• 19th century traditional Iza Valley farm house carved  wooden folk art gates, The Village museum near Sighlet, Maramures, Northern Transylvania
  • 19th century traditional Iza Valley farm house carved  wooden folk art gates, The Village museum near Sighlet, Maramures, Northern Transylvania
  • 19th century traditional Iza Valley farm house carved  wooden folk art gates, The Village museum near Sighlet, Maramures, Northern Transylvania
  • 19th century traditional Iza Valley farm house carved  wooden folk art gates, The Village museum near Sighlet, Maramures, Northern Transylvania
  • 19th century traditional Iza Valley farm house carved  wooden folk art gates, The Village museum near Sighlet, Maramures, Northern Transylvania
  • 19th century traditional Iza Valley farm house carved  wooden folk art gates, The Village museum near Sighlet, Maramures, Northern Transylvania
  • Traditional carved wooden Maramures folk art church gate at Breb, Nr Sighlet, Maramures, Transylvania
  • Traditional carved wooden Maramures folk art church gate at Breb, Nr Sighlet, Maramures, Transylvania
  • 19th century traditional Iza Valley farm house carved  wooden folk art gates, The Village museum near Sighlet, Maramures, Northern Transylvania
  • 19th century traditional Iza Valley farm house carved  wooden folk art gates, The Village museum near Sighlet, Maramures, Northern Transylvania
  • Pumpkin with a traditional Haloween carved face
  • Pumpkin with a traditional Haloween carved face
  • Pumpkin & Bacon Soup with a traditional Haloween pumpkin with a carved face
  • Pumpkin & Bacon Soup with a traditional Haloween pumpkin with a carved face
  • Pumpkin with a traditional Haloween carved face
  • Pumpkin with a traditional Haloween carved face
  • Pumpkin with a traditional Haloween carved face
  • Pumpkin with a traditional Haloween carved face
  • Pumpkin with a traditional Haloween carved face
  • Pumpkin with a traditional Haloween carved face
  • Pumpkin with a traditional Haloween carved face
  • Traditional wooden Székely ( Szekely ) gates in a Szekely village near Cluj, Eastern Transylvania. Carved with folk art & painted the Szekely gate also has dove cotes above the gate.
  • Traditional wooden Székely ( Szekely ) gates in a Szekely village near Cluj, Eastern Transylvania. Carved with folk art & painted the Szekely gate also has dove cotes above the gate.
  • Traditional wooden Székely ( Szekely ) gates in a Szekely village near Cluj, Eastern Transylvania. Carved with folk art & painted the Szekely gate also has dove cotes above the gate.
  • Traditional wooden Székely ( Szekely ) gates in a Szekely village near Cluj, Eastern Transylvania. Carved with folk art & painted the Szekely gate also has dove cotes above the gate.
  • Traditional wooden Székely ( Szekely ) gates in a Szekely village near Cluj, Eastern Transylvania. Carved with folk art & painted the Szekely gate also has dove cotes above the gate.
  • Traditional wooden Székely ( Szekely ) gates in a Szekely village near Cluj, Eastern Transylvania. Carved with folk art & painted the Szekely gate also has dove cotes above the gate.
  • Traditional wooden Székely ( Szekely ) gates in a Szekely village near Cluj, Eastern Transylvania. Carved with folk art & painted the Szekely gate also has dove cotes above the gate.
  • Traditional wooden Székely ( Szekely ) gates in a Szekely village near Cluj, Eastern Transylvania. Carved with folk art & painted the Szekely gate also has dove cotes above the gate.
  • Traditional wooden Székely ( Szekely ) gates in a Szekely village near Cluj, Eastern Transylvania. Carved with folk art & painted the Szekely gate also has dove cotes above the gate.
  • Traditional wooden Székely ( Szekely ) gates in a Szekely village near Cluj, Eastern Transylvania. Carved with folk art & painted the Szekely gate also has dove cotes above the gate.
  • Traditional wooden Székely ( Szekely ) gates in a Szekely village near Cluj, Eastern Transylvania. Carved with folk art & painted the Szekely gate also has dove cotes above the gate.
  • Traditional wooden Székely ( Szekely ) gates in a Szekely village near Cluj, Eastern Transylvania. Carved with folk art & painted the Szekely gate also has dove cotes above the gate.
  • Pumpkin & Bacon Soup with a traditional Haloween pumpkin with a carved face
  • Pumpkin & Bacon Soup with a traditional Haloween pumpkin with a carved face
  • Ornamental carved wood Szekely village farm gate. Transylvania, Romania.
  • Ornamental carved wood Szekely village farm gate. Transylvania, Romania.
  • Ornamental carved wood Szekely village farm gate. Transylvania, Romania.
  • Ornamental carved wood Szekely village farm gate. Transylvania, Romania.
  • Ornamental painted carved wood Szekely village farm gate. Transylvania, Romania.
  • Ornamental painted carved wood Szekely village farm gate. Transylvania, Romania.
  • Ornamental carved wood Szekely village farm gate. Transylvania, Romania.
  • Prehistoric Saharan petroglyph rock art carvings of cattle with small figures riding on their backs from a site 20km east of Taouz, South Eastern Morocco
  • Prehistoric Saharan petroglyph rock art carvings of cattle with a man riding on its back from a site 20km east of Taouz, South Eastern Morocco
  • Prehistoric Saharan petroglyph rock art carvings of cattle from a site 20km east of Taouz, South Eastern Morocco
  • Prehistoric Saharan petroglyph rock art carvings of cattle from a site 20km east of Taouz, South Eastern Morocco
  • Prehistoric Saharan petroglyph rock art carvings of cattle from a site 20km east of Taouz, South Eastern Morocco
  • Prehistoric Saharan petroglyph rock art carvings of cattle from a site 20km east of Taouz, South Eastern Morocco
  • Prehistoric Saharan petroglyph rock art carvings of cattle from a site 20km east of Taouz, South Eastern Morocco
  • Prehistoric Saharan petroglyph rock art carvings of cattle from a site 20km east of Taouz, South Eastern Morocco
  • Traditional wooden Székely ( Szekely ) gates in a Szekely village near Cluj, Eastern Transylvania. Carved with folk art & painted the Szekely gate also has dove cotes above the gate.
  • Traditional wooden Székely ( Szekely ) gates in a Szekely village near Cluj, Eastern Transylvania. Carved with folk art & painted the Szekely gate also has dove cotes above the gate.
  • Ornamental carved wood Szekely village farm gate. Transylvania, Romania.
  • Ornamental carved wood Szekely village farm gate. Transylvania, Romania.
  • Ornamental carved wood Szekely village farm gate. Transylvania, Romania.
  • Ornamental carved wood Szekely village farm gate. Transylvania, Romania.
  • Prehistoric Saharan petroglyph rock art carvings of cattle from a site 20km east of Taouz, South Eastern Morocco
  • Prehistoric Saharan petroglyph rock art carvings of cattle from a site 20km east of Taouz, South Eastern Morocco
  • Prehistoric Saharan petroglyph rock art carvings of cattle from a site 20km east of Taouz, South Eastern Morocco
  • Prehistoric Saharan petroglyph rock art carvings of cattle from a site 20km east of Taouz, South Eastern Morocco
  • Prehistoric Saharan petroglyph rock art carvings of cattle from a site 20km east of Taouz, South Eastern Morocco
  • Prehistoric Saharan petroglyph rock art carvings of cattle from a site 20km east of Taouz, South Eastern Morocco
  • Prehistoric Saharan petroglyph rock art carvings of cattle from a site 20km east of Taouz, South Eastern Morocco
  • A prehistoric northern Sahara burial tumuli in the hills 20km east of Taouz, Morocco
  • Interior chamber of a northern Sahara burial tumuli in the hills 20km east of Taouz, Morocco
  • Photo of Roman releif sculpture of Bellerophon, Aphrodisias, Turkey, Images of Roman art bas releifs. Buy as stock or photo art prints. Bellerophon was a Lykian hero who was claimed to be the founder of Aphrodisias. He holds the winged horse Pegasos. The quality of the carving is poor indicating an apprentice piece.
  • Photo of Roman releif sculpture of Bellerophon, Aphrodisias, Turkey, Images of Roman art bas releifs. Buy as stock or photo art prints. Bellerophon was a Lykian hero who was claimed to be the founder of Aphrodisias. He holds the winged horse Pegasos. The quality of the carving is poor indicating an apprentice piece.
  • Photo of Roman releif sculpture of Bellerophon, Aphrodisias, Turkey, Images of Roman art bas releifs. Buy as stock or photo art prints. Bellerophon was a Lykian hero who was claimed to be the founder of Aphrodisias. He holds the winged horse Pegasos. The quality of the carving is poor indicating an apprentice piece.
  • Photo of Roman releif sculpture of Bellerophon, Aphrodisias, Turkey, Images of Roman art bas releifs. Buy as stock or photo art prints. Bellerophon was a Lykian hero who was claimed to be the founder of Aphrodisias. He holds the winged horse Pegasos. The quality of the carving is poor indicating an apprentice piece.
  • Tombstone of a carpenter, The  Merry Cemetery ( Cimitirul Vesel ),  S?pân?a, Maramares, Northern Transylvania, Romania.  The naive folk art style of the tombstones created by woodcarver  Stan Ioan P?tra? (1909 - 1977) who created in his lifetime over 700 colourfully painted wooden tombstones with small relief portrait carvings of the deceased or with scenes depicting them at work or play or surprisingly showing the violent accident that killed them. Each tombstone has an inscription about the person, sometimes a light hearted  limerick in Romanian.
  • Tombstone of a shepherd , The  Merry Cemetery ( Cimitirul Vesel ),  S?pân?a, Maramares, Northern Transylvania, Romania.  The naive folk art style of the tombstones created by woodcarver  Stan Ioan P?tra? (1909 - 1977) who created in his lifetime over 700 colourfully painted wooden tombstones with small relief portrait carvings of the deceased or with scenes depicting them at work or play or surprisingly showing the violent accident that killed them. Each tombstone has an inscription about the person, sometimes a light hearted  limerick in Romanian.
  • The  Merry Cemetery ( Cimitirul Vesel ),  S?pân?a, Maramares, Northern Transylvania, Romania.  The naive folk art style of the tombstones created by woodcarver  Stan Ioan P?tra? (1909 - 1977) who created in his lifetime over 700 colourfully painted wooden tombstones with small relief portrait carvings of the deceased or with scenes depicting them at work or play or surprisingly showing the violent accident that killed them. Each tombstone has an inscription about the person, sometimes a light hearted  limerick in Romanian.
  • Tombstone showing a fiddler and man in traditional clothes, The  Merry Cemetery ( Cimitirul Vesel ),  Săpânţa, Maramares, Northern Transylvania, Romania.  The naive folk art style of the tombstones created by woodcarver  Stan Ioan Pătraş (1909 - 1977) who created in his lifetime over 700 colourfully painted wooden tombstones with small relief portrait carvings of the deceased or with scenes depicting them at work or play or surprisingly showing the violent accident that killed them. Each tombstone has an inscription about the person, sometimes a light hearted  limerick in Romanian.
  • Tombstone showing an shepherd with his sythe,  The  Merry Cemetery ( Cimitirul Vesel ),  Săpânţa, Maramares, Northern Transylvania, Romania.  The naive folk art style of the tombstones created by woodcarver  Stan Ioan Pătraş (1909 - 1977) who created in his lifetime over 700 colourfully painted wooden tombstones with small relief portrait carvings of the deceased or with scenes depicting them at work or play or surprisingly showing the violent accident that killed them. Each tombstone has an inscription about the person, sometimes a light hearted  limerick in Romanian.
  • Tombstone showing a man doing a traditional dance,  The  Merry Cemetery ( Cimitirul Vesel ),  Săpânţa, Maramares, Northern Transylvania, Romania.  The naive folk art style of the tombstones created by woodcarver  Stan Ioan Pătraş (1909 - 1977) who created in his lifetime over 700 colourfully painted wooden tombstones with small relief portrait carvings of the deceased or with scenes depicting them at work or play or surprisingly showing the violent accident that killed them. Each tombstone has an inscription about the person, sometimes a light hearted  limerick in Romanian.
  • Tombstone of a thresher showing a couple threshing wheat,   The  Merry Cemetery ( Cimitirul Vesel ),  Săpânţa, Maramares, Northern Transylvania, Romania.  The naive folk art style of the tombstones created by woodcarver  Stan Ioan Pătraş (1909 - 1977) who created in his lifetime over 700 colourfully painted wooden tombstones with small relief portrait carvings of the deceased or with scenes depicting them at work or play or surprisingly showing the violent accident that killed them. Each tombstone has an inscription about the person, sometimes a light hearted  limerick in Romanian.
  • Tombstone showing a couple threshing wheat, The  Merry Cemetery ( Cimitirul Vesel ),  Săpânţa, Maramares, Northern Transylvania, Romania.  The naive folk art style of the tombstones created by woodcarver  Stan Ioan Pătraş (1909 - 1977) who created in his lifetime over 700 colourfully painted wooden tombstones with small relief portrait carvings of the deceased or with scenes depicting them at work or play or surprisingly showing the violent accident that killed them. Each tombstone has an inscription about the person, sometimes a light hearted  limerick in Romanian.
  • Tombstone of a mother showing her with her sons in a kitchen,  The  Merry Cemetery ( Cimitirul Vesel ),  Săpânţa, Maramares, Northern Transylvania, Romania.  The naive folk art style of the tombstones created by woodcarver  Stan Ioan Pătraş (1909 - 1977) who created in his lifetime over 700 colourfully painted wooden tombstones with small relief portrait carvings of the deceased or with scenes depicting them at work or play or surprisingly showing the violent accident that killed them. Each tombstone has an inscription about the person, sometimes a light hearted  limerick in Romanian.
  • Tombstone of a mother showing her with her sons,  The  Merry Cemetery ( Cimitirul Vesel ),  Săpânţa, Maramares, Northern Transylvania, Romania.  The naive folk art style of the tombstones created by woodcarver  Stan Ioan Pătraş (1909 - 1977) who created in his lifetime over 700 colourfully painted wooden tombstones with small relief portrait carvings of the deceased or with scenes depicting them at work or play or surprisingly showing the violent accident that killed them. Each tombstone has an inscription about the person, sometimes a light hearted  limerick in Romanian.
  • Tombstone showing a man painting the tombstones,  The  Merry Cemetery ( Cimitirul Vesel ),  Săpânţa, Maramares, Northern Transylvania, Romania.  The naive folk art style of the tombstones created by woodcarver  Stan Ioan Pătraş (1909 - 1977) who created in his lifetime over 700 colourfully painted wooden tombstones with small relief portrait carvings of the deceased or with scenes depicting them at work or play or surprisingly showing the violent accident that killed them. Each tombstone has an inscription about the person, sometimes a light hearted  limerick in Romanian.
  • Tombstone showing a man on his horse, The  Merry Cemetery ( Cimitirul Vesel ),  Săpânţa, Maramares, Northern Transylvania, Romania.  The naive folk art style of the tombstones created by woodcarver  Stan Ioan Pătraş (1909 - 1977) who created in his lifetime over 700 colourfully painted wooden tombstones with small relief portrait carvings of the deceased or with scenes depicting them at work or play or surprisingly showing the violent accident that killed them. Each tombstone has an inscription about the person, sometimes a light hearted  limerick in Romanian.
  • Tombstone of a lorry owner and lorry,  The  Merry Cemetery ( Cimitirul Vesel ),  Săpânţa, Maramares, Northern Transylvania, Romania.  The naive folk art style of the tombstones created by woodcarver  Stan Ioan Pătraş (1909 - 1977) who created in his lifetime over 700 colourfully painted wooden tombstones with small relief portrait carvings of the deceased or with scenes depicting them at work or play or surprisingly showing the violent accident that killed them. Each tombstone has an inscription about the person, sometimes a light hearted  limerick in Romanian.
  • Tombstone showing a man in traditional clothes, The  Merry Cemetery ( Cimitirul Vesel ),  Săpânţa, Maramares, Northern Transylvania, Romania.  The naive folk art style of the tombstones created by woodcarver  Stan Ioan Pătraş (1909 - 1977) who created in his lifetime over 700 colourfully painted wooden tombstones with small relief portrait carvings of the deceased or with scenes depicting them at work or play or surprisingly showing the violent accident that killed them. Each tombstone has an inscription about the person, sometimes a light hearted  limerick in Romanian.
  • Tombstone of a farmer on the way to cut hay, The  Merry Cemetery ( Cimitirul Vesel ),  Săpânţa, Maramares, Northern Transylvania, Romania.  The naive folk art style of the tombstones created by woodcarver  Stan Ioan Pătraş (1909 - 1977) who created in his lifetime over 700 colourfully painted wooden tombstones with small relief portrait carvings of the deceased or with scenes depicting them at work or play or surprisingly showing the violent accident that killed them. Each tombstone has an inscription about the person, sometimes a light hearted  limerick in Romanian.
  • Tombstone of a farmer on his tractor,  The  Merry Cemetery ( Cimitirul Vesel ),  Săpânţa, Maramares, Northern Transylvania, Romania.  The naive folk art style of the tombstones created by woodcarver  Stan Ioan Pătraş (1909 - 1977) who created in his lifetime over 700 colourfully painted wooden tombstones with small relief portrait carvings of the deceased or with scenes depicting them at work or play or surprisingly showing the violent accident that killed them. Each tombstone has an inscription about the person, sometimes a light hearted  limerick in Romanian.
  • Tombstone of a weaver,   The  Merry Cemetery ( Cimitirul Vesel ),  Săpânţa, Maramares, Northern Transylvania, Romania.  The naive folk art style of the tombstones created by woodcarver  Stan Ioan Pătraş (1909 - 1977) who created in his lifetime over 700 colourfully painted wooden tombstones with small relief portrait carvings of the deceased or with scenes depicting them at work or play or surprisingly showing the violent accident that killed them. Each tombstone has an inscription about the person, sometimes a light hearted  limerick in Romanian.
  • Tombstone of a farmer picking fruit,  The  Merry Cemetery ( Cimitirul Vesel ),  Săpânţa, Maramares, Northern Transylvania, Romania.  The naive folk art style of the tombstones created by woodcarver  Stan Ioan Pătraş (1909 - 1977) who created in his lifetime over 700 colourfully painted wooden tombstones with small relief portrait carvings of the deceased or with scenes depicting them at work or play or surprisingly showing the violent accident that killed them. Each tombstone has an inscription about the person, sometimes a light hearted  limerick in Romanian.
  • Tombstone of a lumberjack,  The  Merry Cemetery ( Cimitirul Vesel ),  Săpânţa, Maramares, Northern Transylvania, Romania.  The naive folk art style of the tombstones created by woodcarver  Stan Ioan Pătraş (1909 - 1977) who created in his lifetime over 700 colourfully painted wooden tombstones with small relief portrait carvings of the deceased or with scenes depicting them at work or play or surprisingly showing the violent accident that killed them. Each tombstone has an inscription about the person, sometimes a light hearted  limerick in Romanian.
  • Tombstone of a drinker in the pub,   The  Merry Cemetery ( Cimitirul Vesel ),  Săpânţa, Maramares, Northern Transylvania, Romania.  The naive folk art style of the tombstones created by woodcarver  Stan Ioan Pătraş (1909 - 1977) who created in his lifetime over 700 colourfully painted wooden tombstones with small relief portrait carvings of the deceased or with scenes depicting them at work or play or surprisingly showing the violent accident that killed them. Each tombstone has an inscription about the person, sometimes a light hearted  limerick in Romanian.
  • Tombstone of a lorry owner,  The  Merry Cemetery ( Cimitirul Vesel ),  Săpânţa, Maramares, Northern Transylvania, Romania.  The naive folk art style of the tombstones created by woodcarver  Stan Ioan Pătraş (1909 - 1977) who created in his lifetime over 700 colourfully painted wooden tombstones with small relief portrait carvings of the deceased or with scenes depicting them at work or play or surprisingly showing the violent accident that killed them. Each tombstone has an inscription about the person, sometimes a light hearted  limerick in Romanian.
  • Tombstone of a washer women,  The  Merry Cemetery ( Cimitirul Vesel ),  Săpânţa, Maramares, Northern Transylvania, Romania.  The naive folk art style of the tombstones created by woodcarver  Stan Ioan Pătraş (1909 - 1977) who created in his lifetime over 700 colourfully painted wooden tombstones with small relief portrait carvings of the deceased or with scenes depicting them at work or play or surprisingly showing the violent accident that killed them. Each tombstone has an inscription about the person, sometimes a light hearted  limerick in Romanian.
  • Tombstone of a man being killed by a logging accident ,  The  Merry Cemetery ( Cimitirul Vesel ),  Săpânţa, Maramares, Northern Transylvania, Romania.  The naive folk art style of the tombstones created by woodcarver  Stan Ioan Pătraş (1909 - 1977) who created in his lifetime over 700 colourfully painted wooden tombstones with small relief portrait carvings of the deceased or with scenes depicting them at work or play or surprisingly showing the violent accident that killed them. Each tombstone has an inscription about the person, sometimes a light hearted  limerick in Romanian.
  • Tombstone of a fruit farmer,  The  Merry Cemetery ( Cimitirul Vesel ),  Săpânţa, Maramares, Northern Transylvania, Romania.  The naive folk art style of the tombstones created by woodcarver  Stan Ioan Pătraş (1909 - 1977) who created in his lifetime over 700 colourfully painted wooden tombstones with small relief portrait carvings of the deceased or with scenes depicting them at work or play or surprisingly showing the violent accident that killed them. Each tombstone has an inscription about the person, sometimes a light hearted  limerick in Romanian.
  • Tombstones in  The Merry Cemetery ( Cimitirul Vesel ),  Săpânţa, Maramares, Northern Transylvania, Romania.  The naive folk art style of the tombstones created by woodcarver  Stan Ioan Pătraş (1909 - 1977) who created in his lifetime over 700 colourfully painted wooden tombstones with small relief portrait carvings of the deceased or with scenes depicting them at work or play or surprisingly showing the violent accident that killed them. Each tombstone has an inscription about the person, sometimes a light hearted  limerick in Romanian.
  • The  Merry Cemetery ( Cimitirul Vesel ),  Săpânţa, Maramares, Northern Transylvania, Romania.  The naive folk art style of the tombstones created by woodcarver  Stan Ioan Pătraş (1909 - 1977) who created in his lifetime over 700 colourfully painted wooden tombstones with small relief portrait carvings of the deceased or with scenes depicting them at work or play or surprisingly showing the violent accident that killed them. Each tombstone has an inscription about the person, sometimes a light hearted  limerick in Romanian.
  • Tombstone of a miner,  The  Merry Cemetery ( Cimitirul Vesel ),  S?pân?a, Maramares, Northern Transylvania, Romania.  The naive folk art style of the tombstones created by woodcarver  Stan Ioan P?tra? (1909 - 1977) who created in his lifetime over 700 colourfully painted wooden tombstones with small relief portrait carvings of the deceased or with scenes depicting them at work or play or surprisingly showing the violent accident that killed them. Each tombstone has an inscription about the person, sometimes a light hearted  limerick in Romanian.
  • Photo of Roman releif sculpture of Bellerophon, Aphrodisias, Turkey, Images of Roman art bas releifs. Buy as stock or photo art prints. Bellerophon was a Lykian hero who was claimed to be the founder of Aphrodisias. He holds the winged horse Pegasos. The quality of the carving is poor indicating an apprentice piece.
  • Photo of Roman releif sculpture of Bellerophon, Aphrodisias, Turkey, Images of Roman art bas releifs. Buy as stock or photo art prints. Bellerophon was a Lykian hero who was claimed to be the founder of Aphrodisias. He holds the winged horse Pegasos. The quality of the carving is poor indicating an apprentice piece.
  • Photo of Roman releif sculpture of Bellerophon, Aphrodisias, Turkey, Images of Roman art bas releifs. Buy as stock or photo art prints. Bellerophon was a Lykian hero who was claimed to be the founder of Aphrodisias. He holds the winged horse Pegasos. The quality of the carving is poor indicating an apprentice piece.
  • Photo of Roman releif sculpture of Bellerophon, Aphrodisias, Turkey, Images of Roman art bas releifs. Buy as stock or photo art prints. Bellerophon was a Lykian hero who was claimed to be the founder of Aphrodisias. He holds the winged horse Pegasos. The quality of the carving is poor indicating an apprentice piece.
  • Tombstone showing a miner in a mine, The  Merry Cemetery ( Cimitirul Vesel ),  Săpânţa, Maramares, Northern Transylvania, Romania.  The naive folk art style of the tombstones created by woodcarver  Stan Ioan Pătraş (1909 - 1977) who created in his lifetime over 700 colourfully painted wooden tombstones with small relief portrait carvings of the deceased or with scenes depicting them at work or play or surprisingly showing the violent accident that killed them. Each tombstone has an inscription about the person, sometimes a light hearted  limerick in Romanian.
  • Tombstone showing a miller bagging corn, The  Merry Cemetery ( Cimitirul Vesel ),  Săpânţa, Maramares, Northern Transylvania, Romania.  The naive folk art style of the tombstones created by woodcarver  Stan Ioan Pătraş (1909 - 1977) who created in his lifetime over 700 colourfully painted wooden tombstones with small relief portrait carvings of the deceased or with scenes depicting them at work or play or surprisingly showing the violent accident that killed them. Each tombstone has an inscription about the person, sometimes a light hearted  limerick in Romanian.
  • Tombstone showing a logger chopping trees, The  Merry Cemetery ( Cimitirul Vesel ),  Săpânţa, Maramares, Northern Transylvania, Romania.  The naive folk art style of the tombstones created by woodcarver  Stan Ioan Pătraş (1909 - 1977) who created in his lifetime over 700 colourfully painted wooden tombstones with small relief portrait carvings of the deceased or with scenes depicting them at work or play or surprisingly showing the violent accident that killed them. Each tombstone has an inscription about the person, sometimes a light hearted  limerick in Romanian.
  • Tombstone showing an aold women sitting at her table,  The  Merry Cemetery ( Cimitirul Vesel ),  Săpânţa, Maramares, Northern Transylvania, Romania.  The naive folk art style of the tombstones created by woodcarver  Stan Ioan Pătraş (1909 - 1977) who created in his lifetime over 700 colourfully painted wooden tombstones with small relief portrait carvings of the deceased or with scenes depicting them at work or play or surprisingly showing the violent accident that killed them. Each tombstone has an inscription about the person, sometimes a light hearted  limerick in Romanian.
  • Tombstone showing a fiddler and a man dancing in traditional clothes,  The  Merry Cemetery ( Cimitirul Vesel ),  Săpânţa, Maramares, Northern Transylvania, Romania.  The naive folk art style of the tombstones created by woodcarver  Stan Ioan Pătraş (1909 - 1977) who created in his lifetime over 700 colourfully painted wooden tombstones with small relief portrait carvings of the deceased or with scenes depicting them at work or play or surprisingly showing the violent accident that killed them. Each tombstone has an inscription about the person, sometimes a light hearted  limerick in Romanian.
  • Tombstone showing a fiddler and a man doing a traditional dance,  The  Merry Cemetery ( Cimitirul Vesel ),  Săpânţa, Maramares, Northern Transylvania, Romania.  The naive folk art style of the tombstones created by woodcarver  Stan Ioan Pătraş (1909 - 1977) who created in his lifetime over 700 colourfully painted wooden tombstones with small relief portrait carvings of the deceased or with scenes depicting them at work or play or surprisingly showing the violent accident that killed them. Each tombstone has an inscription about the person, sometimes a light hearted  limerick in Romanian.
  • Tombstone of a Husband showing him drinking with his wife, The  Merry Cemetery ( Cimitirul Vesel ),  Săpânţa, Maramares, Northern Transylvania, Romania.  The naive folk art style of the tombstones created by woodcarver  Stan Ioan Pătraş (1909 - 1977) who created in his lifetime over 700 colourfully painted wooden tombstones with small relief portrait carvings of the deceased or with scenes depicting them at work or play or surprisingly showing the violent accident that killed them. Each tombstone has an inscription about the person, sometimes a light hearted  limerick in Romanian.
  • Tombstone of a soldier, The  Merry Cemetery ( Cimitirul Vesel ),  Săpânţa, Maramares, Northern Transylvania, Romania.  The naive folk art style of the tombstones created by woodcarver  Stan Ioan Pătraş (1909 - 1977) who created in his lifetime over 700 colourfully painted wooden tombstones with small relief portrait carvings of the deceased or with scenes depicting them at work or play or surprisingly showing the violent accident that killed them. Each tombstone has an inscription about the person, sometimes a light hearted  limerick in Romanian.
  • Tombstone of a shepherd in the fields,  The  Merry Cemetery ( Cimitirul Vesel ),  Săpânţa, Maramares, Northern Transylvania, Romania.  The naive folk art style of the tombstones created by woodcarver  Stan Ioan Pătraş (1909 - 1977) who created in his lifetime over 700 colourfully painted wooden tombstones with small relief portrait carvings of the deceased or with scenes depicting them at work or play or surprisingly showing the violent accident that killed them. Each tombstone has an inscription about the person, sometimes a light hearted  limerick in Romanian.
  • Tombstone of a house wife sitting at her table,   The  Merry Cemetery ( Cimitirul Vesel ),  Săpânţa, Maramares, Northern Transylvania, Romania.  The naive folk art style of the tombstones created by woodcarver  Stan Ioan Pătraş (1909 - 1977) who created in his lifetime over 700 colourfully painted wooden tombstones with small relief portrait carvings of the deceased or with scenes depicting them at work or play or surprisingly showing the violent accident that killed them. Each tombstone has an inscription about the person, sometimes a light hearted  limerick in Romanian.
  • Tombstone of a school master,  The  Merry Cemetery ( Cimitirul Vesel ),  Săpânţa, Maramares, Northern Transylvania, Romania.  The naive folk art style of the tombstones created by woodcarver  Stan Ioan Pătraş (1909 - 1977) who created in his lifetime over 700 colourfully painted wooden tombstones with small relief portrait carvings of the deceased or with scenes depicting them at work or play or surprisingly showing the violent accident that killed them. Each tombstone has an inscription about the person, sometimes a light hearted  limerick in Romanian.
  • Tombstone of a disabled man,  The  Merry Cemetery ( Cimitirul Vesel ),  Săpânţa, Maramares, Northern Transylvania, Romania.  The naive folk art style of the tombstones created by woodcarver  Stan Ioan Pătraş (1909 - 1977) who created in his lifetime over 700 colourfully painted wooden tombstones with small relief portrait carvings of the deceased or with scenes depicting them at work or play or surprisingly showing the violent accident that killed them. Each tombstone has an inscription about the person, sometimes a light hearted  limerick in Romanian.
  • Tombstone of an army  tank driver,   The  Merry Cemetery ( Cimitirul Vesel ),  Săpânţa, Maramares, Northern Transylvania, Romania.  The naive folk art style of the tombstones created by woodcarver  Stan Ioan Pătraş (1909 - 1977) who created in his lifetime over 700 colourfully painted wooden tombstones with small relief portrait carvings of the deceased or with scenes depicting them at work or play or surprisingly showing the violent accident that killed them. Each tombstone has an inscription about the person, sometimes a light hearted  limerick in Romanian.
  • Tombstone of a Colonel,  The  Merry Cemetery ( Cimitirul Vesel ),  Săpânţa, Maramares, Northern Transylvania, Romania.  The naive folk art style of the tombstones created by woodcarver  Stan Ioan Pătraş (1909 - 1977) who created in his lifetime over 700 colourfully painted wooden tombstones with small relief portrait carvings of the deceased or with scenes depicting them at work or play or surprisingly showing the violent accident that killed them. Each tombstone has an inscription about the person, sometimes a light hearted  limerick in Romanian.
  • Tombstone of a house wife, The  Merry Cemetery ( Cimitirul Vesel ),  Săpânţa, Maramares, Northern Transylvania, Romania.  The naive folk art style of the tombstones created by woodcarver  Stan Ioan Pătraş (1909 - 1977) who created in his lifetime over 700 colourfully painted wooden tombstones with small relief portrait carvings of the deceased or with scenes depicting them at work or play or surprisingly showing the violent accident that killed them. Each tombstone has an inscription about the person, sometimes a light hearted  limerick in Romanian.
  • Tombstone of a man in traditional hat,  The  Merry Cemetery ( Cimitirul Vesel ),  Săpânţa, Maramares, Northern Transylvania, Romania.  The naive folk art style of the tombstones created by woodcarver  Stan Ioan Pătraş (1909 - 1977) who created in his lifetime over 700 colourfully painted wooden tombstones with small relief portrait carvings of the deceased or with scenes depicting them at work or play or surprisingly showing the violent accident that killed them. Each tombstone has an inscription about the person, sometimes a light hearted  limerick in Romanian.
  • Tombstone of a forestery forman,  The  Merry Cemetery ( Cimitirul Vesel ),  Săpânţa, Maramares, Northern Transylvania, Romania.  The naive folk art style of the tombstones created by woodcarver  Stan Ioan Pătraş (1909 - 1977) who created in his lifetime over 700 colourfully painted wooden tombstones with small relief portrait carvings of the deceased or with scenes depicting them at work or play or surprisingly showing the violent accident that killed them. Each tombstone has an inscription about the person, sometimes a light hearted  limerick in Romanian.
  • Tombstone of a forestery worker,  The  Merry Cemetery ( Cimitirul Vesel ),  Săpânţa, Maramares, Northern Transylvania, Romania.  The naive folk art style of the tombstones created by woodcarver  Stan Ioan Pătraş (1909 - 1977) who created in his lifetime over 700 colourfully painted wooden tombstones with small relief portrait carvings of the deceased or with scenes depicting them at work or play or surprisingly showing the violent accident that killed them. Each tombstone has an inscription about the person, sometimes a light hearted  limerick in Romanian.
  • Tombstone of a timber mill worker,  The  Merry Cemetery ( Cimitirul Vesel ),  Săpânţa, Maramares, Northern Transylvania, Romania.  The naive folk art style of the tombstones created by woodcarver  Stan Ioan Pătraş (1909 - 1977) who created in his lifetime over 700 colourfully painted wooden tombstones with small relief portrait carvings of the deceased or with scenes depicting them at work or play or surprisingly showing the violent accident that killed them. Each tombstone has an inscription about the person, sometimes a light hearted  limerick in Romanian.
  • Relief panels depicting a lion hunt found in the palace district in the ruins of Coba Höyük, also known as Sakçe Gözü or Sakçagözü, archaeological site in southeastern Anatolia, Turkey.  Warriors are fighting with the lion from a chariot and on foot wearing armour . Basalt to 750 BC, The Pergamon Museum, Berlin inv no VA 971
  • 9th century BC stone Neo-Hittite/ Aramaean Orthostats from Palace Temple of the Aramaean city of Tell Halaf, ancient Guzana, in northeastern Syria close to the Turkish border. The Orthostats from the Palace of King Kapara are in a Neo Hittite style and depict an Archer. Louvre Museum, Paris, inv AO11072
  • 9th century BC stone Neo-Hittite/ Aramaean Orthostats from Palace Temple of the Aramaean city of Tell Halaf, ancient Guzana, in northeastern Syria close to the Turkish border. The Orthostats from the Palace of King Kapara are in a Neo Hittite style and depict an Archer. Louvre Museum, Paris, inv AO11072
  • 9th century BC stone Neo-Hittite/ Aramaean Orthostats from Palace Temple of the Aramaean city of Tell Halaf, ancient Guzana, in northeastern Syria close to the Turkish border. The Orthostats from the Palace of King Kapara are in a Neo Hittite style and depict an Archer. Louvre Museum, Paris, inv AO11072
  • 9th century BC stone Neo-Hittite/ Aramaean Orthostats from Palace Temple of the Aramaean city of Tell Halaf, ancient Guzana, in northeastern Syria close to the Turkish border. The Orthostats from the Palace of King Kapara are in a Neo Hittite style and depict an Archer. Louvre Museum, Paris, inv AO11072
  • 9th century BC stone Neo-Hittite/ Aramaean Orthostats from Palace Temple of the Aramaean city of Tell Halaf, ancient Guzana, in northeastern Syria close to the Turkish border. The Orthostats are in a Neo Hittite style and depict a mythical God. Louvre Museum, Paris, inv AO11073
  • 9th century BC stone Neo-Hittite/ Aramaean Orthostats from Palace Temple of the Aramaean city of Tell Halaf, ancient Guzana, in northeastern Syria close to the Turkish border. The Orthostats are in a Neo Hittite style and depict a mythical God. Louvre Museum, Paris, inv AO11073
  • 9th century BC stone Neo-Hittite/ Aramaean Orthostats from Palace Temple of the Aramaean city of Tell Halaf, ancient Guzana, in northeastern Syria close to the Turkish border. The Orthostats are in a Neo Hittite style and depict a mythical God. Louvre Museum, Paris, inv AO11073
  • Part of an altarpiece made from enameled brick found on the forecourt of the temple-palace of Guyana /Tell Halaf. The decoration is made up of wavebands, rosettes, and semicircles that interpreted as a representing mountains. Pergamon Museum, Berlin, inv no VA14646
  • 10th - 8th century BC stone Neo-Hittite/ Aramaean Orthostats from the city of Sam'al (Hittite: Yadiya) near Zincirli Höyük in the Anti-Taurus Mountains of modern Turkey. The Orthostats are in a Neo Hittite style and depict mythical animals and figures that have magical properties. Pergamon Museum, Berlin
  • Part of an altarpiece made from enameled brick found on the forecourt of the temple-palace of Guyana /Tell Halaf. The decoration is made up of wavebands, rosettes, and semicircles that interpreted as a representing mountains. Pergamon Museum, Berlin, inv no VA14646
  • 10th - 8th century BC stone Neo-Hittite/ Aramaean Orthostats from the city of Sam'al (Hittite: Yadiya) near Zincirli Höyük in the Anti-Taurus Mountains of modern Turkey. The Orthostats are in a Neo Hittite style and depict mythical animals and figures that have magical properties. Pergamon Museum, Berlin
  • Part of an altarpiece made from enameled brick found on the forecourt of the temple-palace of Guyana /Tell Halaf. The decoration is made up of wavebands, rosettes, and semicircles that interpreted as a representing mountains. Pergamon Museum, Berlin, inv no VA14646
  • 10th - 8th century BC stone Neo-Hittite/ Aramaean Orthostats from the city of Sam'al (Hittite: Yadiya) near Zincirli Höyük in the Anti-Taurus Mountains of modern Turkey. The Orthostats are in a Neo Hittite style and depict mythical animals and figures that have magical properties. Pergamon Museum, Berlin
  • 10th - 8th century BC stone Neo-Hittite/ Aramaean Orthostats from the city of Sam'al (Hittite: Yadiya) near Zincirli Höyük in the Anti-Taurus Mountains of modern Turkey. The Orthostats are in a Neo Hittite style and depict mythical animals and figures that have magical properties. Pergamon Museum, Berlin
  • 10th - 8th century BC stone Neo-Hittite/ Aramaean Orthostats from the city of Sam'al (Hittite: Yadiya) near Zincirli Höyük in the Anti-Taurus Mountains of modern Turkey. The Orthostats are in a Neo Hittite style and depict mythical animals and figures that have magical properties. Pergamon Museum, Berlin
  • 10th - 8th century BC stone Neo-Hittite/ Aramaean Orthostats from the city of Sam'al (Hittite: Yadiya) near Zincirli Höyük in the Anti-Taurus Mountains of modern Turkey. The Orthostats are in a Neo Hittite style and depict mythical animals and figures that have magical properties. Pergamon Museum, Berlin
  • 10th - 8th century BC stone Neo-Hittite/ Aramaean Orthostats from the city of Sam'al (Hittite: Yadiya) near Zincirli Höyük in the Anti-Taurus Mountains of modern Turkey. The Orthostats are in a Neo Hittite style and depict mythical animals and figures that have magical properties. Pergamon Museum, Berlin
  • 10th - 8th century BC stone Neo-Hittite/ Aramaean Orthostats from the city of Sam'al (Hittite: Yadiya) near Zincirli Höyük in the Anti-Taurus Mountains of modern Turkey. The Orthostats are in a Neo Hittite style and depict mythical animals and figures that have magical properties. Pergamon Museum, Berlin
  • 10th - 8th century BC stone Neo-Hittite/ Aramaean Orthostats from the city of Sam'al (Hittite: Yadiya) near Zincirli Höyük in the Anti-Taurus Mountains of modern Turkey. The Orthostats are in a Neo Hittite style and depict mythical animals and figures that have magical properties. Pergamon Museum, Berlin
  • Lion sculptures from the city gate of  Sam'al - Zincirli. Neo Syro Hittite. Basalt 8th century BC. Pergamon Museum Berlin.
  • Lion sculptures from the city gate of  Sam'al - Zincirli. Neo Syro Hittite. Basalt 8th century BC. Pergamon Museum Berlin.
  • Lion sculptures from the city gate of  Sam'al - Zincirli. Neo Syro Hittite. Basalt 8th century BC. Pergamon Museum Berlin.
  • Lion sculptures from the city gate of  Sam'al - Zincirli. Neo Syro Hittite. Basalt 8th century BC. Pergamon Museum Berlin.
  • 10th - 8th century BC stone Neo-Hittite/ Aramaean Orthostats from the city of Sam'al (Hittite: Yadiya) near Zincirli Höyük in the Anti-Taurus Mountains of modern Turkey. The Orthostats are in a Neo Hittite style and depict mythical animals and figures that have magical properties. Pergamon Museum, Berlin
  • Lion sculptures from the city gate of  Sam'al - Zincirli. Neo Syro Hittite. Basalt 8th century BC. Pergamon Museum Berlin.
  • 10th - 8th century BC stone Neo-Hittite/ Aramaean Orthostats from the city of Sam'al (Hittite: Yadiya) near Zincirli Höyük in the Anti-Taurus Mountains of modern Turkey. The Orthostats are in a Neo Hittite style and depict mythical animals and figures that have magical properties. Pergamon Museum, Berlin
  • Column base Sphix sculpture support. Found in North Hall at the Castle of Sam'al - Zincirli. Basalt 8th century BC. Vorderasiatisches Museum, Pergamon Museum, Berlin, inv no 3017
  • 10th - 8th century BC stone Neo-Hittite/ Aramaean Orthostats from the city of Sam'al (Hittite: Yadiya) near Zincirli Höyük in the Anti-Taurus Mountains of modern Turkey. The Orthostats are in a Neo Hittite style and depict mythical animals and figures that have magical properties. Pergamon Museum, Berlin
  • Column base Sphix sculpture support. Found in North Hall at the Castle of Sam'al - Zincirli. Basalt 8th century BC. Vorderasiatisches Museum, Pergamon Museum, Berlin, inv no 3017
  • Column base Sphix sculpture support. Found in North Hall at the Castle of Sam'al - Zincirli. Basalt 8th century BC. Vorderasiatisches Museum, Pergamon Museum, Berlin, inv no 3017
  • Relief panels orthostat showing a man with a gazelle on the shoulders excavated from the Northern Hall at  Sam'al / Zincirli, Turkey. Vorderasiatisches Museum, Pergamon Museum, Berlin inv no  VA3007
  • Relief panels orthostat showing a man with a gazelle on the shoulders excavated from the Northern Hall at  Sam'al / Zincirli, Turkey. Vorderasiatisches Museum, Pergamon Museum, Berlin inv no  VA3007
  • Relief panels orthostat showing a man with a gazelle on the shoulders excavated from the Northern Hall at  Sam'al / Zincirli, Turkey. Vorderasiatisches Museum, Pergamon Museum, Berlin inv no  VA3007
  • Relief panels Orthostats with representation from court officials de front a vessel, the second supporting arms. Found in North Hall of Sam'al - Zincirli. Basalt 8th Century BC. Vorderasiatisches Museum, Pergamon Museum, Berlin, inv no 3000
  • Relief panels orthostat showing a man with a gazelle on the shoulders excavated from the Northern Hall at  Sam'al / Zincirli, Turkey. Vorderasiatisches Museum, Pergamon Museum, Berlin inv no  VA3007
  • Relief panels Orthostats with representation from court officials de front a vessel, the second supporting arms. Found in North Hall of Sam'al - Zincirli. Basalt 8th Century BC. Vorderasiatisches Museum, Pergamon Museum, Berlin, inv no 3000
  • Relief panels orthostat from Sam 'al /Zincirli. Neo Syro Hittite.  Basalt around 730 BC. Vorderasiatisches Museum, Pergamon Museum, Berlin.
  • Relief panels Orthostats with representation from court officials de front a vessel, the second supporting arms. Found in North Hall of Sam'al - Zincirli. Basalt 8th Century BC. Vorderasiatisches Museum, Pergamon Museum, Berlin, inv no 3000
  • Relief panels orthostat from Sam 'al /Zincirli. Neo Syro Hittite.  Basalt around 730 BC. Vorderasiatisches Museum, Pergamon Museum, Berlin.
  • Relief panels orthostat from Sam 'al /Zincirli. Neo Syro Hittite.  Basalt around 730 BC. Vorderasiatisches Museum, Pergamon Museum, Berlin.
  • Relief panels orthostat from Sam 'al /Zincirli. Neo Syro Hittite.  Basalt around 730 BC. Vorderasiatisches Museum, Pergamon Museum, Berlin.
  • Column base Sphix sculpture support. Found in North Hall at the Castle of Sam'al - Zincirli. Basalt 8th century BC. Vorderasiatisches Museum, Pergamon Museum, Berlin, inv no 3017
  • Column base Sphix sculpture support. Found in North Hall at the Castle of Sam'al - Zincirli. Basalt 8th century BC. Vorderasiatisches Museum, Pergamon Museum, Berlin, inv no 3017
  • Column base Sphix sculpture support. Found in North Hall at the Castle of Sam'al - Zincirli. Basalt 8th century BC. Vorderasiatisches Museum, Pergamon Museum, Berlin, inv no 3017
  • 9th century BC stone Neo-Hittite/ Aramaean Orthostats from Palace Temple of the Aramaean city of Tell Halaf in northeastern Syria close to the Turkish border. The Orthostats are in a Neo Hittite style and depict mythical animals and figures that have magical properties. Pergamon Museum, Berlin.  Museum Inv No: OP 18, 22, 19, 14, 15, VAS 8854, 8841, 8852
  • Relief panels orthostat from Sam 'al /Zincirli. Neo Syro Hittite.  Basalt around 730 BC. Vorderasiatisches Museum, Pergamon Museum, Berlin.
  • Relief panels orthostat from Sam 'al /Zincirli. Neo Syro Hittite.  Basalt around 730 BC. Vorderasiatisches Museum, Pergamon Museum, Berlin.
  • Relief panels orthostat from Sam 'al /Zincirli. Neo Syro Hittite.  Basalt around 730 BC. Vorderasiatisches Museum, Pergamon Museum, Berlin.
  • Relief panels orthostat from Sam 'al /Zincirli. Neo Syro Hittite.  Basalt around 730 BC. Vorderasiatisches Museum, Pergamon Museum, Berlin.
  • Relief panels Orthostats with representation from court officials de front a vessel, the second supporting arms. Found in North Hall of Sam'al - Zincirli. Basalt 8th Century BC. Vorderasiatisches Museum, Pergamon Museum, Berlin, inv no 3000
  • Relief panels orthostat with representation by court officials, they served as a wall covering of palaces of Sam'al - Zincirli. Vorderasiatisches Museum, Pergamon Museum, Berlin,
  • Relief panels orthostat with representation by court officials, they served as a wall covering of palaces of Sam'al - Zincirli. Vorderasiatisches Museum, Pergamon Museum, Berlin,
  • 9th century BC stone Neo-Hittite/ Aramaean Orthostats from Palace Temple of the Aramaean city of Tell Halaf in northeastern Syria close to the Turkish border. The Orthostats are in a Neo Hittite style and depict mythical animals and figures that have magical properties. Pergamon Museum, Berlin.  Museum Inv No: OP 18, 22, 19, 14, 15, VAS 8854, 8841, 8852
  • Relief panels orthostat with representation by court officials, they served as a wall covering of palaces of Sam'al - Zincirli. Vorderasiatisches Museum, Pergamon Museum, Berlin,
  • 9th century BC stone Neo-Hittite/ Aramaean Orthostats from Palace Temple of the Aramaean city of Tell Halaf in northeastern Syria close to the Turkish border. The Orthostats are in a Neo Hittite style and depict mythical animals and figures that have magical properties. Pergamon Museum, Berlin.  Museum Inv No: OP 18, 22, 19, 14, 15, VAS 8854, 8841, 8852
  • 9th century BC stone Neo-Hittite/ Aramaean Orthostats from Palace Temple of the Aramaean city of Tell Halaf in northeastern Syria close to the Turkish border. The Orthostats are in a Neo Hittite style and depict mythical animals and figures that have magical properties. Pergamon Museum, Berlin. Museum Inv No: VA 8859, 8843, 8845, 8840, 8850, 8844, 8856
  • 9th century BC stone Neo-Hittite/ Aramaean Orthostats from Palace Temple of the Aramaean city of Tell Halaf in northeastern Syria close to the Turkish border. The Orthostats are in a Neo Hittite style and depict mythical animals and figures that have magical properties. Pergamon Museum, Berlin. Museum Inv No: VA 8859, 8843, 8845, 8840, 8850, 8844, 8856
  • 9th century BC stone Neo-Hittite/ Aramaean Orthostats from Palace Temple of the Aramaean city of Tell Halaf in northeastern Syria close to the Turkish border. The Orthostats are in a Neo Hittite style and depict mythical animals and figures that have magical properties. Pergamon Museum, Berlin. Museum Inv No: VA 8859, 8843, 8845, 8840, 8850, 8844, 8856
  • 9th century BC stone Neo-Hittite/ Aramaean Orthostats from Palace Temple of the Aramaean city of Tell Halaf in northeastern Syria close to the Turkish border. The Orthostats are in a Neo Hittite style and depict mythical animals and figures that have magical properties. Pergamon Museum, Berlin Museum Inv No: OP 18,
  • 9th century BC stone Neo-Hittite/ Aramaean Orthostats from Palace Temple of the Aramaean city of Tell Halaf in northeastern Syria close to the Turkish border. The Orthostats are in a Neo Hittite style and depict mythical animals and figures that have magical properties. Pergamon Museum, Berlin Museum Inv No: OP 18,
  • 9th century BC stone Neo-Hittite/ Aramaean Orthostats from Palace Temple of the Aramaean city of Tell Halaf in northeastern Syria close to the Turkish border. The Orthostats are in a Neo Hittite style and depict mythical animals and figures that have magical properties. Pergamon Museum, Berlin Museum Inv No: OP  22,
  • 9th century BC stone Neo-Hittite/ Aramaean Orthostats from Palace Temple of the Aramaean city of Tell Halaf in northeastern Syria close to the Turkish border. The Orthostats are in a Neo Hittite style and depict mythical animals and figures that have magical properties. Pergamon Museum, Berlin Museum Inv No: OP 18,
  • 9th century BC stone Neo-Hittite/ Aramaean Orthostats from Palace Temple of the Aramaean city of Tell Halaf in northeastern Syria close to the Turkish border. The Orthostats are in a Neo Hittite style and depict mythical animals and figures that have magical properties. Pergamon Museum, Berlin Museum Inv No: OP 18,
  • 9th century BC stone Neo-Hittite/ Aramaean Orthostats from Palace Temple of the Aramaean city of Tell Halaf in northeastern Syria close to the Turkish border. The Orthostats are in a Neo Hittite style and depict mythical animals and figures that have magical properties. Pergamon Museum, Berlin Museum Inv No: OP 19,
  • 9th century BC stone Neo-Hittite/ Aramaean Orthostats from Palace Temple of the Aramaean city of Tell Halaf in northeastern Syria close to the Turkish border. The Orthostats are in a Neo Hittite style and depict mythical animals and figures that have magical properties. Pergamon Museum, Berlin Museum Inv No: OP 19,
  • 9th century BC stone Neo-Hittite/ Aramaean Orthostats from Palace Temple of the Aramaean city of Tell Halaf in northeastern Syria close to the Turkish border. The Orthostats are in a Neo Hittite style and depict mythical animals and figures that have magical properties. Pergamon Museum, Berlin Museum Inv No: OP  22,
  • 9th century BC stone Neo-Hittite/ Aramaean Orthostats from Palace Temple of the Aramaean city of Tell Halaf in northeastern Syria close to the Turkish border. The Orthostats are in a Neo Hittite style and depict mythical animals and figures that have magical properties. Pergamon Museum, Berlin Museum Inv No: OP 19,
  • 9th century BC stone Neo-Hittite/ Aramaean Orthostats from Palace Temple of the Aramaean city of Tell Halaf in northeastern Syria close to the Turkish border. The Orthostats are in a Neo Hittite style and depict mythical animals and figures that have magical properties. Pergamon Museum, Berlin Museum Inv No: OP 19,
  • 9th century BC stone Neo-Hittite/ Aramaean Orthostats from Palace Temple of the Aramaean city of Tell Halaf in northeastern Syria close to the Turkish border. The Orthostats are in a Neo Hittite style and depict mythical animals and figures that have magical properties. Pergamon Museum, Berlin Museum Inv No: OP 14,
  • 9th century BC stone Neo-Hittite/ Aramaean Orthostats from Palace Temple of the Aramaean city of Tell Halaf in northeastern Syria close to the Turkish border. The Orthostats are in a Neo Hittite style and depict mythical animals and figures that have magical properties. Pergamon Museum, Berlin Museum Inv No: OP 14,
  • 9th century BC stone Neo-Hittite/ Aramaean Orthostats from Palace Temple of the Aramaean city of Tell Halaf in northeastern Syria close to the Turkish border. The Orthostats are in a Neo Hittite style and depict mythical animals and figures that have magical properties. Pergamon Museum, Berlin Museum Inv No: OP 15
  • 9th century BC stone Neo-Hittite/ Aramaean Orthostats from Palace Temple of the Aramaean city of Tell Halaf in northeastern Syria close to the Turkish border. The Orthostats are in a Neo Hittite style and depict mythical animals and figures that have magical properties. Pergamon Museum, Berlin OP VAS 8854,
  • 9th century BC stone Neo-Hittite/ Aramaean Orthostats from Palace Temple of the Aramaean city of Tell Halaf in northeastern Syria close to the Turkish border. The Orthostats are in a Neo Hittite style and depict mythical animals and figures that have magical properties. Pergamon Museum, Berlin OP VAS 8854,
  • 9th century BC stone Neo-Hittite/ Aramaean Orthostats from Palace Temple of the Aramaean city of Tell Halaf in northeastern Syria close to the Turkish border. The Orthostats are in a Neo Hittite style and depict mythical animals and figures that have magical properties. Pergamon Museum, Berlin OP VAS 8854,
  • 9th century BC stone Neo-Hittite/ Aramaean Orthostats from Palace Temple of the Aramaean city of Tell Halaf in northeastern Syria close to the Turkish border. The Orthostats are in a Neo Hittite style and depict mythical animals and figures that have magical properties. Pergamon Museum, Berlin OP VAS 8854,
  • 9th century BC stone Neo-Hittite/ Aramaean Orthostats from Palace Temple of the Aramaean city of Tell Halaf in northeastern Syria close to the Turkish border. The Orthostats are in a Neo Hittite style and depict mythical animals and figures that have magical properties. Pergamon Museum, Berlin . Museum Inv No VAS 8841,
  • 9th century BC stone Neo-Hittite/ Aramaean Orthostats from Palace Temple of the Aramaean city of Tell Halaf in northeastern Syria close to the Turkish border. The Orthostats are in a Neo Hittite style and depict mythical animals and figures that have magical properties. Pergamon Museum, Berlin . Museum Inv No VAS 8841,
  • 9th century BC stone Neo-Hittite/ Aramaean Orthostats from Palace Temple of the Aramaean city of Tell Halaf in northeastern Syria close to the Turkish border. The Orthostats are in a Neo Hittite style and depict mythical animals and figures that have magical properties. Pergamon Museum, Berlin . Museum Inv No VAS 8841,
  • 9th century BC stone Neo-Hittite/ Aramaean Orthostats from Palace Temple of the Aramaean city of Tell Halaf in northeastern Syria close to the Turkish border. The Orthostats are in a Neo Hittite style and depict mythical animals and figures that have magical properties. Pergamon Museum, Berlin . Museum Inv No VAS 8841,
  • 9th century BC stone Neo-Hittite/ Aramaean Orthostats from Palace Temple of the Aramaean city of Tell Halaf in northeastern Syria close to the Turkish border. The Orthostats are in a Neo Hittite style and depict mythical animals and figures that have magical properties. Pergamon Museum, Berlin , Museum Inv No VAS 8852
  • 9th century BC stone Neo-Hittite/ Aramaean Orthostats from Palace Temple of the Aramaean city of Tell Halaf in northeastern Syria close to the Turkish border. The Orthostats are in a Neo Hittite style and depict mythical animals and figures that have magical properties. Pergamon Museum, Berlin , Museum Inv No VAS 8852
  • 9th century BC stone Neo-Hittite/ Aramaean Orthostats from Palace Temple of the Aramaean city of Tell Halaf in northeastern Syria close to the Turkish border. The Orthostats are in a Neo Hittite style and depict mythical animals and figures that have magical properties. Pergamon Museum, Berlin . Museum Inv No: VA  8856
  • 9th century BC stone Neo-Hittite/ Aramaean Orthostats from Palace Temple of the Aramaean city of Tell Halaf in northeastern Syria close to the Turkish border. The Orthostats are in a Neo Hittite style and depict mythical animals and figures that have magical properties. Pergamon Museum, Berlin , Museum Inv No VAS 8852
  • 9th century BC stone Neo-Hittite/ Aramaean Orthostats from Palace Temple of the Aramaean city of Tell Halaf in northeastern Syria close to the Turkish border. The Orthostats are in a Neo Hittite style and depict mythical animals and figures that have magical properties. Pergamon Museum, Berlin . Museum Inv No: VA  8856
  • 9th century BC stone Neo-Hittite/ Aramaean Orthostats from Palace Temple of the Aramaean city of Tell Halaf in northeastern Syria close to the Turkish border. The Orthostats are in a Neo Hittite style and depict mythical animals and figures that have magical properties. Pergamon Museum, Berlin. Museum Inv No: VA 8843
  • 9th century BC stone Neo-Hittite/ Aramaean Orthostats from Palace Temple of the Aramaean city of Tell Halaf in northeastern Syria close to the Turkish border. The Orthostats are in a Neo Hittite style and depict mythical animals and figures that have magical properties. Pergamon Museum, Berlin . Museum Inv No: VA  8856
  • 9th century BC stone Neo-Hittite/ Aramaean Orthostats from Palace Temple of the Aramaean city of Tell Halaf in northeastern Syria close to the Turkish border. The Orthostats are in a Neo Hittite style and depict mythical animals and figures that have magical properties. Pergamon Museum, Berlin. Museum Inv No: VA 8843
  • 9th century BC stone Neo-Hittite/ Aramaean Orthostats from Palace Temple of the Aramaean city of Tell Halaf in northeastern Syria close to the Turkish border. The Orthostats are in a Neo Hittite style and depict mythical animals and figures that have magical properties. Pergamon Museum, Berlin. Museum Inv No: VA 8843
  • 9th century BC stone Neo-Hittite/ Aramaean Orthostats from Palace Temple of the Aramaean city of Tell Halaf in northeastern Syria close to the Turkish border. The Orthostats are in a Neo Hittite style and depict mythical animals and figures that have magical properties. Pergamon Museum, Berlin . Museum Inv No: VA 8845,
  • 9th century BC stone Neo-Hittite/ Aramaean Orthostats from Palace Temple of the Aramaean city of Tell Halaf in northeastern Syria close to the Turkish border. The Orthostats are in a Neo Hittite style and depict mythical animals and figures that have magical properties. Pergamon Museum, Berlin . Museum Inv No: VA 8845,
  • 9th century BC stone Neo-Hittite/ Aramaean Orthostats from Palace Temple of the Aramaean city of Tell Halaf in northeastern Syria close to the Turkish border. The Orthostats are in a Neo Hittite style and depict mythical animals and figures that have magical properties. Pergamon Museum, Berlin . Museum Inv No: VA 8845,
  • 9th century BC stone Neo-Hittite/ Aramaean Orthostats from Palace Temple of the Aramaean city of Tell Halaf in northeastern Syria close to the Turkish border. The Orthostats are in a Neo Hittite style and depict mythical animals and figures that have magical properties. Pergamon Museum, Berlin . Museum Inv No: VA 8845,
  • 9th century BC stone Neo-Hittite/ Aramaean Orthostats from Palace Temple of the Aramaean city of Tell Halaf in northeastern Syria close to the Turkish border. The Orthostats are in a Neo Hittite style and depict mythical animals and figures that have magical properties. Pergamon Museum, Berlin . Museum Inv No: VA  8840,
  • 9th century BC stone Neo-Hittite/ Aramaean Orthostats from Palace Temple of the Aramaean city of Tell Halaf in northeastern Syria close to the Turkish border. The Orthostats are in a Neo Hittite style and depict mythical animals and figures that have magical properties. Pergamon Museum, Berlin . Museum Inv No: VA  8840,
  • 9th century BC stone Neo-Hittite/ Aramaean Orthostats from Palace Temple of the Aramaean city of Tell Halaf in northeastern Syria close to the Turkish border. The Orthostats are in a Neo Hittite style and depict mythical animals and figures that have magical properties. Pergamon Museum, Berlin . Museum Inv No: VA 8850
  • 9th century BC stone Neo-Hittite/ Aramaean Orthostats from Palace Temple of the Aramaean city of Tell Halaf in northeastern Syria close to the Turkish border. The Orthostats are in a Neo Hittite style and depict mythical animals and figures that have magical properties. Pergamon Museum, Berlin . Museum Inv No: VA 8850
  • 9th century BC stone Neo-Hittite/ Aramaean Orthostats from Palace Temple of the Aramaean city of Tell Halaf in northeastern Syria close to the Turkish border. The Orthostats are in a Neo Hittite style and depict mythical animals and figures that have magical properties. Pergamon Museum, Berlin . Museum Inv No: VA 8850
  • 9th century BC stone Neo-Hittite/ Aramaean Orthostats from Palace Temple of the Aramaean city of Tell Halaf in northeastern Syria close to the Turkish border. The Orthostats are in a Neo Hittite style and depict mythical animals and figures that have magical properties. Pergamon Museum, Berlin . Museum Inv No: VA 8850
  • 9th century BC stone Neo-Hittite/ Aramaean Orthostats from Palace Temple of the Aramaean city of Tell Halaf in northeastern Syria close to the Turkish border. The Orthostats are in a Neo Hittite style and depict mythical animals and figures that have magical properties. Pergamon Museum, Berlin . Museum Inv No: VA 8844,
  • 9th century BC stone Neo-Hittite/ Aramaean Orthostats from Palace Temple of the Aramaean city of Tell Halaf in northeastern Syria close to the Turkish border. The Orthostats are in a Neo Hittite style and depict mythical animals and figures that have magical properties. Pergamon Museum, Berlin . Museum Inv No: VA 8844,
  • 9th century BC stone Neo-Hittite/ Aramaean Orthostats from Palace Temple of the Aramaean city of Tell Halaf in northeastern Syria close to the Turkish border. The Orthostats are in a Neo Hittite style and depict mythical animals and figures that have magical properties. Pergamon Museum, Berlin . Museum Inv No: VA  8856
  • 9th century BC stone Neo-Hittite/ Aramaean Orthostats from Palace Temple of the Aramaean city of Tell Halaf in northeastern Syria close to the Turkish border. The Orthostats are in a Neo Hittite style and depict mythical animals and figures that have magical properties. Pergamon Museum, Berlin . Museum Inv No: VA 8844,
  • 9th century BC stone Neo-Hittite/ Aramaean Orthostats from Palace Temple of the Aramaean city of Tell Halaf in northeastern Syria close to the Turkish border. The Orthostats are in a Neo Hittite style and depict mythical animals and figures that have magical properties. Pergamon Museum, Berlin . Museum Inv No: VA 8844,
  • 9th century BC stone Neo-Hittite/ Aramaean Orthostats from Palace Temple of the Aramaean city of Tell Halaf in northeastern Syria close to the Turkish border. The Orthostats are in a Neo Hittite style and depict mythical animals and figures that have magical properties. Pergamon Museum, Berlin . Museum Inv No: VA  8856
  • 9th century BC stone Neo-Hittite/ Aramaean Orthostats from Palace Temple of the Aramaean city of Tell Halaf in northeastern Syria close to the Turkish border. The Orthostats are in a Neo Hittite style and depict mythical animals and figures that have magical properties. Pergamon Museum, Berlin . Museum Inv No: VA  8856
  • 9th century BC stone Neo-Hittite/ Aramaean Orthostats from Palace Temple of the Aramaean city of Tell Halaf in northeastern Syria close to the Turkish border. The Orthostats are in a Neo Hittite style and depict mythical animals and figures that have magical properties. Pergamon Museum, Berlin . Museum Inv No: VA  8856
  • 9th century BC stone Neo-Hittite/ Aramaean Orthostats from Palace Temple of the Aramaean city of Tell Halaf in northeastern Syria close to the Turkish border. The Orthostats are in a Neo Hittite style and depict mythical animals and figures that have magical properties. Pergamon Museum, Berlin
  • 9th century BC stone Neo-Hittite/ Aramaean Orthostats from Palace Temple of the Aramaean city of Tell Halaf in northeastern Syria close to the Turkish border. The Orthostats are in a Neo Hittite style and depict mythical animals and figures that have magical properties. Pergamon Museum, Berlin
  • 9th century BC stone Neo-Hittite/ Aramaean Orthostats from Palace Temple of the Aramaean city of Tell Halaf in northeastern Syria close to the Turkish border. The Orthostats are in a Neo Hittite style and depict mythical animals and figures that have magical properties. Pergamon Museum, Berlin
  • 9th century BC stone Neo-Hittite/ Aramaean Orthostats from Palace Temple of the Aramaean city of Tell Halaf in northeastern Syria close to the Turkish border. The Orthostats are in a Neo Hittite style and depict mythical animals and figures that have magical properties. Pergamon Museum, Berlin
  • 9th century BC stone Neo-Hittite/ Aramaean Orthostats from Palace Temple of the Aramaean city of Tell Halaf in northeastern Syria close to the Turkish border. The Orthostats are in a Neo Hittite style and depict mythical animals and figures that have magical properties. Pergamon Museum, Berlin
  • 9th century BC stone Neo-Hittite/ Aramaean Orthostats from Palace Temple of the Aramaean city of Tell Halaf in northeastern Syria close to the Turkish border. The Orthostats are in a Neo Hittite style and depict mythical animals and figures that have magical properties. Pergamon Museum, Berlin
  • 9th century BC stone Neo-Hittite/ Aramaean Orthostats from Palace Temple of the Aramaean city of Tell Halaf in northeastern Syria close to the Turkish border. The Orthostats are in a Neo Hittite style and depict mythical animals and figures that have magical properties. Pergamon Museum, Berlin
  • 9th century BC stone Neo-Hittite/ Aramaean Orthostats from Palace Temple of the Aramaean city of Tell Halaf in northeastern Syria close to the Turkish border. The Orthostats are in a Neo Hittite style and depict mythical animals and figures that have magical properties. Pergamon Museum, Berlin
  • 9th century BC stone Neo-Hittite/ Aramaean Orthostats from Palace Temple of the Aramaean city of Tell Halaf in northeastern Syria close to the Turkish border. The Orthostats are in a Neo Hittite style and depict mythical animals and figures that have magical properties. Pergamon Museum, Berlin
  • 9th century BC stone Neo-Hittite/ Aramaean Orthostats from Palace Temple of the Aramaean city of Tell Halaf in northeastern Syria close to the Turkish border. The Orthostats are in a Neo Hittite style and depict mythical animals and figures that have magical properties. Pergamon Museum, Berlin
  • 10th - 8th century BC stone Neo-Hittite/ Aramaean Orthostats from the city of Sam'al (Hittite: Yadiya) near Zincirli Höyük in the Anti-Taurus Mountains of modern Turkey. The Orthostats are in a Neo Hittite style and depict mythical animals and figures that have magical properties. Pergamon Museum, Berlin
  • 10th - 8th century BC stone Neo-Hittite/ Aramaean Orthostats from the city of Sam'al (Hittite: Yadiya) near Zincirli Höyük in the Anti-Taurus Mountains of modern Turkey. The Orthostats are in a Neo Hittite style and depict mythical animals and figures that have magical properties. Pergamon Museum, Berlin
  • 10th - 8th century BC stone Neo-Hittite/ Aramaean Orthostats from the city of Sam'al (Hittite: Yadiya) near Zincirli Höyük in the Anti-Taurus Mountains of modern Turkey. The Orthostats are in a Neo Hittite style and depict mythical animals and figures that have magical properties. Pergamon Museum, Berlin
  • 10th - 8th century BC stone Neo-Hittite/ Aramaean Orthostats from the city of Sam'al (Hittite: Yadiya) near Zincirli Höyük in the Anti-Taurus Mountains of modern Turkey. The Orthostats are in a Neo Hittite style and depict mythical animals and figures that have magical properties. Pergamon Museum, Berlin
  • 10th - 8th century BC stone Neo-Hittite/ Aramaean Orthostats from the city of Sam'al (Hittite: Yadiya) near Zincirli Höyük in the Anti-Taurus Mountains of modern Turkey. The Orthostats are in a Neo Hittite style and depict mythical animals and figures that have magical properties. Pergamon Museum, Berlin
  • 10th - 8th century BC stone Neo-Hittite/ Aramaean Orthostats from the city of Sam'al (Hittite: Yadiya) near Zincirli Höyük in the Anti-Taurus Mountains of modern Turkey. The Orthostats are in a Neo Hittite style and depict mythical animals and figures that have magical properties. Pergamon Museum, Berlin
  • 10th - 8th century BC stone Neo-Hittite/ Aramaean Orthostats from the city of Sam'al (Hittite: Yadiya) near Zincirli Höyük in the Anti-Taurus Mountains of modern Turkey. The Orthostats are in a Neo Hittite style and depict mythical animals and figures that have magical properties. Pergamon Museum, Berlin
  • 10th - 8th century BC stone Neo-Hittite/ Aramaean Orthostats from the city of Sam'al (Hittite: Yadiya) near Zincirli Höyük in the Anti-Taurus Mountains of modern Turkey. The Orthostats are in a Neo Hittite style and depict mythical animals and figures that have magical properties. Pergamon Museum, Berlin
  • 10th - 8th century BC stone Neo-Hittite/ Aramaean Orthostats from the city of Sam'al (Hittite: Yadiya) near Zincirli Höyük in the Anti-Taurus Mountains of modern Turkey. The Orthostats are in a Neo Hittite style and depict mythical animals and figures that have magical properties. Pergamon Museum, Berlin
  • 10th - 8th century BC stone Neo-Hittite/ Aramaean Orthostats from the city of Sam'al (Hittite: Yadiya) near Zincirli Höyük in the Anti-Taurus Mountains of modern Turkey. The Orthostats are in a Neo Hittite style and depict mythical animals and figures that have magical properties. Pergamon Museum, Berlin
  • 10th - 8th century BC stone Neo-Hittite/ Aramaean Orthostats from the city of Sam'al (Hittite: Yadiya) near Zincirli Höyük in the Anti-Taurus Mountains of modern Turkey. The Orthostats are in a Neo Hittite style and depict mythical animals and figures that have magical properties. Pergamon Museum, Berlin
  • 10th - 8th century BC stone Neo-Hittite/ Aramaean Orthostats from the city of Sam'al (Hittite: Yadiya) near Zincirli Höyük in the Anti-Taurus Mountains of modern Turkey. The Orthostats are in a Neo Hittite style and depict mythical animals and figures that have magical properties. Pergamon Museum, Berlin
  • 10th - 8th century BC stone Neo-Hittite/ Aramaean Orthostats from the city of Sam'al (Hittite: Yadiya) near Zincirli Höyük in the Anti-Taurus Mountains of modern Turkey. The Orthostats are in a Neo Hittite style and depict mythical animals and figures that have magical properties. Pergamon Museum, Berlin
  • 10th - 8th century BC stone Neo-Hittite/ Aramaean Orthostats from the city of Sam'al (Hittite: Yadiya) near Zincirli Höyük in the Anti-Taurus Mountains of modern Turkey. The Orthostats are in a Neo Hittite style and depict mythical animals and figures that have magical properties. Pergamon Museum, Berlin

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