• Collage financial material and Times newspaper
  • Old court shoes
  • Paris - France - Seine Bank with Book Stalls Near Notre Dame
  • Paris - France - Seine Bank with Book Stalls Near Notre Dame
  • Paris - France - Seine Bank with Book Stalls Near Notre Dame
  • Paris - France - Seine Bank with Book Stalls Near Notre Dame
  • New Summer clothes collection
  • New Summer clothes collection
  • Runswick Bay - North Yorkshire - England - man and baby
  • Thornton Pickard wooden bellows view camera
  • FGox Terrier puppy on a childs wheel around
  • Green Boy and a dog Statue Polaroid Lift
  • Runswick Bay - North Yorkshire - England - teenage anxiety
  • Runswick Bay - North Yorkshire - England - teenage anxiety
  • Runswick Bay - North Yorkshire - England - teenage anxiety
  • Runswick Bay - North Yorkshire - England - teenage anxiety
  • Runswick Bay - North Yorkshire - England - teenage anxiety
  • Runswick Bay - North Yorkshire - England - teenage anxiety
  • Runswick Bay - North Yorkshire - England disabled women paddling
  • Runswick Bay - North Yorkshire - England - family making sand castles
  • Runswick Bay - North Yorkshire - Captain Cooke house
  • Runswick Bay - North Yorkshire - Captain Cooke house
  • Runswick Bay - North Yorkshire - England- child on beach
  • Century Half Plate wooden View Camera
  • Sanderson double movement Half Plate wooden View Camera with film slides
  • Thornton Pickard Half Plate wooden View Camera with film slides
  • Kodak Brownie folding camera with red bellows & Kolios shutter
  • Sanderson tropical Half Plate wooden View Camera
  • Sanderson tropical Half Plate wooden View Camera
  • Sanderson tropical Half Plate wooden View Camera close up of lens and shutter
  • Sanderson tropical Half Plate wooden View Camera close up of lens and shutter
  • Sanderson tropical Half Plate wooden View Camera on a wooden tripod
  • Runswick Bay - North Yorkshire - England disabled women paddling
  • Thornton Pickard wooden bellows view camera
  • Real Fox Terrier Dog kissing a toy Fox Terrier on  push along wheels
  • Runswick Bay - North Yorkshire - England - teenage anxiety
  • Runswick Bay - North Yorkshire - England - teenage anxiety
  • children playing - Runswick Bay - North Yorkshire - England
  • Runswick Bay - North Yorkshire - England - family walking
  • Runswick Bay - North Yorkshire - England - family walking
  • Runswick Bay - North Yorkshire - England - grandad
  • Runswick Bay - North Yorkshire - England
  • Runswick Bay - North Yorkshire - England - teenage anxiety
  • Runswick Bay - North Yorkshire - England - children jumping waves
  • Runswick Bay - North Yorkshire - England - man walking dog
  • Runswick Bay - North Yorkshire - England people on seats
  • Runswick Bay - North Yorkshire - England people on seats
  • Runswick Bay - North Yorkshire - England - man and baby
  • Runswick Bay - North Yorkshire - England - kids walking
  • Runswick Bay Village - North Yorkshire - England
  • Runswick Bay - North Yorkshire - England
  • Runswick Bay - North Yorkshire - England
  • Runswick Bay - North Yorkshire - England - family making sand castles
  • Runswick Bay - North Yorkshire - England - family making sand castles
  • Century Half Plate wooden View Camera close up of lens and shutter
  • Century Half Plate wooden View Camera
  • Lancaster International Half Plate wooden View Camera with film slides
  • Sanderson double movement Half Plate wooden View Camera with film slides
  • Kodak Brownie folding camera with red bellows & Kolios shutter
  • Sanderson tropical Half Plate wooden View Camera
  • Sanderson tropical Half Plate wooden View Camera close up of lens and shutter
  • Sanderson tropical Half Plate wooden View Camera close up of lens and shutter
  • Sanderson tropical Half Plate wooden View Camera
  • Sanderson tropical Half Plate wooden View Camera on a wooden tripod
  • Bilclife Half Plate wooden View Camera on a wooden tripod
  • Paris ; France ; Notre Dame ; Cathedral ; seine ; bank ; south ; book ; stall ; books ; antiques ; collectables ; collectors ; second ; hand ; old ; fragile ; precious ; special ; first ; edition ; French ; novels ; stationary
  • Statue of Eros known as The Genie of Borghese - a  Roman copy of a 4th century BC Greek original from Rome, Monte Cavallo. The statue belonged to Domenico Biondo, employee of Pope Paul V Borghese. The statue joined in 1608 in the collection of Scipio Borghese. Wings, arms and legs of Eros, formerly called Genie Borghese, are modern. In the 18th century it was much admired, especially in France, as one of the seven most important parts of the collection Borghese. The Borghese Collection Inv No. MR 207 or Ma 435, Louvre Museum, Paris.
  • Statue of Adonis - Tis antique statue was completely restored in the 16th century by Francois Du Quesnoy for the collection of Cardinal Mazarin. The Mazarin Collection Inv No. MR 239, Louvre Museum, Paris.
  • Statue of Eros known as The Genie of Borghese - a  Roman copy of a 4th century BC Greek original from Rome, Monte Cavallo. The statue belonged to Domenico Biondo, employee of Pope Paul V Borghese. The statue joined in 1608 in the collection of Scipio Borghese. Wings, arms and legs of Eros, formerly called Genie Borghese, are modern. In the 18th century it was much admired, especially in France, as one of the seven most important parts of the collection Borghese. The Borghese Collection Inv No. MR 207 or Ma 435, Louvre Museum, Paris.
  • Statue of Eros known as The Genie of Borghese - a  Roman copy of a 4th century BC Greek original from Rome, Monte Cavallo. The statue belonged to Domenico Biondo, employee of Pope Paul V Borghese. The statue joined in 1608 in the collection of Scipio Borghese. Wings, arms and legs of Eros, formerly called Genie Borghese, are modern. In the 18th century it was much admired, especially in France, as one of the seven most important parts of the collection Borghese. The Borghese Collection Inv No. MR 207 or Ma 435, Louvre Museum, Paris.
  • Statue of Eros known as The Genie of Borghese - a  Roman copy of a 4th century BC Greek original from Rome, Monte Cavallo. The statue belonged to Domenico Biondo, employee of Pope Paul V Borghese. The statue joined in 1608 in the collection of Scipio Borghese. Wings, arms and legs of Eros, formerly called Genie Borghese, are modern. In the 18th century it was much admired, especially in France, as one of the seven most important parts of the collection Borghese. The Borghese Collection Inv No. MR 207 or Ma 435, Louvre Museum, Paris.
  • Statue of Adonis - Tis antique statue was completely restored in the 16th century by Francois Du Quesnoy for the collection of Cardinal Mazarin. The Mazarin Collection Inv No. MR 239, Louvre Museum, Paris.
  • Statue of Adonis - Tis antique statue was completely restored in the 16th century by Francois Du Quesnoy for the collection of Cardinal Mazarin. The Mazarin Collection Inv No. MR 239, Louvre Museum, Paris.
  • Statue of Adonis - Tis antique statue was completely restored in the 16th century by Francois Du Quesnoy for the collection of Cardinal Mazarin. The Mazarin Collection Inv No. MR 239, Louvre Museum, Paris.
  • Statue of Eros known as The Genie of Borghese - a  Roman copy of a 4th century BC Greek original from Rome, Monte Cavallo. The statue belonged to Domenico Biondo, employee of Pope Paul V Borghese. The statue joined in 1608 in the collection of Scipio Borghese. Wings, arms and legs of Eros, formerly called Genie Borghese, are modern. In the 18th century it was much admired, especially in France, as one of the seven most important parts of the collection Borghese. The Borghese Collection Inv No. MR 207 or Ma 435, Louvre Museum, Paris.
  • Statue of Eros known as The Genie of Borghese - a  Roman copy of a 4th century BC Greek original from Rome, Monte Cavallo. The statue belonged to Domenico Biondo, employee of Pope Paul V Borghese. The statue joined in 1608 in the collection of Scipio Borghese. Wings, arms and legs of Eros, formerly called Genie Borghese, are modern. In the 18th century it was much admired, especially in France, as one of the seven most important parts of the collection Borghese. The Borghese Collection Inv No. MR 207 or Ma 435, Louvre Museum, Paris.
  • Statue of Eros known as The Genie of Borghese - a  Roman copy of a 4th century BC Greek original from Rome, Monte Cavallo. The statue belonged to Domenico Biondo, employee of Pope Paul V Borghese. The statue joined in 1608 in the collection of Scipio Borghese. Wings, arms and legs of Eros, formerly called Genie Borghese, are modern. In the 18th century it was much admired, especially in France, as one of the seven most important parts of the collection Borghese. The Borghese Collection Inv No. MR 207 or Ma 435, Louvre Museum, Paris.
  • Statue of Eros known as The Genie of Borghese - a  Roman copy of a 4th century BC Greek original from Rome, Monte Cavallo. The statue belonged to Domenico Biondo, employee of Pope Paul V Borghese. The statue joined in 1608 in the collection of Scipio Borghese. Wings, arms and legs of Eros, formerly called Genie Borghese, are modern. In the 18th century it was much admired, especially in France, as one of the seven most important parts of the collection Borghese. The Borghese Collection Inv No. MR 207 or Ma 435, Louvre Museum, Paris.
  • Statue of Adonis - Tis antique statue was completely restored in the 16th century by Francois Du Quesnoy for the collection of Cardinal Mazarin. The Mazarin Collection Inv No. MR 239, Louvre Museum, Paris.
  • Statue of Adonis - Tis antique statue was completely restored in the 16th century by Francois Du Quesnoy for the collection of Cardinal Mazarin. The Mazarin Collection Inv No. MR 239, Louvre Museum, Paris.
  • Statue of Adonis - Tis antique statue was completely restored in the 16th century by Francois Du Quesnoy for the collection of Cardinal Mazarin. The Mazarin Collection Inv No. MR 239, Louvre Museum, Paris.
  • Statue of Adonis - Tis antique statue was completely restored in the 16th century by Francois Du Quesnoy for the collection of Cardinal Mazarin. The Mazarin Collection Inv No. MR 239, Louvre Museum, Paris.
  • Seated marble goddess. Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara. Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara. Against a white background
  • Seated marble goddess. Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara. Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara. Against a black background
  • Seated marble goddess. Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara. Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara. Against a gray mottled background
  • Seated marble goddess. Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara. Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara. Against a grey background
  • Statue of Eros known as The Genie of Borghese - a  Roman copy of a 4th century BC Greek original from Rome, Monte Cavallo. The statue belonged to Domenico Biondo, employee of Pope Paul V Borghese. The statue joined in 1608 in the collection of Scipio Borghese. Wings, arms and legs of Eros, formerly called Genie Borghese, are modern. In the 18th century it was much admired, especially in France, as one of the seven most important parts of the collection Borghese. The Borghese Collection Inv No. MR 207 or Ma 435, Louvre Museum, Paris.
  • Sleeping Hermaphroditus, The Borghese Hermaphrodite.  A Life size ancient 2nd century AD Roman statue sculpted in Greek Marble and found in the grounds of Santa Maria della Vittoria, near the Baths of Diocletian, Rome. It was added to the Borghese Collection by Cardinal Scipione Borghese, in the 17th century and was named the "Borghese Hermaphroditus”. It was later sold to the occupying French and was removed it to The Louvre. Hermaphrodite, son of Hermes and Aphrodite had repels the advances of the nymph Salmacis. However, she got Zeus as their two bodies are united in a bisexual being. The Sleeping Hermaphroditus has been described as a good early Imperial Roman copy of a bronze original by the later of the two Hellenistic sculptors named Polycles (150 BC) the original bronze was mentioned in Pliny's Natural History. In 1619  Bernini sculpted the mattress on which the ancient marble of Hermaphrodite lies. Louvre Museum, Paris
  • Sleeping Hermaphroditus, The Borghese Hermaphrodite.  A Life size ancient 2nd century AD Roman statue sculpted in Greek Marble and found in the grounds of Santa Maria della Vittoria, near the Baths of Diocletian, Rome. It was added to the Borghese Collection by Cardinal Scipione Borghese, in the 17th century and was named the "Borghese Hermaphroditus”. It was later sold to the occupying French and was removed it to The Louvre. Hermaphrodite, son of Hermes and Aphrodite had repels the advances of the nymph Salmacis. However, she got Zeus as their two bodies are united in a bisexual being. The Sleeping Hermaphroditus has been described as a good early Imperial Roman copy of a bronze original by the later of the two Hellenistic sculptors named Polycles (150 BC) the original bronze was mentioned in Pliny's Natural History. In 1619  Bernini sculpted the mattress on which the ancient marble of Hermaphrodite lies. Louvre Museum, Paris
  • Sleeping Hermaphroditus, The Borghese Hermaphrodite.  A Life size ancient 2nd century AD Roman statue sculpted in Greek Marble and found in the grounds of Santa Maria della Vittoria, near the Baths of Diocletian, Rome. It was added to the Borghese Collection by Cardinal Scipione Borghese, in the 17th century and was named the "Borghese Hermaphroditus”. It was later sold to the occupying French and was removed it to The Louvre. Hermaphrodite, son of Hermes and Aphrodite had repels the advances of the nymph Salmacis. However, she got Zeus as their two bodies are united in a bisexual being. The Sleeping Hermaphroditus has been described as a good early Imperial Roman copy of a bronze original by the later of the two Hellenistic sculptors named Polycles (150 BC) the original bronze was mentioned in Pliny's Natural History. In 1619  Bernini sculpted the mattress on which the ancient marble of Hermaphrodite lies. Louvre Museum, Paris
  • Antinous Mondragone, A Roman marble bust from circa 130 AD. Antinous was the young Bithynian favoured by the emperor Hadrian who was deified after drowning under mysterious circumstances in the waters of the Nile circa 130AD. Thanks to the promotion of the cult Antinous portraits can be found throughout the Empire in the places most frequented by Hadrian. The Borghese Collection Inv No. MR 412 or Ma 1205, Louvre Museum, Paris.
  • Antinous Mondragone, A Roman marble bust from circa 130 AD. Antinous was the young Bithynian favoured by the emperor Hadrian who was deified after drowning under mysterious circumstances in the waters of the Nile circa 130AD. Thanks to the promotion of the cult Antinous portraits can be found throughout the Empire in the places most frequented by Hadrian. The Borghese Collection Inv No. MR 412 or Ma 1205, Louvre Museum, Paris.
  • Antinous Mondragone, A Roman marble bust from circa 130 AD. Antinous was the young Bithynian favoured by the emperor Hadrian who was deified after drowning under mysterious circumstances in the waters of the Nile circa 130AD. Thanks to the promotion of the cult Antinous portraits can be found throughout the Empire in the places most frequented by Hadrian. The Borghese Collection Inv No. MR 412 or Ma 1205, Louvre Museum, Paris.
  • Antinous Mondragone, A Roman marble bust from circa 130 AD. Antinous was the young Bithynian favoured by the emperor Hadrian who was deified after drowning under mysterious circumstances in the waters of the Nile circa 130AD. Thanks to the promotion of the cult Antinous portraits can be found throughout the Empire in the places most frequented by Hadrian. The Borghese Collection Inv No. MR 412 or Ma 1205, Louvre Museum, Paris.
  • Antinous Mondragone, A Roman marble bust from circa 130 AD. Antinous was the young Bithynian favoured by the emperor Hadrian who was deified after drowning under mysterious circumstances in the waters of the Nile circa 130AD. Thanks to the promotion of the cult Antinous portraits can be found throughout the Empire in the places most frequented by Hadrian. The Borghese Collection Inv No. MR 412 or Ma 1205, Louvre Museum, Paris.
  • Sleeping Hermaphroditus, The Borghese Hermaphrodite.  A Life size ancient 2nd century AD Roman statue sculpted in Greek Marble and found in the grounds of Santa Maria della Vittoria, near the Baths of Diocletian, Rome. It was added to the Borghese Collection by Cardinal Scipione Borghese, in the 17th century and was named the "Borghese Hermaphroditus”. It was later sold to the occupying French and was removed it to The Louvre. Hermaphrodite, son of Hermes and Aphrodite had repels the advances of the nymph Salmacis. However, she got Zeus as their two bodies are united in a bisexual being. The Sleeping Hermaphroditus has been described as a good early Imperial Roman copy of a bronze original by the later of the two Hellenistic sculptors named Polycles (150 BC) the original bronze was mentioned in Pliny's Natural History. In 1619  Bernini sculpted the mattress on which the ancient marble of Hermaphrodite lies. Louvre Museum, Paris
  • Sleeping Hermaphroditus, The Borghese Hermaphrodite.  A Life size ancient 2nd century AD Roman statue sculpted in Greek Marble and found in the grounds of Santa Maria della Vittoria, near the Baths of Diocletian, Rome. It was added to the Borghese Collection by Cardinal Scipione Borghese, in the 17th century and was named the "Borghese Hermaphroditus”. It was later sold to the occupying French and was removed it to The Louvre. Hermaphrodite, son of Hermes and Aphrodite had repels the advances of the nymph Salmacis. However, she got Zeus as their two bodies are united in a bisexual being. The Sleeping Hermaphroditus has been described as a good early Imperial Roman copy of a bronze original by the later of the two Hellenistic sculptors named Polycles (150 BC) the original bronze was mentioned in Pliny's Natural History. In 1619  Bernini sculpted the mattress on which the ancient marble of Hermaphrodite lies. Louvre Museum, Paris
  • Fresco depicting a scematic arial view of the square houses of Catalhoyuk with the volcanic mout Hasan behind. . Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara. Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara
  • Seated marble goddess. Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara. Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara
  • Sleeping Hermaphroditus, The Borghese Hermaphrodite.  A Life size ancient 2nd century AD Roman statue sculpted in Greek Marble and found in the grounds of Santa Maria della Vittoria, near the Baths of Diocletian, Rome. It was added to the Borghese Collection by Cardinal Scipione Borghese, in the 17th century and was named the "Borghese Hermaphroditus”. It was later sold to the occupying French and was removed it to The Louvre. Hermaphrodite, son of Hermes and Aphrodite had repels the advances of the nymph Salmacis. However, she got Zeus as their two bodies are united in a bisexual being. The Sleeping Hermaphroditus has been described as a good early Imperial Roman copy of a bronze original by the later of the two Hellenistic sculptors named Polycles (150 BC) the original bronze was mentioned in Pliny's Natural History. In 1619  Bernini sculpted the mattress on which the ancient marble of Hermaphrodite lies. Louvre Museum, Paris
  • Sleeping Hermaphroditus, The Borghese Hermaphrodite.  A Life size ancient 2nd century AD Roman statue sculpted in Greek Marble and found in the grounds of Santa Maria della Vittoria, near the Baths of Diocletian, Rome. It was added to the Borghese Collection by Cardinal Scipione Borghese, in the 17th century and was named the "Borghese Hermaphroditus”. It was later sold to the occupying French and was removed it to The Louvre. Hermaphrodite, son of Hermes and Aphrodite had repels the advances of the nymph Salmacis. However, she got Zeus as their two bodies are united in a bisexual being. The Sleeping Hermaphroditus has been described as a good early Imperial Roman copy of a bronze original by the later of the two Hellenistic sculptors named Polycles (150 BC) the original bronze was mentioned in Pliny's Natural History. In 1619  Bernini sculpted the mattress on which the ancient marble of Hermaphrodite lies. Louvre Museum, Paris
  • Sleeping Hermaphroditus, The Borghese Hermaphrodite.  A Life size ancient 2nd century AD Roman statue sculpted in Greek Marble and found in the grounds of Santa Maria della Vittoria, near the Baths of Diocletian, Rome. It was added to the Borghese Collection by Cardinal Scipione Borghese, in the 17th century and was named the "Borghese Hermaphroditus”. It was later sold to the occupying French and was removed it to The Louvre. Hermaphrodite, son of Hermes and Aphrodite had repels the advances of the nymph Salmacis. However, she got Zeus as their two bodies are united in a bisexual being. The Sleeping Hermaphroditus has been described as a good early Imperial Roman copy of a bronze original by the later of the two Hellenistic sculptors named Polycles (150 BC) the original bronze was mentioned in Pliny's Natural History. In 1619  Bernini sculpted the mattress on which the ancient marble of Hermaphrodite lies. Louvre Museum, Paris
  • Sleeping Hermaphroditus, The Borghese Hermaphrodite.  A Life size ancient 2nd century AD Roman statue sculpted in Greek Marble and found in the grounds of Santa Maria della Vittoria, near the Baths of Diocletian, Rome. It was added to the Borghese Collection by Cardinal Scipione Borghese, in the 17th century and was named the "Borghese Hermaphroditus”. It was later sold to the occupying French and was removed it to The Louvre. Hermaphrodite, son of Hermes and Aphrodite had repels the advances of the nymph Salmacis. However, she got Zeus as their two bodies are united in a bisexual being. The Sleeping Hermaphroditus has been described as a good early Imperial Roman copy of a bronze original by the later of the two Hellenistic sculptors named Polycles (150 BC) the original bronze was mentioned in Pliny's Natural History. In 1619  Bernini sculpted the mattress on which the ancient marble of Hermaphrodite lies. Louvre Museum, Paris
  • Sleeping Hermaphroditus, The Borghese Hermaphrodite.  A Life size ancient 2nd century AD Roman statue sculpted in Greek Marble and found in the grounds of Santa Maria della Vittoria, near the Baths of Diocletian, Rome. It was added to the Borghese Collection by Cardinal Scipione Borghese, in the 17th century and was named the "Borghese Hermaphroditus”. It was later sold to the occupying French and was removed it to The Louvre. Hermaphrodite, son of Hermes and Aphrodite had repels the advances of the nymph Salmacis. However, she got Zeus as their two bodies are united in a bisexual being. The Sleeping Hermaphroditus has been described as a good early Imperial Roman copy of a bronze original by the later of the two Hellenistic sculptors named Polycles (150 BC) the original bronze was mentioned in Pliny's Natural History. In 1619  Bernini sculpted the mattress on which the ancient marble of Hermaphrodite lies. Louvre Museum, Paris
  • Antinous Mondragone, A Roman marble bust from circa 130 AD. Antinous was the young Bithynian favoured by the emperor Hadrian who was deified after drowning under mysterious circumstances in the waters of the Nile circa 130AD. Thanks to the promotion of the cult Antinous portraits can be found throughout the Empire in the places most frequented by Hadrian. The Borghese Collection Inv No. MR 412 or Ma 1205, Louvre Museum, Paris.
  • Antinous Mondragone, A Roman marble bust from circa 130 AD. Antinous was the young Bithynian favoured by the emperor Hadrian who was deified after drowning under mysterious circumstances in the waters of the Nile circa 130AD. Thanks to the promotion of the cult Antinous portraits can be found throughout the Empire in the places most frequented by Hadrian. The Borghese Collection Inv No. MR 412 or Ma 1205, Louvre Museum, Paris.
  • Antinous Mondragone, A Roman marble bust from circa 130 AD. Antinous was the young Bithynian favoured by the emperor Hadrian who was deified after drowning under mysterious circumstances in the waters of the Nile circa 130AD. Thanks to the promotion of the cult Antinous portraits can be found throughout the Empire in the places most frequented by Hadrian. The Borghese Collection Inv No. MR 412 or Ma 1205, Louvre Museum, Paris.
  • Antinous Mondragone, A Roman marble bust from circa 130 AD. Antinous was the young Bithynian favoured by the emperor Hadrian who was deified after drowning under mysterious circumstances in the waters of the Nile circa 130AD. Thanks to the promotion of the cult Antinous portraits can be found throughout the Empire in the places most frequented by Hadrian. The Borghese Collection Inv No. MR 412 or Ma 1205, Louvre Museum, Paris.
  • Statue of Eros known as The Genie of Borghese - a  Roman copy of a 4th century BC Greek original from Rome, Monte Cavallo. The statue belonged to Domenico Biondo, employee of Pope Paul V Borghese. The statue joined in 1608 in the collection of Scipio Borghese. Wings, arms and legs of Eros, formerly called Genie Borghese, are modern. In the 18th century it was much admired, especially in France, as one of the seven most important parts of the collection Borghese. The Borghese Collection Inv No. MR 207 or Ma 435, Louvre Museum, Paris.
  • Sleeping Hermaphroditus, The Borghese Hermaphrodite.  A Life size ancient 2nd century AD Roman statue sculpted in Greek Marble and found in the grounds of Santa Maria della Vittoria, near the Baths of Diocletian, Rome. It was added to the Borghese Collection by Cardinal Scipione Borghese, in the 17th century and was named the "Borghese Hermaphroditus”. It was later sold to the occupying French and was removed it to The Louvre. Hermaphrodite, son of Hermes and Aphrodite had repels the advances of the nymph Salmacis. However, she got Zeus as their two bodies are united in a bisexual being. The Sleeping Hermaphroditus has been described as a good early Imperial Roman copy of a bronze original by the later of the two Hellenistic sculptors named Polycles (150 BC) the original bronze was mentioned in Pliny's Natural History. In 1619  Bernini sculpted the mattress on which the ancient marble of Hermaphrodite lies. Louvre Museum, Paris
  • Sleeping Hermaphroditus, The Borghese Hermaphrodite.  A Life size ancient 2nd century AD Roman statue sculpted in Greek Marble and found in the grounds of Santa Maria della Vittoria, near the Baths of Diocletian, Rome. It was added to the Borghese Collection by Cardinal Scipione Borghese, in the 17th century and was named the "Borghese Hermaphroditus”. It was later sold to the occupying French and was removed it to The Louvre. Hermaphrodite, son of Hermes and Aphrodite had repels the advances of the nymph Salmacis. However, she got Zeus as their two bodies are united in a bisexual being. The Sleeping Hermaphroditus has been described as a good early Imperial Roman copy of a bronze original by the later of the two Hellenistic sculptors named Polycles (150 BC) the original bronze was mentioned in Pliny's Natural History. In 1619  Bernini sculpted the mattress on which the ancient marble of Hermaphrodite lies. Louvre Museum, Paris
  • Sleeping Hermaphroditus, The Borghese Hermaphrodite.  A Life size ancient 2nd century AD Roman statue sculpted in Greek Marble and found in the grounds of Santa Maria della Vittoria, near the Baths of Diocletian, Rome. It was added to the Borghese Collection by Cardinal Scipione Borghese, in the 17th century and was named the "Borghese Hermaphroditus”. It was later sold to the occupying French and was removed it to The Louvre. Hermaphrodite, son of Hermes and Aphrodite had repels the advances of the nymph Salmacis. However, she got Zeus as their two bodies are united in a bisexual being. The Sleeping Hermaphroditus has been described as a good early Imperial Roman copy of a bronze original by the later of the two Hellenistic sculptors named Polycles (150 BC) the original bronze was mentioned in Pliny's Natural History. In 1619  Bernini sculpted the mattress on which the ancient marble of Hermaphrodite lies. Louvre Museum, Paris
  • Sleeping Hermaphroditus, The Borghese Hermaphrodite.  A Life size ancient 2nd century AD Roman statue sculpted in Greek Marble and found in the grounds of Santa Maria della Vittoria, near the Baths of Diocletian, Rome. It was added to the Borghese Collection by Cardinal Scipione Borghese, in the 17th century and was named the "Borghese Hermaphroditus”. It was later sold to the occupying French and was removed it to The Louvre. Hermaphrodite, son of Hermes and Aphrodite had repels the advances of the nymph Salmacis. However, she got Zeus as their two bodies are united in a bisexual being. The Sleeping Hermaphroditus has been described as a good early Imperial Roman copy of a bronze original by the later of the two Hellenistic sculptors named Polycles (150 BC) the original bronze was mentioned in Pliny's Natural History. In 1619  Bernini sculpted the mattress on which the ancient marble of Hermaphrodite lies. Louvre Museum, Paris
  • Sleeping Hermaphroditus, The Borghese Hermaphrodite.  A Life size ancient 2nd century AD Roman statue sculpted in Greek Marble and found in the grounds of Santa Maria della Vittoria, near the Baths of Diocletian, Rome. It was added to the Borghese Collection by Cardinal Scipione Borghese, in the 17th century and was named the "Borghese Hermaphroditus”. It was later sold to the occupying French and was removed it to The Louvre. Hermaphrodite, son of Hermes and Aphrodite had repels the advances of the nymph Salmacis. However, she got Zeus as their two bodies are united in a bisexual being. The Sleeping Hermaphroditus has been described as a good early Imperial Roman copy of a bronze original by the later of the two Hellenistic sculptors named Polycles (150 BC) the original bronze was mentioned in Pliny's Natural History. In 1619  Bernini sculpted the mattress on which the ancient marble of Hermaphrodite lies. Louvre Museum, Paris
  • Neolithic round stone weaving loom weights. 6000 BC. Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara
  • Neolithic round stone weaving loom weights. 6000 BC. Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara
  • Fresco of human figures around a deer. None of the figures carry weapons and some a dressed in leopard costumes. The figures seem to be trying to hold on or touch the deer amd one figure appears to be holding its tongue. 6000 BC, Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara.
  • Black obsidian blades. Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara. Against a white background
  • Black obsidian blades. Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara. Against a white background
  • Black obsidian blades. Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara
  • Black obsidian arrow heads. Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara. Against a grey background
  • Black obsidian arrow heads. Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara
  • Black obsidian arrow heads. Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara. Against a white background
  • Brown obsidian dagger blades. Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara. Against a black background
  • Brown obsidian dagger blades. Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara
  • Brown obsidian dagger blades. Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara. Against a gray mottled background
  • Brown obsidian dagger with a bone handle carved into the shape of a snake. It is believed this may have been a ritual dagger. Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara. Against a white background
  • Brown obsidian dagger with a bone handle carved into the shape of a snake. It is believed this may have been a ritual dagger. Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara. Against a black background
  • Brown obsidian dagger with a bone handle carved into the shape of a snake. It is believed this may have been a ritual dagger. Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara
  • Bone necklace. Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara
  • Hunting scene. A deer and wild boar are depicted being hunted with people using bows and arrows. One person is depcted trying to net the boar. 6000 BC,  Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara. Against a white background
  • Bone necklace. Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara. Against a gray mottled background
  • Hunting scene. A deer and wild boar are depicted being hunted with people using bows and arrows. One person is depcted trying to net the boar. 6000 BC,  Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara. Against a grey background
  • painted leopard relief. The people of Catalhoyuk had a special religious meaning with leopards. These platered reliefs have many coats of plater indicating their long term importance. 6000 BC,  Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara
  • painted leopard relief. The people of Catalhoyuk had a special religious meaning with leopards. These platered reliefs have many coats of plater indicating their long term importance. 6000 BC,  Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara. Against a black background
  • painted leopard relief. The people of Catalhoyuk had a special religious meaning with leopards. These platered reliefs have many coats of plater indicating their long term importance. 6000 BC,  Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara
  • Fresco of human figures around a deer. None of the figures carry weapons and some a dressed in leopard costumes. The figures seem to be trying to hold on or touch the deer amd one figure appears to be holding its tongue. 6000 BC, Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara. Against a white background
  • Fresco of human figures around a deer. None of the figures carry weapons and some a dressed in leopard costumes. The figures seem to be trying to hold on or touch the deer amd one figure appears to be holding its tongue. 6000 BC, Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara. Against a black background
  • Fresco of human figures around a deer. None of the figures carry weapons and some a dressed in leopard costumes. The figures seem to be trying to hold on or touch the deer amd one figure appears to be holding its tongue. 6000 BC, Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara. Against a gray mottled background
  • Fresco of a scene in which a pair of Cranes stand opposite two wild deer. The head of one of the birds is missing. 6000 BC, Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara
  • Detail of wall fresco depicting figure moving wearing a leopard costume. 6000 BC. Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara
  • Wall fresco of geometric red and black triangles which appears to be a rug pattern copy. 6000 BC. . Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara. Against a white background
  • Wall fresco of geometric red and black triangles which appears to be a rug pattern copy. 6000 BC. . Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara. Against a black background
  • Wall fresco of geometric red and black triangles which appears to be a rug pattern copy. 6000 BC. . Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara. Against a grey background
  • Wall fresco of geometric red and black triangles which appears to be a rug pattern copy. 6000 BC. . Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara
  • Wall fresco of geometric red and black triangles which appears to be a rug pattern copy. 6000 BC. . Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara. Against a gray mottled background
  • Stone relief of four figures. Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara. Against a grey background
  • Terracotta Vase with female face. Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara. Against a black background
  • Terracotta Vase with female face. Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara
  • Terracotta Vase with female face. Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara. Against a gray mottled background
  • Terracotta Vase with female face. Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara. Against a grey background
  • Styalised stone fiqurine. Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara. Against a white background
  • Styalised stone fiqurine. Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara
  • Seated terracotta goddess, probably a sign of fertility. Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara
  • Seated terracotta goddess, probably a sign of fertility. Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara. Against a gray mottled background
  • Terracotta Goddess figure which has been associated with agriculture & human fertility because of her big breasts and wide hips. She is depicted sitting between 2 leopards suggesting she was important. 5750 BC. . Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara. Against a white background
  • Terracotta Goddess figure which has been associated with agriculture & human fertility because of her big breasts and wide hips. She is depicted sitting between 2 leopards suggesting she was important. 5750 BC. . Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara. Against a grey background
  • Terracotta Goddess figure which has been associated with agriculture & human fertility because of her big breasts and wide hips. She is depicted sitting between 2 leopards suggesting she was important. 5750 BC. . Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara. Against a gray mottled background
  • Terracotta Goddess figure which has been associated with agriculture & human fertility because of her big breasts and wide hips. She is depicted sitting between 2 leopards suggesting she was important. 5750 BC. . Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara
  • Geometric design in the interior plaster of a house at Catalhoyuk . Catalhoyuk collection, Konya Archaeological Museum, Turkey
  • Plastered human skull and jawbone [11330]. Unique among excavated human remains from  Catalhoyuk, the shull and jawbone have been covered in soft palster from the forehead to the chin. This was then painted dark red. The nose was remodelled in plaster and several layers of plaster indicate that the process was repeated several times. Possibly an adult female.  Building 42 {F 1517], level V cirac 6300 BC . Catalhoyuk collection, Konya Archaeological Museum, Turkey
  • Infant burial. the infant was buried in a foetal position and has stone wrist bands. The brown area on the left side of the skeleton is the remains of the wicker basket the child was buried in. Excavevated in 1999 from Building 6, space 163, level VIII. Unit 4406X.1 . Catalhoyuk collection, Konya Archaeological Museum, Turkey
  • Geometric wall painting fragment found in 1999 in building 2, space 117, level IX. Unit no 4223X1. Catalhoyuk collection, Konya Archaeological Museum, Turkey
  • Geometric wall painting circa 6000 BC . Catalhoyuk collection, Konya Archaeological Museum, Turkey
  • Geometric wall painting circa 6000 BC . Catalhoyuk collection, Konya Archaeological Museum, Turkey
  • Neolithic decorative hand print from the inside wall of a house. 7000 BC to 5000 BC . Catalhoyuk collection, Konya Archaeological Museum, Turkey. Against a black background
  • Neolithic decorative hand print from the inside wall of a house. 7000 BC to 5000 BC . Catalhoyuk collection, Konya Archaeological Museum, Turkey. Against a gray background
  • Neolithic decorative hand print from the inside wall of a house. 7000 BC to 5000 BC . Catalhoyuk collection, Konya Archaeological Museum, Turkey. Against a grey background
  • Neolithic stone necklace, 7000 BC to 6500 BC . Catalhoyuk collection, Konya Archaeological Museum, Turkey. Against a black background
  • Neolithic necklace, 7000 BC to 6500 BC . Catalhoyuk collection, Konya Archaeological Museum, Turkey. Against a white background
  • Neolithic necklace, 7000 BC to 6500 BC . Catalhoyuk collection, Konya Archaeological Museum, Turkey. Against a gray background
  • Neolithic necklace, 7000 BC to 6500 BC . Catalhoyuk collection, Konya Archaeological Museum, Turkey
  • Neolithic necklace, 7000 BC to 6500 BC . Catalhoyuk collection, Konya Archaeological Museum, Turkey. Against a grey background
  • Neolithic stone tools, 7000 BC to 6500 BC. Catalhoyuk collection, Konya Archaeological Museum, Turkey. Against a white background
  • Neolithic stone tools, 7000 BC to 6500 BC. Catalhoyuk collection, Konya Archaeological Museum, Turkey
  • Neolithic terracotta bowl. Catalhoyuk collection, Konya Archaeological Museum, Turkey. Against a black background
  • Neolithic terracotta bowl. Catalhoyuk collection, Konya Archaeological Museum, Turkey. Against a white background
  • Neolithic terracotta bowl. Catalhoyuk collection, Konya Archaeological Museum, Turkey. Against a grey background
  • Neolithic terracotta bowl. Catalhoyuk collection, Konya Archaeological Museum, Turkey. Against a black background
  • Neolithic terracotta bowl. Catalhoyuk collection, Konya Archaeological Museum, Turkey. Against a white background
  • Neolithic terracotta bowl. Catalhoyuk collection, Konya Archaeological Museum, Turkey. Against a grey background
  • Neolithic terracotta pot . Catalhoyuk collection, Konya Archaeological Museum, Turkey. Against a white background
  • Neolithic terracotta pot . Catalhoyuk collection, Konya Archaeological Museum, Turkey. Against a grey background
  • Neolithic terracotta pot . Catalhoyuk collection, Konya Archaeological Museum, Turkey
  • Bone hook & eye fastener thought to be for fastening clothing. Many have been found at Catalhoyuk . Catalhoyuk collection, Konya Archaeological Museum, Turkey. Against a black background
  • Bone hook & eye fastener thought to be for fastening clothing. Many have been found at Catalhoyuk . Catalhoyuk collection, Konya Archaeological Museum, Turkey. Against a gray background
  • Neolithic stone tools, 7000 BC to 6500 BC. Catalhoyuk collection, Konya Archaeological Museum, Turkey. Against a gray background
  • Neolithic stone tools, 7000 BC to 6500 BC. Catalhoyuk collection, Konya Archaeological Museum, Turkey. Against a black background
  • Neolithic stone tools, 7000 BC to 6500 BC. Catalhoyuk collection, Konya Archaeological Museum, Turkey. Against a white background
  • Neolithic stone tools, 7000 BC to 6500 BC. Catalhoyuk collection, Konya Archaeological Museum, Turkey. Against a grey background
  • Neolithic stone tools, 7000 BC to 6500 BC. Catalhoyuk collection, Konya Archaeological Museum, Turkey. Against a black background
  • Neolithic stone tools, 7000 BC to 6500 BC. Catalhoyuk collection, Konya Archaeological Museum, Turkey
  • Neolithic stone tools, 7000 BC to 6500 BC. Catalhoyuk collection, Konya Archaeological Museum, Turkey. Against a grey background
  • Neolithic terracotta pot . Catalhoyuk collection, Konya Archaeological Museum, Turkey. Against a black background
  • Neolithic terracotta pot . Catalhoyuk collection, Konya Archaeological Museum, Turkey. Against a gray background
  • Neolithic terracotta pot . Catalhoyuk collection, Konya Archaeological Museum, Turkey. Against a grey background
  • Chalcolithic decorated terra cotta pot. Circa 5000BC. Catalhoyuk collection, Konya Archaeological Museum, Turkey. Against a white background
  • Chalcolithic decorated terra cotta pot. Circa 5000BC. Catalhoyuk collection, Konya Archaeological Museum, Turkey. Against a black background
  • Chalcolithic decorated terra cotta pot. Circa 5000BC. Catalhoyuk collection, Konya Archaeological Museum, Turkey
  • Chalcolithic decorated terra cotta pot. Circa 5000BC. Catalhoyuk collection, Konya Archaeological Museum, Turkey. Against a grey background
  • Chalcolithic decorated terra cotta basket pot. Circa 5000BC. Catalhoyuk collection, Konya Archaeological Museum, Turkey. Against a black background
  • Chalcolithic decorated terra cotta basket pot. Circa 5000BC. Catalhoyuk collection, Konya Archaeological Museum, Turkey
  • Chalcolithic decorated terra cotta basket pot. Circa 5000BC. Catalhoyuk collection, Konya Archaeological Museum, Turkey. Against a white background
  • Chalcolithic decorated terra cotta basket pot. Circa 5000BC. Catalhoyuk collection, Konya Archaeological Museum, Turkey. Against a gray background
  • Chalcolithic decorated terra cotta basket pot. Circa 5000BC. Catalhoyuk collection, Konya Archaeological Museum, Turkey
  • Chalcolithic decorated terra cotta basket pot. Circa 5000BC. Catalhoyuk collection, Konya Archaeological Museum, Turkey. Against a black background
  • Chalcolithic decorated terra cotta basket pot. Circa 5000BC. Catalhoyuk collection, Konya Archaeological Museum, Turkey. Against a white background
  • Chalcolithic decorated terra cotta basket pot. Circa 5000BC. Catalhoyuk collection, Konya Archaeological Museum, Turkey. Against a gray background
  • Chalcolithic decorated terra cotta basket pot. Circa 5000BC. Catalhoyuk collection, Konya Archaeological Museum, Turkey. Against a grey background
  • Painted colour verion of a Nymph with a shell ( Nymphe a la coquille ) a 1st century marble statue from Italy which was part of the Borghese collection . Louvre Museum, Paris Cat No MR 309. <br />
The Nymph with a shell statue was much admired in the 17th century and influenced such art its as Velasquez. The statue symbolises a carefree childhood and the fact that terracotta versions have been found in tombs suggests that the statue was associated with the injustice of death or of a rebirth.
  • Painted colour verion of a Nymph with a shell ( Nymphe a la coquille ) a 1st century marble statue from Italy which was part of the Borghese collection . Louvre Museum, Paris Cat No MR 309. <br />
The Nymph with a shell statue was much admired in the 17th century and influenced such art its as Velasquez. The statue symbolises a carefree childhood and the fact that terracotta versions have been found in tombs suggests that the statue was associated with the injustice of death or of a rebirth.
  • Painted colour verion of a Nymph with a shell ( Nymphe a la coquille ) a 1st century marble statue from Italy which was part of the Borghese collection . Louvre Museum, Paris Cat No MR 309. <br />
The Nymph with a shell statue was much admired in the 17th century and influenced such art its as Velasquez. The statue symbolises a carefree childhood and the fact that terracotta versions have been found in tombs suggests that the statue was associated with the injustice of death or of a rebirth.
  • Painted colour verion of a Nymph with a shell ( Nymphe a la coquille ) a 1st century marble statue from Italy which was part of the Borghese collection . Louvre Museum, Paris Cat No MR 309. <br />
The Nymph with a shell statue was much admired in the 17th century and influenced such art its as Velasquez. The statue symbolises a carefree childhood and the fact that terracotta versions have been found in tombs suggests that the statue was associated with the injustice of death or of a rebirth.
  • Painted colour verion of a Statue of  Atalanta a 2nd century Roman sculpture restored in the 17th century. Atalanta  is a character in Greek mythology, a virgin huntress, unwilling to marry, and loved by the hero Meleager.. The Mazarin Collection  Louvre Museum, Paris.
  • Painted colour verion of a Statue of  Atalanta a 2nd century Roman sculpture restored in the 17th century. Atalanta  is a character in Greek mythology, a virgin huntress, unwilling to marry, and loved by the hero Meleager.. The Mazarin Collection  Louvre Museum, Paris.
  • Painted colour verion of a Statue of  Atalanta a 2nd century Roman sculpture restored in the 17th century. Atalanta  is a character in Greek mythology, a virgin huntress, unwilling to marry, and loved by the hero Meleager.. The Mazarin Collection  Louvre Museum, Paris.
  • Painted colour verion of end of 2nd century beginning of 3rd century AD Roman marble sculpture of Hercules at rest copied from the second half of the 4th century BC Hellanistic Greek original,  inv 6001, Farnese Collection, Museum of Archaeology, Italy
  • Painted colour verion of end of 2nd century beginning of 3rd century AD Roman marble sculpture of Hercules at rest copied from the second half of the 4th century BC Hellanistic Greek original,  inv 6001, Farnese Collection, Museum of Archaeology, Italy
  • Painted colour verion of end of 2nd century beginning of 3rd century AD Roman marble sculpture of Hercules at rest copied from the second half of the 4th century BC Hellanistic Greek original,  inv 6001, Farnese Collection, Museum of Archaeology, Italy
  • Painted colour verion of end of 2nd century beginning of 3rd century AD Roman marble sculpture of Hercules at rest copied from the second half of the 4th century BC Hellanistic Greek original,  inv 6001, Farnese Collection, Museum of Archaeology, Italy
  • Painted colour verion of end of 2nd century beginning of 3rd century AD Roman marble sculpture of Hercules at rest copied from the second half of the 4th century BC Hellanistic Greek original,  inv 6001, Farnese Collection, Museum of Archaeology, Italy
  • Painted colour verion of end of 2nd century beginning of 3rd century AD Roman marble sculpture of Hercules at rest copied from the second half of the 4th century BC Hellanistic Greek original,  inv 6001, Farnese Collection, Museum of Archaeology, Italy
  • Painted colour verion of end of 2nd century beginning of 3rd century AD Roman marble sculpture of Hercules at rest copied from the second half of the 4th century BC Hellanistic Greek original,  inv 6001, Farnese Collection, Museum of Archaeology, Italy
  • Painted colour verion of 2nd century AD Roman sculpture of Pothos, a copy of a 4th century BC Greek original attributed to Skopas of Paros, inv no 6253, The Farnese collection, Naples Museum of Archaeology, Italy
  • Painted colour verion of 2nd century AD Roman sculpture of Pothos, a copy of a 4th century BC Greek original attributed to Skopas of Paros, inv no 6253, The Farnese collection, Naples Museum of Archaeology, Italy
  • Painted colour verion of 2nd century AD Roman marble sculpture known as the Farnese Bull from the Baths of Caracalla, Rome, Farnese Collection, Museum of Archaeology, Italy
  • Painted colour verion of 2nd century AD Roman marble sculpture known as the Farnese Bull from the Baths of Caracalla, Rome, Farnese Collection, Naples Museum of Archaeology, Italy
  • The celebrated Greek statue known as 'The Belvedere Torso', possibly of Greek hero Ajax, signed by Athenian neo-Attic sculptor Apollonios, ist century BC, inv 1192, Pope Clement collection, Vatican Museum Rome, Italy,  black background
  • The celebrated Greek statue known as 'The Belvedere Torso', possibly of Greek hero Ajax, signed by Athenian neo-Attic sculptor Apollonios, ist century BC, inv 1192, Pope Clement collection, Vatican Museum Rome, Italy,  grey art background
  • The celebrated Greek statue known as 'The Belvedere Torso', possibly of Greek hero Ajax, signed by Athenian neo-Attic sculptor Apollonios, ist century BC, inv 1192, Pope Clement collection, Vatican Museum Rome, Italy,  grey  background
  • End of 2nd century beginning of 3rd century AD Roman marble sculpture of Hercules at rest copied from the second half of the 4th century BC Hellanistic Greek original,  inv 6001, Farnese Collection, Museum of Archaeology, Italy, white background
  • End of 2nd century beginning of 3rd century AD Roman marble sculpture of Hercules at rest copied from the second half of the 4th century BC Hellanistic Greek original,  inv 6001, Farnese Collection, Museum of Archaeology, Italy
  • End of 2nd century beginning of 3rd century AD Roman marble sculpture of Hercules at rest copied from the second half of the 4th century BC Hellanistic Greek original,  inv 6001, Farnese Collection, Museum of Archaeology, Italy, grey art background
  • End of 2nd century beginning of 3rd century AD Roman marble sculpture of Hercules at rest copied from the second half of the 4th century BC Hellanistic Greek original,  inv 6001, Farnese Collection, Museum of Archaeology, Italy, black background
  • End of 2nd century beginning of 3rd century AD Roman marble sculpture of Hercules at rest copied from the second half of the 4th century BC Hellanistic Greek original,  inv 6001, Farnese Collection, Museum of Archaeology, Italy, grey background
  • End of 2nd century beginning of 3rd century AD Roman marble sculpture of Hercules at rest copied from the second half of the 4th century BC Hellanistic Greek original,  inv 6001, Farnese Collection, Museum of Archaeology, Italy
  • End of 2nd century beginning of 3rd century AD Roman marble sculpture of Hercules at rest copied from the second half of the 4th century BC Hellanistic Greek original,  inv 6001, Farnese Collection, Museum of Archaeology, Italy, black background
  • End of 2nd century beginning of 3rd century AD Roman marble sculpture of Hercules at rest copied from the second half of the 4th century BC Hellanistic Greek original,  inv 6001, Farnese Collection, Museum of Archaeology, Italy, grey background
  • Erotic 5th cnetury BC attica style anfora of two men, black against an potrange background, Caolina Murat Collection inv no 27670, Secret Museum or Secret Cabinet, Naples National Archaeological Museum , black background
  • Erotic 5th cnetury BC attica style anfora of two men, black against an potrange background, Caolina Murat Collection inv no 27670, Secret Museum or Secret Cabinet, Naples National Archaeological Museum , white background
  • Erotic 5th cnetury BC attica style anfora of two men, black against an potrange background, Caolina Murat Collection inv no 27670, Secret Museum or Secret Cabinet, Naples National Archaeological Museum , grey background
  • Erotic 5th cnetury BC attica style anfora of two men, black against an potrange background, Caolina Murat Collection inv no 27670, Secret Museum or Secret Cabinet, Naples National Archaeological Museum
  • Erotic 5th cnetury BC attica style anfora of two men, black against an potrange background, Caolina Murat Collection inv no 27670, Secret Museum or Secret Cabinet, Naples National Archaeological Museum , grey art background
  • Roman marble relief sculpture known as  Alcibiades and Etere, Franeses Collection, Roman copy of an earlier Greek Helenistic original , inv no 6688, Secret Museum or Secret Cabinet, Naples National Archaeological Museum , grey art background
  • Roman marble relief sculpture known as  Alcibiades and Etere, Franeses Collection, Roman copy of an earlier Greek Helenistic original , inv no 6688, Secret Museum or Secret Cabinet, Naples National Archaeological Museum , brown background
  • Roman marble relief sculpture known as  Alcibiades and Etere, Franeses Collection, Roman copy of an earlier Greek Helenistic original , inv no 6688, Secret Museum or Secret Cabinet, Naples National Archaeological Museum, white background
  • Roma children's chariot race from The Vestibule of The Smnall Circus, room no 41 - Roman mosaics at the Villa Romana del Casale which containis the richest, largest and most complex collection of Roman mosaics in the world, circa the first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.
  • captured wild animal from the Ambulatory of The Great Hunt, room no 28,  at the Villa Romana del Casale which containis the richest, largest and most complex collection of Roman mosaics in the world. Constructed in the first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.
  • Roma children's chariot race from The Vestibule of The Smnall Circus, room no 41 - Roman mosaics at the Villa Romana del Casale which containis the richest, largest and most complex collection of Roman mosaics in the world, circa the first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.
  • Roman mosaic of a young women exercising with a ball from  the Room of the Ten Bikini Girls, room no 30, from the Ambulatory of The Great Hunt, room no 28,  at the Villa Romana del Casale which containis the richest, largest and most complex collection of Roman mosaics in the world. Constructed in the first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.

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