• Neolithic terracotta bowl. Catalhoyuk collection, Konya Archaeological Museum, Turkey. Against a black background
  • Neolithic terracotta bowl. Catalhoyuk collection, Konya Archaeological Museum, Turkey. Against a white background
  • Neolithic terracotta bowl. Catalhoyuk collection, Konya Archaeological Museum, Turkey. Against a gray background
  • Neolithic terracotta bowl. Catalhoyuk collection, Konya Archaeological Museum, Turkey
  • Neolithic terracotta bowl. Catalhoyuk collection, Konya Archaeological Museum, Turkey. Against a grey background
  • Neolithic terracotta bowl. Catalhoyuk collection, Konya Archaeological Museum, Turkey. Against a black background
  • Neolithic terracotta bowl. Catalhoyuk collection, Konya Archaeological Museum, Turkey. Against a gray background
  • Neolithic terracotta bowl. Catalhoyuk collection, Konya Archaeological Museum, Turkey. Against a white background
  • Neolithic terracotta bowl. Catalhoyuk collection, Konya Archaeological Museum, Turkey
  • Neolithic terracotta bowl. Catalhoyuk collection, Konya Archaeological Museum, Turkey. Against a grey background
  • Colouful fruit in a fruit bowl
  • Neolithic terracotta bowl. 6000 BC. Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara
  • Neolithic terracotta bowl. 6000 BC. Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara
  • Neolithic terracotta bowl. 6000 BC. Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara
  • Phrygian Gold bowl with deeply beated design from Gordion. Phrygian Collection, 8th-7th century BC - Museum of Anatolian Civilisations Ankara. Turkey. Against a white background
  • Phrygian Gold bowl with deeply beated design from Gordion. Phrygian Collection, 8th-7th century BC - Museum of Anatolian Civilisations Ankara. Turkey. Against a black background
  • Phrygian Gold bowl with deeply beated design from Gordion. Phrygian Collection, 8th-7th century BC - Museum of Anatolian Civilisations Ankara. Turkey.
  • Phrygian Gold bowl with deeply beated design from Gordion. Phrygian Collection, 8th-7th century BC - Museum of Anatolian Civilisations Ankara. Turkey. Against an art background
  • Phrygian Gold bowl with deeply beated design from Gordion. Phrygian Collection, 8th-7th century BC - Museum of Anatolian Civilisations Ankara. Turkey. Against a grey background
  • Hittite terra cotta bowl. Hittite Old Period, 1650 - 1450 BC.  Hattusa Boğazkale. Çorum Archaeological Museum, Corum, Turkey. Against a white bacground.
  • Hittite terra cotta bowl. Hittite Old Period, 1650 - 1450 BC.  Hattusa Boğazkale. Çorum Archaeological Museum, Corum, Turkey. Against a black bacground.
  • Hittite terra cotta bowl. Hittite Old Period, 1650 - 1450 BC.  Hattusa Boğazkale. Çorum Archaeological Museum, Corum, Turkey
  • Hittite terra cotta bowl. Hittite Old Period, 1650 - 1450 BC.  Hattusa Boğazkale. Çorum Archaeological Museum, Corum, Turkey. Against a grey bacground.
  • Hittite terra cotta bowl. Hittite Old Period, 1650 - 1450 BC.  Hattusa Boğazkale. Çorum Archaeological Museum, Corum, Turkey. Against a warm art bacground.
  • 250 - 150 B.C Etruscan phiale or patera, or wine drinking bowl, produced in Calena,   National Archaeological Museum Florence, Italy, white background
  • 250 - 150 B.C Etruscan phiale or patera, or wine drinking bowl, produced in Calena,   National Archaeological Museum Florence, Italy, black background
  • 250 - 150 B.C Etruscan phiale or patera, or wine drinking bowl, produced in Calena,   National Archaeological Museum Florence, Italy
  • 250 - 150 B.C Etruscan phiale or patera, or wine drinking bowl, produced in Calena,   National Archaeological Museum Florence, Italy , against grey
  • 250 - 150 B.C Etruscan phiale or patera, or wine drinking bowl, produced in Calena,   National Archaeological Museum Florence, Italy  , grey art background
  • 250 - 150 B.C Etruscan phiale or patera, or wine drinking bowl, produced in Calena, inv 4566,  National Archaeological Museum Florence, Italy , white background
  • 250 - 150 B.C Etruscan phiale or patera, or wine drinking bowl, produced in Calena, inv 4566,  National Archaeological Museum Florence, Italy
  • 250 - 150 B.C Etruscan phiale or patera, or wine drinking bowl, produced in Calena, inv 4566,  National Archaeological Museum Florence, Italy , against grey
  • 250 - 150 B.C Etruscan phiale or patera, or wine drinking bowl, produced in Calena, inv 4566,  National Archaeological Museum Florence, Italy  , grey art background
  • Etruscan embossed silver phiale or patera, or wine drinking bowl, end of 4th century B.C. inv 132265,  National Archaeological Museum Florence, Italy , white background
  • Etruscan embossed silver phiale or patera, or wine drinking bowl, end of 4th century B.C. inv 132265,  National Archaeological Museum Florence, Italy , black background
  • Etruscan embossed silver phiale or patera, or wine drinking bowl, end of 4th century B.C. inv 132265,  National Archaeological Museum Florence, Italy
  • Neolithic terracotta bowl. 6000 BC. Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara
  • Neolithic terracotta bowl. 6000 BC. Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara
  • 250 - 150 B.C Etruscan phiale or patera, or wine drinking bowl, produced in Calena, inv 4566,  National Archaeological Museum Florence, Italy , black background
  • Etruscan embossed silver phiale or patera, or wine drinking bowl, end of 4th century B.C. inv 132265,  National Archaeological Museum Florence, Italy , against grey
  • Etruscan embossed silver phiale or patera, or wine drinking bowl, end of 4th century B.C. inv 132265,  National Archaeological Museum Florence, Italy  , grey art background
  • Norman Romanesque exterior corbel no 64 - sculpture of  an animal with a cat like head biting the underside of a bowl. The Norman Romanesque Church of St Mary and St David, Kilpeck Herefordshire, England. Built around 1140
  • Roman Sebasteion relief  sculpture of Hygieia, Aphrodisias Museum, Aphrodisias, Turkey.   Against a white background.<br />
<br />
Hygieia, the goddess of Health, hold a flat bowl (phiale) from which she feeds a snake. The snake is wound twice around her forearm. A plump naked child sits on a square pedestal. Hygieia was the daughter of the healing god Asklepios, with whom she is paired here
  • Roman Sebasteion relief  sculpture of Hygieia, Aphrodisias Museum, Aphrodisias, Turkey.   Against a black background.<br />
<br />
Hygieia, the goddess of Health, hold a flat bowl (phiale) from which she feeds a snake. The snake is wound twice around her forearm. A plump naked child sits on a square pedestal. Hygieia was the daughter of the healing god Asklepios, with whom she is paired here
  • Roman Sebasteion relief  sculpture of Hygieia, Aphrodisias Museum, Aphrodisias, Turkey. <br />
<br />
Hygieia, the goddess of Health, hold a flat bowl (phiale) from which she feeds a snake. The snake is wound twice around her forearm. A plump naked child sits on a square pedestal. Hygieia was the daughter of the healing god Asklepios, with whom she is paired here
  • Roman Sebasteion relief  sculpture of Hygieia, Aphrodisias Museum, Aphrodisias, Turkey.  Against an art background.<br />
<br />
Hygieia, the goddess of Health, hold a flat bowl (phiale) from which she feeds a snake. The snake is wound twice around her forearm. A plump naked child sits on a square pedestal. Hygieia was the daughter of the healing god Asklepios, with whom she is paired here
  • Roman Sebasteion relief  sculpture of Hygieia, Aphrodisias Museum, Aphrodisias, Turkey.  Against a grey background.<br />
<br />
Hygieia, the goddess of Health, hold a flat bowl (phiale) from which she feeds a snake. The snake is wound twice around her forearm. A plump naked child sits on a square pedestal. Hygieia was the daughter of the healing god Asklepios, with whom she is paired here
  • Norman Romanesque exterior corbel no 64 - sculpture of  an animal with a cat like head biting the underside of a bowl. The Norman Romanesque Church of St Mary and St David, Kilpeck Herefordshire, England. Built around 1140
  • Assyrian relief sculpture panel  of King  Ashurnasirpal II demonstrating his perfect kingship by raising a ritual bowl whilst an attendant waves a whisk to maintain the king's purity.  From Nimrud, Iraq.  865-860 B.C North West Palace.  British Museum Assyrian  Archaeological exhibit.
  • Assyrian relief sculpture panel  of King  Ashurnasirpal II demonstrating his perfect kingship by raising a ritual bowl whilst an attendant waves a whisk to maintain the king's purity.  From Nimrud, Iraq.  865-860 B.C North West Palace.  British Museum Assyrian  Archaeological exhibit.
  • Assyrian relief sculpture panel  of King  Ashurnasirpal II demonstrating his perfect kingship by raising a ritual bowl whilst an attendant waves a whisk to maintain the king's purity.  From Nimrud, Iraq.  865-860 B.C North West Palace.  British Museum Assyrian  Archaeological exhibit.
  • Assyrian relief sculpture panel  of King  Ashurnasirpal II demonstrating his perfect kingship by raising a ritual bowl whilst an attendant waves a whisk to maintain the king's purity.  From Nimrud, Iraq.  865-860 B.C North West Palace.  British Museum Assyrian  Archaeological exhibit.
  • A bowl of fresh picked, strawberries, blackerries and cherries
  • bowl of mixed olives with bread sticks
  • Melted Choclate being stirred in a bowl - Stock Photos.
  • Melted Choclate being stirred in a bowl - Stock Photos.
  • Melted Choclate being stirred in a bowl - Stock Photos.
  • Melted Choclate being stirred in a bowl - Stock Photos.
  • Orange and yellow gourded arranged in a traditional painted bowl
  • Oriental vegetarian stir fry of vegetables, noodle and mushrooms in a bowl with chop sticks
  • Oriental vegetarian stir fry of vegetables, noodle and mushrooms in a bowl with chop sticks
  • top shot of Bean & apple salad in a white bowl with French salad spoons
  • Moasic on the apse bowl-vault the great Christ Pantocrator, lord of the universe, is a 1506 reworking of the original Byzantine type image by a renaissance master mosaicist.
  • Moasic on the apse bowl-vault of Jesus Christ Pantocrator, lord of the universe, is a 1506 reworking of the original Byzantine type image by a renaissance master mosaicist.
  • Moasic on the apse bowl-vault of Jesus Christ Pantocrator, lord of the universe, is a 1506 reworking of the original Byzantine type image by a renaissance master mosaicist.
  • Hispano-Moresque ware dish with an eagle motif. Faience lustre ware, an islamic pottery style produced in Manises, Al Andalus, present day Spain in the second half of the 14th century.  inv 1438, The Louvre Museum, Paris.
  • Hispano-Moresque ware dish with an eagle motif. Faience lustre ware, an islamic pottery style produced in Manises, Al Andalus, present day Spain in the second half of the 14th century.  inv 1438, The Louvre Museum, Paris.
  • Hispano-Moresque ware dish with an eagle motif. Faience lustre ware, an islamic pottery style produced in Manises, Al Andalus, present day Spain in the second half of the 14th century.  inv 1438, The Louvre Museum, Paris.
  • Hispano-Moresque ware dish with an eagle motif. Faience lustre ware, an islamic pottery style produced in Manises, Al Andalus, present day Spain in the second half of the 14th century.  inv 1438, The Louvre Museum, Paris.
  • Hispano-Moresque ware dish with an eagle motif. Faience lustre ware, an islamic pottery style produced in Manises, Al Andalus, present day Spain in the second half of the 14th century.  inv 1438, The Louvre Museum, Paris.
  • Hispano-Moresque ware dish with an eagle motif. Faience lustre ware, an islamic pottery style produced in Manises, Al Andalus, present day Spain in the second half of the 14th century.  inv 1438, The Louvre Museum, Paris.
  • Hispano-Moresque ware dish with an eagle motif. Faience lustre ware, an islamic pottery style produced in Manises, Al Andalus, present day Spain in the second half of the 14th century.  inv 1438, The Louvre Museum, Paris.
  • Hispano-Moresque ware dish with an eagle motif. Faience lustre ware, an islamic pottery style produced in Manises, Al Andalus, present day Spain in the second half of the 14th century.  inv 1438, The Louvre Museum, Paris.

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