• Blue domed byzantine church of Megalohori, Santorini, Greece
  • Blue Domed church of Imerovigli, Santorini, Greece.
  • Blue Domed church of Imerovigli, Santorini, Greece.
  • Blue Domed church of Imerovigli, Santorini, Greece.
  • Blue domed byzantine church of Megalohori, Santorini, Greece
  • Blue domed byzantine church of Megalohori, Santorini, Greece
  • Blue domed Greek Orthodox church and bell tower near oia (Ia), Santorini, Greece
  • Blue Domed church of Imerovigli, Santorini, Greece.
  • Blue Domed church of Imerovigli, Santorini, Greece.
  • Blue Domed church of Imerovigli, Santorini, Greece.
  • Blue Domed church of Imerovigli, Santorini, Greece.
  • Blue Domed church of Imerovigli, Santorini, Greece.
  • Blue Domed church of Imerovigli, Santorini, Greece.
  • Blue Domed church of Imerovigli, Santorini, Greece.
  • Blue Domed church of Imerovigli, Santorini, Greece.
  • Blue domed Greek Orthodox church and bell tower near oia (Ia), Santorini, Greece
  • Blue domed Greek Orthodox church and bell tower near oia (Ia), Santorini, Greece
  • Blue domed  Orthodox church, Fira, Santorini
  • Blue Domed church of Imerovigli, Santorini, Greece.
  • Blue Domed church of Imerovigli, Santorini, Greece.
  • Blue Domed church of Imerovigli, Santorini, Greece.
  • Blue Domed church of Imerovigli, Santorini, Greece.
  • Blue Domed church of Imerovigli, Santorini, Greece.
  • Blue Domed church of Imerovigli, Santorini, Greece.
  • Blue Domed church of Imerovigli, Santorini, Greece.
  • Blue Domed church of Imerovigli, Santorini, Greece.
  • Blue Domed church of Imerovigli, Santorini, Greece.
  • Blue Domed church of Imerovigli, Santorini, Greece.
  • Blue Domed church of Imerovigli, Santorini, Greece.
  • Blue Domed church of Imerovigli, Santorini, Greece.
  • Blue Domed church of Imerovigli, Santorini, Greece.
  • Blue Domed church of Imerovigli, Santorini, Greece.
  • Sculptures on the 12th century Romanesque facade of the Chiesa di San Pietro extra moenia (St Peters), Spoletto, Italy
  • Bell tower of an Orthodox church, Fira, Santorini
  • Chapel and churches of Pyros, Santorini, Greece
  • Chapel and churches of Pyros, Santorini, Greece
  • Bell tower of a street at Megalohori, Santorini, Greece
  • Bell tower of a street at Megalohori, Santorini, Greece
  • Chapel and churches of Pyros, Santorini, Greece
  • Bell tower of a street at Megalohori, Santorini, Greece
  • Bell tower of an Orthodox church, Fira, Santorini
  • Typical Santorini house of Imerovigli, Santorini, Greece.
  • Bell tower of an Orthodox church, Fira, Santorini
  • Bell tower of an Orthodox church, Fira, Santorini
  • cumulus cloudscape at sunset over the Cyclades Island of Ios, Greece.
  • Cirrus uncinus at sunrise over the Cylades Island of Ios
  • Cirrus uncinus at sunrise over the Cylades Island of Ios
  • cumulus cloudscape at sunset over the Cyclades Island of Ios, Greece.
  • cumulus cloudscape at sunset over the Cyclades Island of Ios, Greece.
  • Cirrus uncinus at sunrise over the Cylades Island of Ios
  • steps amd paths leading to the Phrygian water cistern of Midas city cut deep into the underground rock. 8th - 6th century BC . Midas City, Yazilikaya, Eskisehir, Turkey.
  • steps amd paths leading to the Phrygian water cistern of Midas city cut deep into the underground rock. 8th - 6th century BC . Midas City, Yazilikaya, Eskisehir, Turkey.
  • Close up of Phrygian rock tombs cut into the rocks faces protecting the citadel of Midas . From the 8th century BC . Midas City, Yazilikaya, Eskisehir, Turkey.<br />
<br />
The earliest Phrygian settlement here began in the last quarter of the 8th century BC. Even after the Phrygian kingdom collapsed politically, the city was not abandoned and the Phrygian rock structures and tombs were conserved, with some additions and changes made.in the Persian, Hellenistic, Roman and Byzantine periods.
  • Close up of Phrygian rock tombs cut into the rocks faces protecting the citadel of Midas . From the 8th century BC . Midas City, Yazilikaya, Eskisehir, Turkey.<br />
<br />
The earliest Phrygian settlement here began in the last quarter of the 8th century BC. Even after the Phrygian kingdom collapsed politically, the city was not abandoned and the Phrygian rock structures and tombs were conserved, with some additions and changes made.in the Persian, Hellenistic, Roman and Byzantine periods.
  • Phrygian and later rock tombs cut into the rocks faces protecting the citadel of Midas . From the 8th century BC . Midas City, Yazilikaya, Eskisehir, Turkey.<br />
<br />
The earliest Phrygian settlement here began in the last quarter of the 8th century BC. Even after the Phrygian kingdom collapsed politically, the city was not abandoned and the Phrygian rock structures and tombs were conserved, with some additions and changes made.in the Persian, Hellenistic, Roman and Byzantine periods.
  • Phrygian and later rock tombs cut into the rocks faces protecting the citadel of Midas . From the 8th century BC . Midas City, Yazilikaya, Eskisehir, Turkey.<br />
<br />
The earliest Phrygian settlement here began in the last quarter of the 8th century BC. Even after the Phrygian kingdom collapsed politically, the city was not abandoned and the Phrygian rock structures and tombs were conserved, with some additions and changes made.in the Persian, Hellenistic, Roman and Byzantine periods.
  • Phrygian tombs cut into rock formations  protecting the citadel of Midas . From the 8th century BC . Midas City, Yazilikaya, Eskisehir, Turkey.<br />
<br />
<br />
The earliest Phrygian settlement here began in the last quarter of the 8th century BC. Even after the Phrygian kingdom collapsed politically, the city was not abandoned and the Phrygian rock structures and tombs were conserved, with some additions and changes made.in the Persian, Hellenistic, Roman and Byzantine periods.
  • Phrygian and later rock tombs cut into the rocks faces protecting the citadel of Midas . From the 8th century BC . Midas City, Yazilikaya, Eskisehir, Turkey.<br />
<br />
The earliest Phrygian settlement here began in the last quarter of the 8th century BC. Even after the Phrygian kingdom collapsed politically, the city was not abandoned and the Phrygian rock structures and tombs were conserved, with some additions and changes made.in the Persian, Hellenistic, Roman and Byzantine periods.
  • Phrygian tombs cut into rock formations  protecting the citadel of Midas . From the 8th century BC . Midas City, Yazilikaya, Eskisehir, Turkey.<br />
<br />
<br />
The earliest Phrygian settlement here began in the last quarter of the 8th century BC. Even after the Phrygian kingdom collapsed politically, the city was not abandoned and the Phrygian rock structures and tombs were conserved, with some additions and changes made.in the Persian, Hellenistic, Roman and Byzantine periods.
  • Phrygian and later rock tombs cut into the rocks faces protecting the citadel of Midas . From the 8th century BC . Midas City, Yazilikaya, Eskisehir, Turkey.<br />
<br />
The earliest Phrygian settlement here began in the last quarter of the 8th century BC. Even after the Phrygian kingdom collapsed politically, the city was not abandoned and the Phrygian rock structures and tombs were conserved, with some additions and changes made.in the Persian, Hellenistic, Roman and Byzantine periods.
  • Phrygian and later rock tombs cut into the rocks faces protecting the citadel of Midas . From the 8th century BC . Midas City, Yazilikaya, Eskisehir, Turkey.<br />
<br />
The earliest Phrygian settlement here began in the last quarter of the 8th century BC. Even after the Phrygian kingdom collapsed politically, the city was not abandoned and the Phrygian rock structures and tombs were conserved, with some additions and changes made.in the Persian, Hellenistic, Roman and Byzantine periods.
  • Phrygian and later rock tombs cut into the rocks faces protecting the citadel of Midas . From the 8th century BC . Midas City, Yazilikaya, Eskisehir, Turkey.<br />
<br />
The earliest Phrygian settlement here began in the last quarter of the 8th century BC. Even after the Phrygian kingdom collapsed politically, the city was not abandoned and the Phrygian rock structures and tombs were conserved, with some additions and changes made.in the Persian, Hellenistic, Roman and Byzantine periods.
  • Phrygian tombs cut into rock formations  protecting the citadel of Midas . From the 8th century BC . Midas City, Yazilikaya, Eskisehir, Turkey.<br />
<br />
The earliest Phrygian settlement here began in the last quarter of the 8th century BC. Even after the Phrygian kingdom collapsed politically, the city was not abandoned and the Phrygian rock structures and tombs were conserved, with some additions and changes made.in the Persian, Hellenistic, Roman and Byzantine periods.
  • Phrygian tombs cut into rock formations  protecting the citadel of Midas . From the 8th century BC . Midas City, Yazilikaya, Eskisehir, Turkey.<br />
<br />
The earliest Phrygian settlement here began in the last quarter of the 8th century BC. Even after the Phrygian kingdom collapsed politically, the city was not abandoned and the Phrygian rock structures and tombs were conserved, with some additions and changes made.in the Persian, Hellenistic, Roman and Byzantine periods.
  • Close up of Phrygian rock tombs cut into the rocks faces protecting the citadel of Midas . From the 8th century BC . Midas City, Yazilikaya, Eskisehir, Turkey.<br />
<br />
The earliest Phrygian settlement here began in the last quarter of the 8th century BC. Even after the Phrygian kingdom collapsed politically, the city was not abandoned and the Phrygian rock structures and tombs were conserved, with some additions and changes made.in the Persian, Hellenistic, Roman and Byzantine periods.
  • Close up of Phrygian rock tombs cut into the rocks faces protecting the citadel of Midas . From the 8th century BC . Midas City, Yazilikaya, Eskisehir, Turkey.<br />
<br />
The earliest Phrygian settlement here began in the last quarter of the 8th century BC. Even after the Phrygian kingdom collapsed politically, the city was not abandoned and the Phrygian rock structures and tombs were conserved, with some additions and changes made.in the Persian, Hellenistic, Roman and Byzantine periods.
  • Close up of Phrygian rock tombs cut into the rocks faces protecting the citadel of Midas . From the 8th century BC . Midas City, Yazilikaya, Eskisehir, Turkey.<br />
<br />
The earliest Phrygian settlement here began in the last quarter of the 8th century BC. Even after the Phrygian kingdom collapsed politically, the city was not abandoned and the Phrygian rock structures and tombs were conserved, with some additions and changes made.in the Persian, Hellenistic, Roman and Byzantine periods.
  • Close up of Phrygian rock tombs cut into the rocks faces protecting the citadel of Midas . From the 8th century BC . Midas City, Yazilikaya, Eskisehir, Turkey.<br />
<br />
The earliest Phrygian settlement here began in the last quarter of the 8th century BC. Even after the Phrygian kingdom collapsed politically, the city was not abandoned and the Phrygian rock structures and tombs were conserved, with some additions and changes made.in the Persian, Hellenistic, Roman and Byzantine periods.
  • Close up of Phrygian rock tombs cut into the rocks faces protecting the citadel of Midas . From the 8th century BC . Midas City, Yazilikaya, Eskisehir, Turkey.<br />
<br />
The earliest Phrygian settlement here began in the last quarter of the 8th century BC. Even after the Phrygian kingdom collapsed politically, the city was not abandoned and the Phrygian rock structures and tombs were conserved, with some additions and changes made.in the Persian, Hellenistic, Roman and Byzantine periods.
  • The Unfinished rock monument of Midas, 8th - 6th century BC . Midas City, Yazilikaya, Eskisehir, Turkey.<br />
<br />
This rock facade was planned but never finished and so little is known about the unfinished Monument. It is also known locally as the Kucuk Yazilikaya ( “little written rock”), since it appears to have been planned as a smaller version of the Midas Monument, also called Yazilikaya. It measures 7m x 10m and faces west, unlike the other monument at Midas whose facades face east. Since it was never completed, it was gives some idea of the construction techniques : first the rock was flattened and then the facade was carved from the top down. The architectural frame and the ornament were carved at the same time. About  2m below the monument are a smaller facade, to the left and a small cut altar to the right.
  • The Unfinished rock monument of Midas, 8th - 6th century BC . Midas City, Yazilikaya, Eskisehir, Turkey.<br />
<br />
This rock facade was planned but never finished and so little is known about the unfinished Monument. It is also known locally as the Kucuk Yazilikaya ( “little written rock”), since it appears to have been planned as a smaller version of the Midas Monument, also called Yazilikaya. It measures 7m x 10m and faces west, unlike the other monument at Midas whose facades face east. Since it was never completed, it was gives some idea of the construction techniques : first the rock was flattened and then the facade was carved from the top down. The architectural frame and the ornament were carved at the same time. About  2m below the monument are a smaller facade, to the left and a small cut altar to the right.
  • The Unfinished rock monument of Midas, 8th - 6th century BC . Midas City, Yazilikaya, Eskisehir, Turkey.<br />
<br />
This rock facade was planned but never finished and so little is known about the unfinished Monument. It is also known locally as the Kucuk Yazilikaya ( “little written rock”), since it appears to have been planned as a smaller version of the Midas Monument, also called Yazilikaya. It measures 7m x 10m and faces west, unlike the other monument at Midas whose facades face east. Since it was never completed, it was gives some idea of the construction techniques : first the rock was flattened and then the facade was carved from the top down. The architectural frame and the ornament were carved at the same time. About  2m below the monument are a smaller facade, to the left and a small cut altar to the right.
  • The Phrygian rock Monument known locally as Yazilikaya, ( written rock ) . 8th - 6th century BC . Midas City, Yazilikaya, Eskisehir, Turkey.<br />
<br />
This is the largest Phrygian rock cut facade monument, measuring 17m x 16.5m. It represents the front of a Phrygian megaron type building with a low pitched roof. It is known locally as yazilikaya , which means “written rock”, because of the Paleo-Phrygian inscriptions carved above the rock above the roof outline, down the right side and in the niche. The upper inscription dedicates the monument to King Midas, and so it is also known as the “Midas Monument”. The niche probably contained an image of the Phrygian Mother  Goddess, and the word “Matar” (Mother) is inscribed inside. The monument was carved  around the 8th and  6th century BC.
  • Close up of the inscription dedicated to King Midas on the Phrygian rock Monument known locally as Yazilikaya, ( written rock ) . 8th - 6th century BC . Midas City, Yazilikaya, Eskisehir, Turkey.<br />
<br />
This is the largest Phrygian rock cut facade monument, measuring 17m x 16.5m. It represents the front of a Phrygian megaron type building with a low pitched roof. It is known locally as yazilikaya , which means “written rock”, because of the Paleo-Phrygian inscriptions carved above the rock above the roof outline, down the right side and in the niche. The upper inscription dedicates the monument to King Midas, and so it is also known as the “Midas Monument”. The niche probably contained an image of the Phrygian Mother  Goddess, and the word “Matar” (Mother) is inscribed inside. The monument was carved  around the 8th and  6th century BC.
  • The Phrygian rock Monument known locally as Yazilikaya, ( written rock ) . 8th - 6th century BC . Midas City, Yazilikaya, Eskisehir, Turkey.<br />
<br />
This is the largest Phrygian rock cut facade monument, measuring 17m x 16.5m. It represents the front of a Phrygian megaron type building with a low pitched roof. It is known locally as yazilikaya , which means “written rock”, because of the Paleo-Phrygian inscriptions carved above the rock above the roof outline, down the right side and in the niche. The upper inscription dedicates the monument to King Midas, and so it is also known as the “Midas Monument”. The niche probably contained an image of the Phrygian Mother  Goddess, and the word “Matar” (Mother) is inscribed inside. The monument was carved  around the 8th and  6th century BC.
  • The Phrygian rock Monument known locally as Yazilikaya, ( written rock ) . 8th - 6th century BC . Midas City, Yazilikaya, Eskisehir, Turkey.<br />
<br />
This is the largest Phrygian rock cut facade monument, measuring 17m x 16.5m. It represents the front of a Phrygian megaron type building with a low pitched roof. It is known locally as yazilikaya , which means “written rock”, because of the Paleo-Phrygian inscriptions carved above the rock above the roof outline, down the right side and in the niche. The upper inscription dedicates the monument to King Midas, and so it is also known as the “Midas Monument”. The niche probably contained an image of the Phrygian Mother  Goddess, and the word “Matar” (Mother) is inscribed inside. The monument was carved  around the 8th and  6th century BC.
  • The Phrygian rock Monument known locally as Yazilikaya, ( written rock ) . 8th - 6th century BC . Midas City, Yazilikaya, Eskisehir, Turkey.<br />
<br />
This is the largest Phrygian rock cut facade monument, measuring 17m x 16.5m. It represents the front of a Phrygian megaron type building with a low pitched roof. It is known locally as yazilikaya , which means “written rock”, because of the Paleo-Phrygian inscriptions carved above the rock above the roof outline, down the right side and in the niche. The upper inscription dedicates the monument to King Midas, and so it is also known as the “Midas Monument”. The niche probably contained an image of the Phrygian Mother  Goddess, and the word “Matar” (Mother) is inscribed inside. The monument was carved  around the 8th and  6th century BC.
  • The Phrygian rock Monument known locally as Yazilikaya, ( written rock ) . 8th - 6th century BC . Midas City, Yazilikaya, Eskisehir, Turkey.<br />
<br />
This is the largest Phrygian rock cut facade monument, measuring 17m x 16.5m. It represents the front of a Phrygian megaron type building with a low pitched roof. It is known locally as yazilikaya , which means “written rock”, because of the Paleo-Phrygian inscriptions carved above the rock above the roof outline, down the right side and in the niche. The upper inscription dedicates the monument to King Midas, and so it is also known as the “Midas Monument”. The niche probably contained an image of the Phrygian Mother  Goddess, and the word “Matar” (Mother) is inscribed inside. The monument was carved  around the 8th and  6th century BC.
  • The Phrygian rock Monument known locally as Yazilikaya, ( written rock ) . 8th - 6th century BC . Midas City, Yazilikaya, Eskisehir, Turkey.<br />
<br />
This is the largest Phrygian rock cut facade monument, measuring 17m x 16.5m. It represents the front of a Phrygian megaron type building with a low pitched roof. It is known locally as yazilikaya , which means “written rock”, because of the Paleo-Phrygian inscriptions carved above the rock above the roof outline, down the right side and in the niche. The upper inscription dedicates the monument to King Midas, and so it is also known as the “Midas Monument”. The niche probably contained an image of the Phrygian Mother  Goddess, and the word “Matar” (Mother) is inscribed inside. The monument was carved  around the 8th and  6th century BC.
  • The Phrygian rock Monument known locally as Yazilikaya, ( written rock ) . 8th - 6th century BC . Midas City, Yazilikaya, Eskisehir, Turkey.<br />
<br />
This is the largest Phrygian rock cut facade monument, measuring 17m x 16.5m. It represents the front of a Phrygian megaron type building with a low pitched roof. It is known locally as yazilikaya , which means “written rock”, because of the Paleo-Phrygian inscriptions carved above the rock above the roof outline, down the right side and in the niche. The upper inscription dedicates the monument to King Midas, and so it is also known as the “Midas Monument”. The niche probably contained an image of the Phrygian Mother  Goddess, and the word “Matar” (Mother) is inscribed inside. The monument was carved  around the 8th and  6th century BC.
  • Phrygian and later rock tombs of the necropolis of Midas . From the 8th century BC . Midas City, Yazilikaya, Eskisehir, Turkey.<br />
<br />
The earliest Phrygian settlement here began in the last quarter of the 8th century BC. Even after the Phrygian kingdom collapsed politically, the city was not abandoned and the Phrygian rock structures and tombs were conserved, with some additions and changes made.in the Persian, Hellenistic, Roman and Byzantine periods.
  • The Phrygian rock Monument known locally as Yazilikaya, ( written rock ) . 8th - 6th century BC . Midas City, Yazilikaya, Eskisehir, Turkey.<br />
<br />
This is the largest Phrygian rock cut facade monument, measuring 17m x 16.5m. It represents the front of a Phrygian megaron type building with a low pitched roof. It is known locally as yazilikaya , which means “written rock”, because of the Paleo-Phrygian inscriptions carved above the rock above the roof outline, down the right side and in the niche. The upper inscription dedicates the monument to King Midas, and so it is also known as the “Midas Monument”. The niche probably contained an image of the Phrygian Mother  Goddess, and the word “Matar” (Mother) is inscribed inside. The monument was carved  around the 8th and  6th century BC.
  • Close up of the inscription dedicated to King Midas on the Phrygian rock Monument known locally as Yazilikaya, ( written rock ) . 8th - 6th century BC . Midas City, Yazilikaya, Eskisehir, Turkey.<br />
<br />
This is the largest Phrygian rock cut facade monument, measuring 17m x 16.5m. It represents the front of a Phrygian megaron type building with a low pitched roof. It is known locally as yazilikaya , which means “written rock”, because of the Paleo-Phrygian inscriptions carved above the rock above the roof outline, down the right side and in the niche. The upper inscription dedicates the monument to King Midas, and so it is also known as the “Midas Monument”. The niche probably contained an image of the Phrygian Mother  Goddess, and the word “Matar” (Mother) is inscribed inside. The monument was carved  around the 8th and  6th century BC.
  • The Phrygian rock Monument known locally as Yazilikaya, ( written rock ) . 8th - 6th century BC . Midas City, Yazilikaya, Eskisehir, Turkey.<br />
<br />
This is the largest Phrygian rock cut facade monument, measuring 17m x 16.5m. It represents the front of a Phrygian megaron type building with a low pitched roof. It is known locally as yazilikaya , which means “written rock”, because of the Paleo-Phrygian inscriptions carved above the rock above the roof outline, down the right side and in the niche. The upper inscription dedicates the monument to King Midas, and so it is also known as the “Midas Monument”. The niche probably contained an image of the Phrygian Mother  Goddess, and the word “Matar” (Mother) is inscribed inside. The monument was carved  around the 8th and  6th century BC.
  • The Phrygian rock Monument known locally as Yazilikaya, ( written rock ) . 8th - 6th century BC . Midas City, Yazilikaya, Eskisehir, Turkey.<br />
<br />
This is the largest Phrygian rock cut facade monument, measuring 17m x 16.5m. It represents the front of a Phrygian megaron type building with a low pitched roof. It is known locally as yazilikaya , which means “written rock”, because of the Paleo-Phrygian inscriptions carved above the rock above the roof outline, down the right side and in the niche. The upper inscription dedicates the monument to King Midas, and so it is also known as the “Midas Monument”. The niche probably contained an image of the Phrygian Mother  Goddess, and the word “Matar” (Mother) is inscribed inside. The monument was carved  around the 8th and  6th century BC.
  • The Phrygian rock Monument known locally as Yazilikaya, ( written rock ) . 8th - 6th century BC . Midas City, Yazilikaya, Eskisehir, Turkey.<br />
<br />
This is the largest Phrygian rock cut facade monument, measuring 17m x 16.5m. It represents the front of a Phrygian megaron type building with a low pitched roof. It is known locally as yazilikaya , which means “written rock”, because of the Paleo-Phrygian inscriptions carved above the rock above the roof outline, down the right side and in the niche. The upper inscription dedicates the monument to King Midas, and so it is also known as the “Midas Monument”. The niche probably contained an image of the Phrygian Mother  Goddess, and the word “Matar” (Mother) is inscribed inside. The monument was carved  around the 8th and  6th century BC.
  • The Phrygian rock Monument known locally as Yazilikaya, ( written rock ) . 8th - 6th century BC . Midas City, Yazilikaya, Eskisehir, Turkey.<br />
<br />
This is the largest Phrygian rock cut facade monument, measuring 17m x 16.5m. It represents the front of a Phrygian megaron type building with a low pitched roof. It is known locally as yazilikaya , which means “written rock”, because of the Paleo-Phrygian inscriptions carved above the rock above the roof outline, down the right side and in the niche. The upper inscription dedicates the monument to King Midas, and so it is also known as the “Midas Monument”. The niche probably contained an image of the Phrygian Mother  Goddess, and the word “Matar” (Mother) is inscribed inside. The monument was carved  around the 8th and  6th century BC.
  • The Phrygian rock Monument known locally as Yazilikaya, ( written rock ) . 8th - 6th century BC . Midas City, Yazilikaya, Eskisehir, Turkey.<br />
<br />
This is the largest Phrygian rock cut facade monument, measuring 17m x 16.5m. It represents the front of a Phrygian megaron type building with a low pitched roof. It is known locally as yazilikaya , which means “written rock”, because of the Paleo-Phrygian inscriptions carved above the rock above the roof outline, down the right side and in the niche. The upper inscription dedicates the monument to King Midas, and so it is also known as the “Midas Monument”. The niche probably contained an image of the Phrygian Mother  Goddess, and the word “Matar” (Mother) is inscribed inside. The monument was carved  around the 8th and  6th century BC.
  • The Phrygian rock Monument known locally as Yazilikaya, ( written rock ) . 8th - 6th century BC . Midas City, Yazilikaya, Eskisehir, Turkey.<br />
<br />
This is the largest Phrygian rock cut facade monument, measuring 17m x 16.5m. It represents the front of a Phrygian megaron type building with a low pitched roof. It is known locally as yazilikaya , which means “written rock”, because of the Paleo-Phrygian inscriptions carved above the rock above the roof outline, down the right side and in the niche. The upper inscription dedicates the monument to King Midas, and so it is also known as the “Midas Monument”. The niche probably contained an image of the Phrygian Mother  Goddess, and the word “Matar” (Mother) is inscribed inside. The monument was carved  around the 8th and  6th century BC.
  • Phrygian and later rock tombs of the necropolis of Midas . From the 8th century BC . Midas City, Yazilikaya, Eskisehir, Turkey.<br />
<br />
The earliest Phrygian settlement here began in the last quarter of the 8th century BC. Even after the Phrygian kingdom collapsed politically, the city was not abandoned and the Phrygian rock structures and tombs were conserved, with some additions and changes made.in the Persian, Hellenistic, Roman and Byzantine periods.
  • Phrygian and later rock tombs of the necropolis of Midas . From the 8th century BC . Midas City, Yazilikaya, Eskisehir, Turkey.<br />
<br />
The earliest Phrygian settlement here began in the last quarter of the 8th century BC. Even after the Phrygian kingdom collapsed politically, the city was not abandoned and the Phrygian rock structures and tombs were conserved, with some additions and changes made.in the Persian, Hellenistic, Roman and Byzantine periods.
  • Phrygian and later rock tombs of the necropolis of Midas . From the 8th century BC . Midas City, Yazilikaya, Eskisehir, Turkey.<br />
<br />
The earliest Phrygian settlement here began in the last quarter of the 8th century BC. Even after the Phrygian kingdom collapsed politically, the city was not abandoned and the Phrygian rock structures and tombs were conserved, with some additions and changes made.in the Persian, Hellenistic, Roman and Byzantine periods.
  • Phrygian and later rock tombs of the necropolis of Midas . From the 8th century BC . Midas City, Yazilikaya, Eskisehir, Turkey.<br />
<br />
The earliest Phrygian settlement here began in the last quarter of the 8th century BC. Even after the Phrygian kingdom collapsed politically, the city was not abandoned and the Phrygian rock structures and tombs were conserved, with some additions and changes made.in the Persian, Hellenistic, Roman and Byzantine periods.
  • Phrygian and later rock tombs of the necropolis of Midas . From the 8th century BC . Midas City, Yazilikaya, Eskisehir, Turkey.<br />
<br />
The earliest Phrygian settlement here began in the last quarter of the 8th century BC. Even after the Phrygian kingdom collapsed politically, the city was not abandoned and the Phrygian rock structures and tombs were conserved, with some additions and changes made.in the Persian, Hellenistic, Roman and Byzantine periods.
  • Phrygian and later rock tombs cut into the rocks faces protecting the citadel of Midas . From the 8th century BC . Midas City, Yazilikaya, Eskisehir, Turkey.<br />
<br />
The earliest Phrygian settlement here began in the last quarter of the 8th century BC. Even after the Phrygian kingdom collapsed politically, the city was not abandoned and the Phrygian rock structures and tombs were conserved, with some additions and changes made.in the Persian, Hellenistic, Roman and Byzantine periods.
  • Phrygian and later rock tombs of the necropolis of Midas . From the 8th century BC . Midas City, Yazilikaya, Eskisehir, Turkey.<br />
<br />
The earliest Phrygian settlement here began in the last quarter of the 8th century BC. Even after the Phrygian kingdom collapsed politically, the city was not abandoned and the Phrygian rock structures and tombs were conserved, with some additions and changes made.in the Persian, Hellenistic, Roman and Byzantine periods.
  • Phrygian and later rock tombs of the necropolis of Midas . From the 8th century BC . Midas City, Yazilikaya, Eskisehir, Turkey.<br />
<br />
The earliest Phrygian settlement here began in the last quarter of the 8th century BC. Even after the Phrygian kingdom collapsed politically, the city was not abandoned and the Phrygian rock structures and tombs were conserved, with some additions and changes made.in the Persian, Hellenistic, Roman and Byzantine periods.
  • Picture of The north  gate forms part of a fortification system built at Hierapolis in late 4th century Theodosian times. Hierapolis archaeological site near Pamukkale in Turkey.
  • Picture of The north Byzantine gate forms part of a fortification system built at Hierapolis in late 4th century Theodosian times. Hierapolis archaeological site near Pamukkale in Turkey.
  • Picture of the Roman North Gate built by Domitian. Hierapolis archaeological site near Pamukkale in Turkey.
  • Picture of St Philip Gate road.  Hierapolis archaeological site near Pamukkale in Turkey.
  • Picture of the Roman North Gate built by Domitian. Hierapolis archaeological site near Pamukkale in Turkey.
  • Picture of St Philip Gate ruins.  Hierapolis archaeological site near Pamukkale in Turkey.<br />
<br />
The St. Philip Gate <br />
The gate is situated on the north-eastern side of the defensive walls built under the Emperor Theodosius in the late 4th century. Its importance is indicated by the presence of the two towers that flank the opening The gate was used by pilgrims heading for the summit of the hill on which stood the sanctuary of St. Philip, one of the twelve apostles of Christ. According to tradition the Saint was martyred in Hierapolis.
  • Picture of St Philip Gate ruins.  Hierapolis archaeological site near Pamukkale in Turkey.<br />
<br />
The St. Philip Gate <br />
The gate is situated on the north-eastern side of the defensive walls built under the Emperor Theodosius in the late 4th century. Its importance is indicated by the presence of the two towers that flank the opening The gate was used by pilgrims heading for the summit of the hill on which stood the sanctuary of St. Philip, one of the twelve apostles of Christ. According to tradition the Saint was martyred in Hierapolis.
  • Greek Theatre remodelled in 225-200 BC & again in 175 BC, 68 AD & 299 AD to a width of 139.8 meters to seat 18,500 people. <br />
Miletus Archaeological Site, Anatolia, Turkey.
  • Greek Theatre remodelled in 225-200 BC & again in 175 BC, 68 AD & 299 AD to a width of 139.8 meters to seat 18,500 people. <br />
Miletus Archaeological Site, Anatolia, Turkey.
  • Greek Theatre remodelled in 225-200 BC & again in 175 BC, 68 AD & 299 AD to a width of 139.8 meters to seat 18,500 people. <br />
Miletus Archaeological Site, Anatolia, Turkey.
  • Greek Theatre remodelled in 225-200 BC & again in 175 BC, 68 AD & 299 AD to a width of 139.8 meters to seat 18,500 people. <br />
Miletus Archaeological Site, Anatolia, Turkey.
  • Greek Theatre remodelled in 225-200 BC & again in 175 BC, 68 AD & 299 AD to a width of 139.8 meters to seat 18,500 people. <br />
Miletus Archaeological Site, Anatolia, Turkey.
  • Greek Theatre remodelled in 225-200 BC & again in 175 BC, 68 AD & 299 AD to a width of 139.8 meters to seat 18,500 people. <br />
Miletus Archaeological Site, Anatolia, Turkey.
  • Greek Theatre remodelled in 225-200 BC & again in 175 BC, 68 AD & 299 AD to a width of 139.8 meters to seat 18,500 people. <br />
Miletus Archaeological Site, Anatolia, Turkey.
  • Greek Theatre remodelled in 225-200 BC & again in 175 BC, 68 AD & 299 AD to a width of 139.8 meters to seat 18,500 people. <br />
Miletus Archaeological Site, Anatolia, Turkey.
  • Greek Theatre remodelled in 225-200 BC & again in 175 BC, 68 AD & 299 AD to a width of 139.8 meters to seat 18,500 people. <br />
Miletus Archaeological Site, Anatolia, Turkey.
  • Greek Theatre Frieze - Miletus Archaeological Site, Anatolia, Turkey.
  • Roman Great Harbour Monument opened by the city of Miletus either in honour of the achievements of Pompeius in his war against the pirates (67 BC) or for the victory of Augustus over Mark Antony and Cleopatra in the battle of Actium (31 BC). Miletus Archaeological Site, Anatolia, Turkey.
  • Roman Great Harbour Monument opened by the city of Miletus either in honour of the achievements of Pompeius in his war against the pirates (67 BC) or for the victory of Augustus over Mark Antony and Cleopatra in the battle of Actium (31 BC). Miletus Archaeological Site, Anatolia, Turkey.
  • The Roman Ionic Stoa forms a colonnade 99 m long & 9 m high at the beginning of the Sacred Way to Didyma. An Ionic portica at its centre which served as a grandstand during ceremonial processions on the street in front of it. 1st century AD, Miletus Archaeological Site, Anatolia, Turkey.
  • The Roman Ionic Stoa forms a colonnade 99 m long & 9 m high at the beginning of the Sacred Way to Didyma. An Ionic portica at its centre which served as a grandstand during ceremonial processions on the street in front of it. 1st century AD, Miletus Archaeological Site, Anatolia, Turkey.
  • The Roman Ionic Stoa forms a colonnade 99 m long & 9 m high at the beginning of the Sacred Way to Didyma. An Ionic portica at its centre which served as a grandstand during ceremonial processions on the street in front of it. 1st century AD, Miletus Archaeological Site, Anatolia, Turkey.
  • The Roman Ionic Stoa forms a colonnade 99 m long & 9 m high at the beginning of the Sacred Way to Didyma. An Ionic portica at its centre which served as a grandstand during ceremonial processions on the street in front of it. 1st century AD, Miletus Archaeological Site, Anatolia, Turkey.
  • The Roman Ionic Stoa forms a colonnade 99 m long & 9 m high at the beginning of the Sacred Way to Didyma. An Ionic portica at its centre which served as a grandstand during ceremonial processions on the street in front of it. 1st century AD, Miletus Archaeological Site, Anatolia, Turkey.
  • The Roman Ionic Stoa forms a colonnade 99 m long & 9 m high at the beginning of the Sacred Way to Didyma. An Ionic portica at its centre which served as a grandstand during ceremonial processions on the street in front of it. 1st century AD, Miletus Archaeological Site, Anatolia, Turkey.
  • The Roman Ionic Stoa forms a colonnade 99 m long & 9 m high at the beginning of the Sacred Way to Didyma. An Ionic portica at its centre which served as a grandstand during ceremonial processions on the street in front of it. 1st century AD, Miletus Archaeological Site, Anatolia, Turkey.
  • The Roman Ionic Stoa forms a colonnade 99 m long & 9 m high at the beginning of the Sacred Way to Didyma. An Ionic portica at its centre which served as a grandstand during ceremonial processions on the street in front of it. 1st century AD, Miletus Archaeological Site, Anatolia, Turkey.
  • The Roman Ionic Stoa forms a colonnade 99 m long & 9 m high at the beginning of the Sacred Way to Didyma. An Ionic portica at its centre which served as a grandstand during ceremonial processions on the street in front of it. 1st century AD, Miletus Archaeological Site, Anatolia, Turkey.
  • The Roman Ionic Stoa forms a colonnade 99 m long & 9 m high at the beginning of the Sacred Way to Didyma. An Ionic portica at its centre which served as a grandstand during ceremonial processions on the street in front of it. 1st century AD, Miletus Archaeological Site, Anatolia, Turkey.
  • The Roman Ionic Stoa forms a colonnade 99 m long & 9 m high at the beginning of the Sacred Way to Didyma. An Ionic portica at its centre which served as a grandstand during ceremonial processions on the street in front of it. 1st century AD, Miletus Archaeological Site, Anatolia, Turkey.
  • The Roman Ionic Stoa forms a colonnade 99 m long & 9 m high at the beginning of the Sacred Way to Didyma. An Ionic portica at its centre which served as a grandstand during ceremonial processions on the street in front of it. 1st century AD, Miletus Archaeological Site, Anatolia, Turkey.
  • The Roman Ionic Stoa forms a colonnade 99 m long & 9 m high at the beginning of the Sacred Way to Didyma. An Ionic portica at its centre which served as a grandstand during ceremonial processions on the street in front of it. 1st century AD, Miletus Archaeological Site, Anatolia, Turkey.
  • The Roman Ionic Stoa forms a colonnade 99 m long & 9 m high at the beginning of the Sacred Way to Didyma. An Ionic portica at its centre which served as a grandstand during ceremonial processions on the street in front of it. 1st century AD, Miletus Archaeological Site, Anatolia, Turkey.
  • The Roman Ionic Stoa forms a colonnade 99 m long & 9 m high at the beginning of the Sacred Way to Didyma. An Ionic portica at its centre which served as a grandstand during ceremonial processions on the street in front of it. 1st century AD, Miletus Archaeological Site, Anatolia, Turkey.
  • The Roman Ionic Stoa forms a colonnade 99 m long & 9 m high at the beginning of the Sacred Way to Didyma. An Ionic portica at its centre which served as a grandstand during ceremonial processions on the street in front of it. 1st century AD, Miletus Archaeological Site, Anatolia, Turkey.
  • The Roman Ionic Stoa forms a colonnade 99 m long & 9 m high at the beginning of the Sacred Way to Didyma. An Ionic portica at its centre which served as a grandstand during ceremonial processions on the street in front of it. 1st century AD, Miletus Archaeological Site, Anatolia, Turkey.
  • Roman Baths of Faustina established by Faustina the Younger, wife of the Emperor Marcus Aurelius (161-180 AD). Miletus Archaeological Site, Anatilia, Turkey.
  • Roman Baths of Faustina established by Faustina the Younger, wife of the Emperor Marcus Aurelius (161-180 AD). Miletus Archaeological Site, Anatilia, Turkey.
  • Roman Baths of Faustina established by Faustina the Younger, wife of the Emperor Marcus Aurelius (161-180 AD). Miletus Archaeological Site, Anatilia, Turkey.
  • Roman Baths of Faustina established by Faustina the Younger, wife of the Emperor Marcus Aurelius (161-180 AD). Miletus Archaeological Site, Anatilia, Turkey.
  • Roman Baths of Faustina established by Faustina the Younger, wife of the Emperor Marcus Aurelius (161-180 AD). Miletus Archaeological Site, Anatilia, Turkey.
  • Roman Baths of Faustina established by Faustina the Younger, wife of the Emperor Marcus Aurelius (161-180 AD). Miletus Archaeological Site, Anatilia, Turkey.
  • Roman Baths of Faustina established by Faustina the Younger, wife of the Emperor Marcus Aurelius (161-180 AD). Miletus Archaeological Site, Anatilia, Turkey.
  • Roman Baths of Faustina established by Faustina the Younger, wife of the Emperor Marcus Aurelius (161-180 AD). Miletus Archaeological Site, Anatilia, Turkey.
  • Roman Baths of Faustina established by Faustina the Younger, wife of the Emperor Marcus Aurelius (161-180 AD). Miletus Archaeological Site, Anatilia, Turkey.
  • The marble crown gate of the Sifaiye Medrese has a very rich decorative appearance, 1217. Its islamic Muqarnas corbelled vault is made up of a large number of miniature squinches, producing a sort of cellular structure. Sivas, Turkey
  • The Buruciye Medrese (Madrasah) built in 1271 by Dr. Muzaffer Burucerdî of Iran as a school teach physics, chemistry and astronomy. Its magnificent crown gate is one of the best examples of Seljuk architecture in Anatolia. The islamic Muqarnas corbelled vault is made up of a large number of miniature squinches, producing a sort of cellular structure. Sivas, Turkey
  • The Buruciye Medrese (Madrasah) built in 1271 by Dr. Muzaffer Burucerdî of Iran as a school teach physics, chemistry and astronomy. Its magnificent crown gate is one of the best examples of Seljuk architecture in Anatolia. The islamic Muqarnas corbelled vault is made up of a large number of miniature squinches, producing a sort of cellular structure. Sivas, Turkey
  • Close up of the Crown Gate of the Buruciye Medrese (Madrasah) built in 1271 by Dr. Muzaffer Burucerdî of Iran as a school teach physics, chemistry and astronomy. Its magnificent crown gate is one of the best examples of Seljuk architecture in Anatolia. The islamic Muqarnas corbelled vault is made up of a large number of miniature squinches, producing a sort of cellular structure. Sivas, Turkey
  • The Buruciye Medrese (Madrasah) built in 1271 by Dr. Muzaffer Burucerdî of Iran as a school teach physics, chemistry and astronomy. Its magnificent crown gate is one of the best examples of Seljuk architecture in Anatolia. The islamic Muqarnas corbelled vault is made up of a large number of miniature squinches, producing a sort of cellular structure. Sivas, Turkey
  • Close up of the Crown Gate of the Buruciye Medrese (Madrasah) built in 1271 by Dr. Muzaffer Burucerdî of Iran as a school teach physics, chemistry and astronomy. Its magnificent crown gate is one of the best examples of Seljuk architecture in Anatolia. The islamic Muqarnas corbelled vault is made up of a large number of miniature squinches, producing a sort of cellular structure. Sivas, Turkey
  • Close up of the Crown Gate of the Buruciye Medrese (Madrasah) built in 1271 by Dr. Muzaffer Burucerdî of Iran as a school teach physics, chemistry and astronomy. Its magnificent crown gate is one of the best examples of Seljuk architecture in Anatolia. The islamic Muqarnas corbelled vault is made up of a large number of miniature squinches, producing a sort of cellular structure. Sivas, Turkey
  • Close up of the Crown Gate of the Buruciye Medrese (Madrasah) built in 1271 by Dr. Muzaffer Burucerdî of Iran as a school teach physics, chemistry and astronomy. Its magnificent crown gate is one of the best examples of Seljuk architecture in Anatolia. The islamic Muqarnas corbelled vault is made up of a large number of miniature squinches, producing a sort of cellular structure. Sivas, Turkey
  • Close up of the Crown Gate of the Buruciye Medrese (Madrasah) built in 1271 by Dr. Muzaffer Burucerdî of Iran as a school teach physics, chemistry and astronomy. Its magnificent crown gate is one of the best examples of Seljuk architecture in Anatolia. The islamic Muqarnas corbelled vault is made up of a large number of miniature squinches, producing a sort of cellular structure. Sivas, Turkey
  • Close up of the Crown Gate of the Buruciye Medrese (Madrasah) built in 1271 by Dr. Muzaffer Burucerdî of Iran as a school teach physics, chemistry and astronomy. Its magnificent crown gate is one of the best examples of Seljuk architecture in Anatolia. The islamic Muqarnas corbelled vault is made up of a large number of miniature squinches, producing a sort of cellular structure. Sivas, Turkey
  • Close up of the Crown Gate of the Buruciye Medrese (Madrasah) built in 1271 by Dr. Muzaffer Burucerdî of Iran as a school teach physics, chemistry and astronomy. Its magnificent crown gate is one of the best examples of Seljuk architecture in Anatolia. The islamic Muqarnas corbelled vault is made up of a large number of miniature squinches, producing a sort of cellular structure. Sivas, Turkey
  • Close up of the Crown Gate of the Buruciye Medrese (Madrasah) built in 1271 by Dr. Muzaffer Burucerdî of Iran as a school teach physics, chemistry and astronomy. Its magnificent crown gate is one of the best examples of Seljuk architecture in Anatolia. The islamic Muqarnas corbelled vault is made up of a large number of miniature squinches, producing a sort of cellular structure. Sivas, Turkey
  • Door of Gök Medrese which has a very rich decorative appearance. Its islamic Muqarnas corbelled vault is made up of a large number of miniature squinches, producing a sort of cellular structure. The crown gate of Gök Medrese is one of the best examples of Sejuk architecture in Anatolia, Sivas, Turkey
  • Door of Gök Medrese which has a very rich decorative appearance. Its islamic Muqarnas corbelled vault is made up of a large number of miniature squinches, producing a sort of cellular structure. The crown gate of Gök Medrese is one of the best examples of Sejuk architecture in Anatolia, Sivas, Turkey
  • Door of Gök Medrese which has a very rich decorative appearance. Its islamic Muqarnas corbelled vault is made up of a large number of miniature squinches, producing a sort of cellular structure. The crown gate of Gök Medrese is one of the best examples of Sejuk architecture in Anatolia, Sivas, Turkey
  • Door of Gök Medrese which has a very rich decorative appearance. Its islamic Muqarnas corbelled vault is made up of a large number of miniature squinches, producing a sort of cellular structure. The crown gate of Gök Medrese is one of the best examples of Sejuk architecture in Anatolia, Sivas, Turkey
  • Door of Gök Medrese which has a very rich decorative appearance. Its islamic Muqarnas corbelled vault is made up of a large number of miniature squinches, producing a sort of cellular structure. The crown gate of Gök Medrese is one of the best examples of Sejuk architecture in Anatolia, Sivas, Turkey
  • Door of Gök Medrese which has a very rich decorative appearance. Its islamic Muqarnas corbelled vault is made up of a large number of miniature squinches, producing a sort of cellular structure. The crown gate of Gök Medrese is one of the best examples of Sejuk architecture in Anatolia, Sivas, Turkey
  • Door of Gök Medrese which has a very rich decorative appearance. Its islamic Muqarnas corbelled vault is made up of a large number of miniature squinches, producing a sort of cellular structure. The crown gate of Gök Medrese is one of the best examples of Sejuk architecture in Anatolia, Sivas, Turkey
  • The marble crown gate of Gök Medrese has a very rich decorative appearance. Its islamic Muqarnas corbelled vault is made up of a large number of miniature squinches, producing a sort of cellular structure. The crown gate of Gök Medrese is one of the best examples of Sejuk architecture in Anatolia, Sivas, Turkey
  • The marble crown gate of Gök Medrese has a very rich decorative appearance. Its islamic Muqarnas corbelled vault is made up of a large number of miniature squinches, producing a sort of cellular structure. The crown gate of Gök Medrese is one of the best examples of Sejuk architecture in Anatolia, Sivas, Turkey
  • Close up of the richly decorated corner stoes of the  of Gök Medrese , Sivas, Turkey
  • Close up of the richly decorated corner stoes of the  of Gök Medrese , Sivas, Turkey
  • The Gökmedrese or Gök Medrese built in 1271 by Vizier Ata Faahreddin Ali. close up of the corner seljuk stone work. Sivas, Turkey
  • The Gökmedrese or Gök Medrese built in 1271 by Vizier Ata Faahreddin Ali. Above the crown door are two minarets with a bow and single cone decorated with glazed bricks and tiles. Sivas, Turkey
  • The Gökmedrese or Gök Medrese built in 1271 by Vizier Ata Faahreddin Ali. Above the crown door are two minarets with a bow and single cone decorated with glazed bricks and tiles. Sivas, Turkey
  • The Gökmedrese or Gök Medrese built in 1271 by Vizier Ata Faahreddin Ali. Above the crown door are two minarets with a bow and single cone decorated with glazed bricks and tiles. Sivas, Turkey
  • The Gökmedrese or Gök Medrese built in 1271 by Vizier Ata Faahreddin Ali. Above the crown door are two minarets with a bow and single cone decorated with glazed bricks and tiles. Sivas, Turkey
  • The Gökmedrese or Gök Medrese built in 1271 by Vizier Ata Faahreddin Ali. Above the crown door are two minarets with a bow and single cone decorated with glazed bricks and tiles. Sivas, Turkey
  • The Gökmedrese or Gök Medrese built in 1271 by Vizier Ata Faahreddin Ali. Above the crown door are two minarets with a bow and single cone decorated with glazed bricks and tiles. Sivas, Turkey
  • The Gökmedrese or Gök Medrese built in 1271 by Vizier Ata Faahreddin Ali. Above the crown door are two minarets with a bow and single cone decorated with glazed bricks and tiles. Sivas, Turkey
  • The Gökmedrese or Gök Medrese built in 1271 by Vizier Ata Faahreddin Ali. Above the crown door are two minarets with a bow and single cone decorated with glazed bricks and tiles. Sivas, Turkey
  • The Gökmedrese or Gök Medrese built in 1271 by Vizier Ata Faahreddin Ali. Above the crown door are two minarets with a bow and single cone decorated with glazed bricks and tiles. Sivas, Turkey
  • The Gökmedrese or Gök Medrese built in 1271 by Vizier Ata Faahreddin Ali. Above the crown door are two minarets with a bow and single cone decorated with glazed bricks and tiles. Sivas, Turkey
  • The Gökmedrese or Gök Medrese built in 1271 by Vizier Ata Faahreddin Ali. Above the crown door are two minarets with a bow and single cone decorated with glazed bricks and tiles. Sivas, Turkey
  • The Gökmedrese or Gök Medrese built in 1271 by Vizier Ata Faahreddin Ali. Above the crown door are two minarets with a bow and single cone decorated with glazed bricks and tiles. Sivas, Turkey
  • The Gökmedrese or Gök Medrese built in 1271 by Vizier Ata Faahreddin Ali. Above the crown door are two minarets with a bow and single cone decorated with glazed bricks and tiles. Sivas, Turkey
  • The Gökmedrese or Gök Medrese built in 1271 by Vizier Ata Faahreddin Ali. Above the crown door are two minarets with a bow and single cone decorated with glazed bricks and tiles. Sivas, Turkey
  • The Gökmedrese or Gök Medrese built in 1271 by Vizier Ata Faahreddin Ali. Above the crown door are two minarets with a bow and single cone decorated with glazed bricks and tiles. Sivas, Turkey
  • The Gökmedrese or Gök Medrese built in 1271 by Vizier Ata Faahreddin Ali. Above the crown door are two minarets with a bow and single cone decorated with glazed bricks and tiles. Sivas, Turkey
  • The Gökmedrese or Gök Medrese built in 1271 by Vizier Ata Faahreddin Ali. Above the crown door are two minarets with a bow and single cone decorated with glazed bricks and tiles. Sivas, Turkey
  • The Gökmedrese or Gök Medrese built in 1271 by Vizier Ata Faahreddin Ali. Above the crown door are two minarets with a bow and single cone decorated with glazed bricks and tiles. Sivas, Turkey
  • Royal rock tombs of Pontus including Mithridates I, died 266 BC. Amasya, Turkey
  • Royal rock tombs of Pontus including Mithridates I, died 266 BC. Amasya, Turkey
  • Royal rock tombs of Pontus including Mithridates I, died 266 BC. Amasya, Turkey
  • Royal rock tombs of Pontus including Mithridates I, died 266 BC. Amasya, Turkey
  • Ottoman villas of Amasya along the banks of the river Yeşilırmak, below the Pontic Royal rock tombs and mountain top ancient citadel at sunset, Turkey
  • Ottoman villas of Amasya along the banks of the river Yeşilırmak, below the Pontic Royal rock tombs and mountain top ancient citadel at sunrise, Turkey
  • Ottoman villas of Amasya along the banks of the river Yesilırmak , below the Pontic Royal rock tombs and mountain top ancient citadel, Turkey
  • Ottoman villas of Amasya along the banks of the river Yesilırmak , below the Pontic Royal rock tombs and mountain top ancient citadel, Turkey
  • Ottoman villas of Amasya along the banks of the river Yeşilırmak, below the Pontic Royal rock tombs and mountain top ancient citadel, Turkey
  • Ottoman villas of Amasya along the banks of the river Yeşilırmak, below the Pontic Royal rock tombs and mountain top ancient citadel, Turkey
  • Ottoman villas of Amasya along the banks of the river Yeşilırmak, below the Pontic Royal rock tombs and mountain top ancient citadel at sunrise, Turkey
  • Ottoman villas of Amasya along the banks of the river Yeşilırmak, below the Pontic Royal rock tombs and mountain top ancient citadel, Turkey
  • Ottoman villas of Amasya along the banks of the river Yesilırmak k, below the Pontic Royal rock tombs and mountain top ancient citadel, Turkey
  • Ottoman villas of Amasya along the banks of the river Yeşilırmak, below the Pontic Royal rock tombs and mountain top ancient citadel, Turkey
  • Ottoman villas of Amasya along the banks of the river Yeşilırmak, below the Pontic Royal rock tombs and mountain top ancient citadel, Turkey
  • Ottoman villas of Amasya along the banks of the river Yeşilırmak, below the Pontic Royal rock tombs and mountain top ancient citadel, Turkey
  • Ottoman villas of Amasya along the banks of the river Yeşilırmak, below the Pontic Royal rock tombs and mountain top ancient citadel, Turkey
  • Ottoman villas of Amasya along the banks of the river Yeşilırmak, below the Pontic Royal rock tombs and mountain top ancient citadel at sunrise, Turkey
  • Ottoman villas of Amasya along the banks of the river Yeşilırmak, below the Pontic Royal rock tombs and mountain top ancient citadel, Turkey
  • Ottoman villas of Amasya along the banks of the river Yeşilırmak, below the Pontic Royal rock tombs and mountain top ancient citadel, Turkey
  • Ottoman villas of Amasya along the banks of the river Yeşilırmak, below the Pontic Royal rock tombs and mountain top ancient citadel at sunrise, Turkey
  • Ottoman villas of Amasya along the banks of the river Yeşilırmak, below the Pontic Royal rock tombs and mountain top ancient citadel, Turkey
  • Ottoman villas of Amasya along the banks of the river Yeşilırmak, below the Pontic Royal rock tombs and mountain top ancient citadel, Turkey
  • Ottoman villas of Amasya along the banks of the river Yeşilırmak, below the Pontic Royal rock tombs and mountain top ancient citadel, Turkey
  • Ottoman villas of Amasya along the banks of the river Yesilırmak , below the Pontic Royal rock tombs and mountain top ancient citadel, Turkey
  • Ottoman villas of Amasya along the banks of the river Yeşilırmak, below the Pontic Royal rock tombs and mountain top ancient citadel, Turkey
  • Ottoman villas of Amasya along the banks of the river Yeşilırmak, below the Pontic Royal rock tombs and mountain top ancient citadel, Turkey
  • Nuvolau  mountain above the Giau Pass (Passo di Giau), Colle Santa Lucia, Dolomites, Belluno, Italy
  • Nuvolau  mountain above the Giau Pass (Passo di Giau), Colle Santa Lucia, Dolomites, Belluno, Italy
  • Nuvolau  mountain above the Giau Pass (Passo di Giau), Colle Santa Lucia, Dolomites, Belluno, Italy
  • Nuvolau  mountain above the Giau Pass (Passo di Giau), Colle Santa Lucia, Dolomites, Belluno, Italy
  • Nuvolau  mountain above the Giau Pass (Passo di Giau), Colle Santa Lucia, Dolomites, Belluno, Italy
  • Nuvolau  mountain above the Giau Pass (Passo di Giau), Colle Santa Lucia, Dolomites, Belluno, Italy
  • Nuvolau  mountain above the Giau Pass (Passo di Giau), Colle Santa Lucia, Dolomites, Belluno, Italy
  • Nuvolau  mountain above the Giau Pass (Passo di Giau), Colle Santa Lucia, Dolomites, Belluno, Italy
  • Nuvolau  mountain above the Giau Pass (Passo di Giau), Colle Santa Lucia, Dolomites, Belluno, Italy
  • Nuvolau  mountain above the Giau Pass (Passo di Giau), Colle Santa Lucia, Dolomites, Belluno, Italy
  • Nuvolau  mountain above the Giau Pass (Passo di Giau), Colle Santa Lucia, Dolomites, Belluno, Italy
  • Nuvolau  mountain above the Giau Pass (Passo di Giau), Colle Santa Lucia, Dolomites, Belluno, Italy
  • Nuvolau  mountain above the Giau Pass (Passo di Giau), Colle Santa Lucia, Dolomites, Belluno, Italy
  • Nuvolau  mountain above the Giau Pass (Passo di Giau), Colle Santa Lucia, Dolomites, Belluno, Italy
  • Nuvolau  mountain above the Giau Pass (Passo di Giau), Colle Santa Lucia, Dolomites, Belluno, Italy
  • Nuvolau  mountain above the Giau Pass (Passo di Giau), Colle Santa Lucia, Dolomites, Belluno, Italy
  • Nuvolau  mountain above the Giau Pass (Passo di Giau), Colle Santa Lucia, Dolomites, Belluno, Italy
  • Nuvolau  mountain above the Giau Pass (Passo di Giau), Colle Santa Lucia, Dolomites, Belluno, Italy
  • Arena of Nemes, a Roman Ampitheatre built around 70 AD during the reign of Emperor Augustus, Nimes, France
  • Arena of Nemes, a Roman Ampitheatre built around 70 AD during the reign of Emperor Augustus, Nimes, France
  • Bas-relief sculpture panel scene from the Last Judgment by Maitani around 1310 on the14th century Tuscan Gothic style facade of the Cathedral of Orvieto, Umbria, Italy
  • Close up of the main door with mosaics depicting the the Virgin Mary created between 1350 and 1390 after designs by artist Cesare Nebbia and sculpture of the Madonna and Child created by Andrea Pisano in 1347  on the14th century Tuscan Gothic style facade of the Cathedral of Orvieto, designed by Maitani, Umbria, Italy
  • 14th century Tuscan Gothic style facade of the Cathedral of Orvieto, designed by Maitani, Umbria, Italy
  • Close up of the rose window built by the sculptor and architect Orcagna between 1354 and 1380 on the14th century Tuscan Gothic style facade of the Cathedral of Orvieto, designed by Maitani, Umbria, Italy
  • 14th century Tuscan Gothic style facade of the Cathedral of Orvieto, designed by Maitani , Umbria, Italy
  • Bas-relief sculpture panel scene of Eve giving Adam an apple by Maitani around 1310 on the14th century Tuscan Gothic style facade of the Cathedral of Orvieto, Umbria, Italy
  • Close up of the rose window built by the sculptor and architect Orcagna between 1354 and 1380 on the14th century Tuscan Gothic style facade of the Cathedral of Orvieto, designed by Maitani, Umbria, Italy
  • 14th century Tuscan Gothic style facade of the Cathedral of Orvieto, designed by Maitani, Umbria, Italy
  • Collegiate Church of Saint Andrew, Piazza della Repubblica, Orvieto, Umbria, Italy
  • Close up of a medieval sculpted decotative panel on the14th century Tuscan Gothic style facade of the Cathedral of Orvieto, designed by Maitani, Umbria, Italy
  • Close up of a medieval sculpted decotative twisting pillar on the14th century Tuscan Gothic style facade of the Cathedral of Orvieto, designed by Maitani, Umbria, Italy
  • Close up of a medieval sculpted decotative twisting pillar on the14th century Tuscan Gothic style facade of the Cathedral of Orvieto, designed by Maitani, Umbria, Italy
  • Close up of a medieval sculpted pillar on the14th century Tuscan Gothic style facade of the Cathedral of Orvieto, designed by Maitani, Umbria, Italy
  • Bas-relief sculpture panel scene of the Nativity by Maitani around 1310 on the14th century Tuscan Gothic style facade of the Cathedral of Orvieto, Umbria, Italy
  • Bas-relief sculpture panel scene of Christ being presented at the Temple by Maitani around 1310 on the14th century Tuscan Gothic style facade of the Cathedral of Orvieto, Umbria, Italy
  • Bas-relief sculpture panel scene of Eve giving Adam an apple by Maitani around 1310 on the14th century Tuscan Gothic style facade of the Cathedral of Orvieto, Umbria, Italy
  • Bas-relief sculpture panel scene of Eve and Adam 's fall being discovered by Maitani around 1310 on the14th century Tuscan Gothic style facade of the Cathedral of Orvieto, Umbria, Italy

FunkyStock Picture Library Resource

Picture The Past

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FunkyStock Picture Library free resource for professional editorial picture editors, picture researchers, historical scholars and students and enthusiasts who want to browse some of the best pictures and images of historic countries, historical places, archaeological sites and the very best museum antiquities and artefacts exhibits in Europe and the Middle East.

Pictures and Images can be downloaded or bought as stock photos or photo art prints.

COUNTRIES

Browse travel pictures and images of historic places and archaeological sites of countries in Europe and the Middle East.

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HISTORICAL

Explore the past through pictures and images of its historic places. See the great palaces, castles and cities of antiquity as well as the great archaeological sites where our ancestors made history.

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MUSEUMS

Browse pictures & images the treasured artefacts and antiquities exhibits from the great Museum of Europe and the Middle East. See the art and objects made by our ancestors.

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