painted colour verion of 2nd century AD Roman marble sculptured of Dionysus and Eros, inv 6307, Museum of Archaeology, Italy
  • Stone relief sculptured panel of aa Assyrian Chariot. From the palace of Ashurnasirpal II  room VI/T1, Nineveh, third quarter of the 8th century BC. inv 19909  Louvre Museum , Paris
  • Roman marble sculptured relief with cupids about to sacrifice bulls, from the Temple of Venus Genetrix in the Forum of Caesar Rome 30 AD , inv 6718 Farnese Collection, Naples Archaeological Museum
  • 2nd century AD Roman marble sculptured head known as The Farnese Dionysus,  a Roman copy of a  Hellenistic Geek original, inv 6034, Naples Museum of Archaeology, Italy
  • Stone relief sculptured panel of a Servant. From the facade of the throne room,  Inv AO 22196 from Dur Sharrukin the palace of Assyrian king Sargon II at Khorsabad, 713-706 BC.  Louvre Museum Room 4 , Paris
  • Stone relief sculptured panel of a Genie blessing. From the palace of Assurnasirpal II, Nimrud, circa 865 BC. inv 19847  Louvre Museum , Paris
  • Stone relief sculptured panel of aa Assyrian Chariot. From the palace of Assurbanipal room VI/T1, Nimrud, third quarter of the 8th century BC. inv 19909  Louvre Museum , Paris
  • Stone relief sculptured panel of a Genie blessing. From the palace of Assurnasirpal II, Nimrud, circa 865 BC. inv 19847  Louvre Museum , Paris
  • Stone relief sculptured panel of prisoners from the campaign of Elam. From the palace of Ashurnasirpal II  room VI/T1, Nineveh, circa 645 BC. inv 19908  Louvre Museum , Paris
  • Stone relief sculptured panel of a Hero holding a lion. From the facade of the throne room,  Inv AO 19862 from Dur Sharrukin the palace of Assyrian king Sargon II at Khorsabad, 713-706 BC.  Louvre Museum Room 4 , Paris
  • Stone relief sculptured panel of a Hero holding a lion. From the facade of the throne room,  Inv AO 19862 from Dur Sharrukin the palace of Assyrian king Sargon II at Khorsabad, 713-706 BC.  Louvre Museum Room 4 , Paris
  • Stone relief sculptured panel of a Hero holding a lion. From the facade of the throne room,  Inv AO 19862 from Dur Sharrukin the palace of Assyrian king Sargon II at Khorsabad, 713-706 BC.  Louvre Museum Room 4 , Paris
  • Stone relief sculptured panel of a Hero holding a lion. From the facade of the throne room,  Inv AO 19862 from Dur Sharrukin the palace of Assyrian king Sargon II at Khorsabad, 713-706 BC.  Louvre Museum Room 4 , Paris
  • Stone relief sculptured panel of a Hero holding a lion. From the facade of the throne room,  Inv AO 19862 from Dur Sharrukin the palace of Assyrian king Sargon II at Khorsabad, 713-706 BC.  Louvre Museum Room 4 , Paris
  • Stone relief sculptured panel of a Genie blessing. From the palace of Assurnasirpal II, Nimrud, circa 865 BC. inv 9848  Louvre Museum , Paris
  • Stone relief sculptured panel of aa Assyrian Chariot. From the palace of Assurbanipal room VI/T1, Nimrud, third quarter of the 8th century BC. inv 19909  Louvre Museum , Paris
  • Stone relief sculptured panel of aa Assyrian Chariot. From the palace of Ashurnasirpal II  room VI/T1, Niniveh, third quarter of the 8th century BC. inv 19909  Louvre Museum , Paris
  • Stone relief sculptured panel of a Genie blessing. From the palace of Assurnasirpal II, Nimrud, circa 865 BC. inv 9848  Louvre Museum , Paris
  • Stone relief sculptured panel of a Hero holding a lion. From the facade of the throne room,  Inv AO 19862 from Dur Sharrukin the palace of Assyrian king Sargon II at Khorsabad, 713-706 BC.  Louvre Museum Room 4 , Paris
  • Stone relief sculptured panel of a Hero holding a lion. From the facade of the throne room,  Inv AO 19862 from Dur Sharrukin the palace of Assyrian king Sargon II at Khorsabad, 713-706 BC.  Louvre Museum Room 4 , Paris
  • Stone relief sculptured panel of a Hero holding a lion. From the facade of the throne room,  Inv AO 19862 from Dur Sharrukin the palace of Assyrian king Sargon II at Khorsabad, 713-706 BC.  Louvre Museum Room 4 , Paris
  • Stone relief sculptured panel of a Servant. From the facade of the throne room,  Inv AO 22196 from Dur Sharrukin the palace of Assyrian king Sargon II at Khorsabad, 713-706 BC.  Louvre Museum Room 4 , Paris
  • Stone relief sculptured panel of a Servant. From the facade of the throne room,  Inv AO 22196 from Dur Sharrukin the palace of Assyrian king Sargon II at Khorsabad, 713-706 BC.  Louvre Museum Room 4 , Paris
  • Stone relief sculptured panel of prisoners from the campaign of Elam. From the palace of Ashurnasirpal II  room VI/T1, Nineveh, circa 645 BC. inv 19908  Louvre Museum , Paris
  • Stone relief sculptured panel of a Hero holding a lion. From the facade of the throne room,  Inv AO 19862 from Dur Sharrukin the palace of Assyrian king Sargon II at Khorsabad, 713-706 BC.  Louvre Museum Room 4 , Paris
  • Stone relief sculptured panel of a Servant. From the facade of the throne room,  Inv AO 22196 from Dur Sharrukin the palace of Assyrian king Sargon II at Khorsabad, 713-706 BC.  Louvre Museum Room 4 , Paris
  • Sculptured Eyyptian  head of a man in Baslt. Fifth. Dynasty 2500 BC.  Altes Reich Egyptian Museum, Berlin
  • Sculptured Eyyptian  head of a man in Baslt. Fifth. Dynasty 2500 BC.  Altes Reich Egyptian Museum, Berlin
  • Sculptured Eyyptian  head of a man in Baslt. Fifth. Dynasty 2500 BC.  Altes Reich Egyptian Museum, Berlin
  • Sculptured Eyyptian  head of a man in Baslt. Fifth. Dynasty 2500 BC.  Altes Reich Egyptian Museum, Berlin
  • Pictures of the stone sculptured monumental tomb for the Celesia Family by sculptor D. Paernio 1899. At the top back of the monument is a sculpture of the deceased. In front is an impressive male figure with a heavy club, which is an allegory of the Work, and an adolescent angel with delicate features, which is examining some sheets while sitting, representing so the Study.  Sculpted in the bourgeois Realism style this gigantic statue of the worker follows Michelangelo’s heroic style, which was an obsession to many European and Italian sculptors between the end of the 19th century and the beginning of the 20th century,  Section A, no 51, The Staglieno Monumental Cemetery, Genoa, Italy
  • Pictures of the stone sculptured monumental tomb for the Celesia Family by sculptor D. Paernio 1899. At the top back of the monument is a sculpture of the deceased. In front is an impressive male figure with a heavy club, which is an allegory of the Work, and an adolescent angel with delicate features, which is examining some sheets while sitting, representing so the Study.  Sculpted in the bourgeois Realism style this gigantic statue of the worker follows Michelangelo’s heroic style, which was an obsession to many European and Italian sculptors between the end of the 19th century and the beginning of the 20th century,  Section A, no 51, The Staglieno Monumental Cemetery, Genoa, Italy
  • Pictures of the stone sculptured monumental tomb for the Celesia Family by sculptor D. Paernio 1899. At the top back of the monument is a sculpture of the deceased. In front is an impressive male figure with a heavy club, which is an allegory of the Work, and an adolescent angel with delicate features, which is examining some sheets while sitting, representing so the Study.  Sculpted in the bourgeois Realism style this gigantic statue of the worker follows Michelangelo’s heroic style, which was an obsession to many European and Italian sculptors between the end of the 19th century and the beginning of the 20th century,  Section A, no 51, The Staglieno Monumental Cemetery, Genoa, Italy
  • Pictures of the stone sculptured monumental tombs of a women on a charging horse. The Scala Tomb sculpted by E Sclavi 1913. Section A, no 36, The Staglieno Monumental Cemetery, Genoa, Italy
  • Picture and image  of the stone sculptured monumental tombs depicting a flying angel and the deceased in the Borgeois Realistic style, by sculptor A Allegro 1872.  Section A, no 49, The Staglieno Monumental Cemetery, Genoa, Italy
  • Pictures of the stone sculptured monumental tomb for the Celesia Family by sculptor D. Paernio 1899.  An adolescent angel with delicate features is examining some sheets while sitting, representing so the Study.  Sculpted in the bourgeois Realism style this gigantic statue of the worker follows Michelangelo’s heroic style, which was an obsession to many European and Italian sculptors between the end of the 19th century and the beginning of the 20th century,  Section A, no 51, The Staglieno Monumental Cemetery, Genoa, Italy
  • Pictures of a bronze sculptured angel,  monumental De Bernardi tomb, Staglieno Monumental Cemetery, Genoa, Italy
  • Pictures of the stone sculptured of a young girl, monumental Pelegrini tomb of the Staglieno Monumental Cemetery, Genoa, Italy
  • Pictures of the stone sculptured monumental Pelegrini tomb of the Staglieno Monumental Cemetery, Genoa, Italy
  • Picture and image of the stone sculptured monumental tomb of the Bracelli Spinola family sculpted by S Varni 1864. Section D no 8, the Staglieno Monumental Cemetery, Genoa, Italy
  • Pictures of the stone sculptured monumental tombs of the Staglieno Monumental Cemetery, Genoa, Italy
  • Picture and image of the stone sculptured monumental tombs of lower arcade of the Staglieno Monumental Cemetery, Genoa, Italy
  • Picture and image of the stone sculptured monumental tombs of lower arcade of the Staglieno Monumental Cemetery, Genoa, Italy
  • Pictures of the stone sculptured of a young girl, monumental Pelegrini tomb of the Staglieno Monumental Cemetery, Genoa, Italy
  • Pictures of the stone sculptured of a young girl, monumental Pelegrini tomb of the Staglieno Monumental Cemetery, Genoa, Italy
  • Pictures of the stone sculptured monumental tombs of the Staglieno Monumental Cemetery, Genoa, Italy
  • Pictures of the stone sculptured monumental tombs of the Staglieno Monumental Cemetery, Genoa, Italy
  • Pictures of the stone sculptured monumental tombs of a women on a charging horse. The Scala Tomb sculpted by E Sclavi 1913. Section A, no 36, The Staglieno Monumental Cemetery, Genoa, Italy
  • Picture and image of the stone sculptured monumental tombs of lower arcade of the Staglieno Monumental Cemetery, Genoa, Italy
  • Picture and image  of the stone sculptured monumental tombs depicting a flying angel and the deceased in the Borgeois Realistic style, by sculptor A Allegro 1872.  Section A, no 49, The Staglieno Monumental Cemetery, Genoa, Italy
  • Picture and image of the stone sculptured  funeral monument of Caterina Campodonico, also called "The Peanuts Seller" carrying a string of peanuts and donuts that she sold on the streets of Genoa. Completed while she was still alve by sculptor Lorenzo Orengo, who was the most important artist of the Bourgeois Realism, greatly sought after by the member of the middle class. The Staglieno Monumental Cemetery, Genoa, Italy
  • Pictures of the stone classical sculptured of an angel on a monumental tombs of Guiseppe Ghiglioni,  Staglieno Monumental Cemetery. Sculptor Giovanni Battista Cevasco 1870,  Genoa, Italy
  • Pictures of the stone classical sculptured of an angel on a monumental tombs of Giovanni Chiarella,  Staglieno Monumental Cemetery. Sculptor Giovanni Battista Cevasco 1851,  Genoa, Italy
  • Pictures of a bronze sculptured angel,  monumental De Bernardi tomb, Staglieno Monumental Cemetery, Genoa, Italy
  • Pictures of a bronze sculptured angel,  monumental De Bernardi tomb, Staglieno Monumental Cemetery, Genoa, Italy
  • Pictures of the Dominico Boasi, Boasi tomb 1870, stone sculptured monumental tomb of the Staglieno Monumental Cemetery, . Genoa, Italy
  • Pictures of the Dominico Boasi & his wife, Boasi tomb 1870, stone sculptured monumental tomb of the Staglieno Monumental Cemetery, . Genoa, Italy
  • Pictures of the stone sculptured monumental tombs of the lower arcade of the Staglieno Monumental Cemetery, Genoa, Italy
  • Pictures of the stone sculptured monumental tombs of the Staglieno Monumental Cemetery, Genoa, Italy
  • Pictures of the stone sculptured monumental tombs of the Staglieno Monumental Cemetery, Genoa, Italy
  • Pictures of the stone sculptured monumental tombs of a women on a charging horse. The Scala Tomb sculpted by E Sclavi 1913. Section A, no 36, The Staglieno Monumental Cemetery, Genoa, Italy
  • Picture and image of the stone sculptured  funeral monument of Caterina Campodonico, also called "The Peanuts Seller" carrying a string of peanuts and donuts that she sold on the streets of Genoa. Completed while she was still alve by sculptor Lorenzo Orengo, who was the most important artist of the Bourgeois Realism, greatly sought after by the member of the middle class. The Staglieno Monumental Cemetery, Genoa, Italy
  • Picture and image of the stone sculptured  funeral monument of Caterina Campodonico, also called "The Peanuts Seller" carrying a string of peanuts and donuts that she sold on the streets of Genoa. Completed while she was still alve by sculptor Lorenzo Orengo, who was the most important artist of the Bourgeois Realism, greatly sought after by the member of the middle class. The Staglieno Monumental Cemetery, Genoa, Italy
  • Pictures of the classical stone sculptured monumental tombs of the Staglieno Monumental Cemetery, Genoa, Italy
  • Pictures of the stone sculptured monumental tomb erected in memory of the Marquis Gio.Carlo Di Negro, one of the most famous personalities of nineteenth-century Genoa, refined man of the world, friend and protector of writers and artists, cosmopolitan intellectual and poet. On the sarcophagus, decorated with the emblem and emblems of intellectual and poetic activity (zither, books, laurel crowns), a bas-relief depicts a biblical episode of Genesis, the welcome offered by Abraham to the three angels, probable allusion to the virtue of hospitality, practiced in life by the deceased. Sculptor Carlo Rubatto 1861. Section A, no 5, The Staglieno Monumental Cemetery, Genoa, Italy
  • Stock photos of Sculptured dragon historiated Romanesque column Capitals - Franciscan Monatery cloisters - Dubrovnik
  • Stock photos of Sculptured horse historiated Romanesque column Capitals - Franciscan Monatery cloisters - Dubrovnik
  • Stock photos of Sculptured animal historiated Romanesque column Capitals - Franciscan Monatery cloisters - Dubrovnik
  • Stock photos of Sculptured animal historiated Romanesque column Capitals - Franciscan Monatery cloisters - Dubrovnik
  • Stock photos of Sculptured face historiated Romanesque column Capitals - Franciscan Monatery cloisters - Dubrovnik
  • Stock photos of Sculptured face historiated Romanesque column Capitals - Franciscan Monatery cloisters - Dubrovnik
  • Stock photos of Sculptured face historiated Romanesque column Capitals - Franciscan Monatery cloisters - Dubrovnik
  • Stock photos of Sculptured dragon historiated Romanesque column Capitals - Franciscan Monatery cloisters - Dubrovnik
  • Stock photos of Sculptured historiated Romanesque column Capitals - Franciscan Monatery cloisters - Dubrovnik
  • Stock photos of Sculptured face historiated Romanesque column Capitals - Franciscan Monatery cloisters - Dubrovnik
  • Stock photos of Sculptured face historiated Romanesque column Capitals - Franciscan Monatery cloisters - Dubrovnik
  • Painted wooden relief sculptured altarpiece of two Popes, a  Cardinal, a Bishop a cannon and 7 priests praying made in 1505 by Daniel Mauch from Ulm. Inv RF 2805,  The Louvre Museum, Paris.
  • Stone relief sculptured panel of soldiers carrying a war chariot . Facade L. Inv AO 19884 from Dur Sharrukin the palace of Assyrian king Sargon II at Khorsabad, 713-706 BC.  Louvre Museum Room 4 , Paris
  • Stone relief sculptured panel of soldiers carrying a war chariot . Facade L. Inv AO 19884 from Dur Sharrukin the palace of Assyrian king Sargon II at Khorsabad, 713-706 BC.  Louvre Museum Room 4 , Paris
  • Stone relief sculptured panel of soldiers carrying a war chariot . Facade L. Inv AO 19884 from Dur Sharrukin the palace of Assyrian king Sargon II at Khorsabad, 713-706 BC.  Louvre Museum Room 4 , Paris
  • Stone relief sculptured panel of soldiers carrying a war chariot . Facade L. Inv AO 19884 from Dur Sharrukin the palace of Assyrian king Sargon II at Khorsabad, 713-706 BC.  Louvre Museum Room 4 , Paris
  • Stone relief sculptured panel of a the deportation of the Babylonians. From the palace of Ashurnasirpal II  , Niniveh, circa 645 BC. inv 19911  Louvre Museum , Paris
  • Stone relief sculptured panel of cedar of Lebanon being transported. From the northern courtyard,  Inv AO 19889 from Dur Sharrukin the palace of Assyrian king Sargon II at Khorsabad, 713-706 BC.  Louvre Museum Room 4 , Paris
  • Stone relief sculptured panel of a terrapin. From the northern courtyard,  Inv AO 19890 from Dur Sharrukin the palace of Assyrian king Sargon II at Khorsabad, 713-706 BC.  Louvre Museum Room 4 , Paris
  • Stone relief sculptured panel of soldiers carrying a war chariot . Facade L. Inv AO 19884 from Dur Sharrukin the palace of Assyrian king Sargon II at Khorsabad, 713-706 BC.  Louvre Museum Room 4 , Paris
  • Stone relief sculptured panel of a man. From the facade of the throne room,  Inv AO 19917 from Dur Sharrukin the palace of Assyrian king Sargon II at Khorsabad, 713-706 BC.  Louvre Museum Room 4 , Paris
  • Stone relief sculptured panel of a Royal servant. From the palace of Teglat-phalasar II, Nimrud, third quarter of the 8th century BC. inv 19852  Louvre Museum , Paris
  • Stone relief sculptured panel of two servants. Facade L. Inv AO 19879 from Dur Sharrukin the palace of Assyrian king Sargon II at Khorsabad, 713-706 BC.  Louvre Museum Room 4 , Paris
  • Stone relief sculptured panel of a man. From the facade of the throne room,  Inv AO 19917 from Dur Sharrukin the palace of Assyrian king Sargon II at Khorsabad, 713-706 BC.  Louvre Museum Room 4 , Paris
  • Stone relief sculptured panel of a Hero holding a lion. From the facade of the throne room,  Inv AO 19862 from Dur Sharrukin the palace of Assyrian king Sargon II at Khorsabad, 713-706 BC.  Louvre Museum Room 4 , Paris
  • Stone relief sculptured panel of a Genie with poppy seed heads next ro the tree of life.  Inv AO 19869 from Dur Sharrukin the palace of Assyrian king Sargon II at Khorsabad, 713-706 BC.  Louvre Museum Room 4 , Paris
  • Stone relief sculptured panel of Saron II and a dignitary. Facade L. Inv AO 19873-4 from Dur Sharrukin the palace of Assyrian king Sargon II at Khorsabad, 713-706 BC.  Louvre Museum Room 4 , Paris
  • Stone relief sculptured panel of two servants. Facade L. Inv AO 19879 from Dur Sharrukin the palace of Assyrian king Sargon II at Khorsabad, 713-706 BC.  Louvre Museum Room 4 , Paris
  • Stone relief sculptured panel of prisoners from the campaign of Elam. From the palace of Ashurnasirpal II  room VI/T1, Niniveh, circa 645 BC. inv 19908  Louvre Museum , Paris
  • Stone relief sculptured panel of a Genie blessing. From the palace of Assurnasirpal II, Nimrud, circa 865 BC. inv 9848  Louvre Museum , Paris
  • Stone relief sculptured panel of aa Assyrian Chariot. From the palace of Ashurnasirpal II  room VI/T1, Nineveh, third quarter of the 8th century BC. inv 19909  Louvre Museum , Paris
  • Stone relief sculptured panel of aa Assyrian Chariot. From the palace of Ashurnasirpal II  room VI/T1, Nineveh, third quarter of the 8th century BC. inv 19909  Louvre Museum , Paris
  • Stone relief sculptured panel of aa Assyrian Chariot. From the palace of Assurbanipal room VI/T1, Nimrud, third quarter of the 8th century BC. inv 19909  Louvre Museum , Paris
  • Stone relief sculptured panel of aa Assyrian Chariot. From the palace of Assurbanipal room VI/T1, Nimrud, third quarter of the 8th century BC. inv 19909  Louvre Museum , Paris
  • Stone relief sculptured panel of aa Assyrian Chariot. From the palace of Assurbanipal room VI/T1, Nimrud, third quarter of the 8th century BC. inv 19909  Louvre Museum , Paris
  • Stone relief sculptured panel of a Hero holding a lion. From the facade of the throne room,  Inv AO 19862 from Dur Sharrukin the palace of Assyrian king Sargon II at Khorsabad, 713-706 BC.  Louvre Museum Room 4 , Paris
  • Stone relief sculptured panel of horses and soldiers from corridor 10. Facade L. Inv AO 19918 from Dur Sharrukin the palace of Assyrian king Sargon II at Khorsabad, 713-706 BC.  Louvre Museum Room 4 , Paris
  • Stone relief sculptured panel of two servants. Facade L. Inv AO 19879 from Dur Sharrukin the palace of Assyrian king Sargon II at Khorsabad, 713-706 BC.  Louvre Museum Room 4 , Paris
  • Stone relief sculptured panel of a man holding an Ibex and poppy seed pods. Facade N. Inv AO 19872 from Dur Sharrukin the palace of Assyrian king Sargon II at Khorsabad, 713-706 BC.  Louvre Museum Room 4 , Paris
  • Stone relief sculptured panel of Horse Driver. Facade L. Inv AO 19883 from Dur Sharrukin the palace of Assyrian king Sargon II at Khorsabad, 713-706 BC.  Louvre Museum Room 4 , Paris
  • Stone relief sculptured panel of a Genie Blessing. Facade N. Inv AO 19865 from Dur Sharrukin the palace of Assyrian king Sargon II at Khorsabad, 713-706 BC.  Louvre Museum Room 4 , Paris
  • Stone relief sculptured panel of Saron II. Facade L. Inv AO 19873-4 from Dur Sharrukin the palace of Assyrian king Sargon II at Khorsabad, 713-706 BC.  Louvre Museum Room 4 , Paris
  • Stone relief sculptured panel of Saron II and a dignitary. Facade L. Inv AO 19873-4 from Dur Sharrukin the palace of Assyrian king Sargon II at Khorsabad, 713-706 BC.  Louvre Museum Room 4 , Paris
  • Stone relief sculptured panel of a Hero holding a lion. From the facade of the throne room,  Inv AO 19862 from Dur Sharrukin the palace of Assyrian king Sargon II at Khorsabad, 713-706 BC.  Louvre Museum Room 4 , Paris
  • Stone relief sculptured panel of a Hero holding a lion. From the facade of the throne room,  Inv AO 19862 from Dur Sharrukin the palace of Assyrian king Sargon II at Khorsabad, 713-706 BC.  Louvre Museum Room 4 , Paris
  • Stone relief sculptured panel of a Dignitary. Inv AO 7374 from Dur Sharrukin the palace of Assyrian king Sargon II at Khorsabad, 713-706 BC.  Louvre Museum Room 4 , Paris
  • Stone relief sculptured panel of a Genie with poppy seed heads next ro the tree of life.  Inv AO 19869 from Dur Sharrukin the palace of Assyrian king Sargon II at Khorsabad, 713-706 BC.  Louvre Museum Room 4 , Paris
  • Stone relief sculptured panel of an archer. Inv AO 19885 from Dur Sharrukin the palace of Assyrian king Sargon II at Khorsabad, 713-706 BC.  Louvre Museum Room 4 , Paris
  • Stone relief sculptured panel of Horse Driver. Facade L. Inv AO 19883 from Dur Sharrukin the palace of Assyrian king Sargon II at Khorsabad, 713-706 BC.  Louvre Museum Room 4 , Paris
  • Stone relief sculptured panel of a man holding poppy seed pods. Facade N. Inv AO 19870 from Dur Sharrukin the palace of Assyrian king Sargon II at Khorsabad, 713-706 BC.  Louvre Museum Room 4 , Paris
  • Stone relief sculptured panel of Saron II and a dignitary. Facade L. Inv AO 19873-4 from Dur Sharrukin the palace of Assyrian king Sargon II at Khorsabad, 713-706 BC.  Louvre Museum Room 4 , Paris
  • Stone relief sculptured panel of a Royal servant. From the palace of Teglat-phalasar II, Nimrud, third quarter of the 8th century BC. inv 19852  Louvre Museum , Paris
  • Stone relief sculptured panel of a Dignitary. Inv AO 7374 from Dur Sharrukin the palace of Assyrian king Sargon II at Khorsabad, 713-706 BC.  Louvre Museum Room 4 , Paris
  • Stone relief sculptured panel fragment of a Genie blessing. Inv AO 19864/19880 from Dur Sharrukin the palace of Assyrian king Sargon II at Khorsabad, 713-706 BC.  Louvre Museum Room 4 , Paris
  • Stone relief sculptured panel of a Genie with poppy seed heads next ro the tree of life.  Inv AO 19869 from Dur Sharrukin the palace of Assyrian king Sargon II at Khorsabad, 713-706 BC.  Louvre Museum Room 4 , Paris
  • Stone relief sculptured panel of a a bird hunt. Inv AO 19886 from Dur Sharrukin the palace of Assyrian king Sargon II at Khorsabad, 713-706 BC.  Louvre Museum Room 4 , Paris
  • Stone relief sculptured panel of a man holding poppy seed pods. Facade N. Inv AO 19870 from Dur Sharrukin the palace of Assyrian king Sargon II at Khorsabad, 713-706 BC.  Louvre Museum Room 4 , Paris
  • Stone relief sculptured panel of a man holding an Ibex and a poppy flower. Facade L. Inv AO 19872 from Dur Sharrukin the palace of Assyrian king Sargon II at Khorsabad, 713-706 BC.  Louvre Museum Room 4 , Paris
  • Stone relief sculptured panel fragment of a Dignitary. Inv AO 1432 from Dur Sharrukin the palace of Assyrian king Sargon II at Khorsabad, 713-706 BC.  Louvre Museum Room 4 , Paris
  • Stone relief sculptured panel of tributaries. From corridor 10,  Inv AO 1433/19899/19895 from Dur Sharrukin the palace of Assyrian king Sargon II at Khorsabad, 713-706 BC.  Louvre Museum Room 4 , Paris
  • Stone relief sculptured panel fragment of a Genie blessing. Inv AO 19864/19880 from Dur Sharrukin the palace of Assyrian king Sargon II at Khorsabad, 713-706 BC.  Louvre Museum Room 4 , Paris
  • Stone relief sculptured panel of a a bird hunt. Inv AO 19886 from Dur Sharrukin the palace of Assyrian king Sargon II at Khorsabad, 713-706 BC.  Louvre Museum Room 4 , Paris
  • Stone relief sculptured panel of two functionaries. Room 811. Inv AO 19876 from Dur Sharrukin the palace of Assyrian king Sargon II at Khorsabad, 713-706 BC.  Louvre Museum Room 4 , Paris
  • Stone relief sculptured panel of Soldier. Room 8. Inv AO 19877 from Dur Sharrukin the palace of Assyrian king Sargon II at Khorsabad, 713-706 BC.  Louvre Museum Room 4 , Paris
  • Stone relief sculptured panel of Soldier. Room 8. Inv AO 19877 from Dur Sharrukin the palace of Assyrian king Sargon II at Khorsabad, 713-706 BC.  Louvre Museum Room 4 , Paris
  • Stone relief sculptured panel of a man holding an Ibex and a poppy flower. Facade L. Inv AO 19872 from Dur Sharrukin the palace of Assyrian king Sargon II at Khorsabad, 713-706 BC.  Louvre Museum Room 4 , Paris
  • Stone relief sculptured panel of two servants. Facade L. Inv AO 19879 from Dur Sharrukin the palace of Assyrian king Sargon II at Khorsabad, 713-706 BC.  Louvre Museum Room 4 , Paris
  • Stone relief sculptured panel of Saron II and a dignitary. Facade L. Inv AO 19873-4 from Dur Sharrukin the palace of Assyrian king Sargon II at Khorsabad, 713-706 BC.  Louvre Museum Room 4 , Paris
  • Stone relief sculptured panel of a Hero holding a lion. From the facade of the throne room,  Inv AO 19862 from Dur Sharrukin the palace of Assyrian king Sargon II at Khorsabad, 713-706 BC.  Louvre Museum Room 4 , Paris
  • Stone relief sculptured panel of Horse Driver. Facade L. Inv AO 19883 from Dur Sharrukin the palace of Assyrian king Sargon II at Khorsabad, 713-706 BC.  Louvre Museum Room 4 , Paris
  • Stone relief sculptured panel of aa Assyrian Chariot. From the palace of Ashurnasirpal II  room VI/T1, Nineveh, third quarter of the 8th century BC. inv 19909  Louvre Museum , Paris
  • Stone relief sculptured panel of aa Assyrian Chariot. From the palace of Ashurnasirpal II  room VI/T1, Niniveh, third quarter of the 8th century BC. inv 19909  Louvre Museum , Paris
  • Stone relief sculptured panel of prisoners from the campaign of Elam. From the palace of Ashurnasirpal II  room VI/T1, Nineveh, circa 645 BC. inv 19908  Louvre Museum , Paris
  • Stone relief sculptured panel of a Genie blessing. From the palace of Assurnasirpal II, Nimrud, circa 865 BC. inv 19847  Louvre Museum , Paris
  • Stone relief sculptured panel of a Genie blessing. From the palace of Assurnasirpal II, Nimrud, circa 865 BC. inv 9848  Louvre Museum , Paris
  • Stone relief sculptured panel of a Genie blessing. From the palace of Assurnasirpal II, Nimrud, circa 865 BC. inv 19847  Louvre Museum , Paris
  • Stone relief sculptured panel of aa Assyrian Chariot. From the palace of Assurbanipal room VI/T1, Nimrud, third quarter of the 8th century BC. inv 19909  Louvre Museum , Paris
  • Stone relief sculptured panel of prisoners from the campaign of Elam. From the palace of Ashurnasirpal II  room VI/T1, Nineveh, circa 645 BC. inv 19908  Louvre Museum , Paris
  • Stone relief sculptured panel of aa Assyrian Chariot. From the palace of Ashurnasirpal II  room VI/T1, Nineveh, third quarter of the 8th century BC. inv 19909  Louvre Museum , Paris
  • Stone relief sculptured panel of prisoners from the campaign of Elam. From the palace of Ashurnasirpal II  room VI/T1, Nineveh, circa 645 BC. inv 19908  Louvre Museum , Paris
  • Stone relief sculptured panel of aa Assyrian Chariot. From the palace of Assurbanipal room VI/T1, Nimrud, third quarter of the 8th century BC. inv 19909  Louvre Museum , Paris
  • Stone relief sculptured panel of a Genie blessing. From the palace of Assurnasirpal II, Nimrud, circa 865 BC. inv 19847  Louvre Museum , Paris
  • Stone relief sculptured panel of a Genie blessing. From the palace of Assurnasirpal II, Nimrud, circa 865 BC. inv 9848  Louvre Museum , Paris
  • Stone relief sculptured panel of cedar of Lebanon being transported. From the northern courtyard,  Inv AO 19888 from Dur Sharrukin the palace of Assyrian king Sargon II at Khorsabad, 713-706 BC.  Louvre Museum Room 4 , Paris
  • Stone relief sculptured panel of a boat. From the northern courtyard,  Inv AO 19890 from Dur Sharrukin the palace of Assyrian king Sargon II at Khorsabad, 713-706 BC.  Louvre Museum Room 4 , Paris
  • Stone relief sculptured panel of cedar of Lebanon being transported. From the northern courtyard,  Inv AO 19889 from Dur Sharrukin the palace of Assyrian king Sargon II at Khorsabad, 713-706 BC.  Louvre Museum Room 4 , Paris
  • Stone relief sculptured panel of a fish. From the northern courtyard,  Inv AO 19890 from Dur Sharrukin the palace of Assyrian king Sargon II at Khorsabad, 713-706 BC.  Louvre Museum Room 4 , Paris
  • Stone relief sculptured panel of cedar of Lebanon being transported. From the northern courtyard,  Inv AO 19890 from Dur Sharrukin the palace of Assyrian king Sargon II at Khorsabad, 713-706 BC.  Louvre Museum Room 4 , Paris
  • Stone relief sculptured panel of aa Assyrian Chariot. From the palace of Assurbanipal room VI/T1, Nimrud, third quarter of the 8th century BC. inv 19909  Louvre Museum , Paris
  • Stone relief sculptured panel of a Genie blessing. From the palace of Assurnasirpal II, Nimrud, circa 865 BC. inv 19847  Louvre Museum , Paris
  • Stone relief sculptured panel of a Genie blessing. From the palace of Assurnasirpal II, Nimrud, circa 865 BC. inv 19847  Louvre Museum , Paris
  • Stone relief sculptured panel of a Genie blessing. From the palace of Assurnasirpal II, Nimrud, circa 865 BC. inv 19847  Louvre Museum , Paris
  • Stone relief sculptured panel of a Genie blessing. From the palace of Assurnasirpal II, Nimrud, circa 865 BC. inv 19847  Louvre Museum , Paris
  • Stone relief sculptured panel of a Genie blessing. From the palace of Assurnasirpal II, Nimrud, circa 865 BC. inv 9848  Louvre Museum , Paris
  • Stone relief sculptured panel of a Genie blessing. From the palace of Assurnasirpal II, Nimrud, circa 865 BC. inv 9848  Louvre Museum , Paris
  • Stone relief sculptured panel of a Genie blessing. From the palace of Assurnasirpal II, Nimrud, circa 865 BC. inv 9848  Louvre Museum , Paris
  • Stone relief sculptured panel of a Royal servant. From the palace of Teglat-phalasar II, Nimrud, third quarter of the 8th century BC. inv 19852  Louvre Museum , Paris
  • Stone relief sculptured panel of a Royal servant. From the palace of Teglat-phalasar II, Nimrud, third quarter of the 8th century BC. inv 19852  Louvre Museum , Paris
  • Stone relief sculptured panel of a Royal servant. From the palace of Teglat-phalasar II, Nimrud, third quarter of the 8th century BC. inv 19852  Louvre Museum , Paris
  • Stone relief sculptured panel of a Royal servant. From the palace of Teglat-phalasar II, Nimrud, third quarter of the 8th century BC. inv 19852  Louvre Museum , Paris
  • Stone relief sculptured panel of a man. From the facade of the throne room,  Inv AO 19917 from Dur Sharrukin the palace of Assyrian king Sargon II at Khorsabad, 713-706 BC.  Louvre Museum Room 4 , Paris
  • Stone relief sculptured panel of a Hero holding a lion. From the facade of the throne room,  Inv AO 19862 from Dur Sharrukin the palace of Assyrian king Sargon II at Khorsabad, 713-706 BC.  Louvre Museum Room 4 , Paris
  • Stone relief sculptured panel of a Servant. From the facade of the throne room,  Inv AO 22196 from Dur Sharrukin the palace of Assyrian king Sargon II at Khorsabad, 713-706 BC.  Louvre Museum Room 4 , Paris
  • Stone relief sculptured panel of soldiers carrying a war chariot . Facade L. Inv AO 19884 from Dur Sharrukin the palace of Assyrian king Sargon II at Khorsabad, 713-706 BC.  Louvre Museum Room 4 , Paris
  • Stone relief sculptured panel of soldiers carrying a war chariot . Facade L. Inv AO 19884 from Dur Sharrukin the palace of Assyrian king Sargon II at Khorsabad, 713-706 BC.  Louvre Museum Room 4 , Paris
  • Stone relief sculptured panel of Horse Driver. Facade L. Inv AO 19883 from Dur Sharrukin the palace of Assyrian king Sargon II at Khorsabad, 713-706 BC.  Louvre Museum Room 4 , Paris
  • Stone relief sculptured panel of soldiers carrying a war chariot . Facade L. Inv AO 19884 from Dur Sharrukin the palace of Assyrian king Sargon II at Khorsabad, 713-706 BC.  Louvre Museum Room 4 , Paris
  • Stone relief sculptured panel of horses and soldiers from corridor 10. Facade L. Inv AO 19918 from Dur Sharrukin the palace of Assyrian king Sargon II at Khorsabad, 713-706 BC.  Louvre Museum Room 4 , Paris
  • Stone relief sculptured panel of soldiers carrying a chariot . Facade L. Inv AO 19884 from Dur Sharrukin the palace of Assyrian king Sargon II at Khorsabad, 713-706 BC.  Louvre Museum Room 4 , Paris
  • Stone relief sculptured panel of two servants. Facade L. Inv AO 19879 from Dur Sharrukin the palace of Assyrian king Sargon II at Khorsabad, 713-706 BC.  Louvre Museum Room 4 , Paris
  • Stone relief sculptured panel of soldiers carrying a war chariot . Facade L. Inv AO 19884 from Dur Sharrukin the palace of Assyrian king Sargon II at Khorsabad, 713-706 BC.  Louvre Museum Room 4 , Paris
  • Stone relief sculptured panel of a Genie Blessing. Facade N. Inv AO 19865 from Dur Sharrukin the palace of Assyrian king Sargon II at Khorsabad, 713-706 BC.  Louvre Museum Room 4 , Paris
  • Stone relief sculptured panel of a man holding poppy seed pods. Facade N. Inv AO 19870 from Dur Sharrukin the palace of Assyrian king Sargon II at Khorsabad, 713-706 BC.  Louvre Museum Room 4 , Paris
  • Stone relief sculptured panel of a man holding poppy seed pods. Facade N. Inv AO 19870 from Dur Sharrukin the palace of Assyrian king Sargon II at Khorsabad, 713-706 BC.  Louvre Museum Room 4 , Paris
  • Stone relief sculptured panel of a man holding an Ibex and a poppy flower. Facade L. Inv AO 19872 from Dur Sharrukin the palace of Assyrian king Sargon II at Khorsabad, 713-706 BC.  Louvre Museum Room 4 , Paris
  • Stone relief sculptured panel of a Genie Blessing. Facade N. Inv AO 19865 from Dur Sharrukin the palace of Assyrian king Sargon II at Khorsabad, 713-706 BC.  Louvre Museum Room 4 , Paris
  • Stone relief sculptured panel of a high dignitary. Facade L. Inv AO 19873-4 from Dur Sharrukin the palace of Assyrian king Sargon II at Khorsabad, 713-706 BC.  Louvre Museum Room 4 , Paris
  • Stone relief sculptured panel of a Genie blessing. Gate No 3, Inv AO 19863 from Dur Sharrukin the palace of Assyrian king Sargon II at Khorsabad, 713-706 BC.  Louvre Museum Room 4 , Paris
  • Stone relief sculptured panel of a man holding an Ibex and a poppy flower. Facade L. Inv AO 19872 from Dur Sharrukin the palace of Assyrian king Sargon II at Khorsabad, 713-706 BC.  Louvre Museum Room 4 , Paris
  • Stone relief sculptured panel of a Genie Blessing. Facade N. Inv AO 19865 from Dur Sharrukin the palace of Assyrian king Sargon II at Khorsabad, 713-706 BC.  Louvre Museum Room 4 , Paris
  • Stone relief sculptured panel of horses. From Dur Sharrukin the palace of Assyrian king Sargon II at Khorsabad, 713-706 BC.  Louvre Museum Room 4 , Paris
  • Stone relief sculptured panel of Saron II. Facade L. Inv AO 19873-4 from Dur Sharrukin the palace of Assyrian king Sargon II at Khorsabad, 713-706 BC.  Louvre Museum Room 4 , Paris
  • Stone relief sculptured panel of a dignitary . Facade L. Inv AO 19875 from Dur Sharrukin the palace of Assyrian king Sargon II at Khorsabad, 713-706 BC.  Louvre Museum Room 4 , Paris
  • Stone relief sculptured panel of a man holding an Ibex and a poppy flower. Facade L. Inv AO 19872 from Dur Sharrukin the palace of Assyrian king Sargon II at Khorsabad, 713-706 BC.  Louvre Museum Room 4 , Paris
  • Stone relief sculptured panel of cedar of Lebanon being transported. From the northern courtyard,  Inv AO 19888 from Dur Sharrukin the palace of Assyrian king Sargon II at Khorsabad, 713-706 BC.  Louvre Museum Room 4 , Paris
  • Stone relief sculptured panel of tributaries. From corridor 10,  Inv AO 1433/19899/19895 from Dur Sharrukin the palace of Assyrian king Sargon II at Khorsabad, 713-706 BC.  Louvre Museum Room 4 , Paris
  • Stone relief sculptured panel of a man. From corridor 10,  Inv AO 19896 from Dur Sharrukin the palace of Assyrian king Sargon II at Khorsabad, 713-706 BC.  Louvre Museum Room 4 , Paris
  • Stone relief sculptured panel of a Servant. From the facade of the throne room,  Inv AO 22196 from Dur Sharrukin the palace of Assyrian king Sargon II at Khorsabad, 713-706 BC.  Louvre Museum Room 4 , Paris
  • Stone relief sculptured panel fragment of a Genie blessing. Inv AO 19864/19880 from Dur Sharrukin the palace of Assyrian king Sargon II at Khorsabad, 713-706 BC.  Louvre Museum Room 4 , Paris
  • Stone relief sculptured panel of a Genie with poppy seed heads next ro the tree of life.  Inv AO 19869 from Dur Sharrukin the palace of Assyrian king Sargon II at Khorsabad, 713-706 BC.  Louvre Museum Room 4 , Paris
  • Stone relief sculptured panel of a Genie blessing. Gate No 3, Inv AO 19863 from Dur Sharrukin the palace of Assyrian king Sargon II at Khorsabad, 713-706 BC.  Louvre Museum Room 4 , Paris
  • Stone relief sculptured panel of a a bird hunt. Inv AO 19886 from Dur Sharrukin the palace of Assyrian king Sargon II at Khorsabad, 713-706 BC.  Louvre Museum Room 4 , Paris
  • Stone relief sculptured panel of soldiers carrying a war chariot . Facade L. Inv AO 19884 from Dur Sharrukin the palace of Assyrian king Sargon II at Khorsabad, 713-706 BC.  Louvre Museum Room 4 , Paris
  • Stone relief sculptured panel of soldiers carrying a war chariot . Facade L. Inv AO 19884 from Dur Sharrukin the palace of Assyrian king Sargon II at Khorsabad, 713-706 BC.  Louvre Museum Room 4 , Paris
  • Stone relief sculptured panel of Soldier. Room 8. Inv AO 19877 from Dur Sharrukin the palace of Assyrian king Sargon II at Khorsabad, 713-706 BC.  Louvre Museum Room 4 , Paris
  • Stone relief sculptured panel of Soldier. Room 8. Inv AO 19877 from Dur Sharrukin the palace of Assyrian king Sargon II at Khorsabad, 713-706 BC.  Louvre Museum Room 4 , Paris
  • Stone relief sculptured panel of two functionaries. Room 811. Inv AO 19876 from Dur Sharrukin the palace of Assyrian king Sargon II at Khorsabad, 713-706 BC.  Louvre Museum Room 4 , Paris
  • Stone relief sculptured panel of a man holding poppy seed pods. Facade N. Inv AO 19870 from Dur Sharrukin the palace of Assyrian king Sargon II at Khorsabad, 713-706 BC.  Louvre Museum Room 4 , Paris
  • Stone relief sculptured panel of Saron II and a dignitary. Facade L. Inv AO 19873-4 from Dur Sharrukin the palace of Assyrian king Sargon II at Khorsabad, 713-706 BC.  Louvre Museum Room 4 , Paris
  • Stone relief sculptured panel of a man holding an Ibex and poppy seed pods. Facade N. Inv AO 19872 from Dur Sharrukin the palace of Assyrian king Sargon II at Khorsabad, 713-706 BC.  Louvre Museum Room 4 , Paris
  • Stone relief sculptured panel of a man. From the facade of the throne room,  Inv AO 19917 from Dur Sharrukin the palace of Assyrian king Sargon II at Khorsabad, 713-706 BC.  Louvre Museum Room 4 , Paris
  • Stone relief sculptured panel of cedar of Lebanon being transported. From the northern courtyard,  Inv AO 19888 from Dur Sharrukin the palace of Assyrian king Sargon II at Khorsabad, 713-706 BC.  Louvre Museum Room 4 , Paris

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