• steps amd paths leading to the Phrygian water cistern of Midas city cut deep into the underground rock. 8th - 6th century BC . Midas City, Yazilikaya, Eskisehir, Turkey.
  • steps amd paths leading to the Phrygian water cistern of Midas city cut deep into the underground rock. 8th - 6th century BC . Midas City, Yazilikaya, Eskisehir, Turkey.
  • steps amd paths leading to the Phrygian water cistern of Midas city cut deep into the underground rock. 8th - 6th century BC . Midas City, Yazilikaya, Eskisehir, Turkey.
  • Close up of Phrygian rock tombs cut into the rocks faces protecting the citadel of Midas . From the 8th century BC . Midas City, Yazilikaya, Eskisehir, Turkey.<br />
<br />
The earliest Phrygian settlement here began in the last quarter of the 8th century BC. Even after the Phrygian kingdom collapsed politically, the city was not abandoned and the Phrygian rock structures and tombs were conserved, with some additions and changes made.in the Persian, Hellenistic, Roman and Byzantine periods.
  • Close up of Phrygian rock tombs cut into the rocks faces protecting the citadel of Midas . From the 8th century BC . Midas City, Yazilikaya, Eskisehir, Turkey.<br />
<br />
The earliest Phrygian settlement here began in the last quarter of the 8th century BC. Even after the Phrygian kingdom collapsed politically, the city was not abandoned and the Phrygian rock structures and tombs were conserved, with some additions and changes made.in the Persian, Hellenistic, Roman and Byzantine periods.
  • Phrygian and later rock tombs cut into the rocks faces protecting the citadel of Midas . From the 8th century BC . Midas City, Yazilikaya, Eskisehir, Turkey.<br />
<br />
The earliest Phrygian settlement here began in the last quarter of the 8th century BC. Even after the Phrygian kingdom collapsed politically, the city was not abandoned and the Phrygian rock structures and tombs were conserved, with some additions and changes made.in the Persian, Hellenistic, Roman and Byzantine periods.
  • Phrygian and later rock tombs cut into the rocks faces protecting the citadel of Midas . From the 8th century BC . Midas City, Yazilikaya, Eskisehir, Turkey.<br />
<br />
The earliest Phrygian settlement here began in the last quarter of the 8th century BC. Even after the Phrygian kingdom collapsed politically, the city was not abandoned and the Phrygian rock structures and tombs were conserved, with some additions and changes made.in the Persian, Hellenistic, Roman and Byzantine periods.
  • Phrygian tombs cut into rock formations  protecting the citadel of Midas . From the 8th century BC . Midas City, Yazilikaya, Eskisehir, Turkey.<br />
<br />
<br />
The earliest Phrygian settlement here began in the last quarter of the 8th century BC. Even after the Phrygian kingdom collapsed politically, the city was not abandoned and the Phrygian rock structures and tombs were conserved, with some additions and changes made.in the Persian, Hellenistic, Roman and Byzantine periods.
  • Phrygian and later rock tombs cut into the rocks faces protecting the citadel of Midas . From the 8th century BC . Midas City, Yazilikaya, Eskisehir, Turkey.<br />
<br />
The earliest Phrygian settlement here began in the last quarter of the 8th century BC. Even after the Phrygian kingdom collapsed politically, the city was not abandoned and the Phrygian rock structures and tombs were conserved, with some additions and changes made.in the Persian, Hellenistic, Roman and Byzantine periods.
  • Phrygian tombs cut into rock formations  protecting the citadel of Midas . From the 8th century BC . Midas City, Yazilikaya, Eskisehir, Turkey.<br />
<br />
<br />
The earliest Phrygian settlement here began in the last quarter of the 8th century BC. Even after the Phrygian kingdom collapsed politically, the city was not abandoned and the Phrygian rock structures and tombs were conserved, with some additions and changes made.in the Persian, Hellenistic, Roman and Byzantine periods.
  • Phrygian and later rock tombs cut into the rocks faces protecting the citadel of Midas . From the 8th century BC . Midas City, Yazilikaya, Eskisehir, Turkey.<br />
<br />
The earliest Phrygian settlement here began in the last quarter of the 8th century BC. Even after the Phrygian kingdom collapsed politically, the city was not abandoned and the Phrygian rock structures and tombs were conserved, with some additions and changes made.in the Persian, Hellenistic, Roman and Byzantine periods.
  • Phrygian and later rock tombs cut into the rocks faces protecting the citadel of Midas . From the 8th century BC . Midas City, Yazilikaya, Eskisehir, Turkey.<br />
<br />
The earliest Phrygian settlement here began in the last quarter of the 8th century BC. Even after the Phrygian kingdom collapsed politically, the city was not abandoned and the Phrygian rock structures and tombs were conserved, with some additions and changes made.in the Persian, Hellenistic, Roman and Byzantine periods.
  • Phrygian and later rock tombs cut into the rocks faces protecting the citadel of Midas . From the 8th century BC . Midas City, Yazilikaya, Eskisehir, Turkey.<br />
<br />
The earliest Phrygian settlement here began in the last quarter of the 8th century BC. Even after the Phrygian kingdom collapsed politically, the city was not abandoned and the Phrygian rock structures and tombs were conserved, with some additions and changes made.in the Persian, Hellenistic, Roman and Byzantine periods.
  • Phrygian tombs cut into rock formations  protecting the citadel of Midas . From the 8th century BC . Midas City, Yazilikaya, Eskisehir, Turkey.<br />
<br />
The earliest Phrygian settlement here began in the last quarter of the 8th century BC. Even after the Phrygian kingdom collapsed politically, the city was not abandoned and the Phrygian rock structures and tombs were conserved, with some additions and changes made.in the Persian, Hellenistic, Roman and Byzantine periods.
  • Phrygian tombs cut into rock formations  protecting the citadel of Midas . From the 8th century BC . Midas City, Yazilikaya, Eskisehir, Turkey.<br />
<br />
The earliest Phrygian settlement here began in the last quarter of the 8th century BC. Even after the Phrygian kingdom collapsed politically, the city was not abandoned and the Phrygian rock structures and tombs were conserved, with some additions and changes made.in the Persian, Hellenistic, Roman and Byzantine periods.
  • Close up of Phrygian rock tombs cut into the rocks faces protecting the citadel of Midas . From the 8th century BC . Midas City, Yazilikaya, Eskisehir, Turkey.<br />
<br />
The earliest Phrygian settlement here began in the last quarter of the 8th century BC. Even after the Phrygian kingdom collapsed politically, the city was not abandoned and the Phrygian rock structures and tombs were conserved, with some additions and changes made.in the Persian, Hellenistic, Roman and Byzantine periods.
  • Close up of Phrygian rock tombs cut into the rocks faces protecting the citadel of Midas . From the 8th century BC . Midas City, Yazilikaya, Eskisehir, Turkey.<br />
<br />
The earliest Phrygian settlement here began in the last quarter of the 8th century BC. Even after the Phrygian kingdom collapsed politically, the city was not abandoned and the Phrygian rock structures and tombs were conserved, with some additions and changes made.in the Persian, Hellenistic, Roman and Byzantine periods.
  • Close up of Phrygian rock tombs cut into the rocks faces protecting the citadel of Midas . From the 8th century BC . Midas City, Yazilikaya, Eskisehir, Turkey.<br />
<br />
The earliest Phrygian settlement here began in the last quarter of the 8th century BC. Even after the Phrygian kingdom collapsed politically, the city was not abandoned and the Phrygian rock structures and tombs were conserved, with some additions and changes made.in the Persian, Hellenistic, Roman and Byzantine periods.
  • The Unfinished rock monument of Midas, 8th - 6th century BC . Midas City, Yazilikaya, Eskisehir, Turkey.<br />
<br />
This rock facade was planned but never finished and so little is known about the unfinished Monument. It is also known locally as the Kucuk Yazilikaya ( “little written rock”), since it appears to have been planned as a smaller version of the Midas Monument, also called Yazilikaya. It measures 7m x 10m and faces west, unlike the other monument at Midas whose facades face east. Since it was never completed, it was gives some idea of the construction techniques : first the rock was flattened and then the facade was carved from the top down. The architectural frame and the ornament were carved at the same time. About  2m below the monument are a smaller facade, to the left and a small cut altar to the right.
  • The Phrygian rock Monument known locally as Yazilikaya, ( written rock ) . 8th - 6th century BC . Midas City, Yazilikaya, Eskisehir, Turkey.<br />
<br />
This is the largest Phrygian rock cut facade monument, measuring 17m x 16.5m. It represents the front of a Phrygian megaron type building with a low pitched roof. It is known locally as yazilikaya , which means “written rock”, because of the Paleo-Phrygian inscriptions carved above the rock above the roof outline, down the right side and in the niche. The upper inscription dedicates the monument to King Midas, and so it is also known as the “Midas Monument”. The niche probably contained an image of the Phrygian Mother  Goddess, and the word “Matar” (Mother) is inscribed inside. The monument was carved  around the 8th and  6th century BC.
  • Close up of the inscription dedicated to King Midas on the Phrygian rock Monument known locally as Yazilikaya, ( written rock ) . 8th - 6th century BC . Midas City, Yazilikaya, Eskisehir, Turkey.<br />
<br />
This is the largest Phrygian rock cut facade monument, measuring 17m x 16.5m. It represents the front of a Phrygian megaron type building with a low pitched roof. It is known locally as yazilikaya , which means “written rock”, because of the Paleo-Phrygian inscriptions carved above the rock above the roof outline, down the right side and in the niche. The upper inscription dedicates the monument to King Midas, and so it is also known as the “Midas Monument”. The niche probably contained an image of the Phrygian Mother  Goddess, and the word “Matar” (Mother) is inscribed inside. The monument was carved  around the 8th and  6th century BC.
  • The Phrygian rock Monument known locally as Yazilikaya, ( written rock ) . 8th - 6th century BC . Midas City, Yazilikaya, Eskisehir, Turkey.<br />
<br />
This is the largest Phrygian rock cut facade monument, measuring 17m x 16.5m. It represents the front of a Phrygian megaron type building with a low pitched roof. It is known locally as yazilikaya , which means “written rock”, because of the Paleo-Phrygian inscriptions carved above the rock above the roof outline, down the right side and in the niche. The upper inscription dedicates the monument to King Midas, and so it is also known as the “Midas Monument”. The niche probably contained an image of the Phrygian Mother  Goddess, and the word “Matar” (Mother) is inscribed inside. The monument was carved  around the 8th and  6th century BC.
  • The Phrygian rock Monument known locally as Yazilikaya, ( written rock ) . 8th - 6th century BC . Midas City, Yazilikaya, Eskisehir, Turkey.<br />
<br />
This is the largest Phrygian rock cut facade monument, measuring 17m x 16.5m. It represents the front of a Phrygian megaron type building with a low pitched roof. It is known locally as yazilikaya , which means “written rock”, because of the Paleo-Phrygian inscriptions carved above the rock above the roof outline, down the right side and in the niche. The upper inscription dedicates the monument to King Midas, and so it is also known as the “Midas Monument”. The niche probably contained an image of the Phrygian Mother  Goddess, and the word “Matar” (Mother) is inscribed inside. The monument was carved  around the 8th and  6th century BC.
  • The Phrygian rock Monument known locally as Yazilikaya, ( written rock ) . 8th - 6th century BC . Midas City, Yazilikaya, Eskisehir, Turkey.<br />
<br />
This is the largest Phrygian rock cut facade monument, measuring 17m x 16.5m. It represents the front of a Phrygian megaron type building with a low pitched roof. It is known locally as yazilikaya , which means “written rock”, because of the Paleo-Phrygian inscriptions carved above the rock above the roof outline, down the right side and in the niche. The upper inscription dedicates the monument to King Midas, and so it is also known as the “Midas Monument”. The niche probably contained an image of the Phrygian Mother  Goddess, and the word “Matar” (Mother) is inscribed inside. The monument was carved  around the 8th and  6th century BC.
  • The Phrygian rock Monument known locally as Yazilikaya, ( written rock ) . 8th - 6th century BC . Midas City, Yazilikaya, Eskisehir, Turkey.<br />
<br />
This is the largest Phrygian rock cut facade monument, measuring 17m x 16.5m. It represents the front of a Phrygian megaron type building with a low pitched roof. It is known locally as yazilikaya , which means “written rock”, because of the Paleo-Phrygian inscriptions carved above the rock above the roof outline, down the right side and in the niche. The upper inscription dedicates the monument to King Midas, and so it is also known as the “Midas Monument”. The niche probably contained an image of the Phrygian Mother  Goddess, and the word “Matar” (Mother) is inscribed inside. The monument was carved  around the 8th and  6th century BC.
  • The Phrygian rock Monument known locally as Yazilikaya, ( written rock ) . 8th - 6th century BC . Midas City, Yazilikaya, Eskisehir, Turkey.<br />
<br />
This is the largest Phrygian rock cut facade monument, measuring 17m x 16.5m. It represents the front of a Phrygian megaron type building with a low pitched roof. It is known locally as yazilikaya , which means “written rock”, because of the Paleo-Phrygian inscriptions carved above the rock above the roof outline, down the right side and in the niche. The upper inscription dedicates the monument to King Midas, and so it is also known as the “Midas Monument”. The niche probably contained an image of the Phrygian Mother  Goddess, and the word “Matar” (Mother) is inscribed inside. The monument was carved  around the 8th and  6th century BC.
  • The Phrygian rock Monument known locally as Yazilikaya, ( written rock ) . 8th - 6th century BC . Midas City, Yazilikaya, Eskisehir, Turkey.<br />
<br />
This is the largest Phrygian rock cut facade monument, measuring 17m x 16.5m. It represents the front of a Phrygian megaron type building with a low pitched roof. It is known locally as yazilikaya , which means “written rock”, because of the Paleo-Phrygian inscriptions carved above the rock above the roof outline, down the right side and in the niche. The upper inscription dedicates the monument to King Midas, and so it is also known as the “Midas Monument”. The niche probably contained an image of the Phrygian Mother  Goddess, and the word “Matar” (Mother) is inscribed inside. The monument was carved  around the 8th and  6th century BC.
  • Phrygian and later rock tombs of the necropolis of Midas . From the 8th century BC . Midas City, Yazilikaya, Eskisehir, Turkey.<br />
<br />
The earliest Phrygian settlement here began in the last quarter of the 8th century BC. Even after the Phrygian kingdom collapsed politically, the city was not abandoned and the Phrygian rock structures and tombs were conserved, with some additions and changes made.in the Persian, Hellenistic, Roman and Byzantine periods.
  • Close up of the inscription dedicated to King Midas on the Phrygian rock Monument known locally as Yazilikaya, ( written rock ) . 8th - 6th century BC . Midas City, Yazilikaya, Eskisehir, Turkey.<br />
<br />
This is the largest Phrygian rock cut facade monument, measuring 17m x 16.5m. It represents the front of a Phrygian megaron type building with a low pitched roof. It is known locally as yazilikaya , which means “written rock”, because of the Paleo-Phrygian inscriptions carved above the rock above the roof outline, down the right side and in the niche. The upper inscription dedicates the monument to King Midas, and so it is also known as the “Midas Monument”. The niche probably contained an image of the Phrygian Mother  Goddess, and the word “Matar” (Mother) is inscribed inside. The monument was carved  around the 8th and  6th century BC.
  • The Phrygian rock Monument known locally as Yazilikaya, ( written rock ) . 8th - 6th century BC . Midas City, Yazilikaya, Eskisehir, Turkey.<br />
<br />
This is the largest Phrygian rock cut facade monument, measuring 17m x 16.5m. It represents the front of a Phrygian megaron type building with a low pitched roof. It is known locally as yazilikaya , which means “written rock”, because of the Paleo-Phrygian inscriptions carved above the rock above the roof outline, down the right side and in the niche. The upper inscription dedicates the monument to King Midas, and so it is also known as the “Midas Monument”. The niche probably contained an image of the Phrygian Mother  Goddess, and the word “Matar” (Mother) is inscribed inside. The monument was carved  around the 8th and  6th century BC.
  • The Phrygian rock Monument known locally as Yazilikaya, ( written rock ) . 8th - 6th century BC . Midas City, Yazilikaya, Eskisehir, Turkey.<br />
<br />
This is the largest Phrygian rock cut facade monument, measuring 17m x 16.5m. It represents the front of a Phrygian megaron type building with a low pitched roof. It is known locally as yazilikaya , which means “written rock”, because of the Paleo-Phrygian inscriptions carved above the rock above the roof outline, down the right side and in the niche. The upper inscription dedicates the monument to King Midas, and so it is also known as the “Midas Monument”. The niche probably contained an image of the Phrygian Mother  Goddess, and the word “Matar” (Mother) is inscribed inside. The monument was carved  around the 8th and  6th century BC.
  • The Phrygian rock Monument known locally as Yazilikaya, ( written rock ) . 8th - 6th century BC . Midas City, Yazilikaya, Eskisehir, Turkey.<br />
<br />
This is the largest Phrygian rock cut facade monument, measuring 17m x 16.5m. It represents the front of a Phrygian megaron type building with a low pitched roof. It is known locally as yazilikaya , which means “written rock”, because of the Paleo-Phrygian inscriptions carved above the rock above the roof outline, down the right side and in the niche. The upper inscription dedicates the monument to King Midas, and so it is also known as the “Midas Monument”. The niche probably contained an image of the Phrygian Mother  Goddess, and the word “Matar” (Mother) is inscribed inside. The monument was carved  around the 8th and  6th century BC.
  • The Phrygian rock Monument known locally as Yazilikaya, ( written rock ) . 8th - 6th century BC . Midas City, Yazilikaya, Eskisehir, Turkey.<br />
<br />
This is the largest Phrygian rock cut facade monument, measuring 17m x 16.5m. It represents the front of a Phrygian megaron type building with a low pitched roof. It is known locally as yazilikaya , which means “written rock”, because of the Paleo-Phrygian inscriptions carved above the rock above the roof outline, down the right side and in the niche. The upper inscription dedicates the monument to King Midas, and so it is also known as the “Midas Monument”. The niche probably contained an image of the Phrygian Mother  Goddess, and the word “Matar” (Mother) is inscribed inside. The monument was carved  around the 8th and  6th century BC.
  • Phrygian and later rock tombs of the necropolis of Midas . From the 8th century BC . Midas City, Yazilikaya, Eskisehir, Turkey.<br />
<br />
The earliest Phrygian settlement here began in the last quarter of the 8th century BC. Even after the Phrygian kingdom collapsed politically, the city was not abandoned and the Phrygian rock structures and tombs were conserved, with some additions and changes made.in the Persian, Hellenistic, Roman and Byzantine periods.
  • Phrygian and later rock tombs of the necropolis of Midas . From the 8th century BC . Midas City, Yazilikaya, Eskisehir, Turkey.<br />
<br />
The earliest Phrygian settlement here began in the last quarter of the 8th century BC. Even after the Phrygian kingdom collapsed politically, the city was not abandoned and the Phrygian rock structures and tombs were conserved, with some additions and changes made.in the Persian, Hellenistic, Roman and Byzantine periods.
  • Phrygian and later rock tombs of the necropolis of Midas . From the 8th century BC . Midas City, Yazilikaya, Eskisehir, Turkey.<br />
<br />
The earliest Phrygian settlement here began in the last quarter of the 8th century BC. Even after the Phrygian kingdom collapsed politically, the city was not abandoned and the Phrygian rock structures and tombs were conserved, with some additions and changes made.in the Persian, Hellenistic, Roman and Byzantine periods.
  • Phrygian and later rock tombs of the necropolis of Midas . From the 8th century BC . Midas City, Yazilikaya, Eskisehir, Turkey.<br />
<br />
The earliest Phrygian settlement here began in the last quarter of the 8th century BC. Even after the Phrygian kingdom collapsed politically, the city was not abandoned and the Phrygian rock structures and tombs were conserved, with some additions and changes made.in the Persian, Hellenistic, Roman and Byzantine periods.
  • Phrygian and later rock tombs of the necropolis of Midas . From the 8th century BC . Midas City, Yazilikaya, Eskisehir, Turkey.<br />
<br />
The earliest Phrygian settlement here began in the last quarter of the 8th century BC. Even after the Phrygian kingdom collapsed politically, the city was not abandoned and the Phrygian rock structures and tombs were conserved, with some additions and changes made.in the Persian, Hellenistic, Roman and Byzantine periods.
  • Phrygian and later rock tombs cut into the rocks faces protecting the citadel of Midas . From the 8th century BC . Midas City, Yazilikaya, Eskisehir, Turkey.<br />
<br />
The earliest Phrygian settlement here began in the last quarter of the 8th century BC. Even after the Phrygian kingdom collapsed politically, the city was not abandoned and the Phrygian rock structures and tombs were conserved, with some additions and changes made.in the Persian, Hellenistic, Roman and Byzantine periods.
  • Phrygian and later rock tombs of the necropolis of Midas . From the 8th century BC . Midas City, Yazilikaya, Eskisehir, Turkey.<br />
<br />
The earliest Phrygian settlement here began in the last quarter of the 8th century BC. Even after the Phrygian kingdom collapsed politically, the city was not abandoned and the Phrygian rock structures and tombs were conserved, with some additions and changes made.in the Persian, Hellenistic, Roman and Byzantine periods.
  • Phrygian and later rock tombs of the necropolis of Midas . From the 8th century BC . Midas City, Yazilikaya, Eskisehir, Turkey.<br />
<br />
The earliest Phrygian settlement here began in the last quarter of the 8th century BC. Even after the Phrygian kingdom collapsed politically, the city was not abandoned and the Phrygian rock structures and tombs were conserved, with some additions and changes made.in the Persian, Hellenistic, Roman and Byzantine periods.
  • Close up of Phrygian rock tombs cut into the rocks faces protecting the citadel of Midas . From the 8th century BC . Midas City, Yazilikaya, Eskisehir, Turkey.<br />
<br />
The earliest Phrygian settlement here began in the last quarter of the 8th century BC. Even after the Phrygian kingdom collapsed politically, the city was not abandoned and the Phrygian rock structures and tombs were conserved, with some additions and changes made.in the Persian, Hellenistic, Roman and Byzantine periods.
  • Close up of Phrygian rock tombs cut into the rocks faces protecting the citadel of Midas . From the 8th century BC . Midas City, Yazilikaya, Eskisehir, Turkey.<br />
<br />
The earliest Phrygian settlement here began in the last quarter of the 8th century BC. Even after the Phrygian kingdom collapsed politically, the city was not abandoned and the Phrygian rock structures and tombs were conserved, with some additions and changes made.in the Persian, Hellenistic, Roman and Byzantine periods.
  • The Unfinished rock monument of Midas, 8th - 6th century BC . Midas City, Yazilikaya, Eskisehir, Turkey.<br />
<br />
This rock facade was planned but never finished and so little is known about the unfinished Monument. It is also known locally as the Kucuk Yazilikaya ( “little written rock”), since it appears to have been planned as a smaller version of the Midas Monument, also called Yazilikaya. It measures 7m x 10m and faces west, unlike the other monument at Midas whose facades face east. Since it was never completed, it was gives some idea of the construction techniques : first the rock was flattened and then the facade was carved from the top down. The architectural frame and the ornament were carved at the same time. About  2m below the monument are a smaller facade, to the left and a small cut altar to the right.
  • The Unfinished rock monument of Midas, 8th - 6th century BC . Midas City, Yazilikaya, Eskisehir, Turkey.<br />
<br />
This rock facade was planned but never finished and so little is known about the unfinished Monument. It is also known locally as the Kucuk Yazilikaya ( “little written rock”), since it appears to have been planned as a smaller version of the Midas Monument, also called Yazilikaya. It measures 7m x 10m and faces west, unlike the other monument at Midas whose facades face east. Since it was never completed, it was gives some idea of the construction techniques : first the rock was flattened and then the facade was carved from the top down. The architectural frame and the ornament were carved at the same time. About  2m below the monument are a smaller facade, to the left and a small cut altar to the right.
  • The Phrygian rock Monument known locally as Yazilikaya, ( written rock ) . 8th - 6th century BC . Midas City, Yazilikaya, Eskisehir, Turkey.<br />
<br />
This is the largest Phrygian rock cut facade monument, measuring 17m x 16.5m. It represents the front of a Phrygian megaron type building with a low pitched roof. It is known locally as yazilikaya , which means “written rock”, because of the Paleo-Phrygian inscriptions carved above the rock above the roof outline, down the right side and in the niche. The upper inscription dedicates the monument to King Midas, and so it is also known as the “Midas Monument”. The niche probably contained an image of the Phrygian Mother  Goddess, and the word “Matar” (Mother) is inscribed inside. The monument was carved  around the 8th and  6th century BC.
  • The Phrygian rock Monument known locally as Yazilikaya, ( written rock ) . 8th - 6th century BC . Midas City, Yazilikaya, Eskisehir, Turkey.<br />
<br />
This is the largest Phrygian rock cut facade monument, measuring 17m x 16.5m. It represents the front of a Phrygian megaron type building with a low pitched roof. It is known locally as yazilikaya , which means “written rock”, because of the Paleo-Phrygian inscriptions carved above the rock above the roof outline, down the right side and in the niche. The upper inscription dedicates the monument to King Midas, and so it is also known as the “Midas Monument”. The niche probably contained an image of the Phrygian Mother  Goddess, and the word “Matar” (Mother) is inscribed inside. The monument was carved  around the 8th and  6th century BC.
  • The Phrygian rock Monument known locally as Yazilikaya, ( written rock ) . 8th - 6th century BC . Midas City, Yazilikaya, Eskisehir, Turkey.<br />
<br />
This is the largest Phrygian rock cut facade monument, measuring 17m x 16.5m. It represents the front of a Phrygian megaron type building with a low pitched roof. It is known locally as yazilikaya , which means “written rock”, because of the Paleo-Phrygian inscriptions carved above the rock above the roof outline, down the right side and in the niche. The upper inscription dedicates the monument to King Midas, and so it is also known as the “Midas Monument”. The niche probably contained an image of the Phrygian Mother  Goddess, and the word “Matar” (Mother) is inscribed inside. The monument was carved  around the 8th and  6th century BC.
  • Etruscan bronze statue portraying a nearly life size young warrior dressed in armour, offering a libation of wine to a divinity ( patera style cup missing) Made in the 5th century BC in Orvieto and excavated from Todi where it had been buried after being struck by lightening, which was the custom at the time.  Inv 13886, The Vatican Museums Rome. Grey Background. For use in non editorial advertising apply to the Vatican Museums for a license.
  • Etruscan bronze statue portraying a nearly life size young warrior dressed in armour, offering a libation of wine to a divinity ( patera style cup missing) Made in the 5th century BC in Orvieto and excavated from Todi where it had been buried after being struck by lightening, which was the custom at the time.  Inv 13886, The Vatican Museums Rome. Art Background. For use in non editorial advertising apply to the Vatican Museums for a license.
  • Etruscan bronze statue portraying a nearly life size young warrior dressed in armour, offering a libation of wine to a divinity ( patera style cup missing) Made in the 5th century BC in Orvieto and excavated from Todi where it had been buried after being struck by lightening, which was the custom at the time.  Inv 13886, The Vatican Museums Rome. Grey Art Background. For use in non editorial advertising apply to the Vatican Museums for a license.
  • Etruscan Terracotta sarcophagus lid with a female figure reclining, first half of 2nd century BC, inv 15428, The Vatican Museums Rome, Grey Background. For use in non editorial advertising apply to the Vatican Museums for a license.
  • Etruscan Terracotta sarcophagus lid with a female figure reclining, first half of 2nd century BC, inv 15428, The Vatican Museums Rome, Art Background. For use in non editorial advertising apply to the Vatican Museums for a license.
  • Etruscan Terracotta sarcophagus lid with a female figure reclining, first half of 2nd century BC, inv 15428, The Vatican Museums Rome, Grey Art Background. For use in non editorial advertising apply to the Vatican Museums for a license.
  • 6th century BC Etruscan Sarcophagus known as The Sarcophagus of the Spouses, the in sculpted in clay by the sculptors of Caere, 520-510 BC, Louvre Museum, Paris.  Art Background. To license for non editorial Advertising usage contact The Louvre Paris
  • 6th century BC Etruscan Sarcophagus known as The Sarcophagus of the Spouses, the in sculpted in clay by the sculptors of Caere, 520-510 BC, Louvre Museum, Paris.  Black background. To license for Advertising usage contact The Louvre Paris
  • Close up of 6th century BC Etruscan Sarcophagus known as The Sarcophagus of the Spouses, the in sculpted in clay by the sculptors of Caere, 520-510 BC, Louvre Museum, Paris. Grey art background .To license for non editorial Advertising usage contact The Louvre Paris
  • Close up of 6th century BC Etruscan Sarcophagus known as The Sarcophagus of the Spouses, the in sculpted in clay by the sculptors of Caere, 520-510 BC, Louvre Museum, Paris. White Background. To license for non editorial Advertising usage contact The Louvre Paris
  • Close up of 6th century BC Etruscan Sarcophagus known as The Sarcophagus of the Spouses, the in sculpted in clay by the sculptors of Caere, 520-510 BC, Louvre Museum, Paris. To license for non editorial Advertising usage contact The Louvre Paris
  • 560-550 B.C Etruscan attica style amfora painted in the style of Lydos, inv 70995,   National Archaeological Museum Florence, Italy , black background
  • 560-550 B.C Etruscan attica style amfora painted in the style of Lydos, inv 70995,   National Archaeological Museum Florence, Italy , white background
  • 560-550 B.C Etruscan attica style amfora painted in the style of Lydos, inv 70995,   National Archaeological Museum Florence, Italy , against grey
  • 560-550 B.C Etruscan attica style amfora painted in the style of Lydos, inv 70995,   National Archaeological Museum Florence, Italy , grey art background
  • 2nd Century B.C terractta sarcophagus lid from Tuscania with traces of colour paint, inv 75280,  National Archaeological Museum Florence, Italy , white background
  • Etruscan Hellenistic style cinerary, funreary, urn  cover,  National Archaeological Museum Florence, Italy , white background
  • 2nd Century B.C terractta sarcophagus lid from Tuscania with traces of colour paint, inv 75280,  National Archaeological Museum Florence, Italy , against grey
  • 2nd Century B.C terractta sarcophagus lid from Tuscania with traces of colour paint, inv 75280,  National Archaeological Museum Florence, Italy  , grey art background
  • Etruscan Hellenistic style cinerary, funreary, urn  cover,  National Archaeological Museum Florence, Italy , black background
  • Etruscan Hellenistic style cinerary, funreary, urn  cover with a depiction of a women,  National Archaeological Museum Florence, Italy, black background
  • Etruscan Hellenistic style cinerary, funreary, urn  cover with a depiction of a women,  National Archaeological Museum Florence, Italy
  • Etruscan Hellenistic style cinerary, funreary, urn  cover with a depiction of a women,  National Archaeological Museum Florence, Italy , against grey
  • Etruscan sculpted Hellenistic style cinerary, funreary, urn cover with a women ,  National Archaeological Museum Florence, Italy , black background
  • Etruscan Hellenistic style cinerary, funreary, urn  cover with a depiction of a women,  National Archaeological Museum Florence, Italy , grey art background
  • Etruscan sculpted Hellenistic style cinerary, funreary, urn cover with a women ,  National Archaeological Museum Florence, Italy , grey art background
  • Etruscan sculpted Hellenistic style cinerary, funreary, urn cover with a women ,  National Archaeological Museum Florence, Italy
  • Etruscan sculpted Hellenistic style cinerary, funreary, urn cover with a women ,  National Archaeological Museum Florence, Italy, white background
  • Close up of an Etruscan Hellenistic style cinerary, funreary, urn cover with a man,  National Archaeological Museum Florence, Italy, white background
  • Close up of an Etruscan Hellenistic style cinerary, funreary, urn cover with a man,  National Archaeological Museum Florence, Italy , black background
  • Etruscan Hellenistic style cinerary, funreary, urn cover with a man,  National Archaeological Museum Florence, Italy, white background
  • Close up of an Etruscan Hellenistic style cinerary, funreary, urn cover with a man,  National Archaeological Museum Florence, Italy , against grey
  • Close up of an Etruscan Hellenistic style cinerary, funreary, urn cover with a man,  National Archaeological Museum Florence, Italy
  • Etruscan Hellenistic style cinerary, funreary, urn cover with a man,  National Archaeological Museum Florence, Italy , against grey
  • A late 4th early 3rd century B.C Etruscan Kernos, or a ceramic ring eith cups or vases, which may have been used in religious rituals, made in Teano, inv 83957, National Archaeological Museum Florence, Italy
  • A late 4th early 3rd century B.C Etruscan Kernos, or a ceramic ring eith cups or vases, which may have been used in religious rituals, made in Teano, inv 83957, National Archaeological Museum Florence, Italy , white background
  • A late 4th early 3rd century B.C Etruscan Kernos, or a ceramic ring eith cups or vases, which may have been used in religious rituals, made in Teano, inv 83957, National Archaeological Museum Florence, Italy , against grey
  • A late 4th early 3rd century B.C Etruscan Kernos, or a ceramic ring eith cups or vases, which may have been used in religious rituals, made in Teano, inv 83957, National Archaeological Museum Florence, Italy  , grey art background
  • Close up of an end of 7th to start of 6th century B.C Etruscan lid in the shape of a head of a Canopo style vase, used to hold funereal ashes from Chiusi, inv 94610, National Archaeological Museum Florence, Italy , black background
  • Close up of an end of 7th to start of 6th century B.C Etruscan lid in the shape of a head of a Canopo style vase, used to hold funereal ashes from Chiusi, inv 94610, National Archaeological Museum Florence, Italy , against grey
  • Close up of an end of 7th to start of 6th century B.C Etruscan lid in the shape of a head of a Canopo style vase, used to hold funereal ashes from Chiusi, inv 94610, National Archaeological Museum Florence, Italy
  • Ornamental Etruscan fans excavated from the Tomb of the Fans in Flabelli (Tomba dei Flabelli), late 7th - early 6th century B.C,   National Archaeological Museum Florence, Italy, white background
  • Ornamental Etruscan fans excavated from the Tomb of the Fans in Flabelli (Tomba dei Flabelli), late 7th - early 6th century B.C,   National Archaeological Museum Florence, Italy, against grey
  • Ornamental Etruscan fans excavated from the Tomb of the Fans in Flabelli (Tomba dei Flabelli), late 7th - early 6th century B.C,   National Archaeological Museum Florence, Italy
  • Ornamental Etruscan fans excavated from the Tomb of the Fans in Flabelli (Tomba dei Flabelli), late 7th - early 6th century B.C,   National Archaeological Museum Florence, Italy , grey art background
  • Ornamental Etruscan fans excavated from the Tomb of the Fans in Flabelli (Tomba dei Flabelli), late 7th - early 6th century B.C,   National Archaeological Museum Florence, Italy , white background
  • Ornamental Etruscan fans excavated from the Tomb of the Fans in Flabelli (Tomba dei Flabelli), late 7th - early 6th century B.C,   National Archaeological Museum Florence, Italy , grey art background
  • Detail of an rnamental Etruscan fans excavated from the Tomb of the Fans in Flabelli (Tomba dei Flabelli), late 7th - early 6th century B.C,   National Archaeological Museum Florence, Italy
  • 250 - 150 B.C Etruscan phiale or patera, or wine drinking bowl, produced in Calena,   National Archaeological Museum Florence, Italy, white background
  • 250 - 150 B.C Etruscan phiale or patera, or wine drinking bowl, produced in Calena,   National Archaeological Museum Florence, Italy, black background
  • 250 - 150 B.C Etruscan phiale or patera, or wine drinking bowl, produced in Calena,   National Archaeological Museum Florence, Italy , against grey
  • 250 - 150 B.C Etruscan phiale or patera, or wine drinking bowl, produced in Calena, inv 4566,  National Archaeological Museum Florence, Italy , black background
  • 250 - 150 B.C Etruscan phiale or patera, or wine drinking bowl, produced in Calena, inv 4566,  National Archaeological Museum Florence, Italy  , grey art background
  • A 4th century B.C Etruscan Askoi, olive oil or wine jar, in the shape of a duck, terracotta illustrated with black paint, inv 4233, National Archaeological Museum Florence, Italy , white background
  • Etruscan embossed silver phiale or patera, or wine drinking bowl, end of 4th century B.C. inv 132265,  National Archaeological Museum Florence, Italy , white background
  • Etruscan embossed silver phiale or patera, or wine drinking bowl, end of 4th century B.C. inv 132265,  National Archaeological Museum Florence, Italy , black background
  • Etruscan embossed silver phiale or patera, or wine drinking bowl, end of 4th century B.C. inv 132265,  National Archaeological Museum Florence, Italy
  • Etruscan embossed silver phiale or patera, or wine drinking bowl, end of 4th century B.C. inv 132265,  National Archaeological Museum Florence, Italy , against grey
  • A 4th century B.C Etruscan Askoi, olive oil or wine jar, in the shape of a duck, terracotta illustrated with black paint, inv 4233, National Archaeological Museum Florence, Italy
  • Etruscan cinerary, funreary, urn cover depicting a husband and wife,  from the Padata Necropolis, Chianciano, end of 5th century B.C., inv 94352 National Archaeological Museum Florence, Italy , against grey
  • Etruscan cinerary, funreary, urn cover depicting a husband and wife,  from the Padata Necropolis, Chianciano, end of 5th century B.C., inv 94352 National Archaeological Museum Florence, Italy , white background
  • Etruscan cinerary, funreary, urn cover depicting a husband and wife,  from the Padata Necropolis, Chianciano, end of 5th century B.C., inv 94352 National Archaeological Museum Florence, Italy , black background
  • Etruscan cinerary, funreary, urn cover depicting a husband and wife,  from the Padata Necropolis, Chianciano, end of 5th century B.C., inv 94352 National Archaeological Museum Florence, Italy
  • Etruscan bronce statue of the mythical Chimera known as the  "Chimera of Arezzo" from the St Lorentino Gate of Arezzo, made end of 5th - early 4th century B.C, inv no 1,  National Archaeological Museum Florence, Italy , against grey
  • Etruscan bronce statue of the mythical Chimera known as the  "Chimera of Arezzo" from the St Lorentino Gate of Arezzo, made end of 5th - early 4th century B.C, inv no 1,  National Archaeological Museum Florence, Italy , black background
  • Etruscan bronce statue of the mythical Chimera known as the  "Chimera of Arezzo" from the St Lorentino Gate of Arezzo, made end of 5th - early 4th century B.C, inv no 1,  National Archaeological Museum Florence, Italy , white background
  • Side view of the Etruscan bronce statue of the mythical Chimera known as the  "Chimera of Arezzo" from the St Lorentino Gate of Arezzo, made end of 5th - early 4th century B.C, inv no 1,  National Archaeological Museum Florence, Italy , black background
  • Etruscan bronce statue of the mythical Chimera known as the  "Chimera of Arezzo" from the St Lorentino Gate of Arezzo, made end of 5th - early 4th century B.C, inv no 1,  National Archaeological Museum Florence, Italy , grey art background
  • Side view of the Etruscan bronce statue of the mythical Chimera known as the  "Chimera of Arezzo" from the St Lorentino Gate of Arezzo, made end of 5th - early 4th century B.C, inv no 1,  National Archaeological Museum Florence, Italy , against grey
  • Side view of the Etruscan bronce statue of the mythical Chimera known as the  "Chimera of Arezzo" from the St Lorentino Gate of Arezzo, made end of 5th - early 4th century B.C, inv no 1,  National Archaeological Museum Florence, Italy
  • 6th century B.C clay head made in Chiusi, inv 94619, National Archaeological Museum Florence, Italy , white background
  • Side view of the Etruscan bronce statue of the mythical Chimera known as the  "Chimera of Arezzo" from the St Lorentino Gate of Arezzo, made end of 5th - early 4th century B.C, inv no 1,  National Archaeological Museum Florence, Italy , grey art background
  • 6th century B.C clay head made in Chiusi, inv 94619, National Archaeological Museum Florence, Italy , black background
  • 6th century B.C clay head made in Chiusi, inv 94619, National Archaeological Museum Florence, Italy , against grey
  • 6th century B.C clay head made in Chiusi, inv 94619, National Archaeological Museum Florence, Italy
  • 6th century B.C clay head made in Chiusi, inv 94619, National Archaeological Museum Florence, Italy , grey art background
  • End of 7th to start of 6th century B.C Etruscan Canopo style vase used to hold funereal ashes from Chiusi, inv 94610, National Archaeological Museum Florence, Italy , black background
  • End of 7th to start of 6th century B.C Etruscan Canopo style vase used to hold funereal ashes from Chiusi, inv 94610, National Archaeological Museum Florence, Italy , grey art background
  • Early 3rd century B.C Etruscan wine Krater, black and overpainted with a leaf design, inv 4382, National Archaeological Museum Florence, Italy, white background
  • Early 3rd century B.C Etruscan wine Krater, black and overpainted with a leaf design, inv 4382, National Archaeological Museum Florence, Italy , against grey
  • Early 3rd century B.C Etruscan wine Krater, black and overpainted with a leaf design, inv 4382, National Archaeological Museum Florence, Italy  , grey art background
  • Early 3rd century B.C Etruscan wine Krater, black and overpainted with a leaf design, inv 4382, National Archaeological Museum Florence, Italy
  • An Etruscan Dinos ( style of vase) with a face, from the Group of Dinoi Campana Ribbon Painter,  540-520 B.C. inv 3784, National Archaeological Museum Florence, Italy , against grey
  • An Etruscan Dinos ( style of vase) with a face, from the Group of Dinoi Campana Ribbon Painter,  540-520 B.C. inv 3784, National Archaeological Museum Florence, Italy, white background
  • An Etruscan Dinos ( style of vase) with a face, from the Group of Dinoi Campana Ribbon Painter,  540-520 B.C. inv 3784, National Archaeological Museum Florence, Italy , grey art background
  • An Etruscan Dinos ( style of vase) with a face, from the Group of Dinoi Campana Ribbon Painter,  540-520 B.C. inv 3784, National Archaeological Museum Florence, Italy
  • 580 - 560 B.C olpai style jug made by the Etrusco-Corinthian Group of Palmette Fenicie, inv 71019,   National Archaeological Museum Florence, Italy , black background
  • 560-550 B.C Etruscan attica style amfora painted in the style of Lydos, inv 70995,   National Archaeological Museum Florence, Italy , black background
  • 560-550 B.C Etruscan attica style amfora painted in the style of Lydos, inv 70995,   National Archaeological Museum Florence, Italy
  • 560-550 B.C Etruscan attica style amfora painted in the style of Lydos, inv 70995,   National Archaeological Museum Florence, Italy , grey art background
  • 3rd - 2nd century B.C Etruscan architectural voitive plaques of women, inv 4770, National Archaeological Museum Florence, Italy , black background
  • 3rd - 2nd century B.C Etruscan architectural voitive plaques of women, inv 4770, National Archaeological Museum Florence, Italy , white background
  • 3rd - 2nd century B.C Etruscan architectural voitive plaques of women, inv 4770, National Archaeological Museum Florence, Italy
  • 3rd - 2nd century B.C Etruscan architectural voitive plaques of women, inv 4770, National Archaeological Museum Florence, Italy  , grey art background
  • 3rd - 2nd century B.C Etruscan architectural voitive plaques of women, National Archaeological Museum Florence, Italy , against grey
  • 3rd - 2nd century B.C Etruscan architectural voitive plaques of women, National Archaeological Museum Florence, Italy, white background
  • End of 7th to start of 6th century B.C Etruscan Canopo style vase used to hold funereal ashes from Chiusi, inv 94611, National Archaeological Museum Florence, Italy , white background
  • End of 7th to start of 6th century B.C Etruscan Canopo style vase used to hold funereal ashes from Chiusi, inv 94611, National Archaeological Museum Florence, Italy , against grey
  • End of 7th to start of 6th century B.C Etruscan Canopo style vase used to hold funereal ashes from Chiusi, inv 94611, National Archaeological Museum Florence, Italy
  • End of 7th to start of 6th century B.C Etruscan Canopo style vase used to hold funereal ashes from Chiusi, inv 94611, National Archaeological Museum Florence, Italy , black background
  • End of 7th to start of 6th century B.C Etruscan Canopo style vase used to hold funereal ashes from Chiusi, inv 94611, National Archaeological Museum Florence, Italy , white background
  • First half of the 6th century B.C Etruscan clay head of a young man made in Chiusi, inv 94612, National Archaeological Museum Florence, Italy , white background
  • First half of the 6th century B.C Etruscan clay head of a young man made in Chiusi, inv 94612, National Archaeological Museum Florence, Italy , against grey
  • First half of the 6th century B.C Etruscan clay head of a young man made in Chiusi, inv 94612, National Archaeological Museum Florence, Italy , grey art background
  • First half of the 6th century B.C Etruscan clay head of a young man made in Chiusi, inv 94612, National Archaeological Museum Florence, Italy
  • 560 - 540 B.C Etrusccan Tyrrhenian( Tirrenica) Amfora painted by Prometheus (Prometeo) made on Pescia Romana (Viterbo), inv 70993,   National Archaeological Museum Florence, Italy , white background
  • Early 3rd century B.C oenochoe, wine jug, with a trilobata spout, black and overpainted , inv 4380,   National Archaeological Museum Florence, Italy , against grey
  • Early 3rd century B.C oenochoe, wine jug, with a trilobata spout, black and overpainted , inv 4380,   National Archaeological Museum Florence, Italy, black background
  • Early 3rd century B.C oenochoe, wine jug, with a trilobata spout, black and overpainted , inv 4380,   National Archaeological Museum Florence, Italy  , grey art background
  • Etruscan bucchero jug with a face,  National Archaeological Museum Florence, Italy , black background
  • Etruscan bucchero jug with a face,  National Archaeological Museum Florence, Italy, white background
  • Etruscan bucchero jug with a face,  National Archaeological Museum Florence, Italy , against grey
  • 323-300B.C Etruscan Hellenistisc style column Krater with red figure of a young man against a black background, made in Volterra (Pisa), National Archaeological Museum Florence, Italy , black background
  • Etruscan cinerary, funreary, biconical (two cones joined together) urn from Tarquinia, 9th - 8th century B.C. inv 83505   National Archaeological Museum Florence, Italy , black background
  • Etruscan cinerary, funreary, biconical (two cones joined together) urn from Tarquinia, 9th - 8th century B.C. inv 83505   National Archaeological Museum Florence, Italy , against grey
  • 150-27 B.C Etruscan Hellenistic style cinerary urn,  National Archaeological Museum Florence, Italy , against grey
  • Etruscan Hellenistic style cinerary, funreary, urn ,  National Archaeological Museum Florence, Italy, white background
  • 150-27 B.C Etruscan Hellenistic style cinerary urn,  National Archaeological Museum Florence, Italy , grey art background
  • Etruscan Hellenistic style cinerary, funreary, urn ,  National Archaeological Museum Florence, Italy , black background
  • Etruscan Hellenistic style cinerary, funreary, urn ,  National Archaeological Museum Florence, Italy
  • Etruscan Hellenistic style cinerary, funreary, urn ,  National Archaeological Museum Florence, Italy , black background
  • Etruscan Hellenistic style cinerary, funreary, urn ,  National Archaeological Museum Florence, Italy
  • Etruscan Hellenistic style cinerary, funreary, urn ,  National Archaeological Museum Florence, Italy
  • Etruscan Hellenistic style cinerary, funreary, urn , with a chariot, inv 5704,  National Archaeological Museum Florence, Italy , against grey
  • Etruscan Hellenistic style cinerary, funreary, urn , inv no 5774,  National Archaeological Museum Florence, Italy , against grey
  • Etruscan Hellenistic style cinerary, funreary, urn , with a chariot, inv 5704,  National Archaeological Museum Florence, Italy
  • Etruscan Hellenistic style cinerary, funreary, urn , inv no 5774,  National Archaeological Museum Florence, Italy , white background
  • Etruscan Hellenistic style cinerary, funreary, urn , inv no 5774,  National Archaeological Museum Florence, Italy , black background
  • Etruscan Hellenistic style cinerary, funreary, urn , inv no 5774,  National Archaeological Museum Florence, Italy , against grey
  • Etruscan Hellenistic style cinerary, funreary, urn , inv no 5774,  National Archaeological Museum Florence, Italy , grey art background
  • Three quarters view of the 6th century BC Etruscan Bull headed bucherro style oinochoe, or wine jug,  made in Chuisi and excavated from the necropolis de Fonte Rotella, inv 3190, National Archaeological Museum Florence, Italy  , grey art background
  • Three quarters view of the 6th century BC Etruscan Bull headed bucherro style oinochoe, or wine jug,  made in Chuisi and excavated from the necropolis de Fonte Rotella, inv 3190, National Archaeological Museum Florence, Italy , black background
  • 6th century BC Etruscan Bull headed bucherro style oinochoe, or wine jug,  made in Chuisi and excavated from the necropolis de Fonte Rotella, inv 3190, National Archaeological Museum Florence, Italy
  • Three quarters view of the 6th century BC Etruscan Bull headed bucherro style oinochoe, or wine jug,  made in Chuisi and excavated from the necropolis de Fonte Rotella, inv 3190, National Archaeological Museum Florence, Italy
  • 6th century BC Etruscan Bull headed bucherro style oinochoe, or wine jug,  made in Chuisi and excavated from the necropolis de Fonte Rotella, inv 3190, National Archaeological Museum Florence, Italy , white background
  • 6th century BC Etruscan Bull headed bucherro style oinochoe, or wine jug,  made in Chuisi and excavated from the necropolis de Fonte Rotella, inv 3190, National Archaeological Museum Florence, Italy , against grey
  • 6th century Etruscan bucchero style skyphos jug made in Chiusina, inv 2831, National Archaeological Museum Florence, Italy , black background
  • 6th century Etruscan bucchero style skyphos jug made in Chiusina, inv 2831, National Archaeological Museum Florence, Italy
  • Side view of the 6th century BC Etruscan Bull headed bucherro style oinochoe, or wine jug,  made in Chuisi and excavated from the necropolis de Fonte Rotella, inv 3190, National Archaeological Museum Florence, Italy , white background
  • Side view of the 6th century BC Etruscan Bull headed bucherro style oinochoe, or wine jug,  made in Chuisi and excavated from the necropolis de Fonte Rotella, inv 3190, National Archaeological Museum Florence, Italy
  • Etruscan bronze statue portraying a nearly life size young warrior dressed in armour, offering a libation of wine to a divinity ( patera style cup missing) Made in the 5th century BC in Orvieto and excavated from Todi where it had been buried after being struck by lightening, which was the custom at the time.  Inv 13886, The Vatican Museums Rome. Black Background. For use in non editorial advertising apply to the Vatican Museums for a license.
  • Etruscan bronze statue portraying a nearly life size young warrior dressed in armour, offering a libation of wine to a divinity ( patera style cup missing) Made in the 5th century BC in Orvieto and excavated from Todi where it had been buried after being struck by lightening, which was the custom at the time.  Inv 13886, The Vatican Museums Rome. White Background. For use in non editorial advertising apply to the Vatican Museums for a license.
  • Etruscan Terracotta sarcophagus lid with a female figure reclining, first half of 2nd century BC, inv 15428, The Vatican Museums Rome, White Background. For use in non editorial advertising apply to the Vatican Museums for a license.
  • Etruscan Terracotta sarcophagus lid with a female figure reclining, first half of 2nd century BC, inv 15428, The Vatican Museums Rome, Black Background. For use in non editorial advertising apply to the Vatican Museums for a license.
  • High picture of the Etruscan funerary monument  known as  Adonis Dying, late 3rd century BC, made of terracotta and discovered near Tuscania, inv 14147, The Vatican Museums, Rome. Grey art Background. For use in non editorial advertising apply to the Vatican Museums for a license.
  • High picture of the Etruscan funerary monument  known as  Adonis Dying, late 3rd century BC, made of terracotta and discovered near Tuscania, inv 14147, The Vatican Museums, Rome. White Background. For use in non editorial advertising apply to the Vatican Museums for a license.
  • Etruscan funerary monument  known as  Adonis Dying, late 3rd century BC, made of terracotta and discovered near Tuscania, inv 14147, The Vatican Museums, Rome. Grey  Background. For use in non editorial advertising apply to the Vatican Museums for a license.
  • Etruscan funerary monument  known as  Adonis Dying, late 3rd century BC, made of terracotta and discovered near Tuscania, inv 14147, The Vatican Museums, Rome. Grey art Background. For use in non editorial advertising apply to the Vatican Museums for a license.
  • 6th century BC Etruscan Sarcophagus known as The Sarcophagus of the Spouses, the in sculpted in clay by the sculptors of Caere, 520-510 BC, Louvre Museum, Paris.   Grey art Background. To license for non editorial Advertising usage contact The Louvre Paris
  • Close up of 6th century BC Etruscan Sarcophagus known as The Sarcophagus of the Spouses, the in sculpted in clay by the sculptors of Caere, 520-510 BC, Louvre Museum, Paris. Black background. To license for non editorial Advertising usage contact The Louvre Paris
  • 6th century BC Etruscan Sarcophagus known as The Sarcophagus of the Spouses, the in sculpted in clay by the sculptors of Caere, 520-510 BC,  Louvre Museum, Paris.  White Background. To license for Advertising usage contact The Louvre Paris
  • 560-550 B.C Etruscan attica style amfora painted in the style of Lydos, inv 70995,   National Archaeological Museum Florence, Italy
  • 2nd Century B.C terractta sarcophagus lid from Tuscania with traces of colour paint, inv 75280,  National Archaeological Museum Florence, Italy , black background
  • 2nd Century B.C terractta sarcophagus lid from Tuscania with traces of colour paint, inv 75280,  National Archaeological Museum Florence, Italy
  • Etruscan Hellenistic style cinerary, funreary, urn  cover,  National Archaeological Museum Florence, Italy , grey art background
  • Etruscan Hellenistic style cinerary, funreary, urn  cover,  National Archaeological Museum Florence, Italy
  • Etruscan Hellenistic style cinerary, funreary, urn cover with a man,  National Archaeological Museum Florence, Italy , black background
  • Close up of an Etruscan Hellenistic style cinerary, funreary, urn cover with a man,  National Archaeological Museum Florence, Italy , grey art background
  • Etruscan Hellenistic style cinerary, funreary, urn cover with a man,  National Archaeological Museum Florence, Italy , grey art background
  • Etruscan Hellenistic style cinerary, funreary, urn cover with a man,  National Archaeological Museum Florence, Italy
  • A late 4th early 3rd century B.C Etruscan Kernos, or a ceramic ring eith cups or vases, which may have been used in religious rituals, made in Teano, inv 83957, National Archaeological Museum Florence, Italy , black background
  • Close up of an end of 7th to start of 6th century B.C Etruscan lid in the shape of a head of a Canopo style vase, used to hold funereal ashes from Chiusi, inv 94610, National Archaeological Museum Florence, Italy , grey art background
  • Ornamental Etruscan fans excavated from the Tomb of the Fans in Flabelli (Tomba dei Flabelli), late 7th - early 6th century B.C,   National Archaeological Museum Florence, Italy, black background
  • Ornamental Etruscan fans excavated from the Tomb of the Fans in Flabelli (Tomba dei Flabelli), late 7th - early 6th century B.C,   National Archaeological Museum Florence, Italy , against grey
  • Ornamental Etruscan fans excavated from the Tomb of the Fans in Flabelli (Tomba dei Flabelli), late 7th - early 6th century B.C,   National Archaeological Museum Florence, Italy, black background
  • Ornamental Etruscan fans excavated from the Tomb of the Fans in Flabelli (Tomba dei Flabelli), late 7th - early 6th century B.C,   National Archaeological Museum Florence, Italy
  • 250 - 150 B.C Etruscan phiale or patera, or wine drinking bowl, produced in Calena,   National Archaeological Museum Florence, Italy
  • 250 - 150 B.C Etruscan phiale or patera, or wine drinking bowl, produced in Calena,   National Archaeological Museum Florence, Italy  , grey art background
  • 250 - 150 B.C Etruscan phiale or patera, or wine drinking bowl, produced in Calena, inv 4566,  National Archaeological Museum Florence, Italy , white background
  • 250 - 150 B.C Etruscan phiale or patera, or wine drinking bowl, produced in Calena, inv 4566,  National Archaeological Museum Florence, Italy
  • 250 - 150 B.C Etruscan phiale or patera, or wine drinking bowl, produced in Calena, inv 4566,  National Archaeological Museum Florence, Italy , against grey
  • A 4th century B.C Etruscan Askoi, olive oil or wine jar, in the shape of a duck, terracotta illustrated with black paint, inv 4233, National Archaeological Museum Florence, Italy , black background
  • A 4th century B.C Etruscan Askoi, olive oil or wine jar, in the shape of a duck, terracotta illustrated with black paint, inv 4233, National Archaeological Museum Florence, Italy , against grey
  • A 4th century B.C Etruscan Askoi, olive oil or wine jar, in the shape of a duck, terracotta illustrated with black paint, inv 4233, National Archaeological Museum Florence, Italy
  • Etruscan embossed silver phiale or patera, or wine drinking bowl, end of 4th century B.C. inv 132265,  National Archaeological Museum Florence, Italy  , grey art background
  • Etruscan cinerary, funreary, urn cover depicting a husband and wife,  from the Padata Necropolis, Chianciano, end of 5th century B.C., inv 94352 National Archaeological Museum Florence, Italy , grey art background
  • Side view of the Etruscan bronce statue of the mythical Chimera known as the  "Chimera of Arezzo" from the St Lorentino Gate of Arezzo, made end of 5th - early 4th century B.C, inv no 1,  National Archaeological Museum Florence, Italy , white background
  • End of 7th to start of 6th century B.C Etruscan Canopo style vase used to hold funereal ashes from Chiusi, inv 94610, National Archaeological Museum Florence, Italy , white background
  • End of 7th to start of 6th century B.C Etruscan Canopo style vase used to hold funereal ashes from Chiusi, inv 94610, National Archaeological Museum Florence, Italy , against grey
  • End of 7th to start of 6th century B.C Etruscan Canopo style vase used to hold funereal ashes from Chiusi, inv 94610, National Archaeological Museum Florence, Italy
  • Early 3rd century B.C Etruscan wine Krater, black and overpainted with a leaf design, inv 4382, National Archaeological Museum Florence, Italy , black background
  • An Etruscan Dinos ( style of vase) with a face, from the Group of Dinoi Campana Ribbon Painter,  540-520 B.C. inv 3784, National Archaeological Museum Florence, Italy , black background
  • 580 - 560 B.C olpai style jug made by the Etrusco-Corinthian Group of Palmette Fenicie, inv 71019,   National Archaeological Museum Florence, Italy , white background
  • 580 - 560 B.C olpai style jug made by the Etrusco-Corinthian Group of Palmette Fenicie, inv 71019,   National Archaeological Museum Florence, Italy , against grey
  • 580 - 560 B.C olpai style jug made by the Etrusco-Corinthian Group of Palmette Fenicie, inv 71019,   National Archaeological Museum Florence, Italy
  • 560-550 B.C Etruscan attica style amfora painted in the style of Lydos, inv 70995,   National Archaeological Museum Florence, Italy , white background
  • 560-550 B.C Etruscan attica style amfora painted in the style of Lydos, inv 70995,   National Archaeological Museum Florence, Italy , against grey
  • 3rd - 2nd century B.C Etruscan architectural voitive plaques of women, inv 4770, National Archaeological Museum Florence, Italy
  • 3rd - 2nd century B.C Etruscan architectural voitive plaques of women, National Archaeological Museum Florence, Italy
  • 3rd - 2nd century B.C Etruscan architectural voitive plaques of women, National Archaeological Museum Florence, Italy , black background
  • 3rd - 2nd century B.C Etruscan architectural voitive plaques of women, National Archaeological Museum Florence, Italy  , grey art background
  • End of 7th to start of 6th century B.C Etruscan Canopo style vase used to hold funereal ashes from Chiusi, inv 94611, National Archaeological Museum Florence, Italy , black background
  • End of 7th to start of 6th century B.C Etruscan Canopo style vase used to hold funereal ashes from Chiusi, inv 94611, National Archaeological Museum Florence, Italy
  • End of 7th to start of 6th century B.C Etruscan Canopo style vase used to hold funereal ashes from Chiusi, inv 94611, National Archaeological Museum Florence, Italy , grey art background
  • First half of the 6th century B.C Etruscan clay head of a young man made in Chiusi, inv 94612, National Archaeological Museum Florence, Italy , black background
  • 560 - 540 B.C Etrusccan Tyrrhenian( Tirrenica) Amfora painted by Prometheus (Prometeo) made on Pescia Romana (Viterbo), inv 70993,   National Archaeological Museum Florence, Italy , black background
  • 560 - 540 B.C Etrusccan Tyrrhenian( Tirrenica) Amfora painted by Prometheus (Prometeo) made on Pescia Romana (Viterbo), inv 70993,   National Archaeological Museum Florence, Italy
  • 560 - 540 B.C Etrusccan Tyrrhenian( Tirrenica) Amfora painted by Prometheus (Prometeo) made on Pescia Romana (Viterbo), inv 70993,   National Archaeological Museum Florence, Italy , against grey
  • Early 3rd century B.C oenochoe, wine jug, with a trilobata spout, black and overpainted , inv 4380,   National Archaeological Museum Florence, Italy, white background
  • Early 3rd century B.C oenochoe, wine jug, with a trilobata spout, black and overpainted , inv 4380,   National Archaeological Museum Florence, Italy
  • Etruscan bucchero jug with a face,  National Archaeological Museum Florence, Italy
  • Etruscan bucchero jug with a face,  National Archaeological Museum Florence, Italy, grey art background

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