• Phrygian two handled amphora vessel decorated with geometric designs. 8th-7th century BC . Çorum Archaeological Museum, Corum, Turkey
  • Phrygian two handled amphora vessel decorated with geometric designs. 8th-7th century BC . Çorum Archaeological Museum, Corum, Turkey
  • Phrygian two handled amphora vessel decorated with geometric designs. 8th-7th century BC . Çorum Archaeological Museum, Corum, Turkey
  • Phrygian two handled amphora vessel decorated with geometric designs. 8th-7th century BC . Çorum Archaeological Museum, Corum, Turkey
  • Phrygian two handled amphora vessel decorated with geometric designs. 8th-7th century BC . Çorum Archaeological Museum, Corum, Turkey
  • Phrygian terracotta jug fragment decorated with concentric line pattern . 8th-7th century BC . Çorum Archaeological Museum, Corum, Turkey
  • Phrygian terracotta jug fragment decorated with concentric line pattern . 8th-7th century BC . Çorum Archaeological Museum, Corum, Turkey
  • Phrygian terracotta jug fragment decorated with concentric line pattern . 8th-7th century BC . Çorum Archaeological Museum, Corum, Turkey
  • Phrygian terracotta jug fragment decorated with concentric line pattern . 8th-7th century BC . Çorum Archaeological Museum, Corum, Turkey
  • Phrygian terracotta jug fragment decorated with concentric line pattern . 8th-7th century BC . Çorum Archaeological Museum, Corum, Turkey
  • Phrygian terracotta trefoil jug decorated with geometric designs . 8th-7th century BC . Çorum Archaeological Museum, Corum, Turkey
  • Phrygian terracotta trefoil jug decorated with geometric designs . 8th-7th century BC . Çorum Archaeological Museum, Corum, Turkey
  • Phrygian terracotta trefoil jug decorated with geometric designs . 8th-7th century BC . Çorum Archaeological Museum, Corum, Turkey
  • Phrygian terracotta trefoil jug decorated with geometric designs . 8th-7th century BC . Çorum Archaeological Museum, Corum, Turkey
  • Phrygian terracotta trefoil jug decorated with geometric designs . 8th-7th century BC . Çorum Archaeological Museum, Corum, Turkey
  • Phrygian terracotta trefoil jug decorated with geometric designs. 8th-7th century BC . Çorum Archaeological Museum, Corum, Turkey
  • Phrygian terracotta trefoil jug decorated with geometric designs. 8th-7th century BC . Çorum Archaeological Museum, Corum, Turkey
  • Phrygian terracotta trefoil jug decorated with geometric designs. 8th-7th century BC . Çorum Archaeological Museum, Corum, Turkey
  • Phrygian terracotta trefoil jug decorated with geometric designs. 8th-7th century BC . Çorum Archaeological Museum, Corum, Turkey
  • Phrygian terracotta trefoil jug decorated with geometric designs. 8th-7th century BC . Çorum Archaeological Museum, Corum, Turkey
  • Phrygian terracotta decorated bull head shaped cult vessel. 8th-7th century BC . Çorum Archaeological Museum, Corum, Turkey
  • Phrygian terracotta decorated bull head shaped cult vessel. 8th-7th century BC . Çorum Archaeological Museum, Corum, Turkey
  • Phrygian terracotta decorated bull head shaped cult vessel. 8th-7th century BC . Çorum Archaeological Museum, Corum, Turkey
  • Phrygian terracotta decorated bull head shaped cult vessel. 8th-7th century BC . Çorum Archaeological Museum, Corum, Turkey
  • Phrygian terracotta decorated architectural wall plaque. 8th-7th century BC . Çorum Archaeological Museum, Corum, Turkey
  • Phrygian terracotta decorated bull head shaped cult vessel. 8th-7th century BC . Çorum Archaeological Museum, Corum, Turkey
  • Phrygian terracotta decorated architectural wall plaque. 8th-7th century BC . Çorum Archaeological Museum, Corum, Turkey
  • Phrygian terracotta decorated architectural wall plaque. 8th-7th century BC . Çorum Archaeological Museum, Corum, Turkey
  • Phrygian terracotta decorated architectural wall plaque. 8th-7th century BC . Çorum Archaeological Museum, Corum, Turkey
  • Phrygian terracotta decorated architectural wall plaque. 8th-7th century BC . Çorum Archaeological Museum, Corum, Turkey
  • Phrygian table base support decorated with ivory roaring lion statuettes. From Gordion. Phrygian Collection, 8th-7th century BC -  Museum of Anatolian Civilisations Ankara, Turkey.. Turkey. Against a white background
  • Phrygian table base support decorated with ivory roaring lion statuettes. From Gordion. Phrygian Collection, 8th-7th century BC - Museum of Anatolian Civilisations Ankara. Turkey. Against a black background
  • Phrygian table base support decorated with ivory roaring lion statuettes. From Gordion. Phrygian Collection, 8th-7th century BC -  Museum of Anatolian Civilisations Ankara, Turkey.
  • Phrygian table base support decorated with ivory roaring lion statuettes. From Gordion. Phrygian Collection, 8th-7th century BC - Museum of Anatolian Civilisations Ankara. Turkey. Against an art background
  • Phrygian table base support decorated with ivory roaring lion statuettes. From Gordion. Phrygian Collection, 8th-7th century BC - Museum of Anatolian Civilisations Ankara. Turkey. Against a grey background
  • Phrygian ivory statuette carved as a roaring lion lying down from a table base decoration. From Gordion. Phrygian Collection, 8th-7th century BC - Museum of Anatolian Civilisations Ankara. Turkey. Against a white background
  • Phrygian ivory statuette carved as a roaring lion lying down from a table base decoration. From Gordion. Phrygian Collection, 8th-7th century BC - Museum of Anatolian Civilisations Ankara. Turkey. Against a black background
  • Phrygian ivory statuette carved as a roaring lion lying down from a table base decoration. From Gordion. Phrygian Collection, 8th-7th century BC - Museum of Anatolian Civilisations Ankara. Turkey.
  • Phrygian ivory statuette carved as a roaring lion lying down from a table base decoration. From Gordion. Phrygian Collection, 8th-7th century BC - Museum of Anatolian Civilisations Ankara. Turkey. Against a grey background
  • Phrygian ivory statuette carved as a roaring lion lying down from a table base decoration. From Gordion. Phrygian Collection, 8th-7th century BC - Museum of Anatolian Civilisations Ankara. Turkey. Against an art background
  • Phrygian ivory statuette carved as a roaring lion lying down from a table base decoration. From Gordion. Phrygian Collection, 8th-7th century BC - Museum of Anatolian Civilisations Ankara. Turkey. Against a white background
  • Phrygian ivory statuette carved as a roaring lion lying down from a table base decoration. From Gordion. Phrygian Collection, 8th-7th century BC - Museum of Anatolian Civilisations Ankara. Turkey. Against a black background
  • Phrygian ivory statuette carved as a roaring lion lying down from a table base decoration. From Gordion. Phrygian Collection, 8th-7th century BC - Museum of Anatolian Civilisations Ankara. Turkey.
  • Phrygian ivory statuette carved as a roaring lion lying down from a table base decoration. From Gordion. Phrygian Collection, 8th-7th century BC - Museum of Anatolian Civilisations Ankara. Turkey. Against an art background
  • Phrygian ivory statuette carved as a roaring lion lying down from a table base decoration. From Gordion. Phrygian Collection, 8th-7th century BC - Museum of Anatolian Civilisations Ankara. Turkey. Against a grey background
  • Stone stele fragment with a Phrygian written inscription. From Grodion . Phrygian Collection, 8th-7th century BC - Museum of Anatolian Civilisations Ankara. Turkey. Against a white background
  • Stone stele fragment with a Phrygian written inscription. From Grodion . Phrygian Collection, 8th-7th century BC - Museum of Anatolian Civilisations Ankara. Turkey. Against a black background
  • Stone stele fragment with a Phrygian written inscription. From Grodion . Phrygian Collection, 8th-7th century BC - Museum of Anatolian Civilisations Ankara. Turkey.
  • Stone stele fragment with a Phrygian written inscription. From Grodion . Phrygian Collection, 8th-7th century BC - Museum of Anatolian Civilisations Ankara. Turkey. Against an art background
  • Stone stele fragment with a Phrygian written inscription. From Grodion . Phrygian Collection, 8th-7th century BC - Museum of Anatolian Civilisations Ankara Turkey. Against a grey background
  • Phrygian terra cotta jug decorated with a painetd deer. From Gordion. Phrygian Collection, 6th century BC - Museum of Anatolian Civilisations AnkaraTurkey. Against a white background
  • Phrygian terra cotta jug decorated with a painetd deer. From Gordion. Phrygian Collection, 6th century BC - Museum of Anatolian Civilisations Ankara. Turkey. Against a black background
  • Phrygian terra cotta jug decorated with a painetd deer. From Gordion. Phrygian Collection, 6th century BC - Museum of Anatolian Civilisations Ankara. Turkey.
  • Phrygian terra cotta jug decorated with a painetd deer. From Gordion. Phrygian Collection, 6th century BC - Museum of Anatolian Civilisations Ankara. Turkey. Against an art background
  • Phrygian terra cotta jug decorated with a painetd deer. From Gordion. Phrygian Collection, 6th century BC - Museum of Anatolian Civilisations Ankara. Turkey. Against a grey background
  • Phrygian bronze trefoil spouted jug from Gordion . Phrygian Collection, 8th century BC - Museum of Anatolian Civilisations Ankara. Turkey. Against a white background
  • Phrygian bronze trefoil spouted jug from Gordion . Phrygian Collection, 8th century BC - Museum of Anatolian Civilisations Ankara. Turkey. Against a black background
  • Phrygian bronze trefoil spouted jug from Gordion . Phrygian Collection, 8th century BC - Museum of Anatolian Civilisations Ankara. Turkey.
  • Phrygian bronze trefoil spouted jug from Gordion . Phrygian Collection, 8th century BC - Museum of Anatolian Civilisations Ankara. Turkey. Against an art background
  • Phrygian bronze trefoil spouted jug from Gordion . Phrygian Collection, 8th century BC - Museum of Anatolian Civilisations Ankara. Turkey. Against a grey background
  • Phrygian bronze trefoil spouted jug from Gordion . Phrygian Collection, 8th century BC -Museum of Anatolian Civilisations Ankara. Turkey. Against a white background
  • Phrygian bronze trefoil spouted jug from Gordion . Phrygian Collection, 8th century BC - Museum of Anatolian Civilisations Ankara. Turkey. Against a black background
  • Phrygian bronze trefoil spouted jug from Gordion . Phrygian Collection, 8th century BC - Museum of Anatolian Civilisations Ankara. Turkey.
  • Phrygian bronze trefoil spouted jug from Gordion . Phrygian Collection, 8th century BC - Museum of Anatolian Civilisations Ankara. Turkey. Against an art background
  • Phrygian bronze trefoil spouted jug from Gordion . Phrygian Collection, 8th century BC - Museum of Anatolian Civilisations Ankara. Turkey. Against a grey background
  • Phrygian bronze trefoil spouted jug from Gordion . Phrygian Collection, 8th century BC - Museum of Anatolian Civilisations Ankara. Turkey. Against a white background
  • Phrygian bronze trefoil spouted jug from Gordion . Phrygian Collection, 8th century BC - Museum of Anatolian Civilisations Ankara. Turkey. Against a black background
  • Phrygian bronze trefoil spouted jug from Gordion . Phrygian Collection, 8th century BC - Museum of Anatolian Civilisations Ankara. Turkey.
  • Phrygian bronze trefoil spouted jug from Gordion . Phrygian Collection, 8th century BC - Museum of Anatolian Civilisations Ankara. Turkey. Against an art background
  • Phrygian bronze trefoil spouted jug from Gordion . Phrygian Collection, 8th century BC - Museum of Anatolian Civilisations Ankara. Turkey. Against a grey background
  • Phrygian bronze trefoil jug with a beated geometric design. From Gordion. Phrygian Collection, 8th century BC - Museum of Anatolian Civilisations Ankara. Turkey. Against a white background
  • Phrygian bronze trefoil jug with a beated geometric design. From Gordion. Phrygian Collection, 8th century BC - Museum of Anatolian Civilisations Ankara. Turkey. Against a black background
  • Phrygian bronze trefoil jug with a beated geometric design. From Gordion. Phrygian Collection, 8th century BC - Museum of Anatolian Civilisations Ankara. Turkey.
  • Phrygian bronze trefoil jug with a beated geometric design. From Gordion. Phrygian Collection, 8th century BC - Museum of Anatolian Civilisations Ankara. Turkey. Against a grey background
  • Phrygian bronze trefoil jug with a beated geometric design. From Gordion. Phrygian Collection, 8th century BC - Museum of Anatolian Civilisations Ankara. Turkey. Against an art background
  • Phrygian Gold bowl with deeply beated design from Gordion. Phrygian Collection, 8th-7th century BC - Museum of Anatolian Civilisations Ankara. Turkey. Against a white background
  • Phrygian Gold bowl with deeply beated design from Gordion. Phrygian Collection, 8th-7th century BC - Museum of Anatolian Civilisations Ankara. Turkey. Against a black background
  • Phrygian Gold bowl with deeply beated design from Gordion. Phrygian Collection, 8th-7th century BC - Museum of Anatolian Civilisations Ankara. Turkey.
  • Phrygian Gold bowl with deeply beated design from Gordion. Phrygian Collection, 8th-7th century BC - Museum of Anatolian Civilisations Ankara. Turkey. Against an art background
  • Prygian bronze decorated Omphalos Phiale drinking vessel. From Gordion. Phrygian Collection, 8th-7th century BC - Museum of Anatolian Civilisations Ankara. Turkey. Against a white background
  • Prygian bronze decorated Omphalos Phiale drinking vessel. From Gordion. Phrygian Collection, 8th-7th century BC - Museum of Anatolian Civilisations Ankara. Turkey. Against a black background
  • Phrygian Gold bowl with deeply beated design from Gordion. Phrygian Collection, 8th-7th century BC - Museum of Anatolian Civilisations Ankara. Turkey. Against a grey background
  • Prygian bronze decorated Omphalos Phiale drinking vessel. From Gordion. Phrygian Collection, 8th-7th century BC - Museum of Anatolian Civilisations Ankara. Turkey.
  • Prygian bronze decorated Omphalos Phiale drinking vessel. From Gordion. Phrygian Collection, 8th-7th century BC - Museum of Anatolian Civilisations Ankara. Turkey. Against an art background
  • Prygian bronze decorated Omphalos Phiale drinking vessel. From Gordion. Phrygian Collection, 8th-7th century BC - Museum of Anatolian Civilisations Ankara. Turkey. Against a grey background
  • Phrygian bronze couldron with decorated winged figure handles . From Gordion. Phrygian Collection, 8th century BC - Museum of Anatolian Civilisations Ankara. Turkey.
  • Phrygian bronze couldron with decorated winged figure handles . From Gordion. Phrygian Collection, 8th century BC - Museum of Anatolian Civilisations Ankara. Turkey. Against a white background
  • Phrygian bronze couldron with decorated winged figure handles . From Gordion. Phrygian Collection, 8th century BC - Museum of Anatolian Civilisations Ankara. Turkey. Against a black background
  • Phrygian bronze couldron with decorated winged figure handles . From Gordion. Phrygian Collection, 8th century BC - Museum of Anatolian Civilisations Ankara. Turkey. Against an art background
  • Phrygian bronze couldron with decorated winged figure handles . From Gordion. Phrygian Collection, 8th century BC - Museum of Anatolian Civilisations Ankara. Turkey.
  • Phrygian bronze couldron with decorated winged figure handles . From Gordion. Phrygian Collection, 8th century BC - Museum of Anatolian Civilisations Ankara. Turkey. Against a grey background
  • Close up of a Phrygian terra cotta large jug with handles, decorated with animals, from Gordion. Phrygian Collection, 6th century BC - Museum of Anatolian Civilisations Ankara. Turkey. Against a white background
  • Close up of a Phrygian terra cotta large jug with handles, decorated with animals, from Gordion. Phrygian Collection, 6th century BC - Museum of Anatolian Civilisations Ankara. Turkey.
  • Close up of a Phrygian terra cotta large jug with handles, decorated with animals, from Gordion. Phrygian Collection, 6th century BC - Museum of Anatolian Civilisations Ankara. Turkey.
  • Close up of a Phrygian terra cotta large jug with handles, decorated with animals, from Gordion. Phrygian Collection, 6th century BC - Museum of Anatolian Civilisations Ankara. Turkey. Against an art background
  • Close up of a Phrygian terra cotta large jug with handles, decorated with animals, from Gordion. Phrygian Collection, 6th century BC - Museum of Anatolian Civilisations Ankara. Turkey. Against a grey background
  • Phrygian terra cotta large jug with handles, decorated with animals, from Gordion. Phrygian Collection, 6th century BC - Museum of Anatolian Civilisations Ankara. Turkey. Against a white background
  • Phrygian terra cotta large jug with handles, decorated with animals, from Gordion. Phrygian Collection, 6th century BC - Museum of Anatolian Civilisations Ankara. Turkey.
  • Phrygian terra cotta large jug with handles, decorated with animals, from Gordion. Phrygian Collection, 6th century BC - Museum of Anatolian Civilisations Ankara. Turkey. Against a black background
  • Phrygian terra cotta large jug with handles, decorated with animals, from Gordion. Phrygian Collection, 6th century BC - Museum of Anatolian Civilisations Ankara Turkey. Against an art background
  • Close up of a Phrygian terra cotta large jug with handles, decorated with animals, from Gordion. Phrygian Collection, 6th century BC - Museum of Anatolian Civilisations Ankara. Turkey.
  • Phrygian terra cotta large jug with handles, decorated with animals, from Gordion. Phrygian Collection, 6th century BC -Museum of Anatolian Civilisations Ankara. Turkey. Against a grey background
  • Close up of a Phrygian terra cotta large jug with handles, decorated with animals, from Gordion. Phrygian Collection, 6th century BC - Museum of Anatolian Civilisations Ankara. Turkey.
  • Phrygian terra cotta large jug with handles, decorated with animals, from Gordion. Phrygian Collection, 6th century BC - Museum of Anatolian Civilisations Ankara. Turkey. Against a white background
  • Phrygian terra cotta large jug with handles, decorated with animals, from Gordion. Phrygian Collection, 6th century BC - Museum of Anatolian Civilisations Ankara. Turkey.
  • Phrygian terra cotta large jug with handles, decorated with animals, from Gordion. Phrygian Collection, 6th century BC - Museum of Anatolian Civilisations Ankara. Turkey. Against a black background
  • Phrygian terra cotta large jug with handles, decorated with animals, from Gordion. Phrygian Collection, 6th century BC - Museum of Anatolian Civilisations Ankara. Turkey. Against an art background
  • Phrygian grey ceramic vessel with a strainer and long spout from Gordion. Phrygian Collection, 8th-7th century BC - Museum of Anatolian Civilisations Ankara. Turkey. Against a white background
  • Phrygian terra cotta large jug with handles, decorated with animals, from Gordion. Phrygian Collection, 6th century BC - Museum of Anatolian Civilisations Ankara. Turkey. Against a grey background
  • Phrygian grey ceramic vessel with a strainer and long spout from Gordion. Phrygian Collection, 8th-7th century BC - Museum of Anatolian Civilisations Ankara. Turkey. Against a black background
  • Phrygian grey ceramic vessel with a strainer and long spout from Gordion. Phrygian Collection, 8th-7th century BC - Museum of Anatolian Civilisations Ankara. Turkey. Against an art background
  • Phrygian grey ceramic vessel with a strainer and long spout from Gordion. Phrygian Collection, 8th-7th century BC - Museum of Anatolian Civilisations Ankara. Turkey.
  • Phrygian grey ceramic vessel with a strainer and long spout from Gordion. Phrygian Collection, 8th-7th century BC - Museum of Anatolian Civilisations Ankara. Turkey. Against a grey background
  • Phrygian grey ceramic rhython in the shape of a goat from Gordion. Phrygian Collection, 8th-7th century BC - Museum of Anatolian Civilisations Ankara. Turkey. Against a white background
  • Phrygian grey ceramic rhython in the shape of a goat from Gordion. Phrygian Collection, 8th-7th century BC - Museum of Anatolian Civilisations Ankara. Turkey.
  • Phrygian grey ceramic rhython in the shape of a goat from Gordion. Phrygian Collection, 8th-7th century BC - Museum of Anatolian Civilisations Ankara. Turkey. Against a black background
  • Phrygian grey ceramic rhython in the shape of a goat from Gordion. Phrygian Collection, 8th-7th century BC - Museum of Anatolian Civilisations Ankara. Turkey.
  • Phrygian bronze fibula from Gordion. Phrygian Collection, 8th-7th century BC - Museum of Anatolian Civilisations Ankara. Turkey. Against a white background
  • Phrygian bronze fibula from Gordion. Phrygian Collection, 8th-7th century BC - Museum of Anatolian Civilisations Ankara. Turkey. Against a black background
  • Phrygian bronze fibula from Gordion. Phrygian Collection, 8th-7th century BC - Museum of Anatolian Civilisations Ankara. Turkey.
  • Phrygian grey ceramic rhython in the shape of a goat from Gordion. Phrygian Collection, 8th-7th century BC - Museum of Anatolian Civilisations Ankara. Turkey. Against a grey background
  • Phrygian bronze fibula from Gordion. Phrygian Collection, 8th-7th century BC - Museum of Anatolian Civilisations Ankara. Turkey. Against an art background
  • Phrygian bronze fibula from Gordion. Phrygian Collection, 8th-7th century BC - Museum of Anatolian Civilisations Ankara. Turkey. Against a grey background
  • Phrygian terra cotta amphora decorated with geometric designs from Gordion. Phrygian Collection, 8th century BC - Museum of Anatolian Civilisations Ankara. Turkey. Against a white background
  • Phrygian terra cotta amphora decorated with geometric designs from Gordion. Phrygian Collection, 8th century BC - Museum of Anatolian Civilisations Ankara Turkey. Against a black background
  • Phrygian terra cotta amphora decorated with geometric designs from Gordion. Phrygian Collection, 8th century BC - Museum of Anatolian Civilisations Ankara. Turkey.
  • Phrygian terra cotta amphora decorated with geometric designs from Gordion. Phrygian Collection, 8th century BC - Museum of Anatolian Civilisations Ankara. Turkey. Against an art background
  • Phrygian terra cotta amphora decorated with geometric designs from Gordion. Phrygian Collection, 8th century BC - Museum of Anatolian Civilisations Ankara. Turkey. Against a grey background
  • Phrygian terra cotta jug with geometric designs from Gordion. Phrygian Collection, 8th century BC - Museum of Anatolian Civilisations Ankara. Turkey. Against a white background
  • Phrygian terra cotta jug with geometric designs from Gordion. Phrygian Collection, 8th century BC - Museum of Anatolian Civilisations Ankara. Turkey. Against a black background
  • Phrygian terra cotta jug with geometric designs from Gordion. Phrygian Collection, 8th century BC - Museum of Anatolian Civilisations Ankara. Turkey.
  • Phrygian terra cotta jug with geometric designs from Gordion. Phrygian Collection, 8th century BC - Museum of Anatolian Civilisations Ankara. Turkey.  Against a grey background
  • Phrygian terra cotta jug with geometric designs from Gordion. Phrygian Collection, 8th century BC - Museum of Anatolian Civilisations Ankara. Turkey. Against an art background
  • Phrygian pottery vessel in the shape of a goose decorated with geometric deigns from Gordion. Phrygian Collection, 8th century BC - Museum of Anatolian Civilisations Ankara. Turkey. Against a white background
  • Phrygian pottery vessel in the shape of a goose decorated with geometric deigns from Gordion. Phrygian Collection, 8th century BC - Museum of Anatolian Civilisations Ankara. Turkey. Against a black background
  • Phrygian pottery vessel in the shape of a goose decorated with geometric deigns from Gordion. Phrygian Collection, 8th century BC - Museum of Anatolian Civilisations Ankara. Turkey.
  • Phrygian pottery vessel in the shape of a goose decorated with geometric deigns from Gordion. Phrygian Collection, 8th century BC - Museum of Anatolian Civilisations Ankara. Turkey. Against an art background
  • Phrygian pottery vessel in the shape of a goose decorated with geometric deigns from Gordion. Phrygian Collection, 8th century BC - Ancora Archaeological MuseumMuseum of Anatolian Civilisations Ankara. Turkey. Against a grey background
  • Phrygian terra cotta pottery vessel with a strainer and long pouring lip, decorated with geometric designs and images of animals and birds, from Gordion. Phrygian Collection, 9th century BC - Museum of Anatolian Civilisations Ankara. Turkey. Against a black background
  • Phrygian terra cotta pottery vessel with a strainer and long pouring lip, decorated with geometric designs and images of animals and birds, from Gordion. Phrygian Collection, 9th century BC - Museum of Anatolian Civilisations Ankara. Turkey. Against a white background
  • Phrygian terra cotta pottery vessel with a strainer and long pouring lip, decorated with geometric designs and images of animals and birds, from Gordion. Phrygian Collection, 9th century BC - Museum of Anatolian Civilisations Ankara. Turkey.
  • Phrygian terra cotta pottery vessel with a strainer and long pouring lip, decorated with geometric designs and images of animals and birds, from Gordion. Phrygian Collection, 9th century BC - Museum of Anatolian Civilisations Ankara. Turkey. Against an art background
  • Phrygian terra cotta pottery vessel with a strainer and long pouring lip, decorated with geometric designs and images of animals and birds, from Gordion. Phrygian Collection, 9th century BC - Museum of Anatolian Civilisations Ankara. Turkey. Against a grey background
  • Phrygian terra Cotta vessel with a strainer and a long pouring lip with geometric painted patterns from Gordion. Phrygian Collection, 9th century BC - Museum of Anatolian Civilisations Ankara. Turkey. Against a white background
  • Phrygian terra Cotta vessel with a strainer and a long pouring lip with geometric painted patterns from Gordion. Phrygian Collection, 9th century BC - Museum of Anatolian Civilisations Ankara. Turkey.
  • Phrygian terra Cotta vessel with a strainer and a long pouring lip with geometric painted patterns from Gordion. Phrygian Collection, 9th century BC - Museum of Anatolian Civilisations Ankara. Turkey. Against a black background
  • Phrygian terra Cotta vessel with a strainer and a long pouring lip with geometric painted patterns from Gordion. Phrygian Collection, 9th century BC - Museum of Anatolian Civilisations Ankara. Turkey.
  • Phrygian terra Cotta vessel with a strainer and a long pouring lip with geometric painted patterns from Gordion. Phrygian Collection, 9th century BC - Museum of Anatolian Civilisations Ankara. Turkey. Against a grey background
  • Phrygian decorated  terra cotta pottery  rhyton in the shape of a ram from Gordion. Phrygian Collection, 8th century BC - Museum of Anatolian Civilisations Ankara. Turkey. Against a white background
  • Phrygian decorated  terra cotta pottery  rhyton in the shape of a ram from Gordion. Phrygian Collection, 8th century BC - Museum of Anatolian Civilisations Ankara. Turkey. Against a black background
  • Phrygian decorated  terra cotta pottery  rhyton in the shape of a ram from Gordion. Phrygian Collection, 8th century BC - Museum of Anatolian Civilisations Ankara. Turkey.
  • Phrygian decorated  terra cotta pottery  rhyton in the shape of a ram from Gordion. Phrygian Collection, 8th century BC - Museum of Anatolian Civilisations Ankara. Turkey. Against an art background
  • Phrygian decorated  terra cotta pottery  rhyton in the shape of a ram from Gordion. Phrygian Collection, 8th century BC - Museum of Anatolian Civilisations Ankara. Turkey. Against a grey background
  • Phrygian inlayed Wooden Screen from the Gordion Great Tumulus. Phrygian Collection, 8th-7th century BC - Museum of Anatolian Civilisations Ankara. Turkey. Against a black background
  • Phrygian inlayed Wooden Screen from the Gordion Great Tumulus. Phrygian Collection, 8th-7th century BC - Museum of Anatolian Civilisations Ankara. Turkey. Against a white background
  • Roman relief decorated garland osthotek cremation container, 2nd century AD. An ostothec is used to preserve the ashes and bones of the dead bodies after their cremation, takes its form from a small sarcophagus. This ostothec is a miniature example of the garland sarcophagus. Adana Archaeology Museum, Turkey. Against a white background
  • Roman relief decorated garland osthotek cremation container, 2nd century AD. An ostothec is used to preserve the ashes and bones of the dead bodies after their cremation, takes its form from a small sarcophagus. This ostothec is a miniature example of the garland sarcophagus. Adana Archaeology Museum, Turkey. Against a black background
  • Roman relief decorated garland osthotek cremation container, 2nd century AD. An ostothec is used to preserve the ashes and bones of the dead bodies after their cremation, takes its form from a small sarcophagus. This ostothec is a miniature example of the garland sarcophagus. Adana Archaeology Museum, Turkey. Against a grey background
  • Roman relief decorated garland osthotek cremation container, 2nd century AD. An ostothec is used to preserve the ashes and bones of the dead bodies after their cremation, takes its form from a small sarcophagus. This ostothec is a miniature example of the garland sarcophagus. Adana Archaeology Museum, Turkey
  • Roman relief decorated garland osthotek cremation container, 2nd century AD. An ostothec is used to preserve the ashes and bones of the dead bodies after their cremation, takes its form from a small sarcophagus. This ostothec is a miniature example of the garland sarcophagus. Adana Archaeology Museum, Turkey. Against a warm art background
  • Roman relief decorated garland osthotek cremation container, 2nd century AD. An ostothec is used to preserve the ashes and bones of the dead bodies after their cremation, takes its form from a small sarcophagus. This ostothec is a miniature example of the garland sarcophagus. Adana Archaeology Museum, Turkey. Against a white background
  • Roman relief decorated garland osthotek cremation container, 2nd century AD. An ostothec is used to preserve the ashes and bones of the dead bodies after their cremation, takes its form from a small sarcophagus. This ostothec is a miniature example of the garland sarcophagus. Adana Archaeology Museum, Turkey. Against a black background
  • Roman relief decorated garland osthotek cremation container, 2nd century AD. An ostothec is used to preserve the ashes and bones of the dead bodies after their cremation, takes its form from a small sarcophagus. This ostothec is a miniature example of the garland sarcophagus. Adana Archaeology Museum, Turkey. Against a grey background
  • Roman relief decorated garland osthotek cremation container, 2nd century AD. An ostothec is used to preserve the ashes and bones of the dead bodies after their cremation, takes its form from a small sarcophagus. This ostothec is a miniature example of the garland sarcophagus. Adana Archaeology Museum, Turkey. Against a warm art background
  • Roman relief decorated garland osthotec cremation container, 2nd century AD. An ostothec is used to preserve the ashes and bones of the dead bodies after their cremation, takes its form from a small sarcophagus. This ostothec is a miniature example of the garland sarcophagus. Adana Archaeology Museum, Turkey
  • Fine Art nude photography picture wall art prints, by photographer Paul Williams. These art photo prints contain female nude body studies which explores the female form to create striking images to be framed.
  • Manakins # 20 - Fine Art nude photography picture wall art prints, by photographer Paul Williams. These art photo prints contain female nude body studies which explores the female form to create striking images to be framed.
  • North Porch, Central Portal, Right Archivolts c. 1194-1230. Cathedral of Chartres, France. The Jesse Tree shows the genealogy of Christ, based on the words of Isaiah's prophecy (Isaiah 11:1 " And there shall come forth a rod out of the root of Jesse, and a flower shall rise up out of his root.") The Innermost archivolt contains angels. The second and fifth archivolts from the centre contains Old Testament prophets, many nimbed and holding scrolls. The third and fourth archivolts contain seated figures of the royal ancestors of Christ, surrounded by foliage of the Jesse Tree. A UNESCO World Heritage Site. .
  • North Porch, Central Portal, left Archivolts c. 1194-1230. Cathedral of Chartres, France. The Jesse Tree shows the genealogy of Christ, based on the words of Isaiah's prophecy (Isaiah 11:1 " And there shall come forth a rod out of the root of Jesse, and a flower shall rise up out of his root.") The Innermost archivolt contains angels. The second and fifth archivolts from the centre contains Old Testament prophets, many nimbed and holding scrolls. The third and fourth archivolts contain seated figures of the royal ancestors of Christ, surrounded by foliage of the Jesse Tree. A UNESCO World Heritage Site.
  • North Porch, Central Portal, Right Archivolts c. 1194-1230. Cathedral of Chartres, France. The Jesse Tree shows the genealogy of Christ, based on the words of Isaiah's prophecy (Isaiah 11:1 " And there shall come forth a rod out of the root of Jesse, and a flower shall rise up out of his root.") The Innermost archivolt contains angels. The second and fifth archivolts from the centre contains Old Testament prophets, many nimbed and holding scrolls. The third and fourth archivolts contain seated figures of the royal ancestors of Christ, surrounded by foliage of the Jesse Tree. A UNESCO World Heritage Site. .
  • Medieval Rose Window of the North Transept of the Gothic Cathedral of Chartres, France- Circa 1235. A UNESCO World Heritage Site. The 10.5m rose window is dedicated to the Virgin Mary . The central oculus shows the Virgin and Child and is surrounded by 12 small petal-shaped windows, 4 with doves (the 'Four Gifts of the Spirit'), the rest with adoring angels carrying candlesticks. Beyond this is a ring of 12 diamond-shaped openings containing the Old Testament Kings of Judah, another ring of smaller lozenges containing the arms of France and Castille, and finally a ring of semicircles containing Old Testament Prophets holding scrolls. The presence of the arms of the French king (yellow fleurs-de-lis on a blue background) and of his mother, Blanche of Castile (yellow castles on a red background) are taken as a sign of royal patronage for this window. Beneath the rose itself are five tall lancet windows (7.5 m high) showing, in the centre, the Virgin as an infant held by her mother, St Anne - the same subject as the trumeau in the portal beneath it. Flanking this lancet are four more containing Old Testament figures. Each of these standing figures is shown symbolically triumphing over an enemy depicted in the base of the lancet beneath them - David over Saul, Aaron over Pharaoh, St Anne over Synagoga, etc
  • Medieval Rose Window of the North Transept of the Gothic Cathedral of Chartres, France- Circa 1235. A UNESCO World Heritage Site. The 10.5m rose window is dedicated to the Virgin Mary . The central oculus shows the Virgin and Child and is surrounded by 12 small petal-shaped windows, 4 with doves (the 'Four Gifts of the Spirit'), the rest with adoring angels carrying candlesticks. Beyond this is a ring of 12 diamond-shaped openings containing the Old Testament Kings of Judah, another ring of smaller lozenges containing the arms of France and Castille, and finally a ring of semicircles containing Old Testament Prophets holding scrolls. The presence of the arms of the French king (yellow fleurs-de-lis on a blue background) and of his mother, Blanche of Castile (yellow castles on a red background) are taken as a sign of royal patronage for this window. Beneath the rose itself are five tall lancet windows (7.5 m high) showing, in the centre, the Virgin as an infant held by her mother, St Anne - the same subject as the trumeau in the portal beneath it. Flanking this lancet are four more containing Old Testament figures. Each of these standing figures is shown symbolically triumphing over an enemy depicted in the base of the lancet beneath them - David over Saul, Aaron over Pharaoh, St Anne over Synagoga, etc
  • Manakins # 5 - Fine Art nude photography picture wall art prints, by photographer Paul Williams. These art photo prints contain female nude body studies which explores the female form to create striking images to be framed.
  • Manakins # 4 - Fine Art nude photography picture wall art prints, by photographer Paul Williams. These art photo prints contain female nude body studies which explores the female form to create striking images to be framed.
  • Fine Art nude photography picture wall art prints, by photographer Paul Williams. These art photo prints contain female nude body studies which explores the female form to create striking images to be framed.
  • Manakins # 9 - Fine Art nude photography picture wall art prints, by photographer Paul Williams. These art photo prints contain female nude body studies which explores the female form to create striking images to be framed.
  • Manakins # 10 - Fine Art nude photography picture wall art prints, by photographer Paul Williams. These art photo prints contain female nude body studies which explores the female form to create striking images to be framed.
  • Fine Art nude photography picture wall art prints, by photographer Paul Williams. These art photo prints contain female nude body studies which explores the female form to create striking images to be framed.
  • Manakins # 3 - Fine Art nude photography picture wall art prints, by photographer Paul Williams. These art photo prints contain female nude body studies which explores the female form to create striking images to be framed.
  • Manakins # 8 - Fine Art nude photography picture wall art prints, by photographer Paul Williams. These art photo prints contain female nude body studies which explores the female form to create striking images to be framed.
  • Manakins # 7 - Fine Art nude photography picture wall art prints, by photographer Paul Williams. These art photo prints contain female nude body studies which explores the female form to create striking images to be framed.
  • Manakins # 17 - Fine Art nude photography picture wall art prints, by photographer Paul Williams. These art photo prints contain female nude body studies which explores the female form to create striking images to be framed.
  • Manakins # 14 - Fine Art nude photography picture wall art prints, by photographer Paul Williams. These art photo prints contain female nude body studies which explores the female form to create striking images to be framed.
  • Manakins # 16 - Fine Art nude photography picture wall art prints, by photographer Paul Williams. These art photo prints contain female nude body studies which explores the female form to create striking images to be framed.
  • Manakins # 15 - Fine Art nude photography picture wall art prints, by photographer Paul Williams. These art photo prints contain female nude body studies which explores the female form to create striking images to be framed.
  • Manakins # 19 - Fine Art nude photography picture wall art prints, by photographer Paul Williams. These art photo prints contain female nude body studies which explores the female form to create striking images to be framed.
  • West Facade, Central Portal, Archivolts- Right c. 1145. Cathedral of Chartres, France . Gothic statues of figures, from  the center the inner archivolt contains figures of angels standing on clouds. They hold round objects. (Perhaps these are wheels- the symbol for the Thrones, one of the choirs of angels described in Old Testament Book of Ezekiel 1:13-19. - JV) .The outer archivolts (right) contain figures of the Elders of the Apocalypse (Apocalypse, Chapter 4). They are depicted as bearded, haloed men wearing crowns seated on thrones. Each holds a musical instrument (Apocalypse, 5:8). A UNESCO World Heritage Site.
  • West Facade, Central Portal, Archivolts- Right c. 1145. Cathedral of Chartres, France . Gothic statues of figures, from  the center the inner archivolt contains figures of angels standing on clouds. They hold round objects. (Perhaps these are wheels- the symbol for the Thrones, one of the choirs of angels described in Old Testament Book of Ezekiel 1:13-19. - JV) .The outer archivolts (right) contain figures of the Elders of the Apocalypse (Apocalypse, Chapter 4). They are depicted as bearded, haloed men wearing crowns seated on thrones. Each holds a musical instrument (Apocalypse, 5:8). A UNESCO World Heritage Site.
  • West Facade, Central Portal, Archivolts- Right c. 1145. Cathedral of Chartres, France . Gothic statues of figures, from  the center the inner archivolt contains figures of angels standing on clouds. They hold round objects. (Perhaps these are wheels- the symbol for the Thrones, one of the choirs of angels described in Old Testament Book of Ezekiel 1:13-19. - JV) .The outer archivolts (right) contain figures of the Elders of the Apocalypse (Apocalypse, Chapter 4). They are depicted as bearded, haloed men wearing crowns seated on thrones. Each holds a musical instrument (Apocalypse, 5:8). A UNESCO World Heritage Site.
  • Pictures and images of the historic frescoes of St Nicholas Church interior in the medieval Kintsvisi Monastery Georgian Orthodox Monastery complex, depicting  the Virgin Mary also contains an enthroned Hodegetria with a Communion of the Apostles in iits apse. Shida Kartli Region, Georgia (country).
  • 6th-7th Century Eastern Roman Byzantine  Christian Terracotta tiles depicting two Peacocks - Produced in Byzacena -  present day Tunisia. <br />
<br />
<br />
The patterns of peacock tails contain round decorations. These were seen to be the symbolic eyes of omnipotence and often ascribed to the Archangel Michael. The peacock’s feather is sometimes associated with St. Barbara Also, The peacock, (due to an ancient myth that Peacock flesh did not decay), is seen as a symbol of immortality.<br />
<br />
These early Christian terracotta tiles were mass produced thanks to moulds. Their quadrangular, square or rectangular shape as well as the standardised sizes in use in the different regions were determined by their architectonic function and were designed to facilitate their assembly according to various combinations to decorate large flat surfaces of walls or ceilings. <br />
<br />
Byzacena stood out for its use of biblical and hagiographic themes and a richer variety of animals, birds and roses. Some deer and lions were obviously inspired from Zeugitana prototypes attesting to the pre-existence of this province's production with respect to that of Byzacena. The rules governing this art are similar to those that applied to late Roman and Christian art with, in the case of Byzacena, an obvious popular connotation. Its distinguishing features are flatness, a predilection for symmetrical compositions, frontal and lateral representations, the absence of tridimensional attitudes and the naivety of some details (large eyes, pointed chins). Mass production enabled this type of decoration to be widely used at little cost and it played a role as ideograms and for teaching catechism through pictures. Painting, now often faded, enhanced motifs in relief or enriched them with additional details to break their repetitive monotony.<br />
<br />
The Bardo National Museum Tunis, Tunisia.  Against a white background.
  • 6th-7th Century Eastern Roman Byzantine  Christian Terracotta tiles depicting two Peacocks - Produced in Byzacena -  present day Tunisia. <br />
<br />
<br />
The patterns of peacock tails contain round decorations. These were seen to be the symbolic eyes of omnipotence and often ascribed to the Archangel Michael. The peacock’s feather is sometimes associated with St. Barbara Also, The peacock, (due to an ancient myth that Peacock flesh did not decay), is seen as a symbol of immortality.<br />
<br />
These early Christian terracotta tiles were mass produced thanks to moulds. Their quadrangular, square or rectangular shape as well as the standardised sizes in use in the different regions were determined by their architectonic function and were designed to facilitate their assembly according to various combinations to decorate large flat surfaces of walls or ceilings. <br />
<br />
Byzacena stood out for its use of biblical and hagiographic themes and a richer variety of animals, birds and roses. Some deer and lions were obviously inspired from Zeugitana prototypes attesting to the pre-existence of this province's production with respect to that of Byzacena. The rules governing this art are similar to those that applied to late Roman and Christian art with, in the case of Byzacena, an obvious popular connotation. Its distinguishing features are flatness, a predilection for symmetrical compositions, frontal and lateral representations, the absence of tridimensional attitudes and the naivety of some details (large eyes, pointed chins). Mass production enabled this type of decoration to be widely used at little cost and it played a role as ideograms and for teaching catechism through pictures. Painting, now often faded, enhanced motifs in relief or enriched them with additional details to break their repetitive monotony.<br />
<br />
The Bardo National Museum Tunis, Tunisia.   Against a grey background.
  • 6th-7th Century Eastern Roman Byzantine  Christian Terracotta tiles depicting two Peacocks - Produced in Byzacena -  present day Tunisia. <br />
<br />
<br />
The patterns of peacock tails contain round decorations. These were seen to be the symbolic eyes of omnipotence and often ascribed to the Archangel Michael. The peacock’s feather is sometimes associated with St. Barbara Also, The peacock, (due to an ancient myth that Peacock flesh did not decay), is seen as a symbol of immortality.<br />
<br />
These early Christian terracotta tiles were mass produced thanks to moulds. Their quadrangular, square or rectangular shape as well as the standardised sizes in use in the different regions were determined by their architectonic function and were designed to facilitate their assembly according to various combinations to decorate large flat surfaces of walls or ceilings. <br />
<br />
Byzacena stood out for its use of biblical and hagiographic themes and a richer variety of animals, birds and roses. Some deer and lions were obviously inspired from Zeugitana prototypes attesting to the pre-existence of this province's production with respect to that of Byzacena. The rules governing this art are similar to those that applied to late Roman and Christian art with, in the case of Byzacena, an obvious popular connotation. Its distinguishing features are flatness, a predilection for symmetrical compositions, frontal and lateral representations, the absence of tridimensional attitudes and the naivety of some details (large eyes, pointed chins). Mass production enabled this type of decoration to be widely used at little cost and it played a role as ideograms and for teaching catechism through pictures. Painting, now often faded, enhanced motifs in relief or enriched them with additional details to break their repetitive monotony.<br />
<br />
The Bardo National Museum Tunis, Tunisia.  Against a black background.
  • 6th-7th Century Eastern Roman Byzantine  Christian Terracotta tiles depicting two Peacocks - Produced in Byzacena -  present day Tunisia. <br />
<br />
<br />
The patterns of peacock tails contain round decorations. These were seen to be the symbolic eyes of omnipotence and often ascribed to the Archangel Michael. The peacock’s feather is sometimes associated with St. Barbara Also, The peacock, (due to an ancient myth that Peacock flesh did not decay), is seen as a symbol of immortality.<br />
<br />
These early Christian terracotta tiles were mass produced thanks to moulds. Their quadrangular, square or rectangular shape as well as the standardised sizes in use in the different regions were determined by their architectonic function and were designed to facilitate their assembly according to various combinations to decorate large flat surfaces of walls or ceilings. <br />
<br />
Byzacena stood out for its use of biblical and hagiographic themes and a richer variety of animals, birds and roses. Some deer and lions were obviously inspired from Zeugitana prototypes attesting to the pre-existence of this province's production with respect to that of Byzacena. The rules governing this art are similar to those that applied to late Roman and Christian art with, in the case of Byzacena, an obvious popular connotation. Its distinguishing features are flatness, a predilection for symmetrical compositions, frontal and lateral representations, the absence of tridimensional attitudes and the naivety of some details (large eyes, pointed chins). Mass production enabled this type of decoration to be widely used at little cost and it played a role as ideograms and for teaching catechism through pictures. Painting, now often faded, enhanced motifs in relief or enriched them with additional details to break their repetitive monotony.<br />
<br />
The Bardo National Museum Tunis, Tunisia. Against a grey art background.
  • 6th-7th Century Eastern Roman Byzantine  Christian Terracotta tiles depicting two Peacocks - Produced in Byzacena -  present day Tunisia. <br />
<br />
<br />
The patterns of peacock tails contain round decorations. These were seen to be the symbolic eyes of omnipotence and often ascribed to the Archangel Michael. The peacock’s feather is sometimes associated with St. Barbara Also, The peacock, (due to an ancient myth that Peacock flesh did not decay), is seen as a symbol of immortality.<br />
<br />
These early Christian terracotta tiles were mass produced thanks to moulds. Their quadrangular, square or rectangular shape as well as the standardised sizes in use in the different regions were determined by their architectonic function and were designed to facilitate their assembly according to various combinations to decorate large flat surfaces of walls or ceilings. <br />
<br />
Byzacena stood out for its use of biblical and hagiographic themes and a richer variety of animals, birds and roses. Some deer and lions were obviously inspired from Zeugitana prototypes attesting to the pre-existence of this province's production with respect to that of Byzacena. The rules governing this art are similar to those that applied to late Roman and Christian art with, in the case of Byzacena, an obvious popular connotation. Its distinguishing features are flatness, a predilection for symmetrical compositions, frontal and lateral representations, the absence of tridimensional attitudes and the naivety of some details (large eyes, pointed chins). Mass production enabled this type of decoration to be widely used at little cost and it played a role as ideograms and for teaching catechism through pictures. Painting, now often faded, enhanced motifs in relief or enriched them with additional details to break their repetitive monotony.<br />
<br />
The Bardo National Museum Tunis, Tunisia
  • Medieval gilded manuscript cover depicting the Crucifixion. 11th century from the treasury of the Cathedral of Maastricht. AD.  <br />
This gilded with relief panel with inlaid stones was originally a manuscript cover. Since 1677, it contained the 'documents of the oath of the Dukes of Brabant'. The back of the panel is covered with precious fabrics. On the front, in the central part, is depicted a crucifixion the style of which is reminiscent of the works of the goldsmiths of the Emperor Henry II. On the borders are small icons and emblems including those of the Carolingians. The main interest of this work lies in the four enamelled on gold symbols of the evangelists in the four corners, two being 'Enforced’ on a background of gold, the others being painted.<br />
<br />
One of Latin inscriptions states that 'Beatrice  ordered the execution ( of this work) in honour of Almighty God and his saints“. It could be Beatrice wife of Hermann II of Swabia and daughter Emperor's sister-Conrad II or, more likely, Beatrice of Tuscany who in 1036 was wife of Boniface III, Marquis of Tuscany, and second wife of Geoffrey the Bearded, Duke of Lower Lorraine and Brabant.<br />
 The Louvre Museum, Paris.
  • South Porch, left Portal, Tympanum- General View.This portal is dedicated to the Confessors. Cathedral of Chartres, France. The tympanum, lintel and lower archivolts contain depictions of episodes in the martyrdom of Stephen. Christ between two kneeling angels. This is usually identified as the vision that Stephen saw during his martyrdom. Stephen saw Christ "standing at the right hand of God", and in this depiction, Christ is standing. .Lintel: Stephen led to his martyrdom (left) and the Stoning of Stephen (right). Archivolts: .Lowest register - More incidents in the Martyrdom of Stephen. A UNESCO World Heritage Site. ..
  • Medieval Rose  Window of the South Transept of the Gothic Cathedral of Chartres, France- Circa 1225-30. A UNESCO World Heritage Site. Dedicated to Christ, who is shown in the central oculus, right hand raised in benediction, surrounded by adoring angels. Two outer rings of twelve circles each contain the 24 Elders of the Apocalypse, crowned and carrying phials and musical instruments. The central lancet beneath the rose shows the Virgin carrying the infant Christ. Either side of this are four lancets showing the four evangelists sitting on the shoulders of four Prophets - a rare literal illustration of the theological principle that the New Testament builds upon the Old Testament. This window was a donation of the Mauclerc family, the Counts of Dreux-Bretagne, who are depicted with their arms in the bases of the lancets
  • Medieval Rose  Window of the South Transept of the Gothic Cathedral of Chartres, France- Circa 1225-30. A UNESCO World Heritage Site. Dedicated to Christ, who is shown in the central oculus, right hand raised in benediction, surrounded by adoring angels. Two outer rings of twelve circles each contain the 24 Elders of the Apocalypse, crowned and carrying phials and musical instruments. The central lancet beneath the rose shows the Virgin carrying the infant Christ. Either side of this are four lancets showing the four evangelists sitting on the shoulders of four Prophets - a rare literal illustration of the theological principle that the New Testament builds upon the Old Testament. This window was a donation of the Mauclerc family, the Counts of Dreux-Bretagne, who are depicted with their arms in the bases of the lancets
  • Medieval Rose  Window of the South Transept of the Gothic Cathedral of Chartres, France- Circa 1225-30. A UNESCO World Heritage Site. Dedicated to Christ, who is shown in the central oculus, right hand raised in benediction, surrounded by adoring angels. Two outer rings of twelve circles each contain the 24 Elders of the Apocalypse, crowned and carrying phials and musical instruments. The central lancet beneath the rose shows the Virgin carrying the infant Christ. Either side of this are four lancets showing the four evangelists sitting on the shoulders of four Prophets - a rare literal illustration of the theological principle that the New Testament builds upon the Old Testament. This window was a donation of the Mauclerc family, the Counts of Dreux-Bretagne, who are depicted with their arms in the bases of the lancets
  • Body Study # 53 - Fine Art nude photography picture wall art prints, by photographer Paul Williams. These art photo prints contain female nude body studies which explores the female form to create striking images to be framed.  <br />
<br />
Fine art nude photography prints are available to buy on line as photo art prints.
  • Body Study # 52 - Fine Art nude photography picture wall art prints, by photographer Paul Williams. These art photo prints contain female nude body studies which explores the female form to create striking images to be framed.  <br />
<br />
Fine art nude photography prints are available to buy on line as photo art prints.
  • Body Study # 51 - Fine Art nude photography picture wall art prints, by photographer Paul Williams. These art photo prints contain female nude body studies which explores the female form to create striking images to be framed.  <br />
<br />
Fine art nude photography prints are available to buy on line as photo art prints.
  • Body Study # 50 - Fine Art nude photography picture wall art prints, by photographer Paul Williams. These art photo prints contain female nude body studies which explores the female form to create striking images to be framed.  <br />
<br />
Fine art nude photography prints are available to buy on line as photo art prints.
  • Body Study # 49 - Fine Art nude photography picture wall art prints, by photographer Paul Williams. These art photo prints contain female nude body studies which explores the female form to create striking images to be framed.  <br />
<br />
Fine art nude photography prints are available to buy on line as photo art prints.
  • Body Study # 48 - Fine Art nude photography picture wall art prints, by photographer Paul Williams. These art photo prints contain female nude body studies which explores the female form to create striking images to be framed.  <br />
<br />
Fine art nude photography prints are available to buy on line as photo art prints.
  • Body Study # 47 - Fine Art nude photography picture wall art prints, by photographer Paul Williams. These art photo prints contain female nude body studies which explores the female form to create striking images to be framed.  <br />
<br />
Fine art nude photography prints are available to buy on line as photo art prints.
  • Body Study # 46 - Fine Art nude photography picture wall art prints, by photographer Paul Williams. These art photo prints contain female nude body studies which explores the female form to create striking images to be framed.  <br />
<br />
Fine art nude photography prints are available to buy on line as photo art prints.
  • Body Study # 45 - Fine Art nude photography picture wall art prints, by photographer Paul Williams. These art photo prints contain female nude body studies which explores the female form to create striking images to be framed.  <br />
<br />
Fine art nude photography prints are available to buy on line as photo art prints.
  • Body Study # 44 - Fine Art nude photography picture wall art prints, by photographer Paul Williams. These art photo prints contain female nude body studies which explores the female form to create striking images to be framed.  <br />
<br />
Fine art nude photography prints are available to buy on line as photo art prints.
  • Body Study # 43 - Fine Art nude photography picture wall art prints, by photographer Paul Williams. These art photo prints contain female nude body studies which explores the female form to create striking images to be framed.  <br />
<br />
Fine art nude photography prints are available to buy on line as photo art prints.
  • Body Study # 42 - Fine Art nude photography picture wall art prints, by photographer Paul Williams. These art photo prints contain female nude body studies which explores the female form to create striking images to be framed.  <br />
<br />
Fine art nude photography prints are available to buy on line as photo art prints.
  • Body Study # 41 - Fine Art nude photography picture wall art prints, by photographer Paul Williams. These art photo prints contain female nude body studies which explores the female form to create striking images to be framed.  <br />
<br />
Fine art nude photography prints are available to buy on line as photo art prints.
  • Body Study # 40 - Fine Art nude photography picture wall art prints, by photographer Paul Williams. These art photo prints contain female nude body studies which explores the female form to create striking images to be framed.  <br />
<br />
Fine art nude photography prints are available to buy on line as photo art prints.
  • Body Study # 39 - Fine Art nude photography picture wall art prints, by photographer Paul Williams. These art photo prints contain female nude body studies which explores the female form to create striking images to be framed.  <br />
<br />
Fine art nude photography prints are available to buy on line as photo art prints.
  • Body Study # 37 - Fine Art nude photography picture wall art prints, by photographer Paul Williams. These art photo prints contain female nude body studies which explores the female form to create striking images to be framed.  <br />
<br />
Fine art nude photography prints are available to buy on line as photo art prints.
  • Body Study # 36 - Fine Art nude photography picture wall art prints, by photographer Paul Williams. These art photo prints contain female nude body studies which explores the female form to create striking images to be framed.  <br />
<br />
Fine art nude photography prints are available to buy on line as photo art prints.
  • Body Study # 35 - Fine Art nude photography picture wall art prints, by photographer Paul Williams. These art photo prints contain female nude body studies which explores the female form to create striking images to be framed.  <br />
<br />
Fine art nude photography prints are available to buy on line as photo art prints.
  • Body Study # 34 - Fine Art nude photography picture wall art prints, by photographer Paul Williams. These art photo prints contain female nude body studies which explores the female form to create striking images to be framed.  <br />
<br />
Fine art nude photography prints are available to buy on line as photo art prints.
  • Body Study # 33 - Fine Art nude photography picture wall art prints, by photographer Paul Williams. These art photo prints contain female nude body studies which explores the female form to create striking images to be framed.  <br />
<br />
Fine art nude photography prints are available to buy on line as photo art prints.
  • Body Study # 32 - Fine Art nude photography picture wall art prints, by photographer Paul Williams. These art photo prints contain female nude body studies which explores the female form to create striking images to be framed.  <br />
<br />
Fine art nude photography prints are available to buy on line as photo art prints.
  • Body Study # 31 - Fine Art nude photography picture wall art prints, by photographer Paul Williams. These art photo prints contain female nude body studies which explores the female form to create striking images to be framed.  <br />
<br />
Fine art nude photography prints are available to buy on line as photo art prints.
  • Body Study # 30 - Fine Art nude photography picture wall art prints, by photographer Paul Williams. These art photo prints contain female nude body studies which explores the female form to create striking images to be framed.  <br />
<br />
Fine art nude photography prints are available to buy on line as photo art prints.
  • Body Study # 29 - Fine Art nude photography picture wall art prints, by photographer Paul Williams. These art photo prints contain female nude body studies which explores the female form to create striking images to be framed.  <br />
<br />
Fine art nude photography prints are available to buy on line as photo art prints.
  • Body Study # 28 - Fine Art nude photography picture wall art prints, by photographer Paul Williams. These art photo prints contain female nude body studies which explores the female form to create striking images to be framed.  <br />
<br />
Fine art nude photography prints are available to buy on line as photo art prints.
  • Body Study # 27 - Fine Art nude photography picture wall art prints, by photographer Paul Williams. These art photo prints contain female nude body studies which explores the female form to create striking images to be framed.  <br />
<br />
Fine art nude photography prints are available to buy on line as photo art prints.
  • Body Study # 26 - Fine Art nude photography picture wall art prints, by photographer Paul Williams. These art photo prints contain female nude body studies which explores the female form to create striking images to be framed.  <br />
<br />
Fine art nude photography prints are available to buy on line as photo art prints.
  • Body Study # 25 - Fine Art nude photography picture wall art prints, by photographer Paul Williams. These art photo prints contain female nude body studies which explores the female form to create striking images to be framed.  <br />
<br />
Fine art nude photography prints are available to buy on line as photo art prints.
  • Body Study # 24 - Fine Art nude photography picture wall art prints, by photographer Paul Williams. These art photo prints contain female nude body studies which explores the female form to create striking images to be framed.  <br />
<br />
Fine art nude photography prints are available to buy on line as photo art prints.
  • Body Study # 23 -Fine Art nude photography picture wall art prints, by photographer Paul Williams. These art photo prints contain female nude body studies which explores the female form to create striking images to be framed.  <br />
<br />
Fine art nude photography prints are available to buy on line as photo art prints.
  • Body Study # 22 - Fine Art nude photography picture wall art prints, by photographer Paul Williams. These art photo prints contain female nude body studies which explores the female form to create striking images to be framed.  <br />
<br />
Fine art nude photography prints are available to buy on line as photo art prints.
  • Body Study # 21 -Fine Art nude photography picture wall art prints, by photographer Paul Williams. These art photo prints contain female nude body studies which explores the female form to create striking images to be framed.  <br />
<br />
Fine art nude photography prints are available to buy on line as photo art prints.
  • Body Study # 20 -Fine Art nude photography picture wall art prints, by photographer Paul Williams. These art photo prints contain female nude body studies which explores the female form to create striking images to be framed.  <br />
<br />
Fine art nude photography prints are available to buy on line as photo art prints.
  • Body Study # 19 -Fine Art nude photography picture wall art prints, by photographer Paul Williams. These art photo prints contain female nude body studies which explores the female form to create striking images to be framed.  <br />
<br />
Fine art nude photography prints are available to buy on line as photo art prints.
  • Body Study # 18 -Fine Art nude photography picture wall art prints, by photographer Paul Williams. These art photo prints contain female nude body studies which explores the female form to create striking images to be framed.  <br />
<br />
Fine art nude photography prints are available to buy on line as photo art prints.
  • Body Study # 17-Fine Art nude photography picture wall art prints, by photographer Paul Williams. These art photo prints contain female nude body studies which explores the female form to create striking images to be framed.  <br />
<br />
Fine art nude photography prints are available to buy on line as photo art prints.
  • Body Study # 16 -Fine Art nude photography picture wall art prints, by photographer Paul Williams. These art photo prints contain female nude body studies which explores the female form to create striking images to be framed.  <br />
<br />
Fine art nude photography prints are available to buy on line as photo art prints.
  • Body Study # 15 -Fine Art nude photography picture wall art prints, by photographer Paul Williams. These art photo prints contain female nude body studies which explores the female form to create striking images to be framed.  <br />
<br />
Fine art nude photography prints are available to buy on line as photo art prints.
  • Body Study # 14 -Fine Art nude photography picture wall art prints, by photographer Paul Williams. These art photo prints contain female nude body studies which explores the female form to create striking images to be framed.  <br />
<br />
Fine art nude photography prints are available to buy on line as photo art prints.
  • Body Study # 12 -Fine Art nude photography picture wall art prints, by photographer Paul Williams. These art photo prints contain female nude body studies which explores the female form to create striking images to be framed.  <br />
<br />
Fine art nude photography prints are available to buy on line as photo art prints.
  • Body Study # 11 -Fine Art nude photography picture wall art prints, by photographer Paul Williams. These art photo prints contain female nude body studies which explores the female form to create striking images to be framed.  <br />
<br />
Fine art nude photography prints are available to buy on line as photo art prints.
  • Body Study # 10 - Fine Art nude photography picture wall art prints, by photographer Paul Williams. These art photo prints contain female nude body studies which explores the female form to create striking images to be framed.  <br />
<br />
Fine art nude photography prints are available to buy on line as photo art prints.
  • Body Study # 9 - Fine Art nude photography picture wall art prints, by photographer Paul Williams. These art photo prints contain female nude body studies which explores the female form to create striking images to be framed.  <br />
<br />
Fine art nude photography prints are available to buy on line as photo art prints.
  • Body Study # 8 - Fine Art nude photography picture wall art prints, by photographer Paul Williams. These art photo prints contain female nude body studies which explores the female form to create striking images to be framed.  <br />
<br />
Fine art nude photography prints are available to buy on line as photo art prints.
  • Body Study # 7  - Fine Art nude photography picture wall art prints, by photographer Paul Williams. These art photo prints contain female nude body studies which explores the female form to create striking images to be framed.  <br />
<br />
Fine art nude photography prints are available to buy on line as photo art prints.
  • Body Study #  6 - Fine Art nude photography picture wall art prints, by photographer Paul Williams. These art photo prints contain female nude body studies which explores the female form to create striking images to be framed.  <br />
<br />
Fine art nude photography prints are available to buy on line as photo art prints.
  • Masks # 14  - Fine Art nude photography picture wall art prints, by photographer Paul Williams. These art photo prints contain female nude body studies which explores the female form to create striking images to be framed.
  • Masks # 12  - Fine Art nude photography picture wall art prints, by photographer Paul Williams. These art photo prints contain female nude body studies which explores the female form to create striking images to be framed.
  • Masks # 10  - Fine Art nude photography picture wall art prints, by photographer Paul Williams. These art photo prints contain female nude body studies which explores the female form to create striking images to be framed.
  • Masks # 6 - Fine Art nude photography picture wall art prints, by photographer Paul Williams. These art photo prints contain female nude body studies which explores the female form to create striking images to be framed.

FunkyStock Picture Library Resource

Picture The Past

ABOUT

FunkyStock Picture Library free resource for professional editorial picture editors, picture researchers, historical scholars and students and enthusiasts who want to browse some of the best pictures and images of historic countries, historical places, archaeological sites and the very best museum antiquities and artefacts exhibits in Europe and the Middle East.

Pictures and Images can be downloaded or bought as stock photos or photo art prints.

COUNTRIES

Browse travel pictures and images of historic places and archaeological sites of countries in Europe and the Middle East.

VIEW COUNTRIES INDEX....

HISTORICAL

Explore the past through pictures and images of its historic places. See the great palaces, castles and cities of antiquity as well as the great archaeological sites where our ancestors made history.

EXPLORE HISTORICAL PLACES...

MUSEUMS

Browse pictures & images the treasured artefacts and antiquities exhibits from the great Museum of Europe and the Middle East. See the art and objects made by our ancestors.

SEE MUESEUM ANTIQUITIES....