• Hadrian's Villa ( Villa Adriana ) 2nd century AD - The Maritime Theatre (  Teatro Marittimo ), so called because of its shape and marine architectural decorations such as Tritons, is at the centre of Hadrian's Villa complex.  At its centre of the Teatro Marittimo is a circular islet surrounded  by a water filled moat which in turn is surrounded by a circular barrel vaulted portico with 40 Ionic columns. The circular building on the islet consisted of rooms that surrounded a central peristyle which was probably a retreat for Hadrian to escape to. Villa Adriana, Tivoli, Italy. A UNESCO World Heritage Site.
  • Hadrian's Villa ( Villa Adriana ) 2nd century AD - The Maritime Theatre (  Teatro Marittimo ), so called because of its shape and marine architectural decorations such as Tritons, is at the centre of Hadrian's Villa complex.  At its centre of the Teatro Marittimo is a circular islet surrounded  by a water filled moat which in turn is surrounded by a circular barrel vaulted portico with 40 Ionic columns. The circular building on the islet consisted of rooms that surrounded a central peristyle which was probably a retreat for Hadrian to escape to. Villa Adriana, Tivoli, Italy. A UNESCO World Heritage Site.
  • Hadrian's Villa ( Villa Adriana ) 2nd century AD - The Maritime Theatre (  Teatro Marittimo ), so called because of its shape and marine architectural decorations such as Tritons, is at the centre of Hadrian's Villa complex.  At its centre of the Teatro Marittimo is a circular islet surrounded  by a water filled moat which in turn is surrounded by a circular barrel vaulted portico with 40 Ionic columns. The circular building on the islet consisted of rooms that surrounded a central peristyle which was probably a retreat for Hadrian to escape to. Villa Adriana, Tivoli, Italy. A UNESCO World Heritage Site.
  • Hadrian's Villa ( Villa Adriana ) 2nd century AD - The Maritime Theatre (  Teatro Marittimo ), so called because of its shape and marine architectural decorations such as Tritons, is at the centre of Hadrian's Villa complex.  At its centre of the Teatro Marittimo is a circular islet surrounded  by a water filled moat which in turn is surrounded by a circular barrel vaulted portico with 40 Ionic columns. The circular building on the islet consisted of rooms that surrounded a central peristyle which was probably a retreat for Hadrian to escape to. Villa Adriana, Tivoli, Italy. A UNESCO World Heritage Site.
  • Hadrian's Villa ( Villa Adriana ) 2nd century AD - The Maritime Theatre (  Teatro Marittimo ), so called because of its shape and marine architectural decorations such as Tritons, is at the centre of Hadrian's Villa complex.  At its centre of the Teatro Marittimo is a circular islet surrounded  by a water filled moat which in turn is surrounded by a circular barrel vaulted portico with 40 Ionic columns. The circular building on the islet consisted of rooms that surrounded a central peristyle which was probably a retreat for Hadrian to escape to. Villa Adriana, Tivoli, Italy. A UNESCO World Heritage Site.
  • Hadrian's Villa ( Villa Adriana ) 2nd century AD - The Maritime Theatre (  Teatro Marittimo ), so called because of its shape and marine architectural decorations such as Tritons, is at the centre of Hadrian's Villa complex.  At its centre of the Teatro Marittimo is a circular islet surrounded  by a water filled moat which in turn is surrounded by a circular barrel vaulted portico with 40 Ionic columns. The circular building on the islet consisted of rooms that surrounded a central peristyle which was probably a retreat for Hadrian to escape to. Villa Adriana, Tivoli, Italy. A UNESCO World Heritage Site.
  • Hadrian's Villa ( Villa Adriana ) 2nd century AD - The Maritime Theatre (  Teatro Marittimo ), so called because of its shape and marine architectural decorations such as Tritons, is at the centre of Hadrian's Villa complex.  At its centre of the Teatro Marittimo is a circular islet surrounded  by a water filled moat which in turn is surrounded by a circular barrel vaulted portico with 40 Ionic columns. The circular building on the islet consisted of rooms that surrounded a central peristyle which was probably a retreat for Hadrian to escape to. Villa Adriana, Tivoli, Italy. A UNESCO World Heritage Site.
  • Hadrian's Villa ( Villa Adriana ) 2nd century AD - The Maritime Theatre (  Teatro Marittimo ), so called because of its shape and marine architectural decorations such as Tritons, is at the centre of Hadrian's Villa complex.  At its centre of the Teatro Marittimo is a circular islet surrounded  by a water filled moat which in turn is surrounded by a circular barrel vaulted portico with 40 Ionic columns. The circular building on the islet consisted of rooms that surrounded a central peristyle which was probably a retreat for Hadrian to escape to. Villa Adriana, Tivoli, Italy. A UNESCO World Heritage Site.
  • Hadrian's Villa ( Villa Adriana ) 2nd century AD - The Maritime Theatre (  Teatro Marittimo ), so called because of its shape and marine architectural decorations such as Tritons, is at the centre of Hadrian's Villa complex.  At its centre of the Teatro Marittimo is a circular islet surrounded  by a water filled moat which in turn is surrounded by a circular barrel vaulted portico with 40 Ionic columns. The circular building on the islet consisted of rooms that surrounded a central peristyle which was probably a retreat for Hadrian to escape to. Villa Adriana, Tivoli, Italy. A UNESCO World Heritage Site.
  • Hadrian's Villa ( Villa Adriana ) 2nd century AD - The Maritime Theatre (  Teatro Marittimo ), so called because of its shape and marine architectural decorations such as Tritons, is at the centre of Hadrian's Villa complex.  At its centre of the Teatro Marittimo is a circular islet surrounded  by a water filled moat which in turn is surrounded by a circular barrel vaulted portico with 40 Ionic columns. The circular building on the islet consisted of rooms that surrounded a central peristyle which was probably a retreat for Hadrian to escape to. Villa Adriana, Tivoli, Italy. A UNESCO World Heritage Site.
  • Hadrian's Villa ( Villa Adriana ) 2nd century AD - The Maritime Theatre (  Teatro Marittimo ), so called because of its shape and marine architectural decorations such as Tritons, is at the centre of Hadrian's Villa complex.  At its centre of the Teatro Marittimo is a circular islet surrounded  by a water filled moat which in turn is surrounded by a circular barrel vaulted portico with 40 Ionic columns. The circular building on the islet consisted of rooms that surrounded a central peristyle which was probably a retreat for Hadrian to escape to. Villa Adriana, Tivoli, Italy. A UNESCO World Heritage Site.
  • Hadrian's Villa ( Villa Adriana ) 2nd century AD - The Maritime Theatre (  Teatro Marittimo ), so called because of its shape and marine architectural decorations such as Tritons, is at the centre of Hadrian's Villa complex.  At its centre of the Teatro Marittimo is a circular islet surrounded  by a water filled moat which in turn is surrounded by a circular barrel vaulted portico with 40 Ionic columns. The circular building on the islet consisted of rooms that surrounded a central peristyle which was probably a retreat for Hadrian to escape to. Villa Adriana, Tivoli, Italy. A UNESCO World Heritage Site.
  • Hadrian's Villa ( Villa Adriana ) 2nd century AD - The Maritime Theatre (  Teatro Marittimo ), so called because of its shape and marine architectural decorations such as Tritons, is at the centre of Hadrian's Villa complex.  At its centre of the Teatro Marittimo is a circular islet surrounded  by a water filled moat which in turn is surrounded by a circular barrel vaulted portico with 40 Ionic columns. The circular building on the islet consisted of rooms that surrounded a central peristyle which was probably a retreat for Hadrian to escape to. Villa Adriana, Tivoli, Italy. A UNESCO World Heritage Site.
  • Hadrian's Villa ( Villa Adriana ) 2nd century AD - The Maritime Theatre (  Teatro Marittimo ), so called because of its shape and marine architectural decorations such as Tritons, is at the centre of Hadrian's Villa complex.  At its centre of the Teatro Marittimo is a circular islet surrounded  by a water filled moat which in turn is surrounded by a circular barrel vaulted portico with 40 Ionic columns. The circular building on the islet consisted of rooms that surrounded a central peristyle which was probably a retreat for Hadrian to escape to. Villa Adriana, Tivoli, Italy. A UNESCO World Heritage Site.
  • Hadrian's Villa ( Villa Adriana ) 2nd century AD - The Maritime Theatre (  Teatro Marittimo ), so called because of its shape and marine architectural decorations such as Tritons, is at the centre of Hadrian's Villa complex.  At its centre of the Teatro Marittimo is a circular islet surrounded  by a water filled moat which in turn is surrounded by a circular barrel vaulted portico with 40 Ionic columns. The circular building on the islet consisted of rooms that surrounded a central peristyle which was probably a retreat for Hadrian to escape to. Villa Adriana, Tivoli, Italy. A UNESCO World Heritage Site.
  • Hadrian's Villa ( Villa Adriana ) 2nd century AD - The Maritime Theatre (  Teatro Marittimo ), so called because of its shape and marine architectural decorations such as Tritons, is at the centre of Hadrian's Villa complex.  At its centre of the Teatro Marittimo is a circular islet surrounded  by a water filled moat which in turn is surrounded by a circular barrel vaulted portico with 40 Ionic columns. The circular building on the islet consisted of rooms that surrounded a central peristyle which was probably a retreat for Hadrian to escape to. Villa Adriana, Tivoli, Italy. A UNESCO World Heritage Site.
  • Hadrian's Villa ( Villa Adriana ) 2nd century AD - The Maritime Theatre (  Teatro Marittimo ), so called because of its shape and marine architectural decorations such as Tritons, is at the centre of Hadrian's Villa complex.  At its centre of the Teatro Marittimo is a circular islet surrounded  by a water filled moat which in turn is surrounded by a circular barrel vaulted portico with 40 Ionic columns. The circular building on the islet consisted of rooms that surrounded a central peristyle which was probably a retreat for Hadrian to escape to. Villa Adriana, Tivoli, Italy. A UNESCO World Heritage Site.
  • Hadrian's Villa ( Villa Adriana ) 2nd century AD - The Maritime Theatre (  Teatro Marittimo ), so called because of its shape and marine architectural decorations such as Tritons, is at the centre of Hadrian's Villa complex.  At its centre of the Teatro Marittimo is a circular islet surrounded  by a water filled moat which in turn is surrounded by a circular barrel vaulted portico with 40 Ionic columns. The circular building on the islet consisted of rooms that surrounded a central peristyle which was probably a retreat for Hadrian to escape to. Villa Adriana, Tivoli, Italy. A UNESCO World Heritage Site.
  • Hadrian's Villa ( Villa Adriana ) 2nd century AD - The Maritime Theatre (  Teatro Marittimo ), so called because of its shape and marine architectural decorations such as Tritons, is at the centre of Hadrian's Villa complex.  At its centre of the Teatro Marittimo is a circular islet surrounded  by a water filled moat which in turn is surrounded by a circular barrel vaulted portico with 40 Ionic columns. The circular building on the islet consisted of rooms that surrounded a central peristyle which was probably a retreat for Hadrian to escape to. Villa Adriana, Tivoli, Italy. A UNESCO World Heritage Site.
  • Hadrian's Villa ( Villa Adriana ) 2nd century AD - The Maritime Theatre (  Teatro Marittimo ), so called because of its shape and marine architectural decorations such as Tritons, is at the centre of Hadrian's Villa complex.  At its centre of the Teatro Marittimo is a circular islet surrounded  by a water filled moat which in turn is surrounded by a circular barrel vaulted portico with 40 Ionic columns. The circular building on the islet consisted of rooms that surrounded a central peristyle which was probably a retreat for Hadrian to escape to. Villa Adriana, Tivoli, Italy. A UNESCO World Heritage Site.
  • Hadrian's Villa ( Villa Adriana ) 2nd century AD - The Maritime Theatre (  Teatro Marittimo ), so called because of its shape and marine architectural decorations such as Tritons, is at the centre of Hadrian's Villa complex.  At its centre of the Teatro Marittimo is a circular islet surrounded  by a water filled moat which in turn is surrounded by a circular barrel vaulted portico with 40 Ionic columns. The circular building on the islet consisted of rooms that surrounded a central peristyle which was probably a retreat for Hadrian to escape to. Villa Adriana, Tivoli, Italy. A UNESCO World Heritage Site.
  • Hadrian's Villa ( Villa Adriana ) 2nd century AD - The Maritime Theatre (  Teatro Marittimo ), so called because of its shape and marine architectural decorations such as Tritons, is at the centre of Hadrian's Villa complex.  At its centre of the Teatro Marittimo is a circular islet surrounded  by a water filled moat which in turn is surrounded by a circular barrel vaulted portico with 40 Ionic columns. The circular building on the islet consisted of rooms that surrounded a central peristyle which was probably a retreat for Hadrian to escape to. Villa Adriana, Tivoli, Italy. A UNESCO World Heritage Site.
  • Hadrian's Villa ( Villa Adriana ) 2nd century AD - The Maritime Theatre (  Teatro Marittimo ), so called because of its shape and marine architectural decorations such as Tritons, is at the centre of Hadrian's Villa complex.  At its centre of the Teatro Marittimo is a circular islet surrounded  by a water filled moat which in turn is surrounded by a circular barrel vaulted portico with 40 Ionic columns. The circular building on the islet consisted of rooms that surrounded a central peristyle which was probably a retreat for Hadrian to escape to. Villa Adriana, Tivoli, Italy. A UNESCO World Heritage Site.
  • Hadrian's Villa ( Villa Adriana ) 2nd century AD - The Maritime Theatre (  Teatro Marittimo ), so called because of its shape and marine architectural decorations such as Tritons, is at the centre of Hadrian's Villa complex.  At its centre of the Teatro Marittimo is a circular islet surrounded  by a water filled moat which in turn is surrounded by a circular barrel vaulted portico with 40 Ionic columns. The circular building on the islet consisted of rooms that surrounded a central peristyle which was probably a retreat for Hadrian to escape to. Villa Adriana, Tivoli, Italy. A UNESCO World Heritage Site.
  • Hadrian's Villa ( Villa Adriana ) 2nd century AD - The Maritime Theatre (  Teatro Marittimo ), so called because of its shape and marine architectural decorations such as Tritons, is at the centre of Hadrian's Villa complex.  At its centre of the Teatro Marittimo is a circular islet surrounded  by a water filled moat which in turn is surrounded by a circular barrel vaulted portico with 40 Ionic columns. The circular building on the islet consisted of rooms that surrounded a central peristyle which was probably a retreat for Hadrian to escape to. Villa Adriana, Tivoli, Italy. A UNESCO World Heritage Site.
  • Hadrian's Villa ( Villa Adriana ) 2nd century AD - The Maritime Theatre (  Teatro Marittimo ), so called because of its shape and marine architectural decorations such as Tritons, is at the centre of Hadrian's Villa complex.  At its centre of the Teatro Marittimo is a circular islet surrounded  by a water filled moat which in turn is surrounded by a circular barrel vaulted portico with 40 Ionic columns. The circular building on the islet consisted of rooms that surrounded a central peristyle which was probably a retreat for Hadrian to escape to. Villa Adriana, Tivoli, Italy. A UNESCO World Heritage Site.
  • Hadrian's Villa ( Villa Adriana ) 2nd century AD - The Maritime Theatre (  Teatro Marittimo ), so called because of its shape and marine architectural decorations such as Tritons, is at the centre of Hadrian's Villa complex.  At its centre of the Teatro Marittimo is a circular islet surrounded  by a water filled moat which in turn is surrounded by a circular barrel vaulted portico with 40 Ionic columns. The circular building on the islet consisted of rooms that surrounded a central peristyle which was probably a retreat for Hadrian to escape to. Villa Adriana, Tivoli, Italy. A UNESCO World Heritage Site.
  • Hadrian's Villa ( Villa Adriana ) 2nd century AD - The Maritime Theatre (  Teatro Marittimo ), so called because of its shape and marine architectural decorations such as Tritons, is at the centre of Hadrian's Villa complex.  At its centre of the Teatro Marittimo is a circular islet surrounded  by a water filled moat which in turn is surrounded by a circular barrel vaulted portico with 40 Ionic columns. The circular building on the islet consisted of rooms that surrounded a central peristyle which was probably a retreat for Hadrian to escape to. Villa Adriana, Tivoli, Italy. A UNESCO World Heritage Site.
  • Hadrian's Villa ( Villa Adriana ) 2nd century AD - The Maritime Theatre (  Teatro Marittimo ), so called because of its shape and marine architectural decorations such as Tritons, is at the centre of Hadrian's Villa complex.  At its centre of the Teatro Marittimo is a circular islet surrounded  by a water filled moat which in turn is surrounded by a circular barrel vaulted portico with 40 Ionic columns. The circular building on the islet consisted of rooms that surrounded a central peristyle which was probably a retreat for Hadrian to escape to. Villa Adriana, Tivoli, Italy. A UNESCO World Heritage Site.
  • Hadrian's Villa ( Villa Adriana ) 2nd century AD - The Maritime Theatre (  Teatro Marittimo ), so called because of its shape and marine architectural decorations such as Tritons, is at the centre of Hadrian's Villa complex.  At its centre of the Teatro Marittimo is a circular islet surrounded  by a water filled moat which in turn is surrounded by a circular barrel vaulted portico with 40 Ionic columns. The circular building on the islet consisted of rooms that surrounded a central peristyle which was probably a retreat for Hadrian to escape to. Villa Adriana, Tivoli, Italy. A UNESCO World Heritage Site.
  • Hadrian's Villa ( Villa Adriana ) 2nd century AD - The Maritime Theatre (  Teatro Marittimo ), so called because of its shape and marine architectural decorations such as Tritons, is at the centre of Hadrian's Villa complex.  At its centre of the Teatro Marittimo is a circular islet surrounded  by a water filled moat which in turn is surrounded by a circular barrel vaulted portico with 40 Ionic columns. The circular building on the islet consisted of rooms that surrounded a central peristyle which was probably a retreat for Hadrian to escape to. Villa Adriana, Tivoli, Italy. A UNESCO World Heritage Site.
  • Small Thermal  Baths at Hadrian's Villa ( Villa Adriana ) built during the second and third decades of the 2nd century AD, Tivoli, Italy. A UNESCO World Heritage Site.
  • The Canopus, an elongated canal imitating the famous sanctuary of Serapis near Alexandria. The semi-circular exedra of the Serapeum is located at its southern end, dedicated to the gods Isis and Serpis which was probably used as a banqueting hall. Hadrian's Villa ( Villa Adriana ) built during the second and third decades of the 2nd century AD, Tivoli, Italy. A UNESCO World Heritage Site.
  • The Serapaeum, dedicated to the gods Isis and Serpis which was probably used as a banqueting hall. Hadrian's Villa ( Villa Adriana ) built during the second and third decades of the 2nd century AD, Tivoli, Italy. A UNESCO World Heritage Site.
  • The Greek Library at Hadrian's Villa ( Villa Adriana ) built during the second and third decades of the 2nd century AD, Tivoli, Italy. A UNESCO World Heritage Site.
  • Small Thermal  Baths at Hadrian's Villa ( Villa Adriana ) built during the second and third decades of the 2nd century AD, Tivoli, Italy. A UNESCO World Heritage Site.
  • Thermal Grand Baths at Hadrian's Villa ( Villa Adriana ) built during the second and third decades of the 2nd century AD, Tivoli, Italy. A UNESCO World Heritage Site.
  • The Canopus, an elongated canal imitating the famous sanctuary of Serapis near Alexandria. The semi-circular exedra of the Serapeum is located at its southern end, dedicated to the gods Isis and Serpis which was probably used as a banqueting hall. Hadrian’s Villa ( Villa Adriana ) built during the second and third decades of the 2nd century AD, Tivoli, Italy. A UNESCO World Heritage Site.
  • The Tre Esedre Banquet Hall of Hadrian's Villa ( Villa Adriana ) built during the second and third decades of the 2nd century AD, Tivoli, Italy. A UNESCO World Heritage Site.
  • The Canopus, an elongated canal imitating the famous sanctuary of Serapis near Alexandria. The semi-circular exedra of the Serapeum is located at its southern end, dedicated to the gods Isis and Serpis which was probably used as a banqueting hall. Hadrian’s Villa ( Villa Adriana ) built during the second and third decades of the 2nd century AD, Tivoli, Italy. A UNESCO World Heritage Site.
  • Statues and columns that surround a rectangular basin that ends at The Serapaeum, dedicated to the gods Isis and Serpis which was probably used as a banqueting hall. Hadrian's Villa ( Villa Adriana ) built during the second and third decades of the 2nd century AD, Tivoli, Italy. A UNESCO World Heritage Site.
  • Small Thermal  Baths at Hadrian's Villa ( Villa Adriana ) built during the second and third decades of the 2nd century AD, Tivoli, Italy. A UNESCO World Heritage Site.
  • The Philosophers Hall ( Sala dei Filosofi ) at Hadrian's Villa ( Villa Adriana ) built during the second and third decades of the 2nd century AD, Tivoli, Italy. A UNESCO World Heritage Site.
  • Statues and columns that surround a rectangular basin that ends at The Serapaeum, dedicated to the gods Isis and Serpis which was probably used as a banqueting hall. Hadrian's Villa ( Villa Adriana ) built during the second and third decades of the 2nd century AD, Tivoli, Italy. A UNESCO World Heritage Site.
  • Small Thermal  Baths at Hadrian's Villa ( Villa Adriana ) built during the second and third decades of the 2nd century AD, Tivoli, Italy. A UNESCO World Heritage Site.
  • Marble statue bust of Emperor Hadrian at Hadrian's Villa ( Villa Adriana ) museum, Tivoli, Italy. A UNESCO World Heritage Site.
  • The Canopus, an elongated canal imitating the famous sanctuary of Serapis near Alexandria. The semi-circular exedra of the Serapeum is located at its southern end, dedicated to the gods Isis and Serpis which was probably used as a banqueting hall. Hadrian’s Villa ( Villa Adriana ) built during the second and third decades of the 2nd century AD, Tivoli, Italy. A UNESCO World Heritage Site.
  • Hungarian Academy of Sciences (Magyar Tudományos Akadémia, MTA), Budapest, Hungary
  • The Canopus, an elongated canal imitating the famous sanctuary of Serapis near Alexandria. The semi-circular exedra of the Serapeum is located at its southern end, dedicated to the gods Isis and Serpis which was probably used as a banqueting hall. Hadrian's Villa ( Villa Adriana ) built during the second and third decades of the 2nd century AD, Tivoli, Italy. A UNESCO World Heritage Site.
  • Small Thermal  Baths at Hadrian's Villa ( Villa Adriana ) built during the second and third decades of the 2nd century AD, Tivoli, Italy. A UNESCO World Heritage Site.
  • Statues and columns that surround a rectangular basin that ends at The Serapaeum, dedicated to the gods Isis and Serpis which was probably used as a banqueting hall. Hadrian's Villa ( Villa Adriana ) built during the second and third decades of the 2nd century AD, Tivoli, Italy. A UNESCO World Heritage Site.
  • The Serapaeum, dedicated to the gods Isis and Serpis which was probably used as a banqueting hall. Hadrian's Villa ( Villa Adriana ) built during the second and third decades of the 2nd century AD, Tivoli, Italy. A UNESCO World Heritage Site.
  • Thermal Grand Baths at Hadrian's Villa ( Villa Adriana ) built during the second and third decades of the 2nd century AD, Tivoli, Italy. A UNESCO World Heritage Site.
  • The Canopus, an elongated canal imitating the famous sanctuary of Serapis near Alexandria. The semi-circular exedra of the Serapeum is located at its southern end, dedicated to the gods Isis and Serpis which was probably used as a banqueting hall. Hadrian’s Villa ( Villa Adriana ) built during the second and third decades of the 2nd century AD, Tivoli, Italy. A UNESCO World Heritage Site.
  • The Canopus, an elongated canal imitating the famous sanctuary of Serapis near Alexandria. The semi-circular exedra of the Serapeum is located at its southern end, dedicated to the gods Isis and Serpis which was probably used as a banqueting hall. Hadrian’s Villa ( Villa Adriana ) built during the second and third decades of the 2nd century AD, Tivoli, Italy. A UNESCO World Heritage Site.
  • Thermal Grand Baths at Hadrian's Villa ( Villa Adriana ) built during the second and third decades of the 2nd century AD, Tivoli, Italy. A UNESCO World Heritage Site.
  • The Tre Esedre Banquet Hall of Hadrian's Villa ( Villa Adriana ) built during the second and third decades of the 2nd century AD, Tivoli, Italy. A UNESCO World Heritage Site.
  • Hadrian's Villa ( Villa Adriana ) built during the second and third decades of the 2nd century AD, Tivoli, Italy. A UNESCO World Heritage Site.
  • The Canopus, an elongated canal imitating the famous sanctuary of Serapis near Alexandria. The semi-circular exedra of the Serapeum is located at its southern end, dedicated to the gods Isis and Serpis which was probably used as a banqueting hall. Hadrian’s Villa ( Villa Adriana ) built during the second and third decades of the 2nd century AD, Tivoli, Italy. A UNESCO World Heritage Site.
  • The Greek Library at Hadrian's Villa ( Villa Adriana ) built during the second and third decades of the 2nd century AD, Tivoli, Italy. A UNESCO World Heritage Site.
  • Thermal Grand Baths at Hadrian's Villa ( Villa Adriana ) built during the second and third decades of the 2nd century AD, Tivoli, Italy. A UNESCO World Heritage Site.
  • Thermal Grand Baths at Hadrian's Villa ( Villa Adriana ) built during the second and third decades of the 2nd century AD, Tivoli, Italy. A UNESCO World Heritage Site.
  • Thermal Grand Baths at Hadrian's Villa ( Villa Adriana ) built during the second and third decades of the 2nd century AD, Tivoli, Italy. A UNESCO World Heritage Site.
  • The Greek Library at Hadrian's Villa ( Villa Adriana ) built during the second and third decades of the 2nd century AD, Tivoli, Italy. A UNESCO World Heritage Site.
  • Hadrian's Villa ( Villa Adriana ) built during the second and third decades of the 2nd century AD, Tivoli, Italy. A UNESCO World Heritage Site.
  • Hadrian's Villa ( Villa Adriana ) built during the second and third decades of the 2nd century AD, Tivoli, Italy. A UNESCO World Heritage Site.
  • Hungarian Academy of Sciences (Magyar Tudományos Akadémia, MTA), Budapest, Hungary
  • picture & image of the gate and bell tower of the Samtavisi Georgian Orthodox Cathedral, 11th century, Shida Karti Region, Georgia (country)<br />
<br />
Built during the so called 10-11th century “Georgian Golden Era” Samtavisi cathedral is a built in classical Georgian style of the period. Layout on a cruciform ground plan with a high central cylindrical central cupola.
  • Picture & image of Samtavisi Georgian Orthodox Cathedral, 11th century, Shida Karti Region, Georgia (country)<br />
<br />
Built during the so called 10-11th century “Georgian Golden Era” Samtavisi cathedral is a built in classical Georgian style of the period. Layout on a cruciform ground plan with a high central cylindrical central cupola.
  • Picture & image of Samtavisi Georgian Orthodox Cathedral, 11th century, Shida Karti Region, Georgia (country)<br />
<br />
Built during the so called 10-11th century “Georgian Golden Era” Samtavisi cathedral is a built in classical Georgian style of the period. Layout on a cruciform ground plan with a high central cylindrical central cupola.
  • Pictures & images of the Church of the Transfiguration of Ikalto monastery was founded by Saint Zenon, one of the 13 Syrian Fathers, in the late 6th century. Near Telavi, Kakheti, Eastern Georgia (Country).<br />
<br />
The Ikalto Monastery is famous for the Academy of Ikalto founded in the reign of King David the Builder by Arsen Ikaltoeli. The Academy of Ikalto trained its students in classical diciplins of rhetoric, astronomy, philosophy, geography, geometry as well as learning the skills of chantings, pottery and poetry. In the 12th century the Georgian poet Shota Rustaveli studied here.
  • Pictures & images of the Church of the Transfiguration of Ikalto monastery was founded by Saint Zenon, one of the 13 Syrian Fathers, in the late 6th century. Near Telavi, Kakheti, Eastern Georgia (Country).<br />
<br />
The Ikalto Monastery is famous for the Academy of Ikalto founded in the reign of King David the Builder by Arsen Ikaltoeli. The Academy of Ikalto trained its students in classical diciplins of rhetoric, astronomy, philosophy, geography, geometry as well as learning the skills of chantings, pottery and poetry. In the 12th century the Georgian poet Shota Rustaveli studied here.
  • picture & image of the gate and bell tower of the Samtavisi Georgian Orthodox Cathedral, 11th century, Shida Karti Region, Georgia (country)<br />
<br />
Built during the so called 10-11th century “Georgian Golden Era” Samtavisi cathedral is a built in classical Georgian style of the period. Layout on a cruciform ground plan with a high central cylindrical central cupola.
  • picture & image of the gate and bell tower of the Samtavisi Georgian Orthodox Cathedral, 11th century, Shida Karti Region, Georgia (country)<br />
<br />
Built during the so called 10-11th century “Georgian Golden Era” Samtavisi cathedral is a built in classical Georgian style of the period. Layout on a cruciform ground plan with a high central cylindrical central cupola.
  • picture & image of the interior and frescoes of the Samtavisi Georgian Orthodox Cathedral, 11th century, Shida Karti Region, Georgia (country)<br />
<br />
Built during the so called 10-11th century “Georgian Golden Era” Samtavisi cathedral is a built in classical Georgian style of the period. Layout on a cruciform ground plan with a high central cylindrical central cupola.
  • picture & image of the interior and frescoes of the Samtavisi Georgian Orthodox Cathedral, 11th century, Shida Karti Region, Georgia (country)<br />
<br />
Built during the so called 10-11th century “Georgian Golden Era” Samtavisi cathedral is a built in classical Georgian style of the period. Layout on a cruciform ground plan with a high central cylindrical central cupola.
  • picture & image of  the altar apse frescoes of the Samtavisi Georgian Orthodox Cathedral, 17th century, Shida Karti Region, Georgia (country)<br />
<br />
Built during the so called 10-11th century “Georgian Golden Era” Samtavisi cathedral is a built in classical Georgian style of the period. Layout on a cruciform ground plan with a high central cylindrical central cupola.
  • picture & image of a fresco of Christ Pantocrator in the altar apse of the Samtavisi Georgian Orthodox Cathedral, 17th century, Shida Karti Region, Georgia (country)<br />
<br />
Built during the so called 10-11th century “Georgian Golden Era” Samtavisi cathedral is a built in classical Georgian style of the period. Layout on a cruciform ground plan with a high central cylindrical central cupola.
  • picture & image of a fresco of Christ Pantocrator in the altar apse of the Samtavisi Georgian Orthodox Cathedral, 17th century, Shida Karti Region, Georgia (country)<br />
<br />
Built during the so called 10-11th century “Georgian Golden Era” Samtavisi cathedral is a built in classical Georgian style of the period. Layout on a cruciform ground plan with a high central cylindrical central cupola.
  • picture & image of a Christ Pantocrator fresco on the inteior of the cupola, Samtavisi Georgian Orthodox Cathedral, 17th century, Shida Karti Region, Georgia (country)<br />
<br />
Built during the so called 10-11th century “Georgian Golden Era” Samtavisi cathedral is a built in classical Georgian style of the period. Layout on a cruciform ground plan with a high central cylindrical central cupola.
  • picture & image of a Christ Pantocrator fresco on the inteior of the cupola, Samtavisi Georgian Orthodox Cathedral, 17th century, Shida Karti Region, Georgia (country)<br />
<br />
Built during the so called 10-11th century “Georgian Golden Era” Samtavisi cathedral is a built in classical Georgian style of the period. Layout on a cruciform ground plan with a high central cylindrical central cupola.
  • picture & image of geometric stone work around a window of Samtavisi Georgian Orthodox Cathedral, 11th century, Shida Karti Region, Georgia (country)<br />
<br />
Built during the so called 10-11th century “Georgian Golden Era” Samtavisi cathedral is a built in classical Georgian style of the period. Layout on a cruciform ground plan with a high central cylindrical central cupola.
  • picture & image of exterior stone work decorations of the Samtavisi Georgian Orthodox Cathedral, 11th century, Shida Karti Region, Georgia (country)<br />
<br />
Built during the so called 10-11th century “Georgian Golden Era” Samtavisi cathedral is a built in classical Georgian style of the period. Layout on a cruciform ground plan with a high central cylindrical central cupola.
  • picture & image of exterior stone work decorations of the Samtavisi Georgian Orthodox Cathedral, 11th century, Shida Karti Region, Georgia (country)<br />
<br />
Built during the so called 10-11th century “Georgian Golden Era” Samtavisi cathedral is a built in classical Georgian style of the period. Layout on a cruciform ground plan with a high central cylindrical central cupola.
  • picture & image of exterior stone work decorations of the Samtavisi Georgian Orthodox Cathedral, 11th century, Shida Karti Region, Georgia (country)<br />
<br />
Built during the so called 10-11th century “Georgian Golden Era” Samtavisi cathedral is a built in classical Georgian style of the period. Layout on a cruciform ground plan with a high central cylindrical central cupola.
  • picture & image of extrior stone work decorations of the Samtavisi Georgian Orthodox Cathedral, 11th century, Shida Karti Region, Georgia (country)<br />
<br />
Built during the so called 10-11th century “Georgian Golden Era” Samtavisi cathedral is a built in classical Georgian style of the period. Layout on a cruciform ground plan with a high central cylindrical central cupola.
  • Picture & image of Samtavisi Georgian Orthodox Cathedral, 11th century, Shida Karti Region, Georgia (country)<br />
<br />
Built during the so called 10-11th century “Georgian Golden Era” Samtavisi cathedral is a built in classical Georgian style of the period. Layout on a cruciform ground plan with a high central cylindrical central cupola.
  • Picture & image of Samtavisi Georgian Orthodox Cathedral, 11th century, Shida Karti Region, Georgia (country)<br />
<br />
Built during the so called 10-11th century “Georgian Golden Era” Samtavisi cathedral is a built in classical Georgian style of the period. Layout on a cruciform ground plan with a high central cylindrical central cupola.
  • Picture & image of Samtavisi Georgian Orthodox Cathedral, 11th century, Shida Karti Region, Georgia (country)<br />
<br />
Built during the so called 10-11th century “Georgian Golden Era” Samtavisi cathedral is a built in classical Georgian style of the period. Layout on a cruciform ground plan with a high central cylindrical central cupola.
  • Picture & image of Samtavisi Georgian Orthodox Cathedral, 11th century, Shida Karti Region, Georgia (country)<br />
<br />
Built during the so called 10-11th century “Georgian Golden Era” Samtavisi cathedral is a built in classical Georgian style of the period. Layout on a cruciform ground plan with a high central cylindrical central cupola.
  • Picture & image of Samtavisi Georgian Orthodox Cathedral, 11th century, Shida Karti Region, Georgia (country)<br />
<br />
Built during the so called 10-11th century “Georgian Golden Era” Samtavisi cathedral is a built in classical Georgian style of the period. Layout on a cruciform ground plan with a high central cylindrical central cupola.
  • Picture & image of Samtavisi Georgian Orthodox Cathedral, 11th century, Shida Karti Region, Georgia (country)<br />
<br />
Built during the so called 10-11th century “Georgian Golden Era” Samtavisi cathedral is a built in classical Georgian style of the period. Layout on a cruciform ground plan with a high central cylindrical central cupola.
  • Picture & image of Samtavisi Georgian Orthodox Cathedral, 11th century, Shida Karti Region, Georgia (country)<br />
<br />
Built during the so called 10-11th century “Georgian Golden Era” Samtavisi cathedral is a built in classical Georgian style of the period. Layout on a cruciform ground plan with a high central cylindrical central cupola.
  • Picture & image of Samtavisi Georgian Orthodox Cathedral, 11th century, Shida Karti Region, Georgia (country)<br />
<br />
Built during the so called 10-11th century “Georgian Golden Era” Samtavisi cathedral is a built in classical Georgian style of the period. Layout on a cruciform ground plan with a high central cylindrical central cupola.
  • Picture & image of Samtavisi Georgian Orthodox Cathedral, 11th century, Shida Karti Region, Georgia (country)<br />
<br />
Built during the so called 10-11th century “Georgian Golden Era” Samtavisi cathedral is a built in classical Georgian style of the period. Layout on a cruciform ground plan with a high central cylindrical central cupola.
  • Picture & image of Samtavisi Georgian Orthodox Cathedral, 11th century, Shida Karti Region, Georgia (country)<br />
<br />
Built during the so called 10-11th century “Georgian Golden Era” Samtavisi cathedral is a built in classical Georgian style of the period. Layout on a cruciform ground plan with a high central cylindrical central cupola.
  • Picture & image of Samtavisi Georgian Orthodox Cathedral, 11th century, Shida Karti Region, Georgia (country)<br />
<br />
Built during the so called 10-11th century “Georgian Golden Era” Samtavisi cathedral is a built in classical Georgian style of the period. Layout on a cruciform ground plan with a high central cylindrical central cupola.
  • Picture & image of Samtavisi Georgian Orthodox Cathedral, 11th century, Shida Karti Region, Georgia (country)<br />
<br />
Built during the so called 10-11th century “Georgian Golden Era” Samtavisi cathedral is a built in classical Georgian style of the period. Layout on a cruciform ground plan with a high central cylindrical central cupola.
  • Picture & image of Samtavisi Georgian Orthodox Cathedral, 11th century, Shida Karti Region, Georgia (country)<br />
<br />
Built during the so called 10-11th century “Georgian Golden Era” Samtavisi cathedral is a built in classical Georgian style of the period. Layout on a cruciform ground plan with a high central cylindrical central cupola.
  • Picture & image of Samtavisi Georgian Orthodox Cathedral, 11th century, Shida Karti Region, Georgia (country)<br />
<br />
Built during the so called 10-11th century “Georgian Golden Era” Samtavisi cathedral is a built in classical Georgian style of the period. Layout on a cruciform ground plan with a high central cylindrical central cupola.
  • Picture & image of Samtavisi Georgian Orthodox Cathedral, 11th century, Shida Karti Region, Georgia (country)<br />
<br />
Built during the so called 10-11th century “Georgian Golden Era” Samtavisi cathedral is a built in classical Georgian style of the period. Layout on a cruciform ground plan with a high central cylindrical central cupola.
  • Picture & images of the interior of the Church of the Transfiguration,  Ikalto monastery was founded by Saint Zenon, one of the 13 Syrian Fathers, in the late 6th century. Near Telavi, Kakheti, Eastern Georgia (Country).<br />
<br />
The Ikalto Monastery is famous for the Academy of Ikalto founded in the reign of King David the Builder by Arsen Ikaltoeli. The Academy of Ikalto trained its students in classical diciplins of rhetoric, astronomy, philosophy, geography, geometry as well as learning the skills of chantings, pottery and poetry. In the 12th century the Georgian poet Shota Rustaveli studied here.
  • Picture & images of the interior of the Church of the Transfiguration,  Ikalto monastery was founded by Saint Zenon, one of the 13 Syrian Fathers, in the late 6th century. Near Telavi, Kakheti, Eastern Georgia (Country).<br />
<br />
The Ikalto Monastery is famous for the Academy of Ikalto founded in the reign of King David the Builder by Arsen Ikaltoeli. The Academy of Ikalto trained its students in classical diciplins of rhetoric, astronomy, philosophy, geography, geometry as well as learning the skills of chantings, pottery and poetry. In the 12th century the Georgian poet Shota Rustaveli studied here.
  • Picture & images of the interior of the Church of the Transfiguration,  Ikalto monastery was founded by Saint Zenon, one of the 13 Syrian Fathers, in the late 6th century. Near Telavi, Kakheti, Eastern Georgia (Country).<br />
<br />
The Ikalto Monastery is famous for the Academy of Ikalto founded in the reign of King David the Builder by Arsen Ikaltoeli. The Academy of Ikalto trained its students in classical diciplins of rhetoric, astronomy, philosophy, geography, geometry as well as learning the skills of chantings, pottery and poetry. In the 12th century the Georgian poet Shota Rustaveli studied here.
  • Pictures of church of Kvelatsminda, Ikalto monastery was founded by Saint Zenon, one of the 13 Syrian Fathers, in the late 6th century. Near Telavi, Kakheti, Eastern Georgia (Country).<br />
<br />
The Ikalto Monastery is famous for the Academy of Ikalto founded in the reign of King David the Builder by Arsen Ikaltoeli. The Academy of Ikalto trained its students in classical diciplins of rhetoric, astronomy, philosophy, geography, geometry as well as learning the skills of chantings, pottery and poetry. In the 12th century the Georgian poet Shota Rustaveli studied here.
  • close up ictures & image of the Church of the Transfiguration of Ikalto monastery was founded by Saint Zenon, one of the 13 Syrian Fathers, in the late 6th century. Near Telavi, Kakheti, Eastern Georgia (Country).<br />
<br />
The Ikalto Monastery is famous for the Academy of Ikalto founded in the reign of King David the Builder by Arsen Ikaltoeli. The Academy of Ikalto trained its students in classical diciplins of rhetoric, astronomy, philosophy, geography, geometry as well as learning the skills of chantings, pottery and poetry. In the 12th century the Georgian poet Shota Rustaveli studied here.
  • close up ictures & image of the Church of the Transfiguration of Ikalto monastery was founded by Saint Zenon, one of the 13 Syrian Fathers, in the late 6th century. Near Telavi, Kakheti, Eastern Georgia (Country).<br />
<br />
The Ikalto Monastery is famous for the Academy of Ikalto founded in the reign of King David the Builder by Arsen Ikaltoeli. The Academy of Ikalto trained its students in classical diciplins of rhetoric, astronomy, philosophy, geography, geometry as well as learning the skills of chantings, pottery and poetry. In the 12th century the Georgian poet Shota Rustaveli studied here.
  • close up ictures & image of the Church of the Transfiguration of Ikalto monastery was founded by Saint Zenon, one of the 13 Syrian Fathers, in the late 6th century. Near Telavi, Kakheti, Eastern Georgia (Country).<br />
<br />
The Ikalto Monastery is famous for the Academy of Ikalto founded in the reign of King David the Builder by Arsen Ikaltoeli. The Academy of Ikalto trained its students in classical diciplins of rhetoric, astronomy, philosophy, geography, geometry as well as learning the skills of chantings, pottery and poetry. In the 12th century the Georgian poet Shota Rustaveli studied here.
  • close up ictures & image of the Church of the Transfiguration of Ikalto monastery was founded by Saint Zenon, one of the 13 Syrian Fathers, in the late 6th century. Near Telavi, Kakheti, Eastern Georgia (Country).<br />
<br />
The Ikalto Monastery is famous for the Academy of Ikalto founded in the reign of King David the Builder by Arsen Ikaltoeli. The Academy of Ikalto trained its students in classical diciplins of rhetoric, astronomy, philosophy, geography, geometry as well as learning the skills of chantings, pottery and poetry. In the 12th century the Georgian poet Shota Rustaveli studied here.
  • close up ictures & image of the Church of the Transfiguration of Ikalto monastery was founded by Saint Zenon, one of the 13 Syrian Fathers, in the late 6th century. Near Telavi, Kakheti, Eastern Georgia (Country).<br />
<br />
The Ikalto Monastery is famous for the Academy of Ikalto founded in the reign of King David the Builder by Arsen Ikaltoeli. The Academy of Ikalto trained its students in classical diciplins of rhetoric, astronomy, philosophy, geography, geometry as well as learning the skills of chantings, pottery and poetry. In the 12th century the Georgian poet Shota Rustaveli studied here.
  • Pictures & images of the Church of the Transfiguration of Ikalto monastery was founded by Saint Zenon, one of the 13 Syrian Fathers, in the late 6th century. Near Telavi, Kakheti, Eastern Georgia (Country).<br />
<br />
The Ikalto Monastery is famous for the Academy of Ikalto founded in the reign of King David the Builder by Arsen Ikaltoeli. The Academy of Ikalto trained its students in classical diciplins of rhetoric, astronomy, philosophy, geography, geometry as well as learning the skills of chantings, pottery and poetry. In the 12th century the Georgian poet Shota Rustaveli studied here.
  • Pictures & images of the Church of the Transfiguration of Ikalto monastery was founded by Saint Zenon, one of the 13 Syrian Fathers, in the late 6th century. Near Telavi, Kakheti, Eastern Georgia (Country).<br />
<br />
The Ikalto Monastery is famous for the Academy of Ikalto founded in the reign of King David the Builder by Arsen Ikaltoeli. The Academy of Ikalto trained its students in classical diciplins of rhetoric, astronomy, philosophy, geography, geometry as well as learning the skills of chantings, pottery and poetry. In the 12th century the Georgian poet Shota Rustaveli studied here.
  • Pictures & images of the Church of the Transfiguration of Ikalto monastery was founded by Saint Zenon, one of the 13 Syrian Fathers, in the late 6th century. Near Telavi, Kakheti, Eastern Georgia (Country).<br />
<br />
The Ikalto Monastery is famous for the Academy of Ikalto founded in the reign of King David the Builder by Arsen Ikaltoeli. The Academy of Ikalto trained its students in classical diciplins of rhetoric, astronomy, philosophy, geography, geometry as well as learning the skills of chantings, pottery and poetry. In the 12th century the Georgian poet Shota Rustaveli studied here.
  • Pictures & images of the Church of the Transfiguration of Ikalto monastery was founded by Saint Zenon, one of the 13 Syrian Fathers, in the late 6th century. Near Telavi, Kakheti, Eastern Georgia (Country).<br />
<br />
The Ikalto Monastery is famous for the Academy of Ikalto founded in the reign of King David the Builder by Arsen Ikaltoeli. The Academy of Ikalto trained its students in classical diciplins of rhetoric, astronomy, philosophy, geography, geometry as well as learning the skills of chantings, pottery and poetry. In the 12th century the Georgian poet Shota Rustaveli studied here.
  • Pictures & images of the Church of the Transfiguration of Ikalto monastery was founded by Saint Zenon, one of the 13 Syrian Fathers, in the late 6th century. Near Telavi, Kakheti, Eastern Georgia (Country).<br />
<br />
The Ikalto Monastery is famous for the Academy of Ikalto founded in the reign of King David the Builder by Arsen Ikaltoeli. The Academy of Ikalto trained its students in classical diciplins of rhetoric, astronomy, philosophy, geography, geometry as well as learning the skills of chantings, pottery and poetry. In the 12th century the Georgian poet Shota Rustaveli studied here.
  • Pictures & images of the Church of the Transfiguration of Ikalto monastery was founded by Saint Zenon, one of the 13 Syrian Fathers, in the late 6th century. Near Telavi, Kakheti, Eastern Georgia (Country).<br />
<br />
The Ikalto Monastery is famous for the Academy of Ikalto founded in the reign of King David the Builder by Arsen Ikaltoeli. The Academy of Ikalto trained its students in classical diciplins of rhetoric, astronomy, philosophy, geography, geometry as well as learning the skills of chantings, pottery and poetry. In the 12th century the Georgian poet Shota Rustaveli studied here.
  • Pictures & images of the Church of the Transfiguration of Ikalto monastery was founded by Saint Zenon, one of the 13 Syrian Fathers, in the late 6th century. Near Telavi, Kakheti, Eastern Georgia (Country).<br />
<br />
The Ikalto Monastery is famous for the Academy of Ikalto founded in the reign of King David the Builder by Arsen Ikaltoeli. The Academy of Ikalto trained its students in classical diciplins of rhetoric, astronomy, philosophy, geography, geometry as well as learning the skills of chantings, pottery and poetry. In the 12th century the Georgian poet Shota Rustaveli studied here.
  • Pictures & images of the Church of the Transfiguration of Ikalto monastery was founded by Saint Zenon, one of the 13 Syrian Fathers, in the late 6th century. Near Telavi, Kakheti, Eastern Georgia (Country).<br />
<br />
The Ikalto Monastery is famous for the Academy of Ikalto founded in the reign of King David the Builder by Arsen Ikaltoeli. The Academy of Ikalto trained its students in classical diciplins of rhetoric, astronomy, philosophy, geography, geometry as well as learning the skills of chantings, pottery and poetry. In the 12th century the Georgian poet Shota Rustaveli studied here.
  • Pictures & images of the Church of the Transfiguration of Ikalto monastery was founded by Saint Zenon, one of the 13 Syrian Fathers, in the late 6th century. Near Telavi, Kakheti, Eastern Georgia (Country).<br />
<br />
The Ikalto Monastery is famous for the Academy of Ikalto founded in the reign of King David the Builder by Arsen Ikaltoeli. The Academy of Ikalto trained its students in classical diciplins of rhetoric, astronomy, philosophy, geography, geometry as well as learning the skills of chantings, pottery and poetry. In the 12th century the Georgian poet Shota Rustaveli studied here.
  • Pictures & images of the Church of the Transfiguration of Ikalto monastery was founded by Saint Zenon, one of the 13 Syrian Fathers, in the late 6th century. Near Telavi, Kakheti, Eastern Georgia (Country).<br />
<br />
The Ikalto Monastery is famous for the Academy of Ikalto founded in the reign of King David the Builder by Arsen Ikaltoeli. The Academy of Ikalto trained its students in classical diciplins of rhetoric, astronomy, philosophy, geography, geometry as well as learning the skills of chantings, pottery and poetry. In the 12th century the Georgian poet Shota Rustaveli studied here.
  • Pictures & images of the Church of the Transfiguration of Ikalto monastery was founded by Saint Zenon, one of the 13 Syrian Fathers, in the late 6th century. Near Telavi, Kakheti, Eastern Georgia (Country).<br />
<br />
The Ikalto Monastery is famous for the Academy of Ikalto founded in the reign of King David the Builder by Arsen Ikaltoeli. The Academy of Ikalto trained its students in classical diciplins of rhetoric, astronomy, philosophy, geography, geometry as well as learning the skills of chantings, pottery and poetry. In the 12th century the Georgian poet Shota Rustaveli studied here.
  • Pictures & images of the Church of the Transfiguration of Ikalto monastery was founded by Saint Zenon, one of the 13 Syrian Fathers, in the late 6th century. Near Telavi, Kakheti, Eastern Georgia (Country).<br />
<br />
The Ikalto Monastery is famous for the Academy of Ikalto founded in the reign of King David the Builder by Arsen Ikaltoeli. The Academy of Ikalto trained its students in classical diciplins of rhetoric, astronomy, philosophy, geography, geometry as well as learning the skills of chantings, pottery and poetry. In the 12th century the Georgian poet Shota Rustaveli studied here.
  • Pictures & images of the Church of the Transfiguration of Ikalto monastery was founded by Saint Zenon, one of the 13 Syrian Fathers, in the late 6th century. Near Telavi, Kakheti, Eastern Georgia (Country).<br />
<br />
The Ikalto Monastery is famous for the Academy of Ikalto founded in the reign of King David the Builder by Arsen Ikaltoeli. The Academy of Ikalto trained its students in classical diciplins of rhetoric, astronomy, philosophy, geography, geometry as well as learning the skills of chantings, pottery and poetry. In the 12th century the Georgian poet Shota Rustaveli studied here.
  • Pictures & images of the Church of the Transfiguration of Ikalto monastery was founded by Saint Zenon, one of the 13 Syrian Fathers, in the late 6th century. Near Telavi, Kakheti, Eastern Georgia (Country).<br />
<br />
The Ikalto Monastery is famous for the Academy of Ikalto founded in the reign of King David the Builder by Arsen Ikaltoeli. The Academy of Ikalto trained its students in classical diciplins of rhetoric, astronomy, philosophy, geography, geometry as well as learning the skills of chantings, pottery and poetry. In the 12th century the Georgian poet Shota Rustaveli studied here.
  • Pictures & images of the Church of the Transfiguration of Ikalto monastery was founded by Saint Zenon, one of the 13 Syrian Fathers, in the late 6th century. Near Telavi, Kakheti, Eastern Georgia (Country).<br />
<br />
The Ikalto Monastery is famous for the Academy of Ikalto founded in the reign of King David the Builder by Arsen Ikaltoeli. The Academy of Ikalto trained its students in classical diciplins of rhetoric, astronomy, philosophy, geography, geometry as well as learning the skills of chantings, pottery and poetry. In the 12th century the Georgian poet Shota Rustaveli studied here.
  • Pictures & images of the Church of the Transfiguration of Ikalto monastery was founded by Saint Zenon, one of the 13 Syrian Fathers, in the late 6th century. Near Telavi, Kakheti, Eastern Georgia (Country).<br />
<br />
The Ikalto Monastery is famous for the Academy of Ikalto founded in the reign of King David the Builder by Arsen Ikaltoeli. The Academy of Ikalto trained its students in classical diciplins of rhetoric, astronomy, philosophy, geography, geometry as well as learning the skills of chantings, pottery and poetry. In the 12th century the Georgian poet Shota Rustaveli studied here.
  • Pictures & images of the Church of the Transfiguration of Ikalto monastery was founded by Saint Zenon, one of the 13 Syrian Fathers, in the late 6th century. Near Telavi, Kakheti, Eastern Georgia (Country).<br />
<br />
The Ikalto Monastery is famous for the Academy of Ikalto founded in the reign of King David the Builder by Arsen Ikaltoeli. The Academy of Ikalto trained its students in classical diciplins of rhetoric, astronomy, philosophy, geography, geometry as well as learning the skills of chantings, pottery and poetry. In the 12th century the Georgian poet Shota Rustaveli studied here.
  • Pictures & images of (left) the ruins of the refectory of the Academy of Ikalto and (right) the Church of the Transfiguration of Ikalto monastery was founded by Saint Zenon, one of the 13 Syrian Fathers, in the late 6th century. Near Telavi, Kakheti, Eastern Georgia (Country).<br />
<br />
The Ikalto Monastery is famous for the Academy of Ikalto founded in the reign of King David the Builder by Arsen Ikaltoeli. The Academy of Ikalto trained its students in classical diciplins of rhetoric, astronomy, philosophy, geography, geometry as well as learning the skills of chantings, pottery and poetry. In the 12th century the Georgian poet Shota Rustaveli studied here.
  • Pictures & images of the Church of the Transfiguration of Ikalto monastery was founded by Saint Zenon, one of the 13 Syrian Fathers, in the late 6th century. Near Telavi, Kakheti, Eastern Georgia (Country).<br />
<br />
The Ikalto Monastery is famous for the Academy of Ikalto founded in the reign of King David the Builder by Arsen Ikaltoeli. The Academy of Ikalto trained its students in classical diciplins of rhetoric, astronomy, philosophy, geography, geometry as well as learning the skills of chantings, pottery and poetry. In the 12th century the Georgian poet Shota Rustaveli studied here.
  • Pictures & images of the Church of the Transfiguration of Ikalto monastery was founded by Saint Zenon, one of the 13 Syrian Fathers, in the late 6th century. Near Telavi, Kakheti, Eastern Georgia (Country).<br />
<br />
The Ikalto Monastery is famous for the Academy of Ikalto founded in the reign of King David the Builder by Arsen Ikaltoeli. The Academy of Ikalto trained its students in classical diciplins of rhetoric, astronomy, philosophy, geography, geometry as well as learning the skills of chantings, pottery and poetry. In the 12th century the Georgian poet Shota Rustaveli studied here.
  • Pictures & images of the Church of the Transfiguration of Ikalto monastery was founded by Saint Zenon, one of the 13 Syrian Fathers, in the late 6th century. Near Telavi, Kakheti, Eastern Georgia (Country).<br />
<br />
The Ikalto Monastery is famous for the Academy of Ikalto founded in the reign of King David the Builder by Arsen Ikaltoeli. The Academy of Ikalto trained its students in classical diciplins of rhetoric, astronomy, philosophy, geography, geometry as well as learning the skills of chantings, pottery and poetry. In the 12th century the Georgian poet Shota Rustaveli studied here.
  • Pictures & images of the Church of the Transfiguration of Ikalto monastery was founded by Saint Zenon, one of the 13 Syrian Fathers, in the late 6th century. Near Telavi, Kakheti, Eastern Georgia (Country).<br />
<br />
The Ikalto Monastery is famous for the Academy of Ikalto founded in the reign of King David the Builder by Arsen Ikaltoeli. The Academy of Ikalto trained its students in classical diciplins of rhetoric, astronomy, philosophy, geography, geometry as well as learning the skills of chantings, pottery and poetry. In the 12th century the Georgian poet Shota Rustaveli studied here.
  • Pictures & images of the Church of the Transfiguration of Ikalto monastery was founded by Saint Zenon, one of the 13 Syrian Fathers, in the late 6th century. Near Telavi, Kakheti, Eastern Georgia (Country).<br />
<br />
The Ikalto Monastery is famous for the Academy of Ikalto founded in the reign of King David the Builder by Arsen Ikaltoeli. The Academy of Ikalto trained its students in classical diciplins of rhetoric, astronomy, philosophy, geography, geometry as well as learning the skills of chantings, pottery and poetry. In the 12th century the Georgian poet Shota Rustaveli studied here.
  • Pictures & images of (left) the ruins of the refectory of the Academy of Ikalto and (right) the Church of the Transfiguration of Ikalto monastery was founded by Saint Zenon, one of the 13 Syrian Fathers, in the late 6th century. Near Telavi, Kakheti, Eastern Georgia (Country).<br />
<br />
The Ikalto Monastery is famous for the Academy of Ikalto founded in the reign of King David the Builder by Arsen Ikaltoeli. The Academy of Ikalto trained its students in classical diciplins of rhetoric, astronomy, philosophy, geography, geometry as well as learning the skills of chantings, pottery and poetry. In the 12th century the Georgian poet Shota Rustaveli studied here.
  • Pictures & images of the Church of the Transfiguration of Ikalto monastery was founded by Saint Zenon, one of the 13 Syrian Fathers, in the late 6th century. Near Telavi, Kakheti, Eastern Georgia (Country).<br />
<br />
The Ikalto Monastery is famous for the Academy of Ikalto founded in the reign of King David the Builder by Arsen Ikaltoeli. The Academy of Ikalto trained its students in classical diciplins of rhetoric, astronomy, philosophy, geography, geometry as well as learning the skills of chantings, pottery and poetry. In the 12th century the Georgian poet Shota Rustaveli studied here.
  • Pictures & images of the Church of the Transfiguration of Ikalto monastery was founded by Saint Zenon, one of the 13 Syrian Fathers, in the late 6th century. Near Telavi, Kakheti, Eastern Georgia (Country).<br />
<br />
The Ikalto Monastery is famous for the Academy of Ikalto founded in the reign of King David the Builder by Arsen Ikaltoeli. The Academy of Ikalto trained its students in classical diciplins of rhetoric, astronomy, philosophy, geography, geometry as well as learning the skills of chantings, pottery and poetry. In the 12th century the Georgian poet Shota Rustaveli studied here.
  • close up ictures & image of the Church of the Transfiguration of Ikalto monastery was founded by Saint Zenon, one of the 13 Syrian Fathers, in the late 6th century. Near Telavi, Kakheti, Eastern Georgia (Country).<br />
<br />
The Ikalto Monastery is famous for the Academy of Ikalto founded in the reign of King David the Builder by Arsen Ikaltoeli. The Academy of Ikalto trained its students in classical diciplins of rhetoric, astronomy, philosophy, geography, geometry as well as learning the skills of chantings, pottery and poetry. In the 12th century the Georgian poet Shota Rustaveli studied here.
  • Pictures & images of the Church of the Transfiguration of Ikalto monastery was founded by Saint Zenon, one of the 13 Syrian Fathers, in the late 6th century. Near Telavi, Kakheti, Eastern Georgia (Country).<br />
<br />
The Ikalto Monastery is famous for the Academy of Ikalto founded in the reign of King David the Builder by Arsen Ikaltoeli. The Academy of Ikalto trained its students in classical diciplins of rhetoric, astronomy, philosophy, geography, geometry as well as learning the skills of chantings, pottery and poetry. In the 12th century the Georgian poet Shota Rustaveli studied here.
  • Pictures & images of the Church of the Transfiguration of Ikalto monastery was founded by Saint Zenon, one of the 13 Syrian Fathers, in the late 6th century. Near Telavi, Kakheti, Eastern Georgia (Country).<br />
<br />
The Ikalto Monastery is famous for the Academy of Ikalto founded in the reign of King David the Builder by Arsen Ikaltoeli. The Academy of Ikalto trained its students in classical diciplins of rhetoric, astronomy, philosophy, geography, geometry as well as learning the skills of chantings, pottery and poetry. In the 12th century the Georgian poet Shota Rustaveli studied here.
  • close up ictures & image of the Church of the Transfiguration of Ikalto monastery was founded by Saint Zenon, one of the 13 Syrian Fathers, in the late 6th century. Near Telavi, Kakheti, Eastern Georgia (Country).<br />
<br />
The Ikalto Monastery is famous for the Academy of Ikalto founded in the reign of King David the Builder by Arsen Ikaltoeli. The Academy of Ikalto trained its students in classical diciplins of rhetoric, astronomy, philosophy, geography, geometry as well as learning the skills of chantings, pottery and poetry. In the 12th century the Georgian poet Shota Rustaveli studied here.
  • Pictures of the Neo classical style stone sculpture of the Francesca Curro Tomb sculpted by G Navonne in 1895. The monumental tombs of the Staglieno Monumental Cemetery, Genoa, Italy
  • Pictures of the Neo classical style stone sculpture of the Antonio Curro Tomb sculpted by G Navonne in 1895. The monumental tombs of the Staglieno Monumental Cemetery, Genoa, Italy
  • Pictures of the Neo classical style stone sculpture of the Curro Family Tomb sculpted by G Navonne in 1895. The monumental tombs of the Staglieno Monumental Cemetery, Genoa, Ital
  • Pictures of the Neo classical style stone sculpture of the Curro Family Tomb sculpted by G Navonne in 1895. The monumental tombs of the Staglieno Monumental Cemetery, Genoa, Ital
  • Picture and image of a classical style stone angel sculpture by sculptor  Santo Varni (Genoa, 1807 – 1885), The monumental tombs of the Staglieno Monumental Cemetery, Genoa, Italy
  • Pictures of the stone classical sculptured of an angel on a monumental tombs of Guiseppe Ghiglioni,  Staglieno Monumental Cemetery. Sculptor Giovanni Battista Cevasco 1870,  Genoa, Italy
  • Pictures of the stone classical sculptured of an angel on a monumental tombs of Giovanni Chiarella,  Staglieno Monumental Cemetery. Sculptor Giovanni Battista Cevasco 1851,  Genoa, Italy
  • Picture and image of a classical style stone angel sculpture by sculptor  Santo Varni (Genoa, 1807 – 1885), The monumental tombs of the Staglieno Monumental Cemetery, Genoa, Italy
  • Pictures of the classical stone sculptured monumental tombs of the Staglieno Monumental Cemetery, Genoa, Italy
  • Close up picture of the Roman mosaics of the Peristyle depicting animals in a geometric mosaic wreath inside square panels, room no 13 at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.<br />
<br />
The peristyle mosaic floor of Villa Romana del Casale is decorated with square mosaic repeating designs which have a rope design geometric mosaic on the outside, inside which is are laurel wreath mosaics which surround Protomas, the representation of the head and neck of an animal often used decoratively in architecture, of wild and domesticated animals. The two sides of the peristyle have been identified as one side for visitors use and the other for the family. The peristyle mosaics lead on both sides around three sides of the peristyle to steps that lead up to the corridor of the Great Hunt Mosaics,
  • Close up picture of the Roman mosaics of the Peristyle depicting animals in a geometric mosaic wreath inside square panels, room no 13 at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.<br />
<br />
The peristyle mosaic floor of Villa Romana del Casale is decorated with square mosaic repeating designs which have a rope design geometric mosaic on the outside, inside which is are laurel wreath mosaics which surround Protomas, the representation of the head and neck of an animal often used decoratively in architecture, of wild and domesticated animals. The two sides of the peristyle have been identified as one side for visitors use and the other for the family. The peristyle mosaics lead on both sides around three sides of the peristyle to steps that lead up to the corridor of the Great Hunt Mosaics,
  • Close up picture of the Roman mosaics of the Peristyle depicting animals in a geometric mosaic wreath inside square panels, room no 13 at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.<br />
<br />
The peristyle mosaic floor of Villa Romana del Casale is decorated with square mosaic repeating designs which have a rope design geometric mosaic on the outside, inside which is are laurel wreath mosaics which surround Protomas, the representation of the head and neck of an animal often used decoratively in architecture, of wild and domesticated animals. The two sides of the peristyle have been identified as one side for visitors use and the other for the family. The peristyle mosaics lead on both sides around three sides of the peristyle to steps that lead up to the corridor of the Great Hunt Mosaics,
  • Close up picture of the Roman mosaics of the Peristyle depicting animals in a geometric mosaic wreath inside square panels, room no 13 at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.<br />
<br />
The peristyle mosaic floor of Villa Romana del Casale is decorated with square mosaic repeating designs which have a rope design geometric mosaic on the outside, inside which is are laurel wreath mosaics which surround Protomas, the representation of the head and neck of an animal often used decoratively in architecture, of wild and domesticated animals. The two sides of the peristyle have been identified as one side for visitors use and the other for the family. The peristyle mosaics lead on both sides around three sides of the peristyle to steps that lead up to the corridor of the Great Hunt Mosaics,
  • Close up picture of the Roman mosaics of the Peristyle depicting animals in a geometric mosaic wreath inside square panels, room no 13 at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.<br />
<br />
The peristyle mosaic floor of Villa Romana del Casale is decorated with square mosaic repeating designs which have a rope design geometric mosaic on the outside, inside which is are laurel wreath mosaics which surround Protomas, the representation of the head and neck of an animal often used decoratively in architecture, of wild and domesticated animals. The two sides of the peristyle have been identified as one side for visitors use and the other for the family. The peristyle mosaics lead on both sides around three sides of the peristyle to steps that lead up to the corridor of the Great Hunt Mosaics,
  • Close up picture of the Roman mosaics of the Peristyle depicting animals in a geometric mosaic wreath inside square panels, room no 13 at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.<br />
<br />
The peristyle mosaic floor of Villa Romana del Casale is decorated with square mosaic repeating designs which have a rope design geometric mosaic on the outside, inside which is are laurel wreath mosaics which surround Protomas, the representation of the head and neck of an animal often used decoratively in architecture, of wild and domesticated animals. The two sides of the peristyle have been identified as one side for visitors use and the other for the family. The peristyle mosaics lead on both sides around three sides of the peristyle to steps that lead up to the corridor of the Great Hunt Mosaics,
  • Close up picture of the Roman mosaics of the Peristyle depicting animals in a geometric mosaic wreath inside square panels, room no 13 at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.<br />
<br />
The peristyle mosaic floor of Villa Romana del Casale is decorated with square mosaic repeating designs which have a rope design geometric mosaic on the outside, inside which is are laurel wreath mosaics which surround Protomas, the representation of the head and neck of an animal often used decoratively in architecture, of wild and domesticated animals. The two sides of the peristyle have been identified as one side for visitors use and the other for the family. The peristyle mosaics lead on both sides around three sides of the peristyle to steps that lead up to the corridor of the Great Hunt Mosaics,
  • Close up picture of the Roman mosaics of the Peristyle depicting animals in a geometric mosaic wreath inside square panels, room no 13 at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.<br />
<br />
The peristyle mosaic floor of Villa Romana del Casale is decorated with square mosaic repeating designs which have a rope design geometric mosaic on the outside, inside which is are laurel wreath mosaics which surround Protomas, the representation of the head and neck of an animal often used decoratively in architecture, of wild and domesticated animals. The two sides of the peristyle have been identified as one side for visitors use and the other for the family. The peristyle mosaics lead on both sides around three sides of the peristyle to steps that lead up to the corridor of the Great Hunt Mosaics,
  • St Stephen's Basilica, ( Szent Istvan Bazilika ) , Neo Classical building, Budapest, Hungary
  • St Stephen's Basilica, ( Szent Istvan Bazilika ) , Neo Classical building, Budapest, Hungary
  • St Stephen's Basilica, ( Szent Istvan Bazilika ) , Neo Classical building, Budapest, Hungary
  • St Stephen's Basilica, ( Szent Istvan Bazilika ) , Neo Classical building, Budapest, Hungary
  • St Stephen's Basilica, ( Szent Istvan Bazilika ) , Neo Classical building, Budapest, Hungary
  • St Stephen's Basilica, ( Szent Istvan Bazilika ) , Neo Classical building, Budapest, Hungary
  • Interior of  St Stephen's Basilica, ( Szent Istvan Bazilika ) , Neo Classical building, Budapest, Hungary
  • Interior of  St Stephen's Basilica, ( Szent Istvan Bazilika ) , Neo Classical building, Budapest, Hungary
  • Interior of  St Stephen's Basilica, ( Szent Istvan Bazilika ) , Neo Classical building, Budapest, Hungary
  • St Stephen's Basilica, ( Szent Istvan Bazilika ) , Neo Classical building, Budapest, Hungary
  • St Stephen's Basilica, ( Szent Istvan Bazilika ) , Neo Classical building, Budapest, Hungary
  • St Stephen's Basilica, ( Szent Istvan Bazilika ) , Neo Classical building, Budapest, Hungary
  • St Stephen's Basilica, ( Szent Istvan Bazilika ) , Neo Classical building, Budapest, Hungary
  • St Stephen's Basilica, ( Szent Istvan Bazilika ) , Neo Classical building, Budapest, Hungary
  • St Stephen's Basilica, ( Szent Istvan Bazilika ) , Neo Classical building, Budapest, Hungary
  • St Stephen's Basilica, ( Szent Istvan Bazilika ) , Neo Classical building, Budapest, Hungary
  • St Stephen's Basilica, ( Szent Istvan Bazilika ) , Neo Classical building, Budapest, Hungary
  • The Neo Classical chapel of the Achilleion  [ Achilles, ???????? ]  Palace [ 1890 built by Elizabeth [ Sissi ] Emperess of Austria
  • The Neo Classical Pompeian style Achilleion  [ Achilles, ???????? ]  Palace [ 1890 built by Elizabeth [ Sissi ] Emperess of Austria
  • The Neo Classical chapel of the Achilleion  [ Achilles, ???????? ]  Palace [ 1890 built by Elizabeth [ Sissi ] Emperess of Austria
  • The Neo Classical Pompeian style Achilleion  [ Achilles, ???????? ]  Palace [ 1890 built by Elizabeth [ Sissi ] Emperess of Austria
  • The Neo Classical Pompeian style Achilleion  [ Achilles, ???????? ]  Palace [ 1890 built by Elizabeth [ Sissi ] Emperess of Austria
  • The Neo Classical Pompeian style Achilleion  [ Achilles, ???????? ]  Palace [ 1890 built by Elizabeth [ Sissi ] Emperess of Austria
  • Third Room of The Library. Queen Mary Caroline commissioned  German painter Freidrich Heinrich Fuger to decorate the Third Library Room. The paintings on the wall represent classical themes of: The Parnassus with Apollo and the Three Graces, The Envy and the Richness, The School of Athens, The protection of The Arts. The two globes represent the planisphere and the astral map and were donated to Ferdinand IV of Bourbon by King of France Louis XVI, his brother-in-law. The Kings of Naples Royal Palace of Caserta, Italy. A UNESCO World Heritage Site
  • Third Room of The Library. Queen Mary Caroline commissioned  German painter Freidrich Heinrich Fuger to decorate the Third Library Room. The paintings on the wall represent classical themes of: The Parnassus with Apollo and the Three Graces, The Envy and the Richness, The School of Athens, The protection of The Arts. The two globes represent the planisphere and the astral map and were donated to Ferdinand IV of Bourbon by King of France Louis XVI, his brother-in-law. The Kings of Naples Royal Palace of Caserta, Italy. A UNESCO World Heritage Site
  • Third Room of The Library. Queen Mary Caroline commissioned  German painter Freidrich Heinrich Fuger to decorate the Third Library Room. The paintings on the wall represent classical themes of: The Parnassus with Apollo and the Three Graces, The Envy and the Richness, The School of Athens, The protection of The Arts. The two globes represent the planisphere and the astral map and were donated to Ferdinand IV of Bourbon by King of France Louis XVI, his brother-in-law. The Kings of Naples Royal Palace of Caserta, Italy. A UNESCO World Heritage Site
  • Third Room of The Library. Queen Mary Caroline commissioned  German painter Freidrich Heinrich Fuger to decorate the Third Library Room. The paintings on the wall represent classical themes of: The Parnassus with Apollo and the Three Graces, The Envy and the Richness, The School of Athens, The protection of The Arts. The two globes represent the planisphere and the astral map and were donated to Ferdinand IV of Bourbon by King of France Louis XVI, his brother-in-law. The Kings of Naples Royal Palace of Caserta, Italy. A UNESCO World Heritage Site
  • 6th century Inscription of the great hall of the synagogue of Nam-Ham-mam-Lif in the Roman province of Africa Proconsularis, present day Tunisia. The mosaic floor of the vestibule (porticus) was an offering from Asterius son of Rusticus, the Head of the Jewish community who was working in the Naro jewellers trade. The mosaic reads in Latin  "Asterius, filius Rustici, arcosinagogi, margaritari, (de d(onis) dei partemporticites-selavit".  The Bardo National Museum, Tunis Tunisia.   Against a grey background.<br />
<br />
The so called synagogue of Naro (Hammam-Lif, Tunisia), discovered in 1883, is a square buil-ding (20 by 20 m), consisting of several rooms and hallways communicating with an inner courtyard. The plan is inspired by traditional domestic architecture of Roman Africa. The room, dedicated to religious ceremonies, was paved with a magnificent mosaic of several figured panels with an iconography highlighting Judaeo-Christian concepts, attesting a proselyte attitude addressing a local Judaic community, who was very active between the late fifth c. and the early sixth century AD.
  • 6th century Inscription of the great hall of the synagogue of Nam-Ham-mam-Lif in the Roman province of Africa Proconsularis, present day Tunisia. The mosaic floor of the vestibule (porticus) was an offering from Asterius son of Rusticus, the Head of the Jewish community who was working in the Naro jewellers trade. The mosaic reads in Latin  "Asterius, filius Rustici, arcosinagogi, margaritari, (de d(onis) dei partemporticites-selavit".  The Bardo National Museum, Tunis Tunisia<br />
<br />
The so called synagogue of Naro (Hammam-Lif, Tunisia), discovered in 1883, is a square buil-ding (20 by 20 m), consisting of several rooms and hallways communicating with an inner courtyard. The plan is inspired by traditional domestic architecture of Roman Africa. The room, dedicated to religious ceremonies, was paved with a magnificent mosaic of several figured panels with an iconography highlighting Judaeo-Christian concepts, attesting a proselyte attitude addressing a local Judaic community, who was very active between the late fifth c. and the early sixth century AD.
  • Roman mosaic of a Church with Towers, Eastern Mediterranean, 5th century AD. The church has three naves and is represented in a 'flattened Perspective’ as can be seen by the facade and along sides forming a straight continuous line. The mosaic shows the architecture of early Roman Chriatian Basilicas. Inv 3676, The Louvre Museum, Paris
  • Roman mosaic of a Church with Towers, Eastern Mediterranean, 5th century AD. The church has three naves and is represented in a 'flattened Perspective’ as can be seen by the facade and along sides forming a straight continuous line. The mosaic shows the architecture of early Roman Chriatian Basilicas. Inv 3676, The Louvre Museum, Paris
  • Roman mosaic of a Church with Towers, Eastern Mediterranean, 5th century AD. The church has three naves and is represented in a 'flattened Perspective’ as can be seen by the facade and along sides forming a straight continuous line. The mosaic shows the architecture of early Roman Chriatian Basilicas. Inv 3676, The Louvre Museum, Paris
  • Roman mosaic of a Church with Towers, Eastern Mediterranean, 5th century AD. The church has three naves and is represented in a 'flattened Perspective’ as can be seen by the facade and along sides forming a straight continuous line. The mosaic shows the architecture of early Roman Chriatian Basilicas. Inv 3676, The Louvre Museum, Paris
  • Reconstruction of  the inside of the Greek Tomb of  the Diver  [La Tomba del Truffatore] from the Greek city of Poseidonia which became Roman Paestum. .   The rear panel is from one of the long sides of the tomb and shows a symposium of men lying on couches facing low tables on which goblets have been placed.  The abondon experienced at the Synposium was one way in which the dead could access the next world .  The fresco on the lid of the tomb and shows a  diving from a column into water. The column represents the border of thye known world and therefore the limit of man's knowledge.  The dive represents the passage form this world to the next. The tomb is painted with the true fresco technique and its importance lies in being "the only example of Greek painting with figured scenes dating from the Orientalizing, Archaic, or Classical periods to survive in its entirety. Paestrum, Andriuolo.  (480-470 BC  )
  • Reconstruction of  the inside of the Greek Tomb of  the Diver  [La Tomba del Truffatore] from the Greek city of Poseidonia which became Roman Paestum. .   The rear panel is from one of the long sides of the tomb and shows a symposium of men lying on couches facing low tables on which goblets have been placed.  The abondon experienced at the Synposium was one way in which the dead could access the next world .  The fresco on the lid of the tomb and shows a  diving from a column into water. The column represents the border of thye known world and therefore the limit of man's knowledge.  The dive represents the passage form this world to the next. The tomb is painted with the true fresco technique and its importance lies in being "the only example of Greek painting with figured scenes dating from the Orientalizing, Archaic, or Classical periods to survive in its entirety. Paestrum, Andriuolo.  (480-470 BC  )
  • Reconstruction of  the inside of the Greek Tomb of  the Diver  [La Tomba del Truffatore] from the Greek city of Poseidonia which became Roman Paestum. .   The rear panel is from one of the long sides of the tomb and shows a symposium of men lying on couches facing low tables on which goblets have been placed.  The abondon experienced at the Synposium was one way in which the dead could access the next world .  The fresco on the lid of the tomb and shows a  diving from a column into water. The column represents the border of thye known world and therefore the limit of man's knowledge.  The dive represents the passage form this world to the next. The tomb is painted with the true fresco technique and its importance lies in being "the only example of Greek painting with figured scenes dating from the Orientalizing, Archaic, or Classical periods to survive in its entirety. Paestrum, Andriuolo.  (480-470 BC  )
  • Reconstruction of  the inside of the Greek Tomb of  the Diver  [La Tomba del Truffatore]. The rear panel is from one of the long sides of the tomb and shows a symposium of men lying on couches facing low tables.  The men on the couches are playing the song of Eros the liar and the flute to distract the deceased from worldly thoughts so he can enter the next world. The fresco on the lid of the tomb and shows a  diving from a column into water. The column represents the border of thye known world and therefore the limit of man's knowledge.  The dive represents the passage form this world to the next. The tomb is painted with the true fresco technique and its importance lies in being "the only example of Greek painting with figured scenes dating from the Orientalizing, Archaic, or Classical periods to survive in its entirety. Paestrum, Andriuolo.  (480-470 BC  )
  • Reconstruction of  the inside of the Greek Tomb of  the Diver  [La Tomba del Truffatore]. The rear panel is from one of the long sides of the tomb and shows a symposium of men lying on couches facing low tables.  The men on the couches are playing the song of Eros the liar and the flute to distract the deceased from worldly thoughts so he can enter the next world. The fresco on the lid of the tomb and shows a  diving from a column into water. The column represents the border of thye known world and therefore the limit of man's knowledge.  The dive represents the passage form this world to the next. The tomb is painted with the true fresco technique and its importance lies in being "the only example of Greek painting with figured scenes dating from the Orientalizing, Archaic, or Classical periods to survive in its entirety. Paestrum, Andriuolo.  (480-470 BC  )
  • Reconstruction of  the inside of the Greek Tomb of  the Diver  [La Tomba del Truffatore]. The rear panel is from one of the long sides of the tomb and shows a symposium of men lying on couches facing low tables.  The men on the couches are playing the song of Eros the liar and the flute to distract the deceased from worldly thoughts so he can enter the next world. The fresco on the lid of the tomb and shows a  diving from a column into water. The column represents the border of thye known world and therefore the limit of man's knowledge.  The dive represents the passage form this world to the next. The tomb is painted with the true fresco technique and its importance lies in being "the only example of Greek painting with figured scenes dating from the Orientalizing, Archaic, or Classical periods to survive in its entirety. Paestrum, Andriuolo.  (480-470 BC  )
  • Greek Fresco on the inside of Tomb of  the Diver  [La Tomba del Truffatore] from the Greek city of Poseidonia which became Roman Paestum. This panel is from one of the long sides of the tomb and shows a symposium of men lying on couches facing low tables.  The men on the couches are playing the song of Eros the liar and the flute to distract the deceased from worldly thoughts so he can enter the next world. The tomb is painted with the true fresco technique and its importance lies in being "the only example of Greek painting with figured scenes dating from the Orientalizing, Archaic, or Classical periods to survive in its entirety. Paestrum, Andriuolo.  (480-470 BC  )
  • Greek Fresco on the inside of Tomb of  the Diver  [La Tomba del Truffatore]. This panel is from the lid of the tomb and shows a  diving from a column into water. The column represents the border of thye known world and therefore the limit of man's knowledge.  The dive represents the passage form this world to the next. The tomb is painted with the true fresco technique and its importance lies in being "the only example of Greek painting with figured scenes dating from the Orientalizing, Archaic, or Classical periods to survive in its entirety.  Paestrum, Andriuolo.  (480-470 BC  )
  • Greek Fresco on the inside of Tomb of  the Diver  [La Tomba del Truffatore]. This panel is from the lid of the tomb and shows a  diving from a column into water. The column represents the border of thye known world and therefore the limit of man's knowledge.  The dive represents the passage form this world to the next. The tomb is painted with the true fresco technique and its importance lies in being "the only example of Greek painting with figured scenes dating from the Orientalizing, Archaic, or Classical periods to survive in its entirety.  Paestrum, Andriuolo.  (480-470 BC  )
  • Greek Fresco on the inside of Tomb of  the Diver  [La Tomba del Truffatore]. This panel is from one of the long sides of the tomb and shows a symposium of men lying on couches facing low tables on which goblets have been placed.  The abondon experienced at the Synposium was one way in which the dead could access the next world . The tomb is painted with the true fresco technique and its importance lies in being "the only example of Greek painting with figured scenes dating from the Orientalizing, Archaic, or Classical periods to survive in its entirety. Paestrum, Andriuolo.  (480-470 BC  )
  • Greek Fresco on the inside of Tomb of  the Diver  [La Tomba del Truffatore]. The dead man is depicted listenening to the flute of Eros which causes him to be distracted from the real world so being able to enter the next The tomb is painted with the true fresco technique and its importance lies in being "the only example of Greek painting with figured scenes dating from the Orientalizing, Archaic, or Classical periods to survive in its entirety .Paestrum, Andriuolo.  (480-470 BC  )
  • Greek Fresco on the inside of Tomb of  the Diver  [La Tomba del Truffatore]. The dead man is depicted listenening to the flute of Eros which causes him to be distracted from the real world so being able to enter the next The tomb is painted with the true fresco technique and its importance lies in being "the only example of Greek painting with figured scenes dating from the Orientalizing, Archaic, or Classical periods to survive in its entirety .Paestrum, Andriuolo.  (480-470 BC  )
  • Greek Fresco on the inside of Tomb of  the Diver  [La Tomba del Truffatore]. The tomb is painted with the true fresco technique and its importance lies in being "the only example of Greek painting with figured scenes dating from the Orientalizing, Archaic, or Classical periods to survive in its entirety. This panel from the short side of the tomb shows a man with a wreathed wine crater . Paestrum, Andriuolo.  (480-470 BC  )
  • 6th century Inscription of the great hall of the synagogue of Nam-Ham-mam-Lif in the Roman province of Africa Proconsularis, present day Tunisia. The mosaic floor of the vestibule (porticus) was an offering from Asterius son of Rusticus, the Head of the Jewish community who was working in the Naro jewellers trade. The mosaic reads in Latin  "Asterius, filius Rustici, arcosinagogi, margaritari, (de d(onis) dei partemporticites-selavit".  The Bardo National Museum, Tunis Tunisia.  Against a white background.<br />
<br />
The so called synagogue of Naro (Hammam-Lif, Tunisia), discovered in 1883, is a square buil-ding (20 by 20 m), consisting of several rooms and hallways communicating with an inner courtyard. The plan is inspired by traditional domestic architecture of Roman Africa. The room, dedicated to religious ceremonies, was paved with a magnificent mosaic of several figured panels with an iconography highlighting Judaeo-Christian concepts, attesting a proselyte attitude addressing a local Judaic community, who was very active between the late fifth c. and the early sixth century AD.
  • 6th century Inscription of the great hall of the synagogue of Nam-Ham-mam-Lif in the Roman province of Africa Proconsularis, present day Tunisia. The mosaic floor of the vestibule (porticus) was an offering from Asterius son of Rusticus, the Head of the Jewish community who was working in the Naro jewellers trade. The mosaic reads in Latin  "Asterius, filius Rustici, arcosinagogi, margaritari, (de d(onis) dei partemporticites-selavit".  The Bardo National Museum, Tunis Tunisia.  Against a black background.<br />
<br />
The so called synagogue of Naro (Hammam-Lif, Tunisia), discovered in 1883, is a square buil-ding (20 by 20 m), consisting of several rooms and hallways communicating with an inner courtyard. The plan is inspired by traditional domestic architecture of Roman Africa. The room, dedicated to religious ceremonies, was paved with a magnificent mosaic of several figured panels with an iconography highlighting Judaeo-Christian concepts, attesting a proselyte attitude addressing a local Judaic community, who was very active between the late fifth c. and the early sixth century AD.
  • 6th century Inscription of the great hall of the synagogue of Nam-Ham-mam-Lif in the Roman province of Africa Proconsularis, present day Tunisia. The mosaic floor of the vestibule (porticus) was an offering from Asterius son of Rusticus, the Head of the Jewish community who was working in the Naro jewellers trade. The mosaic reads in Latin  "Asterius, filius Rustici, arcosinagogi, margaritari, (de d(onis) dei partemporticites-selavit".  The Bardo National Museum, Tunis Tunisia. Against a grey art background.<br />
<br />
The so called synagogue of Naro (Hammam-Lif, Tunisia), discovered in 1883, is a square buil-ding (20 by 20 m), consisting of several rooms and hallways communicating with an inner courtyard. The plan is inspired by traditional domestic architecture of Roman Africa. The room, dedicated to religious ceremonies, was paved with a magnificent mosaic of several figured panels with an iconography highlighting Judaeo-Christian concepts, attesting a proselyte attitude addressing a local Judaic community, who was very active between the late fifth c. and the early sixth century AD.
  • Roman mosaic of a Church with Towers, Eastern Mediterranean, 5th century AD. The church has three naves and is represented in a 'flattened Perspective’ as can be seen by the facade and along sides forming a straight continuous line. The mosaic shows the architecture of early Roman Chriatian Basilicas. Inv 3676, The Louvre Museum, Paris
  • Roman mosaic of a Church with Towers, Eastern Mediterranean, 5th century AD. The church has three naves and is represented in a 'flattened Perspective’ as can be seen by the facade and along sides forming a straight continuous line. The mosaic shows the architecture of early Roman Chriatian Basilicas. Inv 3676, The Louvre Museum, Paris
  • Reconstruction of  the inside of the Greek Tomb of  the Diver  [La Tomba del Truffatore] from the Greek city of Poseidonia which became Roman Paestum. .   The rear panel is from one of the long sides of the tomb and shows a symposium of men lying on couches facing low tables on which goblets have been placed.  The abondon experienced at the Synposium was one way in which the dead could access the next world .  The fresco on the lid of the tomb and shows a  diving from a column into water. The column represents the border of thye known world and therefore the limit of man's knowledge.  The dive represents the passage form this world to the next. The tomb is painted with the true fresco technique and its importance lies in being "the only example of Greek painting with figured scenes dating from the Orientalizing, Archaic, or Classical periods to survive in its entirety. Paestrum, Andriuolo.  (480-470 BC  )
  • Reconstruction of  the inside of the Greek Tomb of  the Diver  [La Tomba del Truffatore]. The rear panel is from one of the long sides of the tomb and shows a symposium of men lying on couches facing low tables.  The men on the couches are playing the song of Eros the liar and the flute to distract the deceased from worldly thoughts so he can enter the next world. The fresco on the lid of the tomb and shows a  diving from a column into water. The column represents the border of thye known world and therefore the limit of man's knowledge.  The dive represents the passage form this world to the next. The tomb is painted with the true fresco technique and its importance lies in being "the only example of Greek painting with figured scenes dating from the Orientalizing, Archaic, or Classical periods to survive in its entirety. Paestrum, Andriuolo.  (480-470 BC  )
  • Reconstruction of  the inside of the Greek Tomb of  the Diver  [La Tomba del Truffatore]. The rear panel is from one of the long sides of the tomb and shows a symposium of men lying on couches facing low tables.  The men on the couches are playing the song of Eros the liar and the flute to distract the deceased from worldly thoughts so he can enter the next world. The fresco on the lid of the tomb and shows a  diving from a column into water. The column represents the border of thye known world and therefore the limit of man's knowledge.  The dive represents the passage form this world to the next. The tomb is painted with the true fresco technique and its importance lies in being "the only example of Greek painting with figured scenes dating from the Orientalizing, Archaic, or Classical periods to survive in its entirety. Paestrum, Andriuolo.  (480-470 BC  )
  • Greek Fresco on the inside of Tomb of  the Diver  [La Tomba del Truffatore] from the Greek city of Poseidonia which became Roman Paestum. This panel is from one of the long sides of the tomb and shows a symposium of men lying on couches facing low tables.  The men on the couches are playing the song of Eros the liar and the flute to distract the deceased from worldly thoughts so he can enter the next world. The tomb is painted with the true fresco technique and its importance lies in being "the only example of Greek painting with figured scenes dating from the Orientalizing, Archaic, or Classical periods to survive in its entirety. Paestrum, Andriuolo.  (480-470 BC  )
  • Greek Fresco on the inside of Tomb of  the Diver  [La Tomba del Truffatore] from the Greek city of Poseidonia which became Roman Paestum. This panel is from one of the long sides of the tomb and shows a symposium of men lying on couches facing low tables.  The men on the couches are playing the song of Eros the liar and the flute to distract the deceased from worldly thoughts so he can enter the next world. The tomb is painted with the true fresco technique and its importance lies in being "the only example of Greek painting with figured scenes dating from the Orientalizing, Archaic, or Classical periods to survive in its entirety. Paestrum, Andriuolo.  (480-470 BC  )
  • Greek Fresco on the inside of Tomb of  the Diver  [La Tomba del Truffatore] from the Greek city of Poseidonia which became Roman Paestum. This panel is from one of the long sides of the tomb and shows a symposium of men lying on couches facing low tables.  The men on the couches are playing the song of Eros the liar and the flute to distract the deceased from worldly thoughts so he can enter the next world. The tomb is painted with the true fresco technique and its importance lies in being "the only example of Greek painting with figured scenes dating from the Orientalizing, Archaic, or Classical periods to survive in its entirety. Paestrum, Andriuolo.  (480-470 BC  )
  • Greek Fresco on the inside of Tomb of  the Diver  [La Tomba del Truffatore]. This panel is from the lid of the tomb and shows a  diving from a column into water. The column represents the border of thye known world and therefore the limit of man's knowledge.  The dive represents the passage form this world to the next. The tomb is painted with the true fresco technique and its importance lies in being "the only example of Greek painting with figured scenes dating from the Orientalizing, Archaic, or Classical periods to survive in its entirety.  Paestrum, Andriuolo.  (480-470 BC  )
  • Greek Fresco on the inside of Tomb of  the Diver  [La Tomba del Truffatore]. This panel is from the lid of the tomb and shows a  diving from a column into water. The column represents the border of thye known world and therefore the limit of man's knowledge.  The dive represents the passage form this world to the next. The tomb is painted with the true fresco technique and its importance lies in being "the only example of Greek painting with figured scenes dating from the Orientalizing, Archaic, or Classical periods to survive in its entirety.  Paestrum, Andriuolo.  (480-470 BC  )
  • Greek Fresco on the inside of Tomb of  the Diver  [La Tomba del Truffatore]. This panel is from one of the long sides of the tomb and shows a symposium of men lying on couches facing low tables on which goblets have been placed.  The abondon experienced at the Synposium was one way in which the dead could access the next world . The tomb is painted with the true fresco technique and its importance lies in being "the only example of Greek painting with figured scenes dating from the Orientalizing, Archaic, or Classical periods to survive in its entirety. Paestrum, Andriuolo.  (480-470 BC  )
  • Greek Fresco on the inside of Tomb of  the Diver  [La Tomba del Truffatore]. This panel is from one of the long sides of the tomb and shows a symposium of men lying on couches facing low tables on which goblets have been placed.  The abondon experienced at the Synposium was one way in which the dead could access the next world . The tomb is painted with the true fresco technique and its importance lies in being "the only example of Greek painting with figured scenes dating from the Orientalizing, Archaic, or Classical periods to survive in its entirety. Paestrum, Andriuolo.  (480-470 BC  )
  • Greek Fresco on the inside of Tomb of  the Diver  [La Tomba del Truffatore]. This panel is from one of the long sides of the tomb and shows a symposium of men lying on couches facing low tables on which goblets have been placed.  The abondon experienced at the Synposium was one way in which the dead could access the next world . The tomb is painted with the true fresco technique and its importance lies in being "the only example of Greek painting with figured scenes dating from the Orientalizing, Archaic, or Classical periods to survive in its entirety. Paestrum, Andriuolo.  (480-470 BC  )
  • Greek Fresco on the inside of Tomb of  the Diver  [La Tomba del Truffatore]. The dead man is depicted listenening to the flute of Eros which causes him to be distracted from the real world so being able to enter the next The tomb is painted with the true fresco technique and its importance lies in being "the only example of Greek painting with figured scenes dating from the Orientalizing, Archaic, or Classical periods to survive in its entirety .Paestrum, Andriuolo.  (480-470 BC  )
  • Greek Fresco on the inside of Tomb of  the Diver  [La Tomba del Truffatore]. The dead man is depicted listenening to the flute of Eros which causes him to be distracted from the real world so being able to enter the next The tomb is painted with the true fresco technique and its importance lies in being "the only example of Greek painting with figured scenes dating from the Orientalizing, Archaic, or Classical periods to survive in its entirety .Paestrum, Andriuolo.  (480-470 BC  )
  • Greek Fresco on the inside of Tomb of  the Diver  [La Tomba del Truffatore]. The tomb is painted with the true fresco technique and its importance lies in being "the only example of Greek painting with figured scenes dating from the Orientalizing, Archaic, or Classical periods to survive in its entirety. This panel from the short side of the tomb shows a man with a wreathed wine crater . Paestrum, Andriuolo.  (480-470 BC  )
  • Greek Fresco on the inside of Tomb of  the Diver  [La Tomba del Truffatore]. The tomb is painted with the true fresco technique and its importance lies in being "the only example of Greek painting with figured scenes dating from the Orientalizing, Archaic, or Classical periods to survive in its entirety. This panel from the short side of the tomb shows a man with a wreathed wine crater . Paestrum, Andriuolo.  (480-470 BC  )
  • Greek Fresco on the inside of Tomb of  the Diver  [La Tomba del Truffatore]. The tomb is painted with the true fresco technique and its importance lies in being "the only example of Greek painting with figured scenes dating from the Orientalizing, Archaic, or Classical periods to survive in its entirety. This panel from the short side of the tomb shows a man with a wreathed wine crater . Paestrum, Andriuolo.  (480-470 BC  )
  • A Neo Classic column in the  English gardens  designed by Capability Brown.  Buckingham, England
  • A Neo Classic column in the  English gardens  designed by Capability Brown.  Buckingham, England
  • The Unfinished rock monument of Midas, 8th - 6th century BC . Midas City, Yazilikaya, Eskisehir, Turkey.<br />
<br />
This rock facade was planned but never finished and so little is known about the unfinished Monument. It is also known locally as the Kucuk Yazilikaya ( “little written rock”), since it appears to have been planned as a smaller version of the Midas Monument, also called Yazilikaya. It measures 7m x 10m and faces west, unlike the other monument at Midas whose facades face east. Since it was never completed, it was gives some idea of the construction techniques : first the rock was flattened and then the facade was carved from the top down. The architectural frame and the ornament were carved at the same time. About  2m below the monument are a smaller facade, to the left and a small cut altar to the right.
  • The Unfinished rock monument of Midas, 8th - 6th century BC . Midas City, Yazilikaya, Eskisehir, Turkey.<br />
<br />
This rock facade was planned but never finished and so little is known about the unfinished Monument. It is also known locally as the Kucuk Yazilikaya ( “little written rock”), since it appears to have been planned as a smaller version of the Midas Monument, also called Yazilikaya. It measures 7m x 10m and faces west, unlike the other monument at Midas whose facades face east. Since it was never completed, it was gives some idea of the construction techniques : first the rock was flattened and then the facade was carved from the top down. The architectural frame and the ornament were carved at the same time. About  2m below the monument are a smaller facade, to the left and a small cut altar to the right.
  • The Unfinished rock monument of Midas, 8th - 6th century BC . Midas City, Yazilikaya, Eskisehir, Turkey.<br />
<br />
This rock facade was planned but never finished and so little is known about the unfinished Monument. It is also known locally as the Kucuk Yazilikaya ( “little written rock”), since it appears to have been planned as a smaller version of the Midas Monument, also called Yazilikaya. It measures 7m x 10m and faces west, unlike the other monument at Midas whose facades face east. Since it was never completed, it was gives some idea of the construction techniques : first the rock was flattened and then the facade was carved from the top down. The architectural frame and the ornament were carved at the same time. About  2m below the monument are a smaller facade, to the left and a small cut altar to the right.
  • Statue of  Andreas Miaoulis, celebrated admiral of the Greek War of Independence, and the Neo Classic City Hall of Ermoupolis, Miaoulis Square, Syros [ ????? ] , Greek Cyclades Islands
  • The Neo Classic City Hall of Ermoupolis, Miaoulis Square, Syros [ ????? ] , Greek Cyclades Islands
  • The Neo Classic City Hall of Ermoupolis, Miaoulis Square, Syros [ ????? ] , Greek Cyclades Islands
  • The Neo Classic City Hall of Ermoupolis, Miaoulis Square, Syros [ ????? ] , Greek Cyclades Islands
  • The Neo Classic City Hall of Ermoupolis, Miaoulis Square, Syros [ ????? ] , Greek Cyclades Islands
  • The Neo Classic City Hall of Ermoupolis, Miaoulis Square, Syros [ ????? ] , Greek Cyclades Islands
  • The Neo Classic City Hall of Ermoupolis, Miaoulis Square and the Greek Orthodox Church of Anastasis built in 1870 on the top of Vrodado Hill,  Ermoupolis, Syros [ ????? ] , Greek Cyclades Islands
  • The Neo Classic City Hall of Ermoupolis, Miaoulis Square, Syros [ ????? ] , Greek Cyclades Islands
  • Neo Classic buildings of Ermoupolis, Miaoulis Square, Syros [ ????? ] , Greek Cyclades Islands
  • The Neo Classic City Hall of Ermoupolis, Miaoulis Square and the Greek Orthodox Church of Anastasis built in 1870 on the top of Vrodado Hill,  Ermoupolis, Syros [ ????? ] , Greek Cyclades Islands
  • The Neo Classic City Hall of Ermoupolis, Miaoulis Square and the Greek Orthodox Church of Anastasis built in 1870 on the top of Vrodado Hill,  Ermoupolis, Syros [ ????? ] , Greek Cyclades Islands
  • Statue of  Andreas Miaoulis, celebrated admiral of the Greek War of Independence, and the Neo Classic City Hall of Ermoupolis, Miaoulis Square, Syros [ ????? ] , Greek Cyclades Islands
  • Statue of  Andreas Miaoulis, celebrated admiral of the Greek War of Independence, and the Neo Classic City Hall of Ermoupolis, Miaoulis Square, Syros [ ????? ] , Greek Cyclades Islands
  • The Neo Classic City Hall of Ermoupolis, Miaoulis Square, Syros [ ????? ] , Greek Cyclades Islands
  • The Neo Classic City Hall of Ermoupolis, Miaoulis Square, Syros [ ????? ] , Greek Cyclades Islands
  • The Neo Classic City Hall of Ermoupolis, Miaoulis Square, Syros [ ????? ] , Greek Cyclades Islands
  • The Neo Classic City Hall of Ermoupolis, Miaoulis Square, Syros [ ????? ] , Greek Cyclades Islands
  • The Neo Classic City Hall of Ermoupolis, Miaoulis Square, Syros [ ????? ] , Greek Cyclades Islands
  • The Neo Classic City Hall of Ermoupolis, Miaoulis Square, Syros [ ????? ] , Greek Cyclades Islands
  • The Neo Classic City Hall of Ermoupolis, Miaoulis Square, Syros [ ????? ] , Greek Cyclades Islands
  • The Neo Classic City Hall of Ermoupolis, Miaoulis Square, Syros [ ????? ] , Greek Cyclades Islands

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