• Sculpture of Lapiths and  Centaurs battling from the Metope of the Parthenon on the Acropolis of Athens. South Metope no II. Also known as the Elgin marbles. British Museum London. The Lapith holds a Centaur by the throat. The diagnal of the Lapiths body across the Centaur is often used in Greek Classical art to depict strife.
  • Sculpture of Lapiths and  Centaurs battling from the Metope of the Parthenon on the Acropolis of Athens. South Metope no II. Also known as the Elgin marbles. British Museum London. The Lapith holds a Centaur by the throat. The diagnal of the Lapiths body across the Centaur is often used in Greek Classical art to depict strife.
  • Sculpture of Lapiths and  Centaurs battling from the Metope of the Parthenon on the Acropolis of Athens. South Metope no II. Also known as the Elgin marbles. British Museum London. The Lapith holds a Centaur by the throat. The diagnal of the Lapiths body across the Centaur is often used in Greek Classical art to depict strife.
  • Marble Releif Sculptures from the east frieze around the Parthenon Block IV 24-27. From the Parthenon of the Acropolis Athens. A British Museum Exhibit known as The Elgin Marbles. Far Richt Ares sits holding his knee  to his left Demeter is leaning on one wrist, a sign of mouring, grieving for her daughter Persaphone who had been abducted by the gods of the underworld.
  • Marble Releif Sculptures from the east frieze around the Parthenon Block IV 24-27. From the Parthenon of the Acropolis Athens. A British Museum Exhibit known as The Elgin Marbles. Far Richt Ares sits holding his knee  to his left Demeter is leaning on one wrist, a sign of mouring, grieving for her daughter Persaphone who had been abducted by the gods of the underworld.
  • Marble Releif Sculptures from the east frieze around the Parthenon Block IV 24-27. From the Parthenon of the Acropolis Athens. A British Museum Exhibit known as The Elgin Marbles. Far Richt Ares sits holding his knee  to his left Demeter is leaning on one wrist, a sign of mouring, grieving for her daughter Persaphone who had been abducted by the gods of the underworld.
  • Marble Releif Sculptures from the east frieze around the Parthenon Block IV 24-27. From the Parthenon of the Acropolis Athens. A British Museum Exhibit known as The Elgin Marbles. Far Richt Ares sits holding his knee  to his left Demeter is leaning on one wrist, a sign of mouring, grieving for her daughter Persaphone who had been abducted by the gods of the underworld.
  • Marble Releif Sculptures from the frieze around the Parthenon Block V 28-32. From the Parthenon of the Acropolis Athens. A British Museum Exhibit known as The Elgin Marbles. Athena looks round at Zeus
  • Marble Releif Sculptures from the frieze around the Parthenon Block V 28-32. From the Parthenon of the Acropolis Athens. A British Museum Exhibit known as The Elgin Marbles. Athena looks round at Zeus
  • Marble Releif Sculptures from the east frieze around the Parthenon Block IV 20-27. From the Parthenon of the Acropolis Athens. A British Museum Exhibit known as The Elgin Marbles. Far Richt Ares sits holding his knee  to his left Demeter is leaning on one wrist, a sign of mouring, grieving for her daughter Persaphone who had been abducted by the gods of the underworld.
  • Marble Releif Sculptures from the east frieze around the Parthenon Block V 28 to 37 . From the Parthenon of the Acropolis Athens. A British Museum Exhibit known as The Elgin Marbles. This frieze depicts the goddess Athena & Zeus
  • Marble Releif Sculptures from the east frieze around the Parthenon Block IV 20-27. From the Parthenon of the Acropolis Athens. A British Museum Exhibit known as The Elgin Marbles. Far Richt Ares sits holding his knee  to his left Demeter is leaning on one wrist, a sign of mouring, grieving for her daughter Persaphone who had been abducted by the gods of the underworld.
  • Marble Releif Sculptures from the south  frieze around the Parthenon Block XLVI 142-144. From the Parthenon of the Acropolis Athens. A British Museum Exhibit known as The Elgin Marbles
  • Marble Releif Sculptures from the frieze around the Parthenon Block XXXVII to XLI  100 to 114 . From the Parthenon of the Acropolis Athens. A British Museum Exhibit known as The Elgin Marbles
  • Marble Releif Sculptures from the south  frieze around the Parthenon Block XLVI 142-144. From the Parthenon of the Acropolis Athens. A British Museum Exhibit known as The Elgin Marbles
  • Marble Releif Sculptures from the south frieze around the Parthenon Block XLI 122-124. From the Parthenon of the Acropolis Athens. A British Museum Exhibit known as The Elgin Marbles. End of the South freize as cattle are led to be sacrificed
  • Marble Releif Sculptures from the south frieze around the Parthenon Block XLI 122-124. From the Parthenon of the Acropolis Athens. A British Museum Exhibit known as The Elgin Marbles. End of the South freize as cattle are led to be sacrificed
  • Marble Releif Sculptures from the frieze around the Parthenon Block XXXVII to XLI  100 to 114 . From the Parthenon of the Acropolis Athens. A British Museum Exhibit known as The Elgin Marbles
  • Marble Releif Sculptures from the south frieze around the Parthenon Block XLI 122-124. From the Parthenon of the Acropolis Athens. A British Museum Exhibit known as The Elgin Marbles. End of the South freize as cattle are led to be sacrificed
  • Marble Releif Sculptures from the north frieze around the Parthenon Block XLII 115-117. From the Parthenon of the Acropolis Athens. A British Museum Exhibit known as The Elgin Marbles
  • Marble Releif Sculptures from the north frieze around the Parthenon Block XLII 115-117. From the Parthenon of the Acropolis Athens. A British Museum Exhibit known as The Elgin Marbles
  • Marble Releif Sculptures from the north frieze around the Parthenon Block XLII 115-117. From the Parthenon of the Acropolis Athens. A British Museum Exhibit known as The Elgin Marbles
  • Marble Releif Sculptures from the north frieze around the Parthenon Block XLIII 118-120. From the Parthenon of the Acropolis Athens. A British Museum Exhibit known as The Elgin Marbles
  • Marble Releif Sculptures from the north frieze around the Parthenon Block XLIII 118-120. From the Parthenon of the Acropolis Athens. A British Museum Exhibit known as The Elgin Marbles
  • Marble Releif Sculptures from the north frieze around the Parthenon Block XLIII 118-120. From the Parthenon of the Acropolis Athens. A British Museum Exhibit known as The Elgin Marbles
  • Marble Releif Sculptures from the north frieze around the Parthenon Block XLIV 122-123 . From the Parthenon of the Acropolis Athens. A British Museum Exhibit known as The Elgin Marbles
  • Marble Releif Sculptures from the north frieze around the Parthenon Block XLIV 122-123 . From the Parthenon of the Acropolis Athens. A British Museum Exhibit known as The Elgin Marbles
  • Marble Releif Sculptures from the frieze around the Parthenon Block II. From the Parthenon of the Acropolis Athens. A British Museum Exhibit known as The Elgin Marbles
  • Marble Releif Sculptures from the frieze around the Parthenon Block II. From the Parthenon of the Acropolis Athens. A British Museum Exhibit known as The Elgin Marbles
  • Marble Releif Sculptures from the frieze around the Parthenon Block II. From the Parthenon of the Acropolis Athens. A British Museum Exhibit known as The Elgin Marbles
  • Releif Sculptures from the frieze around the Parthenon Block IV. From the Parthenon of the Acropolis Athens. A British Museum Exhibit known as The Elgin Marbles
  • Releif Sculptures from the frieze around the Parthenon Block IV. From the Parthenon of the Acropolis Athens. A British Museum Exhibit known as The Elgin Marbles
  • Releif Sculptures from the frieze around the Parthenon Block V. From the Parthenon of the Acropolis Athens. A British Museum Exhibit known as The Elgin Marbles
  • Releif Sculptures from the frieze around the Parthenon Block V. From the Parthenon of the Acropolis Athens. A British Museum Exhibit known as The Elgin Marbles
  • Releif Sculptures from the frieze around the Parthenon Block VIII. From the Parthenon of the Acropolis Athens. A British Museum Exhibit known as The Elgin Marbles
  • Releif Sculptures from the frieze around the Parthenon Block VIII. From the Parthenon of the Acropolis Athens. A British Museum Exhibit known as The Elgin Marbles
  • Releif Sculptures from the frieze around the Parthenon Block VIII. From the Parthenon of the Acropolis Athens. A British Museum Exhibit known as The Elgin Marbles
  • Releif Sculptures from the frieze around the Parthenon Block VI. From the Parthenon of the Acropolis Athens. A British Museum Exhibit known as The Elgin Marbles
  • Releif Sculptures from the frieze around the Parthenon Block VI. From the Parthenon of the Acropolis Athens. A British Museum Exhibit known as The Elgin Marbles
  • Releif Sculptures from the frieze around the Parthenon Block XV. From the Parthenon of the Acropolis Athens. A British Museum Exhibit known as The Elgin Marbles
  • Releif Sculptures from the frieze around the Parthenon Block XV. From the Parthenon of the Acropolis Athens. A British Museum Exhibit known as The Elgin Marbles
  • Releif Sculptures from the frieze around the Parthenon Block XV. From the Parthenon of the Acropolis Athens. A British Museum Exhibit known as The Elgin Marbles
  • Marble Releif Sculptures from the east frieze around the Parthenon Block V 28 to 37 . From the Parthenon of the Acropolis Athens. A British Museum Exhibit known as The Elgin Marbles. This frieze depicts the goddess Athena & Zeus
  • Marble Releif Sculptures from the east frieze around the Parthenon Block IV 20-23. From the Parthenon of the Acropolis Athens. A British Museum Exhibit known as The Elgin Marbles
  • Marble Releif Sculptures from the south  frieze around the Parthenon Block XLVI 142-144. From the Parthenon of the Acropolis Athens. A British Museum Exhibit known as The Elgin Marbles
  • Marble Releif Sculptures from the frieze around the Parthenon Block XLII to XLIV 115 to 124  . From the Parthenon of the Acropolis Athens. A British Museum Exhibit known as The Elgin Marbles
  • Marble Releif Sculptures from the frieze around the Parthenon Block XLII to XLIV 115 to 124  . From the Parthenon of the Acropolis Athens. A British Museum Exhibit known as The Elgin Marbles
  • Marble Releif Sculptures from the north frieze around the Parthenon Block XLIV 122-123 . From the Parthenon of the Acropolis Athens. A British Museum Exhibit known as The Elgin Marbles
  • Releif Sculptures from the frieze around the Parthenon Block IV. From the Parthenon of the Acropolis Athens. A British Museum Exhibit known as The Elgin Marbles
  • Releif Sculptures from the frieze around the Parthenon Block VI. From the Parthenon of the Acropolis Athens. A British Museum Exhibit known as The Elgin Marbles
  • Releif Sculptures from the frieze around the Parthenon Block V. From the Parthenon of the Acropolis Athens. A British Museum Exhibit known as The Elgin Marbles
  • Sculpture of Lapiths and  Centaurs battling from the Metope of the Parthenon on the Acropolis of Athens no XXVIII. Also known as the Elgin marbles. British Museum London.
  • Sculpture of Lapiths and  Centaurs battling from the Metope of the Parthenon on the Acropolis of Athens. Also known as the Elgin marbles. British Museum London.
  • Sculpture of Lapiths and  Centaurs battling from the Metope of the Parthenon on the Acropolis of Athens no XXVII. Also known as the Elgin marbles. British Museum London. This is one of the most dramatic compositions of the Metopes with the Lapith preparing to make a final strike and the cloak of the Centaur fanning out
  • Sculpture of Lapiths and  Centaurs battling from the Metope of the Parthenon on the Acropolis of Athens no XXVII. Also known as the Elgin marbles. British Museum London. This is one of the most dramatic compositions of the Metopes with the Lapith preparing to make a final strike and the cloak of the Centaur fanning out
  • Sculpture of Lapiths and  Centaurs battling from the Metope of the Parthenon on the Acropolis of Athens no XXVII. Also known as the Elgin marbles. British Museum London. This is one of the most dramatic compositions of the Metopes with the Lapith preparing to make a final strike and the cloak of the Centaur fanning out
  • Sculpture of Lapiths and  Centaurs battling from the Metope of the Parthenon on the Acropolis of Athens no XXIX. Also known as the Elgin marbles. British Museum London. A Centaur with pointed ears is carrying off a virgin.
  • Sculpture of Lapiths and  Centaurs battling from the south east corner Metope of the Parthenon on the Acropolis of Athens no XXXII. Also known as the Elgin marbles. British Museum London.
  • Sculpture of Lapiths and  Centaurs battling from the Metope of the Parthenon on the Acropolis of Athens No III. Also known as the Elgin marbles. British Museum London.
  • Sculpture of Lapiths and  Centaurs battling from the Metope of the Parthenon on the Acropolis of Athens No III. Also known as the Elgin marbles. British Museum London.
  • Sculpture of Lapiths and  Centaurs battling from the Metope of the Parthenon on the Acropolis of Athens No III. Also known as the Elgin marbles. British Museum London.
  • Sculpture of Lapiths and  Centaurs battling from the Metope of the Parthenon on the Acropolis of Athens no XXVIII. Also known as the Elgin marbles. British Museum London.
  • Sculpture of Lapiths and  Centaurs battling from the Metope of the Parthenon on the Acropolis of Athens no XXVIII. Also known as the Elgin marbles. British Museum London.
  • Sculpture of Lapiths and  Centaurs battling from the Metope of the Parthenon on the Acropolis of Athens. Also known as the Elgin marbles. British Museum London.
  • Sculpture of Lapiths and  Centaurs battling from the Metope of the Parthenon on the Acropolis of Athens. Also known as the Elgin marbles. British Museum London.
  • Sculpture of Lapiths and  Centaurs battling from the Metope of the Parthenon on the Acropolis of Athens no XXIX. Also known as the Elgin marbles. British Museum London. A Centaur with pointed ears is carrying off a virgin.
  • Sculpture of Lapiths and  Centaurs battling from the Metope of the Parthenon on the Acropolis of Athens no XXIX. Also known as the Elgin marbles. British Museum London. A Centaur with pointed ears is carrying off a virgin.
  • Sculpture of Lapiths and  Centaurs battling from the Metope of the Parthenon on the Acropolis of Athens no XXX. Also known as the Elgin marbles. British Museum London. The Centaur is about to trample the Lapith who is picking up a stone as his final defence.
  • Sculpture of Lapiths and  Centaurs battling from the Metope of the Parthenon on the Acropolis of Athens no XXX. Also known as the Elgin marbles. British Museum London. The Centaur is about to trample the Lapith who is picking up a stone as his final defence.
  • Sculpture of Lapiths and  Centaurs battling from the Metope of the Parthenon on the Acropolis of Athens no XXX. Also known as the Elgin marbles. British Museum London. The Centaur is about to trample the Lapith who is picking up a stone as his final defence.
  • Sculpture of Lapiths and  Centaurs battling from the south east corner Metope of the Parthenon on the Acropolis of Athens no XXXII. Also known as the Elgin marbles. British Museum London.
  • Sculpture of Lapiths and  Centaurs battling from the south east corner Metope of the Parthenon on the Acropolis of Athens no XXXII. Also known as the Elgin marbles. British Museum London.
  • Sculpture of Lapiths and  Centaurs battling from the Metope of the Parthenon on the Acropolis of Athens. South Metope no II. Also known as the Elgin marbles. British Museum London. The Lapith holds a Centaur by the throat. The diagnal of the Lapiths body across the Centaur is often used in Greek Classical art to depict strife.
  • Sculpture of Lapiths and  Centaurs battling from the Metope of the Parthenon on the Acropolis of Athens. South Metope no II. Also known as the Elgin marbles. British Museum London. The Lapith holds a Centaur by the throat. The diagnal of the Lapiths body across the Centaur is often used in Greek Classical art to depict strife.
  • Marble Releif Sculptures from the frieze around the Parthenon Block V 28-32. From the Parthenon of the Acropolis Athens. A British Museum Exhibit known as The Elgin Marbles. Athena looks round at Zeus
  • Marble Releif Sculptures from the east frieze around the Parthenon Block V 28 to 37 . From the Parthenon of the Acropolis Athens. A British Museum Exhibit known as The Elgin Marbles. This frieze depicts the goddess Athena & Zeus
  • Marble Releif Sculptures from the frieze around the Parthenon Block XXXVII to XLI  100 to 114 . From the Parthenon of the Acropolis Athens. A British Museum Exhibit known as The Elgin Marbles
  • Marble Releif Sculptures from the frieze around the Parthenon Block XLII to XLIV 115 to 124  . From the Parthenon of the Acropolis Athens. A British Museum Exhibit known as The Elgin Marbles
  • Marble Releif Sculptures from the north frieze around the Parthenon Block XLII 115-117. From the Parthenon of the Acropolis Athens. A British Museum Exhibit known as The Elgin Marbles
  • Marble Releif Sculptures from the north frieze around the Parthenon Block XLIII 118-120. From the Parthenon of the Acropolis Athens. A British Museum Exhibit known as The Elgin Marbles
  • Releif Sculptures from the frieze around the Parthenon Block V. From the Parthenon of the Acropolis Athens. A British Museum Exhibit known as The Elgin Marbles
  • Releif Sculptures from the frieze around the Parthenon Block XV. From the Parthenon of the Acropolis Athens. A British Museum Exhibit known as The Elgin Marbles
  • Marble Releif Sculptures from the east frieze around the Parthenon Block IV 24-27. From the Parthenon of the Acropolis Athens. A British Museum Exhibit known as The Elgin Marbles. Far Richt Ares sits holding his knee  to his left Demeter is leaning on one wrist, a sign of mouring, grieving for her daughter Persaphone who had been abducted by the gods of the underworld.
  • Marble Releif Sculptures from the east frieze around the Parthenon Block IV 20-27. From the Parthenon of the Acropolis Athens. A British Museum Exhibit known as The Elgin Marbles. Far Richt Ares sits holding his knee  to his left Demeter is leaning on one wrist, a sign of mouring, grieving for her daughter Persaphone who had been abducted by the gods of the underworld.
  • Marble Releif Sculptures from the south  frieze around the Parthenon Block XLVI 142-144. From the Parthenon of the Acropolis Athens. A British Museum Exhibit known as The Elgin Marbles
  • Marble Releif Sculptures from the south frieze around the Parthenon Block XLI 122-124. From the Parthenon of the Acropolis Athens. A British Museum Exhibit known as The Elgin Marbles. End of the South freize as cattle are led to be sacrificed
  • Marble Releif Sculptures from the north frieze around the Parthenon Block XLIV 122-123 . From the Parthenon of the Acropolis Athens. A British Museum Exhibit known as The Elgin Marbles
  • Releif Sculptures from the frieze around the Parthenon Block VIII. From the Parthenon of the Acropolis Athens. A British Museum Exhibit known as The Elgin Marbles
  • Releif Sculptures from the frieze around the Parthenon Block VI. From the Parthenon of the Acropolis Athens. A British Museum Exhibit known as The Elgin Marbles
  • Figures from the East Pediment of the Parthenon, Acropolis Athens. From left to right cat no D Dionysos ,middle E & F Demeter & Persephone, left G Hebe. British Museum London Exhibit
  • Figures from the East Pediment of the Parthenon, Acropolis Athens. From left to right cat no D Dionysos ,middle E & F Demeter & Persephone, left G Hebe. British Museum London Exhibit
  • Figures from the East Pediment of the Parthenon, Acropolis Athens. From left to right cat no D Dionysos ,middle E & F Demeter & Persephone, left G Hebe. British Museum London Exhibit
  • Figures from the East Pediment of the Parthenon, Acropolis Athens. From left to right cat no K possibly the goddess Hestia ,L & M probably the goddess Aphrodite lying the the lap of Dione her mother. British Museum London Exhibit
  • Figures from the East Pediment of the Parthenon, Acropolis Athens. From left to right cat no K possibly the goddess Hestia ,L & M probably the goddess Aphrodite lying the the lap of Dione her mother. British Museum London Exhibit
  • Figures from the East Pediment of the Parthenon, Acropolis Athens. From left to right cat no K possibly the goddess Hestia ,L & M probably the goddess Aphrodite lying the the lap of Dione her mother. British Museum London Exhibit
  • Figures from the East Pediment of the Parthenon, Acropolis Athens. From left to right cat no K possibly the goddess Hestia ,L & M probably the goddess Aphrodite lying the the lap of Dione her mother. British Museum London Exhibit
  • Sculpture of Lapiths and  Centaurs battling from the Metope of the Parthenon on the Acropolis of Athens no XXIX. Also known as the Elgin marbles. British Museum London. A Centaur with pointed ears is carrying off a virgin.
  • Sculpture of Lapiths and  Centaurs battling from the Metope of the Parthenon on the Acropolis of Athens No III. Also known as the Elgin marbles. British Museum London.
  • Sculpture of Lapiths and  Centaurs battling from the Metope of the Parthenon on the Acropolis of Athens No III. Also known as the Elgin marbles. British Museum London.
  • Sculpture of Lapiths and  Centaurs battling from the Metope of the Parthenon on the Acropolis of Athens no XXVIII. Also known as the Elgin marbles. British Museum London.
  • Sculpture of Lapiths and  Centaurs battling from the Metope of the Parthenon on the Acropolis of Athens no XXVIII. Also known as the Elgin marbles. British Museum London.
  • Sculpture of Lapiths and  Centaurs battling from the Metope of the Parthenon on the Acropolis of Athens. Also known as the Elgin marbles. British Museum London.
  • Sculpture of Lapiths and  Centaurs battling from the Metope of the Parthenon on the Acropolis of Athens. Also known as the Elgin marbles. British Museum London.
  • Sculpture of Lapiths and  Centaurs battling from the Metope of the Parthenon on the Acropolis of Athens no XXVII. Also known as the Elgin marbles. British Museum London. This is one of the most dramatic compositions of the Metopes with the Lapith preparing to make a final strike and the cloak of the Centaur fanning out
  • Sculpture of Lapiths and  Centaurs battling from the Metope of the Parthenon on the Acropolis of Athens no XXIX. Also known as the Elgin marbles. British Museum London. A Centaur with pointed ears is carrying off a virgin.
  • Sculpture of Lapiths and  Centaurs battling from the Metope of the Parthenon on the Acropolis of Athens no XXX. Also known as the Elgin marbles. British Museum London. The Centaur is about to trample the Lapith who is picking up a stone as his final defence.
  • Sculpture of Lapiths and  Centaurs battling from the south east corner Metope of the Parthenon on the Acropolis of Athens no XXXII. Also known as the Elgin marbles. British Museum London.
  • Sculpture of Lapiths and  Centaurs battling from the Metope of the Parthenon on the Acropolis of Athens no XXX. Also known as the Elgin marbles. British Museum London. The Centaur is about to trample the Lapith who is picking up a stone as his final defence.
  • Sculpture of Lapiths and  Centaurs battling from the south east corner Metope of the Parthenon on the Acropolis of Athens no XXXII. Also known as the Elgin marbles. British Museum London.
  • Figures from the East Pediment of the Parthenon, Acropolis Athens. From left to right cat no D Dionysos ,middle E & F Demeter & Persephone, left G Hebe. British Museum London Exhibit
  • Figures from the East Pediment of the Parthenon, Acropolis Athens. From left to right cat no K possibly the goddess Hestia ,L & M probably the goddess Aphrodite lying the the lap of Dione her mother. British Museum London Exhibit
  • Early classical ancient Greek bronze statue of Zeus or Poseidon, circa 450 BC. Athens National Arcjaeological Museum, cat no X15161. Grey background.<br />
<br />
This bronze statue was found in the sea off Cape Artemision in northern Euobea. Zeus or Poseidon is shown making a great stride. His lefy arm is extended forward and his righy arm extends back which would have held a thunderbolt, if Zeus, or a trident if Poseidon. The identification of the statue is controversial though it ios more likely Zeus. <br />
<br />
It is one of the few preserved original statues of Severe Style, notable for the exuisite rendering of motion and anatomy. Iy is certainly the work of a great sculptor of the early ancient Greek Classical period
  • Early classical ancient Greek bronze statue of Zeus or Poseidon, circa 450 BC. Athens National Arcjaeological Museum, cat no X15161. White background<br />
<br />
This bronze statue was found in the sea off Cape Artemision in northern Euobea. Zeus or Poseidon is shown making a great stride. His lefy arm is extended forward and his righy arm extends back which would have held a thunderbolt, if Zeus, or a trident if Poseidon. The identification of the statue is controversial though it ios more likely Zeus. <br />
<br />
It is one of the few preserved original statues of Severe Style, notable for the exuisite rendering of motion and anatomy. Iy is certainly the work of a great sculptor of the early ancient Greek Classical period
  • Early classical ancient Greek bronze statue of Zeus or Poseidon, circa 450 BC. Athens National Arcjaeological Museum, cat no X15161<br />
<br />
This bronze statue was found in the sea off Cape Artemision in northern Euobea. Zeus or Poseidon is shown making a great stride. His lefy arm is extended forward and his righy arm extends back which would have held a thunderbolt, if Zeus, or a trident if Poseidon. The identification of the statue is controversial though it ios more likely Zeus. <br />
<br />
It is one of the few preserved original statues of Severe Style, notable for the exuisite rendering of motion and anatomy. Iy is certainly the work of a great sculptor of the early ancient Greek Classical period
  • Early classical ancient Greek bronze statue of Zeus or Poseidon, circa 450 BC. Athens National Arcjaeological Museum, cat no X15161. Grey background.<br />
<br />
This bronze statue was found in the sea off Cape Artemision in northern Euobea. Zeus or Poseidon is shown making a great stride. His lefy arm is extended forward and his righy arm extends back which would have held a thunderbolt, if Zeus, or a trident if Poseidon. The identification of the statue is controversial though it ios more likely Zeus. <br />
<br />
It is one of the few preserved original statues of Severe Style, notable for the exuisite rendering of motion and anatomy. Iy is certainly the work of a great sculptor of the early ancient Greek Classical period
  • Early classical ancient Greek bronze statue of Zeus or Poseidon, circa 450 BC. Athens National Arcjaeological Museum, cat no X15161. Grey background.<br />
<br />
This bronze statue was found in the sea off Cape Artemision in northern Euobea. Zeus or Poseidon is shown making a great stride. His lefy arm is extended forward and his righy arm extends back which would have held a thunderbolt, if Zeus, or a trident if Poseidon. The identification of the statue is controversial though it ios more likely Zeus. <br />
<br />
It is one of the few preserved original statues of Severe Style, notable for the exuisite rendering of motion and anatomy. Iy is certainly the work of a great sculptor of the early ancient Greek Classical period
  • Early classical ancient Greek bronze statue of Zeus or Poseidon, circa 450 BC. Athens National Arcjaeological Museum, cat no X15161. Grey background.<br />
<br />
This bronze statue was found in the sea off Cape Artemision in northern Euobea. Zeus or Poseidon is shown making a great stride. His lefy arm is extended forward and his righy arm extends back which would have held a thunderbolt, if Zeus, or a trident if Poseidon. The identification of the statue is controversial though it ios more likely Zeus. <br />
<br />
It is one of the few preserved original statues of Severe Style, notable for the exuisite rendering of motion and anatomy. Iy is certainly the work of a great sculptor of the early ancient Greek Classical period
  • Early classical ancient Greek bronze statue of Zeus or Poseidon, circa 450 BC. Athens National Arcjaeological Museum, cat no X15161. Grey background.<br />
<br />
This bronze statue was found in the sea off Cape Artemision in northern Euobea. Zeus or Poseidon is shown making a great stride. His lefy arm is extended forward and his righy arm extends back which would have held a thunderbolt, if Zeus, or a trident if Poseidon. The identification of the statue is controversial though it ios more likely Zeus. <br />
<br />
It is one of the few preserved original statues of Severe Style, notable for the exuisite rendering of motion and anatomy. Iy is certainly the work of a great sculptor of the early ancient Greek Classical period
  • Early classical ancient Greek bronze statue of Zeus or Poseidon, circa 450 BC. Athens National Arcjaeological Museum, cat no X15161, White background<br />
<br />
This bronze statue was found in the sea off Cape Artemision in northern Euobea. Zeus or Poseidon is shown making a great stride. His lefy arm is extended forward and his righy arm extends back which would have held a thunderbolt, if Zeus, or a trident if Poseidon. The identification of the statue is controversial though it ios more likely Zeus. <br />
<br />
It is one of the few preserved original statues of Severe Style, notable for the exuisite rendering of motion and anatomy. Iy is certainly the work of a great sculptor of the early ancient Greek Classical period
  • Early classical ancient Greek bronze statue of Zeus or Poseidon, circa 450 BC. Athens National Arcjaeological Museum, cat no X15161<br />
<br />
This bronze statue was found in the sea off Cape Artemision in northern Euobea. Zeus or Poseidon is shown making a great stride. His lefy arm is extended forward and his righy arm extends back which would have held a thunderbolt, if Zeus, or a trident if Poseidon. The identification of the statue is controversial though it ios more likely Zeus. <br />
<br />
It is one of the few preserved original statues of Severe Style, notable for the exuisite rendering of motion and anatomy. Iy is certainly the work of a great sculptor of the early ancient Greek Classical period
  • Early classical ancient Greek bronze statue of Zeus or Poseidon, circa 450 BC. Athens National Arcjaeological Museum, cat no X15161. White background<br />
<br />
This bronze statue was found in the sea off Cape Artemision in northern Euobea. Zeus or Poseidon is shown making a great stride. His lefy arm is extended forward and his righy arm extends back which would have held a thunderbolt, if Zeus, or a trident if Poseidon. The identification of the statue is controversial though it ios more likely Zeus. <br />
<br />
It is one of the few preserved original statues of Severe Style, notable for the exuisite rendering of motion and anatomy. Iy is certainly the work of a great sculptor of the early ancient Greek Classical period
  • Early classical ancient Greek bronze statue of Zeus or Poseidon, circa 450 BC. Athens National Arcjaeological Museum, cat no X15161. Black background<br />
<br />
This bronze statue was found in the sea off Cape Artemision in northern Euobea. Zeus or Poseidon is shown making a great stride. His lefy arm is extended forward and his righy arm extends back which would have held a thunderbolt, if Zeus, or a trident if Poseidon. The identification of the statue is controversial though it ios more likely Zeus. <br />
<br />
It is one of the few preserved original statues of Severe Style, notable for the exuisite rendering of motion and anatomy. Iy is certainly the work of a great sculptor of the early ancient Greek Classical period
  • Early classical ancient Greek bronze statue of Zeus or Poseidon, circa 450 BC. Athens National Arcjaeological Museum, cat no X15161<br />
<br />
This bronze statue was found in the sea off Cape Artemision in northern Euobea. Zeus or Poseidon is shown making a great stride. His lefy arm is extended forward and his righy arm extends back which would have held a thunderbolt, if Zeus, or a trident if Poseidon. The identification of the statue is controversial though it ios more likely Zeus. <br />
<br />
It is one of the few preserved original statues of Severe Style, notable for the exuisite rendering of motion and anatomy. Iy is certainly the work of a great sculptor of the early ancient Greek Classical period
  • Early classical ancient Greek bronze statue of Zeus or Poseidon, circa 450 BC. Athens National Arcjaeological Museum, cat no X15161. Grey background.<br />
<br />
This bronze statue was found in the sea off Cape Artemision in northern Euobea. Zeus or Poseidon is shown making a great stride. His lefy arm is extended forward and his righy arm extends back which would have held a thunderbolt, if Zeus, or a trident if Poseidon. The identification of the statue is controversial though it ios more likely Zeus. <br />
<br />
It is one of the few preserved original statues of Severe Style, notable for the exuisite rendering of motion and anatomy. Iy is certainly the work of a great sculptor of the early ancient Greek Classical period
  • Early classical ancient Greek bronze statue of Zeus or Poseidon, circa 450 BC. Athens National Arcjaeological Museum, cat no X15161. Grey background.<br />
<br />
This bronze statue was found in the sea off Cape Artemision in northern Euobea. Zeus or Poseidon is shown making a great stride. His lefy arm is extended forward and his righy arm extends back which would have held a thunderbolt, if Zeus, or a trident if Poseidon. The identification of the statue is controversial though it ios more likely Zeus. <br />
<br />
It is one of the few preserved original statues of Severe Style, notable for the exuisite rendering of motion and anatomy. Iy is certainly the work of a great sculptor of the early ancient Greek Classical period
  • Early classical ancient Greek bronze statue of Zeus or Poseidon, circa 450 BC. Athens National Arcjaeological Museum, cat no X15161. Black background<br />
<br />
This bronze statue was found in the sea off Cape Artemision in northern Euobea. Zeus or Poseidon is shown making a great stride. His lefy arm is extended forward and his righy arm extends back which would have held a thunderbolt, if Zeus, or a trident if Poseidon. The identification of the statue is controversial though it ios more likely Zeus. <br />
<br />
It is one of the few preserved original statues of Severe Style, notable for the exuisite rendering of motion and anatomy. Iy is certainly the work of a great sculptor of the early ancient Greek Classical period
  • Early classical ancient Greek bronze statue of Zeus or Poseidon, circa 450 BC. Athens National Arcjaeological Museum, cat no X15161. White background<br />
<br />
This bronze statue was found in the sea off Cape Artemision in northern Euobea. Zeus or Poseidon is shown making a great stride. His lefy arm is extended forward and his righy arm extends back which would have held a thunderbolt, if Zeus, or a trident if Poseidon. The identification of the statue is controversial though it ios more likely Zeus. <br />
<br />
It is one of the few preserved original statues of Severe Style, notable for the exuisite rendering of motion and anatomy. Iy is certainly the work of a great sculptor of the early ancient Greek Classical period
  • Early classical ancient Greek bronze statue of Zeus or Poseidon, circa 450 BC. Athens National Arcjaeological Museum, cat no X15161<br />
<br />
This bronze statue was found in the sea off Cape Artemision in northern Euobea. Zeus or Poseidon is shown making a great stride. His lefy arm is extended forward and his righy arm extends back which would have held a thunderbolt, if Zeus, or a trident if Poseidon. The identification of the statue is controversial though it ios more likely Zeus. <br />
<br />
It is one of the few preserved original statues of Severe Style, notable for the exuisite rendering of motion and anatomy. Iy is certainly the work of a great sculptor of the early ancient Greek Classical period
  • Early classical ancient Greek bronze statue of Zeus or Poseidon, circa 450 BC. Athens National Arcjaeological Museum, cat no X15161. White background<br />
<br />
This bronze statue was found in the sea off Cape Artemision in northern Euobea. Zeus or Poseidon is shown making a great stride. His lefy arm is extended forward and his righy arm extends back which would have held a thunderbolt, if Zeus, or a trident if Poseidon. The identification of the statue is controversial though it ios more likely Zeus. <br />
<br />
It is one of the few preserved original statues of Severe Style, notable for the exuisite rendering of motion and anatomy. Iy is certainly the work of a great sculptor of the early ancient Greek Classical period
  • Early classical ancient Greek bronze statue of Zeus or Poseidon, circa 450 BC. Athens National Arcjaeological Museum, cat no X15161. Black background<br />
<br />
This bronze statue was found in the sea off Cape Artemision in northern Euobea. Zeus or Poseidon is shown making a great stride. His lefy arm is extended forward and his righy arm extends back which would have held a thunderbolt, if Zeus, or a trident if Poseidon. The identification of the statue is controversial though it ios more likely Zeus. <br />
<br />
It is one of the few preserved original statues of Severe Style, notable for the exuisite rendering of motion and anatomy. Iy is certainly the work of a great sculptor of the early ancient Greek Classical period
  • Early classical ancient Greek bronze statue of Zeus or Poseidon, circa 450 BC. Athens National Arcjaeological Museum, cat no X15161<br />
<br />
This bronze statue was found in the sea off Cape Artemision in northern Euobea. Zeus or Poseidon is shown making a great stride. His lefy arm is extended forward and his righy arm extends back which would have held a thunderbolt, if Zeus, or a trident if Poseidon. The identification of the statue is controversial though it ios more likely Zeus. <br />
<br />
It is one of the few preserved original statues of Severe Style, notable for the exuisite rendering of motion and anatomy. Iy is certainly the work of a great sculptor of the early ancient Greek Classical period
  • Early classical ancient Greek bronze statue of Zeus or Poseidon, circa 450 BC. Athens National Arcjaeological Museum, cat no X15161. White background<br />
<br />
This bronze statue was found in the sea off Cape Artemision in northern Euobea. Zeus or Poseidon is shown making a great stride. His lefy arm is extended forward and his righy arm extends back which would have held a thunderbolt, if Zeus, or a trident if Poseidon. The identification of the statue is controversial though it ios more likely Zeus. <br />
<br />
It is one of the few preserved original statues of Severe Style, notable for the exuisite rendering of motion and anatomy. Iy is certainly the work of a great sculptor of the early ancient Greek Classical period
  • Early classical ancient Greek bronze statue of Zeus or Poseidon, circa 450 BC. Athens National Arcjaeological Museum, cat no X15161. Black background<br />
<br />
This bronze statue was found in the sea off Cape Artemision in northern Euobea. Zeus or Poseidon is shown making a great stride. His lefy arm is extended forward and his righy arm extends back which would have held a thunderbolt, if Zeus, or a trident if Poseidon. The identification of the statue is controversial though it ios more likely Zeus. <br />
<br />
It is one of the few preserved original statues of Severe Style, notable for the exuisite rendering of motion and anatomy. Iy is certainly the work of a great sculptor of the early ancient Greek Classical period
  • Early classical ancient Greek bronze statue of Zeus or Poseidon, circa 450 BC. Athens National Arcjaeological Museum, cat no X15161<br />
<br />
This bronze statue was found in the sea off Cape Artemision in northern Euobea. Zeus or Poseidon is shown making a great stride. His lefy arm is extended forward and his righy arm extends back which would have held a thunderbolt, if Zeus, or a trident if Poseidon. The identification of the statue is controversial though it ios more likely Zeus. <br />
<br />
It is one of the few preserved original statues of Severe Style, notable for the exuisite rendering of motion and anatomy. Iy is certainly the work of a great sculptor of the early ancient Greek Classical period
  • Early classical ancient Greek bronze statue of Zeus or Poseidon, circa 450 BC. Athens National Arcjaeological Museum, cat no X15161. Grey background.<br />
<br />
This bronze statue was found in the sea off Cape Artemision in northern Euobea. Zeus or Poseidon is shown making a great stride. His lefy arm is extended forward and his righy arm extends back which would have held a thunderbolt, if Zeus, or a trident if Poseidon. The identification of the statue is controversial though it ios more likely Zeus. <br />
<br />
It is one of the few preserved original statues of Severe Style, notable for the exuisite rendering of motion and anatomy. Iy is certainly the work of a great sculptor of the early ancient Greek Classical period
  • Early classical ancient Greek bronze statue of Zeus or Poseidon, circa 450 BC. Athens National Arcjaeological Museum, cat no X15161. Black background<br />
<br />
<br />
This bronze statue was found in the sea off Cape Artemision in northern Euobea. Zeus or Poseidon is shown making a great stride. His lefy arm is extended forward and his righy arm extends back which would have held a thunderbolt, if Zeus, or a trident if Poseidon. The identification of the statue is controversial though it ios more likely Zeus. <br />
<br />
It is one of the few preserved original statues of Severe Style, notable for the exuisite rendering of motion and anatomy. Iy is certainly the work of a great sculptor of the early ancient Greek Classical period
  • Early classical ancient Greek bronze statue of Zeus or Poseidon, circa 450 BC. Athens National Arcjaeological Museum, cat no X15161<br />
<br />
This bronze statue was found in the sea off Cape Artemision in northern Euobea. Zeus or Poseidon is shown making a great stride. His lefy arm is extended forward and his righy arm extends back which would have held a thunderbolt, if Zeus, or a trident if Poseidon. The identification of the statue is controversial though it ios more likely Zeus. <br />
<br />
It is one of the few preserved original statues of Severe Style, notable for the exuisite rendering of motion and anatomy. Iy is certainly the work of a great sculptor of the early ancient Greek Classical period
  • Early classical ancient Greek bronze statue of Zeus or Poseidon, circa 450 BC. Athens National Arcjaeological Museum, cat no X15161. Grey background.<br />
<br />
This bronze statue was found in the sea off Cape Artemision in northern Euobea. Zeus or Poseidon is shown making a great stride. His lefy arm is extended forward and his righy arm extends back which would have held a thunderbolt, if Zeus, or a trident if Poseidon. The identification of the statue is controversial though it ios more likely Zeus. <br />
<br />
It is one of the few preserved original statues of Severe Style, notable for the exuisite rendering of motion and anatomy. Iy is certainly the work of a great sculptor of the early ancient Greek Classical period
  • Early classical ancient Greek bronze statue of Zeus or Poseidon, circa 450 BC. Athens National Arcjaeological Museum, cat no X15161, White background<br />
<br />
This bronze statue was found in the sea off Cape Artemision in northern Euobea. Zeus or Poseidon is shown making a great stride. His lefy arm is extended forward and his righy arm extends back which would have held a thunderbolt, if Zeus, or a trident if Poseidon. The identification of the statue is controversial though it ios more likely Zeus. <br />
<br />
It is one of the few preserved original statues of Severe Style, notable for the exuisite rendering of motion and anatomy. Iy is certainly the work of a great sculptor of the early ancient Greek Classical period
  • Early classical ancient Greek bronze statue of Zeus or Poseidon, circa 450 BC. Athens National Arcjaeological Museum, cat no X15161. Grey background.<br />
<br />
This bronze statue was found in the sea off Cape Artemision in northern Euobea. Zeus or Poseidon is shown making a great stride. His lefy arm is extended forward and his righy arm extends back which would have held a thunderbolt, if Zeus, or a trident if Poseidon. The identification of the statue is controversial though it ios more likely Zeus. <br />
<br />
It is one of the few preserved original statues of Severe Style, notable for the exuisite rendering of motion and anatomy. Iy is certainly the work of a great sculptor of the early ancient Greek Classical period
  • Early classical ancient Greek bronze statue of Zeus or Poseidon, circa 450 BC. Athens National Arcjaeological Museum, cat no X15161. Grey background.<br />
<br />
This bronze statue was found in the sea off Cape Artemision in northern Euobea. Zeus or Poseidon is shown making a great stride. His lefy arm is extended forward and his righy arm extends back which would have held a thunderbolt, if Zeus, or a trident if Poseidon. The identification of the statue is controversial though it ios more likely Zeus. <br />
<br />
It is one of the few preserved original statues of Severe Style, notable for the exuisite rendering of motion and anatomy. Iy is certainly the work of a great sculptor of the early ancient Greek Classical period
  • Early classical ancient Greek bronze statue of Zeus or Poseidon, circa 450 BC. Athens National Arcjaeological Museum, cat no X15161. Black background<br />
<br />
This bronze statue was found in the sea off Cape Artemision in northern Euobea. Zeus or Poseidon is shown making a great stride. His lefy arm is extended forward and his righy arm extends back which would have held a thunderbolt, if Zeus, or a trident if Poseidon. The identification of the statue is controversial though it ios more likely Zeus. <br />
<br />
It is one of the few preserved original statues of Severe Style, notable for the exuisite rendering of motion and anatomy. Iy is certainly the work of a great sculptor of the early ancient Greek Classical period
  • Early classical ancient Greek bronze statue of Zeus or Poseidon, circa 450 BC. Athens National Arcjaeological Museum, cat no X15161<br />
<br />
This bronze statue was found in the sea off Cape Artemision in northern Euobea. Zeus or Poseidon is shown making a great stride. His lefy arm is extended forward and his righy arm extends back which would have held a thunderbolt, if Zeus, or a trident if Poseidon. The identification of the statue is controversial though it ios more likely Zeus. <br />
<br />
It is one of the few preserved original statues of Severe Style, notable for the exuisite rendering of motion and anatomy. Iy is certainly the work of a great sculptor of the early ancient Greek Classical period
  • Early classical ancient Greek bronze statue of Zeus or Poseidon, circa 450 BC. Athens National Arcjaeological Museum, cat no X15161. Grey background.<br />
<br />
This bronze statue was found in the sea off Cape Artemision in northern Euobea. Zeus or Poseidon is shown making a great stride. His lefy arm is extended forward and his righy arm extends back which would have held a thunderbolt, if Zeus, or a trident if Poseidon. The identification of the statue is controversial though it ios more likely Zeus. <br />
<br />
It is one of the few preserved original statues of Severe Style, notable for the exuisite rendering of motion and anatomy. Iy is certainly the work of a great sculptor of the early ancient Greek Classical period
  • Early classical ancient Greek bronze statue of Zeus or Poseidon, circa 450 BC. Athens National Arcjaeological Museum, cat no X15161. White background<br />
<br />
This bronze statue was found in the sea off Cape Artemision in northern Euobea. Zeus or Poseidon is shown making a great stride. His lefy arm is extended forward and his righy arm extends back which would have held a thunderbolt, if Zeus, or a trident if Poseidon. The identification of the statue is controversial though it ios more likely Zeus. <br />
<br />
It is one of the few preserved original statues of Severe Style, notable for the exuisite rendering of motion and anatomy. Iy is certainly the work of a great sculptor of the early ancient Greek Classical period
  • Early classical ancient Greek bronze statue of Zeus or Poseidon, circa 450 BC. Athens National Arcjaeological Museum, cat no X15161. Black background<br />
<br />
This bronze statue was found in the sea off Cape Artemision in northern Euobea. Zeus or Poseidon is shown making a great stride. His lefy arm is extended forward and his righy arm extends back which would have held a thunderbolt, if Zeus, or a trident if Poseidon. The identification of the statue is controversial though it ios more likely Zeus. <br />
<br />
It is one of the few preserved original statues of Severe Style, notable for the exuisite rendering of motion and anatomy. Iy is certainly the work of a great sculptor of the early ancient Greek Classical period
  • Early classical ancient Greek bronze statue of Zeus or Poseidon, circa 450 BC. Athens National Arcjaeological Museum, cat no X15161<br />
<br />
This bronze statue was found in the sea off Cape Artemision in northern Euobea. Zeus or Poseidon is shown making a great stride. His lefy arm is extended forward and his righy arm extends back which would have held a thunderbolt, if Zeus, or a trident if Poseidon. The identification of the statue is controversial though it ios more likely Zeus. <br />
<br />
It is one of the few preserved original statues of Severe Style, notable for the exuisite rendering of motion and anatomy. Iy is certainly the work of a great sculptor of the early ancient Greek Classical period
  • Early classical ancient Greek bronze statue of Zeus or Poseidon, circa 450 BC. Athens National Arcjaeological Museum, cat no X15161. Grey background.<br />
<br />
This bronze statue was found in the sea off Cape Artemision in northern Euobea. Zeus or Poseidon is shown making a great stride. His lefy arm is extended forward and his righy arm extends back which would have held a thunderbolt, if Zeus, or a trident if Poseidon. The identification of the statue is controversial though it ios more likely Zeus. <br />
<br />
It is one of the few preserved original statues of Severe Style, notable for the exuisite rendering of motion and anatomy. Iy is certainly the work of a great sculptor of the early ancient Greek Classical period
  • Early classical ancient Greek bronze statue of Zeus or Poseidon, circa 450 BC. Athens National Arcjaeological Museum, cat no X15161. Grey background.<br />
<br />
This bronze statue was found in the sea off Cape Artemision in northern Euobea. Zeus or Poseidon is shown making a great stride. His lefy arm is extended forward and his righy arm extends back which would have held a thunderbolt, if Zeus, or a trident if Poseidon. The identification of the statue is controversial though it ios more likely Zeus. <br />
<br />
It is one of the few preserved original statues of Severe Style, notable for the exuisite rendering of motion and anatomy. Iy is certainly the work of a great sculptor of the early ancient Greek Classical period
  • Early classical ancient Greek bronze statue of Zeus or Poseidon, circa 450 BC. Athens National Arcjaeological Museum, cat no X15161<br />
<br />
This bronze statue was found in the sea off Cape Artemision in northern Euobea. Zeus or Poseidon is shown making a great stride. His lefy arm is extended forward and his righy arm extends back which would have held a thunderbolt, if Zeus, or a trident if Poseidon. The identification of the statue is controversial though it ios more likely Zeus. <br />
<br />
It is one of the few preserved original statues of Severe Style, notable for the exuisite rendering of motion and anatomy. Iy is certainly the work of a great sculptor of the early ancient Greek Classical period
  • Early classical ancient Greek bronze statue of Zeus or Poseidon, circa 450 BC. Athens National Arcjaeological Museum, cat no X15161. Grey background.<br />
<br />
This bronze statue was found in the sea off Cape Artemision in northern Euobea. Zeus or Poseidon is shown making a great stride. His lefy arm is extended forward and his righy arm extends back which would have held a thunderbolt, if Zeus, or a trident if Poseidon. The identification of the statue is controversial though it ios more likely Zeus. <br />
<br />
It is one of the few preserved original statues of Severe Style, notable for the exuisite rendering of motion and anatomy. Iy is certainly the work of a great sculptor of the early ancient Greek Classical period
  • Early classical ancient Greek bronze statue of Zeus or Poseidon, circa 450 BC. Athens National Arcjaeological Museum, cat no X15161. Black background<br />
<br />
This bronze statue was found in the sea off Cape Artemision in northern Euobea. Zeus or Poseidon is shown making a great stride. His lefy arm is extended forward and his righy arm extends back which would have held a thunderbolt, if Zeus, or a trident if Poseidon. The identification of the statue is controversial though it ios more likely Zeus. <br />
<br />
It is one of the few preserved original statues of Severe Style, notable for the exuisite rendering of motion and anatomy. Iy is certainly the work of a great sculptor of the early ancient Greek Classical period
  • Early classical ancient Greek bronze statue of Zeus or Poseidon, circa 450 BC. Athens National Arcjaeological Museum, cat no X15161. Grey background.<br />
<br />
This bronze statue was found in the sea off Cape Artemision in northern Euobea. Zeus or Poseidon is shown making a great stride. His lefy arm is extended forward and his righy arm extends back which would have held a thunderbolt, if Zeus, or a trident if Poseidon. The identification of the statue is controversial though it ios more likely Zeus. <br />
<br />
It is one of the few preserved original statues of Severe Style, notable for the exuisite rendering of motion and anatomy. Iy is certainly the work of a great sculptor of the early ancient Greek Classical period
  • Gronze Greek classical statue of a youth by sculptor Euphranor. from the Antikythera shipwreck, Circa 340-330 BC, Athens National Archaeological Museum. Cat No X13396. Against grey.<br />
<br />
The statue has been thought to depict Perseus who would have been holding the head of Medusa, but is more probably a depiction of Paris who would have been holding the 'apple of strife', ready to award it to the most beautiful goddess, Aphrodite. Probably sculpted by Sikyonian sculptor Euphranor.
  • Gronze Greek classical statue of a youth by sculptor Euphranor. from the Antikythera shipwreck, Circa 340-330 BC, Athens National Archaeological Museum. Cat No X13396.<br />
<br />
The statue has been thought to depict Perseus who would have been holding the head of Medusa, but is more probably a depiction of Paris who would have been holding the 'apple of strife', ready to award it to the most beautiful goddess, Aphrodite. Probably sculpted by Sikyonian sculptor Euphranor.
  • Gronze Greek classical statue of a youth by sculptor Euphranor. from the Antikythera shipwreck, Circa 340-330 BC, Athens National Archaeological Museum. Cat No X13396. Against white.<br />
<br />
The statue has been thought to depict Perseus who would have been holding the head of Medusa, but is more probably a depiction of Paris who would have been holding the 'apple of strife', ready to award it to the most beautiful goddess, Aphrodite. Probably sculpted by Sikyonian sculptor Euphranor.
  • Gronze Greek classical statue of a youth by sculptor Euphranor. from the Antikythera shipwreck, Circa 340-330 BC, Athens National Archaeological Museum. Cat No X13396. Against black<br />
<br />
The statue has been thought to depict Perseus who would have been holding the head of Medusa, but is more probably a depiction of Paris who would have been holding the 'apple of strife', ready to award it to the most beautiful goddess, Aphrodite. Probably sculpted by Sikyonian sculptor Euphranor.
  • Gronze Greek classical statue of a youth by sculptor Euphranor. from the Antikythera shipwreck, Circa 340-330 BC, Athens National Archaeological Museum. Cat No X13396. Against grey.<br />
<br />
The statue has been thought to depict Perseus who would have been holding the head of Medusa, but is more probably a depiction of Paris who would have been holding the 'apple of strife', ready to award it to the most beautiful goddess, Aphrodite. Probably sculpted by Sikyonian sculptor Euphranor.
  • Gronze Greek classical statue of a youth by sculptor Euphranor. from the Antikythera shipwreck, Circa 340-330 BC, Athens National Archaeological Museum. Cat No X13396.<br />
<br />
The statue has been thought to depict Perseus who would have been holding the head of Medusa, but is more probably a depiction of Paris who would have been holding the 'apple of strife', ready to award it to the most beautiful goddess, Aphrodite. Probably sculpted by Sikyonian sculptor Euphranor.
  • Gronze Greek classical statue of a youth by sculptor Euphranor. from the Antikythera shipwreck, Circa 340-330 BC, Athens National Archaeological Museum. Cat No X13396. Against black<br />
<br />
The statue has been thought to depict Perseus who would have been holding the head of Medusa, but is more probably a depiction of Paris who would have been holding the 'apple of strife', ready to award it to the most beautiful goddess, Aphrodite. Probably sculpted by Sikyonian sculptor Euphranor.
  • Gronze Greek classical statue of a youth by sculptor Euphranor. from the Antikythera shipwreck, Circa 340-330 BC, Athens National Archaeological Museum. Cat No X13396. Against white.<br />
<br />
The statue has been thought to depict Perseus who would have been holding the head of Medusa, but is more probably a depiction of Paris who would have been holding the 'apple of strife', ready to award it to the most beautiful goddess, Aphrodite. Probably sculpted by Sikyonian sculptor Euphranor.
  • Gronze Greek classical statue of a youth by sculptor Euphranor. from the Antikythera shipwreck, Circa 340-330 BC, Athens National Archaeological Museum. Cat No X13396. Against grey.<br />
<br />
The statue has been thought to depict Perseus who would have been holding the head of Medusa, but is more probably a depiction of Paris who would have been holding the 'apple of strife', ready to award it to the most beautiful goddess, Aphrodite. Probably sculpted by Sikyonian sculptor Euphranor.
  • Gronze Greek classical statue of a youth by sculptor Euphranor. from the Antikythera shipwreck, Circa 340-330 BC, Athens National Archaeological Museum. Cat No X13396. Against grey.<br />
<br />
The statue has been thought to depict Perseus who would have been holding the head of Medusa, but is more probably a depiction of Paris who would have been holding the 'apple of strife', ready to award it to the most beautiful goddess, Aphrodite. Probably sculpted by Sikyonian sculptor Euphranor.
  • Full length view of the Riace bronze Greek statue A cast about 460 BC. statue A was probably sculpted by Myron. The style of the Riace statues straddles the archaic period and heralds the start of the classical period. Both statues depict strong young naked warriors who stand calmly but exuding great power. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • Torso face on view of the Riace bronze Greek statue A cast about 460 BC. statue A was probably sculpted by Myron. The style of the Riace statues straddles the archaic period and heralds the start of the classical period. Both statues depict strong young naked warriors who stand calmly but exuding great power. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • Torso three quarter of the Riace bronze Greek statue A cast about 460 BC. statue A was probably sculpted by Myron. The style of the Riace statues straddles the archaic period and heralds the start of the classical period. Both statues depict strong young naked warriors who stand calmly but exuding great power. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • Torso of the Riace bronze Greek statue A cast about 460 BC. statue A was probably sculpted by Myron. The style of the Riace statues straddles the archaic period and heralds the start of the classical period. Both statues depict strong young naked warriors who stand calmly but exuding great power. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • low full length view of the  Riace bronze Greek statue A cast about 460 BC. statue A was probably sculpted by Myron. The style of the Riace statues straddles the archaic period and heralds the start of the classical period. Both statues depict strong young naked warriors who stand calmly but exuding great power. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • Torso of the Riace bronze Greek statue B cast about 460 - 450 BC. statue B was probably sculpted by Phidias. There is a sense of movement in the statues their legs being bent as if they are about to take a step. Their heads are turned which accentuates a sense of anticipation as if they are looking for something. The anatomical detail is extraordinary which gives a startling realism to the statue and demonstarte the high level of skill of the Greek sculptors of this period. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statue head cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statue head cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statue head cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statue head cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statue A cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statue A cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statue A cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statue A cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statue A cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statues cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statue A cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statues cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statue A cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statue A cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statues cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statue A cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statues cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statues cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statues cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statues cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statue A cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statues cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statue A cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statues cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statues cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statue A cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • Full length tree quarter view of the Riace bronze Greek statue B cast about 460 - 450 BC. statue B was probably sculpted by Phidias. There is a sense of movement in the statues their legs being bent as if they are about to take a step. Their heads are turned which accentuates a sense of anticipation as if they are looking for something. The anatomical detail is extraordinary which gives a startling realism to the statue and demonstarte the high level of skill of the Greek sculptors of this peiod. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • Upper torso of the Riace bronze Greek statue B cast about 460 - 450 BC. statue B was probably sculpted by Phidias. There is a sense of movement in the statues their legs being bent as if they are about to take a step. Their heads are turned which accentuates a sense of anticipation as if they are looking for something. The anatomical detail is extraordinary which gives a startling realism to the statue and demonstarte the high level of skill of the Greek sculptors of this peiod. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • Full length face on view of the Riace bronze Greek statue B cast about 460 - 450 BC. statue B was probably sculpted by Phidias. There is a sense of movement in the statues their legs being bent as if they are about to take a step. Their heads are turned which accentuates a sense of anticipation as if they are looking for something. The anatomical detail is extraordinary which gives a startling realism to the statue and demonstarte the high level of skill of the Greek sculptors of this peiod. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • Full length side view of the Riace bronze Greek statue B cast about 460 - 450 BC. statue B was probably sculpted by Phidias. There is a sense of movement in the statues their legs being bent as if they are about to take a step. Their heads are turned which accentuates a sense of anticipation as if they are looking for something. The anatomical detail is extraordinary which gives a startling realism to the statue and demonstarte the high level of skill of the Greek sculptors of this peiod. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • Severe Style Ancient Greek bronze sculpture of a charioteer, 480-460 BC, Delphi National Archaeological Museum.   Against black<br />
<br />
The Charioteer is a rare example of Severe Style bronze statue that only servived ancient looters  because it was buried by an earthquake. Plain and austere it mirrors the preveiling aestheics expected from ancient greek atheletes. The statue was probably sculpted following the teachings of Pythagoras of Samos due to its exact symetrical proportions
  • Severe Style Ancient Greek bronze sculpture of a charioteer, 480-460 BC, Delphi National Archaeological Museum.   Against white.<br />
<br />
The Charioteer is a rare example of Severe Style bronze statue that only servived ancient looters  because it was buried by an earthquake. Plain and austere it mirrors the preveiling aestheics expected from ancient greek atheletes. The statue was probably sculpted following the teachings of Pythagoras of Samos due to its exact symetrical proportions
  • Severe Style Ancient Greek bronze sculpture of a charioteer, 480-460 BC, Delphi National Archaeological Museum.   Against grey.<br />
<br />
The Charioteer is a rare example of Severe Style bronze statue that only servived ancient looters  because it was buried by an earthquake. Plain and austere it mirrors the preveiling aestheics expected from ancient greek atheletes. The statue was probably sculpted following the teachings of Pythagoras of Samos due to its exact symetrical proportions
  • Severe Style Ancient Greek bronze sculpture of a charioteer, 480-460 BC, Delphi National Archaeological Museum.   Against grey.<br />
<br />
The Charioteer is a rare example of Severe Style bronze statue that only servived ancient looters  because it was buried by an earthquake. Plain and austere it mirrors the preveiling aestheics expected from ancient greek atheletes. The statue was probably sculpted following the teachings of Pythagoras of Samos due to its exact symetrical proportions
  • Severe Style Ancient Greek bronze sculpture of a charioteer, 480-460 BC, Delphi National Archaeological Museum. <br />
<br />
The Charioteer is a rare example of Severe Style bronze statue that only servived ancient looters  because it was buried by an earthquake. Plain and austere it mirrors the preveiling aestheics expected from ancient greek atheletes. The statue was probably sculpted following the teachings of Pythagoras of Samos due to its exact symetrical proportions
  • Severe Style Ancient Greek bronze sculpture of a charioteer, 480-460 BC, Delphi National Archaeological Museum.   Against grey.<br />
<br />
The Charioteer is a rare example of Severe Style bronze statue that only servived ancient looters  because it was buried by an earthquake. Plain and austere it mirrors the preveiling aestheics expected from ancient greek atheletes. The statue was probably sculpted following the teachings of Pythagoras of Samos due to its exact symetrical proportions
  • Severe Style Ancient Greek bronze sculpture of a charioteer, 480-460 BC, Delphi National Archaeological Museum.   Against black<br />
<br />
The Charioteer is a rare example of Severe Style bronze statue that only servived ancient looters  because it was buried by an earthquake. Plain and austere it mirrors the preveiling aestheics expected from ancient greek atheletes. The statue was probably sculpted following the teachings of Pythagoras of Samos due to its exact symetrical proportions
  • Severe Style Ancient Greek bronze sculpture of a charioteer, 480-460 BC, Delphi National Archaeological Museum. <br />
<br />
The Charioteer is a rare example of Severe Style bronze statue that only servived ancient looters  because it was buried by an earthquake. Plain and austere it mirrors the preveiling aestheics expected from ancient greek atheletes. The statue was probably sculpted following the teachings of Pythagoras of Samos due to its exact symetrical proportions
  • Severe Style Ancient Greek bronze sculpture of a charioteer, 480-460 BC, Delphi National Archaeological Museum.  Against white.<br />
<br />
The Charioteer is a rare example of Severe Style bronze statue that only servived ancient looters  because it was buried by an earthquake. Plain and austere it mirrors the preveiling aestheics expected from ancient greek atheletes. The statue was probably sculpted following the teachings of Pythagoras of Samos due to its exact symetrical proportions
  • Severe Style Ancient Greek bronze sculpture of a charioteer, 480-460 BC, Delphi National Archaeological Museum.   Against grey.<br />
<br />
The Charioteer is a rare example of Severe Style bronze statue that only servived ancient looters  because it was buried by an earthquake. Plain and austere it mirrors the preveiling aestheics expected from ancient greek atheletes. The statue was probably sculpted following the teachings of Pythagoras of Samos due to its exact symetrical proportions
  • Severe Style Ancient Greek bronze sculpture of a charioteer, 480-460 BC, Delphi National Archaeological Museum. <br />
<br />
The Charioteer is a rare example of Severe Style bronze statue that only servived ancient looters  because it was buried by an earthquake. Plain and austere it mirrors the preveiling aestheics expected from ancient greek atheletes. The statue was probably sculpted following the teachings of Pythagoras of Samos due to its exact symetrical proportions
  • Severe Style Ancient Greek bronze sculpture of a charioteer, 480-460 BC, Delphi National Archaeological Museum.   Against black<br />
<br />
The Charioteer is a rare example of Severe Style bronze statue that only servived ancient looters  because it was buried by an earthquake. Plain and austere it mirrors the preveiling aestheics expected from ancient greek atheletes. The statue was probably sculpted following the teachings of Pythagoras of Samos due to its exact symetrical proportions
  • Severe Style Ancient Greek bronze sculpture of a charioteer, 480-460 BC, Delphi National Archaeological Museum. <br />
<br />
The Charioteer is a rare example of Severe Style bronze statue that only servived ancient looters  because it was buried by an earthquake. Plain and austere it mirrors the preveiling aestheics expected from ancient greek atheletes. The statue was probably sculpted following the teachings of Pythagoras of Samos due to its exact symetrical proportions
  • Severe Style Ancient Greek bronze sculpture of a charioteer, 480-460 BC, Delphi National Archaeological Museum.  Against white.<br />
<br />
The Charioteer is a rare example of Severe Style bronze statue that only servived ancient looters  because it was buried by an earthquake. Plain and austere it mirrors the preveiling aestheics expected from ancient greek atheletes. The statue was probably sculpted following the teachings of Pythagoras of Samos due to its exact symetrical proportions
  • Severe Style Ancient Greek bronze sculpture of a charioteer, 480-460 BC, Delphi National Archaeological Museum.   Against black<br />
<br />
The Charioteer is a rare example of Severe Style bronze statue that only servived ancient looters  because it was buried by an earthquake. Plain and austere it mirrors the preveiling aestheics expected from ancient greek atheletes. The statue was probably sculpted following the teachings of Pythagoras of Samos due to its exact symetrical proportions
  • Severe Style Ancient Greek bronze sculpture of a charioteer, 480-460 BC, Delphi National Archaeological Museum.   Against grey.<br />
<br />
The Charioteer is a rare example of Severe Style bronze statue that only servived ancient looters  because it was buried by an earthquake. Plain and austere it mirrors the preveiling aestheics expected from ancient greek atheletes. The statue was probably sculpted following the teachings of Pythagoras of Samos due to its exact symetrical proportions
  • Severe Style Ancient Greek bronze sculpture of a charioteer, 480-460 BC, Delphi National Archaeological Museum.   Against grey.<br />
<br />
The Charioteer is a rare example of Severe Style bronze statue that only servived ancient looters  because it was buried by an earthquake. Plain and austere it mirrors the preveiling aestheics expected from ancient greek atheletes. The statue was probably sculpted following the teachings of Pythagoras of Samos due to its exact symetrical proportions
  • Severe Style Ancient Greek bronze sculpture of a charioteer, 480-460 BC, Delphi National Archaeological Museum. <br />
<br />
The Charioteer is a rare example of Severe Style bronze statue that only servived ancient looters  because it was buried by an earthquake. Plain and austere it mirrors the preveiling aestheics expected from ancient greek atheletes. The statue was probably sculpted following the teachings of Pythagoras of Samos due to its exact symetrical proportions
  • The Riace bronze Greek statue head cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statue head cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statue head cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statue head cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statue head cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statue head cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statue A cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statue A cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statues cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statues cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statue A cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statues cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statue A cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statues cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statue A cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statue A cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statues cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statues cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statue A cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statue A cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statues cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statues cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.

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