• The Neo Classic City Hall of Ermoupolis, Miaoulis Square, Syros [ ????? ] , Greek Cyclades Islands
  • The Neo Classic City Hall of Ermoupolis, Miaoulis Square, Syros [ ????? ] , Greek Cyclades Islands
  • The Neo Classic City Hall of Ermoupolis, Miaoulis Square, Syros [ ????? ] , Greek Cyclades Islands
  • The Neo Classic City Hall of Ermoupolis, Miaoulis Square and the Greek Orthodox Church of Anastasis built in 1870 on the top of Vrodado Hill,  Ermoupolis, Syros [ ????? ] , Greek Cyclades Islands
  • The Neo Classic City Hall of Ermoupolis, Miaoulis Square, Syros [ ????? ] , Greek Cyclades Islands
  • Art Nouveau (Sezession) City Hall designed by Lechner Ödön with Zolnay tiles, Hungary Kecskemét
  • Bell tower of the Art Nouveau (Sezession) City Hall designed by Lechner Ödön with Zolnay tiles, Hungary Kecskemét
  • Art Nouveau (Sezession) City Hall designed by Lechner Ödön with Zolnay tiles, Hungary Kecskemét
  • Art Nouveau (Sezession) City Hall designed by Lechner Ödön with Zolnay tiles, Hungary Kecskemét
  • Art Nouveau (Sezession) City Hall designed by Lechner Ödön with Zolnay tiles, Hungary Kecskemét
  • Art Nouveau (Sezession) City Hall designed by Lechner Ödön with Zolnay tiles, Hungary Kecskemét
  • Art Nouveau (Sezession) City Hall designed by Lechner Ödön with Zolnay tiles, Hungary Kecskemét
  • Art Nouveau (Sezession) City Hall designed by Lechner Ödön with Zolnay tiles, Hungary Kecskemét
  • Art Nouveau (Sezession) City Hall designed by Lechner Ödön with Zolnay tiles, Hungary Kecskemét
  • Art Nouveau (Sezession) City Hall designed by Lechner Ödön with Zolnay tiles, Hungary Kecskemét
  • Art Nouveau (Sezession) City Hall designed by Lechner Ödön with Zolnay tiles, Hungary Kecskemét
  • Art Nouveau (Sezession) City Hall designed by Lechner Ödön with Zolnay tiles, Hungary Kecskemét
  • Art Nouveau (Sezession) City Hall designed by Lechner Ödön with Zolnay tiles, Hungary Kecskemét
  • Art Nouveau (Sezession) City Hall designed by Lechner Ödön with Zolnay tiles, Hungary Kecskemét
  • Art Nouveau (Sezession) City Hall designed by Lechner Ödön with Zolnay tiles, Hungary Kecskemét
  • Art Nouveau (Sezession) City Hall designed by Lechner Ödön with Zolnay tiles, Hungary Kecskemét
  • Art Nouveau (Sezession) City Hall designed by Lechner Ödön with Zolnay tiles, Hungary Kecskemét
  • Art Nouveau (Sezession) City Hall designed by Lechner Ödön with Zolnay tiles, Hungary Kecskemét
  • Art Nouveau (Sezession) City Hall designed by Lechner Ödön with Zolnay tiles, Hungary Kecskemét
  • Art Nouveau (Sezession) City Hall designed by Lechner Ödön with Zolnay tiles, Hungary Kecskemét
  • Architectural details from the Art Nouveau (Sezession) City Hall designed by Lechner Ödön with Zolnay tiles, Hungary Kecskemét
  • Architectural details from the Art Nouveau (Sezession) City Hall designed by Lechner Ödön with Zolnay tiles, Hungary Kecskemét
  • Architectural details from the Art Nouveau (Sezession) City Hall designed by Lechner Ödön with Zolnay tiles, Hungary Kecskemét
  • Architectural details from the Art Nouveau (Sezession) City Hall designed by Lechner Ödön with Zolnay tiles, Hungary Kecskemét
  • Art Nouveau (Sezession) City Hall designed by Lechner Ödön with Zolnay tiles at night, Hungary Kecskemét
  • "Justice" from the Art Nouveau (Sezession) City Hall designed by Lechner Ödön with Zolnay tiles, Hungary Kecskemét
  • Architectural details from the Art Nouveau (Sezession) City Hall designed by Lechner Ödön with Zolnay tiles, Hungary Kecskemét
  • Art Nouveau (Sezession) City Hall designed by Lechner Ödön with Zolnay tiles, Hungary Kecskemét
  • Art Nouveau (Sezession) City Hall designed by Lechner Ödön with Zolnay tiles, Hungary Kecskemét
  • Art Nouveau (Sezession) City Hall designed by Lechner Ödön with Zolnay tiles, Hungary Kecskemét
  • Art Nouveau (Sezession) City Hall designed by Lechner Ödön with Zolnay tiles, Hungary Kecskemét
  • Art Nouveau (Sezession) City Hall designed by Lechner Ödön with Zolnay tiles, Hungary Kecskemét
  • Art Nouveau (Sezession) City Hall designed by Lechner Ödön with Zolnay tiles, Hungary Kecskemét
  • Art Nouveau (Sezession) City Hall designed by Lechner Ödön with Zolnay tiles, Hungary Kecskemét
  • Main square with Town Hall . Kecskemét , Hungary
  • The Neo Classic City Hall of Ermoupolis, Miaoulis Square, Syros [ ????? ] , Greek Cyclades Islands
  • The Neo Classic City Hall of Ermoupolis, Miaoulis Square and the Greek Orthodox Church of Anastasis built in 1870 on the top of Vrodado Hill,  Ermoupolis, Syros [ ????? ] , Greek Cyclades Islands
  • The Neo Classic City Hall of Ermoupolis, Miaoulis Square and the Greek Orthodox Church of Anastasis built in 1870 on the top of Vrodado Hill,  Ermoupolis, Syros [ ????? ] , Greek Cyclades Islands
  • Statue of  Andreas Miaoulis, celebrated admiral of the Greek War of Independence, and the Neo Classic City Hall of Ermoupolis, Miaoulis Square, Syros [ ????? ] , Greek Cyclades Islands
  • Statue of  Andreas Miaoulis, celebrated admiral of the Greek War of Independence, and the Neo Classic City Hall of Ermoupolis, Miaoulis Square, Syros [ ????? ] , Greek Cyclades Islands
  • Statue of  Andreas Miaoulis, celebrated admiral of the Greek War of Independence, and the Neo Classic City Hall of Ermoupolis, Miaoulis Square, Syros [ ????? ] , Greek Cyclades Islands
  • The Neo Classic City Hall of Ermoupolis, Miaoulis Square, Syros [ ????? ] , Greek Cyclades Islands
  • The Neo Classic City Hall of Ermoupolis, Miaoulis Square, Syros [ ????? ] , Greek Cyclades Islands
  • The Neo Classic City Hall of Ermoupolis, Miaoulis Square, Syros [ ????? ] , Greek Cyclades Islands
  • The Neo Classic City Hall of Ermoupolis, Miaoulis Square, Syros [ ????? ] , Greek Cyclades Islands
  • The Neo Classic City Hall of Ermoupolis, Miaoulis Square, Syros [ ????? ] , Greek Cyclades Islands
  • The Neo Classic City Hall of Ermoupolis, Miaoulis Square, Syros [ ????? ] , Greek Cyclades Islands
  • The Neo Classic City Hall of Ermoupolis, Miaoulis Square, Syros [ ????? ] , Greek Cyclades Islands
  • The Neo Classic City Hall of Ermoupolis, Miaoulis Square, Syros [ ????? ] , Greek Cyclades Islands
  • The Neo Classic City Hall of Ermoupolis, Miaoulis Square, Syros [ ????? ] , Greek Cyclades Islands
  • The Neo Classic City Hall of Ermoupolis, Miaoulis Square, Syros [ ????? ] , Greek Cyclades Islands
  • The Neo Classic City Hall of Ermoupolis, Miaoulis Square, Syros [ ????? ] , Greek Cyclades Islands
  • Szeged 18th century City Hall, Szechenyi Square, Hungary
  • Szeged 18th century City Hall, Szechenyi Square, Hungary
  • Szeged 18th century City Hall, Szechenyi Square, Hungary
  • Szeged 18th century City Hall, Szechenyi Square, Hungary
  • Szeged 18th century City Hall, Szechenyi Square, Hungary
  • Picture & image of the Red Hall interior, Uplistsikhe (Lords Fortress) troglodyte cave city, near Gori, Shida Kartli, Georgia. UNESCO World Heritage Tentative List<br />
<br />
Inhabited from the early Iron age to the late middle ages Uplistsikhe cave city eas, during the Roman & Hellenistic period, home to around 20,000 people.
  • Picture & image of the interior of the one pillar hall Uplistsikhe (Lords Fortress) troglodyte cave city, near Gori, Shida Kartli, Georgia. UNESCO World Heritage Tentative List<br />
<br />
Inhabited from the early Iron age to the late middle ages Uplistsikhe cave city eas, during the Roman & Hellenistic period, home to around 20,000 people.
  • Picture & image of the interior of the one pillar hall Uplistsikhe (Lords Fortress) troglodyte cave city, near Gori, Shida Kartli, Georgia. UNESCO World Heritage Tentative List<br />
<br />
Inhabited from the early Iron age to the late middle ages Uplistsikhe cave city eas, during the Roman & Hellenistic period, home to around 20,000 people.
  • Picture & image of the interior of the one pillar hall Uplistsikhe (Lords Fortress) troglodyte cave city, near Gori, Shida Kartli, Georgia. UNESCO World Heritage Tentative List<br />
<br />
Inhabited from the early Iron age to the late middle ages Uplistsikhe cave city eas, during the Roman & Hellenistic period, home to around 20,000 people.
  • Picture & image of the interior of the one pillar hall Uplistsikhe (Lords Fortress) troglodyte cave city, near Gori, Shida Kartli, Georgia. UNESCO World Heritage Tentative List<br />
<br />
Inhabited from the early Iron age to the late middle ages Uplistsikhe cave city eas, during the Roman & Hellenistic period, home to around 20,000 people.
  • Picture & image of rock hall interiors with decorated ceilings Uplistsikhe (Lords Fortress) troglodyte cave city, near Gori, Shida Kartli, Georgia. UNESCO World Heritage Tentative List<br />
<br />
Inhabited from the early Iron age to the late middle ages Uplistsikhe cave city eas, during the Roman & Hellenistic period, home to around 20,000 people.
  • Picture & image of rock hall interiors with decorated ceilings Uplistsikhe (Lords Fortress) troglodyte cave city, near Gori, Shida Kartli, Georgia. UNESCO World Heritage Tentative List<br />
<br />
Inhabited from the early Iron age to the late middle ages Uplistsikhe cave city eas, during the Roman & Hellenistic period, home to around 20,000 people.
  • Picture & image of the interior of the one pillar hall Uplistsikhe (Lords Fortress) troglodyte cave city, near Gori, Shida Kartli, Georgia. UNESCO World Heritage Tentative List<br />
<br />
Inhabited from the early Iron age to the late middle ages Uplistsikhe cave city eas, during the Roman & Hellenistic period, home to around 20,000 people.
  • Picture & image of Queen Tamar's Hall interior, Uplistsikhe (Lords Fortress) troglodyte cave city, near Gori, Shida Kartli, Georgia. UNESCO World Heritage Tentative List<br />
<br />
Inhabited from the early Iron age to the late middle ages Uplistsikhe cave city eas, during the Roman & Hellenistic period, home to around 20,000 people.
  • Picture & image of Queen Tamar's Hall interior, Uplistsikhe (Lords Fortress) troglodyte cave city, near Gori, Shida Kartli, Georgia. UNESCO World Heritage Tentative List<br />
<br />
Inhabited from the early Iron age to the late middle ages Uplistsikhe cave city eas, during the Roman & Hellenistic period, home to around 20,000 people.
  • Picture & image of Queen Tamar's Hall, Uplistsikhe (Lords Fortress) troglodyte cave city, near Gori, Shida Kartli, Georgia. UNESCO World Heritage Tentative List<br />
<br />
Inhabited from the early Iron age to the late middle ages Uplistsikhe cave city eas, during the Roman & Hellenistic period, home to around 20,000 people.
  • Picture & image of Queen Tamar's Hall, Uplistsikhe (Lords Fortress) troglodyte cave city, near Gori, Shida Kartli, Georgia. UNESCO World Heritage Tentative List<br />
<br />
Inhabited from the early Iron age to the late middle ages Uplistsikhe cave city eas, during the Roman & Hellenistic period, home to around 20,000 people.
  • Picture & image of Queen Tamar's Hall interior, Uplistsikhe (Lords Fortress) troglodyte cave city, near Gori, Shida Kartli, Georgia. UNESCO World Heritage Tentative List<br />
<br />
Inhabited from the early Iron age to the late middle ages Uplistsikhe cave city eas, during the Roman & Hellenistic period, home to around 20,000 people.
  • Picture & image of Queen Tamar's Hall, Uplistsikhe (Lords Fortress) troglodyte cave city, near Gori, Shida Kartli, Georgia. UNESCO World Heritage Tentative List<br />
<br />
Inhabited from the early Iron age to the late middle ages Uplistsikhe cave city eas, during the Roman & Hellenistic period, home to around 20,000 people.
  • Picture & image of Queen Tamar's Hall, Uplistsikhe (Lords Fortress) troglodyte cave city, near Gori, Shida Kartli, Georgia. UNESCO World Heritage Tentative List<br />
<br />
Inhabited from the early Iron age to the late middle ages Uplistsikhe cave city eas, during the Roman & Hellenistic period, home to around 20,000 people.
  • Picture & image of Queen Tamar's Hall, Uplistsikhe (Lords Fortress) troglodyte cave city, near Gori, Shida Kartli, Georgia. UNESCO World Heritage Tentative List<br />
<br />
Inhabited from the early Iron age to the late middle ages Uplistsikhe cave city eas, during the Roman & Hellenistic period, home to around 20,000 people.
  • Picture & image of Queen Tamar's Hall, Uplistsikhe (Lords Fortress) troglodyte cave city, near Gori, Shida Kartli, Georgia. UNESCO World Heritage Tentative List<br />
<br />
Inhabited from the early Iron age to the late middle ages Uplistsikhe cave city eas, during the Roman & Hellenistic period, home to around 20,000 people.
  • The Romantic style  Vigado Concert Hall (Vigadó) designed by Frigyes Feszl, Budapest, Hungary
  • The Romantic style  Vigado Concert Hall (Vigadó) designed by Frigyes Feszl, Budapest, Hungary
  • The Romantic style  Vigado Concert Hall (Vigadó) designed by Frigyes Feszl, Budapest, Hungary
  • The Romantic style  Vigado Concert Hall (Vigadó) designed by Frigyes Feszl, Budapest, Hungary
  • The Romantic style  Vigado Concert Hall (Vigadó) designed by Frigyes Feszl, Budapest, Hungary
  • The Romantic style  Vigado Concert Hall (Vigadó) designed by Frigyes Feszl, Budapest, Hungary
  • The Romantic style  Vigado Concert Hall (Vigadó) designed by Frigyes Feszl, Budapest, Hungary
  • The Romantic style  Vigado Concert Hall (Vigadó) designed by Frigyes Feszl, Budapest, Hungary
  • The Romantic style  Vigado Concert Hall (Vigadó) designed by Frigyes Feszl, Budapest, Hungary
  • Entrance Hall roof of the largest medicinal thermal baths in Europe. The Neo baroque Szechenyi baths, City Park, budapest, Hungary
  • Entrance Hall roof of the largest medicinal thermal baths in Europe. The Neo baroque Szechenyi baths, City Park, budapest, Hungary
  • Entrance Hall roof of the largest medicinal thermal baths in Europe. The Neo baroque Szechenyi baths, City Park, budapest, Hungary
  • The Town Hall - Gyor ( Gy?r ) Hungary
  • The Town Hall - Gyor ( Gy?r ) Hungary
  • The Town Hall - Gyor ( Gy?r ) Hungary
  • The Town Hall - Gyor ( Gy?r ) Hungary
  • The Town Hall - Gyor ( Gy?r ) Hungary
  • The Town Hall - Gyor ( Gy?r ) Hungary
  • Exterior of the Great Market Hall ( Nagycsarnok) , F?vám Tér, Budapest, Hungary
  • Exterior of the Great Market Hall ( Nagycsarnok) , F?vám Tér, Budapest, Hungary
  • Exterior of the Great Market Hall ( Nagycsarnok) , F?vám Tér, Budapest, Hungary
  • The Fire Tower (T?ztorony) with the Town Hall - Sopron, Hungary
  • The Fire Tower (T?ztorony) with the Town Hall - Sopron, Hungary
  • The Fire Tower (T?ztorony) with the Town Hall - Sopron, Hungary
  • The Fire Tower (T?ztorony) with the Town Hall - Sopron, Hungary
  • The Fire Tower (T?ztorony) with the Town Hall - Sopron, Hungary
  • The Fire Tower (T?ztorony) with the Town Hall - Sopron, Hungary
  • The Fire Tower (T?ztorony) with the Town Hall - Sopron, Hungary
  • The Fire Tower (T?ztorony) with the Town Hall - Sopron, Hungary
  • The Fire Tower (T?ztorony) with the Town Hall - Sopron, Hungary
  • The Fire Tower (T?ztorony) with the Town Hall - Sopron, Hungary
  • The Fire Tower (T?ztorony) with the Town Hall - Sopron, Hungary
  • The Fire Tower (T?ztorony) with the Town Hall - Sopron, Hungary
  • County Hall - ( Gy?r )  Gyor Hungary
  • County Hall - ( Gy?r )  Gyor Hungary
  • Old Baoroque Town Hall - ( Gy?r )  Gyor Hungary
  • The so called twin towers of Sangimignano built in the 13th century as defensive towers and also to show prestige and wealth. The Council of San Gimignano ruled that no tower should be built higher than that of the town Hall of San Gimignano so this family built two towers to be ahead of its opposition. A UNESCO World Heritage Site. San Gimignano; Tuscany Italy
  • The so called twin towers of Sangimignano built in the 13th century as defensive towers and also to show prestige and wealth. The Council of San Gimignano ruled that no tower should be built higher than that of the town Hall of San Gimignano so this family built two towers to be ahead of its opposition. A UNESCO World Heritage Site. San Gimignano; Tuscany Italy
  • The entrance hall of Art Nouveau Museum of Applied Arts with Zolnay tiles & ceramic hand rails. Budapest Hungary
  • The entrance hall of Art Nouveau Museum of Applied Arts with Zolnay tiles & ceramic hand rails. Budapest Hungary
  • The entrance hall of Art Nouveau Museum of Applied Arts with Zolnay tiles & ceramic hand rails. Budapest Hungary
  • The entrance hall of Art Nouveau Museum of Applied Arts with Zolnay tiles & ceramic hand rails. Budapest Hungary
  • The so called twin towers of Sangimignano built in the 13th century as defensive towers and also to show prestige and wealth. The Council of San Gimignano ruled that no tower should be built higher than that of the town Hall of San Gimignano so this family built two towers to be ahead of its opposition. A UNESCO World Heritage Site. San Gimignano; Tuscany Italy
  • The so called twin towers of Sangimignano built in the 13th century as defensive towers and also to show prestige and wealth. The Council of San Gimignano ruled that no tower should be built higher than that of the town Hall of San Gimignano so this family built two towers to be ahead of its opposition. A UNESCO World Heritage Site. San Gimignano; Tuscany Italy
  • The so called twin towers of Sangimignano built in the 13th century as defensive towers and also to show prestige and wealth. The Council of San Gimignano ruled that no tower should be built higher than that of the town Hall of San Gimignano so this family built two towers to be ahead of its opposition. A UNESCO World Heritage Site. San Gimignano; Tuscany Italy
  • The so called twin towers of Sangimignano built in the 13th century as defensive towers and also to show prestige and wealth. The Council of San Gimignano ruled that no tower should be built higher than that of the town Hall of San Gimignano so this family built two towers to be ahead of its opposition. A UNESCO World Heritage Site. San Gimignano; Tuscany Italy
  • The entrance hall of Art Nouveau Museum of Applied Arts with Zolnay tiles & ceramic hand rails. Budapest Hungary
  • The entrance hall of Art Nouveau Museum of Applied Arts with Zolnay tiles & ceramic hand rails. Budapest Hungary
  • The entrance hall of Art Nouveau Museum of Applied Arts with Zolnay tiles & ceramic hand rails. Budapest Hungary
  • The entrance hall of Art Nouveau Museum of Applied Arts with Zolnay tiles & ceramic hand rails. Budapest Hungary
  • The entrance hall of Art Nouveau Museum of Applied Arts with Zolnay tiles & ceramic hand rails. Budapest Hungary
  • The entrance hall of Art Nouveau Museum of Applied Arts with Zolnay tiles & ceramic hand rails. Budapest Hungary
  • Picture & image of cave dwellings, Uplistsikhe (Lords Fortress) troglodyte cave city, near Gori, Shida Kartli, Georgia. UNESCO World Heritage Tentative List<br />
<br />
Inhabited from the early Iron age to the late middle ages Uplistsikhe cave city eas, during the Roman & Hellenistic period, home to around 20,000 people.
  • Odeon (Concert-hall) seating  around 1700 people. It was used also as the Bouleuterion for the meetings of the Senate and remained in this form until the early fifth century.<br />
<br />
Aphrodisias Archaeological Site, Aydin Province, Turkey.
  • Odeon (Concert-hall) seating  around 1700 people. It was used also as the Bouleuterion for the meetings of the Senate and remained in this form until the early fifth century.<br />
<br />
Aphrodisias Archaeological Site, Aydin Province, Turkey.
  • Gothic painted Panel Virgin of the "Consellers" by Lluis Dalmau. Tempera and gold leaf on wood. Date 1443-1445. Dimesions 316 x 312.5 x 32.5 cm. From the altar of the chapel of Barcelona City Hall. <br />
The prestige attached to Burgundian courtly culture and the painter Jan van Eyck explain why in 1431 King Alfons the Magnanimous sent his official painter, the Valencian Lluís Dalmau, to Flanders, to learn the new realist language at first hand. In 1443, Dalmau was commissioned to paint this altarpiece for the chapel of the City Hall. This work was a breakthrough in Catalonia on account of the format, the technique used, as it was painted in oil, and the skilful illusionism of a figurative space in which that year's five councillors, painted from life, are represented on the same scale as the Virgin and the Saints. National Museum of Catalan Art, Barcelona, Spain, inv no: 015938-000
  • Gothic painted Panel Virgin of the "Consellers" by Lluis Dalmau. Tempera and gold leaf on wood. Date 1443-1445. Dimesions 316 x 312.5 x 32.5 cm. From the altar of the chapel of Barcelona City Hall. <br />
The prestige attached to Burgundian courtly culture and the painter Jan van Eyck explain why in 1431 King Alfons the Magnanimous sent his official painter, the Valencian Lluís Dalmau, to Flanders, to learn the new realist language at first hand. In 1443, Dalmau was commissioned to paint this altarpiece for the chapel of the City Hall. This work was a breakthrough in Catalonia on account of the format, the technique used, as it was painted in oil, and the skilful illusionism of a figurative space in which that year's five councillors, painted from life, are represented on the same scale as the Virgin and the Saints. National Museum of Catalan Art, Barcelona, Spain, inv no: 015938-000
  • Gothic painted Panel Virgin of the "Consellers" by Lluis Dalmau. Tempera and gold leaf on wood. Date 1443-1445. Dimesions 316 x 312.5 x 32.5 cm. From the altar of the chapel of Barcelona City Hall. <br />
The prestige attached to Burgundian courtly culture and the painter Jan van Eyck explain why in 1431 King Alfons the Magnanimous sent his official painter, the Valencian Lluís Dalmau, to Flanders, to learn the new realist language at first hand. In 1443, Dalmau was commissioned to paint this altarpiece for the chapel of the City Hall. This work was a breakthrough in Catalonia on account of the format, the technique used, as it was painted in oil, and the skilful illusionism of a figurative space in which that year's five councillors, painted from life, are represented on the same scale as the Virgin and the Saints. National Museum of Catalan Art, Barcelona, Spain, inv no: 015938-000
  • Gothic painted Panel Virgin of the "Consellers" by Lluis Dalmau. Tempera and gold leaf on wood. Date 1443-1445. Dimesions 316 x 312.5 x 32.5 cm. From the altar of the chapel of Barcelona City Hall. <br />
The prestige attached to Burgundian courtly culture and the painter Jan van Eyck explain why in 1431 King Alfons the Magnanimous sent his official painter, the Valencian Lluís Dalmau, to Flanders, to learn the new realist language at first hand. In 1443, Dalmau was commissioned to paint this altarpiece for the chapel of the City Hall. This work was a breakthrough in Catalonia on account of the format, the technique used, as it was painted in oil, and the skilful illusionism of a figurative space in which that year's five councillors, painted from life, are represented on the same scale as the Virgin and the Saints. National Museum of Catalan Art, Barcelona, Spain, inv no: 015938-000
  • Gothic painted Panel Virgin of the "Consellers" by Lluis Dalmau. Tempera and gold leaf on wood. Date 1443-1445. Dimesions 316 x 312.5 x 32.5 cm. From the altar of the chapel of Barcelona City Hall. <br />
The prestige attached to Burgundian courtly culture and the painter Jan van Eyck explain why in 1431 King Alfons the Magnanimous sent his official painter, the Valencian Lluís Dalmau, to Flanders, to learn the new realist language at first hand. In 1443, Dalmau was commissioned to paint this altarpiece for the chapel of the City Hall. This work was a breakthrough in Catalonia on account of the format, the technique used, as it was painted in oil, and the skilful illusionism of a figurative space in which that year's five councillors, painted from life, are represented on the same scale as the Virgin and the Saints. National Museum of Catalan Art, Barcelona, Spain, inv no: 015938-000
  • Gothic painted Panel Virgin of the "Consellers" by Lluis Dalmau. Tempera and gold leaf on wood. Date 1443-1445. Dimesions 316 x 312.5 x 32.5 cm. From the altar of the chapel of Barcelona City Hall. <br />
The prestige attached to Burgundian courtly culture and the painter Jan van Eyck explain why in 1431 King Alfons the Magnanimous sent his official painter, the Valencian Lluís Dalmau, to Flanders, to learn the new realist language at first hand. In 1443, Dalmau was commissioned to paint this altarpiece for the chapel of the City Hall. This work was a breakthrough in Catalonia on account of the format, the technique used, as it was painted in oil, and the skilful illusionism of a figurative space in which that year's five councillors, painted from life, are represented on the same scale as the Virgin and the Saints. National Museum of Catalan Art, Barcelona, Spain, inv no: 015938-000
  • Gothic painted Panel Virgin of the "Consellers" by Lluis Dalmau. Tempera and gold leaf on wood. Date 1443-1445. Dimesions 316 x 312.5 x 32.5 cm. From the altar of the chapel of Barcelona City Hall. <br />
The prestige attached to Burgundian courtly culture and the painter Jan van Eyck explain why in 1431 King Alfons the Magnanimous sent his official painter, the Valencian Lluís Dalmau, to Flanders, to learn the new realist language at first hand. In 1443, Dalmau was commissioned to paint this altarpiece for the chapel of the City Hall. This work was a breakthrough in Catalonia on account of the format, the technique used, as it was painted in oil, and the skilful illusionism of a figurative space in which that year's five councillors, painted from life, are represented on the same scale as the Virgin and the Saints. National Museum of Catalan Art, Barcelona, Spain, inv no: 015938-000
  • Gothic painted Panel Virgin of the "Consellers" by Lluis Dalmau. Tempera and gold leaf on wood. Date 1443-1445. Dimesions 316 x 312.5 x 32.5 cm. From the altar of the chapel of Barcelona City Hall. <br />
The prestige attached to Burgundian courtly culture and the painter Jan van Eyck explain why in 1431 King Alfons the Magnanimous sent his official painter, the Valencian Lluís Dalmau, to Flanders, to learn the new realist language at first hand. In 1443, Dalmau was commissioned to paint this altarpiece for the chapel of the City Hall. This work was a breakthrough in Catalonia on account of the format, the technique used, as it was painted in oil, and the skilful illusionism of a figurative space in which that year's five councillors, painted from life, are represented on the same scale as the Virgin and the Saints. National Museum of Catalan Art, Barcelona, Spain, inv no: 015938-000

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