• Wild boar heads outside a typical Norcineria shop, Norcia, Umbria, Italy
  • Traditional Norcineria shop selling Norcia meat products, Norcia, Umbria, Italy
  • Cornish vanilla chocolate ripple Ice cream in a wafer tub
  • Wild boar heads outside a typical Norcineria shop, Norcia, Umbria, Italy
  • Traditional Norcineria shop selling Norcia salamis, Norcia, Umbria, Italy
  • Traditional Norcineria shop selling Norcia salamis, Norcia, Umbria, Italy
  • Traditional Norcineria shop selling Norcia salamis, Norcia, Umbria, Italy
  • Traditional Norcineria shop selling Norcia salamis, Norcia, Umbria, Italy
  • Traditional Norcineria shop selling Norcia salamis, Norcia, Umbria, Italy
  • Raspberry ripple Ice cream in a wafer tub
  • Home made lemonade
  • Schilthorn Berneses Alps Switzerland - View
  • Walkers at the Schilthorn Summit, Swiss Alps, Switzerland.
  • Walkers at the Schilthorn Summit, Swiss Alps, Switzerland.
  • Walkers at the Schilthorn Summit, Swiss Alps, Switzerland.
  • Jungfrau Top of Europe  and Swiss flag - Swiss Alps - Switzerland
  • Jungfraujoch Sphinx observatory - Bernese Oberland Alps - Switzerland
  • Jungfraujoch Sphinx observatory - Bernese Oberland Alps - Switzerland
  • Jungfraujoch Sphinx observatory - Bernese Oberland Alps - Switzerland
  • Jungfraujoch Sphinx observatory - Bernese Oberland Alps - Switzerland
  • Jungfraujoch Sphinx observatory - Bernese Oberland Alps - Switzerland
  • Jungfrau Sumit, Swiss Alps Switzerland
  • Sphinx observatory platform, Jungfrau Top of Europe. Switzerland
  • Home made lemonade
  • Home made lemonade
  • Home made lemonade
  • Fruit ripple Ice cream in a wafer tub
  • Cornish vanilla Ice cream in a wafer tub
  • raisin & nut  choc ice with chocolate ripple ice cream inside
  • Boat on the River Thames London with large snow flakes falling - winter scene
  • Houses of Parliment in the winter snow, London
  • Houses of Parliment in the winter snow, London
  • Houses of Parliment in the winter snow, London
  • Boat on the River Thames London with large snow flakes falling - winter scene
  • Bronze statue on the Danube Bank in the snow - Kiskiralylany [Little Prince[ by Laszlo Marton 1989
  • Frost and snow on a beach tree - Near Bojok - Hungary
  • Frost and snow on a beach tree - Near Bojok - Hungary
  • Frost and snow on a beach tree - Near Bojok - Hungary
  • Frost and snow on a beach tree - Near Bojok - Hungary
  • Frost and snow on a beach tree - Near Bojok - Hungary
  • Frost and snow on a beach tree - Near Bojok - Hungary
  • Frost and snow on a beach tree - Near Bojok - Hungary
  • Frost and snow on a beach tree - Near Bojok - Hungary
  • Frost and snow on a beach tree - Near Bojok - Hungary
  • Frost and snow on a beach tree - Near Bojok - Hungary
  • Frost and snow on a beach tree - Near Bojok - Hungary
  • Frost and snow on a beach tree - Near Bojok - Hungary
  • Frost and snow on a beach tree - Near Bojok - Hungary
  • Frost and snow on a beach tree - Near Bojok - Hungary
  • Frost and snow on a beach tree - Near Bojok - Hungary
  • Frost and snow on a beach tree - Near Bojok - Hungary
  • Home made lemonade outside
  • Home made lemonade outside
  • Home made lemonade outside
  • Home made lemonade outside
  • Dressed Fresh prepared Lobster
  • smoked salmon and cream cheese blinis
  • smoked salmon and cream cheese blinis
  • smoked salmon and cream cheese blinis
  • smoked salmon and cream cheese blinis
  • Jungfrau from Kleine Scheidegg - Grindelwald Switzerland
  • Jungfrau from Kleine Scheidegg - Grindelwald Switzerland
  • Jungfrau from Kleine Scheidegg - Grindelwald Switzerland
  • Jungfrau from Kleine Scheidegg - Grindelwald Switzerland
  • Jungfrau from Kleine Scheidegg - Grindelwald Switzerland
  • Jungfrau from Kleine Scheidegg - Grindelwald Switzerland
  • Jungfrau from Kleine Scheidegg - Grindelwald Switzerland
  • Jungfrau from Kleine Scheidegg - Grindelwald Switzerland
  • Jungfrau Glaciers  - Bernese Oberland Alps - Switzerland
  • Schilthorn Berneses Alps Switzerland - Climbers & Walkers
  • Schilthorn Berneses Alps Switzerland - View
  • Schilthorn Berneses Alps Switzerland - View
  • Jungfrau Summit in snow  - Bernese Oberland Alps - Switzerland
  • Jungfrau Glaciers in snow  - Bernese Oberland Alps - Switzerland
  • Jungfraujoch Top Of Europe - Bernese Oberland Alps - Switzerland
  • Jungfrau Summit in snow  - Bernese Oberland Alps - Switzerland
  • Jungfrau Summit in snow  - Bernese Oberland Alps - Switzerland
  • Eiger Summit in snow  - Bernese Oberland Alps - Switzerland
  • Jungfrau Summit in snow  - Bernese Oberland Alps - Switzerland
  • Eiger Summit in snow  - Bernese Oberland Alps - Switzerland
  • Eiger Summit in snow  - Bernese Oberland Alps - Switzerland
  • Eiger Summit in snow  - Bernese Oberland Alps - Switzerland
  • Eiger Summit in snow  - Bernese Oberland Alps - Switzerland
  • Eiger Summit in snow  - Bernese Oberland Alps - Switzerland
  • Eiger Summit in snow  - Bernese Oberland Alps - Switzerland
  • Jungfrau Summit in snow  - Bernese Oberland Alps - Switzerland
  • Jungfrau Glaciers  - Bernese Oberland Alps - Switzerland
  • Jungfrau Glaciers  - Bernese Oberland Alps - Switzerland
  • Jungfrau Glaciers  - Bernese Oberland Alps - Switzerland
  • Jungfrau Glaciers  - Bernese Oberland Alps - Switzerland
  • Jungfrau Summit in snow  - Bernese Oberland Alps - Switzerland
  • Jungfrau Glaciers  - Bernese Oberland Alps - Switzerland
  • Jungfrau Glaciers  - Bernese Oberland Alps - Switzerland
  • Jungfrau Glaciers  - Bernese Oberland Alps - Switzerland
  • Jungfrau Summit in snow  - Bernese Oberland Alps - Switzerland
  • Classic French Quiche Lorraine
  • Slices of quiche Loraine on a white background
  • Slices of quiche Loraine on a dark wood background
  • Quiche Loraine in a lunch time setting with a cut slice
  • Quiche Loraine on a blue board with a slice being lifted
  • Quiche Loraine on a cooling rack with a slice being lifted
  • Volavents filled with salmon & dill cream and olive tapenade on a gold plate with gold presents
  • Volavents filled with salmon & dill cream and olive tapenade
  • Volavents filled with salmon & dill cream and olive tapenade
  • Volavents filled with salmon & dill cream and olive tapenade on a gold plate with gold presents
  • Volavents filled with salmon & dill cream and olive tapenade on a gold plate with gold presents
  • Volavents filled with salmon & dill cream and olive tapenade on a gold plate with gold presents
  • Slices of quiche Loraine whole
  • quiche Loraine slices
  • quiche Loraine slices
  • quiche Loraine slices
  • Top shot of prawns in their shell with crab claws & cucumber on white pales on wood
  • top shot of Bean & apple salad in a white bowl with French salad spoons
  • Top Shot of salad in a salad basket and salad in water
  • Seafood salad with Whole prawns & mussels on a white plate
  • Roman fresco wall decorations of the Triclinium C, Villa Farnesia, Rome. Museo Nazionale Romano ( National Roman Museum), Rome, Italy.<br />
<br />
In the center of the dining room was a table, with three couches (klinai in Greek, hence the name "triclinium") on which the diners reclined as they ate. The southern exposure of the room and its main color suggest it was meant to be used in the winter. The architect Vitruvius, writing in the 1st century after Christ, recommends a dark background that will absorb heat to make the rooms warmer in cold weather. The black color (atramentum), made from a mixture of charcoal and glue, was resistant to smoke from the fire and soot from the lamps. On the dark background delicate landscapes are painted in light colors: cityscapes with buildings, arches, and gateways, and rural scenes showing huts, animals, and rustic shrines. The lavish decoration is broken up by slender columns festooned with ivy. The capitals are crowned by graceful female figures (caryatids). A frieze at eye level has scenes in which the same figures keep reappearing: popular tales depicted in a lively fashion. The scenes of the frieze start with the rear of the right wall. Also on this wall, near the doorway. can be seen a restoration made in antiquity to close off another entrance. We can identify a part of the polychrome mosaic pavement of this room. with meanders and stacked cubes rendered in perspective. The modem arrangement does not reproduce the or final. but is intended to suggest the effect of the pavement in the room
  • Roman fresco wall decorations of the Triclinium C, Villa Farnesia, Rome. Museo Nazionale Romano ( National Roman Museum), Rome, Italy.<br />
<br />
In the center of the dining room was a table, with three couches (klinai in Greek, hence the name "triclinium") on which the diners reclined as they ate. The southern exposure of the room and its main color suggest it was meant to be used in the winter. The architect Vitruvius, writing in the 1st century after Christ, recommends a dark background that will absorb heat to make the rooms warmer in cold weather. The black color (atramentum), made from a mixture of charcoal and glue, was resistant to smoke from the fire and soot from the lamps. On the dark background delicate landscapes are painted in light colors: cityscapes with buildings, arches, and gateways, and rural scenes showing huts, animals, and rustic shrines. The lavish decoration is broken up by slender columns festooned with ivy. The capitals are crowned by graceful female figures (caryatids). A frieze at eye level has scenes in which the same figures keep reappearing: popular tales depicted in a lively fashion. The scenes of the frieze start with the rear of the right wall. Also on this wall, near the doorway. can be seen a restoration made in antiquity to close off another entrance. We can identify a part of the polychrome mosaic pavement of this room. with meanders and stacked cubes rendered in perspective. The modem arrangement does not reproduce the or final. but is intended to suggest the effect of the pavement in the room
  • Roman fresco wall decorations of the Triclinium C, Villa Farnesia, Rome. Museo Nazionale Romano ( National Roman Museum), Rome, Italy.<br />
<br />
In the center of the dining room was a table, with three couches (klinai in Greek, hence the name "triclinium") on which the diners reclined as they ate. The southern exposure of the room and its main color suggest it was meant to be used in the winter. The architect Vitruvius, writing in the 1st century after Christ, recommends a dark background that will absorb heat to make the rooms warmer in cold weather. The black color (atramentum), made from a mixture of charcoal and glue, was resistant to smoke from the fire and soot from the lamps. On the dark background delicate landscapes are painted in light colors: cityscapes with buildings, arches, and gateways, and rural scenes showing huts, animals, and rustic shrines. The lavish decoration is broken up by slender columns festooned with ivy. The capitals are crowned by graceful female figures (caryatids). A frieze at eye level has scenes in which the same figures keep reappearing: popular tales depicted in a lively fashion. The scenes of the frieze start with the rear of the right wall. Also on this wall, near the doorway. can be seen a restoration made in antiquity to close off another entrance. We can identify a part of the polychrome mosaic pavement of this room. with meanders and stacked cubes rendered in perspective. The modem arrangement does not reproduce the or final. but is intended to suggest the effect of the pavement in the room
  • Roman fresco wall decorations of the Triclinium C, Villa Farnesia, Rome. Museo Nazionale Romano ( National Roman Museum), Rome, Italy.<br />
<br />
In the center of the dining room was a table, with three couches (klinai in Greek, hence the name "triclinium") on which the diners reclined as they ate. The southern exposure of the room and its main color suggest it was meant to be used in the winter. The architect Vitruvius, writing in the 1st century after Christ, recommends a dark background that will absorb heat to make the rooms warmer in cold weather. The black color (atramentum), made from a mixture of charcoal and glue, was resistant to smoke from the fire and soot from the lamps. On the dark background delicate landscapes are painted in light colors: cityscapes with buildings, arches, and gateways, and rural scenes showing huts, animals, and rustic shrines. The lavish decoration is broken up by slender columns festooned with ivy. The capitals are crowned by graceful female figures (caryatids). A frieze at eye level has scenes in which the same figures keep reappearing: popular tales depicted in a lively fashion. The scenes of the frieze start with the rear of the right wall. Also on this wall, near the doorway. can be seen a restoration made in antiquity to close off another entrance. We can identify a part of the polychrome mosaic pavement of this room. with meanders and stacked cubes rendered in perspective. The modem arrangement does not reproduce the or final. but is intended to suggest the effect of the pavement in the room
  • Roman fresco wall decorations of the Triclinium C, Villa Farnesia, Rome. Museo Nazionale Romano ( National Roman Museum), Rome, Italy.<br />
<br />
In the center of the dining room was a table, with three couches (klinai in Greek, hence the name "triclinium") on which the diners reclined as they ate. The southern exposure of the room and its main color suggest it was meant to be used in the winter. The architect Vitruvius, writing in the 1st century after Christ, recommends a dark background that will absorb heat to make the rooms warmer in cold weather. The black color (atramentum), made from a mixture of charcoal and glue, was resistant to smoke from the fire and soot from the lamps. On the dark background delicate landscapes are painted in light colors: cityscapes with buildings, arches, and gateways, and rural scenes showing huts, animals, and rustic shrines. The lavish decoration is broken up by slender columns festooned with ivy. The capitals are crowned by graceful female figures (caryatids). A frieze at eye level has scenes in which the same figures keep reappearing: popular tales depicted in a lively fashion. The scenes of the frieze start with the rear of the right wall. Also on this wall, near the doorway. can be seen a restoration made in antiquity to close off another entrance. We can identify a part of the polychrome mosaic pavement of this room. with meanders and stacked cubes rendered in perspective. The modem arrangement does not reproduce the or final. but is intended to suggest the effect of the pavement in the room
  • Roman fresco wall decorations of the Triclinium C, Villa Farnesia, Rome. Museo Nazionale Romano ( National Roman Museum), Rome, Italy.<br />
<br />
In the center of the dining room was a table, with three couches (klinai in Greek, hence the name "triclinium") on which the diners reclined as they ate. The southern exposure of the room and its main color suggest it was meant to be used in the winter. The architect Vitruvius, writing in the 1st century after Christ, recommends a dark background that will absorb heat to make the rooms warmer in cold weather. The black color (atramentum), made from a mixture of charcoal and glue, was resistant to smoke from the fire and soot from the lamps. On the dark background delicate landscapes are painted in light colors: cityscapes with buildings, arches, and gateways, and rural scenes showing huts, animals, and rustic shrines. The lavish decoration is broken up by slender columns festooned with ivy. The capitals are crowned by graceful female figures (caryatids). A frieze at eye level has scenes in which the same figures keep reappearing: popular tales depicted in a lively fashion. The scenes of the frieze start with the rear of the right wall. Also on this wall, near the doorway. can be seen a restoration made in antiquity to close off another entrance. We can identify a part of the polychrome mosaic pavement of this room. with meanders and stacked cubes rendered in perspective. The modem arrangement does not reproduce the or final. but is intended to suggest the effect of the pavement in the room
  • Roman fresco wall decorations of the Triclinium C, Villa Farnesia, Rome. Museo Nazionale Romano ( National Roman Museum), Rome, Italy.<br />
<br />
In the center of the dining room was a table, with three couches (klinai in Greek, hence the name "triclinium") on which the diners reclined as they ate. The southern exposure of the room and its main color suggest it was meant to be used in the winter. The architect Vitruvius, writing in the 1st century after Christ, recommends a dark background that will absorb heat to make the rooms warmer in cold weather. The black color (atramentum), made from a mixture of charcoal and glue, was resistant to smoke from the fire and soot from the lamps. On the dark background delicate landscapes are painted in light colors: cityscapes with buildings, arches, and gateways, and rural scenes showing huts, animals, and rustic shrines. The lavish decoration is broken up by slender columns festooned with ivy. The capitals are crowned by graceful female figures (caryatids). A frieze at eye level has scenes in which the same figures keep reappearing: popular tales depicted in a lively fashion. The scenes of the frieze start with the rear of the right wall. Also on this wall, near the doorway. can be seen a restoration made in antiquity to close off another entrance. We can identify a part of the polychrome mosaic pavement of this room. with meanders and stacked cubes rendered in perspective. The modem arrangement does not reproduce the or final. but is intended to suggest the effect of the pavement in the room
  • Roman fresco wall decorations of the Triclinium C, Villa Farnesia, Rome. Museo Nazionale Romano ( National Roman Museum), Rome, Italy.<br />
<br />
In the center of the dining room was a table, with three couches (klinai in Greek, hence the name "triclinium") on which the diners reclined as they ate. The southern exposure of the room and its main color suggest it was meant to be used in the winter. The architect Vitruvius, writing in the 1st century after Christ, recommends a dark background that will absorb heat to make the rooms warmer in cold weather. The black color (atramentum), made from a mixture of charcoal and glue, was resistant to smoke from the fire and soot from the lamps. On the dark background delicate landscapes are painted in light colors: cityscapes with buildings, arches, and gateways, and rural scenes showing huts, animals, and rustic shrines. The lavish decoration is broken up by slender columns festooned with ivy. The capitals are crowned by graceful female figures (caryatids). A frieze at eye level has scenes in which the same figures keep reappearing: popular tales depicted in a lively fashion. The scenes of the frieze start with the rear of the right wall. Also on this wall, near the doorway. can be seen a restoration made in antiquity to close off another entrance. We can identify a part of the polychrome mosaic pavement of this room. with meanders and stacked cubes rendered in perspective. The modem arrangement does not reproduce the or final. but is intended to suggest the effect of the pavement in the room
  • Roman fresco wall decorations of the Triclinium C, Villa Farnesia, Rome. Museo Nazionale Romano ( National Roman Museum), Rome, Italy.<br />
<br />
In the center of the dining room was a table, with three couches (klinai in Greek, hence the name "triclinium") on which the diners reclined as they ate. The southern exposure of the room and its main color suggest it was meant to be used in the winter. The architect Vitruvius, writing in the 1st century after Christ, recommends a dark background that will absorb heat to make the rooms warmer in cold weather. The black color (atramentum), made from a mixture of charcoal and glue, was resistant to smoke from the fire and soot from the lamps. On the dark background delicate landscapes are painted in light colors: cityscapes with buildings, arches, and gateways, and rural scenes showing huts, animals, and rustic shrines. The lavish decoration is broken up by slender columns festooned with ivy. The capitals are crowned by graceful female figures (caryatids). A frieze at eye level has scenes in which the same figures keep reappearing: popular tales depicted in a lively fashion. The scenes of the frieze start with the rear of the right wall. Also on this wall, near the doorway. can be seen a restoration made in antiquity to close off another entrance. We can identify a part of the polychrome mosaic pavement of this room. with meanders and stacked cubes rendered in perspective. The modem arrangement does not reproduce the or final. but is intended to suggest the effect of the pavement in the room
  • Roman fresco wall decorations of the Triclinium C, Villa Farnesia, Rome. Museo Nazionale Romano ( National Roman Museum), Rome, Italy.<br />
<br />
In the center of the dining room was a table, with three couches (klinai in Greek, hence the name "triclinium") on which the diners reclined as they ate. The southern exposure of the room and its main color suggest it was meant to be used in the winter. The architect Vitruvius, writing in the 1st century after Christ, recommends a dark background that will absorb heat to make the rooms warmer in cold weather. The black color (atramentum), made from a mixture of charcoal and glue, was resistant to smoke from the fire and soot from the lamps. On the dark background delicate landscapes are painted in light colors: cityscapes with buildings, arches, and gateways, and rural scenes showing huts, animals, and rustic shrines. The lavish decoration is broken up by slender columns festooned with ivy. The capitals are crowned by graceful female figures (caryatids). A frieze at eye level has scenes in which the same figures keep reappearing: popular tales depicted in a lively fashion. The scenes of the frieze start with the rear of the right wall. Also on this wall, near the doorway. can be seen a restoration made in antiquity to close off another entrance. We can identify a part of the polychrome mosaic pavement of this room. with meanders and stacked cubes rendered in perspective. The modem arrangement does not reproduce the or final. but is intended to suggest the effect of the pavement in the room
  • Roman fresco wall decorations of the Triclinium C, Villa Farnesia, Rome. Museo Nazionale Romano ( National Roman Museum), Rome, Italy.<br />
<br />
In the center of the dining room was a table, with three couches (klinai in Greek, hence the name "triclinium") on which the diners reclined as they ate. The southern exposure of the room and its main color suggest it was meant to be used in the winter. The architect Vitruvius, writing in the 1st century after Christ, recommends a dark background that will absorb heat to make the rooms warmer in cold weather. The black color (atramentum), made from a mixture of charcoal and glue, was resistant to smoke from the fire and soot from the lamps. On the dark background delicate landscapes are painted in light colors: cityscapes with buildings, arches, and gateways, and rural scenes showing huts, animals, and rustic shrines. The lavish decoration is broken up by slender columns festooned with ivy. The capitals are crowned by graceful female figures (caryatids). A frieze at eye level has scenes in which the same figures keep reappearing: popular tales depicted in a lively fashion. The scenes of the frieze start with the rear of the right wall. Also on this wall, near the doorway. can be seen a restoration made in antiquity to close off another entrance. We can identify a part of the polychrome mosaic pavement of this room. with meanders and stacked cubes rendered in perspective. The modem arrangement does not reproduce the or final. but is intended to suggest the effect of the pavement in the room
  • South Porch, Right Portal, Tympanum- General View.This portal is dedicated to the Confessors. Cathedral of Chartres, France. Tympanum and Lintel: Miracles by two very popular saints, Martin and Nicholas, are shown on the tympanum and lintel. Both saints have figures on the jambs below and several windows in the interior lower level and clerestory..On the left is the Miracle of Martin's cloak. In the lower left panel, Martin, a young Roman stationed in Amiens, met a beggar at the city gate one cold day. Moved by the man's suffering, Martin cut his cloak in half and gave him one of the pieces. In the upper left panel, Martin is shown sleeping. His dream is shown on the tympanum; Christ appears wearing the piece of the cloak he gave to the beggar, who had really been Christ..On the right are miracles of Nicholas. In the bottom panel, Nicholas anonymously gives dowries to three indigent girls. On the upper right, pilgrims at Nicholas's tomb, which supposedly gave off a miraculous healing fluid. .Archivolts: .On the lower register of archivolts are miracles of Gilles, including the Mass of St. Gilles (right). The other archivolts show various Confessors.A UNESCO World Heritage Site.
  • South Porch, Right Portal, Tympanum- General View.This portal is dedicated to the Confessors. Cathedral of Chartres, France. Tympanum and Lintel: Miracles by two very popular saints, Martin and Nicholas, are shown on the tympanum and lintel. Both saints have figures on the jambs below and several windows in the interior lower level and clerestory..On the left is the Miracle of Martin's cloak. In the lower left panel, Martin, a young Roman stationed in Amiens, met a beggar at the city gate one cold day. Moved by the man's suffering, Martin cut his cloak in half and gave him one of the pieces. In the upper left panel, Martin is shown sleeping. His dream is shown on the tympanum; Christ appears wearing the piece of the cloak he gave to the beggar, who had really been Christ..On the right are miracles of Nicholas. In the bottom panel, Nicholas anonymously gives dowries to three indigent girls. On the upper right, pilgrims at Nicholas's tomb, which supposedly gave off a miraculous healing fluid. .Archivolts: .On the lower register of archivolts are miracles of Gilles, including the Mass of St. Gilles (right). The other archivolts show various Confessors.A UNESCO World Heritage Site.
  • South Porch, Right Portal, Tympanum- General View.This portal is dedicated to the Confessors. Cathedral of Chartres, France. Tympanum and Lintel: Miracles by two very popular saints, Martin and Nicholas, are shown on the tympanum and lintel. Both saints have figures on the jambs below and several windows in the interior lower level and clerestory..On the left is the Miracle of Martin's cloak. In the lower left panel, Martin, a young Roman stationed in Amiens, met a beggar at the city gate one cold day. Moved by the man's suffering, Martin cut his cloak in half and gave him one of the pieces. In the upper left panel, Martin is shown sleeping. His dream is shown on the tympanum; Christ appears wearing the piece of the cloak he gave to the beggar, who had really been Christ..On the right are miracles of Nicholas. In the bottom panel, Nicholas anonymously gives dowries to three indigent girls. On the upper right, pilgrims at Nicholas's tomb, which supposedly gave off a miraculous healing fluid. .Archivolts: .On the lower register of archivolts are miracles of Gilles, including the Mass of St. Gilles (right). The other archivolts show various Confessors.A UNESCO World Heritage Site.
  • South Porch, Right Portal, Tympanum- General View.This portal is dedicated to the Confessors. Cathedral of Chartres, France. Tympanum and Lintel: Miracles by two very popular saints, Martin and Nicholas, are shown on the tympanum and lintel. Both saints have figures on the jambs below and several windows in the interior lower level and clerestory..On the left is the Miracle of Martin's cloak. In the lower left panel, Martin, a young Roman stationed in Amiens, met a beggar at the city gate one cold day. Moved by the man's suffering, Martin cut his cloak in half and gave him one of the pieces. In the upper left panel, Martin is shown sleeping. His dream is shown on the tympanum; Christ appears wearing the piece of the cloak he gave to the beggar, who had really been Christ..On the right are miracles of Nicholas. In the bottom panel, Nicholas anonymously gives dowries to three indigent girls. On the upper right, pilgrims at Nicholas's tomb, which supposedly gave off a miraculous healing fluid. .Archivolts: .On the lower register of archivolts are miracles of Gilles, including the Mass of St. Gilles (right). The other archivolts show various Confessors.A UNESCO World Heritage Site.
  • 19th century historic Ottoman houses of Soukçeme Soka (Street of the Cold Fountain) built against the outer wall of the Topkapi Palace once the villas of high officials of the Sultan. Sultanahmet neighborhood  Istanbul Turkey
  • 19th century historic Ottoman houses of Soukçeme Soka (Street of the Cold Fountain) built against the outer wall of the Topkapi Palace once the villas of high officials of the Sultan. Sultanahmet neighborhood  Istanbul Turkey
  • 19th century historic Ottoman houses of Soukçeme Soka (Street of the Cold Fountain) built against the outer wall of the Topkapi Palace once the villas of high officials of the Sultan. Sultanahmet neighborhood  Istanbul Turkey
  • 19th century historic Ottoman houses of Soukçeme Soka (Street of the Cold Fountain) built against the outer wall of the Topkapi Palace once the villas of high officials of the Sultan. Sultanahmet neighborhood  Istanbul Turkey
  • 19th century historic Ottoman houses of Soukçeme Soka (Street of the Cold Fountain) built against the outer wall of the Topkapi Palace once the villas of high officials of the Sultan. Sultanahmet neighborhood  Istanbul Turkey
  • Mountains; mountain; Jungfrau; Bernese; Oberland; Alps; Switzerland; summit; top; peak; snow; snowy; drifts; deep; glacier; landscape; ice; cold; freeze; frost; freezing; natural; nature; tourist; travel; hostile; inhositibable; high; altitude; 13000; feet climbers; climb; dangerous; clean; refreshing; exhilerating; Top; Of; Europe; Jungfraujoch; Alpine ; Swiss ;

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